{"title":"art","description":"","products":[{"product_id":"108233","title":"Why don't you like classics? ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trgQGYFe1YDssrMIhUGhzYvqfH.png?v=1765019602\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Why don't you like classics? \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/145759661\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e Beginning Classics? This Book Is the Answer\u003c\/div\u003e\n\u003cdiv\u003e A definitive introduction for those who want to learn about classical music but don't know where to begin! The engaging commentary and informative structure of YouTuber \"Tanglog,\" with 110,000 subscribers, easily unravels the major trends of classical music.\u003cbr\u003e It helps you get one step closer to classical music by including 20 carefully selected musicians, their representative works, and even interesting anecdotes.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eMay 9, 2025.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“It’s more fun than any Western music history class!”\u003cbr\u003e Are you just getting interested in classical music? Just 20 musicians are all you need to know to get started!\u003cbr\u003e\u003cbr\u003e ★★★ The first book by YouTuber 'Tanglog', who became a hot topic with 'Debussy Gaslighting'\u003cbr\u003e ★★★ Includes a classic chronology, basic terminology, and appreciation tips.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eWith world-renowned pianists like Cho Seong-jin and Lim Yun-chan enjoying popularity comparable to that of idols, getting concert tickets is like trying to find a needle in a haystack.\u003cbr\u003e Although interest in classical music has increased, it is difficult to know where to start and how to learn about it.\u003cbr\u003e\u003cbr\u003e \"Why Don't You Like Classical Music?\" is the result of music educator and classical storyteller Kwon Tae-young (Tanglog)'s efforts to break away from the strict, solemn, and serious nature of classical music and make it accessible in an easy, fun, and light-hearted way.\u003cbr\u003e A classical chronology? An explanation of basic terms? Gain background knowledge through appreciation techniques, and grasp the major trends of classical music through 20 musicians and their representative works.\u003cbr\u003e Finally, it helps you create your own taste through playlists tailored to your emotions and tastes.\u003cbr\u003e Classical music is not music for an elite few, but for all of us. \u003cbr\u003eI hope this book will be an invitation to the world of classics.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e [Prologue] How to Break Free from the Strict, Somber, and Serious Classics\u003cbr\u003e [Classic Chronology]\u003cbr\u003e [Basic Classical Terms in This Book]\u003cbr\u003e [Three Ways to Appreciate Classical Music]\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1.\u003cbr\u003e This song was it? A true introduction to classical music.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e [Beethoven] How to express thoughts and emotions in music\u003cbr\u003e [Paganini and Liszt] Why They Became Idols of the Classical World\u003cbr\u003e [Mozart] The Perilous Journey of Freelance Mozart\u003cbr\u003e [Debussy] My Way, a Classical Work of Free Spirit\u003cbr\u003e [Rachmaninoff] The Birth of a Heart-Pounding Masterpiece\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2.\u003cbr\u003e Behind the scenes of classics that are even more fun when you know about them\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e [Bach] If it weren't for him, would the masterpieces of the century have been created?\u003cbr\u003e [Handel] The Story of Handel's Music Business Success, Captivating Popular Tastes \u003cbr\u003e[Tchaikovsky] The Last Symphony: A Mysterious Death\u003cbr\u003e [Brahms] Where will this crazy unrequited love end?\u003cbr\u003e [Chopin] A poem written solely for the piano\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3.\u003cbr\u003e Decisive moments in music that have stood the test of time\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e [Wagner] Beautiful Dissonance, Opening the Door to Modern Music\u003cbr\u003e [John Cage] Dreaming of a world where everyone can become a musician\u003cbr\u003e [Shostakovich] Translating a Dark Era into Musical Notes\u003cbr\u003e [Dvorak] A comforting melody drawn from a longing for office work\u003cbr\u003e Mahler: Depicting the Pain Between Life and Death\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 4.\u003cbr\u003e A list of classical music to choose from according to your taste and sensibility.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e [Elgar] If you ask what the power of love is,\u003cbr\u003e Vivaldi: The Rock Star of the Classical World, Giving Music Its Name\u003cbr\u003e [Sibelius] Incorporating Unique National Character into Music\u003cbr\u003e [Bizet] The Secret Behind the Unconventional Opera\u003cbr\u003e [Rossini] The Pleasant Life of Fire Tribe's Rossini\u003cbr\u003e\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5295\/MidCate004\/529434792.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eBeethoven (…) showed great interest in politics and society.\u003cbr\u003e At that time, Europe was in turmoil due to the Enlightenment and the French Revolution.\u003cbr\u003e (…) The citizens were angry about the power concentrated in the hands of the French king and nobles who were only concerned with filling their own bellies, and they demanded equal rights.\u003cbr\u003e How would the king and nobles have responded? They would not have readily shared power.\u003cbr\u003e They immediately mobilized the military to suppress their claims.\u003cbr\u003e\u003cbr\u003e At this, the citizens' anger explodes.\u003cbr\u003e (…) Eventually, King Louis XVI of France and Queen Marie Antoinette were executed, and France became a ‘republic’ ruled by a person elected by popular vote.\u003cbr\u003e Beethoven absorbed the ideas of the Enlightenment that spread throughout Europe. \u003cbr\u003eAs an artist, he cultivated unwavering integrity towards the nobility, a heart that holds music sacred, and a belief that all people are equal.\u003cbr\u003e And I wanted to fully incorporate this attitude and thought into my music.\u003cbr\u003e\u003cbr\u003e ---From “[Beethoven] Putting Thoughts and Emotions into Music”\u003cbr\u003e\u003cbr\u003e A hunched posture, a hooked nose and a prominent cheekbone, messy hair and a small body, a violin pointed at the ground.\u003cbr\u003e Watching him play the violin, it seems difficult to have confidence in his performance.\u003cbr\u003e But the moment he speaks, all prejudices disappear in an instant.\u003cbr\u003e\u003cbr\u003e (…) The audience was left speechless after hearing his dazzling performance.\u003cbr\u003e After his performance, the audience erupted in excitement, and rumors even circulated that he had made a deal with the devil for his violin skills. \u003cbr\u003eStrange rumors about Paganini spread like wildfire, such as that the devil helped him play, that the devil was seen at the end of his bow, and that Paganini himself was the devil.\u003cbr\u003e (…) How difficult must it have been for him to play such a difficult technique that he even became known as the ‘devil’?\u003cbr\u003e ---From “[Paganini and Liszt] Why They Became Idols of the Classical World”\u003cbr\u003e\u003cbr\u003e Rachmaninoff, whose premiere was a complete failure, suffered a great shock and fell into a slump.\u003cbr\u003e After that, he was unable to write a single note for three years.\u003cbr\u003e Not only did I suffer from depression, I completely lost my confidence in my creative abilities.\u003cbr\u003e But as time passed, the spark for composing was rekindled.\u003cbr\u003e Yet, memories of the disastrous failure of his first symphony still made him hesitant to strike a new note. \u003cbr\u003eRachmaninoff goes to the famous doctor Dr. Nikolai Dahl and undergoes hypnosis treatment.\u003cbr\u003e And only thanks to effective psychotherapy was I able to regain my confidence.\u003cbr\u003e\u003cbr\u003e Immediately after his recovery, he began composing piano concertos.\u003cbr\u003e That song is “Piano Concerto No. 2.”\u003cbr\u003e The audience's reaction to the premiere in Moscow was explosive.\u003cbr\u003e This completely restored Rachmaninoff's confidence, and he dedicated this piece to Dr. Dahl to express his gratitude.\u003cbr\u003e ---From “[Rachmaninoff] The Birth of a Heart-Pounding Masterpiece”\u003cbr\u003e\u003cbr\u003e Vivaldi has the nickname 'the rock star of classical music'.\u003cbr\u003e This is because his music is as intense and powerful as rock music, and you will immediately understand why when you listen to the third movement of “Four Seasons ‘Summer’.” \u003cbr\u003eMusic with a specific theme or title, such as Vivaldi's \"Four Seasons,\" is called \"program music.\"\u003cbr\u003e Like Debussy's \"Moonlight\" or Camille Saint-Saëns' \"Carnival of the Animals.\"\u003cbr\u003e However, the music of the Baroque era in which Vivaldi was active generally focused on conveying the formal beauty of music rather than expressing specific objects or scenes.\u003cbr\u003e In other words, it is not music that fits the theme of the 'moon' like Debussy's \"Moonlight,\" but rather it is music that focuses on the beautiful sound of the music itself without a specific theme.\u003cbr\u003e So, most of the songs are categorized by number or numeral instead of title.\u003cbr\u003e In that sense, “The Four Seasons” may have been Vivaldi’s groundbreaking attempt at the time.\u003cbr\u003e I composed music that fits the theme of the four seasons.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From “[Vivaldi] The Rock Star of the Classical World, Naming Music”\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003e“Oh, where have I heard this song before?”\u003cbr\u003e Are you just getting interested in classical music?\u003cbr\u003e Knowing just 20 musicians is all you need to know to get started with classical music!\u003cbr\u003e\u003cbr\u003e ★★★ Includes a classic chronology, basic terminology, and appreciation tips.\u003cbr\u003e ★★★ Classic Recommended List by Emotion and Taste\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Why are classical pieces composed hundreds of years ago still performed today? It's undoubtedly because they contain a beautiful message that resonates with us today.\u003cbr\u003e But it is also true that classics can feel difficult to approach rashly.\u003cbr\u003e The first thing that comes to mind is that it's long and boring.\u003cbr\u003e A huge number of songs and composers, the historical background behind each song, and even various classifications… .\u003cbr\u003e The content seems vast and difficult, and I don't even know where to start.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e However, \"Why Don't You Like Classical Music?\" is an interesting introductory book that helps you enjoy classical music as familiarly as K-POP. \u003cbr\u003eThis is the first book by classical storyteller and music educator Taeyoung Kwon (YouTuber Tanglog), inviting readers into the world of classical music through 20 must-know musicians from Beethoven to Rachmaninoff.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“It’s more fun than any Western music history class!”\u003cbr\u003e From culture and sensibility to history and philosophy\u003cbr\u003e I find myself drawn into the captivating storytelling.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In this book, the author suggests that you start by choosing music according to your taste without any pressure and gradually get to know the composers that interest you.\u003cbr\u003e\u003cbr\u003e [PART 1.\u003cbr\u003e Was this the song? In \"Introduction to Classical Music,\" even beginners can experience the charm of classical music through composers familiar to them, such as Beethoven, Paganini, Mozart, and Debussy.\u003cbr\u003e [PART 2. \u003cbr\u003e[Classical Music Behind the Scenes] is more fun when you know and listen, and vividly introduces the behind-the-scenes stories of the moments when geniuses like Bach and Chopin created famous pieces, helping you understand music more deeply.\u003cbr\u003e Also [PART 3.\u003cbr\u003e [Decisive Moments in Music that Captured the Times] highlights musicians who marked the end of an era or ushered in a new one, as well as masterpieces that embody the spirit of the times, allowing you to enjoy music within the flow of world history.\u003cbr\u003e Finally [PART 4.\u003cbr\u003e [Classical music list to choose from according to your taste and sensibility] introduces recommended songs that you can choose and listen to according to your emotions and tastes, helping you feel classical music even closer.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In this way, this book highlights the various charms of classical music and guides you to appreciate them in your own way.\u003cbr\u003e In addition, through the representative works of the composers, it kindly explains how they incorporated their intentions, philosophy, and thoughts into their music. \u003cbr\u003eThere is a saying that you see as much as you know.\u003cbr\u003e It's great to enjoy music without any prior knowledge, but if you listen to it along with the author's story, you'll experience classical music seeping deeper into your life.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe first book by YouTuber 'Tanglog', who shook up many communities with 'Debussy Gaslighting'!\u003cbr\u003e \"be careful.\u003cbr\u003e “The moment you let your guard down, classical culture seeps into you.”\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book is the first book by Kwon Tae-young (YouTuber Tanglog), who became a hot topic in many communities with the video 'Debussy Gaslighting'.\u003cbr\u003e Those who have encountered classical music through his channel all say the same thing.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “I’m not at all familiar with classical music, but why is this so fun?”\u003cbr\u003e “If he had been a music teacher, my life would have been a little richer.”\u003cbr\u003e “Listening to classical music with background knowledge makes you even more immersed in it.”\u003cbr\u003e “Overwhelming storytelling that keeps you focused without skipping or speeding up!”\u003cbr\u003e \u003cbr\u003eThe author, who worked as an elementary school teacher for about four years and is currently pursuing a doctorate in music education at Georgia State University in the United States, introduces classical music in an easy and friendly manner from a beginner's perspective, as befitting a music educator.\u003cbr\u003e In addition, we recommend music that suits your taste and sensibility.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e ***When you want to start your day in a good mood***\u003cbr\u003e - Vivaldi, where the beginning of the season unfolds before your eyes\u003cbr\u003e - The simple and beautiful emotion of love 'Elgar'\u003cbr\u003e - Free and dreamy atmosphere 'Debussy'\u003cbr\u003e\u003cbr\u003e ***When the dawn emotions rise***\u003cbr\u003e - Rachmaninoff's rich, heart-pounding lyricism\u003cbr\u003e - Paganini's passionate and mad performance\u003cbr\u003e - If you want to go to the end of depression and despair, 'Tchaikovsky'\u003cbr\u003e\u003cbr\u003e ***When you want to get drunk on culture***\u003cbr\u003e Mahler, a profound philosophy on the relationship between life and death\u003cbr\u003e John Cage, a modern musician who broke the mold and stereotypes\u003cbr\u003e - Shostakovich: Ideology and Zeitgeist Read Through Music\u003cbr\u003e \u003cbr\u003e***When you need some quiet time for reflection***\u003cbr\u003e - Bach's clean and tidy melody\u003cbr\u003e - 'Handel' that organizes complex thoughts\u003cbr\u003e - Mozart with outstanding pitch and tone, and unique variations\u003cbr\u003e\u003cbr\u003e Classical music, why not start without overthinking it and slowly learn from it? The music that has comforted so many for so long will now become a source of joy in my daily life.\u003cbr\u003e\u003cbr\u003e “Art is not about enjoying joy alone in solitude.\u003cbr\u003e Rather, art is a tool that captures people's joys and pains, and a medium that connects us with more people.”\u003cbr\u003e _Albert Camus, from his acceptance speech for the Nobel Prize in Literature\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e May 14, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 256 pages | 494g | 145*210*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791194033776\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1194033776 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891768459306,"sku":"108233","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/151b3c0f5252f82df131ffd4de3ded95.jpg?v=1765341639"},{"product_id":"108241","title":"Radu Lupu is silent ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trg2rttoggu8XFfKDD8lj31Hep.png?v=1765107432\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Radu Lupu is silent \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/145667079\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \"Radu Lupu Doesn't Speak,\" a book that contains the music, thoughts, and human side of the \"silent pianist\" Radu Lupu, who refused any interviews or recordings and retired in June 2019, passed away in April 2022, has been published.\u003cbr\u003e The vivid testimonies of 20 musicians, tuners, managers, and writers who interacted with Lupu and made music with him, including Schiff, Barenboim, Kyung-wha Chung, Seong-jin Cho, Welsermöst, Maisky, Kepeleck, Bavouzet, Görner, Cassar, and Isserlis, provide a multifaceted portrait of Radu Lupu, the “musician’s musician.” \u003cbr\u003eThis book contains untold stories about Radu Lupu, who was “music itself,” such as the story of Seong-Jin Cho, who was depressed from the tension of the Chopin Competition, being moved by a phone call of support from Lupu; the story of the Cleveland Orchestra members gathered in the waiting room during the intermission of a Beethoven piano concerto concerto and crying with emotion; and the story of Lupu moving another piano from downstairs to play with John Ogden after hearing him play at a party in Moscow.\u003cbr\u003e This is a unique and valuable book about the 'mysterious pianist' Radu Lupu, who rarely revealed himself.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Entering\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1: The Story of Radu Lupu through 20 Interviews and Contributions\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [Andrassy Schiff] Dedicated to Lupu\u003cbr\u003e [Mischa Maisky] Meeting Radu was invaluable, and the time we spent making music together was special. \u003cbr\u003e[Boris Petrushansky] The memories I made with Lupu in Moscow are deeply engraved in my memory.\u003cbr\u003e [An Kepelec] The moment I heard the first note, I will never forget the emotion and admiration that spread through my heart.\u003cbr\u003e [Jung Kyung-hwa] The souls of those who listen to the music played by Radu soar to heaven through its magical power.\u003cbr\u003e [Didier Decotini] As a friend, I don't want to bother Radu any longer because he hates recording.\u003cbr\u003e [Jessica Nasmith \u0026amp; Robin Luck] Why I Don't Do Interviews - \"If I Had Something to Say\u003cbr\u003e “I will do it only through music.”\u003cbr\u003e [Luke Guthrie] I've heard Radu's \"Song\" countless times, and I've been so shocked that I can't sit down at the piano anymore.\u003cbr\u003e [Jenny Vogel] A Night Walk in Frozen New York: A Few Mistakes Could Have Canceled Your Performance\u003cbr\u003e [Helen Turner] A proud perfectionist.\u003cbr\u003e But he wasn't the type of person who gave the manager a hard time. \u003cbr\u003e[Daniel Barenboim] I feel a special affinity with Radu because we understand each other well through music.\u003cbr\u003e [Franz Welsemöst] \"How to Pursue Beauty\" Shared with Radu We Understood Each Other Musically\u003cbr\u003e [Philippe Cassar] A Landscape of the Inner World, Delivered in a Quiet Voice by Radu Lupu\u003cbr\u003e [Jang E-Flam Babouzet] The Musical Philosophy Radu Taught Me When I Was Wandering Through Life\u003cbr\u003e [Michel Branges] It's not the sound of the piano, it's the sound of Radu Lupu.\u003cbr\u003e [Nelson Goerner \u0026amp; Rusudan Goerner] Advice full of charm and discovery.\u003cbr\u003e All his words are engraved in my heart.\u003cbr\u003e [Yuliana Avdeeva] Radu's Russian is very rich.\u003cbr\u003e He's a good listener and always gives something.\u003cbr\u003e [Jo Seong-jin] \"I don't teach, I just listen.\" ― Lessons in Lausanne\u003cbr\u003e [Steven Isserlis] A Journey with Radu Lupu \u003cbr\u003e[Elizabeth Wilson] Radu Lupu - Reminiscing about his student days in Moscow\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2: Towards Radu Lupu\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e To conclude the story\u003cbr\u003e Radu Lupu Chronology\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e “I want to publish a book about you in Japan.\u003cbr\u003e “Can you give me permission?” The artist who has stubbornly refused interviews for a long time, stopped recording long ago, and even refused to allow broadcast recordings, is an artist who values ​​his privacy to the extreme. That artist is Lupu.\u003cbr\u003e I thought the answer would be 'no'.\u003cbr\u003e “Dear Chikako, of course I won’t say anything, but if you want to, I’ll leave it to you.\u003cbr\u003e “I hope you have good results.”\u003cbr\u003e --- p.5\u003cbr\u003e\u003cbr\u003e You yourself are well aware that you are far more than just a pianist. \u003cbr\u003eYou play and think like a composer, understanding the form and structure of a piece, grasping the hierarchy of its major components, and handling even the smallest details without hesitation.\u003cbr\u003e Some of the greatest conductors have that ability, but luckily you never had to conduct.\u003cbr\u003e Just by extending both hands, the piano transformed into an orchestra with countless tones and resonances.\u003cbr\u003e - András Schiff, pianist\u003cbr\u003e --- p.37\u003cbr\u003e\u003cbr\u003e One day, Radu and Daniel Barenboim were playing a game of guessing the song.\u003cbr\u003e It was a game where you had to guess the title of a song by listening to only the first chord or first note of the song.\u003cbr\u003e I found it hard to believe that someone could guess what a song was based on just one note. - Mischa Maisky, pianist\u003cbr\u003e --- p.44\u003cbr\u003e \u003cbr\u003e“I told you it (the variations) doesn’t like me very much!” In other words, he didn’t say, “I don’t like that piece,” but rather, “that piece doesn’t like me.”\u003cbr\u003e This is in line with a passage from Neuhaus's book, The Art of Piano Playing.\u003cbr\u003e When a student loudly declared that he was sick of Beethoven's Appassionata Sonata, Neuhaus countered:\u003cbr\u003e “It’s not you who’s sick of it, it’s the work!” It’s unclear whether Radu knew this, but he probably did.\u003cbr\u003e In any case, the ethics of these two great artists are clearly in agreement.\u003cbr\u003e -Boris Petrushansky, pianist\u003cbr\u003e --- p.60\u003cbr\u003e\u003cbr\u003e The first few notes were played by a then unknown Romanian.\u003cbr\u003e That was Radu Lupu.\u003cbr\u003e I will never forget the emotion and admiration that spread through my heart at that moment. \u003cbr\u003eThe theme of Haydn's \"Andante and Variations\" in F minor resonated through the young musician's fingers in a simple, mournful, and gentle way, and its poetry moved my heart.\u003cbr\u003e - Anne Kepeleck, pianist\u003cbr\u003e --- p.62~64\u003cbr\u003e\u003cbr\u003e One day, Christopher called Radu and me to Decca's studio.\u003cbr\u003e Christopher sat in the middle of the studio and pressed play, and it was that Debussy and Franck recording from three years ago.\u003cbr\u003e We sat quietly for a while and started listening.\u003cbr\u003e I concentrated silently, and Radu was also silent.\u003cbr\u003e After two or three minutes of silence, Christopher spoke.\u003cbr\u003e “Radu, what do you think?” “Well, if Mizu Jeong is okay with it, then I’m fine with it.” Then he asked me.\u003cbr\u003e “What do you think, Kyunghwa?” “If Mr. Lupu likes it, then I like it too,” Christopher said with a smile. \u003cbr\u003e“Okay, then let’s release it!” That’s how this recording came to be in the world.\u003cbr\u003e - Jeong Kyung-wha, violinist\u003cbr\u003e --- p.68~69\u003cbr\u003e\u003cbr\u003e Radu paid all the expenses for the recording sessions to Decca and bought the rights.\u003cbr\u003e The piece I remember is the D.850 sonata and the other one is a middle period sonata.\u003cbr\u003e In the end, the recording never saw the light of day.\u003cbr\u003e Even though the excellent recording tape was completed and completely ready for release, Radu never changed his mind.\u003cbr\u003e - Didier Decotini, artistic director from the Decca label\u003cbr\u003e --- p.72\u003cbr\u003e\u003cbr\u003e When Radu arrived at the office, he hugged all the employees, then came up to the second floor where I was and greeted me with the words, “Have you ever heard this joke?”\u003cbr\u003e When Radu arrived, the receptionist would call us over the phone, and my colleague and I would say, “It’ll take a while to get to the second floor.” \u003cbr\u003eAnyway, he was loved by all the employees.\u003cbr\u003e Radu treated everyone with the same amount of sincerity and time, regardless of whether they were part-time secretaries, managers, or the president.\u003cbr\u003e Everyone respected him, and even those who weren't on staff would go to his concerts.\u003cbr\u003e - Jessica Nasmith, UK Country Manager\u003cbr\u003e --- p.78\u003cbr\u003e\u003cbr\u003e Radu's performance brought a light to the piece that I had never seen before.\u003cbr\u003e From the introduction of the song, I was overwhelmed by its technique.\u003cbr\u003e And above all, the part where the first theme returns… …all the great pianists, including Rubinstein, play that part like this: ‘Tan tan ttara ran.’\u003cbr\u003e But Radu's playing style was different from anyone else's.\u003cbr\u003e - Luke Guthrie, pianist\u003cbr\u003e --- p.93\u003cbr\u003e\u003cbr\u003e The next morning, we received a call from Lincoln Center to our office. \u003cbr\u003eAfter hearing from the person who bought the ticket that Radu was canceling the concert, they posted a notice of the cancellation at the ticket booth on the day and have just started the process of refunding the tickets.\u003cbr\u003e The situation was finally resolved when Abe, who was startled, desperately explained that the concert would go on as scheduled.\u003cbr\u003e This is a story that made all the managers burst into laughter.\u003cbr\u003e This is happening because it's Radu.\u003cbr\u003e - Jenny Vogel, Americas Manager\u003cbr\u003e --- p.96\u003cbr\u003e\u003cbr\u003e He often said that he found microphones burdensome because a performance 'recorded' by a microphone cannot be changed.\u003cbr\u003e I was also concerned that I might not like the piano I was using.\u003cbr\u003e I had no idea it would take me several days to perform something I could be proud of.\u003cbr\u003e If it's a concert, once the main performance is over, that's it.\u003cbr\u003e Ultimately, he wanted to make the recordings top-notch.\u003cbr\u003e - Helen Turner, UK Country Manager  \u003cbr\u003e--- p.99\u003cbr\u003e\u003cbr\u003e The reason Radu is able to build an intimate relationship with each and every one of his listeners is because he doesn't think about the listener.\u003cbr\u003e It may sound paradoxical, but it really is.\u003cbr\u003e When you're focused on the music, you usually forget about the audience.\u003cbr\u003e He approaches the audience without being conscious of them and brings them onto the stage.\u003cbr\u003e By doing so, it gives the feeling that I am playing just for you.\u003cbr\u003e - Daniel Barenboim, conductor and pianist\u003cbr\u003e --- p.102~104\u003cbr\u003e\u003cbr\u003e It was just like magic.\u003cbr\u003e The New York audience usually coughs during his performances, but not once after he plays his first note.\u003cbr\u003e I remember being speechless after this magical performance.\u003cbr\u003e I was truly touched.\u003cbr\u003e Radu and I rode the elevator together to the waiting room, and Radu, leaning against the wall of the elevator, told me that it was a really enjoyable performance. \u003cbr\u003eIt was the last song of the first half of the performance, and during the intermission, all the orchestra members came to the waiting room.\u003cbr\u003e After the performance, everyone was crying.\u003cbr\u003e It was truly a unique moment.\u003cbr\u003e - Franz Welsermöst, conductor\u003cbr\u003e --- p.112\u003cbr\u003e\u003cbr\u003e When I enter a concert hall to hear Radu Lupu play, after a few minutes the distance between him on stage and me in the audience disappears.\u003cbr\u003e He immediately draws me into a bubble of silence, like a magician.\u003cbr\u003e And in the song he plays that day, he tells me, in a small voice, the scenery of his inner world that he vaguely witnessed.\u003cbr\u003e - Philippe Cassard, pianist\u003cbr\u003e --- p.115\u003cbr\u003e\u003cbr\u003e Zoltan Kochish, who was my close friend, admired Radu the most.\u003cbr\u003e Their music is fundamentally different.\u003cbr\u003e Kochishu plays every note at 200 percent with energy and intensity that grabs the listener's attention. \u003cbr\u003eIn Radu's case, that doesn't happen.\u003cbr\u003e As he himself said, it is a performance that 'does not expect anything and lets the music play itself.'\u003cbr\u003e The audience is drawn to where he is and immersed in his musical world.\u003cbr\u003e Radu never grabs you by the scruff of the neck.\u003cbr\u003e - Jean-Flam Babouzet, pianist\u003cbr\u003e --- p.124\u003cbr\u003e\u003cbr\u003e Radu's touch is a mystery.\u003cbr\u003e It's really fascinating how his playing sounds so different from other pianists.\u003cbr\u003e Many pianists ask me, 'Can you make a sound like Radu?'\u003cbr\u003e (…) Even if I spent two months preparing for a piano, no one could make a sound like Radu.\u003cbr\u003e That's not the sound of the piano, it's the sound of Radu Lupu.\u003cbr\u003e - Michel Branges, piano tuner\u003cbr\u003e --- p.132\u003cbr\u003e\u003cbr\u003e My friends in Moscow said that they thought Radu would become a conductor rather than a pianist. \u003cbr\u003eI once asked Radu why he chose the piano.\u003cbr\u003e “Well… I played it first.\u003cbr\u003e And then it worked out well.\u003cbr\u003e “I don’t know why.” Come to think of it, Radu always conducts when he listens to music.\u003cbr\u003e - Rusudan Goerner, pianist\u003cbr\u003e --- p.142\u003cbr\u003e\u003cbr\u003e I once asked about Schubert's sonatas.\u003cbr\u003e When asked which sonata was the most difficult, he answered that it was the later Sonata No. 19 in C minor.\u003cbr\u003e The most difficult piece for me is the last Sonata No. 21 in B flat major.\u003cbr\u003e But Radu said that the song was easier than the C minor one.\u003cbr\u003e This B-flat major sonata is a very special piece to me, and if I could hear just one piece of music before I die, I would like to hear it played by Radu.\u003cbr\u003e His agogic is special.\u003cbr\u003e It always flows like water without any sharp edges.\u003cbr\u003e It's amazing how slowly he plays. \u003cbr\u003eIf you try to play it in a flowing manner, you will most likely end up playing at a fast tempo so that the music does not break.\u003cbr\u003e But Radu can maintain the flow while playing at a leisurely tempo.\u003cbr\u003e - Seong-jin Cho, pianist\u003cbr\u003e --- p.151\u003cbr\u003e\u003cbr\u003e One of Radu's finest performances was the one he gave in London.\u003cbr\u003e This was his first time on stage at Wigmore Hall in about 15 years.\u003cbr\u003e He suddenly appeared as a substitute at a gala concert and played Schubert's Sonata No. 21 in B-flat major, D.960.\u003cbr\u003e Anyone lucky enough to see this performance will never forget his performance.\u003cbr\u003e It was a clear revelation.\u003cbr\u003e From the time the first note resonates until the last note dies down, we have traveled from heaven to hell and back again.\u003cbr\u003e When the song ended, it felt like I had returned from another world.\u003cbr\u003e - Steven Isserlis, cellist\u003cbr\u003e --- p.156\u003cbr\u003e \u003cbr\u003eRadu, who played the instrument, was an angel himself.\u003cbr\u003e A gentle angel was saying his final goodbyes.\u003cbr\u003e Everything was so natural and so simple.\u003cbr\u003e It was a rare, ideal performance that made me feel like this is how Mozart should be played.\u003cbr\u003e And at the end, one more touching moment awaited us.\u003cbr\u003e This is Brahms, who played as an encore.\u003cbr\u003e And the curtain fell.\u003cbr\u003e Without any of the usual announcements or fanfare, Radu retired.\u003cbr\u003e - Steven Isserlis, cellist\u003cbr\u003e --- p.165~166\u003cbr\u003e\u003cbr\u003e I was so impressed by Radu's performance that I couldn't even imagine, and then I was just dumbfounded and shocked.\u003cbr\u003e I've never heard a performance like that before.\u003cbr\u003e Radu was, of course, an outstanding pianist with a beautiful sound and impressive dynamic range.\u003cbr\u003e But that's not the point. \u003cbr\u003eRadu's performance is lyrical, full of joy, and at the same time tragic, giving the impression of a genuine, passionate exchange with Schubert's private world, a true experience of the process of music creation from its very source.\u003cbr\u003e (…) I was speechless at that time and could not convey to Radu any of the emotions I felt.\u003cbr\u003e I became a lifelong fan in an instant. - Elizabeth Wilson, author and Lupu's first wife\u003cbr\u003e --- p.179~180\u003cbr\u003e\u003cbr\u003e Perhaps Radu Lupu imagined himself not as a pianist or a musician, but as music itself.\u003cbr\u003e I can't shake that thought.\u003cbr\u003e In short, it is the incarnation of music and music as an incarnation.\u003cbr\u003e In that sense, Lupu was music itself.\u003cbr\u003e A musician who has not made a name for himself through music, but who is the home where music resides, the place where music resides while it remains in this world. \u003cbr\u003eAt least at some point during the concert, Lupu was there.\u003cbr\u003e - Takaakira Aosawa, columnist\u003c\/div\u003e\n\u003cdiv\u003e --- p.237\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Let me confess first.\u003cbr\u003e Of all the pianists alive in this world, no one has impressed me as deeply as you.\u003cbr\u003e - András Schiff, pianist\u003cbr\u003e\u003cbr\u003e Radu's music is special.\u003cbr\u003e When music passes through his hands, it acquires magical powers, and the soul of the listener is lifted to heaven.\u003cbr\u003e And yet it is infinitely human and incredibly concise.\u003cbr\u003e - Jeong Kyung-wha, violinist\u003cbr\u003e\u003cbr\u003e The most difficult piece for me is [Schubert's] last Sonata No. 21 in B-flat major.\u003cbr\u003e This B-flat major sonata is a very special piece to me, and if I could hear just one piece of music before I die, I would like to hear it played by Radu.\u003cbr\u003e - Seong-jin Cho, pianist\u003cbr\u003e\u003cbr\u003e Many pianists ask me, 'Can you make a sound like Radu?' \u003cbr\u003e(…) Even if I spent two months preparing for a piano, no one could make a sound like Radu.\u003cbr\u003e That's not the sound of the piano, it's the sound of Radu Lupu.\u003cbr\u003e - Michel Branges, piano tuner\u003cbr\u003e\u003cbr\u003e He approaches the audience without being conscious of them and brings them onto the stage.\u003cbr\u003e By doing so, it gives the feeling that I am playing just for you.\u003cbr\u003e - Daniel Barenboim, conductor and pianist\u003cbr\u003e\u003cbr\u003e I was speechless at that time and couldn't convey to Radu any of the emotions I was feeling.\u003cbr\u003e I became a lifelong fan in an instant. - Elizabeth Wilson, author and Lupu's first wife\u003cbr\u003e\u003cbr\u003e \u003cb\u003eApproaching Radu Lupu, the 'silent pianist'\u003cbr\u003e A journey of longing and respect, love and friendship, passion and joy\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e\"Radu Lupu Doesn't Speak,\" a book that contains the music, thoughts, and human side of the \"silent pianist\" Radu Lupu, who refused any interviews or recordings and retired in June 2019, passed away in April 2022, has been published.\u003cbr\u003e The vivid testimonies of 20 musicians, tuners, managers, and writers who interacted with Lupu and made music with him, including Schiff, Barenboim, Kyung-wha Chung, Seong-jin Cho, Welsermöst, Maisky, Kepeleck, Bavouzet, Görner, Cassar, and Isserlis, provide a multifaceted portrait of Radu Lupu, the “musician’s musician.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Radu Lupu, who grew out his hair and beard and whom the boy Seong-jin Cho thought resembled Brahms when he first saw the album, is perceived by the public as a 'reclusive artist' (in Korea, he is known as 'the pianist Seong-jin Cho most respects').\u003cbr\u003e Lupu liked to play only for the moment and was skeptical about recording his performances and reproducing them in another time and space through albums. \u003cbr\u003e\"Radu Lupu is Silent\" is a unique and valuable book about the mysterious pianist Radu Lupu, who produced a unique sound that no one else could achieve, yet rarely revealed himself.\u003cbr\u003e The book's journey to Lupu, who left few interviews, is filled with 'stories' instead of words.\u003cbr\u003e The book's journey to revive Lupu, who left behind few records, leads to an unforgettable, eternal, musical 'moment'.\u003cbr\u003e This is a book that makes readers want to listen to music and make music.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Lupu's musical talent was truly exceptional, even in the music world.\u003cbr\u003e Magical piano playing skills, incredible memorization ability, and the ability to master not only piano parts but also orchestration.\u003cbr\u003e But it is impossible to describe his beautiful tone and unique legato in words. \u003cbr\u003eThe special 'stories' introduced in this book by top musicians and colleagues who worked with Lupu inevitably bring back the emotions of those moments they witnessed and treasured.\u003cbr\u003e After the Brahms piano sonata performance, he went backstage and saw Alfred Brendel crying in front of Lupu; during the intermission of the Beethoven piano concerto, the Cleveland Orchestra members gathered in the waiting room and cried together; and at a party in Moscow, Lupu was listening to John Ogden's performance of [Rhapsody in Blue] and found a piano, then brought one downstairs and played it with him. These scenes make you feel as if you are witnessing them in the same space.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Lupu was, as artists often are, sensitive about his work, but in other areas he was easygoing and kind. \u003cbr\u003eHe was a senior who sincerely listened to the concerns of many junior musicians, including Jo Seong-jin, and a colleague who took a long time to come up to the second floor because he was cracking jokes with all the agency office staff.\u003cbr\u003e The book also includes an anecdote about how, even before a concert, he wanted to watch the Wimbledon tennis match broadcast, so he placed a small TV on top of the piano and practiced.\u003cbr\u003e Of course, there are stories of hardships due to the political realities of his native Romania and the international situation in the midst of the Cold War, but Lupu was positive, energetic, and overcame the crisis with composure.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Editor Chikako Itagaki, who worked as Radu Lupu's Japanese manager, received permission to publish this book the day after Lupu's farewell concert in Lucerne in 2019.\u003cbr\u003e “Dear Chikako, of course I won’t say anything, but if you want to, I’ll leave it to you. \u003cbr\u003e“I hope you have great success.” After that, I completed the book by compiling interviews and contributions from about 20 people living around the world.\u003cbr\u003e Part 1 consists of writings and interviews with 20 prominent musicians, including Schiff, Barenboim, and Seong-Jin Cho, as well as colleagues in the music world, including those of Lupu and his first wife, Elizabeth Wilson, a fellow Moscow Conservatory alumnus and music biographer. Part 2 consists of a critique by music columnist Takaakira Aosawa.\u003cbr\u003e It also includes over 40 illustrations, including unpublished photos provided by the bereaved family, and a chronological table outlining Lupu's life.\u003cbr\u003e\u003cbr\u003e The testimonies that portray Lupu in the book are based on each person's memories, and are made up of small fragments of a certain moment in the past.\u003cbr\u003e Ultimately, it is the reader who puts these small pieces together to build the final impression of Lupu.\u003cbr\u003e In other words, 『Radu Lupu is silent』 is a single musical score. \u003cbr\u003eThere are clues like musical notes in it, and the reader reads them as if playing a piece.\u003cbr\u003e It's easy and dangerous to read a biography and believe you understand everything about that person's life.\u003cbr\u003e However, this book allows the reader to approach, overlap, and interpret on his own much more freely than a linearly structured biography.\u003cbr\u003e\u003cbr\u003e 『Radu Lupu is Silent』 conveys not only the inspiration contained in the art of music, but also the longing, love, friendship, passion, and joy that everyone wants to cherish and protect, through Radu Lupu, who was “the house where music stays,” “the musician who becomes the dwelling place for music when it stays in this world,” and “music itself.” \u003cbr\u003eJust like Lupu's magical 'touch', which not only makes a sound but also makes the reverberation that soon fades and the silence and stillness that follows become music, six years have passed since his last performance and three years have passed since he passed away, and a long aftertaste, like a silence that we do not want to break, remains with us. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e May 1, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 248 pages | 128*188*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791192884431\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1192884434 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894762176554,"sku":"108241","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/3212fdd0aadc7d9c2a392c06b5ec4f57.jpg?v=1765445188"},{"product_id":"108245","title":"Dong-A Planning Story ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trg2rmj336AhUjWIVG8xnKn3EN.png?v=1765107495\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Dong-A Planning Story \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/145618476\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\u003cdiv\u003e [The days we loved, the music] Dong-A Planning, the record company that captured the hearts of young people in the 1980s and 1990s.\u003cbr\u003e A book that examines how Dong-A Planning, which people could purchase based on its name alone, moved people's hearts. \u003cbr\u003eThere were many larger and more popular agencies, but Dong-A Planning conveys a special sensibility that is different from others.\u003cbr\u003e - Ahn Hyun-jae, art producer\u003c\/div\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThe album I trusted and bought, the song I treasured\u003cbr\u003e Recalling the golden age of Korean pop music, created by Dong-A Planning\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e There was a time like that.\u003cbr\u003e There was a time when I would buy an album just by looking at the words 'Dong-A Planning'.\u003cbr\u003e The memory of the orange label that always appeared when I opened the cassette tape still makes my heart pound.\u003cbr\u003e \"Dong-A Planning Story\" proves through numerous materials and testimonies that my memories were not merely personal but a \"universal situation.\"\u003cbr\u003e The joy and excitement that music gave, as well as the background of its creation, are carefully captured in the word 'story.'\u003cbr\u003e At that time, music magazines always had advertisements with the phrase, “Precious albums that Dong-A Planning is proud of.” \u003cbr\u003eIt is a precious record of that pride.\u003cbr\u003e Kim Hak-seon (pop music critic)\u003cbr\u003e\u003cbr\u003e Anyone who spent their youth in the 1980s or 1990s will remember that name.\u003cbr\u003e Dong-A Planning, a record planning company that captivated young people.\u003cbr\u003e This book is a meticulous record of Dong-A Planning's activities as a legacy of the contemporary popular music scene, examining why and how it penetrated people's hearts so deeply.\u003cbr\u003e At the time, there were several record labels with larger and more popular singers.\u003cbr\u003e It's not like the representative music ranking program \"Top 10 Songs\" produced a ton of number one songs.\u003cbr\u003e Nevertheless, Dong-A Planning still leaves an impression on the public as something different.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e At the beginning of the book\u003cbr\u003e Dong-A Planning's timeline\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1: The Birth of Dong-A Planning\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe 1980s: The Advent of a New Popular Culture│How was Dong-A Planning Founded?\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2: History of Dong-A Planning\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Based on existing experience, seeking new things│A leap forward started with Wild Chrysanthemum, recruiting new musicians│A spark lit by Kim Hyun-sik amidst a sea of ​​blooming flowers│The emergence of newcomer Lee So-ra, amidst the changing times│An attempt to overcome a crisis, and frustration\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: Dong-A Planning's Identity\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The production process and promotional methods were also unique. │ Creating a music community that shared resources. │ Coming together and then dispersing. │ Using live performances and radio broadcasts as a platform. │ Targeting niche markets with niche marketing. │ Building a fandom by branding the label.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: A Worldview Through Lyrics\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eI want to walk this road alone with you│But I have no regrets, that's my only world│If all the colors in this world were one color, that would be too much│If you and I meet in a good country│I like this light that fills my heart│Do you remember, the music of those days│Don't be sad, when you feel alone│I write, \"I love you\"│Who am I, dreaming of tomorrow?\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5: The Music Spectrum by Genre\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Folk music│Rock music│Blues music│Fusion jazz music│Ballad music│Bossa nova and reggae music│Other genres of music including musicals\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6: Dong-A Planning's Legacy in the Popular Music World\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e annotation\u003cbr\u003e References\u003cbr\u003e Dong-A Planning's discography\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5278\/MidCate6\/527757586.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eIn those days when purchasing records cost a lot of money, choosing a record without fail would have been even more important to the public.\u003cbr\u003e The representative record and planning company that captured the public's attention at that time was Dong-A Planning.\u003cbr\u003e As can be seen from the fact that the Dong-A Planning logo engraved on the album was taken as a guarantee that the album could be purchased with confidence, Dong-A Planning was the first company in Korea to brand its own label.\u003cbr\u003e Dong-A Planning, which formed a musical community with outstanding musicians such as Kim Hyun-sik, Wild Chrysanthemum, Poet and Village Chief, Han Yeong-ae, Jang Pil-soon, Park Hak-gi, Sinchon Blues, Bom Yeoreum Gaeul Gyul, Light and Salt, Kim Hyun-chul, and Lee So-ra, left a meaningful mark on the Korean popular music scene not only through albums but also by revitalizing the performing arts culture by communicating with audiences through live performances.\u003cbr\u003e --- p.6\u003cbr\u003e \u003cbr\u003eBeyond sharing each other's music, the musicians of Dong-A Planning have repeatedly dispersed and come together again to continue their activities.\u003cbr\u003e According to popular music researcher Choi Ji-seon, the so-called \"separate yet together\" method of working separately and together at the same time was one of the alternatives for the underground scene in the late 1970s, which was lacking in many resources, and it also fit well with the free-spirited nature of underground singers.\u003cbr\u003e Their flexible exchanges and collaborations were further strengthened within Dong-A Planning.\u003cbr\u003e\u003cbr\u003e --- p.100\u003cbr\u003e\u003cbr\u003e Those who worked at Dong-A Planning wanted to be recognized for their music itself and establish themselves as 'musicians' rather than 'stars', so they focused on increasing the musical perfection of their own compositions, and the results were proven by 'album sales' and 'concert attendance'. \u003cbr\u003eA breakthrough was found through ‘live performances’ rather than ‘broadcast appearances’, which was the only means of promotion at the time.\u003cbr\u003e The public began to take interest in Dong-A Planning, believing that there was something different about it, and this naturally led to an identity that defined Dong-A Planning.\u003cbr\u003e --- p.108~109\u003cbr\u003e\u003cbr\u003e Building on this foundation of the popular music industry, Dong-A Planning has moved beyond the stage of pursuing a specific music genre and is playing a role in bringing about substantial change in underground music, which had been in the amateur realm.\u003cbr\u003e For example, at Orient Production, the session band members were limited to playing accompaniment to the singer's songs, but at Dong-A Planning, the session members are provided with an environment where they can write their own songs, add lyrics, and sing.\u003cbr\u003e In particular, professional session musicians with both theory and skill, such as Jo Dong-jin, Ham Chun-ho, Son Jin-tae, Kim Jong-jin, Jeon Tae-gwan, and Jang Ki-ho, are adding various musical experiments.\u003cbr\u003e\u003cbr\u003e --- p.118\u003cbr\u003e \u003cbr\u003eFor young people who grew up under the influence of Western culture, Dong-A Planning's music satisfied their latent cultural needs.\u003cbr\u003e Dong-A Planning's music, which has a pop music tendency and is backed by high-quality performance skills, resonates with the new generation, eliciting cheers from them and creating an emotion that represents the times.\u003cbr\u003e Additionally, the lyrics, which are a blend of the musicians' experiences, perceptions, emotions, and values, were more relatable than Western pop music, which helped to gain a positive response from the public.\u003cbr\u003e This was also a step forward in increasing the self-reliance of Korean popular music.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.226~227\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe unique performances of musicians, both together and apart.\u003cbr\u003e Kim Hyun-sik, Wild Chrysanthemum, Jang Pil-soon, Spring, Summer, Fall, Winter, Light and Salt, Kim Hyun-chul, Lee So-ra…\u003cbr\u003e A musical community of musicians who lit up the contemporary popular music scene with diverse genres and innovative sounds.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe musicians of Dong-A Planning, who were loved for their fresh yet sophisticated songs, were noteworthy individually, but even when viewed together, they had their own unique characteristics.\u003cbr\u003e For example, Cho Yong-pil, Lee Yong, and Jeon Young-rok, who dominated the music industry in the early 1980s, were all singers affiliated with Jigu Records.\u003cbr\u003e However, when I think of them, I have a stronger image of them as competitors rather than singers from one record label.\u003cbr\u003e In comparison, singers affiliated with Dong-A Planning had strong cohesion and often became known to the world through the label Dong-A Planning.\u003cbr\u003e\u003cbr\u003e It wasn't just what it looked like from the outside.\u003cbr\u003e It was not uncommon for Dong-A Planning musicians to help each other out and willingly add their voices and performances to the albums of their affiliated musicians. \u003cbr\u003eSince there were many people from the underground scene who lacked resources, everyone joined forces, and in particular, Jo Dong-jin, who was called the godfather of the underground scene in the early days, played a central role in creating this atmosphere.\u003cbr\u003e People have said that Jang Pil-soon's chorus was \"like a guarantee that it would enhance the perfection of the song and greatly contribute to its success,\" but this is only one example of the collaboration within Dong-A Planning.\u003cbr\u003e For example, when the group Deulgukhwa, which led the early days of Dong-A Planning, disbanded and the members started working on solo albums individually, all the former members came together to lend a helping hand.\u003cbr\u003e\u003cbr\u003e There are so many such cases.\u003cbr\u003e In such an atmosphere, musicians recommended new and fresh talent and recruited them to Dong-A Planning. \u003cbr\u003eEven now, many people debuted as singers after going through auditions, but Dong-A Planning produced albums based solely on recommendations from internal musicians, without auditions or demo tapes.\u003cbr\u003e Kim Hyun-sik recommended members of Spring, Summer, Fall, Winter, and Light and Salt, Jeon In-kwon recommended Ha Deok-gyu, Ha Deok-gyu recommended Jang Pil-soon, Choi Seong-won recommended Park Hak-gi, Jo Dong-ik recommended Kim Hyun-chul, and Kim Hyun-chul recommended Lee So-ra.\u003cbr\u003e This ecosystem of 'step by step' created through fate is proof that musicians had the potential to gather people who could breathe together and make music together.\u003cbr\u003e What supported this was the respectful attitude of Kim Young, the CEO of Dong-A Planning, toward musicians.\u003cbr\u003e\u003cbr\u003e This momentum continued into album production, and in 1993, Dong-A Planning launched the compilation album series \"We Are All Here\", which represented the company. \u003cbr\u003eThis album is named after the concerts that Dong-A Planning musicians have been holding since 1988, and the cover uses photos of the participating musicians to show the musical community aspect of Dong-A Planning.\u003cbr\u003e This was a work that clearly showed the musical history of Dong-A Planning, containing many memorable songs for those who enjoyed listening to popular music during this period.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe emergence of a unique agency and the birth of a trusted brand.\u003cbr\u003e Targeting niche markets through live performances rather than TV and label branding.\u003cbr\u003e A company's experiment that shattered the music industry's paradigm\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e So, what kind of record label was Dong-A Planning? To answer this question, we must summon CEO Kim Young, known as the \"leader\" of Dong-A Planning.\u003cbr\u003e He ran a guitar academy and worked as a composer and guitar player in the 1970s, when youth culture was gaining momentum. \u003cbr\u003eHe also worked as an individual producer for several albums, and in 1978, he opened a record store called 'Park Ji-young Records' in Sinmun-ro, Seoul, named after his wife, singer Park Ji-young.\u003cbr\u003e After four years of studying the trends in the music industry and consumer habits here, he began to dream a new dream.\u003cbr\u003e “Regardless of the times, good music has always been loved by the public.\u003cbr\u003e “I was convinced that as long as it was good music, it would be fine.” This was the conviction of someone who had witnessed the reality that Western pop and classical albums sold much better than domestic pop songs, and that the popularity of singers gained through TV appearances was not proportional to their album sales.\u003cbr\u003e\u003cbr\u003e With this dream in mind, CEO Kim Young, who founded Dong-A Planning in 1982, made bold investments to produce quality albums. \u003cbr\u003eThey chose Seoul Studio, the best studio in the country at the time, as their recording studio, and the musicians spent much more time recording the album there than the best singers of the time.\u003cbr\u003e Meanwhile, the promotional method was also different.\u003cbr\u003e As a small agency with underground singers, they did not dare to release albums to broadcasting stations.\u003cbr\u003e In the early days, he targeted record stores and music cafes across the country.\u003cbr\u003e It was an idea that came to me because I had experience running a record store, and I aimed for that niche market and created a point of contact with the public.\u003cbr\u003e After the release of Deulgukhwa's first album, Dong-A Planning became quite active.\u003cbr\u003e From this point on, the promotional direction changed to holding live performances with Wild Chrysanthemum, and as the performances became a hit, album sales began to skyrocket.\u003cbr\u003e It started to produce results by avoiding the promotional formula of the popular music industry at the time, which was the singer's appearance on TV.\u003cbr\u003e \u003cbr\u003eIn fact, performances were extremely valuable to musicians who had both excellent singing and playing skills.\u003cbr\u003e In other words, the musician's aspirations and the agency's promotional direction came together to create a live performance scene. Before and after Deulgukhwa, Kim Hyun-sik, Bom Yeoreum Gaeul Gyeoul, and Sinchon Blues joined in to actively create a performance culture, which is a meaningful trace that Dong-A Planning left in the Korean popular music scene.\u003cbr\u003e This culture also leads to an expansion of music production, such as the release of live albums by musicians.\u003cbr\u003e\u003cbr\u003e Another point worth mentioning is that Dong-A Planning attempted to brand itself as a music planning company.\u003cbr\u003e People accepted Dong-A Planning's logo as a guarantee of a 'well-made album' and trusted and purchased Dong-A Planning's albums.\u003cbr\u003e This phenomenon is even more meaningful because this belief applies not only to famous singers but also to albums by new or lesser-known singers. \u003cbr\u003eAdditionally, Dong-A Planning inserted a list of albums into each album, called the \"Dong-A Planning Catalog,\" and introduced the \"Dong-A Planning Family\" system to attract fans.\u003cbr\u003e The label's fandom, which boasts a peak subscriber base of over 50,000, has provided Dong-A Planning with a solid foundation for continued album sales without incurring significant costs.\u003cbr\u003e Even in today's popular music world, it is difficult to find fan clubs of non-singer agencies or their activities are minimal, but this project was a success at the time.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe sensibility of the times captured by contemporary popular music\u003cbr\u003e A new sensation emerges from the underground scene of the 1980s and 1990s.\u003cbr\u003e Music that drew cheers from the younger generation, and a contemporary self-portrait written through it.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe musicians of Dong-A Planning, who continued to perform directly with the public while presenting fresh music of various genres, from rock and blues to ballads and fusion jazz, clearly appeared at the end of the era when pop music was dominant and showed the public a contemporary Korean sensibility.\u003cbr\u003e These artists were not just singers who sang songs, but they were active creators who wrote, sang, and performed their own songs, and the public cheered them on.\u003cbr\u003e This was possible because there was a management company that brought these musicians together, created a creative foundation, and launched new attempts.\u003cbr\u003e And at the bottom of it all, there was 'us' who waited for the album release date and collected Dong-A Planning's albums, who listened to Dong-A Planning's albums with earphones plugged in until the cassette tape stretched out, and who went to concert halls and cheered loudly. \u003cbr\u003eTherefore, the history of Dong-A Planning is not only the history of Korean popular music, but also one of ‘our’ histories. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 21, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 252 pages | 340g | 128*188*16mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791187890690 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894762668074,"sku":"108245","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/d475dda48f03ba16da04ee01f851d94a.jpg?v=1765445215"},{"product_id":"108251","title":"Corner Art Gallery 3 ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trg1gUuGpg0MKtvLiFNmlPn1UL.png?v=1765107516\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Corner Art Gallery 3 \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/145226673\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e★ The 'most' anticipated book in the bookstore! ★\u003cbr\u003e “The third installment of the 《Corner Art Gallery》 returns after five years.\u003cbr\u003e This time, let’s lightly cross the threshold of Western modern art!”\u003c\/b\u003e \u003cbr\u003eA best-selling art book for eight consecutive years, breaking new ground in art education.\u003cbr\u003e\u003cbr\u003e 《The Corner Art Gallery》, which has been a bestseller for eight consecutive years since its first publication in 2018 and opened a new horizon for art education, returns after five years with its third installment, \"Western Modern Art.\" Author Cho Won-jae, who has helped over 450,000 readers become enthusiastic about art, takes on a new challenge with this third installment.\u003cbr\u003e This is to introduce the avant-garde, groundbreaking, and innovative world of works by modern artists active in the 20th century, centered in America, to readers who are only familiar with the art of modern artists such as Manet, Monet, Degas, Cézanne, and Van Gogh, who were active in 19th century Paris, and provide them with a fresh intellectual shock and aesthetic pleasure!\u003cbr\u003e \u003cbr\u003eThe author, who tells the story of art in a delightful way with his unique and savory storytelling, once again invites art world giants into his \"corner\" to reveal everything from their private lives to the hidden stories behind famous paintings.\u003cbr\u003e Readers who say, “I know Picasso, but I don’t know what happens after that!” or “Modern art? Isn’t that child’s play?” please trust me and follow me just one more time.\u003cbr\u003e From Piet Mondrian, the 'Charles Darwin of the art world' who constantly evolved, to surrealist Salvador Dali, who ran with the single desire to see 'golden rain', to Andy Warhol, the emperor of pop art who was both a 'reproduction machine' and 'jealousy incarnate', you will find yourself completely immersed in the fun of modern art for the first time in your life as you delve into the true nature of these artists.\u003cbr\u003e \u003cbr\u003eMeanwhile, we can confidently say that “Banggu-Cork Art Museum” is indeed “Banggu-Cork Art Museum” as it contains a total of 130 plates.\u003cbr\u003e Because of copyright issues, you can appreciate modern art works that have not been easily covered in popular art books at a glance. So, if you are a reader who is hesitant to visit an art museum, why not try getting acquainted with 'modern art' first with this book?\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Entering\u003cbr\u003e Banggu Seok Art Museum Artist Genealogy\u003cbr\u003e\u003cbr\u003e 01 Piet Mondrian, a pioneer of geometric abstract art\u003cbr\u003e Come to think of it, he's the Charles Darwin of the art world?\u003cbr\u003e\u003cbr\u003e 02 Salvador Dali, the epitome of surrealism\u003cbr\u003e Was it a streetcar called desire without brakes?\u003cbr\u003e\u003cbr\u003e 03 Alberto Giacometti, a master of 20th-century modern sculpture\u003cbr\u003e You've been waiting endlessly for a height that won't come?\u003cbr\u003e\u003cbr\u003e 04 Jackson Pollock, the legend of American modern art \u003cbr\u003eIn fact, is he the legendary loser that everyone acknowledged?\u003cbr\u003e\u003cbr\u003e 05 Mark Rothko, the pioneer of color field painting\u003cbr\u003e Turns out I was a perpetual outsider?\u003cbr\u003e\u003cbr\u003e 06 Andy Warhol, the Emperor of Pop Art\u003cbr\u003e It was a very blatant copy machine?\u003cbr\u003e\u003cbr\u003e References\u003cbr\u003e List of illustrations\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5262\/MidCate009\/526185181.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e ▼ Salvador Dali, the epitome of surrealism,\u003cbr\u003e Was it a streetcar called desire without brakes?\u003cbr\u003e\u003cbr\u003e The long-awaited arrival of the Surrealists in Cadaqués is finally upon us! René Magritte and his wife, Paul Éluard and his wife, Gala, and Camille Goemans, a Surrealist art dealer, arrive.\u003cbr\u003e The Surrealists had just arrived and were yet to become accustomed to Spain's characteristically frenetic climate.\u003cbr\u003e We reveal to them the masterpiece of conversion that runs through them.\u003cbr\u003e As they carefully examine the painting, they soon begin to doubt their own eyes and are soon shocked. \u003cbr\u003eWhy on earth would that be? Because the man in the picture was wearing \"shit pants\"!\u003cbr\u003e\u003cbr\u003e Surrealists acknowledge Dali's high level of precise painting skills in \"Dark Play.\"\u003cbr\u003e Also, based on such skills, the artist's ability to reproduce the unconscious world hidden within him more clearly and vividly than other surrealist painters is highly evaluated.\u003cbr\u003e The numerous bizarre and incomprehensible shapes and provocative images expressing sexual desire found throughout the painting were not considered problematic as they were elements that were already commonly expressed by Surrealists based on Freudian psychoanalysis.\u003cbr\u003e \"But shit? Was it really necessary to draw shit? That filthy thing?! \" Magritte, Paul Eluard, Gala, and Goemans are troubled. \u003cbr\u003eOne wonders whether Dali intentionally painted poop to create visual shock, or whether he actually painted poop because the image of poop was latent in his subconscious.\u003cbr\u003e On the other hand, when we see Dali, with his bizarre mustache and sideburns, wearing eccentric clothes, and acting like a lunatic without any shame, we look at him with suspicion, wondering if he is truly insane or if he suffers from coprophagia.\u003cbr\u003e Surrealism was an art form in which artists explored their own unconsciousness and expressed it through their works, and it should not be a diary or blackboard for the mentally ill.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e 'Is it right to include this provocative guy in surrealism?' Dali cleverly defends the surrealists who are wondering. \u003cbr\u003e\"As our leader Breton defined it in the First Manifesto of Surrealism, isn't Surrealism the expression of the unconscious, free from the constraints of reason and all aesthetic and moral preconceptions, through the unhindered expression of images that arise in the mind? That's just what I did.\u003cbr\u003e In the world of the unconscious, whether it's shit or crystal, there is no hierarchy and everything is equal.\u003cbr\u003e “The hierarchy between dung and crystal is nothing more than an aesthetic and moral prejudice.” The Surrealists could only nod in agreement with Dali’s logical argument.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e ▼ Alberto Giacometti, a master of 20th-century modern sculpture,\u003cbr\u003e You've been waiting endlessly for a height that won't come?\u003cbr\u003e\u003cbr\u003e After about three years of staring intently at the head, the conclusion was a 10cm-tall head that looked like a toy.\u003cbr\u003e At the age of 36, Giacometti felt that neither of these things would work out, so he decided to create a full-body portrait. \u003cbr\u003eAs it is a full-body statue, it will be larger than a head statue, so I started with a full-body statue about 50cm in size using plaster.\u003cbr\u003e But strangely enough, as the work progressed, it seemed to get smaller and smaller. What was surprising was that the sculptor couldn't stop the sculpture from shrinking.\u003cbr\u003e In the end, the full-body statue he created is reduced to 10cm in size again.\u003cbr\u003e A full-body statue that looks like a toothpick(?) placed on top of a huge support.\u003cbr\u003e Even the sculptor himself was bewildered by the absurd results that he couldn't understand.\u003cbr\u003e I tried to make it again to get out of this dead end, but the result was once again a full-body statue the size of a toothpick.\u003cbr\u003e Even after repeating it dozens of times, the result was the same.\u003cbr\u003e\u003cbr\u003e (syncopation)\u003cbr\u003e\u003cbr\u003e Giacometti is caught in the endless cycle of work, trying to achieve the impossible ideal of 'reproducing what I see'. \u003cbr\u003eIn that image, the figures of Estragon and Vladimir, who are waiting endlessly for Godot, who is unknown and may not come at any time, overlap like a decalcomania.\u003cbr\u003e Perhaps this is why, five years before he passed away from a failing heart, the 60-year-old Giacometti created the 'Tree' to be used as a stage prop for the play 'Waiting for Godot'.\u003cbr\u003e In other words, didn't Giacometti, watching this play, realize that he too was a human being, just like Estragon and Vladimir, who were endlessly waiting for Godot to come?\u003cbr\u003e\u003cbr\u003e ▼ Jackson Pollock, the legend of American modern art,\u003cbr\u003e In fact, is he the legendary loser that everyone acknowledged?\u003cbr\u003e\u003cbr\u003e “Anyone who saw his early works would have said he would be better off as a tennis player or a plumber.”\u003cbr\u003e\u003cbr\u003e This is what Jackson Pollock's older brother, a legend in modern art, said about his early works. \u003cbr\u003eIt's a bit surprising, isn't it? Pollock, revered as one of the greatest modern artists, would rather be a plumber.\u003cbr\u003e The comment that he lacked drawing skills was something he heard from a colleague when he was twenty-four, when he was in the prime of his drawing career.\u003cbr\u003e Actually, I've heard a lot.\u003cbr\u003e Drawing is the foundational skill of painting, and it is fatal for an artist to lack this skill.\u003cbr\u003e Nevertheless, Jackson Pollock is called a great legendary artist and an artist who cannot be left out of the history of 20th century modern art.\u003cbr\u003e How can that be?\u003cbr\u003e\u003cbr\u003e Moreover, if we look beyond Pollock's so-called great paintings and delve into his private life, surprisingly, words like 'wanker' and 'raucous' come to mind.\u003cbr\u003e Is it just me? Of the numerous injection-related episodes surrounding him, let's briefly delve into a relatively mild one. One day, a drunken Pollock visits the home of fellow artist Arshile Gorky. \u003cbr\u003eWhile they were having a quiet conversation, Pollock suddenly got excited and pointed to Gorky's painting, mocking it as shit.\u003cbr\u003e Pollock is said to have run away in a panic, leaving Gorky's shouting behind him.\u003cbr\u003e Also, one day, he went to a friend's exhibition, tore up and destroyed the artwork without permission, and even went to the friend's house and committed a terrorist act by throwing rocks and breaking the window.\u003cbr\u003e (It is said that he ended up getting beaten up by his friend and broke off their friendship.) Around the age of 35, he is said to have shown up drunk at a gallery that had no particular connection with him and caused a disturbance, shouting, “I am better than the ×× who painted the paintings hanging here!”\u003cbr\u003e\u003cbr\u003e How could a man who routinely drank, caused trouble for those around him, and even had poor drawing skills become a legend in modern art? Now, the truth is revealed.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- From the text\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003eFrom Pollock, the 'bad boy', to Dali, who painted 'shit pants',\u003cbr\u003e Modern art masters in my corner of the room?\u003cbr\u003e\u003cbr\u003e Even complex art becomes fun with this non-face-to-face art talk!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Abstractionism, surrealism, drip painting, color field painting, readymade, pop art… .\u003cbr\u003e The constantly emerging art trends are difficult and complex to understand even when you just hear about them.\u003cbr\u003e What if you could join \"The Corner Art Gallery\" at such a time? Break free from tedious theories and delve into art for what it is: a guaranteed joy!\u003cbr\u003e\u003cbr\u003e Salvador Dali, who focused on the 'world of the unconscious' by drawing 'shitty pants' and 'melting clocks' in his paintings.\u003cbr\u003e Jackson Pollock, an alcoholic and a total rascal, was completely captivated by the \"atomic world\" after the Hiroshima bombing during World War II. \u003cbr\u003eIs his signature art technique, \"drip painting,\" so unpredictable it resembles himself? Alberto Giacometti, the master of 20th-century modern sculpture, devoted himself to \"reproducing exactly what I saw,\" yet for years he produced countless \"toothpick-sized sculptures.\" Mark Rothko's fiery color-field paintings are said to embody the \"essence of tragedy.\"\u003cbr\u003e\u003cbr\u003e 《Corner Art Gallery》, which puts aside the \"authority\" and \"pretentiousness\" inherent in art, doggedly pursues and delves into the artistic perspective born from a single person's \"life\"! Transcending time and background, we delve into the unexpected daily lives of artists who seemed like mere neighbors, and delve into the lives of artists brimming with humanity.\u003cbr\u003e You may soon forget all about artistic trends and techniques, and experience a thrilling moment where artistic inspiration and thrills overflow throughout your body!\u003cbr\u003e \u003cbr\u003e\u003cb\u003e“What happened to art after Picasso?”\u003cbr\u003e Following Picasso and Duchamp,\u003cbr\u003e The art history of 'breakthroughs' and 'reversals' that led the 20th century!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Picasso, the groundbreaking genius painter of the 20th century, and Duchamp, the creator of modern art who turned the world upside down with his work, “Fountain,” which featured a toilet as a work of art.\u003cbr\u003e How has art changed and evolved since then? Have even more groundbreaking artists emerged to challenge their legacy?\u003cbr\u003e\u003cbr\u003e Jackson Pollock, who felt that paintings had life and wanted to enter the painting and become a part of it.\u003cbr\u003e He tried to become a kind of \"shaman\" and communicate with paintings? On the other hand, Andy Warhol, the \"replication machine,\" wanted to become a machine. \u003cbr\u003eBy introducing the 'silkscreen' technique to the world of fine art and mass-producing works, he easily destroyed the existing stereotype that 'artworks must be created entirely by the artist and that each work created in this way must be the only one in the world'!\u003cbr\u003e\u003cbr\u003e The book vividly unfolds the history of art, filled with the \"shocks\" and \"reversals\" of the new masters who revolutionized 20th-century art in ways never before seen.\u003cbr\u003e From Mondrian and Pollock, the representatives of abstract art, to Giacometti, the master of 20th-century modern sculpture, Rothko, the pioneer of color field painting, and Dali and Warhol, who elevated commercial art to their own art form.\u003cbr\u003e Let's enjoy a 'new aesthetic shock' that surpasses the first and second installments, along with six modern art masters who have brought unprecedented disruption to the art world.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“Boldly lowering the threshold for contemporary art!”\u003cbr\u003e 130+ illustrations + ‘Genealogy of Artists of the Corner Art Museum’,\u003cbr\u003e The definitive edition encompassing modern and contemporary art!\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe book \"Corner Art Gallery\" boldly lowers the threshold for art by lightly breaking the stereotype that \"art is the exclusive domain of the noble and elegant.\"\u003cbr\u003e If the first installment announced the birth and development of modernist art, and the second installment conveyed the true flavor of Korean modern art and presented a balanced cultural sensibility between Eastern and Western art, this third installment presents at a glance the flow of 'Western modern art' that has evolved since the 20th century.\u003cbr\u003e Furthermore, the new 'Genealogy of Artists of the Corner Art Museum' has been included, allowing readers to closely trace the history of art from the modern era to the present.\u003cbr\u003e\u003cbr\u003e Additionally, the book generously includes over 130 pieces of modern art that are not easily accessible in Korea. \u003cbr\u003eYou can enjoy a variety of works by major artists who led 20th-century modern art, including six representative artists including Mondrian and Warhol, as well as Clyfford Still, Barnett Newman, Robert Rauschenberg, Jasper Johns, and Roy Lichtenstein.\u003cbr\u003e It is even more meaningful to be able to see, through rich images, how artists, each with their own distinct styles, influenced each other and solidified the art world.\u003cbr\u003e\u003cbr\u003e What makes this book special is the unique storytelling of author Wonjae Jo, who makes even heavy subjects feel light and approachable.\u003cbr\u003e Moreover, the author's unique 'power of contemplation', which meticulously examines the artist's life and philosophy, shines even brighter in this third installment.\u003cbr\u003e So, even if you find modern art somewhat difficult and uncomfortable, there's no need to worry. \u003cbr\u003eNo matter what perspective you choose or how you choose to appreciate art, this book, \"The Corner Art Gallery,\" will help you get started by approaching art with your heart, not your head. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 15, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 384 pages | 620g | 152*210*24mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788968334948\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8968334943 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894762930218,"sku":"108251","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/8cd4c17688739d3b242521481939f79c.jpg?v=1765445232"},{"product_id":"108253","title":"Painting of the wind ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trg1gKYQ0155xJfH7LNKtrMqVX.png?v=1765107537\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Art, painting \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/144899046\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e  \u003cdt\u003eA word from MD\u003c\/dt\u003e\n\u003cdd\u003e\u003cdiv\u003e [Korean Color Landscape Painting by Artist Jo Pung-ryu] A meeting between artist Jo Pung-ryu and art journalist Kim Seok.\u003cbr\u003e The Korean mountains, rivers, and plants depicted through the eyes and techniques of a Joseon painter contain thoughts about life and art.\u003cbr\u003e The simple conversation that only the two can share sheds deeper light on the life of painter Jo Pung-ryu, who has quietly and steadfastly painted without any fuss.\u003cbr\u003e - Ahn Hyun-jae, art producer\u003c\/div\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eHis paintings do not contain the hustle and bustle of the world.\u003cbr\u003e Silently, steadily, I only drew pictures.\u003cbr\u003e\u003cbr\u003e I decided to do what I could do for him.\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Painter Jo Pung-ryu.\u003cbr\u003e Just by looking at his name, you can immediately get a sense of what his paintings and life are like.\u003cbr\u003e He freely roams the eight provinces and mountains, capturing the vibrant wild flowers, Jongmyo Shrine, Inwangsan Mountain, and the panoramic view of Seoul on canvas, as if he were a person without limits. \u003cbr\u003eWhen I look at his paintings quietly, these thoughts come to mind.\u003cbr\u003e How did he come to create paintings that make people stop and look at them?\u003cbr\u003e\u003cbr\u003e The story, which begins with this one question, takes a different turn.\u003cbr\u003e A meeting between a painter and an art journalist.\u003cbr\u003e A conversation that can only be shared between two people, not just two, is captured in a book with pictures.\u003cbr\u003e It includes paintings from his early days to the present, and you will discover another beauty of Korea's mountains, rivers, and plants through his unique perspective and original techniques that see familiar landscapes differently. As you turn each page, you will be able to fully experience the charm and depth of Korean colored landscape paintings by Jo Pung-ryu.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Acknowledgements\u003cbr\u003e\u003cbr\u003e 1 Art Museum Exhibition\u003cbr\u003e 2 Angel Island, Jaeun Island\u003cbr\u003e 3 The Path of Coloring\u003cbr\u003e 4 Sunflowers and Corn\u003cbr\u003e 5 Landscapes and Mountains \u003cbr\u003e6 Out of the Studio into the World\u003cbr\u003e 7 Ripening Color Landscape\u003cbr\u003e 8 Inwangsan\u003cbr\u003e 9 Pungryu Blue\u003cbr\u003e 10 Jeju Island\u003cbr\u003e 11 Again, Seoul\u003cbr\u003e 12 other pictures\u003cbr\u003e 13 Techniques and Materials\u003cbr\u003e 14 Do you know the art of the wind?\u003cbr\u003e 15 Seoul and Jongmyo\u003cbr\u003e 16 Full Moon in Jaen Island\u003cbr\u003e\u003cbr\u003e References\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5246\/MidCate001\/524502213.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e As we often say, drawing and creation are about making the familiar seem unfamiliar.\u003cbr\u003e But when you actually go to a place and try to look at it in an unfamiliar way, it doesn't go so well.\u003cbr\u003e How can I see things differently? No.\u003cbr\u003e I just see it as it is and draw it.\u003cbr\u003e However, I draw while thinking a lot about what to leave out and what to reduce, rather than what to draw.\u003cbr\u003e As simple as possible.\u003cbr\u003e Rather than drawing it in an overly complicated and detailed way, let's try to strip it down and just capture the essence. Even if you go with this mindset, it doesn't actually work out well. \u003cbr\u003e(Omitted) When I sketch a landscape, I always just throw it in a corner.\u003cbr\u003e Then, after six months or a year, one day, while flipping through my sketchbook, something suddenly hits me.\u003cbr\u003e Something is being created.\u003cbr\u003e If you work at that exact moment, you'll end up with a good picture.\u003cbr\u003e --- p.42\u003cbr\u003e\u003cbr\u003e I think that we need time to mature, time to sustain what comes intuitively through insight, observation, and reflection.\u003cbr\u003e To draw is to interpret.\u003cbr\u003e When you go to see a truly beautiful landscape, you'll say, \"Wow! This is amazing!\" Everyone feels that way.\u003cbr\u003e But to extract beauty from something that seems ordinary, trivial, and insignificant, you have to look at it for a long time and have affection and obsession for it.\u003cbr\u003e --- p.46\u003cbr\u003e\u003cbr\u003e Looking back on the artist's past life, there were several crucial turning points. (Omitted) The artist needed a new turning point. \u003cbr\u003eWhat newness befitting a new beginning? The artist decided to change his name.\u003cbr\u003e From Jo Yong-sik to Jo Pung-ryu.\u003cbr\u003e\u003cbr\u003e --- p.149\u003cbr\u003e\u003cbr\u003e All things create resonance through encounters, and the length and depth of that resonance beautifies the world and makes others happy.\u003cbr\u003e Wouldn't the paintings of painter Jo Pung-ryu be the same?\u003cbr\u003e The brilliant conversation he captured on canvas is enough to convey that conversation to the hearts of those who view the painting.\u003cbr\u003e\u003cbr\u003e --- p.195\u003cbr\u003e\u003cbr\u003e Imagine standing before a magnificent panoramic view of Seoul's landscape.\u003cbr\u003e To truly appreciate the true value of Jo Pung-ryu, you must stand before his paintings.\u003cbr\u003e If you look from a distance, you will see how wonderful the view of Seoul is with a wide field of view, and if you look closely, you will see yourself in the figure of someone drawn like a grain of rice somewhere on the screen. \u003cbr\u003eThere is something so charming about being in a painting, like Jo Pung-ryu's paintings.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.206\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e His paintings make you stay in the same place forever.\u003cbr\u003e Who is he who painted the delicately shining blue light, the soft, rhythmic brushstrokes, and even the panoramic view of Seoul that fills a canvas over 6 meters wide?\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“I can say this clearly.\u003cbr\u003e No matter what anyone says, Jo Pung-ryu is the master in my heart.”\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e When someone says something like this about an artist, several questions come to mind.\u003cbr\u003e With what confidence do you say that?\u003cbr\u003e The moment he saw the painting, he was captivated and picked up his pen, thinking that he would do what he does best to capture his paintings and artistic view.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Painter Jo Pung-ryu's real name is Jo Yong-sik.\u003cbr\u003e He graduated from Hongik University's Department of Oriental Painting, so I think he must have picked up a brush since he was young, but he was just an energetic kid who always won first place in singing contests. \u003cbr\u003eThe school I entered after going through many twists and turns was not a good fit.\u003cbr\u003e I've thought about other careers because of the questions that pop up in my mind from time to time, but they say artists are born that way.\u003cbr\u003e He painted again.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe paintings of Cho Poong-ryu, a natural born painter, and the stories hidden within them.\u003cbr\u003e It is an unprecedented record that has been released in various ways.\u003cbr\u003e A book that fully demonstrates the beauty and elegance of Korean colored landscape paintings.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Innate means born from heaven or something like that.\u003cbr\u003e That is, artists often have to have something called 'innate talent', but no matter how talented an artist is, they must go through a process of constant effort and learning in order to properly display their talent.\u003cbr\u003e From the painter Jo Yong-sik to Jo Pung-ryu, he silently painted his paintings, remembering Li Keran's words that even if you mine a single ore, you have to refine it dozens of times to obtain the desired jewel. \u003cbr\u003eThus, by depicting the mountains, rivers, and plants of Korea with a new sensibility, the unique charm of Korean colored landscape painting is fully demonstrated.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The paintings by the artist included in the book 『Pungryu, Painting』 do not simply depict landscapes that have been familiar to our eyes, but rather recreate the beauty of Korea contained in each landscape with unique colors and brushstrokes, guiding readers into a new world of Korean colored landscape painting. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 8, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 312 pages | 554g | 157*226*19mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791194329008\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1194329004 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894763126826,"sku":"108253","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/0b2108e0668673ac1a5d3ec6409adfe0.jpg?v=1765445239"},{"product_id":"108259","title":"The world of analog ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trfGuGeHnsNyV4lXHBlRnFTsZj.png?v=1765107579\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The world of analog \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/144108052\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e The history of the things we love\u003c\/div\u003e\n\u003cdiv\u003e 250 of the most beautiful objects, carefully selected by the director of London's Design Museum.\u003cbr\u003e Analog objects, with their unique properties and emotions that cannot be replaced by digital devices, even evoke deep longing.\u003cbr\u003e In modern society, where everything flows quickly and automatically, the aesthetics of 'passivity' and 'slowness' give us the leisure to pause and breathe.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eApril 22, 2025.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThis one book is an analog museum!\u003cbr\u003e Carefully selected by the director of the London Design Museum\u003cbr\u003e 250 of the Most Beautiful Analog Objects on Display\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The analog world seemed to be coming to an end with the digital revolution of the 1980s. \u003cbr\u003eBut analog objects still have a place in our daily lives.\u003cbr\u003e Even though digital technology is much more convenient, cheaper, and faster, we still miss and long for analog technology.\u003cbr\u003e Analog objects have a beautiful physicality and emotional quality that digital devices cannot replace.\u003cbr\u003e There are also physical interactions, such as pressing a button to turn it on, turning a dial to set the desired frequency, or adjusting the camera's light output.\u003cbr\u003e There's a reason why modern people, feeling an inexplicable sense of alienation in a world of dull mechanical noises and intangible pixels, long for the analog era.\u003cbr\u003e\u003cbr\u003e Edited by Dejan Suzik, Honorary Director of London's Design Museum, this book is full of praise for the analog world. \u003cbr\u003eFrom the moment Edison first developed the phonograph to the 21st century's two-meter-tall mega-speakers, this book conveys the beautiful analog world we love through words and photos, including turntables, vinyl, transistor radios, televisions, telephones, film cameras, wristwatches, and typewriters.\u003cbr\u003e Packed with fascinating information and stunning illustrations, this book is a beautifully analog celebration of the ways we communicated through recorded music, telling time, writing letters, watching films, and taking photographs.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Introduction\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1 Sound\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Records \/ Record Players \/ Radios \/ Radiograms \/ Open-Reel Tape Recorders \/ Cassette Tape Players and Recorders \/ 8-Track Cassette Players \/ Boomboxes\u003cbr\u003e +Album Art\u003cbr\u003e +Sony\u003cbr\u003e +Mario Bellini\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2 Vision\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003ePhoto \/ Camera \/ Film \/ Television \/ Video\u003cbr\u003e +Kodak\u003cbr\u003e +The impact of television broadcasting\u003cbr\u003e +Philippe Stark\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: Communication\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Telephones \/ Typewriters \/ Typemakers \/ Copiers \/ Teleprinters and Fax Machines\u003cbr\u003e +Ettoresotsass\u003cbr\u003e +QWERTY keyboard\u003cbr\u003e +Olivetti\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: Information\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Measuring instrument \/ Clock \/ Clock radio \/ Timer \/ Wristwatch \/ Calculator\u003cbr\u003e +Brown\u003cbr\u003e +Richard Sapper\u003cbr\u003e +Wristwatch\u003cbr\u003e\u003cbr\u003e Designer Directory\u003cbr\u003e Sound \/ Vision \/ Communication \/ Information\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5228\/MidCate003\/522726656(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Until the early 21st century, analog technology was the driving force behind the world.\u003cbr\u003e This technology fully reflected the ingenuity of the engineers and the creativity of the designers who implemented it.\u003cbr\u003e From Beatles album covers to Kodachrome color film, the byproducts of analog technology were a compressed reflection of contemporary culture. \u003cbr\u003eIt was the entity that measured our lives.\u003cbr\u003e\u003cbr\u003e ---From \"Introduction\"\u003cbr\u003e\u003cbr\u003e In the 1940s, James Laver, a curator at the Victoria and Albert Museum in London, half-jokingly coined his own laws to describe the processes fashion goes through.\u003cbr\u003e 'Clothes that are too ahead of their time are not appropriate to wear.\u003cbr\u003e Clothes that are slightly ahead of their time are considered bold, but when the time is right, they are recognized as chic.\u003cbr\u003e Then, the trend quickly passes and it eventually turns into an ugly thing.\u003cbr\u003e After that, the fashion becomes something fun, something cute, something attractive, and ultimately something beautiful. Analog products are similar in that respect.\u003cbr\u003e In other words, once avant-garde items become merely cute after the trend passes, and eventually become collector's items.\u003cbr\u003e\u003cbr\u003e ---From \"Introduction\"\u003cbr\u003e \u003cbr\u003eThe record has acquired the potential to follow in the footsteps of opera and novels in the past century and to tell its own narrative.\u003cbr\u003e The order of the songs on an album is essential to enjoying it, and it also provides a charm that cannot be found in today's digital music streaming.\u003cbr\u003e The same goes for the album title and jacket design.\u003cbr\u003e It was a typical example of the communication theory that the medium controls the message.\u003cbr\u003e\u003cbr\u003e ---From \"Chapter 1 'Sound'\"\u003cbr\u003e\u003cbr\u003e The cycle of change in technology and style is as rapid as that of fashion, and as a result, the history of analog audio equipment is so astonishing and diverse that it could be considered a history of taste and culture.\u003cbr\u003e\u003cbr\u003e ---From \"Chapter 1 'Sound'\"\u003cbr\u003e\u003cbr\u003e Jensen said:\u003cbr\u003e “Making a fountain pen, writing poetry, directing a play, and designing a locomotive all require the same elements and materials. \u003cbr\u003eIt requires perspective, creativity, new ideas, understanding, and above all, the ability to rework almost infinitely.\u003cbr\u003e “That ‘endless repetition’ is the most cruel torture for me.” The Beolit ​​radio, with its scientific-feeling slide rule-style tuning dial, faithfully embodies Jensen’s concept of a design that is “different but not strange.”\u003cbr\u003e\u003cbr\u003e ---From \"Chapter 1 'Sound'\"\u003cbr\u003e\u003cbr\u003e When Braun introduced a device that combined a record player and a radio with a clear acrylic resin cover, competitors derided it as \"Snow White's coffin.\"\u003cbr\u003e However, this model, created by Dieter Rams, who established Braun's identity over a period of 20 years, became the universal standard for record players long after Braun stopped manufacturing audio. \u003cbr\u003eThe inclusion of some wood in the case was the last vestige of the contemporary perception that household electronic devices should be viewed as furniture.\u003cbr\u003e\u003cbr\u003e ---From \"Chapter 1 'Sound'\"\u003cbr\u003e\u003cbr\u003e “Enjoy the moving sound in your own world.\u003cbr\u003e “Put it in your pocket, turn it on, and you’ll only feel the weight of the music.” This is one of the advertising slogans for Sony’s WM2 model, the first to use the brand name Walkman.\u003cbr\u003e The concept of hiding in one's personal space captured the essence of the Walkman, which differentiated it from any existing product, and also signaled an era in which earphones became a universal means of listening to music.\u003cbr\u003e The technology itself hasn't changed much from existing dictation recorders, but the way it's used has brought about a major change in people's behavior.\u003cbr\u003e Since the advent of this device, music has become a personal experience. \u003cbr\u003eWith its eye-catching black and silver body, green dots, and orange rubber headphones, this Sony device was the first example of an industrial designer polishing an electronic device like a jewel.\u003cbr\u003e\u003cbr\u003e ---From \"Chapter 1 'Sound'\"\u003cbr\u003e\u003cbr\u003e The JVC RC M-90 boombox, which was prominently featured on the cover of the Beastie Boys' 2005 greatest hit album, Solid Gold Hits, was so old that it was considered a rare vintage electronic item at the time.\u003cbr\u003e This product had a radio function and played tapes, but it did not play CDs, which were a precursor to the digital era that appeared at the end of the analog era.\u003cbr\u003e\u003cbr\u003e This device was part of a very special moment in music culture.\u003cbr\u003e The cover of the 1985 debut album \"Radio\" by famous American rapper LL Cool J was almost completely covered with the image of this M-90. \u003cbr\u003eIn 1963, when this portable record player category was born, there was the Philips EL 3300, a battery-powered player for outdoor use.\u003cbr\u003e This iconic piece of urban youth culture takes on a completely different meaning when held discreetly on a garden table or held up to shoulder height.\u003cbr\u003e\u003cbr\u003e ---From \"Chapter 1 'Sound'\"\u003cbr\u003e\u003cbr\u003e Just as paper books and letterpress printing survived thanks to those who yearned for the delicacy and craftsmanship of their pre-digital era, analog photography and film are also recognized as specialized skills and retain their presence today.\u003cbr\u003e ---From Chapter 2, 'Vision'\u003cbr\u003e\u003cbr\u003e The achievements of Eastman and the company he founded, Kodak (named after the first product he sold), in the field of photography were comparable to what Steve Jobs and Apple did in the computer industry a century later. \u003cbr\u003eHe transformed photography, once considered a specialist field due to its complex scientific process, into a simple task that anyone can tackle.\u003cbr\u003e Eastman simultaneously developed a photography method that used cellulose roll film, which was much lighter and easier to handle than glass plates, and a camera that could use the film he created.\u003cbr\u003e\u003cbr\u003e ---From Chapter 2, 'Vision'\u003cbr\u003e\u003cbr\u003e An even more dramatic change was the way television news, vividly conveying the horrors of famine and war into living rooms, profoundly influenced political life.\u003cbr\u003e The Vietnam War, often referred to as America's first war, has lost its impact over time, but its aftereffects remain persistent and often serve as a spark for large-scale protests.\u003cbr\u003e The government, concerned about the influence of various political contents on voters, attempted to control them in various ways and at various levels.\u003cbr\u003e\u003cbr\u003e ---From Chapter 2, 'Vision'\u003cbr\u003e \u003cbr\u003eOf all the analog technologies that emerged in the 19th century, the one that had the greatest impact on the world was the use of electric current to transmit messages along copper wires.\u003cbr\u003e This technology brought about a huge change in humanity's concept of time, sense of distance, and communication methods.\u003cbr\u003e (Omitted) As the amount of data transmitted increased, more copper was required.\u003cbr\u003e In the late 19th century, the streets of New York were filled with intricately intertwined layers of copper wire, like a spider's web, hanging over the heads of pedestrians.\u003cbr\u003e\u003cbr\u003e ---From Chapter 3, 'Communication'\u003cbr\u003e\u003cbr\u003e The relatively inexpensive availability of copiers could be interpreted as a political tool in the long run.\u003cbr\u003e Authoritarian regimes during the Cold War viewed any technology that could help spread political dissent as threatening and sought to control it.\u003cbr\u003e In those days, typewriters and copiers were strictly regulated items.\u003cbr\u003e ---From Chapter 3, 'Communication'\u003cbr\u003e \u003cbr\u003eUntil the late 20th century, analog technology was used to describe physical phenomena such as size, time, sound, temperature, electric current, and light intensity, as well as to measure, record, remember, and store all kinds of information.\u003cbr\u003e And for this purpose, writing, paper, printing, etc. were invented first, and later dials and measuring instruments, etc. appeared.\u003cbr\u003e Humanity has used this technology in everything from weather forecasting to disease treatment.\u003cbr\u003e ---From Chapter 4, “Information”\u003cbr\u003e\u003cbr\u003e Thanks to the human tendency to express one's tastes and lifestyle through possessions and to pass them on to future generations, mechanical watches have acquired a kind of jewel-like character.\u003cbr\u003e While many analog technologies have met an unexpected and premature end in their evolutionary journey, watches remain more refined and beautiful than ever.\u003cbr\u003e ---From Chapter 4, “Information”\u003cbr\u003e \u003cbr\u003eThe person who led this design team from 1955 was Dieter Rams, who is said to have had the greatest influence on post-war German industrial design.\u003cbr\u003e Under Rams' direction, Braun produced toasters, clocks, wristwatches, radios, hi-fi audio, televisions, and cinema cameras.\u003cbr\u003e Rams once described his design philosophy as being on the same level as a butler for a British aristocrat.\u003cbr\u003e In other words, it is an object that does not reveal its presence when not in use, but operates naturally like flowing water when absolutely necessary.\u003cbr\u003e Artist Richard Hamilton has long used Braun products as subject matter in his work.\u003cbr\u003e He once said, “Just as Mont Sainte-Victoire had a profound influence on the work of Paul Cézanne, Braun products have had the same influence on me.” \u003cbr\u003eThe brilliant design logic that Rams applied to all the products he designed also deeply inspired Jonathan Ive, a British designer who later designed Apple products together with Steve Jobs.\u003cbr\u003e Rams rejected all notions of ephemeral fashion, intentional obsolescence, and conspicuous consumption.\u003cbr\u003e While he wholeheartedly supported the spirit of \"less is more\" advocated by architect Mies van der Rohe, he added his own unique touch, proposing a new concept: good design is a design that seems to be lacking, yet is an improvement over the previous one.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From Chapter 4, “Information”\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eIn the digital age, what we long for more is \"sensory experiences.\"\u003cbr\u003e Analog things we loved back then\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The 2024 film [Perfect Days] stimulated nostalgia and curiosity for cassette tapes and cassette players. \u003cbr\u003eAs streaming became the way we listened to music, people's hearts began to turn more towards vinyl records and cassette tapes.\u003cbr\u003e Analog items that seemed to have lost their utility in the digital age, such as turntables, vinyl records, cassette tapes, Walkmans, film cameras, transistor radios, camcorders, and mechanical wristwatches, are enjoying a second heyday.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Digital technology has made our lives more convenient, but it has also alienated us.\u003cbr\u003e As digital expands in all directions, what people miss is experiences that touch their 'sense'.\u003cbr\u003e Objects are inanimate beings, but humans touch them, manipulate them, and develop a strange attachment to them.\u003cbr\u003e Those attachments come together to create a space filled with your own emotions and feelings.\u003cbr\u003e In that context, modern people long for analog objects and want to bring them into their daily lives. \u003cbr\u003eActor Tom Hanks is famous for collecting 250 analog typewriters.\u003cbr\u003e “Every time I type on the typewriter, I feel like I’m doing something important,” he said. “It’s a pleasure that can’t be compared to using a laptop, which I have no choice but to use.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eDetailed pictorials of rare items you won't find anywhere else\u003cbr\u003e An exciting story of technology, design, and innovation that transcends an era.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book examines the 100-year period in which analog technology emerged in the early 19th century, reached its heyday in the mid-to-late 20th century, and then declined with the advent of the iPhone.\u003cbr\u003e The author, Honorary Director of the London Design Museum and Professor of Design and Architecture at Lancaster University, UK, has carefully selected 250 of the most innovative and beautiful analog devices that have emerged alongside technological advancements, and examines in detail how these objects have transformed our daily lives, society, and culture.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThe four themes of this special ground exhibition are: tools for hearing (Sound), tools for seeing (Vision), tools for communicating (Communication), and tools for measuring (Information).\u003cbr\u003e Sound covers the period from the moment Edison developed the world's first phonograph, to the emergence of the LP, which gave birth to the modern music format of the album with seven three-minute tracks per side, and the creation of a new art genre called the 'album cover'.\u003cbr\u003e It's also fascinating to look at the role radio played during two world wars and the Cold War.\u003cbr\u003e The vision explains how television has permeated the world's thinking and transformed daily life, from the moment the advent of the camera, which ushered in an era of self-expression, fundamentally re-examined the meaning and purpose of art. \u003cbr\u003eAlso of interest are the information on communication, which describes the advent of the telephone that completely changed humanity's concept of time and distance, and the rise of wristwatches brought about by war.\u003cbr\u003e Along with this, you can meet various stories such as companies that have contributed the most to design, such as Sony, Braun, Brion Vega, and Bang \u0026amp; Olufsen, and the evolution of music formats from vinyl to compact discs.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Having experienced the great transition from the analog to the digital age, Dejan Sukjong selected 250 analog objects that symbolize the times gone by and displayed them in large, vivid photographic images to showcase their innovative technology and bold design aesthetics at a glance.\u003cbr\u003e In this way, we can thoroughly examine objects with groundbreaking designs that we have never seen before and rare items that we have always wanted to see in person.\u003cbr\u003e Just looking at the details of each item will make you lose track of time. \u003cbr\u003eThe author's analog technology, deep understanding of design, insight into the trends of the times, and broad literary and artistic knowledge, combined with his thoughtful affection for the analog world, provide unexpectedly moving and inspiring experiences.\u003cbr\u003e\u003cbr\u003e In today's world, where AI permeates every aspect of human life, the last bastion that only humans can enjoy is analog sensibility rather than digital efficiency.\u003cbr\u003e When you feel overwhelmed by the abundance of information, content, and convenience, and find it difficult to find a place to settle down, why not try opening this book?\u003cbr\u003e As you savor the stories of the engineers and designers who created these beautiful objects, you will rediscover the allure of everyday objects that transcend generations and time, as well as the value of human sensibility, creativity, and beauty that you will never want to lose. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e May 6, 2025\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 304 pages | 1,356g | 220*283*25mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791193063910\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1193063914 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894763323434,"sku":"108259","price":61.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/6668ffb27fac378a107ca8ad950b795b.jpg?v=1765445253"},{"product_id":"108263","title":"Ten million codes ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trgRlTYfMp0eIlWHMhTgSvxN1F.png?v=1765107601\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Ten million codes \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/144087946\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e* Strongly recommended by Director Kim Sung-soo of “Spring in Seoul” and Director Kim Han-min of “Roaring Currents”!\u003c\/b\u003e \u003cbr\u003e* Story Education for the Content Age\u003cbr\u003e\u003cbr\u003e “Even if trends and platforms change,\u003cbr\u003e “The principles of a successful story don’t change.”\u003cbr\u003e\u003cbr\u003e A storytelling master with experience as the CEO of CJ Entertainment reveals\u003cbr\u003e How to Transform a Flash Flick into a Masterpiece\u003cbr\u003e\u003cbr\u003e \"In an age overflowing with stories, what makes a story so captivating?\" \"The Ten Million Code\" answers this question with the secrets of storytelling discovered in South Korea's leading box office hit, the Ten Million Movie. Gil Jong-cheol, a former CEO of CJ Entertainment and a professor at the Korean Academy of Film Arts, has worked extensively in both the film industry and academia, delving into the box office success codes of these captivating stories, focusing on these ten million-viewer films.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Having witnessed both box office success and failure at the forefront of the film industry, the author has confirmed that hundreds of billions of won in production costs, a stellar cast, and large-scale marketing alone do not guarantee box office success. \u003cbr\u003eIn the end, it was none other than the story that moved people's hearts.\u003cbr\u003e Realizing this, the author analyzed over 60 film cases, including eight Korean films that captivated audiences of all ages and genders and films that achieved great success both domestically and internationally, to derive the factors behind box office success. He discovered a successful storytelling strategy that remains unchanged even when trends change.\u003cbr\u003e The author's first book, \"The Ten Million Code,\" is a book that contains the results of his research and is a story education book that clearly explains the eight principles of storytelling that make successful stories.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e Introduction | 25 years of experience, 10 years of teaching, one book\u003cbr\u003e\u003cbr\u003e Prologue | How South Korea's most popular hit, \"Ten Million Movie,\" is born.\u003cbr\u003e Sequence 1: Protagonist Strategy: Make Your Protagonist Stand Out \u003cbr\u003eSequence 2: Inner Story: Make the central character shine with the surrounding characters.\u003cbr\u003e Sequence 3 Narrative Truth: Make a Lie Believe It's True\u003cbr\u003e Sequence 4 Plot Thread: Find the protagonist's consistent desire.\u003cbr\u003e Sequence 5 Character Arc: Incorporate Change into the Story\u003cbr\u003e Sequence 6: Emotional Release: Dig deep into the audience's catharsis.\u003cbr\u003e Sequence 7: Metaphors of Life: Pay Attention to Life's Ironies\u003cbr\u003e Sequence 8 Series Planning: Clarify What to Keep and What to Refresh\u003cbr\u003e Epilogue | Humans create stories, and stories create humans.\u003cbr\u003e\u003cbr\u003e Going Out | Ultimately, Story, Storytelling, and Story Design\u003cbr\u003e annotation\u003cbr\u003e List of movies with 10 million viewers\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5214\/MidCate008\/521374093.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e A huge box office success, that is, a film that sells 10 million tickets, means that the film has attracted a lot of audiences, which means that it has penetrated and captured the hearts of the audience. \u003cbr\u003eWhat exactly did the Ten Million Movies do to capture audiences' hearts? How did they captivate them? (…) Ultimately, capturing audiences' hearts and broadening their audience base means successfully communicating with them, and the key to that is storytelling.\u003cbr\u003e\u003cbr\u003e ---From \"Prologue: How Korea's representative box office hit, '10 million movie', is born\"\u003cbr\u003e\u003cbr\u003e The success of a movie is like building a snowman: starting with a handful of snow, rolling a snowball, and eventually building a giant snowman.\u003cbr\u003e That handful of solid snowballs is the main character in the movie.\u003cbr\u003e Most audiences instinctively look for the main character first when a movie begins. \u003cbr\u003eIn a world of stories where various situations and diverse information are scattered, I want to find a center as quickly as possible, find something to lean on, and immerse myself in the story through that object.\u003cbr\u003e This is how we humans naturally digest stories, embodied in our long-standing storytelling traditions.\u003cbr\u003e (…) The most important point of contact in communicating with the audience is the protagonist, and clearly presenting the protagonist is essential for box office success.\u003cbr\u003e ---From \"Sequence 1 Protagonist Strategy: Make the Protagonist Stand Out\"\u003cbr\u003e\u003cbr\u003e The limitation of the film medium is that it cannot directly show the inner thoughts of the characters.\u003cbr\u003e It is not easy to directly express the inner world of a character and the inner story centered around the character in a movie.\u003cbr\u003e However, it is not something that can be continuously explained through external narration. \u003cbr\u003eThis is because the camera cannot directly capture the image of a person, so a method of showing it indirectly is needed.\u003cbr\u003e So, “Gwanghae: The Man Who Became King,” which focuses on the inner story, makes a bold move by placing various characters around the main character, Ha-seon.\u003cbr\u003e ---From \"Sequence 2: Inner Story: Make the central character shine by placing the supporting characters\"\u003cbr\u003e\u003cbr\u003e \u0026lt;Roaring Currents\u0026gt; is designed to highlight the protagonist's inner conflict by dividing external conflicts into personal, social, and environmental conflicts and layering them.\u003cbr\u003e Thus, Yi Sun-sin's inner world is emphasized, and his human side, leadership, and determination to save the country are deeply conveyed to the audience. \u003cbr\u003eBehind the exhilarating feeling of victory in the dramatic comeback in the David-Goliath battle of 12 ships against 330 ships, the spiritual armament that transformed fear into courage and the leadership of Yi Sun-sin, who fought with the resolve to die, brought deep empathy and catharsis to the audience.\u003cbr\u003e\u003cbr\u003e The writer creates a story by finding material from history, news, experience, and fantasy and constructing events based on that.\u003cbr\u003e However, beyond the description and reproduction of the event, the author's thoughts and opinions regarding the event are important.\u003cbr\u003e Writing thoughts and opinions persuasively is the way to get to the truth, and giving credibility to this narrative truth is the essence of storytelling.\u003cbr\u003e ---From \"Sequence 3 Narrative Truth: Make People Believe Lies That Feel Real\"\u003cbr\u003e \u003cbr\u003eThe protagonist, Song Woo-seok, does not yield to the injustice of society and believes in judicial justice, and tries to expose the illegal acts of state power through legal battles, but he is helplessly defeated by the injustice of injustice, that is, the tyranny of public power, and the truth is covered up.\u003cbr\u003e The protagonist's ordeal is heightened to the extreme through complex denial.\u003cbr\u003e Also, if the movie had ended here, the audience would have left the theater feeling helpless and frustrated.\u003cbr\u003e If the story has a dark ending where the protagonist tries to create a better world but ultimately fails, it is difficult for the film to receive good marks as a popular film.\u003cbr\u003e\u003cbr\u003e (…) However, our protagonist does not give in to the reality that nothing can be changed in court, and now chooses to take to the streets himself, lead protests, and directly confront state power. \u003cbr\u003eHe even refuses the position of corporate legal advisor, giving up both money and career advancement as a lawyer, and foolishly chooses to take the difficult path.\u003cbr\u003e The film ends with Song Woo-seok evolving from a vulgar lawyer who was only concerned with his own financial gain to a human rights lawyer, a social activist, and a character who fights for justice to the end.\u003cbr\u003e ---From \"Sequence 5 Character Arc: Be sure to include change in the story\"\u003cbr\u003e\u003cbr\u003e The irony depicted in the film resonates even more deeply because our reality, our lives, and our world are themselves cruelly ironic.\u003cbr\u003e A story should capture the essence of life, but it should not be a mere copy of ordinary life, devoid of depth or meaning.\u003cbr\u003e We need to portray someone's (the protagonist's) life so that we (the audience) can feel and accept it as our own.\u003cbr\u003e That's storytelling.\u003cbr\u003e And let's not forget. \u003cbr\u003eThe core keywords of storytelling are ‘conflict, dilemma, and irony.’\u003cbr\u003e If “The Dark Knight” is a reference book on dilemmas, “Spring in Seoul” is a textbook on irony.\u003cbr\u003e ---From \"Sequence 7 Metaphors of Life: Pay Attention to the Irony of Life\"\u003cbr\u003e\u003cbr\u003e As the series progresses, the familiarity that audiences feel can turn into boredom, and excessive newness can feel unfamiliar to the audience.\u003cbr\u003e The \"Outlaws\" series clearly distinguished between what to keep and what to change from the previous film's settings in each sequel in order to give the audience what they want and take away what they don't want, and continued to vary these things.\u003cbr\u003e This is the real secret behind the success of the \"The Outlaws\" series, which expanded to four films and became a blockbuster series that attracted over 40 million viewers combined. \u003cbr\u003eNow, with four films under its belt, the \"Outlaws\" series has become a true franchise, showcasing a rich worldview and diverse characters, with the potential to expand in many directions in the future.\u003cbr\u003e ---From \"Sequence 8 Series Planning: Clarify What to Keep and What to Renew\"\u003cbr\u003e\u003cbr\u003e There is always a gap between the speaker and the listener.\u003cbr\u003e The message may or may not be conveyed to the listener as the speaker intended.\u003cbr\u003e Storytelling is what fills that gap.\u003cbr\u003e Depending on how you connect these gaps, communication can sometimes be successful, and sometimes misunderstandings can arise.\u003cbr\u003e Ultimately, you can only create emotion through effective means.\u003cbr\u003e There is a saying that 'there are no new stories under the sun'. \u003cbr\u003eThroughout human history, countless stories have accumulated, and in an environment of diverse media that allows for easy communication with anyone around the world, the question of \"how to tell the story\" has become far more important than \"what to tell the story.\"\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Going Out: Ultimately, Story, Storytelling, and Story Design\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eKorea's representative box office hit, '10 Million Movies'\u003cbr\u003e How is it born?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In an age where trends change faster than ever and tastes become more segmented, some say that mega-hits are now a thing of the past.\u003cbr\u003e With the flood of content and the growing variety of platforms, it is difficult to produce a blockbuster that captures national attention.\u003cbr\u003e However, there are still areas where we are looking forward to the birth of hit content that will thrill South Korea.\u003cbr\u003e It's the film industry. \u003cbr\u003eThe number of 'ten million', which is one-fifth of the entire population, has become the standard for success, and its social and cultural impact is significant regardless of gender or age.\u003cbr\u003e In that sense, it is no exaggeration to say that 'Ten Million Movies' is Korea's representative box office hit content.\u003cbr\u003e\u003cbr\u003e Since Silmido, released in 2003, became the first domestic film to attract 10 million viewers, a total of 33 films have reached 10 million viewers.\u003cbr\u003e With over a thousand films released each year, only a few achieve box office success, while the vast majority flop, how do these \"ten million-viewer\" films manage to capture and captivate the public? What makes these content so captivating?\u003cbr\u003e \u003cbr\u003eWhen a film becomes a box office hit, there is a flood of analysis on the film's external factors, such as its socio-cultural context at the time of release, its stellar casting, and its marketing strategy. However, these factors are merely variable elements that can change at any time depending on the time and situation.\u003cbr\u003e Accordingly, Professor Gil Jong-cheol, a professor of theater and film at Hanyang University and author of “The Ten Million Code,” points out “story” as an unchangeable element of success.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA master of film storytelling with 35 years of experience reveals\u003cbr\u003e 8 Storytelling Secrets to Captivating Tales\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The author is a leading figure in the film industry, having served as a professor at the Korean Academy of Film Arts, a film education institute, and as the CEO of CJ Entertainment, Korea's largest film investment and distribution company.\u003cbr\u003e During his tenure, he planned and produced “Gwanghae: The Man Who Became King,” which brought CJ its second 10 million-viewer film, and was at the center of the Korean film renaissance by releasing films such as “Snowpiercer,” “Cart,” and “A Werewolf Boy.” \u003cbr\u003eThe conclusion he reached based on his 35 years of experience is that the key to successful content lies in storytelling.\u003cbr\u003e\u003cbr\u003e 《The Ten Million Code》 is a book that compiles the diverse field experience and academic research results of the author, Professor Gil Jong-cheol. It focuses on eight films that have become examples of box office success, from the domestically most watched film, 《Roaring Currents》, to the most recent 10 million-viewer film, 《The Outlaws》 series. It also summons classic masterpieces such as Alfred Hitchcock's 《Psycho》 and Francis Ford Coppola's 《The Godfather》, as well as films that have been greatly loved both domestically and internationally, such as Disney's 《Frozen》 and Marvel's 《The Avengers》, and reveals the secrets of storytelling hidden within them. \u003cbr\u003eThe Thieves, which can be said to be the role model of Korean caper movies, has a protagonist strategy that fooled the audience with splendid multi-casting and presented a big plot twist; the narrative truth of Roaring Currents, which movedly reconstructed the incredible historical event of defeating 330 enemy ships with 13 ships; and the plot thread of Ode to My Father, which covered the protagonist's entire life without losing the framework of the story. This film comprehensively explores the story of movies and excitingly uncovers eight tens of millions of codes that are the secrets of box office success.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In an age overflowing with stories, if you've ever tried to create a captivating story, you'll be delighted to discover this book, packed with successful storytelling examples and insights. \u003cbr\u003eJust as director Kim Han-min of “Roaring Currents” left a recommendation saying, “If you want to become a storyteller who captures the hearts of millions, I recommend this book,” this book generously provides readers with the secrets to creating a masterpiece rather than a fleeting hit.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAfter reading this book\u003cbr\u003e Discover the real reason for fun and excitement\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The film \"Spring in Seoul\" appeared like a comet at a time when theaters were still depressed due to the COVID-19 pandemic, confirming the truth that compelling storytelling can always move the hearts of audiences.\u003cbr\u003e Why has this film, based on a true story with a widely known ending, sparked a wave of repeat viewings? The author identifies \"irony\" as the key word in the film's storytelling.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \"Spring in Seoul\" is a film filled with so many ironies that it could be called a textbook on irony. \u003cbr\u003eIn particular, the irony that this film brings to the forefront is the ‘inverted good and evil structure.’\u003cbr\u003e It may seem like good should win because it is right, but in reality, good does not always win.\u003cbr\u003e Even the right thing can fail.\u003cbr\u003e In that sense, irony, which refers to a state in which two opposing or conflicting conditions exist simultaneously, is a metaphor for life and is a word that permeates human life.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “The irony depicted in the film resonates even more deeply because our reality, our lives, and our world are themselves cruelly ironic.\u003cbr\u003e A story should capture the essence of life, but it should not be a mere copy of ordinary life, devoid of depth or meaning.\u003cbr\u003e We need to portray someone's life so that we can feel and accept it as our own.\u003cbr\u003e That's storytelling.”\u003cbr\u003e \u003cbr\u003eIn this way, \"The Ten Million Code\" goes beyond a detailed examination of the story of a ten million movie and goes into the essence of the story and the operating principles of storytelling.\u003cbr\u003e So, after reading this book, you will be able to clearly see the structure of the story that you had not seen before, and you will be able to move beyond simply saying that it was 'fun' and tell the real reason why it was fun and moving.\u003cbr\u003e Today, storytelling extends beyond the narrative medium and is applied in a variety of fields, including business and various educational and learning methods.\u003cbr\u003e The era has arrived where the ability to design stories is no longer the exclusive domain of artists.\u003cbr\u003e In that sense, this book, which presents excellent story design through friendly description, will serve as the most practical guide to the world of story for those who want to develop their own storytelling vision and skills. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 26, 2025\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 296 pages | 424g | 135*210*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791193401422\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1193401429 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894763454506,"sku":"108263","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/c0c4c4f4b1b50de6118494b2f51c26f3.jpg?v=1765445260"},{"product_id":"108268","title":"Must do ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trfHApPElDihFVKfIQuzAy1Yqp.png?v=1765107621\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Must do \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/144025265\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA culmination of Nordic art and philosophy presented by Ingrid Gordon and Ton Telegen.\u003cbr\u003e We live our lives consumed by countless obligations and persistent compulsions. There's only one thing we must do now: be happy.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e A philosophical picture book that completely frees us from the sense of obligation to “do” something, even at this very moment.\u003cbr\u003e The philosophy of the great Dutch writer Ton Telegen is added to the illustrations of Ingrid Godon, the best Belgian illustrator.\u003cbr\u003e Between sharp yet bold illustrations, 46 closely woven thoughts, sometimes as flowing as poetry or essays, dissect and clearly reveal the imperatives and compulsions that strangle us.\u003cbr\u003e What should we do now!\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5210\/MidCate008\/520972873.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eI have to acknowledge my life.\u003cbr\u003e What kind of ridiculous task is this?\u003cbr\u003e I have no intention of accepting life.\u003cbr\u003e Accept life and me or deny it.\u003cbr\u003e But life is silent.\u003cbr\u003e Death still speaks something.\u003cbr\u003e He's talking so loudly that it's piercing my ears, but I can't understand.\u003cbr\u003e\u003cbr\u003e --- p.12\u003cbr\u003e\u003cbr\u003e I have to.\u003cbr\u003e I am again, I am again… I am sick of it.\u003cbr\u003e I wish there was a world without me.\u003cbr\u003e If there is a world written like this: In the beginning I was.\u003cbr\u003e And then it disappeared forever.\u003cbr\u003e\u003cbr\u003e --- p.32\u003cbr\u003e\u003cbr\u003e You have to follow me.\u003cbr\u003e You have to report to me in detail what I am doing now and what my plans are.\u003cbr\u003e You must not lose sight of me for even a moment.\u003cbr\u003e I'm a threat to myself! I don't understand! But how can I be following myself? I'm always one step ahead of myself.\u003cbr\u003e\u003cbr\u003e --- p.48\u003cbr\u003e\u003cbr\u003e There are often people who think like this even at the moment of death. \u003cbr\u003e'Wait a minute, just this...' I can hear it even without actually saying it.\u003cbr\u003e\u003cbr\u003e --- p.55\u003cbr\u003e\u003cbr\u003e Must do.\u003cbr\u003e But I don't want to do it.\u003cbr\u003e When I wake up in the morning, all kinds of obligations bite me and never let go.\u003cbr\u003e\u003cbr\u003e --- p.81\u003cbr\u003e\u003cbr\u003e I have to face the me inside me.\u003cbr\u003e Knowing myself is the basis of philosophy.\u003cbr\u003e This book is a philosophical picture book that projects the internal conflicts and anxieties between me and the me within me through the colorful characters in the pictures.\u003cbr\u003e The conversation between these two, who know each other better than anyone else, is intimate, logical, and above all, direct.\u003cbr\u003e For example, I have to fight.\u003cbr\u003e They send enemies to me.\u003cbr\u003e He stands in front of me and stares.\u003cbr\u003e And he says, “I am your enemy.”\u003cbr\u003e “I know,” I answer.\u003cbr\u003e Is there anyone in this world who knows that person better than me?\u003cbr\u003e We both sigh and start fighting._ It's like this.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eBut where does this compulsion to do something come from? Who is the trigger? It's clear that most, if not all, of it comes from within me.\u003cbr\u003e Maybe that's why this book doesn't read like a separate book, but as if it were my own story.\u003cbr\u003e Maybe I should wake up now.\u003cbr\u003e I have to go to work.\u003cbr\u003e I have to submit a report.\u003cbr\u003e Must arrive.\u003cbr\u003e I have to eat.\u003cbr\u003e It has to be calculated.\u003cbr\u003e I have to meet you.\u003cbr\u003e It must be neat.\u003cbr\u003e Have to think about it.\u003cbr\u003e We need to talk.\u003cbr\u003e We have to face it.\u003cbr\u003e We need to reflect.\u003cbr\u003e I need to have a drink.\u003cbr\u003e I have to go home.\u003cbr\u003e I need to contact you.\u003cbr\u003e I have to go to bed.\u003cbr\u003e I have to wake up again... If your mind is full of things to do, I can confidently say that you must read this book right now.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e If you have to settle your life.\u003cbr\u003e What kind of life should we live? Should I change first to live a more valuable life? \u003cbr\u003eShould we be kinder, more gentle, more free-spirited, more serious, more honest, more forthright, more wise, more calm, more patient, more confident, more purposeful, more thoughtful, more talented, more persistent, more sincere, more consistent, more decisive, more energetic, more cheerful—in short, more different from who we are now? Let's picture the situation more directly.\u003cbr\u003e If someone asked you, “Have you enjoyed this life?” what would you say?\u003cbr\u003e Sometimes the quantity was a little small, sometimes it was undercooked, and sometimes it was too cold.\u003cbr\u003e Plus, the service is terrible! The bill comes out right away.\u003cbr\u003e It's much more expensive than I thought.\u003cbr\u003e There are things I sent back, things I didn't order, and things I couldn't eat at all, and I still have to pay for those.\u003cbr\u003e Wouldn't that be incredibly unfair? You only live once.\u003cbr\u003e We must live in the present.\u003cbr\u003e Be happy now so you can settle up anytime!\u003cbr\u003e\u003cbr\u003e You must be happy.\u003cbr\u003e \u003cbr\u003eThe voice inside me says this, but I say it.\u003cbr\u003e 'Happiness isn't important.'\u003cbr\u003e 'Then what's important?'\u003cbr\u003e 'Well, I guess happiness isn't the important thing.'\u003cbr\u003e 'So, do you think you'll figure out what's important someday?'\u003cbr\u003e 'no.'\u003cbr\u003e Silence flows.\u003cbr\u003e After a while, a voice inside me said\u003cbr\u003e He clears his throat and speaks softly.\u003cbr\u003e 'Still, look happy.'\u003c\/div\u003e\n\u003cdiv\u003e --- p.78\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eEditorial log\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book follows the same author's previous work, [Thinking].\u003cbr\u003e I can't count how many times I've slapped my knee in awe at the way bold, colorful illustrations harmonize with solid text.\u003cbr\u003e Of course, with the obligation, compulsion, constraint, and pressure to edit well, I had to worry about the design while going through endless proofreading, so it took 6 months longer than the previous work. \u003cbr\u003eThe tracing paper jacket, like [Thinking], draws attention by veiling the artistry and true nature of this book, and the four yellow tracing papers woven into the text are as refreshing as spring.\u003cbr\u003e Every time I turn the page of tracing paper, the sentences on it change left and right, and they break down various compulsions and sense of obligation like a reversal.\u003cbr\u003e The production specifications for this book include a tracing paper jacket, a Munken cover, a Vivicolor cotton paper, and a headband added to various high-quality papers.\u003cbr\u003e Tracing paper, which is particularly sensitive to moisture, is specially UV printed to prevent even the slightest blurring.\u003cbr\u003e Anyone who faces the self and recalls happiness is beautiful without any lack of it.\u003cbr\u003e Finally, while editing this book, I would like to summarize the silent conversations I and my inner self had every day.\u003cbr\u003e\u003cbr\u003e [You really have to do well.\u003cbr\u003e We need to think more about whether this is truly the best option. \u003cbr\u003e‘You’re still worrying about it!’ \/ ‘That’s not worrying.’ \/ ‘Then what do you mean?’ \/ ‘I’m just thinking about it.’ \/ ‘Is this just thinking?’ \/ ‘Okay, really think about it.’ (There’s a long silence.) I open the book again and worry.\u003cbr\u003e I don't say anything anymore either.] \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 4, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 104 pages | 642g | 228*287*11mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791186825396\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1186825391 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894763552810,"sku":"108268","price":43.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/6cdd6d5b1b35742922a2032843ae22e2.jpg?v=1765445266"},{"product_id":"108273","title":"Walking through an art museum like a docent ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trg0Yx9xSqf0m8nIrjEhTn4msx.png?v=1765107642\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Walking through an art museum like a docent \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/143825030\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“You see as much as you know, and you enjoy as much as you see!”\u003cbr\u003e\u003cbr\u003e If you're looking at a picture but don't know what to look at...\u003cbr\u003e How to Make Eye Contact with Artwork in an Art Museum Without Feeling Awkward\u003cbr\u003e\u003cbr\u003e “A refreshing and enjoyable book, packed with only the most useful information for beginners.”\u003cbr\u003e Lee Joo-heon | Art critic, author of \"Van Gogh Talked About You Yesterday\"\u003cbr\u003e\u003cbr\u003e “A book like a compass for navigating the vast sea of ​​art.”\u003c\/b\u003e \u003cbr\u003eLee So-young | Joy Museum CEO, author of \"Carl Larsson: Why I Draw Happiness Today\"\u003cbr\u003e\u003cbr\u003e An unprecedented art craze is blowing.\u003cbr\u003e The development of social media and platforms has greatly increased accessibility and demand for art.\u003cbr\u003e Art has now become a field that anyone can easily appreciate.\u003cbr\u003e However, there are still many cases where people are confused because they cannot properly understand the meaning of the work even after seeing it.\u003cbr\u003e Especially, if you are an ordinary person who has not majored in art, you may have asked yourself this question at least once while standing in front of a work of art.\u003cbr\u003e “But, how should I appreciate this work?”\u003cbr\u003e\u003cbr\u003e \"Walking through an Art Museum Like a Docent\" is an introductory book on art education compiled by the author, an art historian who strives to popularize art.\u003cbr\u003e It provides practical information so that people who are new to art can easily see, feel, and understand works of art without having to know complex art theory. \u003cbr\u003eFrom the basic concepts of art to the history of art, NFT art, and art auctions, it explains the essential information needed to understand art in a simple and concise manner.\u003cbr\u003e\u003cbr\u003e The author is confident that he has structured the book so that if anyone is going to read just one book on art, this is it.\u003cbr\u003e This book will serve as a friendly companion to those who have long felt that art is a world difficult to understand, a discipline difficult to approach, by showing them how to stop in front of a work of art, discover more stories, and engage in conversation with the work.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Entering the recommendation\u003cbr\u003e Chapter 1: Is this also art?\u003cbr\u003e Chapter 2 Objects and Techniques of Art\u003cbr\u003e Chapter 3: Finding Crivelli's Pickles\u003cbr\u003e Chapter 4: Understanding Art Trends through 30 Works\u003cbr\u003e Chapter 5: History of Sculpture\u003cbr\u003e Chapter 6: When Bad Things Happen to Great Art\u003cbr\u003e Chapter 7 Digital Light in the Forest\u003cbr\u003e Chapter 8 What would Freud say? \u003cbr\u003eChapter 9: Art and Economic Value\u003cbr\u003e Chapter 10: The Enigmatic History of Art\u003cbr\u003e Chapter 11: The Future of Art\u003cbr\u003e\u003cbr\u003e Acknowledgements\u003cbr\u003e References\u003cbr\u003e List of included works\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5210\/MidCate007\/520962452.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Imagine being suddenly dropped into an art museum somewhere in the world, and being asked by someone to explain in detail the artwork around you.\u003cbr\u003e After reading this book, you will be able to put it into practice without difficulty.\u003cbr\u003e\u003cbr\u003e --- p.21\u003cbr\u003e\u003cbr\u003e Past theorists believed that art, and ultimately civilization, emerged only after basic needs were met.\u003cbr\u003e I believed that only when you have food, a warm place to sleep, and the assurance that your home is safe can you have the time and space to create art. \u003cbr\u003eBut prehistoric people who lived in caves created art even as they hunted and gathered, chased animals, and tried to avoid being eaten by cave bears.\u003cbr\u003e\u003cbr\u003e --- p.44\u003cbr\u003e\u003cbr\u003e To properly interpret traditional Western art, we must relearn this 'visual language'.\u003cbr\u003e The visual language of symbols appears remarkably consistently and consistently in European art and its North American influences.\u003cbr\u003e Rather than a definition, it is closer to a series of equations, like 'a pair of keys = St. Peter'.\u003cbr\u003e If you think of it as an equation, it's much easier to mentally draw and memorize.\u003cbr\u003e\u003cbr\u003e --- p.105\u003cbr\u003e\u003cbr\u003e Entering the world of art requires bravely braving the hail of technical jargon and realizing that it's not all that scary.\u003cbr\u003e It would be best if you could run through the hail and reach your destination only to realize that you survived the storm. \u003cbr\u003eAnother way to do this could be to simply organize things.\u003cbr\u003e It is a method of reducing the definition of each era or art style to the most understandable abbreviation.\u003cbr\u003e Unless you plan to delve deeper into art history, this should be sufficient.\u003cbr\u003e Going forward, I plan to combine these two methods to make two runs through the hail of beautiful works.\u003cbr\u003e\u003cbr\u003e --- p.132\u003cbr\u003e\u003cbr\u003e One might think that 'reading' a painting with a certain form, especially one rich in symbolism or showing a difficult mythological scene, would require solving a difficult problem.\u003cbr\u003e At a high academic level, this is certainly the case (I spent years tearing my hair out analyzing Bronzino's paintings).\u003cbr\u003e However, the situation is different for most museum visitors who do not have much of an academic background.\u003cbr\u003e Looking at a work of art with a certain form is actually a form of passive narrative reading. \u003cbr\u003eBecause the artist has already provided all the elements that our brains can automatically anticipate and figure out how to process.\u003cbr\u003e Such works look real.\u003cbr\u003e But Dr. Candle makes the groundbreaking claim that it is when we look at abstract art, which eliminates both narrative and predictable visual elements that express a consistent message, that our brains are forced to actively engage in problem-solving.\u003cbr\u003e\u003cbr\u003e --- p.277\u003cbr\u003e\u003cbr\u003e The most important thing is that what we like is up to us.\u003cbr\u003e Don't be swayed by the stupid pressure from those around you to like avant-garde work.\u003cbr\u003e If you like oil paintings on wood panels from Florence during the Mannerist period, then go for it (I do too).\u003cbr\u003e\u003cbr\u003e --- p.337\u003cbr\u003e\u003cbr\u003e While it's helpful to know the various trends when analyzing past works, it's crucial these days to understand each new work separately. \u003cbr\u003eDo you feel moved by a work of art, or do you experience something different before and after seeing it? Does it make you think about things you hadn't before? If so, it's a well-made piece, and it's safe to like it.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.338\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eI'm looking at the picture\u003cbr\u003e Don't know what to watch?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e An unprecedented art craze is sweeping the country.\u003cbr\u003e Last year, the number of visitors to the National Museum of Korea reached a record high of 4 million, ranking it 6th among museums and art galleries worldwide and 1st in Asia.\u003cbr\u003e Art museums and galleries are constantly pushing themselves to present extraordinary exhibitions to attract visitors, and people respond by holding \"open runs\" or casually waiting in line for an hour or two. \u003cbr\u003eWe have entered an era where, like a restaurant, you have to wait in line for an exhibition.\u003cbr\u003e\u003cbr\u003e With the development of platforms and social media, interest in art has expanded and accessibility has increased more than ever.\u003cbr\u003e Unlike in the past, when art was considered the exclusive domain of the privileged, now anyone can easily search for works of art and enjoy masterpieces by historical masters like Van Gogh and Monet for the price of a movie ticket.\u003cbr\u003e People visit exhibitions expecting a special aesthetic experience.\u003cbr\u003e However, anyone who has ever felt a peculiar sense of stillness and emptiness, overwhelmed by the majesty of the works in an exhibition hall without any information, would have asked this question at least once while standing in front of the works.\u003cbr\u003e “But, how should I appreciate this work?”\u003cbr\u003e\u003cbr\u003e \u003cb\u003eOrganized into one volume\u003cbr\u003e The essence of art knowledge\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eAccording to research by London's Tate Gallery, people only pause in front of an artwork for about eight seconds on average.\u003cbr\u003e The decline in attention spans of modern people plays a part, but crucially, there are many cases where people do not know how to appreciate a work or what to read from it.\u003cbr\u003e Although art has become easier to access, it is still difficult to understand it deeply unless you are a specialist.\u003cbr\u003e This is probably why the demand for docents who explain works of art to visitors in museums and art galleries has increased.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \"Walking through an Art Museum Like a Docent\" is an introductory book on art culture for those who are new to art, or for non-art majors who are proactive in gathering information and seeking diverse experiences and understanding through art. \u003cbr\u003eProvides practical information so that you can see, feel, and understand artwork without having to know complex art theory.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This book, consisting of 11 chapters, begins with the basic concepts of art and explains the most basic essential knowledge for appreciating works of art, from cave paintings to modern art, in an easy and fun way, with over 100 illustrations.\u003cbr\u003e It covers a wide range of topics, including the form, medium, trends, and history of the artwork, as well as stories about its preservation and restoration, anecdotes surrounding the artwork, such as theft and looting, and even NFT art and art auctions, which are currently the most popular topics in the art market.\u003cbr\u003e It helps to deepen the understanding of art while lowering the threshold to make it easily accessible to everyone.\u003cbr\u003e Through this book, readers will realize that art goes beyond simply providing visual pleasure and plays a vital role in understanding the world we live in.\u003cbr\u003e \u003cbr\u003e\u003cb\u003eThe world of liberal arts,\u003cbr\u003e The more you know, the better you see!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The author is a professional art historian who studied art in France, the United States, England, and Slovenia, and taught at prestigious universities such as Yale University, Brown University, and the American University of Rome.\u003cbr\u003e Also, the Metropolitan Museum of Art, Washington, DC\u003cbr\u003e He has been invited as a lecturer to many of the world's leading art galleries and museums, including the National Gallery of Art and the Royal Ontario Museum in Toronto, and with a love for art that surpasses anyone else's, he is at the forefront of the \"popularization of art.\"\u003cbr\u003e\u003cbr\u003e The author, who proudly states that he wrote this book so that if anyone were to read just one book on art, it would be this one, emphasizes again and again.\u003cbr\u003e “Anyone with an open mind and even a little interest can become close to art.”\u003cbr\u003e \u003cbr\u003eIf you want to learn about art but don't know where to start, if you've diligently looked at every piece of art at an exhibition you've visited but haven't found anything to show for it, if you want to go beyond simply looking at art and truly understand it, then open this book right away.\u003cbr\u003e For those who have long felt that art is a world difficult to understand and an inaccessible discipline, this book will become a friendly companion, teaching them how to stop in front of a work of art, discover more stories, and engage in conversation with the work.\u003cbr\u003e\u003cbr\u003e “Imagine you’re suddenly dropped into an art museum somewhere in the world, somewhere you don’t know, and someone asks you to explain in detail the artwork around you.\u003cbr\u003e After reading this book, you will be able to put it into practice without difficulty.” (Page 21) \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 28, 2025\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 352 pages | 552g | 149*210*21mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791139719284\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1139719289 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894763651114,"sku":"108273","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/6fb12f2ac8a4f97ca8c20ede17c7da0c.jpg?v=1765445273"},{"product_id":"108278","title":"The days we forgot ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trfFpS03uDDRkP5gn1YACqCGtR.png?v=1765107663\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The days we forgot \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/143647293\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e Warmth and love depicted by painters of light\u003c\/div\u003e\n\u003cdiv\u003e Children and childhood scenes depicted with soft brushstrokes and warm colors by Impressionist painters such as Renoir, Monet, Pissarro, and Cassatt.\u003cbr\u003e The delicate paintings bring back memories of childhood and the love I received then.\u003cbr\u003e 150 high-quality illustrations, carefully selected by the Giverny Impressionist Museum, offer a special pictorial stroll for art-loving readers.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eApril 22, 2025.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eRenoir, Monet, Pissarro, Cassatt…\u003cbr\u003e The warmth and love of childhood depicted by the 'painters of light'\u003cbr\u003e * Highly recommended by poet Na Tae-ju and art essayist Lee So-young!\u003cbr\u003e * 150 masterpieces carefully selected by the Giverny Museum of Fine Arts in France\u003c\/b\u003e  \u003cbr\u003e* Includes letters, family photos, and unpublished essays from Impressionist painters you meet for the first time.\u003cbr\u003e * High-quality illustrations and expert commentary, as if brought straight from an art gallery\u003cbr\u003e\u003cbr\u003e Koreans' favorite Impressionist masters capture their shining childhood moments! 150 masterpieces hand-picked from the Musée des Impressionnismes Giverny, France, the birthplace of Impressionism, rekindle childhood memories. \"Days We Forgot\" was published.\u003cbr\u003e This book, a poem combining high-quality illustrations with in-depth commentary by expert curators, will be the perfect gift for those of us who need warmth in life.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Introduction: The warmth of childhood remembered through pictures\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1.\u003cbr\u003e A longed-for haven, the embrace of family\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Pierre-Auguste Renoir, Gabriel and Jean  \u003cbr\u003eCamille Pissarro, \"Woman Doing Laundry\"\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2.\u003cbr\u003e Children loved by the artist\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The world of children that Renoir encountered\u003cbr\u003e Pierre-Auguste Renoir, \"Painting Scene\"\u003cbr\u003e Claude Monet, Interior Scene\u003cbr\u003e _Monet, the meaning of family\u003cbr\u003e Paul Gauguin, Interior with Aline Gauguin\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3.\u003cbr\u003e Let's play together tomorrow too\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e _What should I play with?\u003cbr\u003e _Bert Morisot, Child with a Doll or Interior of a Country House\u003cbr\u003e André Brouillet, The Girl in Red\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 4.\u003cbr\u003e Moments of learning\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e _A mind that grows through reading and writing\u003cbr\u003e _Etienne Moronellaton, \"The Young Art Lover\"\u003cbr\u003e Camille Pissarro, 'The Ideal and Wonderful Father'\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 5.\u003cbr\u003e Joy of the Midday\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e _Animal Friends and Children's Secret Garden\u003cbr\u003e Claude Monet, The Painter's House at Argenteuil\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 6.\u003cbr\u003e The feeling of taking out new clothes\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e _Boys in princess dresses and girls in men's suits  \u003cbr\u003eDaniel de Monpre, Portrait of the Painter's Daughter or a Spanish Princess\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 7.\u003cbr\u003e The long-awaited summer vacation\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e _Playing on the beach\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 8.\u003cbr\u003e To a wider world\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e _Adolescence, a time to dream of the future\u003cbr\u003e Henry Scott Tuke, Portrait of Jack Rowling\u003cbr\u003e Julie Manet, the girl loved by the Impressionist painters\u003cbr\u003e\u003cbr\u003e Attachment\u003cbr\u003e _The biographies of some painters\u003cbr\u003e _List of exhibited works\u003cbr\u003e _Some references\u003cbr\u003e _Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5280\/MidCate004\/527935112.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Is there anything more beautiful in this world than the children lovingly depicted by Claude Monet, Pierre-Auguste Renoir, and Berthe Morisot? This near-perfect harmony of art and life, interwoven with poppies, seesaws, music lessons, and butterfly chases, is woven into our collective memories.\u003cbr\u003e\u003cbr\u003e --- p.35\u003cbr\u003e\u003cbr\u003e “My father Renoir’s life was completely changed when my older brother Pierre was born. \u003cbr\u003e“All theories lose their power before the sight of a newborn baby’s tiny thighs moving back and forth.”_ Jean Renoir, “Renoir,” 1982 (omitted) The reason children were so important in Renoir’s life and work may have been because, unlike the world of adults, the world of children has “the impression of nature, full of uncertainties yet possessing a strong harmony.”\u003cbr\u003e\u003cbr\u003e --- p.81\u003cbr\u003e\u003cbr\u003e As you know, mealtimes were one of the most important moments in Monet's life.\u003cbr\u003e It was a time to stop what I was doing, take a break, and have fun and be happy when I could see my whole family together.\u003cbr\u003e\u003cbr\u003e --- p.99\u003cbr\u003e\u003cbr\u003e “The children are very happy.\u003cbr\u003e I am very grateful to Madame Mirbeau for sending me such a lovely toy.\u003cbr\u003e The kids are really happy. \u003cbr\u003e“I hope this happiness will continue for the rest of my life.” _ Letter from Camille Pissarro to Mirbeau (December 29, 1892)\u003cbr\u003e --- p.105\u003cbr\u003e\u003cbr\u003e “Renoir opposed all attempts to educate children.\u003cbr\u003e He wanted children to make their first contacts with the world on their own.\u003cbr\u003e (…) I just thought that the objects and colors around children should always be beautiful.”\u003cbr\u003e --- p.136\u003cbr\u003e\u003cbr\u003e “Every time I bought a hat, I worried whether Renoir would like it.” —Julie Manet’s diary (January 8, 1898)\u003cbr\u003e --- p.189\u003cbr\u003e\u003cbr\u003e However, Cassatt detested the artificial and unnatural poses found in academic paintings.\u003cbr\u003e She really wanted to portray a childlike appearance.\u003cbr\u003e (Omitted) Morisot broke with the conventional wisdom of her time and abandoned the “sacred duty of motherhood” that women were expected to endure, and focused on her life as a painter. \u003cbr\u003eShe participated in all the Impressionist exhibitions except for the one in 1878, the year Julie was born, and supported them financially.\u003cbr\u003e\u003cbr\u003e --- p.198\u003cbr\u003e\u003cbr\u003e Regarding her son, Ludovic-Rodolph, who had just started living on his own in London at the age of 19, Camille, who was in Rouen, wrote to her eldest son, Lucien, in a letter dated August 12, 1898:\u003cbr\u003e “If you stop your child from doing something bad, he will secretly do something worse.\u003cbr\u003e At a young age, there's no stopping you from going where your passion leads you.\u003cbr\u003e (…) So what advice should I give? The only thing that comes to mind is to have good judgment and a healthy dose of distrust.\u003cbr\u003e “I just keep waiting for news from Rodolphe,” he said, adding that this was the reason he had been able to avoid the wrong path when he was younger.\u003cbr\u003e “I had a strong driving force that led me to my current life.\u003cbr\u003e It was art!”\u003cbr\u003e --- p.245\u003cbr\u003e \u003cbr\u003eIn Renoir's portrait, Julie Manet boasts porcelain-colored skin and the exuberant energy of a child who grew up surrounded by happiness and love.\u003cbr\u003e Warm childhood memories gave the girl the strength to move forward confidently into the future as an adult.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.258\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e“When was your happiest moment?”\u003cbr\u003e To us who are navigating the adult world\u003cbr\u003e A warm greeting from a painting\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Friends playing together in the garden, precious toys, sunny scenery, afternoon dinner table with family, beach where we went to play during summer vacation… … .\u003cbr\u003e Impressionist paintings with their beautiful colors bring back fond memories that are cherished in a corner of our hearts. \u003cbr\u003eLet's relive the love and joy of everyday life that we once enjoyed through the children and childhood scenes captured with soft brushstrokes and warm colors by masters such as Renoir, Monet, Pissarro, Mary Cassatt, and Berthe Morisot.\u003cbr\u003e Childhood, resurrected through art, will continue to serve as a pillar of support for us as we move forward into the future, having now left the world of childhood.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAffectionate gaze, endless encouragement\u003cbr\u003e From letters exchanged between painters and their families, friends, and neighbors,\u003cbr\u003e Even the hidden backstories of the children in the picture\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The book contains not only paintings, but also letters exchanged between the artists and their family, friends, and neighbors.\u003cbr\u003e Sometimes I shower my child with encouragement for every step he takes, and other times I worry about his spelling skills.\u003cbr\u003e In any case, the artist never loses his warm gaze toward the child. \u003cbr\u003eThe everyday moments and affectionate sentences of the artists, which can only be encountered through \"Days We Forgot,\" double the emotion of the paintings and take us back to our childhood.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “Every morning, Georges leaves home at 7:30 and bravely walks the three kilometers alone to school.”\u003cbr\u003e - A letter from Camille Pissarro to his eldest son\u003cbr\u003e\u003cbr\u003e “Daughter, you have never been a source of sorrow to me for even a moment.”\u003cbr\u003e - A letter left by Berthe Morisot to her only daughter\u003cbr\u003e\u003cbr\u003e “I’m glad that flowers are blooming in the garden.\u003cbr\u003e “When I get back, I have to garden with the kids.”\u003cbr\u003e - Claude Monet, letter to his wife\u003cbr\u003e\u003cbr\u003e “My father Renoir’s life changed when my older brother Pierre was born.”\u003cbr\u003e - Records of Renoir's second son, Jean\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA small art museum in a book,\u003cbr\u003e And pieces of happiness to cherish forever\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e150 high-quality illustrations, carefully selected from the Giverny Impressionist Museum in France, provide a vivid sense of the museum as if it were moved into a book.\u003cbr\u003e Additionally, the book includes a wide range of materials, including family photos of the artist, a wealth of commentary by a professional curator, and an unpublished essay by Camille Pissarro's great-grandson, allowing for a deeper understanding of the hidden stories and historical background of the work.\u003cbr\u003e Readers who love art will enjoy a very special pictorial walk through this book. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e May 5, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 304 pages | 1,066g | 188*249*25mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791140712885\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1140712888 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894763814954,"sku":"108278","price":46.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/39518e073dfee870aecc94e4b0df015f.jpg?v=1765445280"},{"product_id":"108284","title":"De-housing ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tl2Ukn1w6fmRRYuUgu8gpUh8yB.png?v=1765107684\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e De-housing \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/143048573\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e The 2024 Pritzker Architecture Prize, the Nobel Prize of architecture, went to Riken Yamamoto. \u003cbr\u003eTom Pritzker praised him for his research on how to live together, saying, “He proposes a new architectural language that creates not just a space for families to live in, but a community where families can live together.”\u003cbr\u003e 『Post-Housing』, co-written by architects Riken Yamamoto and Toshiharu Naka, is a book that criticizes the concept of 'one house per household' that has been taken for granted since the Industrial Revolution, and seeks a new way of living through architecture.\u003cbr\u003e The two architects explore not just better housing, but how architecture can shape lifestyles and even communities, proposing new approaches.\u003cbr\u003e\u003cbr\u003e In Part 1, Yamamoto naturally breaks down the boundaries between the inside and outside of the house by introducing the concept of 'shikii', which connects the outside and inside like a love room in the past. \u003cbr\u003eBy analyzing seven buildings he designed, including Pangyo Housing and Gangnam Housing, we can see the specific form of the architectural alternative he speaks of.\u003cbr\u003e In Part 2, Naka explores a residential model that develops the concept of 'shikii'.\u003cbr\u003e Beyond forming a community, it details the structures of two buildings that influence and interact with the local economy.\u003cbr\u003e To celebrate the publication of the Korean edition, we included special forewords by two architects, and added a review by Park Chang-hyun, an architect who studies communities and local communities in Korea, to further enrich the book's discussion.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e On the publication of the Korean edition\u003cbr\u003e Entering\u003cbr\u003e\u003cbr\u003e Introduction | Happiness Trapped in a House | Riken Yamamoto\u003cbr\u003e Housing for workers\u003cbr\u003e The form of happiness called privacy\u003cbr\u003e Is the nuclear family the ultimate form of family evolution?\u003cbr\u003e A space called Shiki\u003cbr\u003e community rights \u003cbr\u003eA house with an internal economic structure\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1 | Implementation | Yamamoto Riken\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e It all started here—Hotakubo Complex 1, Kumamoto Prefecture\u003cbr\u003e scandal\u003cbr\u003e What's wrong with condominiums?\u003cbr\u003e set theory\u003cbr\u003e essential contradiction\u003cbr\u003e\u003cbr\u003e Who is public housing for? - Yokohama Municipal Housing Mitsukyo High School\u003cbr\u003e Small compartments are good\u003cbr\u003e The problem of architectural space called housing\u003cbr\u003e\u003cbr\u003e Small Office Home Office - Beijing Zengai SOHO\u003cbr\u003e Lecture at Peking University\u003cbr\u003e Plan to open to the outside\u003cbr\u003e\u003cbr\u003e A house that can also be used as a studio—Shinonome Canal Court 1st District\u003cbr\u003e Privacy within, happiness within\u003cbr\u003e Houses that are investment targets\u003cbr\u003e Inadequate system\u003cbr\u003e\u003cbr\u003e Temporary housing for business—Heita, everyone's home\u003cbr\u003e From the day of the last lecture\u003cbr\u003e The helplessness of the housing supply system\u003cbr\u003e\u003cbr\u003e Freedom in Korean Public Housing: Seongnam Pangyo Housing\u003cbr\u003e Housing for salaryman families\u003cbr\u003e Small Square, Freedom of the Common Deck\u003cbr\u003e\u003cbr\u003e How to Create a Community - Seoul Gangnam Housing \u003cbr\u003elarge-scale apartment complex\u003cbr\u003e A deployment plan that has never been seen before\u003cbr\u003e Facing each other, and the rooftop garden\u003cbr\u003e The place where we work creates community.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2 | Proposal | Toshiharu Naka\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Small Economy Architectural Space - Apartment with Restaurant\u003cbr\u003e 1.\u003cbr\u003e Leveraging the small economy to create an open living environment\u003cbr\u003e A living environment naturally connected to the street\u003cbr\u003e Create a versatile mid-area\u003cbr\u003e Software Design: Building Mutually Supportive Relationships\u003cbr\u003e\u003cbr\u003e 2.\u003cbr\u003e Design process\u003cbr\u003e Design while thinking about what you want to make\u003cbr\u003e Possibilities of eating\u003cbr\u003e Residents who would be happy to have a restaurant―\u003cbr\u003e\u003cbr\u003e 3.\u003cbr\u003e Current status of apartment with restaurant\u003cbr\u003e A SOHO home from a furniture designer that resembles a showroom\u003cbr\u003e Creating a Successful Lifestyle - A 3-Floor SOHO Home\u003cbr\u003e The public laundry room is shared by everyone.\u003cbr\u003e As if there had been a restaurant there since long ago\u003cbr\u003e There are many small shops on the day the Marche is open.\u003cbr\u003e Operational meeting held at a social gathering\u003cbr\u003e see, know, eat\u003cbr\u003e Display shelves in a shared office\u003cbr\u003e\u003cbr\u003e 4.\u003cbr\u003e small economy\u003cbr\u003e A small economy \u003cbr\u003eDedicated housing as a facility\u003cbr\u003e Resonance between systems and facilities\u003cbr\u003e The potential of a small economy\u003cbr\u003e\u003cbr\u003e A Circulating Space - A Multi-family House in the Gohon Period\u003cbr\u003e A one-story house consisting of a house with a studio\u003cbr\u003e Harvesting rainwater in the form of architecture\u003cbr\u003e Overlapping two cycles\u003cbr\u003e\u003cbr\u003e Preface | Ryogawamachi's Sense of Community | Riken Yamamoto\u003cbr\u003e\u003cbr\u003e In conclusion\u003cbr\u003e Acknowledgements\u003cbr\u003e Reviewer's Note\u003cbr\u003e Source of the illustration\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5167\/MidCate10\/516692178.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e “De-housing” is an architectural measure to move away from residential housing that is overly focused on privacy.\u003cbr\u003e ···It is a question about fundamental problems and a proposal for a new housing system.\u003cbr\u003e ---From \"On the Publication of the Korean Edition\"\u003cbr\u003e\u003cbr\u003e As we began to live confined within the confines of one house per household, we accepted the 'happy housing style' without any awareness of the problems that might arise. \u003cbr\u003e...In fact, we are completely accepted and trapped within it, but we mistakenly believe that this is happiness.\u003cbr\u003e ---From the \"Preface\"\u003cbr\u003e\u003cbr\u003e There is something that many people, including architects, have a misconception about.\u003cbr\u003e It is a misconception that the current nuclear family is the final form of evolution.\u003cbr\u003e One household, one house is a residential form for nuclear families.\u003cbr\u003e ···It is nothing more than an artificial form created to reproduce a quality workforce.\u003cbr\u003e That is, it is not the final form or anything.\u003cbr\u003e ---From the \"Preface\"\u003cbr\u003e\u003cbr\u003e The reason I want to make the entrance hall out of transparent glass is because I want to change the relationship between inside and outside.\u003cbr\u003e And the reason I feel resistance to glass entrances is because I think that houses should be one house per household.\u003cbr\u003e If it's a studio, there won't be any problem making the front door transparent.\u003cbr\u003e ---From \"A House That Can Also Be Used as a Workshop\"\u003cbr\u003e\u003cbr\u003e Housing and infrastructure must work together as one. \u003cbr\u003e···We call a place-specific local community a local community, which is a way of thinking that considers the infrastructure system or local economy that fits the place together with housing.\u003cbr\u003e ---From \"Business-ready Temporary Housing\"\u003cbr\u003e\u003cbr\u003e Among the various causes that have destroyed human relationships called communities, the core one is the housing structure of one household per house.\u003cbr\u003e We have been designing houses like that all along, and that has been a huge mistake on the part of architects.\u003cbr\u003e ---From \"How to Create a Community\"\u003cbr\u003e\u003cbr\u003e A sociologist investigates the past, but the architect's work begins where the sociologist's work ends.\u003cbr\u003e From an architect's perspective, the future is not something to be anticipated, but rather something to be created.\u003cbr\u003e I believe that community is possible.\u003cbr\u003e Any space like that can be created.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"How to Create a Community\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eNow is the time to plan life beyond one house per household.\u003c\/b\u003e \u003cbr\u003eConnected house in isolated room\u003cbr\u003e\u003cbr\u003e The type of house we live in today is very familiar.\u003cbr\u003e One household lives in one house, and the interior is composed of spaces for only family members.\u003cbr\u003e High walls and tightly closed iron gates serve as clear boundaries, and each home functions as a completely independent unit.\u003cbr\u003e But when did this type of living begin? And why did we come to accept it as \"common sense\"?\u003cbr\u003e\u003cbr\u003e Riken Yamamoto, a leading Japanese architect who won the 2024 Pritzker Prize, points out in his book “Post-Housing” that the modern housing format of “one house per household” is merely a structural product formed during the process of modern industrialization, and is not an absolute utopia.\u003cbr\u003e To solve the housing problem of workers who flocked to cities after the Industrial Revolution, mass-produced housing for workers has continued to this day. \u003cbr\u003eAt that time, the housing model was part of a system through which the state and industrial capitalists efficiently managed the labor force, and was solely focused on the function of reproducing the labor force.\u003cbr\u003e It was designed as an environment suitable for raising children under a division of labor system where men work at their workplaces and women stay at home and take care of the housework.\u003cbr\u003e This uniform labor force, concentrated in one house without being scattered, is directly connected to the uniform productive force that is not individualized, and is directly connected to the profits taken by industrial capitalists.\u003cbr\u003e\u003cbr\u003e But now is different from then.\u003cbr\u003e The form of labor and the form of family have both changed.\u003cbr\u003e The housing model centered on the nuclear family is no longer suitable for modern society and has actually resulted in social isolation and disconnection from neighbors. \u003cbr\u003eRiken Yamamoto and Toshiharu Naka question the existing housing system and propose a new communal housing model that goes beyond the paradigm of 'one household, one house.'\u003cbr\u003e As the title suggests, it presents an architectural alternative that breaks away from the existing housing format and leads to a new way of life.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe illusion that true community is when everyone gets along well\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Communities are becoming more and more disconnected and communities are disappearing.\u003cbr\u003e Interaction with neighbors is reduced, and problems that occur in each person's home are completely transferred to the individual's responsibility.\u003cbr\u003e Neighborhood conflicts such as noise between floors and parking problems are on the rise, but the community foundation that could actually resolve them has long since disappeared.\u003cbr\u003e\u003cbr\u003e Yamamoto sees this disconnect not as a simple social phenomenon, but as a problem stemming from architectural and residential practices.\u003cbr\u003e Today's homes are designed with privacy as a top priority. \u003cbr\u003eBut this structure goes beyond protecting privacy and fundamentally blocks the formation of relationships with neighbors.\u003cbr\u003e\u003cbr\u003e The two authors warn that everyone lives within the larger framework of \"community,\" and unless we restore this, our lives will become more isolated.\u003cbr\u003e The community they speak of is not simply a relationship of neighbors who share friendship and get along well.\u003cbr\u003e Creating an environment where each household connects with and interacts naturally with the local economy is key to a sustainable community.\u003cbr\u003e \"True community cannot be formed as long as housing is separated from the economy,\" Naka says.\u003cbr\u003e Rather than relegating housing to mere consumption or sleeping spaces, we must create a structure where the economy and daily life are naturally connected, which is the essence of a community.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eShikii, a modern love room that welcomes neighbors\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eTo solve these problems, Yamamoto proposes the concept of 'Shikii'.\u003cbr\u003e Shikii means 'threshold' in Japanese, but it does not mean a boundary that can be crossed with one step, but rather a space where people from this side and that side can gather.\u003cbr\u003e It is an intermediate space that naturally connects the inside and outside of the house.\u003cbr\u003e\u003cbr\u003e Like the sarangbang of Korea in the past, shikii is a place that exists within a private space but is open to the outside world.\u003cbr\u003e In traditional Korean houses, it was a space for welcoming guests and a passageway for natural interaction with people who were not family members.\u003cbr\u003e But in modern houses, this function has completely disappeared, and all the doors are closed.\u003cbr\u003e This does not mean that we should unconditionally open ourselves to the outside world and share our homes. \u003cbr\u003eThe idea is to create a public space within a private space, like a love room, so that the living space is not completely closed off and can be naturally connected to neighbors.\u003cbr\u003e\u003cbr\u003e In this way, Shikii is not just a reception space, but an architectural device that makes communal life possible.\u003cbr\u003e If today's homes are built with a thoroughly individualized lifestyle in mind, Shikii is a space that brings the outside world into the home and restores relationships.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eArchitects who design relationships that go beyond space\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e \"Post-Housing\" proposes a new housing model, while also repeatedly questioning and experimenting with how to design human relationships and communities beyond space.\u003cbr\u003e Architects do not only design physical forms.\u003cbr\u003e How buildings are designed can change the way people communicate and transform the structure of society.\u003cbr\u003e It is an anachronistic idea to insist on 'one house per household' any longer. \u003cbr\u003eThis book will provide new insights not only to architects and urban planners, but also to all readers interested in space and community. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e February 28, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 296 pages | 128*188*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791168230866 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894763880490,"sku":"108284","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/8c066b0322b6d171fc54994cf90f422b.jpg?v=1765445286"},{"product_id":"108288","title":"Mary Cassatt, a painter of modern women ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tlRNxYLSjBezlVtphnEBnVGLpr.png?v=1765107725\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Mary Cassatt, painter of modern women \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/143000125\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003e“When I told him I was going to paint a mural, Degas became furious and started criticizing me.\u003cbr\u003e I became even stronger and said that no matter what happened, I would not give up on the mural.”\u003cbr\u003e Letter from Mary Cassatt to her friend Louise Havemire, 1892\u003cbr\u003e\u003cbr\u003e The year 1893 was a turning point for Mary Cassatt.\u003cbr\u003e It was the year his art returned to his native America and 'reached' success in Paris.\u003cbr\u003e That year, Cassatt made her American debut with the large mural Modern Woman, which was exhibited at the Chicago World's Fair.\u003cbr\u003e And in November 1893, he exhibited over 100 works at his first solo exhibition held at the Galerie Paul Durand-Ruel in Paris.\u003cbr\u003e In the exhibition catalog, art critic André Melliot concluded:\u003cbr\u003e “I tell you the truth, if I had to name the noble, individual, and outstanding artists of today, I would say only Whistler and Cassatt.”\u003cbr\u003e \u003cbr\u003eWhy did Cassatt's masterpiece, a 19-meter-wide masterpiece, \"Modern Woman,\" disappear completely? Was it destroyed? Is it buried in a museum basement? The imbalance between female and male artists persists, and the resulting misunderstandings persist.\u003cbr\u003e For decades, Cassatt's work was dismissed as typically 'feminine', depicting 'tea and clothes, children's rooms'.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Mary Cassatt: Painter of Modern Women helps us gain a deeper understanding of Mary Cassatt, an American-born, Paris-based artist.\u003cbr\u003e Mary Cassatt was a member of the Paris Impressionist group and was a painter who was deeply respected and loved by her contemporaries.\u003cbr\u003e Cassatt's modernism is crucial to understanding the creative intersection of modern art and modern women. \u003cbr\u003eHis paintings from over a century ago have been re-evaluated in the 21st century and are beginning to capture the eyes and hearts of new audiences in the United States and Europe.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Preface to the Revised Edition\u003cbr\u003e annual report\u003cbr\u003e introduction.\u003cbr\u003e Who and what is Mary Cassatt?\u003cbr\u003e Chapter 1.\u003cbr\u003e Mary Cassatt: Painter of the 'Modern Woman' 1893\u003cbr\u003e Chapter 2.\u003cbr\u003e American artists in the United States and abroad\u003cbr\u003e Chapter 3.\u003cbr\u003e Cassatt's Choices 1870-1877\u003cbr\u003e Chapter 4.\u003cbr\u003e Modern Women, Modern Spaces 1877-1891\u003cbr\u003e Chapter 5.\u003cbr\u003e The Maid and Her Mother: Color Print, 1891\u003cbr\u003e Chapter 6.\u003cbr\u003e The Modern Child 1895-1915\u003cbr\u003e Reviews\u003cbr\u003e Recommended Reading and References\u003cbr\u003e List of illustrations\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5168\/MidCate002\/516714499.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eWhile contemporaries considered a beautiful appearance or refined appearance that subtly revealed a mysterious sexual allure to be the core of mythic femininity, Cassatt specifically selected models of any class who did not attract an erotic gaze, so that the viewer could encounter the figures in the paintings as subjects rather than objects or myths.\u003cbr\u003e Cassatt's paintings convey the psychological inner world of both children and adults.\u003cbr\u003e Psychological interiority is the combination of thoughts and feelings that reveals the 'inner life', which Segard could probably only call the now-old-fashioned term 'soul'.\u003cbr\u003e\u003cbr\u003e ---From the \"Preface\"\u003cbr\u003e\u003cbr\u003e In the great drawing-based art tradition, style signifies an integrated understanding of artistic creation that combines conceptual and technical implementation.\u003cbr\u003e In art theory, style is implicitly treated as masculine and powerful. \u003cbr\u003eSegard recognized Cassatt's style in the \"Studies\" (1886), which had once belonged to Degas and which had even been attributed to him by his executors after his death.\u003cbr\u003e Above all, this painting was intended as a rebuttal to Degas's provocative and offensive statement that women do not even know what style is.\u003cbr\u003e\u003cbr\u003e ---From the \"Preface\"\u003cbr\u003e\u003cbr\u003e The year 1893 was a turning point for Mary Cassatt.\u003cbr\u003e It was the year his art returned to his native America and 'reached' success in Paris.\u003cbr\u003e That year, Cassatt made her American debut with the large mural \"Modern Woman,\" which was exhibited at the Chicago World's Fair.\u003cbr\u003e And from November to December 1893, he exhibited over a hundred works at his first retrospective held at the Galerie Paul Durand-Ruel in Paris.\u003cbr\u003e In the exhibition catalog, art critic André Melliot concluded: \u003cbr\u003e“I tell you the truth, if you were to choose among the artists of today the only two who are noble, individual, and outstanding would be Whistler and Cassatt.” By beginning this book at 1893, a crucial midpoint in Cassatt’s career, we will be able to capture the key moments and themes of change that would define the body of work that comes under the name “Mary Cassatt.”\u003cbr\u003e\u003cbr\u003e ---From Chapter 1\u003cbr\u003e\u003cbr\u003e Cassatt first appeared at the Salon under the name 'Mary Cassatt' in 1874.\u003cbr\u003e It seems that it was at this Salon exhibition that Degas saw Cassatt's Aida and declared, \"Here is someone who feels the same way I do.\"\u003cbr\u003e Although this may not be true, it was not until the spring of 1877 that the two artists actually met, despite the events that occurred.\u003cbr\u003e That year, Degas invited Cassatt to join the independent artists' group formed in 1874.\u003cbr\u003e\u003cbr\u003e ---From Chapter 3\u003cbr\u003e \u003cbr\u003eOn her second visit to Paris in 1875, Louise and Cassatt visited the Durand-Ruel Gallery on Boulevard Haussmann and the paint shop of Julien Tanguy on Rue Clozel.\u003cbr\u003e Cassatt persuaded the young man to spend all his and his sister's allowances to buy Edgar Degas' pastel painting, \"Ballet Rehearsal\" (c. 1875).\u003cbr\u003e The painting, which Louisine bought for 500 francs ($100), was the first Degas work purchased by an American.\u003cbr\u003e In the notes left by Havemeyer, we can hear Cassatt's appreciation of this work.\u003cbr\u003e “The drawing of the painting is as sure as that of the old painters, and the difficult problems of plane and perspective are handled with a masterly touch, and the beauty of the light and shade and color is literally captivating.”\u003cbr\u003e ---From Chapter 3\u003cbr\u003e\u003cbr\u003e Cassatt later wrote:\u003cbr\u003e “I like to draw children.\u003cbr\u003e Children are very natural and truthful. \u003cbr\u003e“Children have no hidden agenda,” said Cassatt, who began a series of paintings featuring a child in 1878.\u003cbr\u003e This led to the memorable encounters between the artist and a young girl, including Girl in a Big Red Hat (1881) and Girl in a Straw Hat (1886).\u003cbr\u003e \"Girl in a Straw Hat\" shows a working-class child wearing a jumper skirt over a simple chemise.\u003cbr\u003e The child is wearing a large straw hat over his haphazardly cut hair.\u003cbr\u003e Instead of an elaborately set backdrop, a pitiful little face looks slightly off-center, with a bewildered gaze, against a simple, Velazquez-esque gray background.\u003cbr\u003e …In these paintings exploring the girl, Cassatt asks the questions of contemporary feminists.\u003cbr\u003e Is there such a thing as a feminine nature, or do dominant gender concepts, as social imperatives, confine and limit both body and mind?  \u003cbr\u003e---From Chapter 4\u003cbr\u003e\u003cbr\u003e His monumental work, Portrait of a Lady (aka The Painter's Mother Reading Le Figaro) (1878), which deals with the theme of a 'reading woman', depicts his mother, Catherine Cassatt, reading a newspaper, a symbol of Baudelairean modernity.\u003cbr\u003e Catherine Cassatt sits in a floral armchair, similar to the one used by the girl in another of Cassatt's paintings, against a pale ivory wall.\u003cbr\u003e Cassatt placed a mirror on the canvas that reflected part of the newspaper.\u003cbr\u003e The interest that Cassatt's work had attracted within the new group can be seen in Manet's painting from 1879.\u003cbr\u003e Manet painted a charming young woman reading an illustrated newspaper in the garden of a Parisian café.\u003cbr\u003e\u003cbr\u003e ---From Chapter 4\u003cbr\u003e\u003cbr\u003e The theater was a special place where Cassatt made his debut in an Impressionist group exhibition. \u003cbr\u003eCassatt's theatrical paintings show how he took his place among the passionate and artistic intellectuals of this new art world.\u003cbr\u003e … In the late 1870s, Cassatt would have watched Manet paint and paint cafés and café-concerts, experimenting with compositions, situations, and social character types, trying to condense all the complexities of modernity into a single picture.\u003cbr\u003e …but in two details of this painting we can see that Manet's solution was influenced by his artistic exchange with Cassatt.\u003cbr\u003e At the back of the Folies Bergère Bar, a long mirror stretches out, reflecting the audience and the audience.\u003cbr\u003e And among the audience there is a woman dressed up nicely and wearing opera glasses.\u003cbr\u003e In this woman's appearance, we can see that Manet deliberately cited Cassatt's 1878 painting \"At the Screen.\"\u003cbr\u003e\u003cbr\u003e ---From Chapter 4\u003cbr\u003e \u003cbr\u003eMary Cassatt is known as an avant-garde printmaker as well as a 'new painter'.\u003cbr\u003e In 1909, Frank Whitenkamp, ​​curator of prints at the New York Public Library, praised Cassatt's etchings and drypoints for their \"complete understanding of the nature of the medium (still delicate despite the solidity often emphasized by the models he used), an awareness of its possibilities and limitations, a masterful technique, solidity, a free spirit, a concise and honest expression, and a judicious economy of line.\"\u003cbr\u003e But in another 1916 piece, Whitenkamp admitted that such robust prints might initially be “difficult” for viewers new to French modernism.\u003cbr\u003e\u003cbr\u003e ---From Chapter 5\u003cbr\u003e\u003cbr\u003e Therefore, the paintings by Cassatt that are thought to be of mothers and children are in fact not such paintings at all.\u003cbr\u003e Of course, there are also pictures about parenting. \u003cbr\u003eHowever, the perspective of the painting is not that of a woman as a mother.\u003cbr\u003e Cassette has never been a mother.\u003cbr\u003e Cassatt's painting was painted in his daughter's place.\u003cbr\u003e And as viewers, the position we identify with in his work is that of the daughter.\u003cbr\u003e His paintings are an expression of the relationship between a daughter and her mother.\u003cbr\u003e It can be read as a representation of changing femininity in an era where women's relationship with society has historically changed.\u003cbr\u003e The femininity explored in Cassatt's paintings both defies the nature of the role his mother played in his life and is creatively shaped by its influence.\u003cbr\u003e\u003cbr\u003e ---From Chapter 5\u003cbr\u003e\u003cbr\u003e What is new in Cassatt's later work is the image of a curious and thoughtful daughter. \u003cbr\u003eFor example, in “Woman with Sunflowers” ​​(c. 1905), we meet the daughter, who holds a mirror tightly, turns her own face reflected in it away from the canvas, and makes eye contact with us, indirectly asking a question.\u003cbr\u003e And in “Young Mother Sewing” (c. 1901), we meet a daughter who subtly points to the artist’s presence.\u003cbr\u003e What the young girl's gaze brings to mind is the painter and his work that she faced at the moment when the picture was being painted.\u003cbr\u003e Cassatt, a female artist, intellectual, painter, feminist, daughter, sister, friend, and curator, is now to us the 'other woman' who lived through a historic moment in feminism.\u003cbr\u003e And the archaeological research of that period has immense value for modern feminism.\u003cbr\u003e Cassatt's modernism is crucial to understanding the creative intersection of modern art and modern women.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From Chapter 5\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003e2020 Holbert Prize Art historian Griselda Pollock's masterpiece and a masterpiece in the history of feminist art\u003cbr\u003e A revised edition, first published in Korea in 24 years, featuring 190 official collection illustrations.\u003cbr\u003e Recommended by art historians Linda Nochlin, Kang Eun-ju, and Lee Ju-eun, and by artist Lee So-young of Art Messenger.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “Cassett’s understanding of life and art is profound and moving.” Asil Segard (author of the first biography of Mary Cassatt)\u003cbr\u003e \"Cassatt is, in fact, the most important figure in the history of graphic art.\" Frederick Childe Hassam (American Impressionist painter)\u003cbr\u003e “They would be angry to see a rare and excellent work (by Mary Cassatt) displayed next to their own paintings.” Camille Pissarro, in a letter to his son Lucien\u003cbr\u003e \u003cbr\u003eIn 1904, the British art critic Winford Dewhurst, in his influential book Impressionist Painting: Origin and Development, which introduced contemporary French art, described the Impressionists as a mixed group of \"independent fellow painters\" and one of the first egalitarian art movements.\u003cbr\u003e He mentioned three women who participated in the movement.\u003cbr\u003e Berthe Morisot, Eva Gonzalez, and Mary Cassatt.\u003cbr\u003e (Page 17)\u003cbr\u003e\u003cbr\u003e Mary Cassatt actively interacted with and influenced the avant-garde painters of her time (now collectively called the Impressionists).\u003cbr\u003e In particular, in the house of Edgar Degas, who introduced Mary Cassatt by saying, “Here is someone who feels like me,” around 90 prints of Mary Cassatt were discovered after his death.\u003cbr\u003e Cassatt's painting [Study] (1886) was for a time mistakenly attributed to Degas. \u003cbr\u003eCassatt, who admired Manet, paid homage to him in works such as Boating on the River (1893), while the influence of Cassatt's At the Screen can be discerned in Manet's famous Bar at the Folies-Bergère (1882).\u003cbr\u003e There is no doubt that Cassatt was a crucial and influential figure in the formation of European and American modernism.\u003cbr\u003e It is natural that Picasso's Portrait of Gertrude Stein (1906) brings to mind Cassatt's rough, intense, and unruly modernism.\u003cbr\u003e\u003cbr\u003e However, due to the biased sexism that is a characteristic of 20th-century modern art history, 'female artists' like Mary Cassatt are not receiving the recognition they deserve.\u003cbr\u003e What Dewhurst took for granted in 1904 is not yet common knowledge. \u003cbr\u003eThe situation remains one in which some scholars continue to reintroduce female artists without delving deeper into their significance.\u003cbr\u003e (Page 19)\u003cbr\u003e\u003cbr\u003e Cassatt was able to treat the subjects of Degas, Manet, and Courbet from a different perspective than they had done.\u003cbr\u003e Modernist painters portray the everyday world of life in the new space of the modern city through their works.\u003cbr\u003e Just as Degas represented modern life through various working figures, including ballet dancers, prostitutes, jockeys, and laundresses, Cassatt addresses modernity from a social and historical perspective through children, mothers, and nannies.\u003cbr\u003e If we move beyond biased perspectives, we can see that Cassatt was an influential painter in the history of art.\u003cbr\u003e Throughout this book, author Griselda Pollock examines and analyzes Cassatt's work and life through the prism of feminist art history. \u003cbr\u003eThe author's research, which began in the 1970s amidst the question, \"Who on earth was Mary Cassatt?\", shifted the paradigm of art history around the time this book was published in the late 20th century.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Art historian Lee Ju-eun (professor of Cultural Contents at Konkuk University) summarizes the influence of Griselda Pollock and this book as follows.\u003cbr\u003e “If I were asked to name art historians who changed the paradigm of art history in the late 20th century, the names Linda Nochlin and Griselda Pollock would come to mind first.\u003cbr\u003e Thanks to Noklin, I finally realized that the history of art that excludes the perspectives of women, who make up half of humanity, is incomplete.\u003cbr\u003e Thanks to Pollock, we learned how to read the work of female artists from a different angle, free from stereotypes.\u003cbr\u003e …After reading Pollock, one realizes that Cassatt was not an independent artist, but an influential contemporary painter who was placed within the flow of art history.”\u003cbr\u003e \u003cbr\u003e“This is by far the best book on the artist Mary Cassatt,” says art historian Linda Nochlin, author of Why Have There Been No Great Women Artists?\u003cbr\u003e \"I'm delighted that this must-read classic is now available in Korean,\" said art historian Lee Ju-eun, professor of cultural content at Konkuk University.\u003cbr\u003e\u003cbr\u003e In her 1971 essay, Linda Nochlin asked, \"Why have there been no great women artists?\"\u003cbr\u003e This was a signal flare for the history of feminist art, and on the other hand, it densely unearthed the history of great female artists.\u003cbr\u003e The protagonist is the author of this book, Griselda Pollock, and the main character (great female artist) is Mary Cassatt.\u003cbr\u003e\u003cbr\u003e Camille Pissarro, Berthe Morisot, and Mary Cassatt, a close collaborator of Edgar Degas, were the core painters of the Parisian Impressionist group and the only American. \u003cbr\u003eHighly respected in both Europe and the United States, she boldly advocated for women's intellectual, creative, and political liberation. (Chapter 1: Mary Cassatt: The Painter of the \"Modern Woman\") With her insightful perspective and compositional ingenuity in various media, she depicted the nuanced social interactions of women in public and private spaces, such as the theater and intimate moments with children. (Chapter 4: Modern Women, Modern Spaces) In particular, her paintings, which meticulously observe and analyze the child's body and developing personality without sentimentality, are second to none. (Chapter 6: The Modern Child)\u003cbr\u003e\u003cbr\u003e Author Griselda Pollock is an art historian who won the 2020 Holbert Prize for her outstanding work in feminist art history and cultural analysis. \u003cbr\u003ePollock retraces key moments in Cassatt's long artistic journey, examining his extensive European art studies and analyzing his profound understanding of the Old Masters, as well as his keen awareness of the influences of Manet and Courbet.\u003cbr\u003e We also read in Cassatt's paintings the artist's extraordinary insight into modern women.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Since the first edition of this book was published in 1998, there have been many opportunities to see Mary Cassatt's work in large exhibitions across Europe.\u003cbr\u003e This revised edition, now over 20 years later and enriched with a new preface and 190 color plates, guides 21st-century readers to a deeper appreciation of the world that this leading Impressionist painter uniquely discovered and depicted.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAuthor's Note\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eWhen this book was first published in 1998, the only other book about a female artist in Thames \u0026amp; Hudson's \"Art World\" series was Barbara Hepworth.\u003cbr\u003e Since then, only Georgia O'Keeffe has been added.\u003cbr\u003e The imbalance between female and male artists still persists, and the resulting misunderstandings persist.\u003cbr\u003e So I'm so happy that Mary Cassatt is back in color.\u003cbr\u003e This book provides a deeper understanding of Mary Cassatt, a radical artist born in the United States and active in Paris. \u003cbr\u003eCassatt was an artist who participated in the first egalitarian art movement in the history of art, a feminist who advocated for women's intellectual activities and political liberation, and a painter who enthusiastically participated in the art movement that he and his radical colleagues in Paris called 'New Art' and that we collectively call Impressionism, and was deeply respected and loved by his contemporaries.\u003cbr\u003e\u003cbr\u003e Asil Segard, who wrote the first study on Cassat, saw him first and foremost as a \"painter of children\" and only then as a \"painter of mothers\".\u003cbr\u003e This era of praise and nuanced insight was overtaken by the terrifying historical forces that devastated Europe during World War I.\u003cbr\u003e By the 1970s, Segard's praise had faded in the face of the sexism that was rampant in the art world. \u003cbr\u003eFor a generation or two, Cassatt's modernism was overshadowed by stereotypes and perceptions that denigrated and excluded women, and his work was dismissed as typically 'feminine', depicting 'tea and clothes and children's rooms'.\u003cbr\u003e It was only after a new feminist reassessment of the spaces and emotions of nineteenth-century femininity that the ways in which Cassatt's work engaged this period became clearly apparent.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e We can now see Cassatt's influence in Manet's Bar at the Folies-Bergère, we can discern quotations from Manet's Olympia in Cassatt's prints, and we can sense Cassatt's portrait of her intellectual mother looming in Picasso's portrait of the great modernist intellectual Gertrude Stein.\u003cbr\u003e That is the starting point for understanding Mary Cassatt's place in the history of modernism as a 'painter of modern women'. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 20, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 320 pages | 716g | 168*235*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791190314411\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 119031441X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764109866,"sku":"108288","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/9483c6949bd3bc0ae52cb303d6f059be.jpg?v=1765445300"},{"product_id":"108293","title":"Bong Joon-ho ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tl23Xj7ORnYY4X6QSLOjK0L3rz.png?v=1765107746\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Bong Joon-ho \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/142968116\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e*An art book encompassing all of director Bong Joon-ho's works.\u003cbr\u003e * Contains a variety of materials including rich and vivid photos and artwork.\u003cbr\u003e *Tilda Swinton, Choi Woo-shik, and six other interviewees exclusively for this book are revealed for the first time.\u003cbr\u003e\u003cbr\u003e From feature films to short films, every film Bong Joon-ho has made,\u003cbr\u003e From the various writers and works that created Bong Joon-ho\u003cbr\u003e Everything that created the current 'Bong Joon-ho World'\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e An art book that illuminates the world of director Bong Joon-ho's work that has captivated the world.\u003cbr\u003e Deep and nuanced criticism that makes you see the film in a new light, stories of the works and artists that influenced Bong Joon-ho, and a wealth of photographs and artwork provide a wealth of things to see and read. \u003cbr\u003eIn particular, actors Tilda Swinton and Choi Woo-shik, as well as music director Jeong Jae-il, cinematographer Hong Kyung-pyo, sound director Choi Tae-young, and editing director Yang Jin-mo, famous for [Squid Game], gave in-depth interviews just for this book.\u003cbr\u003e Their story, revealed for the first time, provides a great opportunity to look behind the scenes of the film.\u003cbr\u003e\u003cbr\u003e From all the works Bong Joon-ho has created and everything that inspired him, to his concerns about film and even the very reason for its existence, [Bong Joon-ho] will be the only book that will help you gain a deeper understanding of Bong Joon-ho's world.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eChapter 1\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Recommended Preface\u003cbr\u003e Introduction\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Dog of Flanders\u003cbr\u003e INFLUENCES: Pulp Fiction\u003cbr\u003e\u003cbr\u003e Memories of Murder\u003cbr\u003e INFLUENCES: Cure\u003cbr\u003e\u003cbr\u003e monster\u003cbr\u003e INFLUENCES: Sign\u003cbr\u003e\u003cbr\u003e Mother\u003cbr\u003e INFLUENCES: Psycho\u003cbr\u003e\u003cbr\u003e Snowpiercer\u003cbr\u003e INFLUENCES: Naoki Urasawa\u003cbr\u003e\u003cbr\u003e Okja\u003cbr\u003e INFLUENCES: The Wages of Fear\u003cbr\u003e\u003cbr\u003e helminth\u003cbr\u003e INFLUENCES: The Maid\u003cbr\u003e\u003cbr\u003e Short films and music videos\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Interview \u003cbr\u003e: Hong Kyung-pyo, cinematographer | Choi Tae-young, sound director | Yang Jin-mo, editing director\u003cbr\u003e Actress Tilda Swinton | Music director Jung Jae-il | Actor Choi Woo-shik\u003cbr\u003e\u003cbr\u003e Conclusion\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5163\/MidCate010\/516292391.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Bong Joon-ho confronts darkness through his films, but all of his work also embodies humanity and compassion.\u003cbr\u003e That is, even when there is no hope and we have hit rock bottom, we must not lose some hope and love for one another.\u003cbr\u003e Because I can't cry every day\u003cbr\u003e ---From \"Introductory Remarks\"\u003cbr\u003e\u003cbr\u003e Given that all of the film's themes come from everyday life, Barking Dogs Never Bite could be seen as a blueprint for Bong Joon-ho's subsequent films.\u003cbr\u003e There are also images that reappear in later works, such as the disinfectant smoke that covers the complex as Yunju walks her dog. \u003cbr\u003eIn the beginning of Parasite, Ki-taek's family opens the windows of their semi-basement apartment, claiming it's \"free disinfection\" while disinfectant smoke is sprayed outside.\u003cbr\u003e But as soon as the smoke fills the house, everyone starts coughing, and it becomes clear that this is a medicine that should not be ingested by humans.\u003cbr\u003e The smoke in \"The Host\" (2006) is not a disinfectant but a biochemical weapon called \"Agent Yellow\" (named after the defoliant \"Agent Orange\" used by the US military in the Vietnam War), but the smoke has a similar effect.\u003cbr\u003e People who drink gas are insignificant.\u003cbr\u003e Since they are not rich, it doesn't matter to the smoke sprayers that they might die or suffer from side effects.\u003cbr\u003e\u003cbr\u003e This scene, as Yunju and the dog disappear into a puff of white smoke, offers some of the most striking visuals in the film. \u003cbr\u003eThe smoke that surrounds him in a medium shot clears away in a wide shot.\u003cbr\u003e Yunju stands at the center of the chemical smoke that disappears like concentric circles on water.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"The Dog of Flanders\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eFrom [Parasite] to [Barking Dogs Never Bite] short films and music videos, etc.\u003cbr\u003e A comprehensive look at Bong Joon-ho's entire world of works\u003cbr\u003e A Guide to Exploring Bong Joon-ho's World\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “Bong Joon-ho is a director who has risen like a new sun on the planet of all film lovers.\u003cbr\u003e Clever, skillful, incredibly knowledgeable, energetic, cheeky, self-determining, a deep romantic who enjoys exploring the absurd with voracious delight, self-disciplined, cautious, and ultimately empathetic and compassionate towards humanity.\u003cbr\u003e His films have always been all of this.\u003cbr\u003e Now it's time for the world to catch up with him.”\u003cbr\u003e \u003cbr\u003eThis is what actress Tilda Swinton, who has worked with Bong Joon-ho on two projects, wrote when Bong Joon-ho was selected as one of the '100 Most Influential People of 2020' by the American weekly news magazine 'Time'.\u003cbr\u003e This is a fitting expression for director Bong Joon-ho, who won the Palme d'Or at the Cannes Film Festival for his film [Parasite] and swept four categories at the Academy Awards: Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film.\u003cbr\u003e This book is a guide to exploring the \"World of Bong Joon-ho,\" delving deep into his work that has captivated the world and adding a new perspective to film.\u003cbr\u003e\u003cbr\u003e Karen Han's [Bong Joon-ho] is not a simple retrospective on cinema.\u003cbr\u003e From Bong Joon-ho's feature debut [Barking Dogs Never Bite] to [Parasite], short films, and music videos, this book closely analyzes all of his works with unique insight. \u003cbr\u003eDirector Bong Joon-ho discovers hidden devices within the film, introduces interesting points, and delivers a message that runs through the work.\u003cbr\u003e Class and hierarchy, environment, human nature, and compassion and hope for humanity.\u003cbr\u003e Everything he talks about is organically connected through each film, and we finally arrive at the vast 'Bong Joon-ho World'.\u003cbr\u003e This book takes us into the heart of this historical and fascinating world, laying the foundation for understanding Bong Joon-ho's ever-expanding world of art.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA deep and detailed commentary that gives you a new perspective on the film.\u003cbr\u003e Rich photography, artwork, and behind-the-scenes stories from the film\u003cbr\u003e Completed with interviews with six people, including Tilda Swinton and Choi Woo-shik, which are being revealed for the first time.\u003cbr\u003e A single volume of Bong Joon-ho's works\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e What makes this book even more special is the rich content it contains. \u003cbr\u003eThis is supported by vivid photos documenting Bong Joon-ho's entire journey, as well as various artworks such as storyboards and drafts drawn by Bong Joon-ho himself.\u003cbr\u003e Additionally, behind-the-scenes stories of the film hidden beyond the screen, film stories captured in numerous interviews, and analyses of works and authors that have influenced Bong Joon-ho since childhood illuminate the complex and multifaceted process of how a simple motif becomes a story and how side branches form to complete a film.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In addition, interviews with the six people who worked with Bong Joon-ho (actresses Tilda Swinton, Choi Woo-shik, cinematographer Hong Kyung-pyo, music director Jung Jae-il, sound director Choi Tae-young, and editor Yang Jin-mo) reveal a new side of the film that has never been heard before.\u003cbr\u003e\u003cbr\u003e “At first, Bong Joon-ho said that there was no role for me in [Snowpiercer].\u003cbr\u003e “What about Prime Minister Mason, who is depicted as a gentle man in a suit?” \u003cbr\u003eFrom then on, we started building sandcastles together, creating characters that had never existed before.”\u003cbr\u003e _Actress Tilda Swinton\u003cbr\u003e\u003cbr\u003e “I thought the chief of [Parasite] was Ki-woo’s burden,\u003cbr\u003e Senior Jo Yeo-jeong thought it was a shortcut to success.\u003cbr\u003e “Everyone coveted the stones that were used as props during filming, and we have one of them at home.”\u003cbr\u003e _Actor Choi Woo-shik\u003cbr\u003e\u003cbr\u003e After exploring the world of Bong Joon-ho, filled with text, photos, and various materials, Bong Joon-ho's words become reality.\u003cbr\u003e “Once you overcome the one-inch barrier of subtitles, you can enjoy so many more movies.” The author's meticulous research and analysis, along with his passion and love for movies, provide readers with an experience that transcends that barrier.\u003cbr\u003e This thrilling adventure, like riding a roller coaster, expands Bong Joon-ho's world of work and solidifies his belief that \"film is the only language we use.\" \u003cbr\u003eOf course, there is room for improvement.\u003cbr\u003e That space is entirely up to the readers and audience.\u003cbr\u003e Because Bong Joon-ho's world has no limits.\u003cbr\u003e Because his story isn't over yet. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 10, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 272 pages | 1,348g | 235*284*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791194374237\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1194374239 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764240938,"sku":"108293","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/55bb5e1e4d4d909ffd7d883b1d9baadf.jpg?v=1765445307"},{"product_id":"108298","title":"Allegory of Love and Time ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tlRLnHNhsBAe3PJp1plCpRqksS.png?v=1765107767\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Allegory of Love and Time \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/142786977\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“Love dreams of eternity in the ecstasy of a moment.”\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The way humans have portrayed love has changed over time, but the essence of the emotion has always been deep and powerful. \u003cbr\u003eIn some eras, love was recorded as a transcendent destiny alongside mythical gods, while in others it was interpreted as something that touches life, captured in the light and shadows of reality.\u003cbr\u003e Love is the purest and most complex emotion a human can experience, and art has captured it in dazzling beauty.\u003cbr\u003e\u003cbr\u003e \"Allegory of Love and Time\" is a book that captures those moments of love.\u003cbr\u003e Rather than simply showcasing works of art, it offers a journey through time, exploring how art has shaped love.\u003cbr\u003e As we follow 50 famous paintings that capture the diverse aspects of love from the Middle Ages to the Renaissance, Baroque, Romanticism, and Impressionism, we read about the history of love through them.\u003cbr\u003e\u003cbr\u003e This book is largely divided into ten themes. \u003cbr\u003eStarting from the grand theme of 'life, love, and death', the sense of love is explored in 'Symphony of Light and Nature', and in 'Dance of Emotions' and 'Play of Desire', the passion and longing inherent in love are encountered.\u003cbr\u003e In 'Garden of Memories', we look at how love is romanticized in memories, and in 'Breath of Time and Soul', we look at how love dreams of eternity.\u003cbr\u003e\u003cbr\u003e The first theme, 'Life, Love, and Death', explores love, the most fundamental human emotion, and how it changes over time through works that intersect love and death, such as Gustav Klimt's 'The Kiss', Auguste Rodin's 'The Gates of Hell', and Arnold Böcklin's 'The Isle of the Dead'.\u003cbr\u003e In the following, the theme of 'Symphony of Light and Nature' focuses on impressionist and naturalist works, examining the harmony of nature and the changes in light that contain love and emotion. \u003cbr\u003eWe can see how love is expressed in nature through works such as Claude Monet's \"Water Lilies\" and Vincent van Gogh's \"Café at Night.\"\u003cbr\u003e Furthermore, it provides an experience similar to viewing an exhibition through various themes such as ‘Play of Desire’, ‘Garden of Memory’, and ‘Breath of Time and Soul’.\u003cbr\u003e As you examine representative works from each era within each theme, you will naturally encounter the philosophical messages contained within the paintings and the whispers of the artists who conveyed them.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Introduction\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSection 1.\u003cbr\u003e Life, Love, and Death\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 1 Frank Cadogan Cowper, \"Nullity\"\u003cbr\u003e 2 Gustav Klimt, The Kiss\u003cbr\u003e 3 Frederick Leighton, \"Blazing June\"\u003cbr\u003e 4 Auguste Rodin, The Gates of Hell\u003cbr\u003e 5 Arnold Böcklin, \"Isle of the Dead\"\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSection 2.\u003cbr\u003e Symphony of Light and Nature\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 6 Claude Monet, Water Lilies \u003cbr\u003e7 John Singer Sargent, Madame X\u003cbr\u003e 8 John Singer Sargent, Carnations, Lilies, Lilies, Roses\u003cbr\u003e 9 Vincent van Gogh, \"Café at Night\"\u003cbr\u003e 10 Auguste Renoir, Moulin de la Galette\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSection 3.\u003cbr\u003e Margin of Shadow\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 11 Edgar Degas, The Ballet Lesson\u003cbr\u003e 12 Joseph Mallord William Turner, The Fighting Temeraire\u003cbr\u003e 13 Caspar David Friedrich, Wanderer Above the Sea of ​​Fog\u003cbr\u003e 14 Caspar David Friedrich, The Monk by the Sea\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4.\u003cbr\u003e Ball of Emotions\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 15 Eugène Delacroix, The Death of Sardanapalus\u003cbr\u003e 16 Eugène Delacroix, Liberty Leading the People\u003cbr\u003e 17 William-Adolphe Bouguereau, The Birth of Venus\u003cbr\u003e Chapter 18 Léon Gérôme, Pygmalion and Galatea\u003cbr\u003e 19 Albert Joseph Moore, \"Apples,\" \"Rosary,\" \"Sofa\"\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5.\u003cbr\u003e The Play of Desire\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Chapter 20: Auguste-Dominique Ingres, \"The Grande Odalisque\"\u003cbr\u003e 21 Thomas Gainsborough, The Andrews \u003cbr\u003e22 Jacques-Louis David, The Oath of the Horatii\u003cbr\u003e 23 Jacques-Louis David, The Death of Marat\u003cbr\u003e Chapter 24 Honoré Fragonard, The Swing\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6.\u003cbr\u003e Garden of Memories\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 25 Canaletto, Regatta on the Grand Canal\u003cbr\u003e 26 Fra Andrea Pozzo, The Glory of Saint Ignatius\u003cbr\u003e 27 Johannes Vermeer, Girl with a Pearl Earring\u003cbr\u003e 28 Diego Velázquez, \"Las Meninas\"\u003cbr\u003e 29 Georges de La Tour, “Mary Magdalene Penitent”, “Mary Magdalene Penitent Under the Lamp”\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 7.\u003cbr\u003e Splendor blooming from tragedy\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 30 Pieter Jans Saanledam, Interior of St. Bavo's Church, Haarlem\u003cbr\u003e 31 Giovanni Lorenzo Bernini, David\u003cbr\u003e 32 Giovanni Lorenzo Bernini, Apollo and Daphne\u003cbr\u003e 33 Frans Hals, The Laughing Knight\u003cbr\u003e 34 Peter Paul Rubens, The Raising of the Cross\u003cbr\u003e\u003cbr\u003e \u003cb\u003eArticle 8.\u003cbr\u003e Confession of Desire\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 35 Michelangelo Merisi da Caravaggio, The Calling of St. Matthew \u003cbr\u003e36 Agnolo Bronzino, Allegory of Love and Time\u003cbr\u003e 37 Antonio da Correggio, Zeus and Io, Leda and the Swan\u003cbr\u003e 38 Raphael Sanzio, The Triumph of Galatea\u003cbr\u003e 39 Leonardo da Vinci, The Last Supper\u003cbr\u003e\u003cbr\u003e \u003cb\u003eArticle 9.\u003cbr\u003e The breath of time and soul\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 40 Leonardo da Vinci, Mona Lisa\u003cbr\u003e 41 Michelangelo Buonarroti, The Creation of Adam\u003cbr\u003e 42 Michelangelo Buonarroti, The Last Judgment\u003cbr\u003e 43 Albrecht Dürer, Melancholia I\u003cbr\u003e 44 Vecellio Titian, “Sacred and Profane Love”\u003cbr\u003e 45 Sandro Botticelli, The Birth of Venus\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecial exhibition.\u003cbr\u003e Light of Transcendence\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 46 Donatello, David\u003cbr\u003e 47 Stefan Lochner, \"The Madonna in the Rose Garden\"\u003cbr\u003e 48 Fra Angelico, Annunciation\u003cbr\u003e 49 Brothers Limbourg, The Very Sumptuous Breviary of the Duke of Berry\u003cbr\u003e 50 Gislevert of Otton, The Dream of the Magi\u003cbr\u003e\u003cbr\u003e Words that come out\u003cbr\u003e\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5156\/MidCate004\/515534262(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\u003cb\u003eInto the book\u003c\/b\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e People forget that life may end at any moment.\u003cbr\u003e No, it would be more correct to say that we know it subconsciously, but we ignore it or don't realize it because of the shackles of daily life and the desires that we can't shake off.\u003cbr\u003e Watching someone say, \"I'm happiest when I'm focused on work,\" I suddenly thought that maybe humans are beings who live for the moment.\u003cbr\u003e Whether you forget or live in the moment, time passes.\u003cbr\u003e Only when you experience the death of someone close to you, like a family member, does the emptiness of life become acute.\u003cbr\u003e Don't forget death.\u003cbr\u003e You are a being that will eventually die, so do not be arrogant.\u003cbr\u003e The Vanitas painting is a message to make death a guide for life at every moment.\u003cbr\u003e ---From \"Frank Cadogan Cowper, [Nullity]\"\u003cbr\u003e\u003cbr\u003e Deep sleep is like death.\u003cbr\u003e For example, see the article in Frank Cadogan Cowper's \"The Merciless Woman.\" \u003cbr\u003eHe had been sleeping so deeply for so long that his face was covered in cobwebs.\u003cbr\u003e The one who put him to sleep was a woman in red with a snake-like, winding pattern of poppies.\u003cbr\u003e She is a deadly poppy woman who drives men to death.\u003cbr\u003e The knight appears to be in a deep sleep, but in reality it is a sign of death.\u003cbr\u003e The fairy tale of sleeping for 100 years is also a metaphor for death.\u003cbr\u003e Even though it's a fairy tale, I sleep too long.\u003cbr\u003e Psychologically, eating a poisoned apple or falling asleep after being pricked by a spinning wheel is the death of the old self and the rebirth of a new being.\u003cbr\u003e\u003cbr\u003e ---From \"Frederick Leighton [Blazing June]\"\u003cbr\u003e\u003cbr\u003e French philosopher Gaston Bachelard said that water is something that keeps flowing, and that something that drifts away like that is 'something that cannot be found, something that moves away from me.'\u003cbr\u003e Water is fleeting and cannot be caught.\u003cbr\u003e When you look at water in broad daylight, its surface sparkles and looks light and refreshing. \u003cbr\u003eAlthough flowing water flows on the surface, it is pulling deep down.\u003cbr\u003e So the night water in the painting is the heavy, sticky, pulling water of the abyss.\u003cbr\u003e Böcklin's imagination of the waters of the night represented the underworld as a place from which there is no return, a place that floats far away and is pulled to the bottom.\u003cbr\u003e ---From \"Arnold Böcklin [Island of the Dead]\"\u003cbr\u003e\u003cbr\u003e The dreamlike scenery is mysterious due to the hazy fog, and the clear, brilliant light shining from the sky adds to the surreal atmosphere.\u003cbr\u003e The man turns around and looks at the sea of ​​fog and the mountain peaks.\u003cbr\u003e The horizon formed by the surrounding rocks and the mountain slope extending from afar is directed towards him, so the viewer's gaze is naturally drawn towards him.\u003cbr\u003e Since he is turned away, there is no way to know what the man's expression is or what he is doing. \u003cbr\u003eIt's just my imagination, but he was probably lost in thought, completely undisturbed.\u003cbr\u003e\u003cbr\u003e ---From \"Caspar David Friedrich [Wanderer Above the Sea of ​​Fog]\"\u003cbr\u003e\u003cbr\u003e If we look at the myth from a modern perspective, it is a one-sided stalker-like love, a fetishism of loving a part of a woman's body.\u003cbr\u003e From a psychological perspective, it is seen as a story about the nature of love, love and rejection.\u003cbr\u003e Love that only seeks beauty that will eventually fade away will taste bitterness and ultimately leave nothing behind.\u003cbr\u003e What you have to give up is what you have to give up.\u003cbr\u003e Like Daphne, one must refrain from being too stubborn in a loving relationship.\u003cbr\u003e It is also possible to interpret this as an Electra complex, meaning that she will never be able to escape her father's shadow.\u003cbr\u003e Anyway, the work depicted a tragic love.\u003cbr\u003e The combination of tragedy and beauty is what makes it dramatic, and dramatic is what makes Baroque art. \u003cbr\u003e---From \"Giovanni Lorenzo Bernini [Apollo and Daphne]\"\u003cbr\u003e\u003cbr\u003e Ultimately, the work represents love, beauty, pleasure, deception, falsehood, jealousy, time, and order through gods, symbols, and allegories.\u003cbr\u003e The pleasures of love are always accompanied by danger and pain.\u003cbr\u003e Love begins with the enchantment of physical beauty and pleasure, but one day, when the god of time draws back the curtain, the truth is revealed through the experience of deception, desire, and jealousy.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Agnolo Bronzino [Allegory of Love and Time]\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e“Love is a light stronger than words, and lasts longer than time.”\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The way we remember love varies from era to era.\u003cbr\u003e Sometimes in a painting, sometimes in a golden sculpture, sometimes in dazzling marble, love remains in its changed form. \u003cbr\u003e\"Allegory of Love and Time\" is a book that collects such moments of love and examines them within the flow of Western art history.\u003cbr\u003e This book is not simply an explanation of famous paintings.\u003cbr\u003e It explores how moments of love etched on canvas transcend time and convey emotion, and why love remains a fundamental human emotion even as times and styles change.\u003cbr\u003e Love is not just a feeling.\u003cbr\u003e Sometimes it is a burning desire, sometimes it is sacrifice and salvation, and sometimes it is a cruel fate.\u003cbr\u003e It shows how love has been expressed through the ages through paintings.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\"Going back in time, reliving 'love'\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book begins with the modern and contemporary art that is closest to us.\u003cbr\u003e In the Impressionist era, love sparkled in the light of a moment. \u003cbr\u003eIn Claude Monet's \"Water Lilies\" and Auguste Renoir's \"Moulin de la Galette,\" love dwells in a fleeting moment, and that momentary sensation itself becomes the essence of love.\u003cbr\u003e Painters of this era no longer confined love to perfect forms.\u003cbr\u003e It was like light, constantly changing, and became an emotion conveyed through the senses rather than taking on a form.\u003cbr\u003e Love was like a flowing river, passing before your eyes, seeping in like the wind, and sometimes being something you couldn't grasp.\u003cbr\u003e\u003cbr\u003e Going back a little further in time, naturalism and romanticism meet.\u003cbr\u003e Love in this era was sweet and unsettling, free and deadly.\u003cbr\u003e Works like Eugène Delacroix's \"Liberty Leading the People\" and Frederic Leighton's \"June on Fire\" show that love is not simply happiness, but is sometimes a violent whirlwind, a life-changing destiny. \u003cbr\u003eLove in the Romantic era is no longer ideal.\u003cbr\u003e It was something that transcended the emotions of an individual, moved an era, sparked a revolution, burned like a flame, and then disappeared into ashes.\u003cbr\u003e Love was an emotion beyond the control of reason, a madness that changed fate, and sometimes a passion that bordered on death.\u003cbr\u003e\u003cbr\u003e In the Baroque period, love took on a more passionate and sensual form.\u003cbr\u003e Amidst the dramatic contrast between light and dark, love rages like a storm.\u003cbr\u003e In the works of Peter Paul Rubens and Bernini, love does not exist quietly, but is expressed with an energy so intense that it overwhelms the entire world.\u003cbr\u003e This was no longer a feeling between one person and another, but a grand drama shared by gods and humans. \u003cbr\u003eLove can ascend to the celestial realm and settle into a mystical destiny, or, conversely, it can sweep through waves of intense emotion with intense physical longing.\u003cbr\u003e Love vacillates between divinity and desire, between sublimity and madness, leaving a powerful impression on us.\u003cbr\u003e\u003cbr\u003e When we arrive at the Renaissance, love once again enters into ideals and harmony.\u003cbr\u003e Love in this era existed in perfect balance, and beauty itself was considered the essence of love.\u003cbr\u003e The love depicted by Leonardo da Vinci and Raphael takes on an ideal form, shining with perfect proportion and balance.\u003cbr\u003e Love in the Renaissance was a way for God and humanity to communicate, a moment when human emotions were purified to their purest form and given eternal life in art.\u003cbr\u003e It was as solid as a sculpture, yet soft, and it held a deep, yet calm feeling.\u003cbr\u003e \u003cbr\u003eEventually, we arrive at the medieval world.\u003cbr\u003e Here, love existed as a great force that determined human destiny through myths and legends.\u003cbr\u003e The epic of love born from the interweaving of gods and humans contains the essence of love that remains unchanged even today.\u003cbr\u003e Through the stories of gods and heroes, painters of this period sought to convey that love was not simply a personal emotion, but a sublime message that permeated the origins of humanity.\u003cbr\u003e Love was the will of the gods, the destiny of humanity, and at times the force that changed the order of the world.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe various shapes of love that artists have carved into their canvases\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book explores the many faces of love, taking a warm and nuanced look at how love has evolved through art.\u003cbr\u003e As we read books, our perspective on the work deepens and broadens. \u003cbr\u003eIt will be a process of not simply appreciating art, but reading about the love of people who lived in an era and reflecting on the traces that love left behind.\u003cbr\u003e With this book, let's experience how art has recorded love and the emotions that love conveys to this day. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e February 27, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 452 pages | 748g | 144*211*28mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198896490\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1198896493 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764372010,"sku":"108298","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/a8fc32caf82604dd401ca9fb54521470.jpg?v=1765445314"},{"product_id":"108304","title":"A portrait you'll fall in love with once you get to know it ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWk0MgoI8Zu3kJEFCq4xVuoWD.png?v=1765107788\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e A portrait you'll fall in love with once you get to know it \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/142639546\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA Joseon Dynasty portrait that captures not only the appearance but also the spirit.\u003cbr\u003e What stories are hidden behind these artistic paintings?\u003cbr\u003e Joseon's political, social, and cultural landscape depicted in portraits\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Why did Joseon Dynasty people paint portraits, and for what purpose did they use them? What impact did portraits have on people, and how did people utilize them? What efforts did painters put into portraying their subjects as they truly appeared, or was simply a good likeness enough? And did the subjects simply sit quietly, saying, \"Please draw me a good picture!\"?\u003cbr\u003e \u003cbr\u003eThis book traces and explains the politics, society, and culture of the Joseon Dynasty through various stories intertwined with portraits. \u003cbr\u003eThe author analyzes 120 portraits from the Joseon Dynasty one by one, from the ‘Eojin (御眞)’ that symbolizes the king’s authority, the ‘Portraits of Subjects’ bestowed by the king as a token of loyalty, the ‘Portraits of Teachers’ painted to show off the legitimacy of each political faction or school of thought, the ‘Portraits of Mokmin (government officials)’ that arose from the conflict of interest between local magistrates and the people, the ‘Portraits of the Nobles’ that depict the agony between going out to work (仕) and living in seclusion (隱逸), and the ‘Portraits of Friends and Family’ that depict love and mourning. He not only reveals the historical meaning and flow of art, but also traces the background in which the portraits were painted, what role the painted portraits played, what power they exerted, what were the perceptions of the people of the time who regarded portraits as something more than just pictures, and how the painted portraits were reflected in politics, society, and culture.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\u003cb\u003eindex\u003c\/b\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e preface\u003cbr\u003e\u003cbr\u003e prolog\u003cbr\u003e When did humans start drawing portraits?\u003cbr\u003e Early trends in Chinese portrait production\u003cbr\u003e The beginning of portrait production in our country\u003cbr\u003e Highly artistic portraits of the Joseon Dynasty\u003cbr\u003e A representation of a specific person, but with a meaning beyond that\u003cbr\u003e A painting that actively reflects the protagonist's intentions\u003cbr\u003e\u003cbr\u003e \u003cb\u003e1.\u003cbr\u003e What is a portrait?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Figure 1: Pursuing 'Similarity': Similarity in appearance\u003cbr\u003e Drawing to resemble, [Portrait of Lee Si-baek]\u003cbr\u003e “If there’s even one more truck, it’s someone else.”\u003cbr\u003e The difference between [Portrait of Jang Mal-son] and [Portrait of Lee Si-bang]\u003cbr\u003e “A true king should have no shortcomings.”\u003cbr\u003e A major change in portraiture techniques\u003cbr\u003e\u003cbr\u003e Figure 2: Pursuing 'Similarity': Inner Similarity\u003cbr\u003e Exaggerated descriptions, [Portrait of Song Si-yeol] and [Self-portrait of Yun Du-seo]\u003cbr\u003e Capturing the Spirit: [Self-Portrait of Kang Se-hwang] and [Portrait of Seo Jik-su]\u003cbr\u003e Revealing a kind personality, [Portrait of Kim Jeong-hui]\u003cbr\u003e\u003cbr\u003e A painting imbued with 'spirit'\u003cbr\u003e The Power of 'Shinmyeong': [Portrait of Lee Je-hyeon] and [Portrait of Ha-yeon]  \u003cbr\u003e[Portrait of Chae Je-gong] repainted after 7 years\u003cbr\u003e A substitute for 'me'\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2.\u003cbr\u003e The power of portraits\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The experience of 'welcome'\u003cbr\u003e “The teacher is silent, and the student sheds tears.”\u003cbr\u003e “It seems like you came from the nine springs.”\u003cbr\u003e\u003cbr\u003e Enshrinement of portraits and construction of a shrine\u003cbr\u003e [Portrait of An Hyang] at Sosu Seowon\u003cbr\u003e [Portrait of Jeong Mong-ju] at Imgo Seowon and Sungyang Seowon\u003cbr\u003e Portrait of Choi Chung at Nodong Seowon and Portrait of Confucius at Obong Seowon\u003cbr\u003e The power of portraits of the sages\u003cbr\u003e Portraits moved to shrines and spirit shrines\u003cbr\u003e Kim Si-seup Yeongdang, Cheongilsa Temple, and Cheongjeolsa Temple\u003cbr\u003e The story behind the construction of Poeun Seonsaeng Shrine\u003cbr\u003e\u003cbr\u003e The politics of portrait enshrinement\u003cbr\u003e From the memorial space to the sacrificial space\u003cbr\u003e A space where you can feel the teacher's philosophy and thoughts\u003cbr\u003e\u003cbr\u003e Production of a portrait of an aunt\u003cbr\u003e Imobon, a characteristic of portrait production in the late Joseon Dynasty\u003cbr\u003e [Portrait of An Hyang] The effort put into my aunt\u003cbr\u003e [Portrait of An Hyang] The Full Story of the Re-Aunt Process\u003cbr\u003e The value of enshrinement and preservation\u003cbr\u003e\u003cbr\u003e \u003cb\u003e3.\u003cbr\u003e Paintings of memory and remembrance\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Honoring the virtuous shepherd\u003cbr\u003e Performing a ritual for a living shepherd  \u003cbr\u003eThe portraits and portraits requested by Ming generals\u003cbr\u003e The origin of the trend of creating Saengsadang, Lee Won-ik Saengsadang\u003cbr\u003e The Saengsadang and their portraits built in Pyongyang\u003cbr\u003e Portrait of a young shepherd painted by local painters\u003cbr\u003e The harm caused by the proliferation of Saengsadang and the order to abolish it\u003cbr\u003e\u003cbr\u003e Remembering the teacher\u003cbr\u003e Portrait of Jang Hyeon-gwang, a scholar dedicated to his studies throughout his life.\u003cbr\u003e The leader of the Noron faction, [Portrait of Song Si-yeol]\u003cbr\u003e A secretly drawn portrait of the teacher, [Portrait of Yun Jeung]\u003cbr\u003e Kwon Sang-ha's disciples, [Portrait of Han Won-jin] and [Portrait of Yun Bong-gu]\u003cbr\u003e The most effective way to remember your teacher forever\u003cbr\u003e\u003cbr\u003e Drawing beloved friends and family\u003cbr\u003e The friend loved by Lee Seo and Yun Du-seo, [Portrait of Sim Deuk-gyeong]\u003cbr\u003e A father painting his deceased son, [Portrait of Lee San-bae]\u003cbr\u003e Drawing my 86-year-old mother, [Portrait of Mrs. Oh, Bokcheon]\u003cbr\u003e A father-son collaboration, \"The Seven-Minute War Chronicle\"\u003cbr\u003e\u003cbr\u003e \u003cb\u003e4.\u003cbr\u003e Records of the heyday\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Grant a portrait to a meritorious subject\u003cbr\u003e “Draw the portrait of the meritorious subject and make it widely known to future generations.”\u003cbr\u003e Kim Man-gi and Kim Seok-ju, meritorious retainers of the Bosagongsin  \u003cbr\u003eKing Yeongjo inspects portraits of meritorious subjects\u003cbr\u003e “Repaint the portraits of the meritorious subjects.”\u003cbr\u003e Portrait of Kwon Hee-hak and Chunghunbu and Portrait of Park Mun-su\u003cbr\u003e Iconography and expressive forms of portraits of meritorious subjects\u003cbr\u003e\u003cbr\u003e Treating an elderly subject with courtesy\u003cbr\u003e The King's Admission to Giroso, the First in 300 Years: \"Gihae Gisa Gyecheop\"\u003cbr\u003e King Yeongjo's admission to Giroso at the age of 51, \"Gisa Gyeonghoecheop\"\u003cbr\u003e King Yeongjo made it a rule to produce portrait albums of elderly subjects.\u003cbr\u003e Portraits of the remaining subjects of Giroso 1 - Lee San-du and Lee Ik-jeong\u003cbr\u003e Portraits of the Remaining Officials of the Royal Secretariat, Part 2 - Kang Se-hwang and Gu Yun-myeong\u003cbr\u003e Portraits of the remaining servants of Giroso, 3 - Kimchi-in and Chae Je-gong\u003cbr\u003e\u003cbr\u003e Remembering the Wise and Loyal Subjects\u003cbr\u003e [Portrait of Prince Yeoning] bestowed upon the prince by King Sukjong\u003cbr\u003e Portraits of those who passed the military service examination\u003cbr\u003e King Jeongjo frequently ordered the creation of portraits of his close officials.\u003cbr\u003e Portrait of Chae Je-gong, King Jeongjo's favorite\u003cbr\u003e The subjects' reactions to the king's portrait  \u003cbr\u003e《Haedong Jinshin Dosangcheop》 and 《Myeonghyeon Hwasangcheop》\u003cbr\u003e Masterpieces of official portraits: [Portrait of Yoo Eon-ho] and [Portrait of Oh Jae-sun]\u003cbr\u003e\u003cbr\u003e \u003cb\u003e5.\u003cbr\u003e A picture expressing 'me'\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e King Sukjong's portrait, the epitome of a sage king\u003cbr\u003e Portraits and Expressions of Identity\u003cbr\u003e King Sukjong ushered in a glorious era of royal portraits.\u003cbr\u003e Until the production of [Portrait of King Sukjong] in 1713\u003cbr\u003e The reason why King Sukjong devoted all his efforts to creating a perfect masterpiece\u003cbr\u003e\u003cbr\u003e Portrait of King Jeongjo in military uniform, an expression of utmost filial piety\u003cbr\u003e A clue to the portrait of King Jeongjo in military uniform: [Portrait of King Cheoljong] and [Portrait of Lee Chang-un]\u003cbr\u003e The difference between [Portrait of Lee Chang-un] and [Portrait of Lee Sam]\u003cbr\u003e Detailed elements of the portrait of King Jeongjo in military uniform - the cap, back panel, sword, and cap\u003cbr\u003e To remain with my parents forever - Naengcheonjeong Pavilion and Hyeonryungwon Jaesil\u003cbr\u003e The reason why King Jeongjo wore military uniform every time he visited Hyeonryungwon\u003cbr\u003e\u003cbr\u003e Aspirations reflected in field clothes\u003cbr\u003e The agony between 'going out' and 'seclusion'\u003cbr\u003e Longing for a life of transcendence, [Portrait of Kim Jin]  \u003cbr\u003e“The body is empty, and the picture is not real.”\u003cbr\u003e Yanggyeom and Jukseochodang\u003cbr\u003e Longing for a life of seclusion, [Jo Jeong-man's Song Ha-an's Sikdo]\u003cbr\u003e [Songgyedo], painted instead of a portrait, and [Geomseondo], filled with the sorrow of class discrimination\u003cbr\u003e The meaning of deep clothing and wide head covering\u003cbr\u003e “Neither the Way nor Zen, nor a hermit nor an outcast.”\u003cbr\u003e “Who is this person wearing a royal robe and a robe of mourning?”\u003cbr\u003e A painting that reveals 'me', a portrait with self-praise\u003cbr\u003e Upper and lower garments and nansam (?衫)\u003cbr\u003e\u003cbr\u003e Epilogue\u003cbr\u003e Appendix - 14 other major portraits\u003cbr\u003e\u003cbr\u003e Note\u003cbr\u003e Find names of people and portraits\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5150\/MidCate002\/514918959(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eDrawing to resemble - “If there is even one more hair, it is a different person!”\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe most important thing required of an artist commissioned to create a portrait during the Joseon Dynasty was to portray the subject so 'resembly' that anyone could immediately identify it.\u003cbr\u003e That is why the words of Song Dynasty Confucian scholar Cheng Yi (程?) were often quoted: “If you have even one more hair, you will become a different person.”\u003cbr\u003e Accordingly, painters made great progress in painting techniques by putting a lot of effort into drawing the protagonist's appearance more closely.\u003cbr\u003e The author explains that there was a major change in the technique of expressing portraits around 1700, and that this change can be clearly seen in [Portrait of Kim Man-jung] (late 1600s) and [Portrait of Kim Jin-gyu] (1710s), which are believed to have been painted by Kim Jin-gyu.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Meanwhile, portrait techniques did not develop only toward drawing people closer to their actual appearance. \u003cbr\u003eKim Jin-yeo's [Portrait of Kwon Sang-ha] (1719) is considered a work of outstanding realistic reproduction skill as it well reflects Western chiaroscuro techniques, but Jin Jae-hae's [Portrait of Yu-su] (1726), painted later, does not reflect Western painting techniques and focuses on expressing warm skin tones.\u003cbr\u003e As a result, [Portrait of Kwon Sang-ha] is realistic but portrayed as dark, while [Portrait of Yu Soo] is portrayed as having a very gentle personality.\u003cbr\u003e Just as people today retouch their photos to hide wrinkles and blemishes on their faces, people at the time did not aim for realistic paintings.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eExposing the inner self through exaggerated descriptions - [Portrait of Song Si-yeol], [Portrait of Park Se-chae], [Self-portrait of Yun Du-seo]\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eAs important as the appearance was the inner self, that is, the mental aspect of the protagonist, and at this time, there were many cases where the protagonist's unique aspects were intentionally exaggerated.\u003cbr\u003e Representative examples include [Portrait of Song Si-yeol], which makes him look like a very strong-looking person with thick, winding wrinkles all over his face, thick red lips, a lush beard and eyebrows, and a large body, and [Portrait of Park Se-chae], which is depicted as having a very large build with broad shoulders and wide sleeves, so that his disciple said it had the “shape of a tall, large mountain.” \u003cbr\u003eIn particular, regarding [Yoon Du-seo's Self-Portrait], which is drawn with each hair of his beard growing from one ear to the other, neatly extending outward without being entangled, the author says, \"Yoon Du-seo wanted to capture the academic and artistic achievements and the source of his confidence that he had built up throughout his life in his self-portrait, and he seemed to have believed that he could achieve this by expressing his beard in a way that seemed to radiate energy from his head (face).\"\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePortraits are soon to become 'substitutes for the protagonist' - [Portrait of An Hyang] Theft and Damage Case\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e People in the Joseon Dynasty perceived portraits drawn to resemble the subject as 'substitutes' for the subject.\u003cbr\u003e In 1684, a thief broke into Sosu Seowon and stole the portrait of An Hyang that was enshrined there.\u003cbr\u003e The thief damaged [the portrait of An Hyang] and abandoned it on the main road west of the town's castle. \u003cbr\u003eAt that time, as the region decided to re-establish Sunheungbu, many people were mobilized for forced labor as they independently built new government offices, and this led to widespread resentment among the people against the local yangban.\u003cbr\u003e Prime Minister Nam Gu-man pointed out the people's resentment as the main cause of the theft and damage to An Hyang's portrait.\u003cbr\u003e In other words, people at the time did not view An Hyang's portrait as a mere 'painting' that reproduced him, but rather as 'An Hyang' himself, and An Hyang was synonymous with the yangban nobility, so they expressed their dissatisfaction by damaging An Hyang's portrait.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe Politics of Portrait Enshrinement: The Power to Make Memorials More Passionate\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e After the mid-16th century, the Sarim faction, which suppressed the Hun-gu faction and seized power, began to actively pursue the work of honoring the sages, and as they built seowons (Confucian academies) across the country, they paid attention to the “power of portraits.” \u003cbr\u003eIt began to be recognized that portraits were an important medium that made the heart of admiring and honoring the sages more fervent.\u003cbr\u003e In 1814, Kang Pil-hyo, a Confucian scholar of the Soron faction, said after seeing Yun Jeung's portrait at Yubong Yeongdang, \"It was as if I were listening to the words of the previous teacher.\" Jang Hyeon-gwang, a Confucian scholar of the Namin faction who represented the 17th century, said after seeing Jeong Mong-ju's portrait, \"Imagine going back to that time and it seems as if he has come out of the nine springs again.\" These are examples, and the author says that after the 16th century, portraits were not simply paintings that reproduced a specific person, but gained authority as objects of enshrinement comparable to ancestral tablets.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePortraits for the Saengsadang Shrine - A Product of Collusion Between the Mokmin Officials and the People\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Many of the portraits of the Joseon Dynasty were not commissioned by the subject to be painted by an artist, but were 'painted' by people who wished to commemorate them. \u003cbr\u003eAmong these, there is a portrait called ‘Portrait for enshrinement in Saengsadang’, which was created by the people of a region to commemorate a governor who had carried out good governance in the region and left.\u003cbr\u003e A sanctuary is a shrine built to hold memorial services for a person who is still alive.\u003cbr\u003e The Saengsadang Shrine, built by local residents around 1595 for Pyeongan-gamsa Yi Won-ik, is considered to be the starting point. The author examines the origins and popularity of Saengsadang Shrine by examining portraits of Pyeongan-gamsa Heo Jeok, Yi Man-won, Hong Man-jo, and Pyeongyang Seoyun Seong Su-ung.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Meanwhile, the establishment of Saengsadang (shaman shrines) spread nationwide after the end of the 17th century, and during this period, the government repeatedly discussed the harmful effects of the indiscriminate establishment of Saengsadang. \u003cbr\u003eIn other words, local officials indiscriminately reduced taxes and gave out more favors than necessary in order to gain the reputation of being good officials, and the local residents built Saengsadang in return.\u003cbr\u003e King Yeongjo ordered the demolition of all the monuments praising the virtues of the governors and the Saengsadang shrines built in Pyeongan Province after 1724.\u003cbr\u003e In the end, the portraits for the Saengsadang shrine became special paintings that appeared in the 17th and 18th centuries.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA portrait of their teacher secretly painted by his disciples - [Portrait of Yun Jeung]\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In the summer of 1711, Byeon Ryang, a painter at the Dohwaseo, painted two portraits of Yun Jeung.\u003cbr\u003e The portrait production at this time was supervised by Yun Jeung's disciples.\u003cbr\u003e When his disciples told Yun Jeung about their plan to create a portrait, he refused the offer, saying, “My father doesn’t even have a portrait, so how could I have one?” \u003cbr\u003eSo, while the disciples were holding a ceremony to celebrate the local feast, they had the painter Byeon Ryang enter the crowd and secretly draw a portrait of their teacher.\u003cbr\u003e This is how Yun Dong-su was able to leave behind this record.\u003cbr\u003e “With the help of heaven, I was able to draw a portrait of my teacher.\u003cbr\u003e He has a face that clearly looks like yang energy nurturing all things, and he seems to be imbued with the energy of the spring breeze.\u003cbr\u003e Even now, after his voice and form have vanished forever, I can still look up and admire him. His virtuous character is vague, but his spirit is reminiscent. I can hear his laughter and words, and it feels like I am receiving precious teachings.\u003cbr\u003e “How could this not be a great blessing for the scholars and their followers?”\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFirst, Yun Du-seo's masterpiece, a portrait of a deceased friend - [Portrait of Sim Deuk-gyeong]\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Yun Du-seo completed [Portrait of Sim Deuk-gyeong] in November 1710, four months after his close friend Sim Deuk-gyeong passed away, imagining his appearance in his mind. \u003cbr\u003eThis portrait has two eulogies written by Lee Seo and Yun Du-seo.\u003cbr\u003e Although Lee Seo was eleven years older than Shim Deok-gyeong and Yun Du-seo was five years older, they both considered Shim Deok-gyeong a friend.\u003cbr\u003e About two months after Sim Deuk-gyeong's death, Lee Seo wrote in his memorial service, \"Ah! I seem to have lost my mind after losing my ball.\u003cbr\u003e I saw the ball from left and right, from front and back, from places we went back and forth together, in my dreams, and in vague conversations with adults.\u003cbr\u003e Ah! When will I forget the appearance of the ball! When will I let go of the virtuous appearance of the ball!” he lamented, and later Yun Du-seo recreated the appearance of Sim Deuk-gyeong. \u003cbr\u003eIn the 『Yeonryeosil Technology』, it is written that “After Deokgyeong died, Duseo made a portrait of Deokgyeong and sent it to his house, and the whole family was shocked and cried.” This is an anecdote that allows us to guess at Yun Duseo’s skill in recreating the portrait so accurately.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA painting intended to forever preserve the image of her 86-year-old mother - [Portrait of Madam Oh, Bokcheon]\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [Portrait of Lady Bokcheon Oh] (1761) is a portrait of Lady Dongbok Oh, the wife of Lee Jik, the Prince of Milchang, a representative royal figure during the reign of King Yeongjo, when she was 86 years old (Bokcheon is the old name of Dongbok, and refers to Dongbok-myeon, Hwasun-gun, Jeollanam-do).\u003cbr\u003e This painting was commissioned by her son, Lee Ik-jeong, to be painted by Kang Se-hwang, a close friend of hers.\u003cbr\u003e Kang Se-hwang, who believed that even the psychological aspects of a person could be captured in a painting through realistic representation, depicted Mrs. Oh as very small, thin, and sickly, just as she appeared at the time. \u003cbr\u003eHer balding head, deep facial wrinkles, and slightly open left eye all clearly show her poor health.\u003cbr\u003e Mrs. Oh died on March 13, 1762.\u003cbr\u003e Assuming the painting was painted around September 1761, the year the portrait was created, it would mean that he died about six months after it was created.\u003cbr\u003e The author assumes that Mrs. Oh's health was so poor at the time that she could not get out of bed, and that this picture was probably drawn because of \"the feelings of her son, Lee Ik-jeong, who saw his mother, who was becoming thinner as time passed and had to stay in bed due to a chronic illness,\" and \"the fear that he might not be able to see his mother again soon.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA collection of portraits filled with the sorrow of a father and son, \"Chilbunjeonsincheop\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Painter Im Hee-su died on July 27, 1750, at the age of 18. \u003cbr\u003eHe left behind his only work, the \"Seven-Part Transmission Album,\" and all 17 of the paintings in this album, except for [Kang Se-hwang's Self-Portrait] and one portrait of an unidentified person, were painted by Im Hee-su. The appendix was written by his father, Im Wi, in the process of decorating the album after Im Hee-su's death.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The most notable thing about this album are the five portraits of Im Wi, each with a slightly different facial expression.\u003cbr\u003e The author views these paintings not as 'paintings in which Im Hee-su simply depicts her father's appearance', but as 'paintings completed after her father's repeated requests to perfectly reproduce his likeness'.\u003cbr\u003e It is said that it is a product of the deep affection shared between rich people. \u003cbr\u003eIn particular, the unfinished portrait, in which only the outline of the face and the beard were roughly drawn with charcoal, was painted just 10 days before Im Hee-su's death. The record of his father, Im Wi, who said, \"His hands were shaking, so he died before he could color it in using the Molgol method,\" is significant.\u003cbr\u003e The author said, “After reading this appendix and looking at this portrait, the image of Im Hee-su trying to complete his father’s portrait despite his trembling hands due to poor health, and Im Wi watching him draw himself while anticipating his death, naturally overlaps.\u003cbr\u003e He also says, “I can empathize with how heartbreaking it must have been for Imwi to look at the portrait of himself left behind by his beloved son after he passed away.”\u003cbr\u003e\u003cbr\u003e \u003cb\u003eKing Sukjong, who devoted all his energy to creating his own masterpiece\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e King Sukjong is a very important figure in the study of portraits from the Joseon Dynasty. \u003cbr\u003eAbove all, by having his own portrait made on three occasions, he restored the practice of having a royal portrait made by a reigning king after nearly 200 years.\u003cbr\u003e Almost all subsequent kings followed the royal portrait production practices and ceremonial procedures he established, producing numerous royal portraits during their reigns.\u003cbr\u003e As a result, King Sukjong is evaluated as the king who brought an end to the so-called 'era of no kings' in the mid-Joseon period and opened the splendid 'era of kings' in the late Joseon period.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author explains in detail the process by which King Sukjong created his portrait on three occasions, showing how deeply and how involved he was in the creation of the portrait. \u003cbr\u003eUltimately, the author says, King Sukjong would have earnestly hoped that his image would be accurately conveyed to future generations and subjects through a portrait that vividly portrayed his appearance, and that he would be remembered as a sage king like the kings who had great achievements in the early days of the nation, such as Taejo and Sejo.\u003cbr\u003e Unfortunately, however, due to a fire in the royal relics warehouse in 1954, the portrait of him that was left intact has not been preserved to this day.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePortrait of a person wearing an unconventional hat and clothing\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [Self-Portrait of Kang Se-hwang] is a representative work that is evaluated as strongly revealing the inner consciousness of the protagonist.\u003cbr\u003e In this portrait, Kang Se-hwang is wearing a black gauze hat, a jade-colored robe, and a red belt around his waist.\u003cbr\u003e However, the osa-mo is a hat worn by officials with their official uniform (danryeong), and the do-po is a type of wild clothing that is a general term for the clothes worn by the noblemen when they are away from their official posts. \u003cbr\u003eThe attire of the osamo and dopo is not appropriate for formal wear.\u003cbr\u003e In the self-praise left on his self-portrait, Kang Se-hwang wrote, “I wore an official’s hat and field clothes.\u003cbr\u003e “It seems that his heart is in the forest, but his name is on the list of the court.”\u003cbr\u003e The author interprets the osamo as a symbol of ‘going out to work’ and the nightgown as a symbol of ‘seclusion,’ and explains that Kang Se-hwang “revealed his mental world, which was tormented between the conflicting values ​​of going out to work and seclusion, by saying that his heart was in the forest but his name was on the royal list.”\u003cbr\u003e In this way, we can see that portraits from the Joseon Dynasty were paintings that deeply reflected the subject's intentions, and were not simply drawn as they appeared.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe meaning of clothing expressed in portraits of Confucian scholars\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eIn this book, the author devotes many pages to the meaning of clothing, especially as expressed in portraits of Confucian scholars from the Joseon Dynasty, and explains its meaning.\u003cbr\u003e One of them is the 'deep robe and wide hat', which were widely recognized by the scholars of the Joseon Dynasty as the 'clothes' that symbolized Zhu Xi.\u003cbr\u003e According to the author, the robe and hat in [Portrait of Song Si-yeol] are the attire that Song Si-yeol requested from the artist to symbolically show that he followed and inherited the learning of Zhu Xi throughout his life, and [Portrait of Yi Sam-hwan] and [Portrait of Yu Han-jun], which are painted in the same attire, can also be understood with the same meaning.\u003cbr\u003e [Portrait of Lee Chae], painted in a nightgown (dopo) at Jeongjagwan, is also interpreted with the same meaning, and it is said that it can be assumed that Lee Chae was influenced by the portrait of his grandfather, Lee Jae, in leaving behind this portrait. \u003cbr\u003eThe author cautiously speculates that “he may have wanted to reveal the lineage of his family from his grandfather, Lee Jae, to himself, as well as his academic legitimacy, through the portrait of a man in a night gown.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The subjects of Joseon Dynasty portraits believed that their images would remain forever through the painting.\u003cbr\u003e That is why he tried to capture in his self-portrait what he desired and aspired for, as well as his own mental world, inner self, and thoughts.\u003cbr\u003e In this way, for the Joseon Dynasty's aristocrats, portraits were a very useful and effective medium for visually expressing the self.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e14 other major portraits\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Although not covered in the main text, 14 portraits of art historical significance are introduced as an appendix at the end of the book. \u003cbr\u003e[The portrait of Ambassador Samyeong] is one of the oldest surviving Korean portraits and is one of the most outstanding in its depiction style. [Portrait of Jo Yeong-bok] is a rare example of a Joseon Dynasty portrait in that it depicts both hands and each finger joint is depicted in detail, drawing attention.\u003cbr\u003e [Portrait of Kim Ian] is very impressive for its depiction of the protagonist's unique appearance, including his tall stature, slender body, and sunken cheeks. [Portrait of King Gojong] is believed to be a portrait created by Chae Yong-shin, who had experience painting portraits of King Gojong during his lifetime, in response to the public's demand to commemorate King Gojong after the fall of the Korean Empire. \u003cbr\u003e[Portrait of Choi Ik-hyeon], which depicts Choi Ik-hyeon preparing for battle against Japan by recruiting volunteers with a strong will in Jeolla Province in January and February 1906, approaches with a meaningful meaning along with the painful history, and [Portrait of Hwang Hyeon], which Chae Yong-shin produced after Hwang Hyeon's death based on a photograph taken at the Cheonnyeondang Photo Studio in Seoul in 1909, is unique in the unique production process. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 31, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 456 pages | 686g | 155*225*28mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791168103320\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1168103320 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764437546,"sku":"108304","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/bff4cf84f04a8f9f7cf2be379ccbf63c.jpg?v=1765445320"},{"product_id":"108308","title":"Studio Ghibli Story ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqV77zXM3w58oeH5GuSnvW1UPV.png?v=1765107809\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Studio Ghibli Story \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/142068840\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eProducer Toshio Suzuki, Chief Editor\u003cbr\u003e The story of 40 years of Ghibli is finally revealed.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Studio Ghibli was born from \"Nausicaä of the Valley of the Wind.\"\u003cbr\u003e A special creative group that has created numerous feature-length animations for nearly 40 years, their trajectory has been full of ups and downs.\u003cbr\u003e A plan born from trial and error, a production site pressed for time, a promotional strategy that grasps the trends of the times, and a business environment that constantly bumps into the walls of reality. \u003cbr\u003eIt covers all the unique creative methods and management processes of each of the 27 works, including the behind-the-scenes story of the latest work, “How Will You Live?”, which was not included in the Japanese version.\u003cbr\u003e This may be the last recorded statement from a Studio Ghibli character.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Chapter 1 From comic series to movie.\u003cbr\u003e Nausicaä of the Valley of the Wind\u003cbr\u003e Chapter 2: Establishing the Studio and \"Castle in the Sky\"\u003cbr\u003e Chapter 3: Two films screened simultaneously, never before: \"My Neighbor Totoro\" and \"Grave of the Fireflies.\"\u003cbr\u003e Chapter 4: The Success of Kiki's Delivery Service and the Introduction of Studio Ghibli's Full-Time Employment System\u003cbr\u003e Chapter 5: The Rebirth of Ghibli and \"Same Old Days\"\u003cbr\u003e Chapter 6: \"Porco Rosso,\" \"I Hear the Sea,\" and the Establishment of a New Studio  \u003cbr\u003eChapter 7: Operation Pom Poko and the Launch of the Filming Crew\u003cbr\u003e Chapter 8: Yoshifumi Kondo's Directorial Debut, \"Whisper of the Heart\" and the Studio Ghibli Experimental Theater's \"On Your Mark\"\u003cbr\u003e Chapter 9: The Unprecedented Masterpiece, Princess Mononoke\u003cbr\u003e Chapter 10: The Challenge of Experimental Work \"My Neighbor the Yamadas\"\u003cbr\u003e Chapter 11: The Incomparable Hit \"Spirited Away\"\u003cbr\u003e Chapter 12: The Establishment of the Ghibli Museum in Mitaka and the Death of Yasuyoshi Tokuma\u003cbr\u003e Chapter 13: Two Films by New Directors: The Cat Returns and Gibre's Episode 2\u003cbr\u003e Chapter 14: Howl's Moving Castle and Ghibli's Independence Reflecting the Times\u003cbr\u003e Chapter 15: Rookie Director Goro Miyazaki's \"Legends of Earthsea\"\u003cbr\u003e Chapter 16: Ponyo on the Cliff by the Sea: A Surprise Full of Hand-Drawn Wonders\u003cbr\u003e Chapter 17: Yonebayashi Hiromasa's \"Arrietty\"  \u003cbr\u003eChapter 18: From Up on Poppy Hill: Created in the Whirlwind of Era of Change\u003cbr\u003e Chapter 19: The Wind Blows: A Pour of All Its Energy, and Its Retirement and Restart\u003cbr\u003e Chapter 20: The Tale of Princess Kaguya, Eight Years in the Making\u003cbr\u003e Chapter 21: The New Production System Centered on Young Directors: \"When Marnie Was There\"\u003cbr\u003e Chapter 22: The Red Turtle, Supported and Led by Isao Takahata\u003cbr\u003e Chapter 23: Ghibli's First 3D CG Work, \"Aya and the Witch\"\u003cbr\u003e Chapter 24: Hayao Miyazaki's New Challenge: \"How Do You Live?\"\u003cbr\u003e Chapter 25: The Opening of Ghibli Park and the Grouping of Nippon TV\u003cbr\u003e The End Doesn't Matter (Studio Ghibli, Toshio Suzuki)\u003cbr\u003e\u003cbr\u003e References\u003cbr\u003e Studio Ghibli Timeline\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5125\/MidCate003\/512426188.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The contact between the editorial staff of Animeju and Takahata and Miyazaki dates back to the first issue of Animeju (July 1978). \u003cbr\u003eThe opportunity came when Toshio Suzuki, who was the deputy editor-in-chief of Animeju at the time, approached them about covering “Horus the Great Adventure,” in which the two had participated, in a corner called “Encore Animation.”\u003cbr\u003e\u003cbr\u003e At that time, Animeju, which had been refused an interview by Takahata and Miyazaki, actively covered Miyazaki's \"Lupin III: The Castle of Cagliostro\" and Takahata's \"Little Lady Chie\" in its print edition.\u003cbr\u003e In this way, the Animeju editorial department gradually developed a deep bond with Takahata, Miyazaki, and Yasuo Otsuka, a senior whom the two met while working at Toei Douga (now Toei Animation) and the animation director of Lupin III: The Castle of Cagliostro and Little Lady Chie.\u003cbr\u003e\u003cbr\u003e --- p.9\u003cbr\u003e\u003cbr\u003e Miyazaki began to envision a grand-scale manga series, which became the current manga, Nausicaä. \u003cbr\u003eThe general direction of the series was decided, but I also had to decide what style of drawing to use.\u003cbr\u003e Miyazaki called Suzuki to his personal office, Nibariki, in Asagaya, Tokyo, and showed him three different types of manga with different drawing styles.\u003cbr\u003e\u003cbr\u003e The first is a meticulous and detailed drawing method, which Miyazaki said made it difficult to draw even one page a day using this method.\u003cbr\u003e Secondly, he showed a simple, non-specific drawing style and said that he could draw about 30 pages a day like this.\u003cbr\u003e And the last one was somewhere in between the first and second.\u003cbr\u003e\u003cbr\u003e In response to Miyazaki's suggestion, Suzuki chose the first, meticulous drawing style.\u003cbr\u003e Believing that the quality of the manga itself should be prioritized over productivity, Suzuki did not hesitate in his choice.\u003cbr\u003e --- p.11\u003cbr\u003e\u003cbr\u003e President Yasuyoshi Tokuma is a truly unique and interesting person. \u003cbr\u003eIf \"Nausicaä of the Valley of the Wind\" was such a huge hit, wouldn't they usually be making a sequel? But I'm not the type of person who says that.\u003cbr\u003e And I didn't even tell you to make something else.\u003cbr\u003e There was no order.\u003cbr\u003e So, the movie “Nausicaä of the Valley of the Wind” was made so that director Miya could receive money.\u003cbr\u003e That's what I did.\u003cbr\u003e That was a whopping 60 million yen.\u003cbr\u003e When Miya saw the money, she was shocked.\u003cbr\u003e “Mr. Suzuki, what should we do now?” (laughter).\u003cbr\u003e He said that if I built a new house with that money, my staff would think I was stupid and I wouldn't be able to buy a new car.\u003cbr\u003e At that time, there was a plan to produce a youth film like \"Blue Mountains\" set in Yanagawa, a small provincial town, centered around Mr. Takahata.\u003cbr\u003e Mr. Ogata brought up the idea of ​​wanting to try “Blue Mountain Range.”\u003cbr\u003e --- p.25\u003cbr\u003e \u003cbr\u003eWhat is it about Princess Mononoke that draws audiences? Director Miyazaki has been asked this question many times, and he says, \"Nothing has been finalized.\u003cbr\u003e I feel like I've opened up a strange part of my head, and I can't seem to get my thoughts together.\u003cbr\u003e He did not give a clear answer, saying, “It has been like that until now, but this time it was especially long.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Before its release, there were many reviews saying, \"This movie is too difficult for children.\"\u003cbr\u003e Several letters arrived at Studio Ghibli, to which Director Miyazaki belongs, saying, \"I didn't understand it, so I'm going to watch it again.\"\u003cbr\u003e --- p.186\u003cbr\u003e\u003cbr\u003e On the other hand, while producing Princess Mononoke, the environment surrounding Ghibli changed significantly.\u003cbr\u003e It's a partnership with Disney.\u003cbr\u003e On July 23, 1996, the Tokuma Group announced a partnership with Disney.\u003cbr\u003e Accordingly, in October, Tokuma International, the overseas division, was established. \u003cbr\u003eThe origins of the partnership date back to 1994.\u003cbr\u003e Koji Hoshino, who was the Japanese representative for Buena Vista Home Entertainment (BVHE), Walt Disney's video division, approached Studio Ghibli, saying, \"I want to make a series of Ghibli works into a low-priced video series and release them. Would you mind selling the rights?\"\u003cbr\u003e --- p.190\u003cbr\u003e\u003cbr\u003e Lasseter and Miyazaki have a long history of collaboration. Lasseter, originally an animator at Disney, became a passionate fan of Miyazaki after seeing Lupin the Third: The Castle of Cagliostro and becoming convinced that he could make an animated film that both adults and children could enjoy.\u003cbr\u003e After meeting Miyazaki, who had come to the United States in 1982 for Tokyo Movie Shrine (today TMS Entertainment)'s Japanese-American joint project Little Nemo, Lasseter was assigned to work on a full CG short film at Pixar. \u003cbr\u003eLater, when Lasseter visited Japan for the 1987 Hiroshima International Animation Festival, he also visited Studio Ghibli, which was producing My Neighbor Totoro.\u003cbr\u003e As it passed through Lasseter's hands, the English version of Spirited Away became a work that required a lot of care, down to every single line.\u003cbr\u003e\u003cbr\u003e Spirited Away, which received high praise at various film awards in Japan, also received good reviews in the United States.\u003cbr\u003e It won the National Society of Film Critics Award, Los Angeles Film Critics Award, and New York Film Critics Circle Award for animation in succession, and in February 2003, it won four categories, including Best Director and Best Screenplay, at the Annie Awards (hosted by the International Animated Film Association), known as the \"Academy Awards of the Animation World.\"\u003cbr\u003e In March 2003, it won the Academy Award for Best Animated Feature Film, beating out Disney's Lilo Stitch and Treasure Island.\u003cbr\u003e --- p.238\u003cbr\u003e \u003cbr\u003eThe person in charge of the theme song is Kenshi Yonezu.\u003cbr\u003e This is the first time in a Ghibli work that a major popular artist has been commissioned to compose a new song.\u003cbr\u003e Originally, Yonezu was a fan of Hayao Miyazaki.\u003cbr\u003e As mentioned earlier, Studio Ghibli's monthly magazine, \"Yokohama,\" planned a special feature on \"Boro the Furry Bug\" in the March 2018 issue, and planned to publish an interview with Yonezu.\u003cbr\u003e The first contact from Studio Ghibli was to ask Yonezu for his thoughts after watching the preview.\u003cbr\u003e Yonezu first met Miyazaki when he visited Ghibli for that interview.\u003cbr\u003e Afterwards, Yonezu appeared on Toshio Suzuki's radio program \"Suzuki Toshio's Ghibli Sweat\" in July and August 2018, and by that time, Suzuki had already started thinking about asking Yonezu to write the theme song for \"How Do You Live?\"\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.499\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003eFrom Nausicaä of the Valley of the Wind to How Do You Live?\u003cbr\u003e Studio Ghibli, the birthplace of masterpieces, has a 40-year history.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e On March 11, 1984, the film Nausicaä of the Valley of the Wind was released in Toei Film theaters across Japan.\u003cbr\u003e It was jointly produced by publisher Tokuma Shoten and advertising agency Hakuhodo, and the original work, screenplay, and direction were done by animation film director Hayao Miyazaki.\u003cbr\u003e Additionally, animation director Isao Takahata, who has worked with Miyazaki, is listed as a producer, and Toshio Suzuki, who is currently a producer at Studio Ghibli, is also listed as a member of the production committee.\u003cbr\u003e\u003cbr\u003e Studio Ghibli, an animation studio that began operations in 1985, has produced numerous feature-length animations, including \"How Do You Live?\", which was released in Japan in July 2023.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Nausicaä of the Valley of the Wind (1984) \u003cbr\u003e1986 Castle in the Sky\u003cbr\u003e 1988 My Neighbor Totoro\u003cbr\u003e Grave of the Fireflies (1988)\u003cbr\u003e 1989 Kiki's Delivery Service\u003cbr\u003e 1991 Memories Drop by Drop\u003cbr\u003e 1992 Red Pig\u003cbr\u003e 1993 I Can Hear the Sea\u003cbr\u003e 1994 Pom Poko Operation\u003cbr\u003e 1995 If you listen closely\u003cbr\u003e 1995 On Your Ma\u003cbr\u003e 1997 Princess Mononoke\u003cbr\u003e 1999 My Neighbor the Yamadas\u003cbr\u003e 2001 Spirited Away\u003cbr\u003e 2002 The Cat's Repayment\u003cbr\u003e 2004 Howl's Moving Castle\u003cbr\u003e 2006 Gadgeon Chronicles: Legends of Earthsea\u003cbr\u003e Ponyo on the Cliff by the Sea (2008)\u003cbr\u003e Arrietty Under the Floor 2010\u003cbr\u003e From Up on Poppy Hill 2011\u003cbr\u003e The Wind Blows 2013\u003cbr\u003e The Tale of the Princess Kaguya (2013)\u003cbr\u003e 2014 Memories of Money\u003cbr\u003e 2016 Red Turtle\u003cbr\u003e 2021 Aya and the Witch\u003cbr\u003e How will you live in 2023?\u003cbr\u003e\u003cbr\u003e As you can see from the list of works, Studio Ghibli has been consistently releasing one or two new works every year or two since the mid-1980s.\u003cbr\u003e It's an amazing speed, and the level of completion hasn't dropped either. \u003cbr\u003eHowever, from the mid-2010s, the pace of publication began to noticeably slow down, and \"How Will You Live\" took an extremely long time to produce.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA record of Ghibli history that must be preserved right now\u003cbr\u003e The story they tell themselves, which may be their last.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Among the three signboards that come to mind when thinking of 'Studio Ghibli', director Hayao Miyazaki was born in 1941, director Isao Takahata in 1935, and producer Toshio Suzuki in 1948.\u003cbr\u003e It's not a young age at all.\u003cbr\u003e Director Isao Takahata left for a place of no return in 2018.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Director Hayao Miyazaki is said to be the type of person who does not look back on the past.\u003cbr\u003e Even at a mature age, he always looks to the future and values ​​how to live in the present moment.\u003cbr\u003e So it is producer Toshio Suzuki's role to document the history of Studio Ghibli.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e“The important thing is that Mr. Suzuki remembers.” Producer Toshio Suzuki, who thought that he would not be able to keep Hayao Miyazaki’s words if he delayed any longer, began planning this book.\u003cbr\u003e Although numerous books about Studio Ghibli have been published, none have presented a coherent chronological account of the company's history.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Animation critic Ryota Fujitsu and Studio Ghibli's Shinsuke Nonaka participated in the writing, while Takuya Kikuchi of Studio Ghibli Publishing was in charge of editing, and producer Toshio Suzuki played the role of 'responsible editor' by spending in-depth time with them, sleeping and waking up together.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Director Hayao Miyazaki is said to have reversed his retirement and begun planning a new work.\u003cbr\u003e But we don't know when the new work will come to us.\u003cbr\u003e It's fortunate that a book has been published that documents the creation and process of this masterpiece, directly from Studio Ghibli's perspective.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eIt will be a particularly inspiring time to look back on the story of Studio Ghibli, which has left behind one of the greatest achievements in animation history and influenced the world from the 20th to the 21st century. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 31, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 532 pages | 866g | 147*213*31mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791142303883\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1142303888 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764568618,"sku":"108308","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/c4a3f32808e7b6266de18e09325a74f5.jpg?v=1765445327"},{"product_id":"108313","title":"Flowers of Painters ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWiFIsGAj4IVjlxo17V114eXr.png?v=1765107830\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Flowers of Painters \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/141890021\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e A heart expressed in flowers\u003c\/div\u003e\n\u003cdiv\u003e Why do we give flowers as gifts? \u003cbr\u003eCongratulations? Comfort? Whatever it is, it's clear that the gift is filled with the giver's emotions.\u003cbr\u003e The same goes for painters who paint flowers.\u003cbr\u003e Matisse's roses, Hockney's lilies, Manet's bouquets…\u003cbr\u003e The 108 flowers blooming in different ways on each page are a small gift filled with the artists' hearts.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eMarch 7, 2025.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eMatisse's roses, Hockney's lilies, Manet's bouquet...\u003cbr\u003e The story of 108 flowers blooming in famous paintings.\u003cbr\u003e “I want to make each and every one of them into a postcard and treasure it in a frame.”\u003cbr\u003e -Jeong Yeo-ul (author of The Damian Project and The Museum Just for Me)\u003cbr\u003e The most tranquil comfort conveyed by the artists of the century through ‘flowers’.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e There are times when a single flower is more comforting than a few words.\u003cbr\u003e 《Flowers of Painters》 is a book containing 108 'flower' paintings by artists of the century. \u003cbr\u003eThe high-quality illustrations that allow you to feel the vivid brushstrokes of the artists, along with the friendly commentary of Britain's top graphic designers and horticultural experts, double the enjoyment of viewing, and the aphorisms about flowers and art interspersed between the works are enough to add luster to a dry life.\u003cbr\u003e\u003cbr\u003e Whether it's a simple flower blooming on the roadside or a bouquet of flowers in a vase, you've probably experienced a moment of brightening your heart when you encounter a flower.\u003cbr\u003e Taking the time to carefully observe the delicate lines and unique patterns of the flower petals brings joy to everyone.\u003cbr\u003e Artists were captivated by this beautiful subject, and throughout their lives they drew inspiration from flowers, creating paintings of familiar flowers from their own perspectives.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eHenri Matisse, a master of Fauvism known for his intense painting style, often painted flower paintings with a gentle feel, saying, “In order to paint a rose, you must forget all the roses you have ever painted.”\u003cbr\u003e The subject that Edouard Manet mainly dealt with towards the end of his life was flowers.\u003cbr\u003e During the time when he was staying at his home in Paris due to deteriorating health, he captured the flowers he received as gifts from visitors with light and quick touches.\u003cbr\u003e Georgia O'Keeffe's extremely enlarged flowers go beyond mere natural objects and open up a wide range of interpretations for the viewer.\u003cbr\u003e In addition, artists such as Sandro Botticelli, John William Waterhouse, and David Hockney created their own flower paintings regardless of time and place.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e On days when you want to straighten your crumpled chest, on days when you're especially tired, open this book. \u003cbr\u003eAs you turn each page, you will find yourself in a time of peace, as if you were invited into the quiet atelier of an artist who quietly gazed at flowers.\u003cbr\u003e\u003cbr\u003e “The stories of flowers and painters beautifully contained on each page give us a little rest.\u003cbr\u003e “I want to give you this everlasting bouquet of flowers for your hard work today.”\u003cbr\u003e -Jin Byeong-gwan (French government-certified cultural commentator, author of \"The Bizarre Museum\" and \"The Museum of Consolation\")\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Prologue\u003cbr\u003e\u003cbr\u003e Henri Matisse: Saprano Rose at the Window\u003cbr\u003e Fujita Tsuguharu: Poppies in a Yellow Bottle\u003cbr\u003e Charles Rennie Mackintosh: Anemone\u003cbr\u003e André Kertész: Mondrian's House, Paris\u003cbr\u003e Edward Steichen: Lotus, Mount Kisco, New York\u003cbr\u003e Gerhard Richter: Orchids\u003cbr\u003e Georgia O'Keeffe: \"My Autumn\"  \u003cbr\u003eGluck (Hannah Gluckstein): The Devil's Altar\u003cbr\u003e John Singer Sargent: Carnations, Lilies, Lilies, Roses\u003cbr\u003e Henri Fantin-Latour: \"The Rose\"\u003cbr\u003e William Nicholson: Cyclamen\u003cbr\u003e Yvonne Hitchens: \"Flowers\"\u003cbr\u003e John Everett Millais: Ophelia\u003cbr\u003e John William Waterhouse: The Soul of the Rose\u003cbr\u003e Keika Hasegawa: \"Chrysanthemum\"\u003cbr\u003e Georg Dionysius Eret: The Red Parrot Tulip\u003cbr\u003e Elizabeth Blackadder: Gladiolus\u003cbr\u003e Cedric Morris: \"Some Inventions\"\u003cbr\u003e Edouard Manet: Flowers in a Crystal Vase\u003cbr\u003e Albert Yorke: Two Zinnias\u003cbr\u003e Rachel Ruis: Still Life with Flowers\u003cbr\u003e Mary Delaney: Sea Daffodils\u003cbr\u003e Heinrich Kuhn: Geraniums on the Windowsill\u003cbr\u003e Joe Brainerd: Untitled (Still Life)\u003cbr\u003e David Hockney: Lilies\u003cbr\u003e\u003cbr\u003e Image credits\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5175\/MidCate008\/517475782.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Matisse was a man who knew the charm of a room with flowers and landscapes. \u003cbr\u003eHe also thought it would be nice to create works of art that were comfortable, in his words, “like an armchair.”\u003cbr\u003e In 1908, he confessed, “What I dream of is an art of balance, purity and tranquility.”\u003cbr\u003e In this painting, a sparkling rose is balanced within a dark vase.\u003cbr\u003e The happy light of the Cote d'Azur, a resort town on France's Mediterranean coast, fills the entire screen.\u003cbr\u003e\u003cbr\u003e ---From \"Henri Matisse's \"Saprano Rose at the Window\"\u003cbr\u003e\u003cbr\u003e [Ophelia] is a work by John Everett Millais that depicts the last moments of Ophelia, the heroine of Hamlet.\u003cbr\u003e The symbolism of flowers, as seen in the long dress slowly filling with water, emphasizes the moment just before one's breath runs out.\u003cbr\u003e The plants, drawn in such meticulous detail that they rival those of a botanist, hint at the plight of this “poor woman,” and are also related to the language of flowers commonly used in the Victorian era. \u003cbr\u003eLook at the wild roses blooming by the river and the old willow trees shedding their branches.\u003cbr\u003e Anyone who is well-versed in the language of flowers will know that roses speak of beauty and love, and willows symbolize abandoned love.\u003cbr\u003e\u003cbr\u003e ---From \"John Everett Millais' Ophelia\"\u003cbr\u003e\u003cbr\u003e The title of this work is a quotation from Tennyson's poem Maud (1855), but the common ground between the poem and the painting is a popular song on which the poem was based.\u003cbr\u003e \"Come into the Garden, Maud.\" Who is addressing Maud in the lyrics? He is not invited to the party, so he sneaks into Maud's garden and waits in the shade while she dances.\u003cbr\u003e Regardless of whether the subject of this painting is Maud or not, Maud is the epitome of a bohemian with fiery hair and a free-spirited lifestyle. \u003cbr\u003eA different character from the precocious girls in Waterhouse's classic work, Hylas and the Nymphs (1896).\u003cbr\u003e\u003cbr\u003e ---From \"The Soul of the Rose\" by John William Waterhouse\u003cbr\u003e\u003cbr\u003e A painting by a man in his mid-70s who has been in love with flowers his entire life.\u003cbr\u003e [A Few Inventions] is a work like an autobiography by Cedric Morris.\u003cbr\u003e The 'invention' refers to a tall, distinctive cultivar of bearded iris that he cultivated over several decades at Benton End, Suffolk, England.\u003cbr\u003e Morris had early success with modernist painting, but his horticultural expertise helped him prolong that success.\u003cbr\u003e He became an influential collector and breeder, and, with his long-time companion Arthur Lett-Haines, established the East Anglian School of Painting in his home and garden, where he served as mentor and teacher.\u003cbr\u003e \u003cbr\u003e---From \"Some Inventions\" by Cedric Morris\u003cbr\u003e\u003cbr\u003e Manet was also criticized for leaving his paintings unfinished.\u003cbr\u003e I tend to roughly draw the characters, and then completely draw the secondary elements like flowers.\u003cbr\u003e This work could be called a portrait of a cheerful bouquet of flowers, completely uninterested in serving as the subject of a botanical study.\u003cbr\u003e The flowers in the painting have a natural balance, as if they were simply put together rather than being arranged neatly.\u003cbr\u003e The light touch is reminiscent of paintings from Manet's early days, when he visited Claude Monet and sometimes Pierre August Renoir.\u003cbr\u003e\u003cbr\u003e ---From \"Flowers in a Crystal Vase\" by Edouard Manet\u003cbr\u003e\u003cbr\u003e Lewis's work is worth taking the time to appreciate.\u003cbr\u003e It's not just because of the vividly depicted flowers and animals. \u003cbr\u003eThe morning glory in the painting reminds us of the meaning of 'resurrection', and the withering leaves of the lotus remind us of the existential message that 'all living things die someday, and everything is fleeting'.\u003cbr\u003e This is the main message of Dutch vanitas paintings.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Rachel Ruis's Still Life with Flowers\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e'For a truly creative painter, the most difficult thing is to paint a single rose.\u003cbr\u003e Because I have to forget all the roses I've ever painted.'\u003cbr\u003e _Henri Matisse\u003cbr\u003e\u003cbr\u003e A variety of flowers, each seen and painted by 48 artists from their own perspectives.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Is there anything else that can instantly capture our attention and brighten our dark hearts like flowers?\u003cbr\u003e Since ancient times, artists have not simply observed these beautiful natural objects that offer the joy of contemplation, but have also captured them on canvas in their own unique styles. \u003cbr\u003eWhether it's a wildflower blooming on the roadside or a bunch of flowers in a vase, flowers have been a source of creative inspiration for artists.\u003cbr\u003e\u003cbr\u003e 《Flowers of the Painters》 contains a variety of flower paintings by 48 up-and-coming artists, including well-known painters such as Renaissance painter Sandro Botticelli and contemporary painters such as David Hockney.\u003cbr\u003e Even though they are the same rose paintings, it is fun to imagine the minds of flower painters because the roses of Matisse (〈Saprano Roses at the Window〉) imbued with the gentle light of the Mediterranean coast and the roses of Sargent (〈Carnations, Lilies, Lilies, Roses〉) shining faintly in the dusky twilight of a summer day are different.\u003cbr\u003e The medium of the work is also diverse, including oil painting, watercolor, printmaking, and photography.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eTo you who longs for a life like flowers, a bouquet of comfort from painters.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eHigh-quality illustrations vividly depict the painters' brushstrokes, accompanied by friendly commentary from Britain's leading graphic designers and horticultural experts.\u003cbr\u003e The art historical context of the flower paintings and the stories inside and outside the works related to flowers were explained in detail as if telling them to a friend, adding to the enjoyment of the artwork.\u003cbr\u003e The sentences about flowers and art included here and there are concise but leave a deep impression.\u003cbr\u003e\u003cbr\u003e “Art is the flower, life is the green leaf,” said the painter Charles Rennie Mackintosh.\u003cbr\u003e Let's meet the stories of painters who were inspired by flowers and healed themselves.\u003cbr\u003e On days when you want to be comforted by someone for no reason, or on days when you want to convey comfort to someone special, \"Flowers of Painters,\" featuring 108 flower paintings, would make an excellent gift.\u003cbr\u003e If you keep this book by your side and read it, your shrunken heart will open up like a flower petal.\u003cbr\u003e \u003cbr\u003e“You might think that an artist's response to a single flower tells us everything we need to know about life and death.”\u003cbr\u003e _〈Prologue〉 \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 5, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 168 pages | 482g | 160*220*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791172540456\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1172540454 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764634154,"sku":"108313","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ab4d6859011c60feb2d446fe88b95caa.jpg?v=1765445333"},{"product_id":"108318","title":"By chance, Wes Anderson: The Adventure ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqV6RX87XxqL44TVlwCoxSCyTT.png?v=1765107851\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Coincidentally, Wes Anderson: The Adventure \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/141417312\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e Time to turn everyday life into an adventure\u003c\/div\u003e\n\u003cdiv\u003e An art book that fully captures Wes Anderson's aesthetics, represented by pastel tones, perfectionist symmetrical compositions, and dreamy mise-en-scène.\u003cbr\u003e As the director himself stated, “Every location in the book feels like a space in a movie I created,” the 200 or so captivating locations provide readers with new inspiration and a sense of color.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eFebruary 4, 2025.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThe exhibition that captivated 250,000 people and the photo essay that reached 1.9 million channels finally arrive in Korea.\u003cbr\u003e *Wes Anderson Certified, New York Times Bestseller*\u003cbr\u003e\u003cbr\u003e “The world is full of mise-en-scène yet to be discovered!”\u003cbr\u003e A day when I desperately want to go somewhere\u003cbr\u003e With Wes Anderson, every moment becomes an adventure.\u003cbr\u003e\u003cbr\u003e “No matter how I look at it, it seems like a space in a movie I created.\u003c\/b\u003e \u003cbr\u003eBut these places definitely exist on Earth.”\u003cbr\u003e -Wes Anderson\u003cbr\u003e\u003cbr\u003e Have you ever exclaimed, \"This is Wes Anderson!\" at a random café, a fleeting commercial scene, or a building you came across while traveling? You're already living in Wes Anderson's world! \"Accidentally Wes Anderson,\" a channel beloved by 1.9 million subscribers for capturing the fantastical mise-en-scène of film director Wes Anderson, who has established his own unique aesthetic, in photographs, is back with its second photo essay, \"Accidentally, Wes Anderson: An Adventure,\" to meet Korean readers after a three-year hiatus.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This book is an adventure filled with exciting and secret places. \u003cbr\u003eFrom the pink-tiled front doors of London homes to Seoul's Starfield Library and the Arctic's \"doomsday\" seed vault, this panoramic account features beautiful photographs and captivating storytelling of over 200 extraordinary adventure destinations you'll never see in a travel guide.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e introduction\u003cbr\u003e preface\u003cbr\u003e\u003cbr\u003e UNITED STATES \u0026amp; CANADA\u003cbr\u003e Latin America\u003cbr\u003e CENTRAL \u0026amp; WESTERN EUROPE\u003cbr\u003e UNITED KINGDOM \u0026amp; NORTHERN EUROPE\u003cbr\u003e SOUTHERN \u0026amp; EASTERN EUROPE\u003cbr\u003e MIDDLE EAST \u0026amp; AFRICA\u003cbr\u003e SOUTH, CENTRAL, \u0026amp; EASTERN ASIA\u003cbr\u003e Oceania OCEANIA\u003cbr\u003e Arctic \u0026amp; Antarctica\u003cbr\u003e\u003cbr\u003e Acknowledgements\u003cbr\u003e Contributors\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5108\/MidCate008\/510772733.jfif\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\u003cb\u003eInto the book\u003c\/b\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e We captured various moments that lead people into a world of adventure and included them in this book.\u003cbr\u003e Sometimes the adventure involves traveling the world or jumping out of an airplane.\u003cbr\u003e But sometimes it starts with something as simple as taking the left path instead of the right path you always take in your neighborhood.\u003cbr\u003e\u003cbr\u003e ---From the \"Preface\"\u003cbr\u003e\u003cbr\u003e The first task the Istells undertook was to determine the center of their land.\u003cbr\u003e The couple called it 'the center of the world.'\u003cbr\u003e Jacques André said that any place on Earth could be the center of the world, and no one disputed this.\u003cbr\u003e Instead, Imperial County supervisors unanimously passed a property ordinance that \"officially\" confirmed the claim.\u003cbr\u003e ---From \"Church on the Hill (USA)\"\u003cbr\u003e \u003cbr\u003eAt the heart of Claudio Levy and Doris Romera's lives together was the dream of creating something greater than themselves.\u003cbr\u003e In 1992, when Claudio first met Doris, he confessed his passion for labyrinths.\u003cbr\u003e The two fell in love and saved money together while working in Buenos Aires.\u003cbr\u003e The goal wasn't to raise children or buy a house, but to create a giant maze.\u003cbr\u003e ---From \"Laberinto Patagonia (Argentina)\"\u003cbr\u003e\u003cbr\u003e Carlos works at the post office on the Argentine mainland, but continues to live on Redonda Island, just 10 minutes from the bay.\u003cbr\u003e He is also the Prime Minister of the self-proclaimed 'Independent Republic of Redonda'.\u003cbr\u003e The only inhabitants of the 50-hectare microstate he founded and considers his home are Carlos and his two sons.\u003cbr\u003e There is only one law to be observed in this anarchic state. \u003cbr\u003e“Do whatever you want, as long as you respect others.”\u003cbr\u003e ---From \"The Post Office at the End of the World (Argentina)\"\u003cbr\u003e\u003cbr\u003e The village's original name was Hlanbairpuhlgüngihl, which was long enough.\u003cbr\u003e However, it was a clever ploy to attract tourists to the train station with the longest name, which is why it has the name it has today.\u003cbr\u003e A Victorian tailor came up with a way to lengthen the original name by adding syllables to it to make it 58 characters long.\u003cbr\u003e ---From \"Hlanbaerpuhlgüngihlgogererförndrobuhlhlantersiliogogogogh (Wales)\"\u003cbr\u003e\u003cbr\u003e Le Conciergerie, a stronghold for artists, was frequented by Vincent van Gogh, Henri de Toulouse-Lautrec, and Claude Monet in the 19th century, and Pablo Picasso and Ernest Hemingway in the 20th century.\u003cbr\u003e These legends lived near Montmartre and developed their artistic talents.\u003cbr\u003e\u003cbr\u003e ---From \"Le Concierge (France)\"\u003cbr\u003e \u003cbr\u003eFounded in 794, Bongeunsa Temple has been a beacon of light in the area, witnessing all the changes.\u003cbr\u003e In the past, the area around Bongeunsa Temple was a rural area with rice paddies and simple orchards cultivated by families.\u003cbr\u003e But now Bongeunsa Temple stands as a landmark in one of Seoul's busiest, wealthiest, and most modern neighborhoods.\u003cbr\u003e The true value of Bongeunsa Temple lies not in simply enduring and surviving change, but in adapting to change in a way that elegantly harmonizes the old and the new.\u003cbr\u003e\u003cbr\u003e ---From \"Bong Eun Sa (Seoul)\"\u003cbr\u003e\u003cbr\u003e The Global Seed Vault in Svalbard holds more than 1.2 million seeds of tens of millions of crop varieties from around the world.\u003cbr\u003e Also known as the 'Doomsday Vault', this is our last bastion to ensure our survival in the event of a global disaster.\u003cbr\u003e There's also another rather quirky warehouse nearby: the International Oreo Warehouse. \u003cbr\u003eThis is also a measure to prepare for the end of days.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"International Seed Vault (Arctic)\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e\"Wes Anderson's photo exhibition, 'Accidentally, Wes Anderson,' which drew 250,000 viewers, returns with an even more powerful adventure.\"\u003cbr\u003e The return of a channel that has evolved into a large-scale project with 1.9 million adventurers worldwide.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e An exhibition held in Seongsu, Seoul's hottest neighborhood in 2021, attracted 250,000 visitors, including celebrities like Yoona and Hwang Min-hyun.\u003cbr\u003e The name of this exhibition, which was held in major cities around the world, including New York, London, Tokyo, and Seoul, was [Coincidentally, Wes Anderson], and it was an exhibition that collected only photos that ‘looked’ like they were taken by film director Wes Anderson.\u003cbr\u003e And in October 2024, the second photography exhibition of 'Accidentally Wes Anderson' was held in Gwanghwamun, beating out numerous famous art exhibitions and taking first place in the number of visitors (organized by Ground Seesaw, as of January 2024). \u003cbr\u003eWhy is this exhibition of photographs that aren't even Wes Anderson's but \"look like\" they were, drawing so many people? The artist behind this exhibition is none other than Wally and Amanda Koval, whose Instagram channel, \"AccidentallyWesAnderson,\" already boasts a global community of 1.9 million followers.\u003cbr\u003e This community's followers are fans (aka adventurers) of Wes Anderson, one of the most iconic directors of the 21st century, and his cinematic world. They find real-world locations that resemble Wes Anderson's films, take photos of them, and share them with the community.\u003cbr\u003e It can literally be called a 'Wes Anderson project' on a global scale.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThe first photo essay, \"Wes Anderson by Chance\" (2021), which was published by archiving about 200 of the 15,000 photos released through this project, quickly became a bestseller on Amazon and the New York Times, receiving much love.\u003cbr\u003e And in 2025, the second photo essay, \"Wes Anderson: Adventure,\" which contains an even more powerful adventure story, came to Korean readers.\u003cbr\u003e Meanwhile, the channel's followers have increased by 500,000, diversifying the way people see the world, and over 1,000 additional photos have been uploaded, contributing to revealing hidden adventure spots around the world.\u003cbr\u003e \"Wes Anderson: An Adventure,\" which contains the journey, is also filled with extraordinary locations and beautiful photos that surpass the previous work, making readers want to own it. \u003cbr\u003eAs you turn the pages of this book, you might find yourself taking pictures of your surroundings with your camera and reporting them to the Accidentally Wes Anderson channel.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“With Wes Anderson, even the smallest moments in everyday life become gateways to adventure!”\u003cbr\u003e ― 220 adventures with the 'Wes Anderson filter' that turns reality into a movie.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e When you think of \"adventure,\" what comes to mind first? A tightly packed backpack? A passport stamped with entry stamps? We often think of adventure as leaving our comfort zones and venturing into deserts and jungles.\u003cbr\u003e But just as the deserts and jungles that are the home of the locals are adventure destinations for us, the spaces we pass through every day also hold ample potential for adventure. \u003cbr\u003eThe authors, the Kovals, were compiling a travel bucket list about a decade ago when they came across a few photos that made them exclaim, \"Huh? This looks like Wes Anderson.\"\u003cbr\u003e And instead of trying to fill a travel destination list, he started looking for places that could appear in Wes Anderson movies and posting photos of them on his Instagram channel, which led to the massive project 'Accidentally Wes Anderson'.\u003cbr\u003e The authors say:\u003cbr\u003e “What adventure requires is not new places, but new perspectives.”\u003cbr\u003e When we discover new aspects of places we often pass by and begin to listen to their hidden stories, we can discover the entrance to adventure in the small cracks of everyday life.\u003cbr\u003e\u003cbr\u003e The new perspective and new filter that the Kovals introduce in this book is none other than 'Wes Anderson'. \u003cbr\u003eHis mise-en-scène, recognizable even in a single scene, elevates even an ordinary space to a scene from a movie.\u003cbr\u003e This book contains 220 of the most \"Wes Anderson-esque\" photos, carefully selected from the thousands sent in by countless adventurers.\u003cbr\u003e From Felicity, the UN-certified \"center of the world,\" to the Oreo vaults of the Arctic, the treasure-laden shipwrecks of the River Plata, and South America's largest labyrinth, Laberinto Patagonia, this panoramic tour features extraordinary adventure photography and captivating storytelling.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“A special adventure begins by listening to the stories there.”\u003cbr\u003e - Outrageous narratives that ignite the hearts of those who want to leave.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Any fascinating adventure destination is bound to have interesting secrets. \u003cbr\u003eThe locations in this book, such as Little Eileen, a remote restaurant that welcomes alien guests; Haskell Free Library, which straddles the US-Canada border and features reading spaces and shelves filled with books of different nationalities; and Camp Wandawega, a Prohibition-era outlaw hideout, all contain fascinating narratives that could easily be made into a movie of their own.\u003cbr\u003e It resembles the spaces in Wes Anderson's films in that they appear ordinary on the outside but hold hidden secrets.\u003cbr\u003e \u003cbr\u003eThe author humorously and sharply unfolds lovely episodes, such as the Cape Point Viewfinder, where you can see the ghost ship 'Flying Dutchman', the ghost story of the Fortham University building that has been haunted since the filming of the movie [The Exorcist], the Grand Hotel Trezzo with its walls covered with love letters left by guests, and the story of a human and a Selkie, a seal that turns human once a year.\u003cbr\u003e In addition, there are secret stories that we might not have known about when we passed by them, such as the story of a Welsh town that became the world's longest name in a competition to attract tourists, the story of a tiny anarchist state with a population of two, and the story of the Rio de la Plata where a treasure ship is said to have sunk, which constantly ignites the hearts of those who want to travel.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEven Seoul, a city of temples and skyscrapers, looks different when viewed through Wes Anderson's eyes.\u003c\/b\u003e \u003cbr\u003e― 'City Explorer', where 10 cities are transformed into adventure theme parks.\u003cbr\u003e\u003cbr\u003e If a fresh perspective can transform everyday life into an adventure, couldn't our entire city become a place of adventure? The author becomes an urban explorer, choosing a region from each continent and exploring every nook and cranny to uncover hidden adventures.\u003cbr\u003e A stroll through Colonia, Uruguay, where the plight of sex workers is palpable; Oxford and Cambridge, England, where the traces of the fierce battle between the two prestigious universities are evident everywhere; and Napier, New Zealand, filled with beautiful architecture built on the ruins of an earthquake, makes us realize that exciting adventure destinations are not rare places that come one by one, but rather that they can await us with every step we take.\u003cbr\u003e\u003cbr\u003e In particular, in the chapter on the Asian continent, Seoul, South Korea was selected as the author's destination for exploration. \u003cbr\u003eIt introduces six places, including Gyeongbokgung Palace, Cheongun Literature Library, Bongeunsa Temple, Suguksa Temple, Lotte World Tower, and Byeolmadang Library, and adds to the specialness by capturing the aspects of Seoul where temples with traditional charm and comfort coexist with skyscrapers that show off modern sophistication through Wes Anderson's filter.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“His name is style.\u003cbr\u003e “A perfect recreation of Wes Anderson’s aesthetic”\u003cbr\u003e ― A real-life extension of Wes Anderson's films that inspire artists!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Wes Anderson.\u003cbr\u003e Just hearing the name, it seems like a pastel-toned world unfolds before our eyes.\u003cbr\u003e Anyone who has ever said, \"Huh? That's Wes Anderson!\" at a cafe they happened to visit one day, at a commercial they happened to see, or in front of a building they came across while traveling will sympathize. \u003cbr\u003eAs an artist who inspires contemporary artists, director Park Chan-wook recommends Wes Anderson's work as \"a movie like a birthday cake,\" and writer Jeong Se-rang praises him as \"a creator who coats bitter medicine with sweetness.\"\u003cbr\u003e It is probably for the same reason that top Hollywood stars with astronomical salaries, such as Tilda Swinton, Scarlett Johansson, and Bill Murray, volunteer to appear in his independent films.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e With pastel colors, perfect symmetrical compositions, and dreamy mise-en-scène, this book fully captures the aesthetics of Wes Anderson, who has captivated countless artists.\u003cbr\u003e Director Wes Anderson expressed his affection for this project in the preface to this book, which follows his previous work, saying, \"No matter how you look at it, it feels like the spaces in the movies I created.\" \u003cbr\u003eBy the end of this special journey, set out through Wes Anderson's filter, you'll find yourself preparing for a new journey. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 22, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 368 pages | 1,142g | 194*237*28mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788901291703\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8901291703 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764863530,"sku":"108318","price":46.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/fb25d20e37af294279e3066d8bdfed5f.jpg?v=1765445347"},{"product_id":"108323","title":"A History of Western Art Through Banksy ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWjKSr5vMNRfQZw6piysjwGsh.png?v=1765107872\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n \u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003eA History of Western Art Through Banksy \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/141330951\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eFrom Michelangelo to Van Gogh and Monet,\u003cbr\u003e Andy Warhol and Damien Hirst.\u003cbr\u003e Masterpieces of art history are reborn in Banksy's hands!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · Includes over 100 famous paintings and Banksy works.\u003cbr\u003e · A penetrating, bestselling author's writings from Kelly Grovier\u003cbr\u003e · Special cover design available only in the Korean version\u003cbr\u003e · High-quality printing that makes it feel like you're actually seeing the work\u003cbr\u003e · Hardcover format is perfect for carrying around or keeping\u003cbr\u003e A must-have book that explores Western art history through Banksy's lens.\u003cbr\u003e\u003cbr\u003e Street artist, Banksy.\u003cbr\u003e His work always provokes controversy and stimulates our imagination.\u003cbr\u003e No artist, no work of art can be free before his spray can.\u003cbr\u003e\u003cbr\u003e His sharp gaze, which seems to strip us bare to the bone, tears apart works armed with history and authority. \u003cbr\u003eBy boldly breaking with tradition and convention, we shed new light on and reevaluate the history of art.\u003cbr\u003e The images he has created over the past 30 years are full of insightful and original interpretations of art history.\u003cbr\u003e\u003cbr\u003e Now, join bestselling author Kelly Grovier as we delve into the world of Banksy, the superstar whose wild imagination has turned the art world upside down.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e introduction\u003cbr\u003e\u003cbr\u003e 18 Erase and Rewind - South Bank, London, UK (2008)\u003cbr\u003e 24 With an Unbreakable Spirit - Everything But the Kitchen Sphinx (2013)\u003cbr\u003e 28 Flower Power - Love in the Air (2003)\u003cbr\u003e 32 Original Imitation - Bad Artists Imitate (2009)\u003cbr\u003e 36 Get Off the Cart - Peckham Rock (2005)\u003cbr\u003e 40 The Naked Truth - David in a Bulletproof Vest (2006)\u003cbr\u003e 44 Salvation Bargain Sale - Sale Ends Today (2006)\u003cbr\u003e 48 The Gun Behind the Smile - Mona Lisa with an AK47 (2000) \u003cbr\u003e52 We All Die - Shoreditch, London, England (2007)\u003cbr\u003e 56 Cross and Shopping Bag - Christ with Shopping Bag (2004)\u003cbr\u003e 60 Poisoned Bottle - The Poisoned Virgin Mary (2003)\u003cbr\u003e 64 Girl's Scream - Bristol, England (2014)\u003cbr\u003e 68 Gluing Eyeballs - Rembrandt (2009)\u003cbr\u003e 72 Puns - Paris, France (2018)\u003cbr\u003e 76 The Idiots of the Auction House - The Idiots (2007)\u003cbr\u003e 80 Shipwrecks and Cruise Ships - Calais, France (2015)\u003cbr\u003e 84 Let's borrow some money - Crude Oil Jerry (2003)\u003cbr\u003e 88 Sinking Conscience - Mediterranean Seascape (2017)\u003cbr\u003e 92 Guaranteed Breaks - Day Labor (2009)\u003cbr\u003e 96 Veiled Sorrow - Bataclan Theatre, Paris, France (2018)\u003cbr\u003e Standing on tiptoe - Ballerina wearing Action Man parts (2005)\u003cbr\u003e 104 Forgotten Beach - Lowestoft, UK (2021)\u003cbr\u003e 108 Depleting Resources - Sunflowers at the Gas Station (2005)\u003cbr\u003e 112 My Paradise - Show Me the Money (2005)\u003cbr\u003e 116 Poet or Fool - The Drunkard (2004)\u003cbr\u003e 120 Joy Hula Hoops - Nottingham, UK (2020) \u003cbr\u003e124 Monkey Parliament - Delegated Parliament (2009)\u003cbr\u003e 128 As the Heart Leads - Waterloo Bridge, South Bank, London, England (2002)\u003cbr\u003e 132 From the Abyss - Think Tank (2003)\u003cbr\u003e 136 The Pipe Paradox - This is a Pipe (2011)\u003cbr\u003e 140 Nausea Inducers - New York, USA (2013)\u003cbr\u003e 144 Striped Welcome - Timbuktu, Mali (2008)\u003cbr\u003e 148 The Sewing Machine of Terror - Wood Green, London, UK (2012)\u003cbr\u003e 152 Lonely People - Are You Still Using That Chair? (2005)\u003cbr\u003e 156 Flag of the Hero - Flag (2006)\u003cbr\u003e 160 Tomato Soup for the Soul - Tesco Value Soup Can (2004)\u003cbr\u003e 164 Disjointed Gaze - Kate Moss (2005)\u003cbr\u003e 168 Hands Up! - Barbican, London, UK (2017)\u003cbr\u003e 172 Growl, Woof - Bermondsey, London, UK (2010)\u003cbr\u003e 176 Hours of Dots - Mouse with Roller on Spot Painting (2009)\u003cbr\u003e 180 Dancing Beach - Polluted Beach (2005)\u003cbr\u003e 184 Shadow Play - Brooklyn, New York, USA (2018)\u003cbr\u003e 188 And Then There Were Nothing - Folkestone, England (2014)\u003cbr\u003e\u003cbr\u003e Banksy's Works Timeline Annotations\u003cbr\u003e List of illustrations\u003cbr\u003e index\u003cbr\u003e Acknowledgements\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\n\u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5096\/MidCate001\/509160435.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Banksy equates his work with the legacy of the past that we cherish today.\u003cbr\u003e And through this, it has raised questions about the short-sightedness of the officials entrusted with deciding which creative expressions are worth preserving and which should be removed.\u003cbr\u003e --- p.19\u003cbr\u003e\u003cbr\u003e Through the iconography of the 'Nursing Virgin Mary', which has existed from the late Middle Ages to the 17th century, Banksy boldly delves into the theological context of thinking that seeks the roots of Jesus' divine authority.\u003cbr\u003e And by reinterpreting this so brazenly that it almost feels blasphemous, it reminds us that existing depictions of the Virgin Mary and the baby Jesus are not pure depictions of maternal love.\u003cbr\u003e --- p.61\u003cbr\u003e \u003cbr\u003eIf Rembrandt's portraits, which believed in the power and passion of the gaze, symbolize an era that sought to see deeper and further, Banksy's googly self-portraits capture an era in which the gaze is captivated by blue light that makes one shrink into one's own world within the screen.\u003cbr\u003e --- p.69\u003cbr\u003e\u003cbr\u003e Banksy delves into Jericho's work with a wit that leaves viewers flinching without diminishing the seriousness of the message.\u003cbr\u003e In the original, the Argus, which was barely visible as a vanishing point, was depicted much closer to the horizon of the mural, and was transformed into a huge, ultra-luxurious cruise ship with its own helicopter and helipad, passing by indifferently despite desperate cries for help.\u003cbr\u003e And to make the message of the piece clear, he added the witty phrase, “We are not all in the same boat.”\u003cbr\u003e --- p.81\u003cbr\u003e \u003cbr\u003eDegas' ballerina only became her true self after meeting Banksy.\u003cbr\u003e She is no longer a disarmed, helpless monkey girl.\u003cbr\u003e To protect himself from Degas's inhuman cruelty, he wore a military gas mask, and was able to dance freely, free from the ugly postures he had been confined to for the past century.\u003cbr\u003e --- p.101\u003cbr\u003e\u003cbr\u003e By placing the famous and familiar Van Gogh sunflowers in the unlikely context of 'crude oil' and 'gas stations', Banksy makes us consider whether art is not an infinite resource, but rather a finite resource, like fossil fuel, that can only be used until it is depleted.\u003cbr\u003e --- p.109\u003cbr\u003e \u003cbr\u003eBanksy removed the inflated price tag from Warhol's Campbell's soup cans and reconstructed the spirit of defiance and rebellion that filled them, revealing that the work still possesses meaningful potential.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.161\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e· Banksy, an icon of our time\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Banksy.\u003cbr\u003e He is called more than just a graffiti artist; he is an icon of our time.\u003cbr\u003e His work attracts everyone's attention, anytime, anywhere.\u003cbr\u003e Even those who aren't interested in art will find themselves listening to the news of Banksy's new work.\u003cbr\u003e I wonder what kind of painting it will be this time, and if someone has stolen it again.\u003cbr\u003e When we think of Banksy, we often think of the shabby walls of the city where he created numerous masterpieces.\u003cbr\u003e In his hands, the images cried, laughed, and raged. \u003cbr\u003eWhile works with price tags of millions and tens of millions of dollars flaunt their value in pristine white galleries that seem to have no dust, Banksy's works have dug deep into our lives on the streets of the cities where we go about our daily lives.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· Western art history reinterpreted through Banksy's perspective\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 《Reading Western Art History through Banksy》 focuses on Banksy's works that reinterpret masterpieces of Western art history. \u003cbr\u003eThrough renowned art masterpieces like Leonardo da Vinci's \"Mona Lisa,\" Johannes Vermeer's \"Girl with a Pearl Earring,\" and Auguste Rodin's \"The Thinker,\" this book delves into why Banksy was drawn to these works and what they convey. Kelly Grovier, a columnist and feature writer for BBC Culture and the author of numerous bestselling books, draws on the long-standing discourse in art history, \"The End of Art,\" to explore this point, stating in her introduction:\u003cbr\u003e “The responsiveness of art is actually a key element that defines art.\u003cbr\u003e Because art is essentially a discourse and interdependent relationship between the past and the present. \u003cbr\u003eIf you don't respond to the old, the conversation will stop, and eventually, art will die… By manipulating a tiny part of Géricault's work, Banksy made a subversive statement, leaving an indelible mark on the very foundation of the work.\u003cbr\u003e This friction, the aesthetics of the paradox where the present creates the past, is precisely why I wrote this book.” In other words, Banksy’s work emphasizes that he is not simply reinterpreting masterpieces, but rather writing a new history by drawing out the potential inherent in masterpieces.\u003cbr\u003e This is also why we must read Western art history through Banksy.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· From Michelangelo to Damien Hirst.\u003cbr\u003e Chronological composition of art history.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eWhile existing books on Banksy have focused on introducing his work and the messages it conveys to our society, \"A History of Western Art Through Banksy\" delves deeper, focusing on the relationship between his work and the masterpieces of art history that formed its roots.\u003cbr\u003e Therefore, this book is organized in chronological order of Western art history to facilitate easy understanding of the subject matter.\u003cbr\u003e Beginning with the prehistoric Lascaux Cave Paintings, the world's first work of art, masterpieces of art history that illuminated the era, including Michelangelo, Van Gogh, Monet, Andy Warhol, Jean-Michel Basquiat, and Damien Hirst, will appear in large numbers.\u003cbr\u003e While reading the book, readers can naturally learn about Banksy's work as well as the history of art.\u003cbr\u003e Of course, since it consists of one article per topic, you can open it and read it in whichever way you like. \u003cbr\u003eIf you want to read the book in a more three-dimensional way, I recommend grouping it by topic.\u003cbr\u003e Banksy's work can be broadly categorized into four themes: 'the essence of art', 'capitalism', 'war and terrorism', and 'the ills of modern society'.\u003cbr\u003e Let's look at each topic in more detail with some examples.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· I.\u003cbr\u003e All art is valuable: Lascaux Cave Paintings\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e First, the prehistoric work of art, the Lascaux Cave Paintings (page 18), which is considered the first art in human history, marks the beginning of the book.\u003cbr\u003e This work is often used as an introduction in Western art history books, and is interpreted as depicting animals for the purpose of record and magic, and hands to express the self.\u003cbr\u003e There are also parts that are passed over as 'just graffiti by primitive people on a cave wall, huh?'\u003cbr\u003e But in Banksy's eyes, there seems to have been no better work to demonstrate his artistic beliefs. \u003cbr\u003eBy painting a sanitation worker with a pressure washer on the Lascaux cave paintings, he expressed his condolences for the works that were lost due to the ignorance of art and questioned the short-sighted attitude of public officials who regard graffiti as nothing more than urban graffiti.\u003cbr\u003e Why are the Lascaux cave paintings so great and graffiti a social evil?\u003cbr\u003e Is true art only when it hangs on a pristine white gallery wall?\u003cbr\u003e Banksy has made us think again about what true art is by putting his work on the same level as the first works of art in human history. \u003cbr\u003eIn addition, Banksy sharply delves into the essence of art through works such as “God of the Hunt Statue” (p. 34), which installed a fake sculpture in the British Museum and went undetected for two weeks, greatly embarrassing the museum officials; “Idiots” (p. 76), which ridicules the overheated art market by saying, “I can’t believe you idiots are actually buying this garbage”; and “Girl with Balloon” (p. 128), which was torn to pieces in a shredder pre-installed inside the frame the moment the auction was sold.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· II.\u003cbr\u003e Consumption will set you free: Raphael's Crucifixion\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e It is no exaggeration to say that the painting 'Crucifixion', which depicts the scene of Jesus Christ being crucified for the salvation of mankind, is the most frequently treated subject in Western art history. \u003cbr\u003eThe image of Jesus, with his hands and feet nailed to a large cross and his head bowed to one side, evokes an exquisite beauty between the suffering of a human being and the sublimity of a Son of God.\u003cbr\u003e At his feet are usually depicted figures such as the Virgin Mary, Mary Magdalene, and John the Baptist.\u003cbr\u003e They are depicted as mourning over Jesus' death, weeping, or praying toward the cross.\u003cbr\u003e Banksy displayed tremendous wit in this moment of peak pathos.\u003cbr\u003e The 2006 work “Sale Ends Today” (page 44) will make you burst out laughing the moment you see it.\u003cbr\u003e This is because the phrase “Sale ends today” has taken the place where the cross should have been.\u003cbr\u003e It's as if we're counting down the days before a sale, anxiously putting items in our carts to avoid missing them, or preparing for an \"open run\" the day before when we hear news of a limited edition product being released. \u003cbr\u003e“Christ with a Shopping Bag” (page 56) goes a step further and shows Jesus hanging from a shopping bag instead of on the cross.\u003cbr\u003e Typical icons of consumer society are visible on the shopping bag, including champagne, Mickey Mouse dolls, and Christmas candy.\u003cbr\u003e It's such a radical sight that I feel like I've committed an act of disrespect.\u003cbr\u003e These two works have often been seen as critiques of capitalism and consumerism.\u003cbr\u003e But author Kelly Grovier offers a new interpretation, borrowing Banksy's words.\u003cbr\u003e “Until capitalism collapses, we cannot make any attempt to change the world.\u003cbr\u003e “We have to shop to comfort ourselves during this time.” We have been saved from this capitalist world thanks to consumption. \u003cbr\u003eIn addition to this, Banksy has taken a swipe at the capitalist society we live in through works such as “Show Me the Monet” (page 112), which shows him throwing a shopping cart into Claude Monet’s beautiful water lily pond, “The Day Laborer” (page 92), which shows him giving cigarettes to gleaners by Jean-François Millet, and a 2012 work (page 148) that criticized child labor exploitation through Salvador Dali’s surrealistic sewing machine.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· III.\u003cbr\u003e We Are Not in the Same Boat: The Raft of the Medusa by Théodore Géricault\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The theme that Banksy has consistently raised in his work over the past 30 years is ‘war and terrorism.’\u003cbr\u003e Representative examples include “Love is in the Air” (page 26), which depicts protesters holding flowers and is the first work that comes to mind when we think of Banksy, and “David in Bulletproof Vest” (page 38), which depicts David, the hero who defeated the giant Goliath with a small slingshot and pebbles, wearing a bulletproof vest. \u003cbr\u003eBanksy also built the \"Walled Off Hotel\" in 2017 near the separation barrier that divides Israel and the Palestinian territories in the West Bank, to make the world aware of the cruelty of war (it was actually a hotel with 10 rooms, and the interior was filled with his works exposing the cruelty of war).\u003cbr\u003e Theodore Géricault's The Raft of the Medusa (page 80) and JMW\u003cbr\u003e The 2015 and 2017 works, which reinterpret Turner's \"Slave Ship\" (p. 88), directly address the refugee problem caused by constant international conflict and civil war.\u003cbr\u003e At first glance, both works appear to be not very different from the original.\u003cbr\u003e But it doesn't take long to realize how much of a resonance a small detail can have. \u003cbr\u003eAs they desperately send out rescue calls, clinging to a crumbling raft, a luxurious yacht complete with its own helipad passes by, its face adorned with a chillingly cold message: “We are not all in the same boat.”\u003cbr\u003e The Mediterranean Seascape, set against the backdrop of a beautiful sunset, is filled with lost life jackets.\u003cbr\u003e Where are the people wearing life jackets?\u003cbr\u003e Life jackets, as red as the sunset, are constantly being washed up on the shore in an eerie manner.\u003cbr\u003e In addition, there are works that mourn the victims of the indiscriminate shooting incident at the Bataclan theater in Paris in 2015 (page 96) and works that depict a World War II hero who ended his life miserably due to depression, survivor's guilt, and alcoholism (page 156).\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· IV.\u003cbr\u003e Penetrating the ills of modern society: Rembrandt's \"Self-Portrait\"\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eFinally, we introduce works that address the ills of modern society that plague us in every aspect of our daily lives.\u003cbr\u003e Banksy's 2009 reinterpretation of Rembrandt van Rijn's Self-Portrait at Age 63 (p. 68) is a truly eye-poppingly brilliant idea.\u003cbr\u003e And the author's analysis of this is also admirable.\u003cbr\u003e Banksy added googly eyes to a self-portrait of an old master.\u003cbr\u003e The once profound gaze turned into spinning black eyes and stared at us.\u003cbr\u003e This brings to mind Google, a multinational technology company whose name itself monitors our every move.\u003cbr\u003e Unfortunately, we live in a world where “if it’s not on Google, it doesn’t exist.”\u003cbr\u003e About this, the author says: \u003cbr\u003e“If Rembrandt’s portraits, which believed in the power and passion of the gaze, symbolize an era that sought to see deeper and further, Banksy’s Googly self-portraits capture an era in which the gaze is captivated by blue light that makes one shrink into one’s own world within the screen.” This cannot be said to be anything other than an exquisite interpretation that penetrates the core of the work. \u003cbr\u003eIn addition, this book introduces a variety of works, including “Sunflowers at a Gas Station” (p. 108), which reinterprets Vincent van Gogh’s work to point out the international environmental pollution problem caused by oil, “Are You Still Using That Chair?” which depicts the depression and alienation of modern people through Edward Hopper’s representative work “Nighthawks” (p. 152), and “Virginia Lynch Mob” (p. 184), a work by Kara Walker, famous for her silhouette technique, which depicts a real estate developer swinging an upward, blood-red stock price trend line like a whip, depicting the phenomenon of the rich getting richer and the poor getting poorer.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA Journey that Expands the Horizons of Art History: A History of Western Art Through Banksy\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In a 2009 piece, Banksy quoted Picasso's famous quote:\u003cbr\u003e “Bad artists copy, great artists steal.” Then he erased Picasso’s name engraved underneath the phrase and engraved his own name. \u003cbr\u003eIs Banksy a great artist or a thief?\u003cbr\u003e Are they dirty rats that mar the cityscape, or are they icons of our time that will forever be remembered in history?\u003cbr\u003e One thing is certain.\u003cbr\u003e Banksy's reinterpretation of the masterpieces of his time has brought back to people a primal energy and a sharp sense of urgency that they had long since lost.\u003cbr\u003e Banksy never defaces or disparages the works he has created.\u003cbr\u003e Rather, he is nothing less than a savior who saves the work.\u003cbr\u003e And through “Reading Western Art History with Banksy,” we will join him on his journey to blossom the potential inherent in his works and broaden the horizons of art history. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 1, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 208 pages | 824g | 186*246*26mm\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791197995552\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1197995552 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894764961834,"sku":"108323","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/b9a9ec3c0fca330440edcbef312c2736.jpg?v=1765445354"},{"product_id":"108328","title":"The aesthetics of mourning ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqVWUm8s55fSZBP544L0WmQUMY.png?v=1765107893\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The aesthetics of mourning \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/141230053\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003e\"The Aesthetics of Mourning\" is an art essay that analyzes recurring social problems such as indiscriminate killings in war, immigration policy conflicts, child abuse, and gender-based violence, as well as the lives of the vulnerable victims, through the eyes of contemporary artists and philosophers.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Author Han Seon-ah, who majored in aesthetics and philosophy, introduces contemporary art that reflects on those who died unjustly, traces and recreates their disappearance, and persistently uncovers and presents the miserable truth of life that we have never seen or known, and enriches its content with various philosophical theories.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e To this end, nine important thinkers of the time (Judith Butler, Noam Chomsky, S. \u003cbr\u003eThe theories of Matthew Liao, Rebecca Jinks, Kim Hyun-kyung, Jasbir Pua, Martha Nussbaum, Robert Sklott, and Roberto Esposito were mobilized, along with the works of 14 artists (Teresa Margolese, Mona Hatoum, Harun Farocki, Boram Lee, Yoonkyung Lim, Forensic Architecture, Ito Barada, William Pope L, Carolyn Lazard, Kangseung Lee, Colin Wagner, Jenny Holzer, Hyejin Cho, and Seon Choi).\u003cbr\u003e\u003cbr\u003e By intensely following the perspectives of those who analyze vulnerability and nonviolence, media and propaganda, child abuse and care, genocide and representation, human rights and humanity, disability and disabling, homosexuality and humanity, sexual violence and wartime rape, and immigration and migration, I believe that a part of the world we have not seen and known will reach everyone, and a better tomorrow will unfold.\u003cbr\u003e\u003cbr\u003e Right now, right here. \u003cbr\u003eIt is time to seriously explore the construction and imagination of a warm and caring world that can be reshaped for the marginalized, away from a world filled with hatred, discrimination, and violence.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Scream in the Song of the West Gate\u003cbr\u003e\u003cbr\u003e \u003cb\u003e1.\u003cbr\u003e The Cycle of Vulnerability: Vulnerability and Nonviolence\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Judith Butler and Teresa Margolese\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2.\u003cbr\u003e Spring of Invasion: Media and Propaganda\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Noam Chomsky, Mona Hatoum, and Harun Farocki\u003cbr\u003e\u003cbr\u003e \u003cb\u003e3.\u003cbr\u003e Abandoned Forest: Child Abuse and Care\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e S.\u003cbr\u003e Matthew Liao, Lee Bo-ram, and Lim Yoon-kyung\u003cbr\u003e\u003cbr\u003e \u003cb\u003e4.\u003cbr\u003e The Hierarchy of Tragedy: Mass Murder and Representation\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Rebecca Jinks and Forensic Architecture\u003cbr\u003e\u003cbr\u003e \u003cb\u003e5.\u003cbr\u003e Uprooted Flowers: Human Rights and Humanity\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Kim Hyun-kyung, Ito Barada, and William Pope L.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e6.\u003cbr\u003e The Ultimate One: Disability and Disability\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Jasbir Puah and Carolyn Lazard\u003cbr\u003e\u003cbr\u003e \u003cb\u003e7.\u003cbr\u003e A History of Love: Homosexuality and Humanity\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eMartha Nussbaum and Lee Kang-seung\u003cbr\u003e\u003cbr\u003e \u003cb\u003e8.\u003cbr\u003e Disappearing Bodies and Leftover Bones: Sexual Violence and Wartime Rape\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Robert Sklott, Colin Wagner, and Jenny Holzer\u003cbr\u003e\u003cbr\u003e \u003cb\u003e9.\u003cbr\u003e Philosophy for Butterflies: Immigration and Migration\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Roberto Esposito, Jo Hye-jin, and Choi Seon\u003cbr\u003e\u003cbr\u003e For all the misery I never knew about\u003cbr\u003e Biographical Index\u003cbr\u003e List of illustrations\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5094\/MidCate009\/509381164.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The choices given to us, who live like shackles in a system without autonomy, are to be affectionate, to be aware, and in doing so, to save someone.\u003cbr\u003e That simple heart gives life to those who earnestly wait for salvation.\u003cbr\u003e A life extension achieved through a single glance or gesture.\u003cbr\u003e Humans, who gain the strength to live from the caress of warm hands, are so vulnerable and strong.\u003cbr\u003e\u003cbr\u003e --- p.8~9\u003cbr\u003e \u003cbr\u003eA good life leads to an honorable death, and if you trace back a miserable death, you find an equally miserable life.\u003cbr\u003e Death feels like a fateful ending that happens to everyone, but the way it happens is never equal.\u003cbr\u003e Therefore, being able to plan one's own life and death is a privilege.\u003cbr\u003e\u003cbr\u003e --- p.12\u003cbr\u003e\u003cbr\u003e Media that conveys a reality riddled with holes through deliberate excision and selective reinforcement.\u003cbr\u003e Through its operation, we are only able to hear the remnants of tragic events and news of wars unfolding in distant lands, both physically and in content, with a double distance between them.\u003cbr\u003e We keep becoming more and more heartless.\u003cbr\u003e Who conveyed what tragedy, what violence was hidden to make us so heartless?\u003cbr\u003e --- p.32\u003cbr\u003e\u003cbr\u003e Children are weak beings who just want to be loved. \u003cbr\u003eIt's sad that the world some children can live in is all they can have, with their weaknesses being trampled on instead of receiving the love they deserve.\u003cbr\u003e The right to be loved, the right to grow up healthy, the right to move forward with dreams and hopes as a stepping stone.\u003cbr\u003e Children are beings who have the right to do so.\u003cbr\u003e\u003cbr\u003e --- p.51\u003cbr\u003e\u003cbr\u003e It takes great courage to be able to write the immense sorrow into one's own world by knowing, remembering, and not forgetting a tragic event.\u003cbr\u003e Because paying attention to humanity's most difficult moments and willingly allowing ourselves to be influenced by them has not always been an easy choice.\u003cbr\u003e\u003cbr\u003e --- p.80\u003cbr\u003e\u003cbr\u003e When we look at a homeless person on the street with contempt, when we repeatedly complain about the inconvenience of our commute to work due to protests, when we fragment someone fighting for their rights in a fragmented article into a mere inconvenience. \u003cbr\u003eWith each moment of hospitality, the soul of a being is stripped away and stripped away, and he witnesses the sand disappearing inch by inch from the island he has built.\u003cbr\u003e --- p.90\u003cbr\u003e\u003cbr\u003e The daily routine that repeats itself every day was not interpreted in the same way by everyone.\u003cbr\u003e For some, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday meant the invariable return of medication time, the hassle of visiting the hospital for regular checkups, and implied having to spend 3.3 times longer and travel 18 times more distance to transfer subways while in a wheelchair.\u003cbr\u003e That's how you spend a certain amount of time each day caring for yourself, how five minutes, three hours, eight years of your life pass by between the piles of pill bottles and the discarded syringes.\u003cbr\u003e The fragments of delayed time forced someone's life to flow one step slower.\u003cbr\u003e\u003cbr\u003e --- p.102\u003cbr\u003e \u003cbr\u003eThere may be unknown love, but there can be no such thing as fake love.\u003cbr\u003e Ultimately, denying someone's love was only exposing the limited categories of love that one knew.\u003cbr\u003e\u003cbr\u003e --- p.129\u003cbr\u003e\u003cbr\u003e Those who replace \"something that should never happen\" with \"something that never happened,\" and who use the very inexplicability of a tragedy that no one can explain to neutralize efforts to uncover the truth.\u003cbr\u003e Because of them, the victims had to suffer alone, embracing even greater pain.\u003cbr\u003e\u003cbr\u003e --- p.149\u003cbr\u003e \u003cbr\u003eWhat did we really know about these strangers? Weren't they truly \"humans\" like all of us? Were they not humans, learning a new language, seeking the best way to adapt to their given environment, and ultimately contemplating and contributing to a society worthy of our existence? These questions about travelers who come seeking help ultimately turn into a question: whether the power of nationality alone grants us the right to interfere with the lives of others who move in pursuit of freedom and well-being.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.183\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eWhat we have not seen and what we have not known\u003cbr\u003e May some part of the world reach everyone\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e From morning to night, we are bombarded with news through TV, radio, messengers, or word of mouth. \u003cbr\u003eAmong them, there is one keyword that is heard particularly frequently: ‘death.’\u003cbr\u003e There is not a single day that goes by without hearing news of death.\u003cbr\u003e Children abused to death by their parents, unidentified people who died alone in poverty, women murdered or burned alive after repeated gang rapes, countless corpses strewn across the streets during wartime… Death had become something both common and rare, something familiar and shocking.\u003cbr\u003e In a world where death is repeated without reflection, how should we live?\u003cbr\u003e\u003cbr\u003e Unconditional hostility toward others, discrimination against those who are different from us, verbal abuse and violence directed at the weak using power and authority as weapons, etc. have taken away some people's dreams and hopes, and eventually caused them to give up on life.\u003cbr\u003e Haven't we always kept a double distance from the tragedies of others? \u003cbr\u003eWe are becoming increasingly heartless, passing over the pain and violence that are not ours with a sigh of regret, and leaving only the easy pity that we cannot know all the despair in this world, so it is okay to ignore some sorrows.\u003cbr\u003e Why have we become so heartless? Who made us so heartless?\u003cbr\u003e\u003cbr\u003e Author Han Seon-ah majored in art and philosophy at the University of the Arts London, where she developed a keen interest in Judith Butler's theories and wrote a thesis on Butler's theory of vulnerability.\u003cbr\u003e Now, we want to take the lead in highlighting social issues occurring everywhere and telling the stories of the vulnerable victims.\u003cbr\u003e In this book, which will serve as a starting point, I bring together my own story, the theories of thinkers, and works of art that most beautifully represent the voices of the underprivileged without being detached from reality. \u003cbr\u003eAs the author argues, we should no longer view someone's unjust death as an unfortunate and accidental occurrence of an individual incident. We urgently need a new way of thinking that sheds light on the unjust deaths of the marginalized as the comprehensive result of institutional problems and repositions them within the realm of responsibility.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eI am optimistic that the world will become a little more livable.\u003cbr\u003e A chorus of sentences, works, and ideas that have emerged\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book categorizes social problems that frequently occur around the world into nine themes, and includes the theories of thinkers supporting each theme and the works of artists who beautifully visualize them.\u003cbr\u003e\u003cbr\u003e American philosopher and gender theorist Judith Butler names the fundamental reality of life—that we can all die at any time—“vulnerability,” and develops a political philosophy theory centered on this and a gender theory centered on performativity. \u003cbr\u003eThe work that most sensuously suggests the visual possibilities of non-violent solidarity based on his precarious politics and their interdependence is “In the Air” by Mexican contemporary artist Teresa Margoles.\u003cbr\u003e The soap bubbles that fill the exhibition space burst silently as they settle on the skin of the visitors.\u003cbr\u003e The moment it is revealed that the soap bubbles are made from the water used to wash the corpse, the soap bubbles that were falling in their most beautiful form turn into an unexpected terror.\u003cbr\u003e\u003cbr\u003e Noam Chomsky, the greatest critic of our time and considered the father of modern linguistics.\u003cbr\u003e With remarkable insight, he examines whose thoughts and opinions can be expressed in the public sphere in today's society, and the intangible structures within which that right is determined. \u003cbr\u003eIn this way, Mona Hatoum, the writer who presents the reality of those who are eternally suspended in the gap between media reports and reality, through powerful images, seeks to correct the distorted reality by translating the language of pain into faint breaths in “The Negotiation Table.”\u003cbr\u003e\u003cbr\u003e London-based historical theorist Rebecca Jinks makes it clear that the reenactment of numerous massacres is a phenomenon that has been repeated within the paradigm of the Holocaust.\u003cbr\u003e And forensic architecture, which brought the story of Tantura, a small Palestinian fishing village where the actual massacre occurred, to the world, continues its work through architectural testimony.\u003cbr\u003e The work of these people, who piece together the fragments of tragedy perceived by languageless objects into a single puzzle, offers comfort to those who died unjustly, offering them a place of eternal rest like a belated memorial tablet.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eAnthropologist Kim Hyun-kyung argues that being a \"human\" is a kind of qualification, and that \"hospitality\" is what allows us to confirm that we are maintaining our qualifications as a human being.\u003cbr\u003e A work that evokes traces of people being 'deprived' of their place with the opposite dynamic is Ito Barada's photographic series \"Sleepers.\"\u003cbr\u003e The subjects in the photograph were scattered like symbols that visually exemplified the beings that Kim Hyun-kyung wanted to describe in her writing: those who were not allowed to sit, those who were not allowed to settle down, and those who had to keep falling like uprooted flowers.\u003cbr\u003e \u003cbr\u003eIf we follow the gazes of thinkers and artists who have fiercely analyzed issues like vulnerability and nonviolence, media and propaganda, child abuse and care, genocide and representation, human rights and humanity, disability and incapacitation, homosexuality and humanity, sexual violence and wartime rape, and immigration and migration, won't we one day discover a world worth dreaming of, a world like that? \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 22, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 208 pages | 284g | 120*205*12mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791192768311\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1192768310 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894765223978,"sku":"108328","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/3d16a4757fd8c420eedfe3c8244322da.jpg?v=1765445368"},{"product_id":"108333","title":"Finding Your Way in Multicultural Film ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWhAvtmEMZy0GtxHqSztYTePj.png?v=1765107914\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Multiculturalism Finds Its Way in Film \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/141229943\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“Nevertheless, when we eat together, we become stronger.”\u003cbr\u003e By reading familiar movies with objective data, we can redefine ‘Koreans in the multicultural era.’\u003cbr\u003e Seeking an 'identity of coexistence'\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e There are still many people who find it difficult to accept that South Korea is a multicultural society or a multicultural nation. \u003cbr\u003eHowever, in 2025, South Korea will have truly entered the stage of establishing a multicultural society.\u003cbr\u003e As of 2023, the number of foreigners reached 2.46 million, breaking the record high following 2.26 million in 2022.\u003cbr\u003e The proportion of the total domestic population also reached 4.8%, the highest ever.\u003cbr\u003e According to the Organization for Economic Cooperation and Development (OECD) standards, Korea's entry into a multi-ethnic, multicultural nation (more than 5% of the total population) could occur as early as 2025, or even this year, due to the decrease in the number of indigenous Koreans and the increase in multicultural immigrants.\u003cbr\u003e Furthermore, it is projected that by 2030, nearly 10% of the total population will be members of multicultural families.\u003cbr\u003e\u003cbr\u003e In the \"multicultural nation of South Korea,\" which we have unconsciously become increasingly close to and which we can never escape, what attitude should we have, what should we do, and how should we act? Some people, with their expert theories at their forefront, coolly formulate and argue for answers to these questions, making compelling arguments.\u003cbr\u003e Of course, their story is not wrong. \u003cbr\u003eRather, it is closer to the side where it absolutely has to be that way.\u003cbr\u003e However, there is a clear difference in temperature between the duty accepted with the head and the understanding embraced with the heart.\u003cbr\u003e Moreover, the news of crimes and accidents committed by European refugees and foreigners in Korea that we hear about almost every day is frightening, and while I sympathize with those who say they cannot run a business without foreign workers, I am also anxious that one day they will take away my and my family's jobs, land, home, and everything else.\u003cbr\u003e So it is natural that it leads to the accusation, “You can say that because you will not be robbed by them and you will not be neighbors with them.”\u003cbr\u003e\u003cbr\u003e This book empathizes with the fears and anxieties that ordinary citizens of the Republic of Korea inevitably feel.\u003cbr\u003e In a multicultural society, those who actually have to live next to them are ordinary people. \u003cbr\u003eA multicultural society that is dynamic, harmonious, and safe, full of diversity, is possible only when ordinary people understand, acknowledge, and practice it.\u003cbr\u003e So this book borrows content from movies and dramas that are familiar to everyone.\u003cbr\u003e Through 13 films and dramas, he explains in detail why the future survival of the Republic of Korea depends on a multicultural society, why differences are not wrong, that unfamiliarity is not something to be afraid of, that the Korean people no longer need to be one nation, that in the multicultural era, a nation is itself a citizen, and what kind of national identity we must establish anew to coexist.\u003cbr\u003e However, this does not mean that it is a story about grasping at clouds without any realism.\u003cbr\u003e We propose a rational and realistic direction based on actual statistical data.\u003cbr\u003e \u003cbr\u003eUltimately, what this book is trying to say is that in this multicultural era, everyone who wants to live together in this land is 'Korean.'\u003cbr\u003e In other words, what ethnicity you are, what skin color you have, and what country you come from are not the conditions for national identity that we must have in an era of coexistence. The truth is that the future of the Republic of Korea and all of us will become stronger when we break the shell of our long-held, unified national identity and extend a hand of solidarity.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “Nevertheless, when we eat together, we become stronger.” The question that director Ken Loach raised through [My Old Oak] is in line with the theme of this book.\u003cbr\u003e You don't have to make up your mind too much.\u003cbr\u003e Between stories of laughter and tears, wounds and healing, how about we find a way together to live in a multicultural era where differences do not become discrimination?\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e  \u003cli\u003eYou can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e prolog\u003cbr\u003e Their lives as seen through movies and dramas - our lives\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1: Always by our side, multicultural families\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The Reality of Multicultural Families in Korean Society [Wandeukie]\u003cbr\u003e [My Little Hero] Free on stage\u003cbr\u003e To break the stereotypes about international marriage, [Hanoi Bride]\u003cbr\u003e Identity Confusion among Multicultural Second Generations [Deokgu]\u003cbr\u003e Beyond Differences: An Interview with Director Bang Soo-in\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2: Those Who Come to Korea: Refugees or Immigrants\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Our Perspective on Refugees [My Old Oak]\u003cbr\u003e A message of encouragement to two girls dreaming of happiness [Seri and Haru]\u003cbr\u003e A poignant message in a delightful immigrant story [Welcome? Welcome!]\u003cbr\u003e Not the Peripheral, but the Protagonist - Interview with Director Yuk Sang-hyo\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3: Traces of Our Once Foreignerhood\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Koreans Jumping into the Melting Pot of Race [Minari] \u003cbr\u003eDiscovering Multiculturalism in Korea's Painful Modern History [Ode to My Father]\u003cbr\u003e Cultural Dissonance, Cultural Clash, and Coexistence [Farewell]\u003cbr\u003e The Heart of a Reverse Mind - An Interview with Director Yoon Je-kyun\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 4: Disorder or Other Order, Space of Diversity\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [The Outlaws], a psychological wariness against strangers\u003cbr\u003e Fear of Multiculturalism: Will It Eat Us Up? [My Beautiful Laundry]\u003cbr\u003e Now a natural landscape [Colorful Weddings]\u003cbr\u003e Our Neighbors, Not Strangers - An Interview with Director Kang Yoon-seong\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 5: The Multicultural Nation of Coexistence We Must Create\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Epilogue\u003cbr\u003e Multiculturalism is with us now.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5109\/MidCate010\/510891380.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e As we approach the stage of becoming a multicultural nation, ethnic nationalism could easily become an obstacle.\u003cbr\u003e If we emphasize race and ethnicity, we will face inherent limitations.\u003cbr\u003e What is the standard by which we can become beyond you and me? \u003cbr\u003eThroughout history, nationalism has been a very effective tool for uniting different ideas and values, starting with the patriotic enlightenment movement in the early 1900s, and continuing in movements for independence, unification, and industrial development.\u003cbr\u003e Fortunately, due to the fact that South Korea is virtually an isolated island nation, there has been little conflict with the outside world and thus little cultural contact or cultural fusion resulting from such conflict, so the tool worked well functionally.\u003cbr\u003e\u003cbr\u003e Now that international movement has become free, we need to acknowledge the concept of nationalism as a multi-ethnic and multicultural nation, rather than emphasizing a uniform national identity.\u003cbr\u003e In this process, we must also abandon the deeply ingrained mindset of ranking immigrants by their country, race, skin color, and origin, even though we outwardly deny it.\u003cbr\u003e --- p.32\u003cbr\u003e\u003cbr\u003e Deok-gu and Deok-hee were born in Korea, have Korean ancestry, and have lived in Korea for most of their lives. \u003cbr\u003eVanessa, a mother who holds Korean citizenship and speaks Korean.\u003cbr\u003e Until now, our society has defined only those with Korean ancestors as Korean.\u003cbr\u003e These definitions of national identity need to change as society rapidly transitions into a multicultural society.\u003cbr\u003e Until now, we have placed great importance on ethnic national identity and not much need for civic national identity.\u003cbr\u003e But Deok-gu and Deok-hee, as well as Vanessa, are Korean.\u003cbr\u003e --- p.56\u003cbr\u003e\u003cbr\u003e The situation in South Korea is not much different.\u003cbr\u003e Although they are friendly towards immigration policy, they are extremely negative towards refugee policy.\u003cbr\u003e As described, the doubt begins with whether they are real refugees or immigrants pretending to be refugees.\u003cbr\u003e Furthermore, I am concerned about whether people who were born and raised in places with very different religious and cultural backgrounds, such as Muslims and Africans, can truly assimilate into our society. \u003cbr\u003eEven so, solidarity with the weak is an absolutely essential agenda for the development of the Republic of Korea.\u003cbr\u003e We must reach out to refugees, for example, those who have come to Korea to escape political persecution.\u003cbr\u003e [My Old Oak] also shows the limits and future of social values ​​through the conflict between workers and refugees, or in other words, the discord between the weak and the weak.\u003cbr\u003e At the center of it all is ‘solidarity.’\u003cbr\u003e --- p.81\u003cbr\u003e\u003cbr\u003e In December 2023, media outlets reported in their headlines expressions such as “Blue-eyed Korean,” “Blue-eyed Doctor,” and “Blue-eyed Innovation Committee Chairman.”\u003cbr\u003e The Press Ethics Committee determined that the articles in question violated the \"Prohibition of Discrimination and Prejudice\" clause of the Newspaper Ethics Implementation Guidelines and the \"Responsibilities of the Press\" clause of the Newspaper Ethics Code. \u003cbr\u003eAccording to the 'Prohibition of Discrimination and Prejudice' clause of the Code of Newspaper Ethics, reporting that incites conflict or hatred between regions, classes, genders, races, or religions is prohibited, and individuals or groups are not discriminated against based on this.\u003cbr\u003e Looking at the 'Responsibilities of the Press' clause of the Code of Newspaper Ethics, the press actively strives to form diverse public opinion and protect and expand the fundamental rights of the people.\u003cbr\u003e The Press Ethics Committee found that the conventional expressions that distinguished races by skin and eye color at the time contained hidden discrimination and prejudice.\u003cbr\u003e\u003cbr\u003e The Press Ethics Committee argued that “Professor In-yo Han, who acquired Korean citizenship through Western descent, was symbolically depicted with ‘blue eyes,’ one of the anthropological characteristics of the white race, but such a depiction could easily be perceived as a racist expression and runs the risk of promoting discrimination and prejudice.” \u003cbr\u003eAlso, “Even if it was not a derogatory expression but a good intention, it is not desirable to report in a way that emphasizes the differences in racial colors and excludes foreigners who have naturalized in Korea by distinguishing them from us,” he said. “Such expressions can also be interpreted as containing a view on how Professor In-yo Han, as a foreigner, can assimilate into the Korean political climate, and it could also serve as a factor in giving a negative image of his future activities or trivializing them.”\u003cbr\u003e Just as we prioritize social responsibility over freedom of expression for people with disabilities, we should not easily tolerate any expression that differentiates people based on racial differences on the grounds of convention.\u003cbr\u003e --- p.141\u003cbr\u003e \u003cbr\u003eBy city and county, Bucheon City in Gyeonggi Province had the most households with 4,844 households, and Ansan City had around 4,581 households, to the point where statements like, \"Honey, a foreigner bought the house next door... This is the neighborhood with the most Chinese landlords\" seem like blatant bias that is out of touch with reality.\u003cbr\u003e Next, Suwon had 3,251 households, Siheung had 2,924 households, and Pyeongtaek had 2,804 households, which were the most foreign homeowners.\u003cbr\u003e In addition, the area of ​​domestic land owned by foreigners showed a high growth rate between 2014 and 2015, but the rate of increase slowed down from 2016 and has maintained a gradual growth trend to the present.\u003cbr\u003e --- p.193\u003cbr\u003e\u003cbr\u003e [My Beautiful Laundry] brought this vague sense of crisis to the surface.\u003cbr\u003e The clash of capital and race between the immigrant middle class and the indigenous lower class is no different from the fear of foreigners buying land and housing, which accounts for only 0.49% of the population.\u003cbr\u003e There is the discomfort of having to rent a house from a Chinese person, and the anxiety that the land and apartments will be transferred to foreign capital.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.195\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e\u003cb\u003ePublisher's Review\u003c\/b\u003e\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eA sneak peek at the director's interview\u003cbr\u003e\u003cbr\u003e [Deokgu] Director Bang Soo-in\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “Through this film, I wanted to convey the message that multiculturalism is not simply about acknowledging ‘differences,’ but rather about creating a broader and deeper ‘us’ through those differences.\u003cbr\u003e They felt that the multicultural society they envisioned in South Korea was one where children could live without discrimination or prejudice, a society built on understanding and empathy, and an environment where they could be financially independent even when their husbands were absent.”\u003cbr\u003e\u003cbr\u003e “I believe that it is most important to tell the story of multiculturalism as a ‘human’ story.\u003cbr\u003e “We need to move beyond stereotypical images of certain nationalities or occupations and instead portray them as mere victims or sufferers, we need to deeply understand the diverse aspects of their lives and illuminate their lives as human beings.”\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Hello? Hello!] Director Yuk Sang-hyo\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e“I don’t like the term ‘multicultural’.\u003cbr\u003e The moment we create a term, discriminatory thoughts creep in.\u003cbr\u003e All terms, such as multicultural family, multicultural children, and multicultural marriage, can attach discriminatory levels.\u003cbr\u003e I believe that eliminating the term “multiculturalism” is the beginning of eliminating discrimination.\u003cbr\u003e The United States records parents' ethnic and racial backgrounds, but does not call them all multicultural.\u003cbr\u003e Even if a family has a mother from Vietnam, why not call it a multicultural family? It's more reasonable to call the mother Vietnamese.\u003cbr\u003e “It is better to record the facts as they are than to make up new terms.”\u003cbr\u003e\u003cbr\u003e “I made the film in the hope that it would make people feel a little more friendly towards foreigners and immigrants.\u003cbr\u003e They didn't come to Korea just to work and send money back to their home country. \u003cbr\u003e“The goal was to have more people understand that we are all here to have fun and live happily, and to share this understanding.”\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Ode to My Father] Director Yoon Je-kyun\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “When I look at foreigners, migrant workers, and the countless foreigners who have married Koreans, I hope that people don’t just think about the person, but also think about their families.\u003cbr\u003e And if we think about our parents, grandparents, and grandparents who worked hard to earn money in a faraway foreign country half a century ago to support their families back home, wouldn't our feelings of disdain and discrimination against them disappear a little?\u003cbr\u003e\u003cbr\u003e “There is something that a foreigner says to Korean high school students who ignore foreign workers during their visit. \u003cbr\u003e\"If you live in Busan, you're from Busan! If you live in Korea, you're from Korea!\" Is there anything wrong with this? If you live in New York, what city are you from? Of course, you're from New York.\u003cbr\u003e If you were born in the United States, work, speak American, pay taxes for the United States, and live here, you should be considered an American.\u003cbr\u003e “I think what’s important is our warm gaze toward the multicultural people who live in this land, work in this land, speak Korean, and pay taxes in Korea, as neighbors no different from us.”\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[The Outlaws] Director Kang Yoon-seong\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “There is a scene in the latter half of the movie where Ma Seok-do and the detectives ask the Chinese people in the restaurant to ‘report any cases of damage or sightings of suspects.’\u003cbr\u003e Chinese compatriots living and doing business in Garibong-dong are reluctant to speak out for fear of retaliation, but Maseokdo says this. \u003cbr\u003e“I’m a resident here too, you know that.” What this scene was trying to say is that the perpetrator, the victim, and the police are all residents of the same community.\u003cbr\u003e “I think that thanks to Maseokdo’s sincere persuasion, the victims finally find the courage to help the police, and this shows the true face of multiculturalism.”\u003cbr\u003e\u003cbr\u003e “One thing we must constantly be mindful of is discriminatory terminology and language.\u003cbr\u003e Discrimination that arises from not understanding Korean, discrimination based on appearance, or discrimination based on culture is not just a joke or a teasing.\u003cbr\u003e If you're not careful, it could become a crime.\u003cbr\u003e Our society needs to become more mature and live with respect for one another.\u003cbr\u003e “I believe that media such as movies and dramas have a great responsibility to make that happen.” \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 13, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 236 pages | 128*188*20mm\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791187093329\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1187093327 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894765420586,"sku":"108333","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/d66b61e3e951c43c803833a669b1db81.jpg?v=1765445375"},{"product_id":"108338","title":"What Jazz Tells Me ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqVVO1YKZ5BBOpXVD5sQXeBy0F.png?v=1765107935\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e What Jazz Tells Me \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/140187961\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n \u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003eDescription \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e* Recommended by singer Kim Yoon-ah (Jaurim)\u003cbr\u003e * In an age of chaos and conflict, a jazz bassist delivers a profound message.\u003cbr\u003e * Jazz, a guide for those who don't know where to start or how to listen\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Even if you don't know much about jazz, there's probably no one who hasn't heard of it at least once.\u003cbr\u003e Jazz is a familiar music to our ears, as it is the main subject of movies such as Pixar's animation [Soul], the movie [Whiplash], and [Blue Giant], as background music in advertisements, and as background music in cafes.\u003cbr\u003e However, if you ask what kind of music jazz is, many people will tilt their heads in confusion.\u003cbr\u003e What kind of music is jazz, and where and how should I start listening to it?\u003cbr\u003e \u003cbr\u003eThis book is a record of reflections on the connection between life and jazz by Choi Eun-chang, a representative jazz bassist of our country and a jazz teacher at an art college, over the course of over 20 years of performing, and is also a jazz guide for those who want to learn about jazz and listen to it better.\u003cbr\u003e Singer Kim Yuna (Jaurim) recommended the book, saying, “What Jazz Tells Me” is a friendly introduction to jazz studies, and “for those who love jazz, it will be a friend who understands their heart, and for those who want to know more about jazz, it will be a great first notebook.”\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e Author's Note\u003cbr\u003e Prologue - A Few Things You Should Know About Jazz\u003cbr\u003e\u003cbr\u003e 01.\u003cbr\u003e\u003cbr\u003e What is Jazz\u003cbr\u003e\u003cbr\u003e 02.\u003cbr\u003e\u003cbr\u003e Swing Feel, kind of vague\u003cbr\u003e If there is a correct answer in swing feel [Basic Straight Ahead]\u003cbr\u003e\u003cbr\u003e 03.\u003cbr\u003e \u003cbr\u003eThe blues speaks to the world\u003cbr\u003e Some jazz makes believers [Crescent]\u003cbr\u003e\u003cbr\u003e 04.\u003cbr\u003e\u003cbr\u003e Improvisation is done in a moderately quick manner\u003cbr\u003e Let's do it our way [Double Rainbow: The Music of Antonio Carlos Jobim]\u003cbr\u003e\u003cbr\u003e 05.\u003cbr\u003e\u003cbr\u003e Get lost here and now\u003cbr\u003e They walked an unfamiliar road together [Footprints Live!]\u003cbr\u003e\u003cbr\u003e 06.\u003cbr\u003e\u003cbr\u003e The Art of Negotiation\u003cbr\u003e Different Thoughts [The Water Is Wide]\u003cbr\u003e\u003cbr\u003e 07.\u003cbr\u003e\u003cbr\u003e How to approach the barrier called jazz\u003cbr\u003e Overwhelming Difference [The Art Of The Trio vol.\u003cbr\u003e 4]\u003cbr\u003e\u003cbr\u003e 08.\u003cbr\u003e\u003cbr\u003e Playing jazz in Korea\u003cbr\u003e Jazz isn't locked in a museum [Music Evolution]\u003cbr\u003e\u003cbr\u003e 09.\u003cbr\u003e\u003cbr\u003e Having a style\u003cbr\u003e A style that is complete from the beginning [Word of Mouth]\u003cbr\u003e\u003cbr\u003e 10.\u003cbr\u003e\u003cbr\u003e Even though we are at odds with the times\u003cbr\u003e Focus, Focus, Focus [Waltz For Debby]\u003cbr\u003e\u003cbr\u003e 11.\u003cbr\u003e\u003cbr\u003e Walking in quarter notes\u003cbr\u003e One-third or more [We Three]\u003cbr\u003e\u003cbr\u003e 12.\u003cbr\u003e\u003cbr\u003e Again, what is jazz?\u003cbr\u003e\u003cbr\u003e Jazz artists featured in this book\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5041\/MidCate009\/504087669.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eRather, these are writings that show the process of struggling to get to the essence of jazz music, and leave behind personal realizations that can be considered tentative conclusions.\u003cbr\u003e As you read it, I hope that as you develop some positive and some negative opinions, your own answers to the question, \"What is jazz?\" will begin to take shape in your minds.\u003cbr\u003e And whenever a question arises that seems to be a bit vague, I think it would be incredibly satisfying if we could open our hearts and listen carefully to the question, 'Is that really true?'\u003cbr\u003e We who listen to jazz are people who observe with our ears and accept with our hearts.\u003cbr\u003e ---From the \"Prologue\"\u003cbr\u003e\u003cbr\u003e If you ever find yourself thinking, 'Should I listen to this album again after a long time?', then it's definitely a day when you want to ride the waves of pleasantly swaying rhythm. \u003cbr\u003eIt may have been a day when your heart feels calm, or on the contrary, it may have been a day when your heart feels very excited by the spring breeze.\u003cbr\u003e As soon as you press play, this album lives up to your expectations from the very first song.\u003cbr\u003e As I listen to a few truly impressive songs and the moderately impressive ones that fill the gaps between them, I find myself wondering, 'Is there anyone who can listen to music like this without nodding or bobbing their head?'\u003cbr\u003e It's quite special to rediscover music I already know, yet still feel the same level of satisfaction.\u003cbr\u003e\u003cbr\u003e ---「If there is a correct answer to swing feel, from [Basie Straight Ahead]」\u003cbr\u003e\u003cbr\u003e It is not an easy agreement, but a compromise after persistent negotiation, a struggle to acknowledge and accept beings different from me while not losing my own identity, and the unexpected results that come from that power struggle are the art of negotiation, the skill of negotiation, and in other words, jazz. \u003cbr\u003eBelatedly, I must hone my negotiation skills, if I may admit that this is the essence of jazz.\u003cbr\u003e ---From \"The Art of Negotiation\"\u003cbr\u003e\u003cbr\u003e Storytelling, maybe that's the essence of the blues.\u003cbr\u003e Storytelling is throwing my moderately polished story out into the world.\u003cbr\u003e I complete the lyrics with meaning, word by word, and then put a melody on top of them to share with the people.\u003cbr\u003e That was natural back when blues was still folk music, literally the music of the people.\u003cbr\u003e ---From \"Blues Speaks to the World\"\u003cbr\u003e\u003cbr\u003e In this age of visuals, jazz, which features complex harmonies, melodies, and rhythms played over long periods of time using acoustic instruments, is not easily resonant with many people. \u003cbr\u003eStill, the reason I go to jazz clubs every day and play with all my might is because I never gave up on the hope that I might meet one or two audience members who wholeheartedly embrace this music.\u003cbr\u003e Even though jazz is experiencing a conflict with the times, I still believe that there is great value in this music.\u003cbr\u003e ---From \"Even if we are at odds with the times\"\u003cbr\u003e\u003cbr\u003e It has already been several decades since jazz was gradually pushed out of the center of popular music.\u003cbr\u003e There was a time when a bass player with great quarter notes was welcomed by everyone, but now the world has become one where not many people appreciate their value. \u003cbr\u003eSo, am I truly living in the present, or am I vaguely reliving the glorious past? I mutter, \"There's a profound meaning here, though you might not be able to relate to it now.\"\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Walking in Quarter Notes\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e- Recommended by singer Kim Yoon-ah (Jaurim)\u003cbr\u003e - In an age of chaos and conflict, a jazz bassist delivers a profound message.\u003cbr\u003e - Jazz is an extremely social music.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Choi Eun-chang, a representative jazz bassist of South Korea, has published a book.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e There have been occasional jazz books written by jazz enthusiasts or jazz critics, such as 『Season of Jazz』, 『Jazz It Up』, and 『Jazz Over Rice』, but there are few books written by domestic jazz players that reflect on the music of jazz by linking it to their own lives, so jazz enthusiasts are very interested in them.\u003cbr\u003e\u003cbr\u003e The life of Choi Eun-chang, known as the best bassist in the Korean jazz scene, resembles jazz. \u003cbr\u003eAfter graduating from the Department of Social Education at Seoul National University, he majored in jazz at the University of North Texas Graduate School and began his career as a performer somewhat late in life.\u003cbr\u003e After graduation, he toured with bands across the country, including the Blue Note in New York.\u003cbr\u003e Since returning to Korea in 2005, he has played in several jazz bands and has also been a sideman for singer Kim Yuna for over ten years.\u003cbr\u003e He has also participated as a session musician in performances and albums by various artists, including Kim Deok-su, Sung Si-kyung, and Yiruma.\u003cbr\u003e In 2009, he formed the jazz funk band JSFA, produced two full-length albums and a single, and performed at many jazz festivals both domestically and internationally, including the Tokyo Jazz Festival, Seoul Jazz Festival, Jaraseom Jazz Festival, and Hong Kong Jazz Festival.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e As a bassist, the author focuses on the world of quarter notes. \u003cbr\u003eWhen a jazz bassist plays a swing rhythm, it means he or she is constantly playing quarter notes.\u003cbr\u003e In jazz performances, which are mainly led by soloists and drummers, the bassist simply listens to their conversation and rarely steps forward to make his own point.\u003cbr\u003e But when a talented bass player supports the quarter note, their playing becomes smooth and the audience opens their hearts.\u003cbr\u003e While few people pay attention to the low, monotonous playing of a bassist, the author's story of believing that there is meaning in consistently repeating this act while focusing on creating a wave of good performances from other band members comes to us with a profound feeling in an age of chaos and conflict.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Having played jazz for over 20 years and taught at an art college, the author believes that jazz is an extremely social music. \u003cbr\u003eThe author says that jazz is the struggle to acknowledge and accept other beings in order to be together with others, while not losing my own identity, and the unexpected results that come from that struggle are what make jazz.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eJazz: A Guide for Those Who Don't Know Where to Start\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The author hopes that this book will serve as a starting point for anyone who wants to listen to jazz, and as a guide for those who want to go one step further and enjoy jazz. He has laid out various devices to help those who feel lost.\u003cbr\u003e The prologue provides basic knowledge about the genre of jazz, and provides in-depth annotations that provide explanations that go beyond common sense.\u003cbr\u003e\u003cbr\u003e As a jazz guide, the book's crowning glory are the author's carefully curated selection of ten jazz albums.\u003cbr\u003e It gives you the opportunity to appreciate the diverse spectrum and styles of jazz at once. \u003cbr\u003eThe kind and detailed explanation of the album, which you will not find anywhere else, is as good as any docent.\u003cbr\u003e In addition, the list of jazz artists included in the appendix is ​​so comprehensive that you can acquire a wealth of jazz knowledge just by browsing through this list.\u003cbr\u003e As recommended by Kim Yuna, the vocalist and singer of the rock band Jaurim, “This book will be a friend who understands your heart and a great first notebook for those who want to learn about jazz.” \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e December 20, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 276 pages | 498g | 135*195*23mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791193865101\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1193865107 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894765486122,"sku":"108338","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/34809167a32c369fb0aa2563202f3a19.jpg?v=1765445382"},{"product_id":"108343","title":"Blue Bacon ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWkky2HtyfvkZCw18njGloH0t.png?v=1765107956\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Blue Bacon \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/140182280\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA wonderful harmony of art and literature:\u003cbr\u003e Read Francis Bacon.\u003cbr\u003e Write about his drawings.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The sixth book in the “A Night at the Museum” series published by Mujintree.\u003cbr\u003e French novelist Yannick Haenel is asked to spend a night alone at the Francis Bacon exhibition at the Centre Pompidou in Paris.\u003cbr\u003e This is a fitting opportunity for the author of The Solitary Caravaggio and several other publications on Francis Bacon.\u003cbr\u003e However, Enel, who entered the exhibition hall, suddenly becomes unable to see anything.\u003cbr\u003e The ocular migraine attack began in a confined space.\u003cbr\u003e \u003cbr\u003eEnel, who finally came to his senses in the middle of the night, begins to explore the exhibition, caught in a state of contradictory intensity.\u003cbr\u003e Through encounters with several paintings, such as Oedipus and the Sphinx and a trilogy commemorating the death of George Dyer (Bacon's lover), the author details the impact Bacon's paintings have on those who experience them.\u003cbr\u003e And as he navigates this extremely sensual labyrinth, he reveals in his own words the lesser-known aspects of Bacon's paintings: the sensuality of his colors, the sexual freshness of his blues.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This is the result of the author's reflections on Bacon, a long-time devotee, as he confronted the artist's works alone, and is a work in which art and literature are harmoniously combined.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e 1 Sanctuary 009\u003cbr\u003e 2 African Room 027\u003cbr\u003e 3 faucet 039\u003cbr\u003e 4 Light 047\u003cbr\u003e 5 Quench Your Thirst 055 \u003cbr\u003e6 All About Bacon 065\u003cbr\u003e Question 7 076\u003cbr\u003e 8 Wounds 087\u003cbr\u003e 9 Bloody Feet 097\u003cbr\u003e 10 The Unimaginable 105\u003cbr\u003e 11 Sensuality, Voice, Meat 111\u003cbr\u003e 12 The Story of My Soul (1) 120\u003cbr\u003e 13 The Story of My Soul (2) 130\u003cbr\u003e 14 Self-portrait 136\u003cbr\u003e 15 Night of the Soul 148\u003cbr\u003e 16 Dead Eyes 155\u003cbr\u003e 17 Night Blue 161\u003cbr\u003e 18 Water Stream 171\u003cbr\u003e 19 Room of Pleasure 177\u003cbr\u003e 20 The Death of George Dyer (1) 186\u003cbr\u003e 21 The Death of George Dyer (2) 195\u003cbr\u003e 22 The Death of George Dyer (3) 203\u003cbr\u003e 23 Darkness 208\u003cbr\u003e 24 Who is taking me captive? 214\u003cbr\u003e 25 Bluebird 221\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5041\/MidCate006\/504056095.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e When I write, I try to make my feelings clear.\u003cbr\u003e I want to find words to describe the hole that Bacon's painting has pierced inside me.\u003cbr\u003e I talk about the shocking adventures of his paintings.\u003cbr\u003e Painting affects my nervous system, changes my perception, and influences my life.\u003cbr\u003e Other people will do the same.\u003cbr\u003e The picture is not fixed. \u003cbr\u003eIt is an act that brings immediate results, like love.\u003cbr\u003e\u003cbr\u003e --- p.46\u003cbr\u003e\u003cbr\u003e “In Bacon’s painting, what prevents petrification is blue.\u003cbr\u003e This is how I perceive the strange merits of blue.\u003cbr\u003e Blue is stronger than black.\u003cbr\u003e “Blue flows through the darkness to us.”\u003cbr\u003e --- p.51\u003cbr\u003e\u003cbr\u003e “I wanted to stay as close to my sadness as possible that night, to go as far as I could bear.\u003cbr\u003e Perhaps this is an exaggeration.\u003cbr\u003e But sometimes we experience it, and then nothing else matters anymore.\u003cbr\u003e “Aren’t we encountering through Bacon only the ordeal of truth that his paintings demand?”\u003cbr\u003e --- p.78\u003cbr\u003e\u003cbr\u003e “While writing my books on Caravaggio and Adrian Jenny and studying the paintings of Bonnard and Delacroix, I embarked on an adventure of constantly asking myself questions. \u003cbr\u003eWhat do we see when we contemplate a painting? What happens when we stand before a square of color, where the visible is so passionately deposited? What does this influence reveal to us?\u003cbr\u003e --- p.80\u003cbr\u003e\u003cbr\u003e “We see a picture.\u003cbr\u003e But above all, we accept the picture.\u003cbr\u003e I thought Bacon's paintings escaped the rational eye.\u003cbr\u003e “Cold-headed people don’t understand his paintings.”\u003cbr\u003e --- p.92\u003cbr\u003e\u003cbr\u003e “I think that what Bacon wanted by getting drunk and radically expelling himself from the everyday world was not to forget himself, but to feel the dizziness that painting evokes.\u003cbr\u003e He wants to match the act of drawing and push the intensity of that act further.”\u003cbr\u003e --- p.144\u003cbr\u003e \u003cbr\u003e\"Isn't this world of God's death precisely the world Bacon was trying to portray? In any case, what's clear is that his painting is a massive crime scene, devoid of victims.\u003cbr\u003e In the picture, the horizon is erased with a sponge.\u003cbr\u003e The Earth is separated from the Sun's chain.\u003cbr\u003e From there we continue to fall forward, backward, in all directions.\u003cbr\u003e There is no more up or down.\u003cbr\u003e And we wander as if we are wandering in an infinite nothingness.”\u003cbr\u003e --- p.150\u003cbr\u003e\u003cbr\u003e “We pass through those doors one by one, experiencing the pictures that call us.\u003cbr\u003e The time we spend in front of each work allows it to influence our minds.\u003cbr\u003e The truth of our relationship with a painting is experienced through our desire, patience, and concentration.\u003cbr\u003e Bacon says that truth comes through 'strange doors'. \u003cbr\u003eAnd perhaps after a night of sleep I will meet myself.”\u003c\/div\u003e\n\u003cdiv\u003e --- p.161\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eAt the Georges Pompidou Centre Museum\u003cbr\u003e An Original Reflection on Francis Bacon's Blue\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e October 12, 2019.\u003cbr\u003e Yannick Haenel spent his loneliest night facing the 42 paintings on display at the “Bacon Special Exhibition” on the 7th floor of the Centre Georges Pompidou.\u003cbr\u003e In this book, one of the series [A Night at the Museum] published by the French publishing house Stock, he eloquently recounts his experience of that night, which was the best time of his life.\u003cbr\u003e For Enel, who has consistently published several novels and articles on art, art and literature are on the same line.\u003cbr\u003e For years, he has been illuminating his stories with his paintings, meditating on Caravaggio, Delacroix, and Bacon, and exploring the complementary relationship between books and paintings with a unique perspective.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e“I stand in a fascinating gap between painting and literature.\u003cbr\u003e That's where I breathe most comfortably.\u003cbr\u003e (…) words and colors find each other, intersect, intertwine, and mesh.\u003cbr\u003e I throw myself into the water while writing.\u003cbr\u003e An unknown lake opens beneath my fingers.\u003cbr\u003e And in this sparkling void I wash my body.\u003cbr\u003e “This is my true life.” _ 175p\u003cbr\u003e\u003cbr\u003e Haenel enters the Centre Pompidou late in the evening, carrying a small flashlight and a book by Georges Bataille that Bacon had read.\u003cbr\u003e But as soon as he enters the art gallery and takes his seat, he starts to experience an ocular migraine and soon falls into excruciating pain.\u003cbr\u003e It is a very confusing situation for the artist who has loved Bacon since his youth and was thinking of making his paintings his own on this occasion. \u003cbr\u003eHe reluctantly swallows the two tramadol pills he usually carries with him, and faces Bacon's paintings in an anxious state.\u003cbr\u003e So, as if to prove that Bacon's paintings are not the kind that put the viewer's mind at ease, he begins the story of that night by describing his migraine in a violent way.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFrancis Bacon is not a painter of violence and cruelty.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e A painter who produced numerous masterpieces over a period of 40 years and received rave reviews for his paintings that were out of the mainstream in an era when abstraction dominated all visual arts.\u003cbr\u003e A painter who became wealthy and famous, had the honor of holding a retrospective at the world's best art museum, and then continued to paint in his cramped studio.\u003cbr\u003e A painter whose works always exceed the estimated price when they are put up for auction, sparking heated competition. \u003cbr\u003eLying on a cot provided by the museum, Enel, who had the perfect opportunity to leisurely appreciate Bacon's masterpieces, vacillates between agony and liberation in the darkness.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e After a couple of hours, Enel finally regains consciousness and stands in front of Bacon's [water flowing from the faucet].\u003cbr\u003e He lingers in front of the painting for a long time, pondering deeply what the artist might have wanted to show us through his paintings throughout his life.\u003cbr\u003e Although he may have been recorded as a “painter of violence and cruelty” for his treatment of irrational and controversial subjects, Haenel knows all too well that Bacon was a painter who painted a world threatened by the engulfing of the visible, a painter who sought to fight with art against the systematic delusion of the absence of the spirit.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “Let’s be clear.\u003cbr\u003e Francis Bacon is not a painter of violence and cruelty. \u003cbr\u003eIt is society that is sadistic (and makes us believe that artists are crazy).\u003cbr\u003e Great painters like Caravaggio or Bacon neither side with evil nor oppose it.\u003cbr\u003e He is a man who captures the violence inflicted on humans and gives it a form to express it.” _ 52p\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWhat the artist wanted to show us through the painting\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e During a night that is both enchanting and miraculous, Enel explores the exhibition, caught in a state of contradictory intensity.\u003cbr\u003e Through encounters with various paintings, such as Oedipus and the Sphinx and a trilogy commemorating the death of George Dyer (Bacon's lover), the author details the impact Bacon's paintings have on those who experience them.\u003cbr\u003e And as he navigates this extremely sensual labyrinth, he reveals in his own words the lesser-known aspects of Bacon's paintings: the sensuality of his colors, the sexual freshness of his blues. \u003cbr\u003eThe experience of pleasure culminates in an epiphany highlighted by David Bowie's final song.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In this book, which consists of twenty-five essays with subtitles, Enel devotes three sections to the death of George Dyer.\u003cbr\u003e In October 1971, Bacon was invited to exhibit at the Grand Palais in Paris.\u003cbr\u003e Before Bacon, the only artist to have achieved this honor was Picasso.\u003cbr\u003e According to records, French President Georges Pompidou, a modern art enthusiast, visited the exhibition, took pictures with Bacon, and viewed the works.\u003cbr\u003e But two days before the opening, Bacon's partner, George Dyer, died of a drug overdose in a Paris hotel.\u003cbr\u003e Dyer, the painter's muse, lover, and artistic colleague who appeared in numerous of Bacon's works. \u003cbr\u003eWith that incident, Bacon's glory days became the worst days of his life, and after his lover's suicide, Bacon's works became darker and more bizarre.\u003cbr\u003e Enel reflects deeply on and mourns death as he watches Bacon's depiction of Dyer's death in the [May-June 1973 Trilogy].\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Enel's writing is as provocative and well-organized as Bacon's paintings, and his textual approach to depicting the paintings is a sharp yet meditative blend of analysis and autobiography.\u003cbr\u003e The writing that describes the works of a painter brimming with artistic madness through the eyes of an author who sees through artistic madness is incredibly original.\u003cbr\u003e For these merits alone, Blue Bacon will be a chance for Bacon fans to revisit his fascinating paintings, and for those unfamiliar with the artist, a chance to better understand him through the author's intriguing insights.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e“I hope this book will inspire you to discover the words that gave life to Bacon’s paintings and to want to see them.\u003cbr\u003e The ambiguity of literature itself is similar to this: literature merely manipulates the world of sentences, but through these sentences it also claims to illuminate the world we live in.\u003cbr\u003e A double calling is always a madness.\u003cbr\u003e “There is nothing more wonderful than having an adventure like this.” _ 107p\u003cbr\u003e\u003cbr\u003e At this wonderful intersection of art and literature, readers who enjoy either will encounter the aesthetic experience the author portrays and the free, luminous energy the paintings radiate. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e February 3, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 232 pages | 236g | 118*189*12mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791161111384\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1161111387 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894765617194,"sku":"108343","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/5de268f611dd4fa35883e6fe85343446.jpg?v=1765445389"},{"product_id":"108348","title":"The Secret of the Ceiling Painting ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqV7y3CX4LDyiRi5PJ0CloJ58S.png?v=1765107977\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The Secret of the Ceiling Painting \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/140079883\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\u003cdiv\u003e [Looking up, a new world opened up] The decisive meeting of architecture and art, the ceiling painting.\u003cbr\u003e This book analyzes and compiles ceiling paintings from over 40 locations around the world, including Europe, Mexico, Cuba, India, and other less easily accessible regions.\u003cbr\u003e The beauty of the ceiling painting overwhelms readers with every turn of the page, conveying a vivid sense of emotion as if they were present at the scene.\u003cbr\u003e - Ahn Hyun-jae, art producer\u003c\/div\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThe meeting of architecture and art, ceiling paintings\u003cbr\u003e Uncover the world's masterpieces hidden within.\u003c\/b\u003e \u003cbr\u003e“Into the fantastic world presented by the ceiling painting”\u003cbr\u003e\u003cbr\u003e Why do we look up at the sky?\u003cbr\u003e\u003cbr\u003e Why do we look up at the sky?\u003cbr\u003e Because humans value hierarchy and believe that the higher up you are, the more valuable you are, they tend to long for something that is out of reach.\u003cbr\u003e This is why we have long projected our beliefs and philosophies, rooted in religion, society, and culture, onto the heavens.\u003cbr\u003e The same goes for decorating the 'ceiling' of a building.\u003cbr\u003e Because the ceiling of a building is a sky that we can design, control, and even own as we wish.\u003cbr\u003e As seen in the soaring cathedrals and palaces of Europe, which sought to reach the heavens, the ceiling was a space of opportunity for those with power and means to reinforce and solidify their own value and importance.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e1.\u003cbr\u003e religion\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eBaptistery of Neoniano (Ravenna, Italy)\u003cbr\u003e Cathedral of the Resurrection of Christ (St. Petersburg, Russia)\u003cbr\u003e Sagrada Familia Cathedral (Barcelona, ​​Spain)\u003cbr\u003e Imam Mosque (Isfahan, Iran)\u003cbr\u003e Vatican Palace (Rome, Italy)\u003cbr\u003e Tokali Kilise (Göreme, Turkey)\u003cbr\u003e Basilica of San Pantalone (Venice, Italy)\u003cbr\u003e Debre Birhan Selassie Church (Gondar, Ethiopia)\u003cbr\u003e Sensoji Temple (Tokyo, Japan)\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2.\u003cbr\u003e culture\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Palais Garnier (Paris, France)\u003cbr\u003e Burgtheater (Vienna, Austria)\u003cbr\u003e Louvre Museum (Paris, France)\u003cbr\u003e Dali Theatre-Museum (Catalonia, Spain)\u003cbr\u003e Strahov Monastery (Prague, Czech Republic)\u003cbr\u003e Metro station (Stockholm, Sweden)\u003cbr\u003e National Theater (San Jose, Costa Rica)\u003cbr\u003e Uffizi Gallery (Florence, Italy)\u003cbr\u003e Cosmovitral Botanical Garden (Toluca, Mexico)\u003cbr\u003e Bellagio Hotel and Casino (Las Vegas, USA)\u003cbr\u003e\u003cbr\u003e \u003cb\u003e3.\u003cbr\u003e power\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Banqueting House (London, England)\u003cbr\u003e Alhambra (Granada, Spain)\u003cbr\u003e Palazzo Te (Mantua, Italy) \u003cbr\u003eBundi Palace (Rajasthan, India)\u003cbr\u003e Palazzo Barberini (Rome, Italy)\u003cbr\u003e Topkapi Palace (Istanbul, Turkey)\u003cbr\u003e Blenheim Palace (Oxfordshire, England)\u003cbr\u003e Palazzo Chiericati (Vicenza, Italy)\u003cbr\u003e Royal Palace of Brussels (Brussels, Belgium)\u003cbr\u003e Chinese Palace (St. Petersburg, Russia)\u003cbr\u003e Bishopric of Würzburg (Würzburg, Germany)\u003cbr\u003e\u003cbr\u003e \u003cb\u003e4.\u003cbr\u003e politics\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Palazzo Farnese (Rome, Italy)\u003cbr\u003e Augsburg City Hall (Augsburg, Germany)\u003cbr\u003e Barcelona City Hall (Barcelona, ​​Spain)\u003cbr\u003e Old Royal Naval College (London, England)\u003cbr\u003e United Nations Office at Geneva (Geneva, Switzerland)\u003cbr\u003e Museum of the Revolution (Havana, Cuba)\u003cbr\u003e Doge's Palace (Venice, Italy)\u003cbr\u003e Capitol Building (Washington, DC, USA)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5036\/MidCate9\/503580262.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Why do we look up at the sky?\u003cbr\u003e Because humans value hierarchy and believe that the higher up you are, the more valuable you are, they tend to long for something that is out of reach. \u003cbr\u003eThis is why we have long projected our beliefs and philosophies, rooted in religion, society, and culture, onto the heavens.\u003cbr\u003e The same goes for decorating the 'ceiling' of a building.\u003cbr\u003e Because the ceiling of a building is a sky that we can design, control, and even own as we wish.\u003cbr\u003e As seen in the soaring cathedrals and palaces of Europe, which sought to reach the heavens, the ceiling was a space of opportunity for those with power and means to reinforce and solidify their own value and importance.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- From the text\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e· The meeting of architecture and art, 'Ceiling Painting'\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 《The Secret of Ceiling Painting》 focuses on ‘ceiling painting,’ which is the meeting point of architecture and art and the essence of human culture. \u003cbr\u003eCeiling paintings were an important educational tool for those who could not read to convey the word of God, a tool for those in power to display their power both domestically and internationally, and the most perfect canvas for a newly independent nation to form the identity of its nation and people.\u003cbr\u003e Therefore, only the best painters of the time could undertake the glorious task of painting the ceiling.\u003cbr\u003e Additionally, a large number of new painting techniques were developed to overcome the enormous scale and special shape of the building's ceiling. \u003cbr\u003eThe development of techniques that allow those looking up at ceiling paintings to be immersed in the fantasy world of the work, such as 'sotto-in-su', which means 'from below to above', a technique that uses dizzyingly upwardly extended structures and extreme foreshortening to create a dramatic illusion as if the painted ceiling paintings will pour down on your head at any moment; 'quadratura', an optical illusion that makes it difficult to distinguish between real and virtual architecture; and 'quadro riportato', a method of drawing frames within the picture to divide the space, led to advancements in art history.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· 《The Secret of Ceiling Paintings》, a glimpse into 40 ceiling paintings from around the world.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Despite the fact that ceiling paintings are such an important field, it is true that they have been difficult to access because, due to the nature of the work, it cannot be seen without going directly to the place where the work is located. \u003cbr\u003eThe book that was created for this purpose is “The Secret of the Ceiling Painting.”\u003cbr\u003e Author Catherine McCormack analyzed ceiling paintings from over 40 locations around the world and compiled them into one volume.\u003cbr\u003e It includes works from well-known landmarks such as the Sistine Chapel in the Vatican, the Sagrada Familia in Barcelona, ​​the Palais Garnier and Louvre Museums in Paris, the Uffizi Gallery, and the U.S. Capitol, as well as less easily accessible regions such as Turkey, Ethiopia, Costa Rica, Mexico, Cuba, and India.\u003cbr\u003e This book can be said to be a comprehensive compilation of major ceiling paintings from around the world, transcending time and borders.\u003cbr\u003e Here, you can appreciate the work more vividly through over 200 plates that give you a sense of realism as if you were actually looking up at the ceiling painting.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· Organized by topic, including 'religion', 'culture', 'power', and 'politics'\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e《The Secret of the Ceiling》 is composed of four chapters: ‘Religion,’ ‘Culture,’ ‘Power,’ and ‘Politics.’\u003cbr\u003e This composition takes into account the characteristics of the building where the ceiling painting is located and the theme of the work, and is intended to help people understand the ceiling painting more fundamentally.\u003cbr\u003e Author Catherine McCormack, who holds a PhD from University College London, lectures at Sotheby's Art Institute in London, and writes about art history and modern art, goes beyond simply introducing ceiling paintings from around the world to analyze them thematically, providing a deeper appreciation.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1: The World of God on Earth, \"The Ceiling of Religion\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e First, in the first chapter, 'Religion', we compare and analyze the way each religion realizes the heavenly world in the name of God. \u003cbr\u003eRegardless of era, region, or ethnicity, God has always been in heaven, and by bringing that world of God to earth, we have sought to dissolve the realms of mortality and immortality and truly become one with God.\u003cbr\u003e However, the implementation method was different depending on the religion.\u003cbr\u003e Christianity, which views humans as beings reflecting the image of the Creator God, actively expressed the contents of the Bible and the lives of saints so that the viewer could easily relate to them, whereas Islam sought to express the existence of God and the mystery of creation itself through repetition of abstract and geometric patterns.\u003cbr\u003e Readers can see early Christian ceiling paintings in the Neonian Baptistery and the Church of the Resurrection, and Islamic ceiling paintings in the Imam Mosque. \u003cbr\u003eIn the Vatican Palace and the Basilica of San Pantalon, you can see the essence of Christian ceiling paintings that will leave you in a state of ecstasy, while in the Tokali Kilise and the Debre Birhan Selassie Church, you can see forms that have been transformed to suit the local color.\u003cbr\u003e Barcelona's Sagrada Familia Cathedral is intriguing because it brings together the conflicting ideologies of Christianity and Islam.\u003cbr\u003e And finally, the chapter concludes with Sensoji, the main temple of Japanese Buddhism.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2: The Joy of Looking Up, \"The Ceiling of Culture\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Chapter 2, \"Culture,\" covers a variety of ceiling paintings found in cultural venues around the world, including monasteries, theaters, museums, botanical gardens, subway stations, and casino hotels. \u003cbr\u003eDespite the fierce criticism, we are delighted by the ceiling paintings by famous artists whose names alone are familiar, such as the ceiling painting of the Burgtheater, which was completed after pushing ahead with the slogan “If it is not Sagall’s ceiling painting, we will close the Palais Garnier,” which was completed after pushing ahead with the slogan “If it is not Sagall’s ceiling painting, we will close the Palais Garnier,” and the ceiling painting of the Dalí Theater-Museum, which features the giant feet of Salvador Dalí and his wife Gala.\u003cbr\u003e How about comparing and analyzing the ceiling paintings of the Louvre Museum and the Uffizi Gallery, which are essential stops on any European tour?\u003cbr\u003e The Louvre Museum has its ceilings painted in ultramarine, considered the most precious color in art history, and the ceiling paintings of the Uffizi Gallery are like a guidebook that condenses the museum's collection. \u003cbr\u003eIn addition to these, you can see beautiful ceiling paintings from all over the world, including the 'Subway Station' in Sweden, which shows the essence of public art, the 'Cosmovitral Botanical Garden' in Mexico, the ceiling painting of the 'National Theater' that is so beloved that it is even featured on Costa Rica's banknotes, the 'Strahov Monastery' that can be called the most beautiful library, and the glass flower ceiling of the 'Bellagio Hotel and Casino' that colored Las Vegas, the empire of desire and artifice.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: Strengthening and Consolidating Power: \"The Ceiling of Power\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Next, in Chapter 3, ‘Power,’ the ceiling paintings of those in power appear to maximize and consolidate their power.\u003cbr\u003e Since all power flows from the higher to the lower, in a space of power such as a palace, the ceiling was the best means of conveying dominance.\u003cbr\u003e This was implemented in various images. \u003cbr\u003eThe ceiling paintings of the 'Banqueting House', the 'Bishop's Residence of Würzburg', and the 'Palazzo Barberini' deify the powerful themselves, portraying them in a majestic and sacred manner, and the ceiling painting of the 'Palazzo Te' makes the viewer cower in fear, as Giorgio Vasari said, \"There is nothing more terrible and terrifying in painting.\"\u003cbr\u003e On the other hand, the Alhambra, Bundi Palace, and Topkapi Palace focus on the figure of the powerful seeking the ultimate truth of life and spirituality, and there are also ceiling paintings that follow the latest trends for the emperor's personal leisure, such as the Chinese Palace in St. Petersburg, Russia. \u003cbr\u003eIn addition, you can appreciate the image of power realized in various images, such as the 'Blenheim Palace' with its large eyes of the Duke and Duchess, the 'Royal Palace of Brussels' ceiling painting made of 1.6 million jeweled scarab wings, and the 'Palazzo Chiericati' ceiling painting with the naked buttocks of the sun god Apollo and four horses that raise suspicion.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: The Formation of Political Identity, the \"Political Ceiling\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Finally, Chapter 4, ‘Politics,’ provides a glimpse into the process of identity formation by various political actors.\u003cbr\u003e If Chapter 3, Ceiling Paintings of Power, was a work created for individuals in power who already possessed immense power, Chapter 4, Ceiling Paintings of Politics, introduces ceiling paintings created by various political entities, such as cities and citizens, revolutionary governments, independent states, and federations between states, to form a group identity and give members a sense of belonging. \u003cbr\u003eA work that clearly demonstrates this is the ceiling painting of the Old Royal Naval College in London.\u003cbr\u003e At first glance, it appears to be no different from existing works that deify those in power, but in reality, it is filled with content praising democracy against absolutism.\u003cbr\u003e The same goes for the ceiling painting in the U.S. Capitol.\u003cbr\u003e The painting features businessmen and inventors who are considered the cornerstones of the liberal democratic United States of America, led by George Washington, the hero of the American Revolutionary War and its first president.\u003cbr\u003e Additionally, the ceiling paintings of the Palazzo Ducale, the political center of the Republic of Venice, the Augsburg City Hall, the administrative city of the Holy Roman Empire, and the Barcelona City Hall, the largest port city in Spain, show the proud city and its citizens. \u003cbr\u003eMeanwhile, the palace of the 'Farnese' family, which had been powerful and produced popes, cardinals, and dukes, is now the French Embassy in Italy, and the place that was once the dictator's presidential palace was turned into the Cuban 'Revolution Museum' by Castro's rebels.\u003cbr\u003e The United Nations Geneva Secretariat solidifies its identity through the materials used in its ceiling paintings.\u003cbr\u003e The 35-ton paint work, made from earth and rocks collected from around the world, represents a utopian political ideal of international relations that transcends borders, race, and skin color and unites in harmony.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e· My life's bucket list, \"The Secret of the Ceiling Flower\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The form of the building's ceiling is both an obstacle and an opportunity.\u003cbr\u003e Unlike works of art that can be appreciated by standing comfortably facing each other at eye level, to see the ceiling painting, you have to tilt your head back as far as possible, as if the back of your head were sticking to your back. \u003cbr\u003eMoreover, the viewer inevitably moves around the space.\u003cbr\u003e There is no fixed point of view, no fixed composition.\u003cbr\u003e In front of this difficult ceiling, the painters pondered and pondered again.\u003cbr\u003e Even Peter Paul Rubens, the painter beloved by all the kings of Europe, had never undertaken such a large-scale work as the ceiling of the Banqueting House.\u003cbr\u003e But once the ceiling painting is completed, all worries disappear.\u003cbr\u003e Those who enter the space are constantly filled with exclamations of admiration.\u003cbr\u003e The ceiling soars into the sky as if a celestial world has opened, and angels descend through the clouds and sunlight, blowing trumpets.\u003cbr\u003e The ceiling painting itself is nothing short of a fantasy.\u003cbr\u003e It is a fantasy world that contains all of human history, including religion, culture, power, and politics.\u003cbr\u003e 《The Secret of the Ceiling》 invites readers into the fantasy world presented by the ceiling painting. \u003cbr\u003eThrough this, readers can fully enjoy not only art history but also important cultural heritage of humanity.\u003cbr\u003e How about creating a bucket list for your life by following “The Secret of the Ceiling”?\u003cbr\u003e With the determination to see it with my own two eyes someday. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 1, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 256 pages | 1,178g | 220*270*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791197995545 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894765748266,"sku":"108348","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/9f7f02a57ff71244eafc2e74530e8a65.jpg?v=1765445396"},{"product_id":"108353","title":"Why is music important? ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWhX7SUCyA8ST1xxY5kHZPgql.png?v=1765107999\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Why is music important? \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/139910601\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e  \u003cdiv\u003eWhat is music\u003c\/div\u003e\n\u003cdiv\u003e How does music enrich our lives? What role does music play? This book analyzes music from diverse perspectives, including sociology, cultural studies, anthropology, political science, and philosophy, illuminating its multi-layered meaning.\u003cbr\u003e It clearly unravels the power of music that is both intimate and social, private and public, and presents an agenda for 'emotional transformation.'\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eJanuary 3, 2025.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“A book that deals with why freedom, solidarity, and love are important to us.”\u003cbr\u003e “A masterpiece that combines the author’s unique critical thinking on everyday culture with a keen understanding of reality.”\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e \"Why Does Music Matter?\", considered one of the best books in the field of music studies, has been published. \u003cbr\u003eThe author of this book, David Hesmond-Halsey, is one of the leading authorities in the fields of music and media studies and the sociology of music, who has persistently explored the complex and contradictory relationships of cultural production in capitalist society.\u003cbr\u003e Written by a distinguished music scholar, \"Why Does Music Matter?\" is a groundbreaking book that explores the social value of music with remarkable clarity and logic, and is a must-read for interdisciplinary research.\u003cbr\u003e\u003cbr\u003e What's most remarkable about this book is that it explores the public nature of music, drawing on the research of scholars from a wide range of fields, an incredible feat for a music-related book.\u003cbr\u003e Although it is fundamentally based on a sociological approach, it deals with achievements and theories from various fields such as media and cultural studies, anthropology, political science, philosophy and aesthetics, and psychology, connecting them to the discourse on music. \u003cbr\u003eNot only those who wish to explore musical phenomena from diverse perspectives, but also those interested in social theory in general, will be able to gain insightful perspectives on everyday life and culture through the medium of music, as well as various interesting theories and concepts.\u003cbr\u003e Furthermore, this book discusses the value of music by focusing on its broad emotional dimension against the backdrop of a paradigm shift across the humanities and social sciences, referred to as the \"affective turn.\"\u003cbr\u003e The author focuses on secular music, particularly popular music, and discusses the importance of music in everyday life and the public sphere.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eChapter 1.\u003cbr\u003e Music, intimate yet social, private yet public\u003cbr\u003e\u003cbr\u003e Chapter 2.\u003cbr\u003e Feeling and Prosperity\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 2.1.\u003cbr\u003e music, emotions, feelings\u003cbr\u003e 2.2.\u003cbr\u003e Emotions, narrative play, and music\u003cbr\u003e 2.3. \u003cbr\u003eHuman flourishing, aesthetic experience, and music\u003cbr\u003e 2.4.\u003cbr\u003e Musical Value Beyond High Culture, Self-Cultivation, and Contemplation\u003cbr\u003e 2.5.\u003cbr\u003e Music Aesthetics and Bodily Experience: Dancing\u003cbr\u003e 2.6.\u003cbr\u003e Approaches to Music and Emotion in Everyday Life: Contributions and Limitations\u003cbr\u003e 2.7.\u003cbr\u003e The Problem of Self-Realization in Modern Life and its Relationship to Music\u003cbr\u003e 2.8.\u003cbr\u003e Competitive individualism and status competition through music\u003cbr\u003e 2.9.\u003cbr\u003e Review: Does Music Enrich Life?\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3.\u003cbr\u003e Love and sex\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 3.1.\u003cbr\u003e Success, love, and rock and roll\u003cbr\u003e 3.2.\u003cbr\u003e Two Approaches to Music, Sex, and Sexuality\u003cbr\u003e 3.3.\u003cbr\u003e The Pop-Rock Dichotomy and the Sexual Politics of Rock\u003cbr\u003e 3.4.\u003cbr\u003e The emotional resources of post-war pop\u003cbr\u003e 3.5.\u003cbr\u003e Performance and love on the dance floor\u003cbr\u003e 3.6.\u003cbr\u003e Criticism of countercultural sexual freedom\u003cbr\u003e 3.7.\u003cbr\u003e The success and love of punk, alternative rock, and metal\u003cbr\u003e 3.8.\u003cbr\u003e Sexuality in 21st Century Pop\u003cbr\u003e 3.9.\u003cbr\u003e Black Music and Racialized Sexuality\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4.\u003cbr\u003e Sociability and place\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 4.1.\u003cbr\u003e Ways of Being Together: Forms of Publicness\u003cbr\u003e 4.2.\u003cbr\u003e Praise and Limitations of Musical Engagement\u003cbr\u003e 4.3.\u003cbr\u003e sense of unity\u003cbr\u003e 4.4. \u003cbr\u003eEveryday Social Skills I: Singing Together\u003cbr\u003e 4.5.\u003cbr\u003e Everyday Social Skills II: Dancing Together\u003cbr\u003e 4.6.\u003cbr\u003e Playing Together: Amateur Musicians\u003cbr\u003e 4.7.\u003cbr\u003e Theorizing positive musical sociality\u003cbr\u003e 4.8.\u003cbr\u003e Revisiting the Specters of Capitalist Modernity: Class and Inequality\u003cbr\u003e 4.9.\u003cbr\u003e Uneven musical development\u003cbr\u003e 4.10.\u003cbr\u003e Elements of a Thriving Musical Venue\u003cbr\u003e 4.11.\u003cbr\u003e Quality of professional life of professional musicians\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5.\u003cbr\u003e Commonality and Cosmopolitanism\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 5.1.\u003cbr\u003e Mediated commonality of modern society\u003cbr\u003e 5.2.\u003cbr\u003e Aesthetic experience and the desire for commonality\u003cbr\u003e 5.3.\u003cbr\u003e Reclaiming the aesthetic experience?\u003cbr\u003e 5.4.\u003cbr\u003e A story about music, what it tells us and what it doesn't tell us.\u003cbr\u003e 5.5.\u003cbr\u003e Music, Politics, and the Public\u003cbr\u003e 5.6.\u003cbr\u003e A Taste-Sharing Community? Subcultures, Gods, and Fans\u003cbr\u003e 5.7.\u003cbr\u003e nation, people, cosmopolitanism\u003cbr\u003e 5.8.\u003cbr\u003e Rock as cosmopolitanism?\u003cbr\u003e 5.9.\u003cbr\u003e The Complexity of Music and Country\u003cbr\u003e 5.10.\u003cbr\u003e A Strange Journey: How Working Class and Tribal Music Became National Music\u003cbr\u003e 5.11.\u003cbr\u003e sentimental civic consciousness\u003cbr\u003e 5.12.\u003cbr\u003e Music, Country, and Popularity\u003cbr\u003e 5.13. \u003cbr\u003eMusic of the African Diaspora: A Collective Affirming Life in Decline?\u003cbr\u003e 5.14.\u003cbr\u003e A Critical Defense of Music\u003cbr\u003e\u003cbr\u003e Acknowledgements\u003cbr\u003e Translator's Note\u003cbr\u003e Americas\u003cbr\u003e References\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Music is important.\u003cbr\u003e Because it has the potential to enrich people's lives and society.\u003cbr\u003e But how, why, and under what circumstances does music exert such power? Let me add another equally important question.\u003cbr\u003e In what cases does the power of music weaken?\u003cbr\u003e --- p.11\u003cbr\u003e\u003cbr\u003e Against the proponents of rock culture's rejection of non-rock genres as lacking in authenticity, I will show that much (if not all) of postwar popular music offered rich interpretations of issues of sex, romance, and intimacy, and that these 'interpretations' included the expression of emotions and feelings through musical sound, not just through lyrics.\u003cbr\u003e\u003cbr\u003e --- p.24\u003cbr\u003e \u003cbr\u003ePop music has both reflected and shaped problematic aspects of modern culture, such as misogyny, narcissism, and excessive sentimentality.\u003cbr\u003e I argue that if music could express a wider range of emotional contexts and address more psychological dynamics, we would be happier through music.\u003cbr\u003e Thus, the ambivalence of musical power in contributing to human flourishing is re-emphasized.\u003cbr\u003e\u003cbr\u003e --- p.24\u003cbr\u003e\u003cbr\u003e All kinds of popular culture offer us rich reflections on our own emotional lives and those of others.\u003cbr\u003e\u003cbr\u003e --- p.53\u003cbr\u003e\u003cbr\u003e When you do something that you truly enjoy or find interesting, when you do something that sparks your curiosity or passion or something that you become passionate about, or when you are with people you truly love, desire, or like, you will find that your sense of self changes.\u003cbr\u003e\u003cbr\u003e --- p.74\u003cbr\u003e \u003cbr\u003eWhat makes pleasure feel even more transgressive here is that everyday constraints about what can and cannot be said about the body and desire, what can and cannot be felt, are expressed through lyrics and music.\u003cbr\u003e This was a staple of working-class music consumption, including hip-hop, reggae, ragga, country, and hillbilly.\u003cbr\u003e\u003cbr\u003e --- p.143\u003cbr\u003e\u003cbr\u003e The punk ideology of telling things as they are led to a rejection of hippie sensibilities and feminist criticism, often bordering on misogyny.\u003cbr\u003e\u003cbr\u003e --- p.151\u003cbr\u003e\u003cbr\u003e In the neoliberal era, especially for women, “the self has become a project to be evaluated, counseled, disciplined, improved, or ‘restored.’”\u003cbr\u003e Contemporary music culture is clearly concerned with this dubious individualization.\u003cbr\u003e\u003cbr\u003e --- p.164\u003cbr\u003e \u003cbr\u003eHip-hop and contemporary R\u0026amp;B, with their focus on sexualized bodies, raise political questions about the meaning of sexual freedom and transgression in these highly racialized contexts.\u003cbr\u003e While the distinction between these two genres echoes the rock\/pop divide of the 1950s and 1970s, almost all popular music is set in a generally sexualized era.\u003cbr\u003e\u003cbr\u003e --- p.167\u003cbr\u003e\u003cbr\u003e I think we should value being open to others.\u003cbr\u003e I also believe we must defend against the tendency of conservatism to privilege individual and corporate freedom over solidarity, community, and equality—a tendency that avoids striking a balance between the two to maximize prosperity.\u003cbr\u003e --- p.175\u003cbr\u003e\u003cbr\u003e However, we must abandon the unrealistic desire for social integration, and conversely, we must also move beyond the view that people's only interest is pleasure.\u003cbr\u003e\u003cbr\u003e --- p.223\u003cbr\u003e \u003cbr\u003eBourdieu showed how tastes are linked to specific dispositions associated with particular social classes, and how, in their cultural practices, the ruling class accumulates 'cultural capital' that it can use to maintain and exploit its superiority.\u003cbr\u003e The cultural practices of the working class were despised, ignored, and misunderstood.\u003cbr\u003e\u003cbr\u003e --- p.266\u003cbr\u003e\u003cbr\u003e But rock was also, as we saw in Chapter 3, often a site of arrogant and self-aggrandizing pseudo-rebellion.\u003cbr\u003e And liking rock music from the 1960s and 1970s in the 21st century has little meaning in terms of 'resistance' or 'counter-hegemony'.\u003cbr\u003e Many people, including conservative journalists, high-ranking politicians, and university vice-presidents and presidents, love rock music.\u003cbr\u003e Many of them now even like 'indie music'. \u003cbr\u003eThe relationship between collective prosperity and music is more nuanced and gradual than analyses that focus on mythologized moments of rebellion suggest.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.286\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eOne of the finest works in the field of music studies\u003cbr\u003e How does music enrich our lives?\u003cbr\u003e What role can music play in social power and inequality?\u003cbr\u003e Can we truly prosper together?\u003cbr\u003e\u003cbr\u003e Why are freedom, solidarity, and love important?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “A book that deals with why freedom, solidarity, and love are important to us.”\u003cbr\u003e “A masterpiece that combines the author’s unique critical thinking on everyday culture with a keen understanding of reality.”\u003cbr\u003e\u003cbr\u003e \"Why Does Music Matter?\", considered one of the best books in the field of music studies, has been published. \u003cbr\u003eThe author of this book, David Hesmond-Halsey, is one of the foremost authorities in the fields of music and media studies and the sociology of music, persistently exploring the complex and contradictory relationships of cultural production in capitalist society.\u003cbr\u003e Written by a distinguished music scholar, \"Why Does Music Matter?\" is a groundbreaking book that explores the social value of music with remarkable clarity and logic, and is a must-read for interdisciplinary research.\u003cbr\u003e\u003cbr\u003e What's most remarkable about this book is that it explores the public nature of music, drawing on the research of scholars from a wide range of fields, an incredible feat for a music-related book.\u003cbr\u003e Although it is fundamentally based on a sociological approach, it deals with achievements and theories from various fields such as media and cultural studies, anthropology, political science, philosophy and aesthetics, and psychology, connecting them to the discourse on music. \u003cbr\u003eNot only those who wish to explore musical phenomena from diverse perspectives, but also those interested in social theory in general, will be able to gain insightful perspectives on everyday life and culture through the medium of music, as well as various interesting theories and concepts.\u003cbr\u003e Furthermore, this book discusses the value of music by focusing on its broad emotional dimension against the backdrop of a paradigm shift across the humanities and social sciences, referred to as the \"affective turn.\"\u003cbr\u003e The author focuses on secular music, particularly popular music, and discusses the importance of music in everyday life and the public sphere.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA Critical Defense of the Power of Music\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Is music simply a stimulant that evokes intense emotions in individuals? Perhaps because of this perception, the importance of music is often downplayed.\u003cbr\u003e But the author says that music is more important than anything else. \u003cbr\u003eBecause music is deeply personal, yet social and public in function.\u003cbr\u003e In other words, music enriches our lives and society, and leads everyone to prosper together.\u003cbr\u003e However, the author's diagnosis is that this potential of music is now being seriously hindered.\u003cbr\u003e What the author emphasizes is a ‘critical defense’ of music.\u003cbr\u003e Music has the potential to enrich people and society, but at some point, that power can weaken.\u003cbr\u003e To defend music \"critically\" means to acknowledge and support the ways in which music enriches our lives and society, while also observing and pointing out the factors that limit or hinder this power, and even the possibility that such power may actually have a negative effect. \u003cbr\u003eIn other words, music exerts a powerful force that prospers individual lives and society, but at times, as Bourdieu said, it is closely linked to the acquisition of 'cultural capital' or 'symbolic struggle', and it also leads to the 'competitive individualism' and ostentatious 'status competition' of modern society.\u003cbr\u003e\u003cbr\u003e A society filled with inequality, exploitation, and suffering, government cultural policies, and capitalism are also factors that lower the value of music.\u003cbr\u003e As neoliberal thinking becomes widespread, the importance of aesthetic experiences of beauty and pleasure is being pushed to the back burner.\u003cbr\u003e As 'economic growth' is emphasized in all aspects, including politics and society, the properties of art and culture that are said to improve life are being devalued.\u003cbr\u003e This is evident in the savage cuts to funding for education, libraries, and the arts.\u003cbr\u003e The same goes for the act of recognizing culture as an industry. \u003cbr\u003eWhile some musicians achieve enormous success, the vast majority remain in a state of extreme low wages and unemployment.\u003cbr\u003e\u003cbr\u003e In this way, music has both positive and negative aspects that intersect in its relationships with individuals and communities.\u003cbr\u003e The author begins the book by arguing that a critical defense of music will help combat the ways in which the value of art is ignored, trivialized, or misunderstood.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWhy is music important?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e What is the importance of music that the author discusses in this book? A brief overview is as follows.\u003cbr\u003e (1) Music can enrich our lives by evoking feelings and emotions.\u003cbr\u003e (2) Music is closely related to the realm of emotion, feeling, mood, and, in short, affect. \u003cbr\u003eIn other words, music has a powerful ability to connect with emotions and feelings in a special way, and thus to unite private experiences (self-identity) and public experiences (collective identity).\u003cbr\u003e (3) Music is closely linked to love and sexual intimacy and can enhance that experience.\u003cbr\u003e Music has played a major role in the greater acceptance of diverse sexualities, including queerness and sexual freedom, in modern life.\u003cbr\u003e By doing so, it provides us with a variety of aesthetic experiences in our daily lives.\u003cbr\u003e (4) Music builds and strengthens social and community experiences.\u003cbr\u003e It can foster a sense of solidarity and community among those who share the same space.\u003cbr\u003e (5) Musical experiences bring people together across different communities, groups and places.\u003cbr\u003e In other words, it can transcend or embrace social differences to enable human and community life to prosper together. \u003cbr\u003eMusic culture can develop values ​​and identities that sustain the ideal of living well together, and through this, it can contribute in important ways to political life.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCriticizing rock resistance discourse: \"A site of pseudo-rebellion\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The critique of rock resistance discourse, which has had a significant influence on Korean popular music discourse since the 1990s, is particularly interesting.\u003cbr\u003e The author says that the 'rock\/pop dichotomy' is important for understanding popular music culture in the late 20th century.\u003cbr\u003e In popular music, pop and rock have each expressed, reflected, and shaped the two contradictory ethics of sex and love in their own way.\u003cbr\u003e This has also had the effect of improving the experience of sexual love and affirming various sexualities, including homosexuality.\u003cbr\u003e But pop was denigrated, and rock was glorified.\u003cbr\u003e The reason was that pop was conformist, while rock contained a resistance (counterculture) that challenged the dominant culture of society. \u003cbr\u003eIn particular, the sexual politics of rock have been evaluated as having the power to dismantle existing sexual discourse and liberate desire.\u003cbr\u003e However, the author criticizes rock music for pursuing extremely masculine music that contains misogyny, citing various music examples.\u003cbr\u003e The Rolling Stones wrote lyrics that were overtly degrading to women, and “punk’s ideology, with its hippie sensibility and rejection of feminist criticism, often bordered on misogyny” (p. 151).\u003cbr\u003e That is, he points out that rock has often been a “site of pseudo-rebellion,” often arrogant and self-aggrandizing.\u003cbr\u003e “The narrative that rock and roll rebelled against the conventions of the time in the 1950s and that rock rallied a generation of young people to challenge those in power in the 1960s” (p. 285) is nothing but a myth.\u003cbr\u003e This also applies to hip-hop, which is considered more subversive than rock. \u003cbr\u003eThe author points out that hip-hop tends to be more misogynistic and homophobic than rock.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eHow can we thrive together through music?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In chapters 4 and 5, the author deals with the 'public nature of music' in earnest.\u003cbr\u003e This connects to the author's understanding of the problem of how to maximize the value of music and enable more people to prosper through music.\u003cbr\u003e It also raises the question of how we can prosper together in modern society.\u003cbr\u003e What the author emphasizes is 'social publicness' that focuses on emotional communication.\u003cbr\u003e It is the importance of the empathetic solidarity that people experience when they sing together, dance together, and play together.\u003cbr\u003e “The most important musical influence on the world is … to do with maintaining public sociability, which keeps alive the feeling of solidarity and community” (p. 29). \u003cbr\u003e“Not everyone needs to be your friend, but nodding, making small talk, and exchanging sarcastic jokes are ways we can successfully live together.” (p. 224) The author argues that experiences that awaken a sense of “social publicness” can promote and strengthen the positive aspects of a community.\u003cbr\u003e “It is clearly a mistake to think that hope exists only in the past. \u003cbr\u003e“In clubs, dance halls, and bedrooms around the world, experiences of musical sociability and intimacy may be laying the foundations for new ways of instilling a sense of what we share with others—for meaningful politics and a form of life worth living.” (p. 333) And the author supports so-called “ethical cosmopolitanism,” which holds that true “cosmopolitanism” is about equal intercultural exchange and communication between nations or peoples with cultural sovereignty, rather than the disappearance of boundaries between “nations” or “states.”\u003cbr\u003e\u003cbr\u003e The author also introduces places and systems that are essential in everyday life to foster a thriving music culture.\u003cbr\u003e These include a wide variety of live music venues of various types and sizes, where people can enjoy a wide range of music genres; national and local laws and regulatory environments; educational systems and curricula; libraries and museums; and more. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eDate of issue:\u003c\/strong\u003e December 9, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 392 pages | 135*205*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791168731349 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894765879338,"sku":"108353","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/3a144a5c8fa796cc6cfb1f3ec5dfed9d.jpg?v=1765445403"},{"product_id":"108358","title":"dingo ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqV6owErYL4ZRHyVuLxDnhezGN.png?v=1765108019\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e dingo \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/138475632\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA story about dogs, humans, and life told by Bologna Ragazzi Award-winning author Wonhee Jo.\u003cbr\u003e A 176-page wordless picture book that overlaps our true face and the sad reality of how we face life.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Adoption and abandonment\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e A man walks home carrying a small puppy from a pet shop. \u003cbr\u003eThe man hugs the puppy, plays ball with it, and takes good care of it.\u003cbr\u003e Before he knew it, the puppy had grown into a middle-aged man, and the man no longer cared about it, making excuses that he was busy.\u003cbr\u003e Tick ​​tock tick tock.\u003cbr\u003e How much time has passed? One day, the man takes out a ball they used to play with.\u003cbr\u003e And the two get into the car.\u003cbr\u003e How far did we run? The car stopped in an unfamiliar place.\u003cbr\u003e The man who got out of the car threw the ball with all his might, and the dog, excited after a long time, ran towards the ball excitedly.\u003cbr\u003e The moment the dog jumps high and turns around with the ball in its mouth, the man is nowhere to be seen.\u003cbr\u003e A dog that realizes that the man has driven away and that it has been abandoned.\u003cbr\u003e So what will happen in this story?\u003cbr\u003e\u003cbr\u003e \u003cb\u003eRights and Abuses\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e According to government statistics, more than 100,000 abandoned dogs are produced in our country every year, and about 20,000 of them are euthanized in temporary shelters. \u003cbr\u003eFor stray cats, for which even statistics are impossible, the average lifespan is very short, at 2 to 3 years.\u003cbr\u003e Animal rights! All life deserves respect, and animals with sentient and sensory abilities deserve protection. But reality is different.\u003cbr\u003e We, who are not shocked by this horrific story of adopting and abandoning life, are perhaps a reflection of that reality.\u003cbr\u003e This book does not advocate animal rights or call for punishment for abandonment.\u003cbr\u003e It just brings to mind the fact that animals are being adopted out and abandoned unwillingly.\u003cbr\u003e However, I would like you to think about why “wild dogs” are called pariah dogs and not dingo or Lycaon, and about their abuse by humans.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4968\/MidCate003\/496724724.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eEditor's Note\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eWhen I first saw this pile of sketches a few years ago, the first thing I saw was people, not abandoned, runaway dogs.\u003cbr\u003e I wanted to show readers the black silhouettes of people who adopt, abandon, capture, and stand by while it all happens.\u003cbr\u003e As we all know, dogs and cats don't tell us anything.\u003cbr\u003e Although this book has no text, each image looks like a letter or a sentence.\u003cbr\u003e When revising the image narrative, if I took out one scene, I had to change the composition by about ten scenes in the front and back, and while I was struggling to add and remove frames to create a sense of speed, a full two years and eight months passed.\u003cbr\u003e Suddenly, I wonder.\u003cbr\u003e How much has the reality that the author and I wanted to capture in this book changed since then?\u003cbr\u003e\u003cbr\u003e In this book, every color is a symbol.\u003cbr\u003e The yellow color in city lights and car headlights is a uniquely human domain and a “threat” to wild dogs. \u003cbr\u003eThe blue on the leash is “bondage” by humans.\u003cbr\u003e When designing the cover, I wanted the dog to break free from all its bonds and run out of the blue cover.\u003cbr\u003e At the end of the book, the wild dogs head towards another pack.\u003cbr\u003e Is there truly a paradise beyond the mountain ridge? In introducing this book, I intentionally avoided using words like \"owner,\" \"companion dog,\" or \"pet.\"\u003cbr\u003e Finally, I will recite Arthur Rimbaud's poem [Sense].\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e I will walk along the field on a blue summer evening.\u003cbr\u003e\u003cbr\u003e Intoxicated by the scent of wheat fields, I tread on the grass\u003cbr\u003e You will feel the freshness of every step, as if you were dreaming.\u003cbr\u003e\u003cbr\u003e The wind blows and my hair flutters.\u003cbr\u003e\u003cbr\u003e Without saying anything, without thinking anything\u003cbr\u003e With a heart full of rising love\u003cbr\u003e I will go like a wanderer, far, far away.\u003cbr\u003e\u003cbr\u003e Go into nature as if you were with a lover. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 11, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 176 pages | 338g | 160*190*12mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791186825365\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1186825367 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894765977642,"sku":"108358","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/6545911052f72df41e57d28d6c00c3fa.jpg?v=1765445410"},{"product_id":"108360","title":"Painters who painted love ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWjf6RK76QBMLAGJl9yNtBqSR.png?v=1765108040\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Painters who painted love \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/137435593\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e The love story the painters wanted to convey\u003c\/div\u003e\n\u003cdiv\u003e A glimpse into the love story in famous paintings with docent Lee Chang-yong.\u003cbr\u003e We explore the emotions left behind by seven artists who left behind strong memories of love, including Lee Jung-seob, Klimt, Egon Schiele, Munch, and Frida Kahlo, through their works. \u003cbr\u003eA modern interpretation based on the artist's life and hidden backstory adds depth to the appreciation of the work.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eNovember 22, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eHolding memories of intense love\u003cbr\u003e Dive into the works of seven artists!\u003cbr\u003e A glimpse into the colors of love in famous paintings with Lee Chang-yong\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Lee Chang-yong, who has worked as a docent at the Louvre, Vatican Museum, and Orsay Museum, and has shared diverse and interesting perspectives and commentaries on works of art through MBN's \"The Private Lives of the Gods 2,\" tvN's \"Naked World History,\" and MBC's \"Guys Who Cross the Line,\" has a new book out.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author has long pondered and prepared the \"love the artist leaves behind in his work,\" believing that those who appreciate the paintings will be able to feel the artist's heart beyond the work once they learn the hidden stories contained within. Now, he presents this book to readers.\u003cbr\u003e\u003cbr\u003e  \u003cbr\u003eWe all agree that love is the greatest happiness for humans, yet at the same time a difficult, painful, and lonely emotion.\u003cbr\u003e It's no different even if he's a world-class master.\u003cbr\u003e They too fell in love, were excited, and were happy.\u003cbr\u003e And sometimes I was lonely, hurt, and wandering because of a love that was not fulfilled.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In this book, we accompany world-renowned artists on their journey to discover their love stories through their works.\u003cbr\u003e Even though their love was sometimes unhappy, difficult, and deserving of criticism, we will be happy to realize that while reading this book, inspiration has stirred in the depths of our hearts that we had forgotten.\u003cbr\u003e At least when we encounter art, we can feel the love contained in the work, empathize with it, and communicate with the artist.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003ePrologue: Uncovering Their Love in Artwork\u003cbr\u003e\u003cbr\u003e \u003cb\u003eImpossible Love, Raphael Sanzio\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e - Raphael Sanzio, the greatest genius painter in history\u003cbr\u003e -The Vatican's Crown Prince and the Baker's Daughter\u003cbr\u003e -Eternal love that never comes true\u003cbr\u003e\u003cbr\u003e \u003cb\u003eRembrandt van Rijn, a life full of twists and turns, captured in masterpieces\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -Saskia, the lovely woman who came to me like the sunshine of a spring day\u003cbr\u003e -A misfortune that came in an instant like a cold\u003cbr\u003e - The will of the one and only wife of Rembrandt, who wished to remain forever\u003cbr\u003e -The beginning of a dangerous cohabitation\u003cbr\u003e Rembrandt Falling into the Abyss\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe Golden Kiss of Beautiful Love, Gustav Klimt\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -Beautiful yet deadly magic\u003cbr\u003e -The Woman in Gold, Adele Bloch-Bauer\u003cbr\u003e -Austrian Mona Lisa who left her hometown forever\u003cbr\u003e -Immortal lovers sharing a kiss\u003cbr\u003e -Emily Flöge, the eternal muse and eternal goddess\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAnxiety and loneliness that permeate love and longing, Edvard Munch\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e-The swamp of first love that you can never escape\u003cbr\u003e Success and new love, Berlin's 'Black Piglet'\u003cbr\u003e -Between love and murder, no one's fault\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEgon Schiele, expressing human desires as they are\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -Valerie Noizil, the woman who awakened my unconscious sexual desire\u003cbr\u003e -A criminal of obscenity? A martyr of art?\u003cbr\u003e -Dating is practice, marriage is reality\u003cbr\u003e -Splendid glory and brief happiness\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe worst thing that ever happened to me was meeting my love, Frida Kahlo\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -A girl with dreams, born in Mexico\u003cbr\u003e -Two major accidents, a car accident and Diego Rivera\u003cbr\u003e -The Cannibal and the Pigeon Couple\u003cbr\u003e -My first marriage, only my Diego\u003cbr\u003e -A work born from loss and despair\u003cbr\u003e -Second marriage, still my Diego\u003cbr\u003e -May my departure be happy, and may I never return.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eLove and longing that transcend the ravages of war, Lee Jung-seob\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -The son of the richest man in Pyeongan Province \u003cbr\u003e-The eternal muse who appeared like fluttering cherry blossoms\u003cbr\u003e -Love that crossed the ravages of war\u003cbr\u003e -Short-lived happiness, long-lasting longing\u003cbr\u003e -War, refuge, and eternal separation\u003cbr\u003e -A desperate struggle for reunion\u003cbr\u003e -The last exhibition that was hopeful\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4929\/MidCate009\/492884113.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e During this period, there was a cardinal in the Vatican named Bibiena who had been Leo X's teacher since his childhood.\u003cbr\u003e He was appointed a cardinal when Leo X ascended to the papacy, and at the same time, he was a man who gained great power to the point of becoming the treasurer of the Vatican.\u003cbr\u003e He had been watching Raphael for a long time and had taken a liking to him, so he began to pressure Raphael to marry his niece, Maria Bibiena.\u003cbr\u003e ---From \"Impossible Love, Raphael Sanzio\"\u003cbr\u003e \u003cbr\u003eRembrandt, who was respected by so many masters and had a great influence on art history, many people assume that he lived a stable life filled with splendor.\u003cbr\u003e Unfortunately, Rembrandt's life was not so smooth.\u003cbr\u003e His life is filled with so many twists and turns and confusion that it makes you wonder if one person's life can be this turbulent.\u003cbr\u003e The interesting part is that in every moment of confusion, Rembrandt's beloved lovers were entangled.\u003cbr\u003e ---From \"Rembrandt van Rijn, a life full of twists and turns recorded in masterpieces\"\u003cbr\u003e\u003cbr\u003e It is believed that Klimt was in love with most of the women who appear in his works. \u003cbr\u003eHe worked tirelessly for over 40 years, leaving behind a total of 245 works, 120 of which feature only women, giving us an idea of ​​how many women he had loved.\u003cbr\u003e He was driven by a strong eroticism throughout his life, worshipped and was deeply fascinated by women, and was always inspired by them.\u003cbr\u003e ---From \"The Golden Kiss of Beautiful Love, Gustav Klimt\"\u003cbr\u003e\u003cbr\u003e There was a saying, 'You can never forget your first love until the day you die.'\u003cbr\u003e Although it was a short encounter of only six months, Munch, who was more sensitive than anyone else, was particularly distressed by the pain of the ordeal.\u003cbr\u003e He wants to run into her, even if it's by chance, even though he can't meet her or even contact her, and he wanders around Karl Johan Street, Oslo's busiest street where Millie is having affairs with countless men. \u003cbr\u003eIf I go out on this street, won't I meet her? Could the woman sitting in that cafe, that bar, be a pushover?\u003cbr\u003e ---From \"Anxiety and Loneliness Penetrating Love and Longing, Edvard Munch\"\u003cbr\u003e\u003cbr\u003e However, Egon Schiele thought that the situation in which he, an artist, was imprisoned and his works were burned was extremely unfair and unreasonable.\u003cbr\u003e He thought of himself as a victim and martyr of art, suffering to achieve great art.\u003cbr\u003e Looking at \"To Hinder an Artist is a Crime,\" which he painted while in prison, you can get a sense of how he felt about this incident.\u003cbr\u003e In his prison diary, he did not deny that he had drawn erotic pictures, but he never agreed that they were problematic, leaving the following comments: \u003cbr\u003e---From \"Egon Schiele, Expressing Human Desire as It Is\"\u003cbr\u003e\u003cbr\u003e “Diego, the beginning of everything, Diego the builder, Diego the painter, Diego my husband, Diego my friend… But why do I say ‘my’ Diego? He will never be mine.\u003cbr\u003e “It belongs only to itself.”\u003cbr\u003e “I have had two major accidents in my life.\u003cbr\u003e One was a car accident, and the other was meeting Diego Rivera.\u003cbr\u003e The worst of them was the latter.”\u003cbr\u003e ---From \"The worst thing that ever happened to me was meeting the one I love, Frida Kahlo\"\u003cbr\u003e\u003cbr\u003e Lee Jung-seob shared a love more beautiful than anyone else's, and after going through an unbelievable process that seemed like a lie, they ended up getting married.\u003cbr\u003e But the year he got married, 1945, was a time of great turmoil in history.\u003cbr\u003e The liberation that they had longed for came right after their marriage, but the North and South were divided. \u003cbr\u003eWonsan, where he stayed, was in the northern region, and the North Korean communist regime was established there.\u003cbr\u003e This was the beginning of misfortune for Lee Jung-seop's family.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Love and Longing Across the Scorch of War, Lee Jung-seob\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e“I leave you in me forever.”\u003cbr\u003e\u003cbr\u003e Sometimes secretly, sometimes boldly,\u003cbr\u003e The painters put their own works into their own works.\u003cbr\u003e Looking into the traces of the heart\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e If we live by the belief that \"eternal love does not exist,\" will that belief bring us comfort or pain? Master painters, eager to immortalize their love, captured it on canvas.\u003cbr\u003e The image of love is as if it were alive and breathing, giving us cries of joy, showing us expressions of sorrow, conveying the pain of hurt, and sending waves of emotion.\u003cbr\u003e \u003cbr\u003eRaphael, who was suffering from an unrequited love, left behind his masterpiece, “La Fornarina,” which contained a secret message that only the two of them could know about his love for his lover, Margherita Luti. During the time he spent with her, he filled the ceiling of the Villa Farnesina with the love story of “Cupid and Psyche,” leaving it forever.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Munch, who was struggling in pain while holding onto his first love who had left him, hid his loneliness and helplessness on the streets where he had wandered in search of her in one of his representative works, “Evening on Karl Johan Street.”\u003cbr\u003e\u003cbr\u003e Egon Schiele was honest about love and instinct.\u003cbr\u003e Sometimes it hurt or caused pain to others, but he tried to express his inner self with all his heart. \u003cbr\u003eSchiele's work, which built his own expressionistic world based on the symbolist beauty of Klimt, who was like his spiritual mentor, expressed the unconscious desires contained within him as they were.\u003cbr\u003e This also connects to the reason why he expressed his feelings for the person he loves along with sexual expression in “Embrace.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Frida Kahlo, who could never escape Diego Rivera, left Diego's face on her in \"Diego and I.\"\u003cbr\u003e And I shed tears.\u003cbr\u003e Even after being in a serious car accident that nearly destroyed her body, she confesses that meeting Diego was an even more difficult accident.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Even if it remains as a memory like a flame to some and an active volcano to others, the memories of the times when we believed love would last forever are painful and longed for.\u003cbr\u003e The hearts of painters who wanted to preserve their love forever must have been the same. \u003cbr\u003eWhen the moment comes that the masterpieces they left behind send gentle waves through our hearts, we will finally hear the sincerity of the love the artists wanted to convey.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAuthor's Note\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Since ancient times, painters have been singing about the emotions of love in their works.\u003cbr\u003e Even if the feelings are extremely personal, and sometimes trivial or deserving of criticism, when we encounter art, we feel the love contained within the work, empathize with it, and seek to communicate with the artist.\u003cbr\u003e\u003cbr\u003e As we examine and empathize with the people with whom the artists shared their passionate lives and hearts, and how beautiful and heartbreaking that love was, we will undoubtedly experience a new kind of emotion we have never felt before.\u003cbr\u003e -From the prologue \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 18, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 272 pages | 438g | 145*200*17mm\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791193031759\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1193031753 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894766108714,"sku":"108360","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/f90341ef631deb3ed4dfb70a221861ce.jpg?v=1765445417"},{"product_id":"108364","title":"Cheongseol script collection ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWjfSKnP13IGqsEYo9KQizmEx.png?v=1765108061\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Cheongseol script collection \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/136747205\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e  \u003cdiv\u003eExpress your excitement with your hands and feel love with your heart.\u003c\/div\u003e\n\u003cdiv\u003e “Meeting you was the best thing I ever did in my life.” A movie script that captures the sweet emotions of first love.\u003cbr\u003e The lovely conversations exchanged through gestures provide a unique 'reading experience' unique to the scriptbook, and the refreshing still cuts and posters hidden inside the cover capture the readers' attention.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eDecember 3, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e\"The New Bible of Youth Melodies\" - Reporter Jo Yeon-kyung, JTBC Entertainment News\u003cbr\u003e ★#1 overall pre-sale rate, #1 box office in its opening week! \"Cheongseol\" script book released★\u003cbr\u003e Yongjun (Hong Kyung), Yeoreum (Noh Yoon-seo), Gaeul (Kim Min-joo), the refreshing lines and scenes of 'Cheongseolz' are captured as they are!\u003cbr\u003e\u003cbr\u003e “Meeting you was the best thing that ever happened to me.”\u003cbr\u003e The first thrill of life, conveyed through gestures, that refreshing and sweet moment.\u003cbr\u003e Jump into the season of first love, as clear and fresh as early summer.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eYongjun is an ordinary job seeker who is not particularly good at anything and has no desire to do anything.\u003cbr\u003e The day he started his reluctant part-time job at his parents' lunchbox shop, there was a person at the swimming pool he went to deliver to who sent refreshing ripples through his mind.\u003cbr\u003e Yongjun is completely captivated by Yeoreum's bright smile and gestures as she watches her younger sister, Gaeul, a competitive swimmer...\u003cbr\u003e\u003cbr\u003e Yongjun approaches Yeoreum using sign language, which he learned in college, and Yongjun gradually seeps into Yeoreum's heart, who has been living as if her younger sister's dream were her own.\u003cbr\u003e But the moment we feel closer, summer starts to drift apart again.\u003cbr\u003e How can their worlds meet again?\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e · Director · Actor Message\u003cbr\u003e · Character introduction\u003cbr\u003e · Character commentary\u003cbr\u003e · Hear me: Screenplay for \"Cheongseol\"\u003cbr\u003e · Our summer: Stills collection\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\n\u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4907\/MidCate008\/490679501.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Autumn: I'm autumn, my sister is summer.\u003cbr\u003e This is my face name (*the sign language name used instead of the Korean name when signing).\u003cbr\u003e (Signing 'pretty' by making a dimple with the index finger) My sister (Signing 'smile' by raising the corners of her mouth with her thumb and index finger) is this.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Yongjun: We listen, the farmer watches.\u003cbr\u003e It's not the people who can't hear, it's the people who see better than us! - Yongjun\u003cbr\u003e\u003cbr\u003e Summer: The world is so tough, isn't it? It's just that there's no sound.\u003cbr\u003e It's a completely different world.\u003cbr\u003e I can't go in, I can't go out...\u003cbr\u003e\u003cbr\u003e Autumn: My life is mine.\u003cbr\u003e Why are you betting your life on my dream?\u003cbr\u003e\u003cbr\u003e Yongjun: I just… Since you don’t think about yourself, I keep thinking about you.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- From the text\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eBe captivated by a moment of refreshing excitement!\u003cbr\u003e 2024 Busan International Film Festival Special Premiere\u003cbr\u003e #1 overall reservation rate and overwhelming rave reviews\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eReleased in Taiwan in 2009, \"Blue Snow,\" which is considered to have opened a new horizon for the Taiwanese romance film genre, was remade in 2024 with added Korean sensibility.\u003cbr\u003e Kim Min-joo plays the role of Ga-eul, a swimmer who dreams of competing in the Olympics; Noh Yoon-seo plays Yeoreum, who is obsessed with supporting Ga-eul as her older sister but gradually begins to find her own life; and Hong Kyung plays Yong-jun, who falls in love with Yeoreum at first sight and goes straight to her with sincerity. They gave a passionate performance, fully capturing the freshness of youth that is just beginning like early summer.\u003cbr\u003e In response, Korean melodramatic fans responded by ranking first in overall ticket sales as soon as ticket sales opened and first in the box office in the first week of release.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAudience Reviews Preview\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e ★★★★★ A Korean remake that is as good as the original.\u003cbr\u003e _Cine****\u003cbr\u003e ★★★★★ A perfect movie for Christmas in August.\u003cbr\u003e _Ju****** \u003cbr\u003e★★★★★ It's been a long time since I've seen a really clear and refreshing movie without any stimulation, so it was a pleasure for both my eyes and my heart.\u003cbr\u003e _wh*******\u003cbr\u003e ★★★★★ It's been a while since I've felt this ticklish sensation. It feels like my cells are coming back to life.\u003cbr\u003e _ki*****\u003cbr\u003e ★★★★★ A clear and clean pollution-free youth melodrama with a refreshing and pure flavor like carbonated water, presented at the end of late autumn.\u003cbr\u003e _da*********\u003cbr\u003e ★★★★★ Even if you can't hear, you can see the heart.\u003cbr\u003e _Gourd**\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReading the script to relive the excitement of the movie 120%\u003cbr\u003e From director and actor messages, poster covers, and stills\u003cbr\u003e A comprehensive gift set for 'Cheongseolz' fans\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The audio in the film \"Blue Snow\" is quiet, as Summer, Autumn, and Yongjun primarily communicate in sign language, but it is by no means a \"wordless\" film.\u003cbr\u003e The script booklet reveals the entire script, allowing you to fully 'read' and reminisce about those pure and loving conversations exchanged through gestures. \u003cbr\u003eAdditionally, through commemorative messages and character commentary from director Cho Sun-ho and the three lead actors, it conveys how the producers and actors interpreted and incorporated the film's unique sensibility and the characters' characteristics into the film.\u003cbr\u003e Along with this, the pictorial consists of approximately 30 still photos from the movie, and includes the autographs of the three main actors, making it a gift for fans to cherish the innocent and transparent moments of first love in the movie for a longer time. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e December 2, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 180 pages | 444g | 165*220*14mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791194293507\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1194293506 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894766174250,"sku":"108364","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/b56154195b6365799e499bc1801ee442.jpg?v=1765445424"},{"product_id":"108372","title":"War script ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWgVoCiJJrvePAEetPT3Sf8fz.png?v=1765108082\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Jeon, Ran's script \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/136741295\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e#1 Korean film on Netflix immediately after release\u003c\/b\u003e \u003cbr\u003eOpening Film of the 29th Busan International Film Festival\u003cbr\u003e [Jeon, Ran] Official Script\u003cbr\u003e\u003cbr\u003e [The Battleship Island], co-written and produced by director Park Chan-wook and directed by stylist Kim Sang-man, attracted attention from the moment it was announced.\u003cbr\u003e Additionally, Kang Dong-won, who has shown excellent acting in historical dramas, and Park Jung-min, who is taking on his first full-fledged historical drama, took on the lead roles, creating even more buzz.\u003cbr\u003e Since then, [The Battleship Island] has received rave reviews, including being selected as the opening film for the 2024 Busan International Film Festival, and has risen to the top of the domestic Netflix movie rankings.\u003cbr\u003e\u003cbr\u003e [전,란] is surrounded by gorgeous primary colors and meticulous visuals, but the story contained within also evokes many thoughts.\u003cbr\u003e In particular, Cheon Yeong, a genius swordsman of slave origin, is a victim of the absurd class society. \u003cbr\u003eHe is a character who has struggled since childhood with the single-minded desire to live freely, and through repeated setbacks in the process, he realizes that freedom is not only necessary for himself, but for everyone in this world.\u003cbr\u003e According to this, [The Battle of Jeon, Ran] is a film that contains a sharp criticism of a society that divides people into classes based on their social origins and tries to solidify those classes.\u003cbr\u003e\u003cbr\u003e Jong-ryeo, who plays the other axis of this film, is a character who is on the opposite side of Cheon-yeong in many ways.\u003cbr\u003e As the son of a noble family, he cannot escape the fate of being a military officer that was given to him.\u003cbr\u003e He is kind and gentle by nature and tries to become friends with the free-spirited slave Cheonyeong without any formality.\u003cbr\u003e However, as he begins to feel betrayed by his only friendship, his fragile nature becomes poisonous and turns into resentment. \u003cbr\u003eFrom then on, he becomes the embodiment of power and class system, and without realizing it, he finds himself positioned completely opposite Cheonyeong.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e jeon\u003cbr\u003e Struggle\u003cbr\u003e half\u003cbr\u003e Ran\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4913\/MidCate009\/491280117.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Ancestor: My dear, my dear… Was it wrong for this father to abandon the capital? If the king has a tomorrow, won't the country have a tomorrow?\u003cbr\u003e When Gwanghae couldn't answer right away, Sangseon hurriedly left.\u003cbr\u003e Sangseon: Your Majesty's intentions are just.\u003cbr\u003e The ancestor's expression gradually becomes colder.\u003cbr\u003e Ancestor: After giving the fruit, cut off the ferry.\u003cbr\u003e King Gwanghae and Lee Deok-hyeong's eyes widen.\u003cbr\u003e Lee Deok-hyung: Your Majesty.\u003cbr\u003e If we cut off the ferry, the people's escape route will be cut off!\u003cbr\u003e Ancestor: This ship must also be sunk.\u003cbr\u003e Also! Burn all the houses so that the enemy doesn't try to make a raft.\u003cbr\u003e --- p.53~54\u003cbr\u003e \u003cbr\u003eAncestor: Even if you feel affection for those below you, you must know how to hide it. Favoritism breeds arrogance in the minority, and philanthropy breeds disorder in the majority.\u003cbr\u003e Isn't this the bitter fate of those who rule?\u003cbr\u003e --- p.64~65\u003cbr\u003e\u003cbr\u003e Jongryo's wife: The rules of the upper class are so strict, so how can you be so casual with the lowly?\u003cbr\u003e Jongryeo: You can be friends with a dog, but not with a bell?\u003cbr\u003e Jongryo's wife: A dog is something you raise, and a servant is something you command.\u003cbr\u003e --- p.86\u003cbr\u003e\u003cbr\u003e In front of the remains of the burned-out main building.\u003cbr\u003e The shadow sitting on the stone steps up and walks out.\u003cbr\u003e It's Cheonyeong.\u003cbr\u003e Cheonyeong: How have you been, my lord?\u003cbr\u003e Cheonyeong sends greetings.\u003cbr\u003e Cheonyeong rushes in like lightning as soon as he finishes speaking.\u003cbr\u003e There was anger at the tip of the sword that was being driven forward fiercely.\u003cbr\u003e Jongryeo calmly blocks the attack, but counterattacks with unexpected strength and skill.\u003cbr\u003e Two people standing facing each other with their distance apart. \u003cbr\u003eCheon-yeong: Even a bastard from a parasite house can be fed a bowlful of rice if he catches a thief.\u003cbr\u003e The king, who promised to reward us if we achieved great things, framed us and killed us.\u003cbr\u003e Just like your father!\u003cbr\u003e A sword that comes down as soon as the words are finished.\u003cbr\u003e Holding on with the strength of the palm tree-\u003cbr\u003e Jongryeo: A dog that bites its owner has no choice but to be killed.\u003cbr\u003e --- p.110~111\u003cbr\u003e\u003cbr\u003e Jongryeo: Do ​​you know the pain of those who are burned to death? I will tear off your limbs and throw you into the fire.\u003cbr\u003e (Running forward and swinging his sword repeatedly) Just like you did to my father, my mother, my wife, and my son!\u003cbr\u003e Cheonyeong, who realizes the whole story at Jongryeo's indignant cry, stops.\u003cbr\u003e Jongryo kicks Cheonyeong's chest, knocking him down, and swings his sword down.\u003cbr\u003e Cheon-yeong, instead of dodging, opens his hand to block, and the sword pierces his palm.\u003cbr\u003e The blade pierces through the old wound again and sticks into the dirt.\u003cbr\u003e Cheonyeong looks sadly into Jongryeo's eyes without fighting back.\u003cbr\u003e Jongryo is puzzled by Cheonyeong's change in attitude. \u003cbr\u003eCheon-yeong: Is that really what you believed? Or is it something you want to believe?\u003cbr\u003e Jongryo hesitates at the unexpected question, his eyes wavering.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.142~143\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eA meticulously crafted script containing an unavoidable fate\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Meanwhile, the narrative of these two sounds like a story about fate.\u003cbr\u003e The name Jongryeo (宗呂) is a Chinese character that contains the character 宮, meaning palace, and he lives a life that lives up to the destiny given to him by his name.\u003cbr\u003e On the other hand, the name Cheonyeong has no original meaning and is given different meanings from time to time, which also seems to symbolize his life of pursuing freedom.\u003cbr\u003e Meanwhile, the Japanese warrior Kenshin also meets a death that matches the prophecy or curse he heard from a shaman in the beginning.\u003cbr\u003e Everyone struggles to the best of their ability in their respective positions, but the great destiny holds the future of the characters in its hands as if looking down on their struggles. \u003cbr\u003eAs such, many of the lines and settings in [The Battle of Jeon, Ran] contain foreshadowing or implied meanings, so fans of this film will find a lot of new things to discover as they slowly read the script.\u003cbr\u003e You can also enjoy the pleasure of encountering deleted or changed lines and scenes. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 15, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 152 pages | 288g | 150*210*13mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788932475240\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8932475245 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894766338090,"sku":"108372","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/829c9224e47baeda5d5e8c85d0ee4b7f.jpg?v=1765445430"},{"product_id":"108375","title":"Ghibli Storytelling for Creators ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tqWg54X63fGPQJ9zsC0B9l0RAJ.png?v=1765108103\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Ghibli Storytelling for Creators \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/136733748\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e*** Recommended by producer Son Sang-beom, film director Min Kyu-dong, and singer Kim Yoon-ah! ***\u003cbr\u003e A book that delves into how Ghibli achieved both originality and universality!\u003cbr\u003e - Son Sang-beom (CEO of production company 'House of Impression')\u003c\/b\u003e \u003cbr\u003eA book that lets you view the world of stories from the shoulders of the giant Hayao Miyazaki!\u003cbr\u003e - Min Kyu-dong (film director, screenwriter and director of \"Whispering Corridors: Part 2\")\u003cbr\u003e An intellectual guide that will spark your creative spirit!\u003cbr\u003e - Kim Yoon-ah (singer-songwriter, member of the band Jaurim)\u003cbr\u003e Uncovering the Special Features of Spirited Away and Howl's Moving Castle\u003cbr\u003e A story creation guide that will upgrade your work with Ghibli films!\u003cbr\u003e\u003cbr\u003e The second book in the \"Storytelling Secrets Series,\" a series of writing guides that delve into the storytelling secrets of movie studios that are \"trusted and watched\" for their high-quality stories and distinct personalities, has been published.\u003cbr\u003e The protagonist is Studio Ghibli, an animation production company loved around the world for its charming characters, captivating plot, mysterious worldview, and weighty themes. \u003cbr\u003eThis book analyzes the storytelling techniques used by Ghibli through numerous masterpieces such as [Spirited Away], [Howl's Moving Castle], [Ponyo on the Cliff by the Sea], [Princess Mononoke], [My Neighbor Totoro], [Kiki's Delivery Service], and [How Do You Live?], and helps story creators utilize them in their own works.\u003cbr\u003e\u003cbr\u003e This book outlines Ghibli's principles and know-how used throughout the entire story creation process, from how creators acquire the knowledge necessary for story creation, to how to discover and develop ideas, how to create compelling characters and worldviews, and how to create a coherent structure and effectively convey the theme.\u003cbr\u003e These principles, which can easily feel difficult and abstract, are explained easily and intuitively through examples from Ghibli films. \u003cbr\u003eMoreover, these vivid examples evoke the emotions felt while watching the movie and remind us of the power and fun of a great story.\u003cbr\u003e\u003cbr\u003e Furthermore, this book goes beyond explaining effective storytelling methods analyzed through Ghibli films and provides practical guidelines for how to utilize them.\u003cbr\u003e The 'Summary' and 'Practice' sections are located at the end of each chapter.\u003cbr\u003e The 'Summary' corner summarizes the key points of the previously explained content, helping creators quickly find the information they need when they get stuck while writing a story.\u003cbr\u003e The 'Practical Practice' corner provides questions that can be applied to actual creative work based on the previously summarized content, helping creators review and improve their works in accordance with Ghibli's principles.\u003cbr\u003e\u003cbr\u003e Meanwhile, this book is rich in examples not only of Ghibli films but also of non-film cases related to the creative process. \u003cbr\u003eFrom the unique creative process of Studio Ghibli, the \"Image Board\" system, to the trial and error of the filmmaking process, to anecdotes that offer a glimpse into the creative philosophy of Hayao Miyazaki, the master who represents Studio Ghibli, it is full of useful content that will become a part of creators' lives.\u003cbr\u003e Through this, readers will learn not only storytelling techniques that can be applied directly to their creative work, but also the qualities and attitudes that a creator must possess to create a great story.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation 4\u003cbr\u003e Prologue 7\u003cbr\u003e · 7 Ghibli Storytelling We Love\u003cbr\u003e · Who is this book for? 10\u003cbr\u003e · What is this book about? 12\u003cbr\u003e · What is this book for? 15\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1 Knowledge 25\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · Appreciate actively 27\u003cbr\u003e · Understand the story's genealogy 31\u003cbr\u003e · How to Use Other Works in Your Creation 35 \u003cbr\u003e· Experience and try out different things 48\u003cbr\u003e Summary \/ Practice 54\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2 Idea 57\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · Develop ideas through imagination and imagination 59\u003cbr\u003e · Ghibli's Secret: Use Image Boards 62\u003cbr\u003e · Observation and experience create relatable stories 75\u003cbr\u003e Summary \/ Practice 86\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: Main Character 89\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · Two Types of Protagonists 91\u003cbr\u003e · Three Requirements for a Protagonist 98\u003cbr\u003e · Creating an Attractive Main Character 106\u003cbr\u003e Summary \/ Practice 108\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: The Antagonist 111\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · Antagonist, not a villain 113\u003cbr\u003e · Creating a Compelling Antagonist 115\u003cbr\u003e · Creating a Story Without an Antagonist 128\u003cbr\u003e Summary \/ Practice 132\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5: Helpers 135\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · The nameless assistant creates the story's emotion 137\u003cbr\u003e · The assistant helps the protagonist grow 140\u003cbr\u003e · The limits of the assistant 143\u003cbr\u003e · Turn your adversaries into allies 146\u003cbr\u003e Summary \/ Practice 150\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6: Incidents and Drama 153\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · Conflict: The energy that causes events 155\u003cbr\u003e · Events: The Force That Moves the Story 164 \u003cbr\u003e· Drama: Complete story 171\u003cbr\u003e Summary \/ Practice 175\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 7: Ghibli's Structure 179\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · What is the structure of a story? 181\u003cbr\u003e · Analyzing the structure of Ghibli 188\u003cbr\u003e · Act 1 (Setup): A New and Unfamiliar World 195\u003cbr\u003e · Act 2 (Confrontation): Crisis 197\u003cbr\u003e · Act 3 (Resolution): Double Climax and Conclusion 200\u003cbr\u003e Summary \/ Practice 215\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 8: Worldview 219\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · Creating a Ghibli-like Worldview 221\u003cbr\u003e · Use your imagination 228\u003cbr\u003e · Stories Created by Space 232\u003cbr\u003e Summary \/ Practice 236\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 9 Expression 239\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e God is in the details 241\u003cbr\u003e · Express yourself synesthetically 245\u003cbr\u003e · Reject inertial expressions 247\u003cbr\u003e · Believe in the power of the medium you're creating. 250\u003cbr\u003e Summary \/ Practice 256\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 10 Topic 259\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e · The beginning and end of the story, theme 261\u003cbr\u003e Hayao Miyazaki's Films and Themes 264\u003cbr\u003e · Balance the theme and story 271\u003cbr\u003e · Three Ways to Reveal a Topic 274 \u003cbr\u003e· 277 Themes that Grow Naturally in the Story\u003cbr\u003e Summary \/ Practice 280\u003cbr\u003e\u003cbr\u003e Epilogue 282\u003cbr\u003e\u003cbr\u003e Storytelling in the Age of Generative AI 282\u003cbr\u003e · Bicycle training wheels 285\u003cbr\u003e\u003cbr\u003e Movie List 287\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4911\/MidCate008\/491077367.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e This is why the protagonists of Ghibli films, which emphasize competence, are often cursed.\u003cbr\u003e The more competent the protagonist, the more clearly his limitations should be defined.\u003cbr\u003e Howl is a great wizard, but he is cursed to lose his humanity and turn into a monster.\u003cbr\u003e Ashitaka is a mythical being who transcends ordinary humans, but is slowly dying under the curse of the god of disaster.\u003cbr\u003e Porco from Porco Rosso is a veteran pilot, but he lives as a pig, unable to get along with humans.\u003cbr\u003e The limitations of such a capable protagonist double the character's appeal and make the story more tense.\u003cbr\u003e\u003cbr\u003e --- p.103\u003cbr\u003e \u003cbr\u003eHere we can learn one thing to be careful about when creating an antagonist with a clear belief.\u003cbr\u003e The problem is that if both the protagonist and the antagonist have distinct beliefs and these are in perfect symmetry with each other, it can make it difficult to progress the story.\u003cbr\u003e Moreover, in cases like this, if the creator rashly takes one side, the story may be perceived as propaganda aimed at instilling a certain ideology or way of thinking.\u003cbr\u003e Princess Mononoke cleverly overcomes this problem.\u003cbr\u003e By putting Ashitaka in the role of mediator, the protagonist listens carefully to both sides of the story between San and Eboshi.\u003cbr\u003e This not only advances the story by creating a crack in the deadlocked conflict structure, but also removes the feeling of propaganda.\u003cbr\u003e Additionally, it reveals Eboshi's character in a more three-dimensional way to the audience.\u003cbr\u003e\u003cbr\u003e --- p.121~122\u003cbr\u003e \u003cbr\u003eAnother way to create an engaging antagonist is to transform them in a positive way, leading to growth.\u003cbr\u003e This is also the most unique aspect of the antagonists drawn by Ghibli.\u003cbr\u003e Just as the protagonist changes and grows throughout the story, the antagonist often grows alongside the protagonist.\u003cbr\u003e The character that best exemplifies this is Kaonashi from Spirited Away.\u003cbr\u003e\u003cbr\u003e --- p.123\u003cbr\u003e\u003cbr\u003e Here, with Totoro's help, all problems are solved with absurd ease.\u003cbr\u003e Yet, the reason this scene is not considered a deus ex machina is because the bond between the sisters and Totoro is sufficiently explained throughout the film.\u003cbr\u003e This provides an important way to use your assistants effectively. \u003cbr\u003eThe relationship between the protagonist and the sidekick should develop gradually throughout the story, so that the sidekick's help seems like a natural outcome of the relationship they've built, rather than something that comes out of nowhere.\u003cbr\u003e\u003cbr\u003e --- p.142\u003cbr\u003e\u003cbr\u003e If we were to create a story that focuses on the inner workings of a character without a clear antagonist, as we discussed in Chapter 4 (Antagonist), how could we compensate for the limitations of this internal conflict? Switching between internal and external conflict can be a useful method.\u003cbr\u003e Let's look at an example of this transition through Kiki's Delivery Service, a representative Ghibli film that does not feature an explicit antagonist.\u003cbr\u003e\u003cbr\u003e --- p.159~160\u003cbr\u003e\u003cbr\u003e What sets Ghibli films apart from other films is not that they don't follow a three-act structure, but rather that they approach their central conflict differently.\u003cbr\u003e Ghibli films clearly have a central conflict, but they don't always make it explicit. \u003cbr\u003eLet's look at the example of \"My Neighbor Totoro.\"\u003cbr\u003e --- p.186\u003cbr\u003e\u003cbr\u003e Ghibli's climax, unusually, occurs twice.\u003cbr\u003e This can be called the so-called 'double climax structure'.\u003cbr\u003e The first climax is an emotional climax related to the protagonist's inner self, and the second climax is an event climax related to the central conflict.\u003cbr\u003e The emotional climax resolves the protagonist's internal conflict and achieves inner growth, while the climax of the story resolves the central conflict based on the protagonist's growth.\u003cbr\u003e --- p.201\u003cbr\u003e\u003cbr\u003e Another important thing to keep in mind when creating and presenting a worldview is not to try to explain everything about it.\u003cbr\u003e Keep the internal principles and laws that operate within the world of the work consistent, but hide specific information that is not essential to the progression of the story.\u003cbr\u003e This is an effective way to encourage the audience's active imagination and increase their immersion in the work. \u003cbr\u003eThe depiction of 'magic and curse' in Ghibli's films illustrates the effectiveness of this method well.\u003cbr\u003e\u003cbr\u003e --- p.225\u003cbr\u003e\u003cbr\u003e Space is one of the important elements that creates a worldview and visually shapes it.\u003cbr\u003e Ghibli films always clearly establish their spatial backgrounds. This clear space not only intuitively shows the unique worldview of the work, but also hints at background settings or backstories that are not directly depicted in the story, and sometimes even serves as a catalyst for the creation of new stories.\u003cbr\u003e\u003cbr\u003e --- p.232\u003cbr\u003e\u003cbr\u003e But here we need to look at the case of “The Wind Blows.”\u003cbr\u003e (…) This work depicts the irony and tragedy of an individual with talent and ideals being forced to be used in war due to the circumstances of the time.\u003cbr\u003e However, the film sparked controversy after its release for glorifying war and promoting militarism. \u003cbr\u003eHayao Miyazaki wanted to reflect on the contradictions of humanity through this work, but the contradictions were so excessive that the film's theme was not fully conveyed to people.\u003cbr\u003e In this respect, “The Wind Blows” is also a work that makes us reflect on the relationship between storytelling and thematic awareness.\u003cbr\u003e How should the theme be integrated into the story? Let's explore the appropriate balance.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.270~271\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe easiest way to take your first steps in story creation\u003cbr\u003e Let's use the success recipes of storytellers who are \"trusted and seen.\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e It is truly an 'age of great creation'.\u003cbr\u003e Countless stories are produced and consumed every day, not only in movies and dramas, but also in webtoons, web novels, and genre literature. \u003cbr\u003eAt a time when interest in stories is higher than ever, aspiring creators trying to take their first steps in story creation are bound to feel as lost as a sailboat lost in the vast ocean.\u003cbr\u003e \"Where should I start? They say writing theory is essential for crafting a solid story, but which of the numerous theories should I learn? Can I learn it on my own?\" Anyone who's ever tried to create a story has likely experienced this anxiety at least once.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e But there is an easier way to learn how to create stories.\u003cbr\u003e It's about finding a well-made story that has a lot to learn from, analyzing its unique strengths, and incorporating them appropriately into your own work.\u003cbr\u003e Accordingly, Dongneok presents the 'Storytelling Secrets Series', which delves into the creative techniques of storytellers who have established themselves as a 'trusted' film studio with high-quality stories and distinct personalities. \u003cbr\u003eThis three-volume series covers Pixar Animation Studios, Studio Ghibli, and Marvel Studios.\u003cbr\u003e All three studios are veteran creative groups that have captured the hearts of people around the world with their unique colors and storytelling.\u003cbr\u003e Meet [Ghibli Storytelling for Creators], the second book in a series exploring their 'recipe for success.'\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFrom [Nausicaä of the Valley of the Wind] to [How Do You Live?]\u003cbr\u003e Uncovering the Secrets of the Great Stories We Love\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e For over 40 years, Studio Ghibli has consistently produced compelling stories featuring captivating characters, captivating plots, mystical worlds, and weighty themes. \u003cbr\u003eMany of Ghibli's hit works, such as [Spirited Away], [Howl's Moving Castle], [Ponyo on the Cliff by the Sea], [Princess Mononoke], [My Neighbor Totoro], [Kiki's Delivery Service], [Nausicaä of the Valley of the Wind], [Castle in the Sky], [Porco Rosso], and [How Do You Live?], are recognized for their stories that are both popular and artistic, and are still loved to this day.\u003cbr\u003e\u003cbr\u003e This book analyzes and introduces the storytelling principles and know-how commonly used in such Ghibli films.\u003cbr\u003e From how to build knowledge to reference in story creation, how to discover and develop ideas, how to create compelling protagonists, antagonists, and sidekicks, how to create a worldview and reveal it within the story, how to construct exciting events and a coherent structure, and how to effectively convey the theme and subject matter, all the elements necessary for a story are neatly organized.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eFilm director Min Kyu-dong, who wrote the recommendation, said about this, “The charm of Hayao Miyazaki’s work, which has so powerfully captivated me, is the result of a chemical reaction of countless factors that cannot be easily explained, so if someone were to ask why, it would be difficult to answer right away.\u003cbr\u003e Thankfully, this book neatly fleshes out the origins of that enchanting pod, and allows us to view the world of stories from the shoulders of the giant that is Hayao Miyazaki,” he commented.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWhy is \"Kaonashi\" so appealing? Why is \"Princess Mononoke\" so exciting?\u003cbr\u003e Fun storytelling through film examples\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e These storytelling principles can easily feel abstract or rigid, but this book uses film examples to explain them in an easy and fun way. \u003cbr\u003eWe'll explore how to create an engaging antagonist through \"Eboshi\" in \"Princess Mononoke,\" learn how to structure a story through \"Spirited Away,\" and show you how to create interesting conflict through \"Kiki's Delivery Service.\"\u003cbr\u003e This explanation of the characters, lines, and scenes in the film helps us understand specifically how the principles of storytelling are applied within the story.\u003cbr\u003e It also brings back the fun and excitement I felt when watching Ghibli films, allowing me to experience the power of a powerful story once again.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIf you follow the questions, you will come across a story like Ghibli!\u003cbr\u003e A creative guide in your bag to help you complete your work.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book goes beyond explaining the storytelling methods used in Ghibli films, and is structured so that creators can apply them in their own works. \u003cbr\u003eThe 'Summary' and 'Practical Exercises' provided at the end of each chapter serve as practical creative guidelines.\u003cbr\u003e The 'Summary' corner summarizes the key points of the previously explained content, helping creators quickly find the information they need when they get stuck while writing a story.\u003cbr\u003e The 'Practical Practice' corner provides questions that can be used to apply the previously summarized content to actual creative work, helping creators review and improve their works by comparing them to Ghibli's principles.\u003cbr\u003e\u003cbr\u003e Moreover, this book is compact enough to fit in one hand, making it a reliable creative guide that you can carry with you wherever you go and refer to whenever you need it. \u003cbr\u003eThe book's order is also structured according to the flow of story creation, from selecting ideas to setting the ending. As you follow the steps in the \"Practical Practice\" section while answering the questions, this book will also serve as a coach, helping you along the way toward completing your work.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFrom Ghibli's unique creative process to their attitude as creators\u003cbr\u003e Everything you need to know about story creation, both on and off screen.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book has tried to include not only examples of Ghibli films, but also examples outside of the film that are involved in the creative process.\u003cbr\u003e Sometimes, the struggles and efforts in the process teach us more than the neat results.\u003cbr\u003e We will learn about the \"Image Board\" system, a unique creative process responsible for the originality and perfection of Ghibli films, and introduce it in a way that story creators can easily utilize. \u003cbr\u003eWe also look at the trial and errors in the story creation process, such as the story of how the main character of [My Neighbor Totoro] was an only child and then split into sisters, or the story of how the scene of the letter left behind by the main character in [The Wind Rises] was redrawn over and over again.\u003cbr\u003e Additionally, it includes a lot of material about the creative methods and story-telling attitude of Hayao Miyazaki, the master who represents Ghibli.\u003cbr\u003e Through this, readers will not only learn about Ghibli's practical creative secrets and specific know-how that cannot be learned through films alone, but will also be able to glimpse the qualities and attitudes that a great creator must possess. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 15, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 288 pages | 340g | 121*186*19mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788972971474\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8972971472 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894766436394,"sku":"108375","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/1889a211872833695dc477ea3b547f1d.jpg?v=1765445437"},{"product_id":"108382","title":"Gustav Klimt, the painter of gold, and Egon Schiele, the painter of desire ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tlLoZAxhyGTYf5UMW2m4LPjjex.png?v=1765108124\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Gustav Klimt, the painter of gold + Egon Schiele, the painter of desire \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/136449067\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e This product is a product made by YES24. (Individual returns are not possible.)\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Book] Gustav Klimt, the Painter of Gold\u003c\/b\u003e \u003cbr\u003e\"I'm interested in painting people other than myself, especially women.\" Discover the life and art of Guskauf Klimt, the golden painter beloved worldwide, in a single book! *[Vienna 1900, Dreaming Artists], a book commemorating the special exhibition at the Leopold Museum* The special exhibition [Vienna 1900, Dreaming Artists] will be held at the National Museum of Korea from November 2024.\u003cbr\u003e To commemorate this exhibition showcasing the collection of the Leopold Museum, books on the lives and works of Gustav Klimt and Egon Schiele, titled “Gustav Klimt, the Painter of Gold” and “Egon Schiele, the Painter of Desire,” will be published by Hankyung Arte.\u003cbr\u003e By examining the works of these two geniuses, who were both teacher and student and who represent Expressionism, you will be able to grasp their lives and artistic world at a glance. \u003cbr\u003eGustav Klimt (1862–1918) was one of the most influential artists of the late 19th century and the founder of the Vienna Secession movement.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Book] Egon Schiele, the Painter of Desire\u003c\/b\u003e\u003cbr\u003e \"Even erotic works possess a sacredness.\" Discover the life and art of Egon Schiele, the painter of captivating desire, in a single book! *[Vienna 1900, Dreaming Artists], a commemorative book for the Leopold Museum's special exhibition* The special exhibition [Vienna 1900, Dreaming Artists] will be held at the National Museum of Korea from November 2024.\u003cbr\u003e To commemorate this exhibition showcasing the collection of the Leopold Museum, books on the lives and works of Gustav Klimt and Egon Schiele, titled “Gustav Klimt, the Painter of Gold” and “Egon Schiele, the Painter of Desire,” will be published by Hankyung Arte. \u003cbr\u003eBy examining the works of these two geniuses, who were both teacher and student and who represented Expressionism, you will be able to grasp their lives and artistic world at a glance.\u003cbr\u003e Egon Schiele (1890-1918) was one of the masters of Expressionism, associated with Gustav Klimt, and, like other senior artists of the Vienna Secession, rejected the traditions of Austrian institutional art at a very young age.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Gustav Klimt, the Painter of Gold\u003cbr\u003e The Klimt Story\u003cbr\u003e Klimt's work\u003cbr\u003e\u003cbr\u003e Klimt's life\u003cbr\u003e\u003cbr\u003e Egon Schiele, the Painter of Desire\u003cbr\u003e The story of Sille\u003cbr\u003e Schiele's work\u003cbr\u003e\u003cbr\u003e Schiele's life\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eFrom his representative works [The Kiss] to [Beethoven Frieze], [Medicine], and [Nuda Veritas]\u003cbr\u003e Discover the life and art of the master who ushered in the era of modernism in Vienna, all in one book.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe golden painter, the Casanova of Vienna, the heretic of the art world, the leader of the Secession, the master of 19th-century art history… Gustav Klimt, with countless epithets.\u003cbr\u003e He achieved success at a young age by following a traditional painting style.\u003cbr\u003e However, from early 1896, he began to depict the body explicitly, and in 1897, he left the Vienna Artists' Association and formed a new group called the Vienna Secession with his acquaintances.\u003cbr\u003e They built their own hall, the Secession, and inscribed the motto of the Vienna Secession at the entrance: \"To each age its art, to art freedom.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e He received a lot of criticism for his realistic and explicit body expressions, including the taboo subject of nude pregnant women, but he did not care. \u003cbr\u003eWidely influenced by the arts of Japan, Ancient Egypt, and Byzantine Ravenna, Klimt created his own erotic world, where the female figure reigns supreme in a world filled with distinctive colors and patterns, flat, two-dimensional perspectives, stylized imagery, and profound sensuality.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e From famous paintings representing Klimt, such as [Medicine], which turned a successful painter into a scandal maker, [The Kiss], which is the pinnacle of the 'Golden Style' and a masterpiece, and [The Virgin], which features bold colors and a new type of woman called the 'femme fatale', to relatively lesser-known paintings, we introduce iconic paintings from among Klimt's works and learn about his life, art history, and changes in his painting style.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe golden painter loved by the world,\u003cbr\u003e The artist's life as depicted in Guskauf Klimt's paintings\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eKlimt said, “I am interested in painting people other than myself, especially women,” and he painted many pictures of women, which were a complete departure from the traditional 19th-century academic style of showing round bodies and relaxed images.\u003cbr\u003e The women Klimt paints have long, loose hair, are slender and flexible, and appear seductive and explicit, even threatening.\u003cbr\u003e This shows his obsession with and freedom of sexuality, which was quite different from the hidden and oppressed society of the time.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In the beautiful, sensual, and above all, erotic paintings of Gustav Klimt, we encounter a world of abundance and leisure, far removed from the bleak reality of postmodernity. \u003cbr\u003eHe rarely dealt with the real world, but was interested in fables, portraits, landscapes, and erotic figures, which reveals his will to create a world where beauty reigns supreme above all else. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 22, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 492 pages | 1,182g | 156*218*40mm \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894766534698,"sku":"108382","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/34bb138bb5f3cecec75a83b3f3707492.jpg?v=1765445444"},{"product_id":"108387","title":"The person who discovered the masterpiece at that time ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tlLo93IhgPrJGflEYZn57NBBix.png?v=1765108145\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The discovery of a masterpiece, that person at that time \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/136299724\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e That work, that author, that era\u003c\/div\u003e\n\u003cdiv\u003e Reporter Seong Su-yeong returns with a more colorful story of famous paintings.\u003cbr\u003e It seamlessly weaves together the commentary on the work and the author's life, and even vividly portrays the times.\u003cbr\u003e The story of 'those people back then' who silently walked their own path, sometimes losing confidence and sometimes being overcome by an inferiority complex, is fully captured in the work, leaving a deep impression.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eNovember 15, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e*Highly recommended by Kim In-hye, Director of the National Museum of Modern and Contemporary Art's Research Office*\u003cbr\u003e Even more deeply moving than the previous work!\u003c\/b\u003e \u003cbr\u003eThe sequel to the best-selling art book, \"The Birth of a Masterpiece: That Person at That Time,\" has been published.\u003cbr\u003e Meet the genius painters of distant lands in one book.\u003cbr\u003e Presenting a richer story\u003cbr\u003e Stories of painters' lives and famous paintings\u003cbr\u003e\u003cbr\u003e Following the success of \"The Birth of a Masterpiece, That Person at That Time,\" which was beloved for its elegant storytelling and became a bestseller in the art field and is now a steady seller, we present the sequel, \"The Discovery of a Masterpiece, That Person at That Time.\"\u003cbr\u003e This book goes one step deeper than its predecessor.\u003cbr\u003e If 《The Birth of a Masterpiece, That Person at That Time》 mainly explained the works by focusing on the passionate love of the painters and their unwavering will for art, this book features complex characters whose good and evil are difficult to distinguish, such as a reckless young man (Egon Schiele), a father who was obsessed with art but neglected his family (Paul Gauguin, Paul Cézanne), and an eccentric who crossed the line between genius and madness (Salvador Dali). \u003cbr\u003eAnd just like the previous work, we revised the serialized text to improve its completeness, and added unpublished manuscripts featuring the stories of authors that are not easily accessible, such as Kojima Dorajiro and Juan de Pareja.\u003cbr\u003e Additionally, the book's richness of life and art has been enhanced by the addition of articles on the rivalries between prominent artists, including the \"Three Great Geniuses of the Renaissance\": Leonardo da Vinci, Michelangelo, and Raphael.\u003cbr\u003e Through the drama created by their competition and friendship, readers will be able to enjoy the work in a more three-dimensional way.\u003cbr\u003e\u003cbr\u003e The author says that some pictures leave a stronger impression than a thousand words.\u003cbr\u003e From the artist's life to the trends in the art world and the current state of affairs, a single good painting contains more information and deeper reflections than a single book.\u003cbr\u003e So, works of art can be appreciated in a more unique way when accompanied by friendly commentary. \u003cbr\u003eThis is why this book tells a story about the author's life and times in an easy and fun way.\u003cbr\u003e As you explore the artist's work along with the author's story of going one step further, art, which previously seemed difficult, will soon become more approachable.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Prologue_Let's go one step further\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART 1: Belief: The Beginning of a Journey to Not Lose Myself\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Gustav Klimt - A man of contradictions who forgot through art that life is suffering.\u003cbr\u003e Egon Schiele: An icon of youth who captured the fundamental loneliness of humanity in sharp lines.\u003cbr\u003e Oskar Kokoschka - A man of extraordinary obsession who captured the love and madness swirling within him on canvas.\u003cbr\u003e Richard Gerstl - A genius painter known as the Austrian Van Gogh who lost his career early. \u003cbr\u003eJean-Honoré Fragonard - A master who showed the essence of Rococo art, which was beautiful to the point of ruin.\u003cbr\u003e John Singer Sargent: A problematic painter who captured the inner workings of a person and the times in a single painting.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART 2: A tangled web of emotions, love and hate\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Leonardo da Vinci and Michelangelo—Supreme Geniuses and Creators Akin to God—Masters of the Renaissance 1\u003cbr\u003e Michelangelo: The Language of the Gods, Born in Pain - Renaissance Master 2\u003cbr\u003e Michelangelo and Raphael: A Battle of Sublimity and Beauty - The Three Masters of the Renaissance\u003cbr\u003e Peter Paul Rubens and Antony van Dyck: The God of Painting and His Genius Apprentice, Their Subtle Relationship\u003cbr\u003e Thomas Gainsborough and Joshua Reynolds—a bubbly free spirit meets a strict model student.\u003cbr\u003e Auguste Rodin and Camille Claudel: The End of a Twisted Love Between Master and Student, Descending into Madness and Ruin \u003cbr\u003eJean-Auguste-Dominique Ingres and Eugène Delacroix: A duel between lines of cold reason and colors of passionate emotion.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART 3: Overcoming Difficulties and Gaining Insights\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Frida Kahlo - The tragic heroine of a life that loved the way she overcame pain.\u003cbr\u003e Paul Gauguin - A master of symbolic color who created great works that transcended his own personality.\u003cbr\u003e Diego Velázquez—the \"painter's painter\" who dedicated his life to proving the nobility of art.\u003cbr\u003e Juan de Pareja: A dramatic life of hard work and talent that transformed his destiny from slave to painter.\u003cbr\u003e Alphonse Mucha - The lucky man of Art Nouveau who taught that good days come when you work hard.\u003cbr\u003e El Greco - From a life gone awry to a life gone awry, the indomitable painter who overcame frustration and ignited his artistic spirit.\u003cbr\u003e Camille Pissarro - The father of Impressionism, who protected his paintings and his family with unwavering determination.\u003cbr\u003e Berthe Morisot - The most impressionistic impressionist who tried to capture the moment in her paintings.\u003cbr\u003e \u003cbr\u003e\u003cb\u003ePART 4 ​​Forgiveness, Moving Beyond Hurt Towards a New Beginning\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Niko Pirosmani - The protagonist of A Million Roses, which touches the depths of the human heart.\u003cbr\u003e Paul Cézanne - The founder of modern art who sought to portray the world as he saw it.\u003cbr\u003e Salvador Dali - A master of surrealism who combined genius and madness.\u003cbr\u003e Georges Seurat - the founder of pointillism, who created an orderly world of light with dots.\u003cbr\u003e Odilon Redon - Symbolist painter who created a colorful garden in a desolate black-and-white life\u003cbr\u003e Kojima Dorajiro - A model student who devoted his life to art but never achieved mastery.\u003cbr\u003e\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4908\/MidCate002\/490712020.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Klimt's work has a unique atmosphere that is difficult to describe in words.\u003cbr\u003e The decadent elements are strongly incorporated, and the atmosphere is quite subdued compared to the Impressionist painters of the same era. \u003cbr\u003eThis style, sometimes described as 'fin-de-siècle', was in fact a direct reflection of the atmosphere of Vienna in the late 19th century, when he lived.\u003cbr\u003e ---From \"Gustav Klimt - A Man of Contradictions Who Forgot Through Art That Life Is Pain\"\u003cbr\u003e\u003cbr\u003e Sille's case was a bit special.\u003cbr\u003e He was a real genius.\u003cbr\u003e All his thoughts, which he thought were narcissistic, turned out to be true.\u003cbr\u003e In his life of only 28 years, he only worked on his art for about 10 years.\u003cbr\u003e But in this short period of time, he left behind powerful images that will never be forgotten in art history.\u003cbr\u003e How did he come to draw such pictures?\u003cbr\u003e Why are people drawn to Schiele's work?\u003cbr\u003e ---From \"Egon Schiele - An Icon of Youth Who Captured the Fundamental Loneliness of Man in Sharp Lines\"\u003cbr\u003e\u003cbr\u003e It was in 1912 that Alma met the painter Kokoschka, who was seven years younger than her. \u003cbr\u003eAt that time, Alma was thirty-three years old and Kokoschka was twenty-six.\u003cbr\u003e Kokoschka was a man of extraordinary talent.\u003cbr\u003e Klimt displayed Kokoschka's work in his 1908 exhibition, when he was only twenty-two, and praised him as \"the greatest talent of the young generation.\"\u003cbr\u003e Kokoschka was particularly famous for his portraits of Viennese upper-class people, painted in his own bizarre style.\u003cbr\u003e People at the time considered him a revolutionary, a provocative eccentric, and an incomprehensible genius.\u003cbr\u003e ---From \"Oskar Kokoschka - A man of extraordinary obsession who captured the love and madness swirling inside him on canvas\"\u003cbr\u003e\u003cbr\u003e “Your painting is very good.\u003cbr\u003e He has the talent of an outstanding painter.\u003cbr\u003e But there are also some parts that could be improved with a little bit of modification.” The Museum of Art History in Vienna, the capital of the Austro-Hungarian Empire in the early 1900s. \u003cbr\u003eAn elegant older gentleman spoke to Gerstl, a young artist in his early twenties, who was practicing by copying the paintings of the masters collected by the Habsburgs for hundreds of years.\u003cbr\u003e Just as the smiling old gentleman was about to continue speaking, Gerstl blurted out with a crumpled expression.\u003cbr\u003e \"Did I ask you to teach me how to draw? Just go on your way.\"\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Richard Gerstl - A genius painter called the Austrian Van Gogh who lost early\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe painters' beliefs, love and hate, overcoming and forgiveness contained in their works\u003cbr\u003e Enjoy world-famous masterpieces in one volume, full of collection value.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Reporter Seong Su-yeong, who shares stories about art through her weekly column, helps people approach art in an easy and fun way, rather than feeling it is difficult or rigid. \u003cbr\u003eThe first book, \"The Birth of a Masterpiece, That Person at That Time,\" was published in response to readers' requests to compile the serialized articles into a single book, and it was well-received and became a hot topic.\u003cbr\u003e The sequel, 《Discovery of a Masterpiece, That Person at That Time》, added even more depth to the story that had been told so far.\u003cbr\u003e By calmly listening to reporter Seong Su-yeong's account of the artists' lives, you can naturally learn about the background and characteristics of their works, the people and works that influenced them, and the meaning they convey.\u003cbr\u003e Additionally, this book will be a valuable gift for those who want to easily appreciate famous paintings, as it allows them to enjoy the collections of world-renowned art museums such as the Leopold Museum, the Louvre, the Metropolitan Museum of Art, and the Museum of Modern Art in New York in one volume.\u003cbr\u003e\u003cbr\u003e 《Discovery of Masterpieces, That Person at That Time》 is composed of four chapters. \u003cbr\u003eIt introduces the lives and representative works of 31 artists, including Diego Velázquez, the painter of painters, Jean-Honoré Fragonard, who showed the essence of Rococo art, Paul Gauguin, the master of color, Georges Seurat, the founder of pointillism, and Richard Gerstl, called the Austrian Van Gogh.\u003cbr\u003e\u003cbr\u003e Chapter 1 is about 'belief' and covers various stories and their works, such as a painter who captures the inner self of a person and the times in a single painting, and an icon of youth who captures the fundamental loneliness of humanity in sharp lines.\u003cbr\u003e Chapter 2, titled 'Love and Hate', tells the story of rivals who compete with each other in good faith, including teachers and students, as well as seniors and juniors.\u003cbr\u003e Chapter 3, titled “Overcoming,” introduces the works and lives of artists who, despite mental and physical adversity and pain, did not give up and silently continued to paint. \u003cbr\u003eFinally, Chapter 4, titled “Forgiveness,” introduces the paintings and lives of artists who have strived to move forward toward a new beginning by overcoming the wounds they each harbor in their hearts.\u003cbr\u003e\u003cbr\u003e After learning the background of the famous paintings that the author interestingly introduces through this book, paintings that were familiar to you will appear new, and paintings that were unfamiliar to you will appear familiar.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eKlimt, a man of contradictions who forgot through art that life is suffering\u003cbr\u003e Berthe Morisot, an impressionist who tried to capture a moment in her paintings…\u003cbr\u003e Hidden Stories in Famous Paintings We Never Knew\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e One work contains one person's life.\u003cbr\u003e Therefore, the closer you get to art, the more you can understand the values ​​and lives of various people through numerous works, and expand your life experience.\u003cbr\u003e For example, Klimt, known as the 'Golden Painter', was a famous painter at the time, so famous that even people who were not interested in art knew his name. \u003cbr\u003eIt is said that people lined up to buy his gorgeous paintings, even though each one sold for the price of a house.\u003cbr\u003e Looking at this, it seems like Klimt's life was glamorous and happy, but in reality it wasn't.\u003cbr\u003e Born into a poor family, he had to support his large family from a young age, and even as he grew older, he had to take care of his mentally unstable mother and younger sister alone.\u003cbr\u003e Artistically, he was also something of a loner.\u003cbr\u003e Klimt's unique and radical paintings were criticized by many, and some of those who hurled stones at him were his close artistic comrades.\u003cbr\u003e Just as the symbols of decline and death in his work suggest, Klimt's life was filled with layers of misfortune.\u003cbr\u003e For Klimt, life and the world were always a mass of contradictions, a mixture of opposing elements.\u003cbr\u003e Despite this, he lived a life dedicated to art and never stopped taking on challenges. \u003cbr\u003eUntil his death, Klimt continued to paint and pursue greater beauty.\u003cbr\u003e Just like Klimt's life philosophy that 'only beautiful art can give meaning to the fleeting moment of life in the eternal space and time', he is gone, but the paintings he left behind are passed down to us.\u003cbr\u003e\u003cbr\u003e Berthe Morisot, also known as 'the most impressionistic impressionist'.\u003cbr\u003e In the 19th century, when she lived, marrying a man from a good family, having children, and building a happy family was the natural life and goal given to upper-class women.\u003cbr\u003e But deep in Morisot's heart, there was a dream to become a great painter.\u003cbr\u003e To this end, she silently painted despite much oppression and persecution. As times changed and restrictions on women became less stringent, she was able to make a name for herself in the art world and blossom her career as a painter. \u003cbr\u003eMorisot's compositions and colors had a profound influence on the works of Monet, Degas, Mary Cassatt, and Renoir, and today she is re-evaluated as a key Impressionist painter.\u003cbr\u003e\u003cbr\u003e They sometimes lost their way, lost confidence and self-assurance, and were plagued by feelings of inferiority.\u003cbr\u003e But instead of being discouraged, he whipped himself and silently pushed forward with his strength and potential to the end.\u003cbr\u003e If you're going through a tough time right now, but lack the courage to find the answers, why not listen to reporter Seong Su-yeong's stories about the lives and paintings of artists?\u003cbr\u003e You will be able to receive comfort and encouragement from artists who have set their own direction and pushed forward steadfastly, even if they have made mistakes and gone back a bit. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 7, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 396 pages | 738g | 155*209*25mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788947549813\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8947549819 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894768959530,"sku":"108387","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/9a61ae65cefaebe1e2ef757ce15e95b9.jpg?v=1765445451"},{"product_id":"108389","title":"The Classic ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tlJZq42t4y7YkPz7mSQTSilnHV.png?v=1765108166\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The Classic \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/136298818\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003ePavarotti, Horowitz, Myung-whun Chung, Sumi Jo, Yeol-eum Son, Seong-jin Cho, and Yun-chan Lim\u003cbr\u003e What is different for each musician and each performance?\u003cbr\u003e A full-fledged classical music guide that you can feel while listening\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In 2024, the year that Lim Yoon-chan's Gramophone Award win marked a historic achievement in the Korean classical music world, the book \"The Classic\" (Jungang Books) will be published, which reexamines the performances and characters of classical musicians representing this era.\u003cbr\u003e\u003cbr\u003e \"The Classic\" is a book in which reporter Kim Ho-jeong, who majored in piano and covered classical music in the culture department of JoongAng Ilbo for 17 years, analyzes the styles of 16 classical musicians. \u003cbr\u003eIt focuses on contemporary Korean musicians, including pioneers who have already become legends, such as Baek Kun-woo, Chung Kyung-wha, Chung Myung-whun, Jo Sumi, and Jin Eun-sook, as well as young masters who are attracting global attention, such as Son Yeol-eum, Cho Seong-jin, and Lim Yun-chan.\u003cbr\u003e We seek a clear analysis of why this performance is good and how each musician produces different sounds.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Classical music is called the art of reenactment.\u003cbr\u003e The reason I keep playing music that's hundreds of years old is because it's different every time.\u003cbr\u003e If you can understand what is different between each performer, conductor, and composer, you will develop an ear for classical music.\u003cbr\u003e \"The Classic\" aims to be the easiest and clearest classical guidebook for those who want to listen to classical music but don't know where to start, those who are interested in a particular performer and want to dissect it in detail, and those who are curious about why famous musicians are famous.\u003cbr\u003e \u003cbr\u003eIn \"The Classic,\" the author presents a completely new way of appreciating classical music, never before seen, through meticulous analysis and interviews with various musicians.\u003cbr\u003e At the time of its online serialization, readers showered it with praise, saying, \"This is exactly what we needed in a classic article,\" and \"Now I understand why this music is so good.\"\u003cbr\u003e This book, \"The Classic,\" includes articles that were not included during the serialization, as well as analyses of legendary foreign figures such as Horowitz, Bernstein, and Pavarotti.\u003cbr\u003e In addition, it will be the most special gift for all readers who love classical music, including a review of Lim Yoon-chan's [Chopin Etude], the 2024 Gramophone Award-winning album, as well as the full text of Lim Yoon-chan's latest interview, which was sent exclusively to subscribers who requested it.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Prologue: Why is this music good?\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART 1.\u003cbr\u003e The Pianist\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eBaek Geon-woo: A lyrical seeker on the keyboard\u003cbr\u003e Applause: Accurate yet flexible\u003cbr\u003e Jo Seong-jin: \"Winner!\" His expression at that moment is his music.\u003cbr\u003e Lim Yoon-chan 1: Picasso on the keyboard, harmony over melody\u003cbr\u003e Lim Yoon-chan 2: Even when the notes are different, the music is still right.\u003cbr\u003e Lim Yoon-chan 3: Music from a Deep and Special Imagination\u003cbr\u003e Lim Yoon-chan 2024 Interview \u0026amp; [Chopin Etudes] Album Review\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART 2.\u003cbr\u003e The Musician\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Jeong Kyung-hwa: \"Archer's Invasion\" Shatters London\u003cbr\u003e Myung-whun Chung: A Conductor Who Mines Sound\u003cbr\u003e Jin Eun-sook: Oh, what is this sound?\u003cbr\u003e Jo Soo-mi: God-given 'clearness'\u003cbr\u003e Klaus Meckele: Unanimous Leadership, Born in 1996\u003cbr\u003e 10 Dazzling Teenage Musicians\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART 3.\u003cbr\u003e The Legend\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Vladimir Horowitz: A Powerful Imagination That Doesn't Fit the Rules\u003cbr\u003e Leonard Bernstein: His darting conducting is no accident.\u003cbr\u003e Maria Callas: The \"Transferable Love\" That Changed Opera History\u003cbr\u003e Luciano Pavarotti: 'What's so easy?'\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4886\/MidCate005\/488541611.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eHow does this talent translate to music? The answer lies in the colors of Son Yeol-eum's music.\u003cbr\u003e Even when pressing the same note, his sound is expressed across a wide spectrum.\u003cbr\u003e The same notes sound different to him.\u003cbr\u003e So, in the performance of Son Yeol-eum, you get the impression that various colors are pouring out.\u003cbr\u003e ---From \"Son Yeol-eum: Accurate yet Flexible\"\u003cbr\u003e\u003cbr\u003e There is a 'signature' of Jo Seong-jin that can only be understood by listening to it rather than reading it.\u003cbr\u003e That's the tone.\u003cbr\u003e Seong-jin Cho searches for and produces noble sounds.\u003cbr\u003e It is particularly amazing at expressing unique and somewhat ambiguous sounds, such as Debussy's music.\u003cbr\u003e ---「Jo Seong-jin: “Win!” His expression at that moment is his music」\u003cbr\u003e\u003cbr\u003e Lim Yoon-chan's ears do not try to divide music into 'singing melody + supporting accompaniment'. \u003cbr\u003eRather, I want to hear the huge chord colors that are created when those notes roll together at once.\u003cbr\u003e So, by giving strength to the left hand, which was only an accompaniment, and the notes that were barely audible and buried, the entire music is understood as a progression of 'lumps of notes'.\u003cbr\u003e Yes, he is a pianist of harmony, not melody.\u003cbr\u003e ---From \"Im Yun-chan 1: Picasso on the Keyboard, Harmony Over Melody\"\u003cbr\u003e\u003cbr\u003e Myung-whun Chung's conducting suits darker music rather than brighter pieces, and music with bold lines rather than delicate ones.\u003cbr\u003e Beethoven's later works, Brahms, Tchaikovsky, Dvorak, etc.\u003cbr\u003e Even in overseas reviews, the sound is often praised more than the structural excellence.\u003cbr\u003e They say it's 'creamy', 'smooth and peaceful'.\u003cbr\u003e ---From \"Chung Myung-whun: A Conductor Who Mines Sound\"\u003cbr\u003e\u003cbr\u003e Then why are Jin Eun-sook's works so popular? \u003cbr\u003eWhat is it about his music that makes it so appealing, and why do places like Berlin, New York, LA, and London commission new works from him and perform them again and again?\u003cbr\u003e To conclude, it is because it is ‘a sound I am hearing for the first time.’\u003cbr\u003e Jin Eun-sook creates countless different sounds for her own fantasy.\u003cbr\u003e ---From \"Jin Eun-sook: Oh, what is that sound?\"\u003cbr\u003e\u003cbr\u003e “I can’t believe it.\u003cbr\u003e “Your songs are like clear water,” said conductor Herbert von Karajan.\u003cbr\u003e In 1987, when 25-year-old soprano Jo Sumi was singing.\u003cbr\u003e Karajan, two years away from death, looks at Jo Sumi with eyes that seem to pierce the future.\u003cbr\u003e This scene remains in the documentary and can still be seen today.\u003cbr\u003e ---From \"Jo Soo-mi: 'Clarity' Permitted by God\"\u003cbr\u003e\u003cbr\u003e Those who know Italian are fascinated by the way he handles the language.\u003cbr\u003e Not just because it's accurate, but because of the musical expression of Italian. \u003cbr\u003ePavarotti's Italian singing is an artistic compromise between perfection and charm, where precise pronunciation is seamlessly blended with musicality.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Luciano Pavarotti: 'What's So Easy?'\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e“I’m happy that there are classic articles like this in Korea.”\u003cbr\u003e How are Lim Yoon-chan, Jo Seong-jin, and Son Yeol-eum different from each other?\u003cbr\u003e A comparative analysis of classical musician styles like no other!\u003cbr\u003e The popular series 'Kim Ho-jung's The Classic' is now available as a book!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e \"The Classic\" is a book that analyzes the styles of classical musicians.\u003cbr\u003e Author Kim Ho-jeong compares and analyzes the styles of 16 classical musicians selected from an expert's perspective, while also making them easily understandable for beginners. \u003cbr\u003eIt sheds light on why some performances sound fun and others pass by gently, why this musician made this sound, and what he or she was pursuing at that moment.\u003cbr\u003e For example, pianist Lim Yun-chan has a unique sense of controlling the gap between sounds.\u003cbr\u003e He also shows an instinct to emphasize sounds that have not been heard from other performers before.\u003cbr\u003e On the other hand, pianist Seong-Jin Cho is known for his elegant tone, which can be called the 'poet of the piano', and his music is consistently dignified and aristocratic.\u003cbr\u003e Yet, it is so technically perfect that it can be said to have a 'perfect technical score'.\u003cbr\u003e Son Yeol-eum is a 'diction master' of the piano.\u003cbr\u003e Every note is accurately recorded in the ear because the sense of absolute pitch is extremely developed. \u003cbr\u003eIn this way, 『The Classic』 clearly conveys to readers the unique styles of classical musicians, which we are familiar with but whose characteristics are difficult to discern.\u003cbr\u003e\u003cbr\u003e \"The Classic\" is a newly compiled book based on \"Kim Ho-jeong's The Classic,\" which was serialized on The JoongAng Plus, a paid subscription platform of the JoongAng Ilbo.\u003cbr\u003e The response from subscribers at the time of serialization was explosive.\u003cbr\u003e “An article that guides the world of music that is difficult for the general public to understand,” “An analysis that is like a bomb exploding,” “An article that explains exactly why some performances make you listen to them all the way through,” “I’m happy that there are classical music articles like this in Korea too,” etc. This was a rare classical music series that captured both fun and completeness.\u003cbr\u003e The biggest difference with 『The Classic』 is that it is a hybrid content that allows you to read while listening to music at the same time. \u003cbr\u003eYou can compare the styles of musicians by listening to the music starting at exactly the point described in the text.\u003cbr\u003e A total of 117 carefully selected classical music sources and videos are included as QR codes to help readers enjoy them in three dimensions.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2024 Gramophone Award Winner [Yoonchan Lim Chopin Etude] Album Review and\u003cbr\u003e Includes a full interview with Lim Yoon-chan covering the production process!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 『The Classic』 is divided into three parts.\u003cbr\u003e In Chapter 1, author Kim Ho-jeong has compiled a list of pianists he favors as an audience member.\u003cbr\u003e We analyze Baek Geon-woo, Son Yeol-eum, Jo Seong-jin, and Lim Yun-chan.\u003cbr\u003e Chapter 2 highlights four Korean musicians who have risen to the ranks of world-class masters: Kyung-wha Chung, Myung-whun Chung, Unsook Chin, and Sumi Jo, and introduces the popular conductor Klaus Mäkelle and three of Korea's top 10 gifted musicians: Seo-hyun Kim, Jeong-ah Kim, and Ha-neuri Lee. \u003cbr\u003eFinally, Chapter 3 delves into the lives of the late musicians who evoke memories of the 20th century: Vladimir Horowitz, Leonard Bernstein, Maria Callas, and Luciano Pavarotti.\u003cbr\u003e Among these, the writings of Baek Geon-woo, Horowitz, Bernstein, and Pavarotti were not included in the series published in The JoongAng Plus at the time, and were included exclusively in the single volume edition of 『The Classic』. The content of the existing articles was also further enriched and reorganized.\u003cbr\u003e\u003cbr\u003e Above all, we will focus on pianist Lim Yoon-chan, who is currently the hottest musician.\u003cbr\u003e Born in 2004, Lim Yoon-chan, now 20 years old, gave a welcome shock to the Korean classical music world by winning two awards at the Gramophone Awards, known as the “Academy Awards of Classical Music.”\u003cbr\u003e Lim Yoon-chan won the piano category for his first album [Chopin: Etudes] and also received a special award in the 'Young Musician of the Year' category. \u003cbr\u003eAuthor Kim Ho-jeong paid attention to the production process of Lim Yoon-chan's latest album before its release and wrote about it, and conducted a lengthy interview with him to mark the album's release.\u003cbr\u003e This issue of 『The Classic』 includes the full interview with Lim Yoon-chan, as well as an album review that allows you to listen to and analyze each song. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 30, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 236 pages | 138*209*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788927813255\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8927813251 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769090602,"sku":"108389","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/fc9ac4071fd0267604767f02d8baa361.jpg?v=1765445457"},{"product_id":"108394","title":"The 88 Classics of an Old Man Pianist ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tlLmUhH33QiFTerPk1UNJRwe3l.png?v=1765108208\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The 88 Classics of an Old Man Pianist \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/135865132\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eExperience the charm of classical music on the 88-key keyboard!\u003cbr\u003e The essence of classical music presented by an 'old man pianist' who loves the piano!\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e\"The Old Man Pianist's 88 Classics\" guides readers into the world of piano music, accessible to everyone, through in-depth interpretations of classical piano works and their composers.\u003cbr\u003e\u003cbr\u003e The classical table unfolds on the keyboard, filled with anecdotes and inspirations of the composer, meticulously detailed technical elements of piano music, and stories told from a classic yet modern perspective, all accompanied by QR codes with commentary.\u003cbr\u003e\u003cbr\u003e The intentions and hidden emotions revealed in the scores of composers such as Bach, Mozart, Beethoven, Chopin, and Liszt are expressed in a pleasant and easy way through the friendly perspective of an old pianist.\u003cbr\u003e\u003cbr\u003e  \u003cbr\u003eThe inspiration and artistic spirit of the masters engraved on each and every key will be conveyed to music lovers through the fingertips of the middle-aged pianist, providing new insights, comfort to those who wish to learn classical music in a 'fun' way, and an even more special emotion to those who love the piano.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e contents\u003cbr\u003e\u003cbr\u003e Classic User Manual 8\u003cbr\u003e\u003cbr\u003e #1 Avoid picky eating 14\u003cbr\u003e #2 Do you know the piano? 18\u003cbr\u003e - The Piano Brother\u003cbr\u003e - The first piano\u003cbr\u003e\u003cbr\u003e \u003cb\u003eJohann Sebastian Bach 1685-1750\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e #3 Bach, Indomitable Will 30\u003cbr\u003e - Bah\u003cbr\u003e - Bach vs. Bach vs. Bach\u003cbr\u003e - Music exam subjective question 1\u003cbr\u003e - A musical gene that has been destroyed\u003cbr\u003e - In front of the candlelight (feat.\u003cbr\u003e Germany's Han Seok-bong)\u003cbr\u003e - A true father of many children\u003cbr\u003e - Medical accidents in the music industry\u003cbr\u003e\u003cbr\u003e #4 Even if the world were to fall apart, all music could be recreated with Bach's Well-Tempered Clavier. 43\u003cbr\u003e - The perfect number 12\u003cbr\u003e - The Old Testament of Classics\u003cbr\u003e\u003cbr\u003e #5 Everything You Can Do with a Cello 51\u003cbr\u003e - A desperate handwriting\u003cbr\u003e - 6 perfect movements \u003cbr\u003e- Barcelona sheet music store\u003cbr\u003e - Between the knees\u003cbr\u003e\u003cbr\u003e #6 Instrumental and Religious Music 65\u003cbr\u003e - Music for aliens aboard the Voyager probes\u003cbr\u003e - Bach's golden age\u003cbr\u003e - Glory to God alone, Soli Deo Gloria\u003cbr\u003e - Bach's Resurrection\u003cbr\u003e - Gold coins in a cup made of gold!\u003cbr\u003e - A performance that doesn't require an encore\u003cbr\u003e - Bach, who never left Germany throughout his life\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWolfgang Amadeus Mozart 1756-1791\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e #7 Mozart the Young Prodigy 84\u003cbr\u003e - Jangku Wolfgang\u003cbr\u003e - Easy for kids, but not so good for experts?\u003cbr\u003e - Sponsors Urgently Needed! Those Who Work Harder Than Geniuses\u003cbr\u003e - He who has monopolized God's love\u003cbr\u003e\u003cbr\u003e #8 Genre-Bending All-Round Composer 96\u003cbr\u003e - Mozart's Challenge\u003cbr\u003e - 'Ah~ Ah, Ah, Ah, Ah, Ah, Ah, Ah, Ah, Ah, Ah~' Completed just before the premiere\u003cbr\u003e - Communication expert\u003cbr\u003e - To the Room of Truth\u003cbr\u003e - root.\u003cbr\u003e ruler.\u003cbr\u003e persimmon.\u003cbr\u003e Tamino\u003cbr\u003e - Trials are essential, temptations are overcome, silence is golden.\u003cbr\u003e - The music did it all\u003cbr\u003e\u003cbr\u003e #9 Amadeus Life Companion 112\u003cbr\u003e - Amadeus's Piano\u003cbr\u003e - 18 piano sonatas \u003cbr\u003e- It wasn't bad, but I can't hear your voice!\u003cbr\u003e - Mother's Death, Sonata of Misfortune\u003cbr\u003e - Do~ Me Sol Si~ Do Re Do Sonata Facile\u003cbr\u003e - Alberti Bass\u003cbr\u003e Turkish March discovered after 230 years\u003cbr\u003e\u003cbr\u003e #10 The Last Work 135\u003cbr\u003e - Genius of the genius\u003cbr\u003e - The last work that was not completed\u003cbr\u003e - \"There are too many notes\", perfection itself\u003cbr\u003e\u003cbr\u003e \u003cb\u003eLudwig van Beethoven 1770-1827\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e #11 Beethoven's Standing Alone (feat.\u003cbr\u003e I Live Alone) 146\u003cbr\u003e - 8 years old? 6 years old?\u003cbr\u003e - Secret classes of your own choosing\u003cbr\u003e\u003cbr\u003e #12 Beethoven's Metacognition 151\u003cbr\u003e - 60 coffee beans\u003cbr\u003e - So it's malicious\u003cbr\u003e - They all say hello to me.\u003cbr\u003e - A big rebel\u003cbr\u003e\u003cbr\u003e #13 Piano Sonata No. 3, Op. 162\u003cbr\u003e - Do you play the piano?\u003cbr\u003e - Sonata is pa-ne-pa\u003cbr\u003e - spleen or spleen\u003cbr\u003e - A beginning like a flower path\u003cbr\u003e - Majestic, yet very lively\u003cbr\u003e - The tempo of putting a sleeping baby down in the cradle without waking him up\u003cbr\u003e - Studying abroad, Beethoven's pat pat\u003cbr\u003e - Darara darara darara darara\u003cbr\u003e - Even the name is annoying, Guichardi \u003cbr\u003e- The Lonely Outsider (feat. INFP)\u003cbr\u003e - The bittersweet entrance exam song for Han Ye-jong\u003cbr\u003e - A new piano that gave birth to passion\u003cbr\u003e - 12\/8 time signature, not December 8th\u003cbr\u003e\u003cbr\u003e #14 Game Changer 'Beethoven' 201\u003cbr\u003e - Beethoven's New Path\u003cbr\u003e - The first challenge, 'Chorus'\u003cbr\u003e - Changing the public's ears\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFrederic Francois Chopin 1810~1849\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e #15 Make the piano sing 214\u003cbr\u003e - When you think of piano, you think of Chopin, and when you think of Chopin, you think of piano.\u003cbr\u003e - Body French, heart Polish\u003cbr\u003e\u003cbr\u003e #16 Becoming the Center of Salon Culture 221\u003cbr\u003e - It was a mistake for God to create the Polish people.\u003cbr\u003e - Etude Revolution\u003cbr\u003e - Marie Salon, a woman in cross-dressing\u003cbr\u003e\u003cbr\u003e #17 Chopin, the Poet of the Piano 234\u003cbr\u003e - 'Impromptus'\u003cbr\u003e - A dance song you can never dance to\u003cbr\u003e\u003cbr\u003e #18 I am Polish 262\u003cbr\u003e - A true gentleman, an alpha male\u003cbr\u003e - The Emperor of Ballade\u003cbr\u003e - Chopin's Music of the Night\u003cbr\u003e - Chopin, the loyal man\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFranz Liszt 1810–1849\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e #19 Leaving Hungary and Entering the Big World 276\u003cbr\u003e - Beethoven's disciple's disciple\u003cbr\u003e - Father's devotion\u003cbr\u003e - Make the list more list-like (feat. \u003cbr\u003eErard piano)\u003cbr\u003e\u003cbr\u003e #20 Listomania 286\u003cbr\u003e - Father's will\u003cbr\u003e - The first idol pianist\u003cbr\u003e\u003cbr\u003e #21 What is Love? 292\u003cbr\u003e - Married women who fell in love with List\u003cbr\u003e - Love's Escape, Midnight Runaway\u003cbr\u003e - Money, money, money\u003cbr\u003e\u003cbr\u003e #22 List of Representative Works 306\u003cbr\u003e - The origin of reharmonization\u003cbr\u003e - Turning point\u003cbr\u003e - A better arrangement of 'La Campanella' than the original\u003cbr\u003e - Love as much as you can.\u003cbr\u003e - Dreams and Reality of Love (feat.\u003cbr\u003e (old man pianist)\u003cbr\u003e - Hungarian Rhapsody (feat.\u003cbr\u003e Tom and Jerry)\u003cbr\u003e - Just one sonata\u003cbr\u003e - With my beloved disciples\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThis is a must!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e #23 Pretending to know, pretending to know, pretending to be educated, piano masterpieces, 336\u003cbr\u003e - Piano Duo\u003cbr\u003e - Schubert's 'Fantasy for Four Hands'\u003cbr\u003e - Piano Trio\u003cbr\u003e - Brahms Piano Trio No. 1\u003cbr\u003e - Piano Concerto\u003cbr\u003e - Rachmaninoff Piano Concerto No. 3\u003cbr\u003e\u003cbr\u003e #24_Concert Hall Villain 349\u003cbr\u003e - hello?\u003cbr\u003e - Dress code\u003cbr\u003e - Clapping is not about clapping, it's about holding back.\u003cbr\u003e - Curtain call as a courtesy?\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003eEveryone loves the piano: classical masters and masterpieces performed on its 88-key keyboard.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book will be an interesting introduction for readers who find classical music difficult, and will offer a new perspective for those who already enjoy it. It invites you into the world of classical music unfolding through the 88 keys.\u003cbr\u003e\u003cbr\u003e The author of this book is a pianist who has given classical lectures with performances, and he conveys musical knowledge vividly and enjoyably through witty expressions such as “standard music exam questions” and “Han Seok-bong of Europe.”\u003cbr\u003e\u003cbr\u003e \"The Old Pianist's 88 Classics\" serves as a comfortable and friendly guide even for those who find classical music unfamiliar through the author's warm sensibility and in-depth commentary.\u003cbr\u003e The musical legacy of the great masters, preserved on the keyboard, is interpreted through a new perspective through the piano, the most beloved instrument among Koreans. \u003cbr\u003eIt provides an engaging explanation of how the melodies of masters such as Bach, Mozart, Beethoven, Chopin, and Liszt were born from the historical context and artistic inspiration of their lives, and how their music continues to move our hearts today.\u003cbr\u003e\u003cbr\u003e The piano melody conveyed by the author goes beyond simple music; it creates a moment of comma, allowing one to pause and feel the space in life even in the midst of a busy daily life.\u003cbr\u003e After reading this book, you will want to sit down at the piano and feel closer to the stories of the masters flowing through your fingers every time you press the keys. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 10, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 368 pages | 670g | 152*226*19mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791192924199\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1192924193 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769287210,"sku":"108394","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/3457b8ef0ef41fa87212b34ac32bf552.jpg?v=1765445471"},{"product_id":"108401","title":"Maze 1: References and Citations [2024] ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/uOoBNsyuTvjmBC0UifxV768iuNv.png?v=1765108230\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Maze 1: References and Citations [2024] \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/135860903\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e A new architectural magazine, Miro, is launched.\u003cbr\u003e 『Labyrinth』 aims to uncover and document the discourse of modern Korean architecture. \u003cbr\u003eIt is a text-based magazine published three times a year (spring, summer, fall\/winter) that focuses solely on a selected topic each issue.\u003cbr\u003e The theme of the inaugural issue is “References and Citations.”\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Inaugural Address\u003cbr\u003e While compiling 『Labyrinth 1: References and Citations』\u003cbr\u003e\u003cbr\u003e Kim Gwang-su · Architecture after self-reference\u003cbr\u003e Seo Jae-won · Schizophrenia and Hyper-Referential Architecture\u003cbr\u003e Kim Hyo-young: Building a story and architecture through references and citations\u003cbr\u003e Lim Yoon-taek: The Violent and Beautiful Imagination of Crossbreeding\u003cbr\u003e Lee Hee-jun · I want it because I want it\u003cbr\u003e Song Ryul and Christian Schweitzer: From Space Design to Time Design: Five Theses on Modern Architecture\u003cbr\u003e Jeon Jae-woo: GOAT Mental Health Tips for Copying\u003cbr\u003e Lee Chi-hoon: The Outside of Architecture as a Referential World, the Inside of Architecture as a Non-Referential System\u003cbr\u003e Kim Sara · Write as you think\u003cbr\u003e Bae Yoon-kyung · Drift on References and Citations\u003cbr\u003e Choi Won-jun · Fragmentary ideas cited \u003cbr\u003eHyun Myung-seok · Emotional Solids: On Architectural Instructions and Quotations\u003cbr\u003e Kangshin · As True as Possible: A Review of Valerio Olgiati and Markus Breitschmidt's \"Non-Referential Architecture\"\u003cbr\u003e Colin Lowe and Seungchan Kwak (translation) · Mannerism and Modern Architecture\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eLaunch of a new architecture magazine\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e A new architectural magazine, Miro, is launched.\u003cbr\u003e 『Labyrinth』 aims to uncover and document the discourse of modern Korean architecture.\u003cbr\u003e Unlike existing magazines that focus on introducing recent works and critiques of architecture and buildings, this is a text-based magazine published three times a year (spring, summer, fall\/winter) that focuses only on a selected topic each issue.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe multi-layered meaning of the title, “Maze”\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The title “Maze” has multi-layered meaning.\u003cbr\u003e First of all, it reflects the current situation of Korean architecture.\u003cbr\u003e It is a metaphor for a situation where there are many problems but no solution or exit in sight. \u003cbr\u003eOn the one hand, the maze is an intelligent structure with a very clear intention.\u003cbr\u003e Since the buildings that 『Labyrinth』 focuses on are also buildings that contain the architect's clear intentions, the title also refers to the subject matter.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e There is also a hidden reference target.\u003cbr\u003e As the theme of the first issue was “reference and citation,” there are many references in Labyrinth, which came out at the end of the magazine era or modern architecture.\u003cbr\u003e One of them is the book 『Sphere and Labyrinth』 (la sfera e il labirinto, 1980) by Manfredo Tafuri, an Italian architectural historian who left a distinct mark in the late 20th century.\u003cbr\u003e Tapuri places the perfect sphere (circle) and the labyrinth on opposite sides.\u003cbr\u003e In modern Korean architecture, a flawless and smooth sphere is a mirage that cannot exist.\u003cbr\u003e That's why we prioritize the maze.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Meanwhile, Daedalus, the designer of the mythical labyrinth, is the archetypal figure of the architect and creator. \u003cbr\u003eSo there are some historic magazines named after this person.\u003cbr\u003e Daedalus is a magazine published by the American Academy of Arts and Sciences (its roots date back to 1846).\u003cbr\u003e There is also Daidalos, an architectural art magazine published in Germany.\u003cbr\u003e They use the subject-Daedalus as their title, while using the object-labyrinth as their logo.\u003cbr\u003e In response to the trend of the times toward new materialistic thinking and moving away from a subject-centered worldview, 『Labyrinth』 chose the name of the object rather than the subject.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe theme of the inaugural issue is “References and Citations.”\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Korean literature scholar Kim Yun-sik once recalled that his life's work was to overcome the assertion of Japanese colonial critic Im Hwa that \"modern literature is transplanted literature.\"\u003cbr\u003e The results include 『History of Korean Literature』, published in 1972 with Kim Hyeon. \u003cbr\u003eBecause it was considered the mission of modern literature to create a common sensibility of the times through a medium shared by all and to form a kind of political community, it was difficult for this to be transplanted from outside, especially through the framework of colonial powers.\u003cbr\u003e Even if it did not fully bloom, it had to be proven that there were indigenous seeds.\u003cbr\u003e It was very difficult to free the history of modern Korean literature from this obsession.\u003cbr\u003e What if we turned literature into architecture?\u003cbr\u003e\u003cbr\u003e The proposition that “modern architecture is transplanted architecture” rarely causes anxiety or discomfort.\u003cbr\u003e Although there are often irreconcilable debates over how to understand modern or contemporary architecture, no one claims that it was spontaneous. \u003cbr\u003eWhether it was an eclectic building built before and after the colonial period or a modernist building that was introduced in earnest after liberation, it was something that came from abroad.\u003cbr\u003e Naturally, how it connected to the center of modern architecture was of great importance.\u003cbr\u003e The myth and legacy of Kim Chung-up and Kim Jong-seong rests absolutely on the fact that they studied directly under Le Corbusier and Mies van der Rohe, respectively.\u003cbr\u003e The time difference between Europe and the United States (and Japan as an implicit reference) and Korea has been a major driving force in Korean architecture.\u003cbr\u003e Between these differences, references and citations had to be either covertly concealed or, conversely, blatantly revealed.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e20th century Korea as a reference\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e On the other hand, there is something that is rarely brought to the forefront.\u003cbr\u003e It is a modern building built after the mid-20th century.\u003cbr\u003e Architects rarely took explicit reference to the work of their predecessors and mentors in their work. \u003cbr\u003eThe writings of contemporary Korean critics and theorists rarely inspired action.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e 『Labyrinth 1: References and Citations』 attempts to examine this flow.\u003cbr\u003e Although there are differences in their positions, the writings of Kim Gwang-su, Seo Jae-won, Kim Hyo-young, Lim Yun-taek, and Lee Hee-jun can be read in this context.\u003cbr\u003e The aim is to examine how references and citations to contemporary Korea, which occur in various fields such as film, dance, novels, and music, are taking place in architecture.\u003cbr\u003e It covers a group of architectural trends that draw their creative motifs from multi-generational, multi-family homes and commercial facilities that are so common that they are often overlooked.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe trend of non-referential architecture\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Meanwhile, there is a name that appears like a ghost in the opposite position.\u003cbr\u003e Swiss architect Valerio Olgiati.\u003cbr\u003e His book, Non-Referential Architecture, published with Markus Breitschmidt, has recently gained considerable popularity in the Korean architectural world, especially among young architects and students. \u003cbr\u003eThis book, prone to misunderstandings and speculations (and to some extent, self-inflicted ones), speaks in diametrically opposed voices on reference and citation.\u003cbr\u003e Their thesis is being simplified and amplified by anonymous Instagram accounts that use Olgiati's name to attack Korean architects' work as plagiarism.\u003cbr\u003e We have included a review of 『Non-referential Architecture』, along with articles that present different positions on reference and citation.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ediverse voices\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \"Labyrinth\" contains the voices of various members of the architectural community.\u003cbr\u003e It brings together the voices of critics, historians, and theorists, as well as architects of various levels (from those who work on large projects to those who rarely build buildings), curators, and planners, working across various fields within the vast field of architecture.\u003cbr\u003e We also plan to hold online and offline forums that will delve deeper into the topics covered in the magazine. \u003cbr\u003eThrough all these activities, 『Labyrinth』 hopes to become the center of Korean architectural discourse. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 30, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 240 pages | 424g | 143*225*19mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791190853583\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1190853582 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769418282,"sku":"108401","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/3c83a3b0ef36c47131375eeb63cc2bc8.jpg?v=1765445477"},{"product_id":"108406","title":"Becoming a ○○○ musician ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjmv0FqwJRWIhXWeuYIqzwE9l.png?v=1765108250\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Becoming a ○○○ musician \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/135727888\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eAuthor Kim Ho-kyung, who has shown a unique perspective on contemporary classical music through 『Anyway, Classic』 and 『Playlist: The Body Listening to Music』, met with young artists from that very world, talked to them, and recorded the story.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e From performers, conductors, and critics to YouTubers who introduce classical music, writers who write about classical music, and even amateur orchestra managers.\u003cbr\u003e These are people who started from similar starting points and took completely different paths, but on the other hand, although their appearances may be different, they share similar experiences of having found their place in the world of classical music after going through difficult times.\u003cbr\u003e\u003cbr\u003e Author Hwang Seon-woo says that the “subsequent developments and crises” and “the difficulties they face within their limitations and their own unique solutions” are far more interesting than “their dazzling start.” \u003cbr\u003eMusicologist Jeong Gyeong-yeong says, “It allows us to gently empathize with the concerns of special people called ‘musicians’ even within the fabric of our ordinary lives.”\u003cbr\u003e\u003cbr\u003e Whether you're a musician or not, if you're struggling to find your place in the world you live in, if you're anyone who wants to find balance between your dreams, your work, and your life, you'll find in these eleven warm and concise conversations the sparkling courage and strength to sustain and sustain those dreams and work.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e prolog\u003cbr\u003e\u003cbr\u003e Going on stage with the ghosts of the practice room\u003cbr\u003e Pianist Ji Yu-kyung\u003cbr\u003e\u003cbr\u003e Can I be just me, in any form?\u003cbr\u003e : Conductor and composer Yoon Han-gyeol\u003cbr\u003e\u003cbr\u003e The driving force of pleasure\u003cbr\u003e : Violist Lee Hanna\u003cbr\u003e\u003cbr\u003e Things you can't know unless you wander\u003cbr\u003e : Opera coach and pianist Kim Ji-hee\u003cbr\u003e \u003cbr\u003eThe boy who was looking for an answer sang that there was no answer.\u003cbr\u003e : Percussionist Lee Won-seok\u003cbr\u003e\u003cbr\u003e The questions and answers are more vague and complex.\u003cbr\u003e : Planner, composer, and pianist Moon Jong-in\u003cbr\u003e\u003cbr\u003e Sense, imitate, create, and freely\u003cbr\u003e : Flutist Yoo Woo-yeon\u003cbr\u003e\u003cbr\u003e What remains where the music left off\u003cbr\u003e : Music critic Shin Ye-seul\u003cbr\u003e\u003cbr\u003e A millimeter of despair and challenge\u003cbr\u003e : Piano technician Lee Se-ho\u003cbr\u003e\u003cbr\u003e Alice Creates Her Own Wonderland\u003cbr\u003e : Creator, pianist, composer Na Rae-sol\u003cbr\u003e\u003cbr\u003e Another door into classical music\u003cbr\u003e : Park Joo-young, head of the amateur orchestra\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e What can you do other than just comfort your own sorrowful heart?\u003cbr\u003e One cannot help but wait for the end that awaits the one who summons countless ghosts with passion and sincerity that will make the practice room explode, rather than the one who just wastes time feeling sorry.\u003cbr\u003e --- p.28\u003cbr\u003e \u003cbr\u003eA conductor who has practiced hundreds of times in front of a video or a mirror cannot match the experience of someone who has played with a real orchestra on stage even once.\u003cbr\u003e\u003cbr\u003e --- p.42\u003cbr\u003e\u003cbr\u003e If the path you take to achieve something is truly the path you want, you will be able to overcome it and move forward, even if it is painful at times.\u003cbr\u003e If it's a small pain, I'll use my wits to overcome it, and if it's a very big problem, I'll find a solution, such as getting help from others.\u003cbr\u003e If you feel like you need to quit, then I think it's not your path.\u003cbr\u003e A quick escape and a foolish surrender will lead you to another, clearer path.\u003cbr\u003e In my case, that was the case.\u003cbr\u003e\u003cbr\u003e --- p.52~53\u003cbr\u003e\u003cbr\u003e For both those who dream of becoming a musician and those who have become musicians, the thing they spend the most time on is ‘practice.’\u003cbr\u003e Even if you become a famous performer, you only get to perform on stage once every few months for an hour or two. \u003cbr\u003eMost people spend their time bored, sitting alone in the practice room, listening to their own poor voices.\u003cbr\u003e\u003cbr\u003e --- p.55\u003cbr\u003e\u003cbr\u003e \"There are already great examples in this world, so why should I be so hard-working?\" This is a thought that can easily be held not only in the music industry but also by young people who have just begun a long, seemingly endless journey.\u003cbr\u003e However, if you believe in your own talent, you may be able to develop more positive thoughts such as, 'I want to join this and do something similar.'\u003cbr\u003e\u003cbr\u003e --- p.56\u003cbr\u003e\u003cbr\u003e Even if you love the piano and become a pianist, you may not be happy with it.\u003cbr\u003e Then, you just have to find a way to become a happy pianist.\u003cbr\u003e Instead of feeling unhappy and giving up.\u003cbr\u003e\u003cbr\u003e --- p.79\u003cbr\u003e\u003cbr\u003e You may be passionate about one thing.\u003cbr\u003e And you might like a few different things in moderation.\u003cbr\u003e There was a time in the past when I blamed myself for not being able to focus on one thing. \u003cbr\u003eBut as time goes by, I think it's safer to divide my attention and pour my heart into three or four things.\u003cbr\u003e --- p.109\u003cbr\u003e\u003cbr\u003e What makes new questions fun for professionals is that the answers can be ambiguous and complex.\u003cbr\u003e All that remains is to make it clear, or leave it vague and let it grow.\u003cbr\u003e\u003cbr\u003e --- p.114\u003cbr\u003e\u003cbr\u003e If you only train yourself in the rules of expressing music and fail to find a way to express the inner story within it, you will end up spending many days as a 'depressed technician.'\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.174\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eRecommended by musicologist Jeong Gyeong-yeong and author Hwang Seon-woo\u003cbr\u003e In the vast world of classics, you have created your own coordinates.\u003cbr\u003e Stories of 11 Young Musicians\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e There are three main purposes for looking at a map.\u003cbr\u003e Current location, destination, route.\u003cbr\u003e Work and life won't be much different.\u003cbr\u003e What can I do?\u003cbr\u003e What do I want to be? \u003cbr\u003eSo what should I do?\u003cbr\u003e\u003cbr\u003e Those who choose to become musicians usually live with a destination in mind from a young age.\u003cbr\u003e The route is also set.\u003cbr\u003e That's why he is considered great, and that's why he himself is lonely and anxious.\u003cbr\u003e Even if you become a pretty decent musician, you don't get to perform on stage as often as you might think, and even when you do get to perform on stage, you end up locking yourself in the practice room for longer and more often.\u003cbr\u003e That is why it is the lonely and anxious world of musicians.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e 『Anyway, Classical』, 『Playlist: The Body Listening to Music』, author Kim Ho-kyung, who showed a unique perspective on classical music, knocked on the door of the practice room and met 11 young artists. \u003cbr\u003ePianist Ji Yu-kyung, conductor and composer Yoon Han-gyeol, violist Lee Han-na, opera coach Kim Ji-hee, percussionist Lee Won-seok, planner and composer Moon Jong-in, flautist Yoo Woo-yeon, music critic Shin Ye-seul, piano technician Lee Se-ho, creator and composer Na Rae-sol, and amateur orchestra leader Park Joo-young.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Some musicians are faithfully following the path we know, while others have discovered their limitations and new possibilities early on and pioneered new paths.\u003cbr\u003e This is an interview where we asked these people about their dreams, work, and life.\u003cbr\u003e\u003cbr\u003e “I wanted to hear about the joys and difficulties of making a career out of what you love.\u003cbr\u003e I wanted to ask about the inspiration that never closes even after closing the practice room door, about the daily life of a musician, where achievement, satisfaction, frustration, and giving up are all unclear, and it is not as easy as one might think. \u003cbr\u003eFor those of you who are living in a period between beginner and master, where work, dreams, and life are all mixed up.\u003cbr\u003e (…)\u003cbr\u003e\u003cbr\u003e These artists and 'us' are not much different in that they all harbor their own ideals, dream of a decisive stage, and live each day diligently taking care of the invisible.\u003cbr\u003e I hope that in their long stories, you will find words of encouragement that will add even a little bit of help to your life.” _Prologue, ‘Becoming an OOO Musician’\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWhat is OOO that represents you?\u003cbr\u003e Find the modifier in front of you and fill in the blanks.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e As a title, I put OOO, blank, somewhat vaguely or provocatively.\u003cbr\u003e Perhaps the process of filling in this blank and creating what kind of musician you are is the essence of what this book is trying to convey.\u003cbr\u003e And the self-descriptions these 11 musicians have found do not come from the secrets to their success, but from the difficulties they each faced and the ways they overcame them.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e“The eleven young musicians in this book each had dazzling beginnings, but what was far more interesting to me were their subsequent developments and crises.\u003cbr\u003e Talent isn't the only factor that determines what kind of musician they become.\u003cbr\u003e It is about the difficulties encountered within the limits of capital, time, and physical strength, and your own way of solving them.\u003cbr\u003e “It is this earnest search and intense exploration that makes each story meaningful and ultimately dazzling.” _From Hwang Seon-woo’s recommendation\u003cbr\u003e\u003cbr\u003e Lee Hanna, who decided to become a violist when she was ten years old, went to middle school, high school, music college, and then studied abroad.\u003cbr\u003e Take the elite course.\u003cbr\u003e After going through that arduous process where many people drop out, it is only the beginning.\u003cbr\u003e Instead of being overwhelmed by the great world of art, I practice and play believing that anything is possible as long as my love for music is not broken.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eWhen opera coach Kim Ji-hee is unable to practice or study due to an unexpected illness, she begins writing to maintain her identity as a musician.\u003cbr\u003e After publishing [Acoustic Weekly] once a week for over three years, which has over ten thousand readers, I returned to being an opera coach.\u003cbr\u003e After overcoming the childhood days of crying and saying \"I love music\" in the music school exam hall, I have now found my own path to becoming a happy pianist.\u003cbr\u003e\u003cbr\u003e Flutist Yoo Woo-yeon, who \"does what I consider important in a fun way,\" and Shin Ye-seul, who writes about music in an age when criticism has disappeared, all 11 people who tell their own stories in this book have gone through periods of confusion in their work, dreams, and lives and have learned how to live by embracing them in their own way.\u003cbr\u003e\u003cbr\u003e “Right now, I feel like I’m doing everything I can with music.\u003cbr\u003e The ending was ultimately similar. \u003cbr\u003e“I am a person who needs to express the various thoughts and feelings inside me, and I decided to do that through music, which I do best.” _Flutist Yoo Woo-yeon\u003cbr\u003e\u003cbr\u003e “When I was young, I was told that I couldn’t focus my interests on one thing and that I was too distracted.\u003cbr\u003e I think that those shortcomings have actually shaped my career so far.” _Creator Na-rae Sol\u003cbr\u003e\u003cbr\u003e “But what good is it if you just feel sad?\u003cbr\u003e “I just do my best when I get the chance to meet the audience, and I just believe that the next stage will come.” _Pianist Ji Yu-kyung\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCaptured in a warm and neat writing\u003cbr\u003e Portraits of Young Musicians\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e _Going on stage with the ghosts of the practice room\u003cbr\u003e _Can I be just me, in any form?\u003cbr\u003e _The driving force of pleasure\u003cbr\u003e _Things you can't know unless you wander\u003cbr\u003e _The boy who was looking for an answer sang that there was no answer\u003cbr\u003e _The questions and answers are becoming more ambiguous and complex \u003cbr\u003e_Sensing, imitating, creating, and freely\u003cbr\u003e _What remains where the music left off\u003cbr\u003e _1 millimeter of despair and challenge\u003cbr\u003e Alice Creates Her Own Wonderland\u003cbr\u003e _Another door into classical music\u003cbr\u003e\u003cbr\u003e The titles of each interview also clearly reveal what this book is trying to convey.\u003cbr\u003e The strong attitudes that sustain the lives of these young artists unfold in affectionate and refined conversations, and the author records these words in rich language, giving each a title that captures its essence.\u003cbr\u003e\u003cbr\u003e The author himself majored in music, changed his career to writing about music, and has since studied music appreciation and written lyrics for popular music, fiercely exploring and struggling within the world of music, creating a deep connection between musicians and readers.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e It might sound like a declaration, like a correct answer. \u003cbr\u003eBut what they show are not clear answers, but rather sparkling hints or gentle metaphors.\u003cbr\u003e And you can move the blank back, taking those hints and metaphors with you.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This book will be helpful to OOO, who moves forward with the driving force of joy, OOO, who creates his own strange country, OOO, who sings about the absence of answers instead of searching for answers, and those who find the right intersection of dreams, work, and life, even if it is not through music.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “I must carry all the shining moments and the shabby memories with me and do my best in what I am doing now.\u003cbr\u003e “I believe that one day I will create something deep and solid of my own.” \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 20, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 204 pages | 230g | 128*188*14mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791188605293 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769614890,"sku":"108406","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/2614640e5cdcc98f7c4a985fb010c218.jpg?v=1765445484"},{"product_id":"108412","title":"Youth Cho Yong-pil ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjklxPX22eCtrxXrtOxoExBJP.png?v=1765108271\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Youth Cho Yong-pil \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/135278679\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eEverything about singer Cho Yong-pil, who sings about life!\u003cbr\u003e Reporter Hong Seong-gyu's diary of his coverage of King of Mask Singer\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eCho Yong-pil, who released his 20th album in 2024, is a singer in his 40th year, having gained immense popularity in 1975 with “Come Back to Busan Port” and debuted in 1980 with his first album “Woman Outside the Window.”\u003cbr\u003e However, with his tireless spirit of challenge and experimentation, he released the album “Hello” in 2013 and created the “Bounce” craze, becoming a great singer loved by all generations in Korea.\u003cbr\u003e\u003cbr\u003e \"Youth Cho Yong-pil\" is a book written by Hong Seong-gyu, who had the most interviews with Cho Yong-pil as a sports newspaper music reporter in the late 80s and 90s, and who collected precious memories of encounters that could not be written down in the interview notes and newspaper articles at the time.\u003cbr\u003e The book contains stories of Cho Yong-pil's childhood and youth, his encounters with music, stories with fans, and stories of his exquisite songs.\u003cbr\u003e Readers who miss Cho Yong-pil and the era he enjoyed must read this book.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e  \u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e\u003cb\u003eindex\u003c\/b\u003e\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e A letter of recommendation from An Chi-haeng, chairman of legendary music agency Anta Production.\u003cbr\u003e A congratulatory message from producer Kim Ki-wook, a 50-year veteran of the music industry and a close friend of \"King of Mask Singer,\" on the publication of the show.\u003cbr\u003e Entering the Journal of King of Singers Cho Yong-pil, compiled after 36 years\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1: The Times We Never Knew About Cho Yong-pil\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The day I first met a superstar\u003cbr\u003e The ultimate pride king, Cho Yong-pil\u003cbr\u003e Haeundae 1 Night 2 Days 007 Operation\u003cbr\u003e My next favorite thing after music… alcohol\u003cbr\u003e The deep filial piety in Cho Yong-pil's heart\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2: How the \"Little Giant\" Achieved a \"Great Birth\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The 1980 Korean-American tour that gave Cho Yong-pil confidence\u003cbr\u003e Cho Yong-pil Takes Music to a New Level\u003cbr\u003e The beginning of Korean fandom culture\u003cbr\u003e Cho Yong-pil, the original Asian pop singer\u003cbr\u003e Cho Yong-pil and the Great Birth\u003cbr\u003e That love becomes one\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3 I will love and sing about everything in this world.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Live by music, die by music\u003cbr\u003e Jo Yong-pil always holds the microphone with his left hand. \u003cbr\u003e\"Come Back to Busan Port,\" which introduced the wild musician Cho Yong-pil to the world.\u003cbr\u003e The song is like talking to friends\u003cbr\u003e Song Story\u003cbr\u003e\u003cbr\u003e In conclusion\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4842\/MidCate009\/484186661(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e I also came up with the title ‘King of Singers’ for Jo Yong-pil.\u003cbr\u003e Just writing 'singer Cho Yong-pil' seemed too weak, and at the same time, using terms like 'top singer' or 'best singer', which were used by senior reporters at the time, felt too cliche.\u003cbr\u003e After meeting superstar Cho Yong-pil in person and getting to know him one by one, the most fitting compliment for him was “King of Mask Singer.”\u003cbr\u003e Today, the expression “King of Singers” has become a very natural and obvious modifier for Cho Yong-pil, but Cho Yong-pil actually finds the expression “King of Singers” very awkward.\u003cbr\u003e He simply liked being called 'Brother Yongpil', and he loved the three letters of his name 'Jo Yongpil' the most, and among them, he preferred the letter 'Pil (弼)' which means 'help'.\u003cbr\u003e ---From \"Entering\"\u003cbr\u003e \u003cbr\u003e\"I'm reporter Hong Seong-gyu! Did you hear what I said? Would you like to talk to me for a moment?\" This was his first greeting to Cho Yong-pil.\u003cbr\u003e As I suddenly approached Cho Yong-pil, a group of people who appeared to be his managers stopped me.\u003cbr\u003e Other reporters were gathering to see what was going on.\u003cbr\u003e It was not at all an atmosphere where we could move to a place like a coffee shop in the airport and have a conversation.\u003cbr\u003e Cho Yong-pil also looked around, then said briefly, “Come to Ariyas,” and then started walking again in a hurry.\u003cbr\u003e\u003cbr\u003e ---From \"Part 1: The Times of Cho Yong-pil We Didn't Know: The Day We First Met a Superstar\"\u003cbr\u003e\u003cbr\u003e As word spread that the Tokyo Shibuya concert was a huge hit, the 2,600 seats for the next Osaka concert were sold out.\u003cbr\u003e The concerts in Fukuoka and Yokohama followed, attracting over 20,000 paying audiences. \u003cbr\u003eThe Asahi Shimbun described the five-city tour at the time as \"Jo Yong-pil's success, overcoming the barriers of music genre and language, and stealing the souls of Japanese audiences.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Cho Yong-pil can be said to be a pioneer of the Korean Wave who opened the way for advancement into Japan.\u003cbr\u003e Even before the term 'Korean Wave' appeared, it had already surpassed its limits.\u003cbr\u003e In 1983, he toured 15 major cities in Japan with “Cho Yong-pil and the Great Birth,” and in 1986, he expanded the tour to 78 cities, moving the Japanese archipelago.\u003cbr\u003e\u003cbr\u003e ---From \"Part 2: How the 'Little Giant' Achieved Great Birth: Cho Yong-pil, Flying to a New Level in the World of Music\"\u003cbr\u003e\u003cbr\u003e Our baby boomer generation's bodies are getting weaker and more susceptible to pain as they age, but their hearts are still young.\u003cbr\u003e The more it is like that, the more I regret the time that has passed.\u003cbr\u003e Why did we have to live in such a difficult situation when we could have lived better? \u003cbr\u003eIt seems like only regrets remain, and now that I am old and sick, it seems like my final destination is separation from the world.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e But our life does not end with death.\u003cbr\u003e Just as a caterpillar becomes a pupa, and the pupa becomes a beautiful butterfly and flutters away, so too will our lives be.\u003cbr\u003e When you live with that confidence, your life changes.\u003cbr\u003e Just as there is a law of conservation of energy, our lives do not disappear.\u003cbr\u003e It just changes into a different dimension of matter and state.\u003cbr\u003e If so, then the time we are living in now is in the middle of eternal time.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"I will love and sing about everything in this world: Living with music and dying with music\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e[Exclusive] The Journal of Hong Seong-gyu, a veteran reporter who has written countless articles, from his time there.\u003cbr\u003e From baby boomers to MZ\u003cbr\u003e How did Jo Yong-pil become a king of singers loved by all generations?\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eCho Yong-pil gained popularity from his first album in 1980 and continued to receive attention for his hip music and music videos until his teaser album for his 20th album, \"Road to 20,\" released in 2023.\u003cbr\u003e Active for 46 years, he is a true national singer and 'king of singers' known to everyone from those in their 80s to those in their 20s.\u003cbr\u003e\u003cbr\u003e But was this title of King of Singers just given to him one day? No.\u003cbr\u003e The King of Mask Singer is an achievement that Jo Yong-pil achieved through painstaking effort.\u003cbr\u003e The author has been conducting in-depth interviews with Cho Yong-pil since the 90s, when he was at the peak of his career.\u003cbr\u003e This book contains the footsteps of the king of singers, including the moment Cho Yong-pil first encountered music, his conflict with his father, his activities in a band at a US 8th Army base village, his first passionate fan, and his direct sales of LPs, all of which were obtained through such reporting.\u003cbr\u003e \u003cbr\u003eAdditionally, this book also provides readers with a unique entertainment experience by telling the behind-the-scenes stories of the creation of famous songs such as 'The connection between 〈Leopard of Kilimanjaro〉 in 1985 and 〈Like Serengeti〉 in 2022' and '〈Empty Sky〉 and the 12.12 Coup d'état.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe first Oppa Unit, “Cho Yong-pil’s Night Show,” LP Cafe…\u003cbr\u003e Faded memories come back to life with Jo Yong-pil.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Some people describe the 1980s and 1990s as the 'era of barbarism and romanticism.'\u003cbr\u003e It was a complex and confusing time, with both good and bad memories coexisting.\u003cbr\u003e But the 4050 generation sometimes misses this era.\u003cbr\u003e It is not the era itself that makes me miss the youth I was at the time.\u003cbr\u003e Also, among the MZ generation, there is a strong craze for newtro, which is related to this era, such as LPs and film cameras.\u003cbr\u003e If you are curious about this era, follow the icon of the era, Cho Yong-pil.\u003cbr\u003e Naturally, everything from that time comes back to life.\u003cbr\u003e \u003cbr\u003e“Unsold record inventory began to pile up in warehouses as it was returned.\u003cbr\u003e At that time, Jo Yong-pil felt like a criminal and it was difficult for him to remain still any longer.\u003cbr\u003e After thinking about it, I decided to try it myself.\u003cbr\u003e I made a plan to receive 100 records and visit cafes early in the morning.\u003cbr\u003e At that time, the dawn teahouse was a place where young people who had spent the night at the club would wait until morning.\u003cbr\u003e Cho Yong-pil went down to Busan and visited the early morning tea houses in downtown areas such as Gwangbok-dong, Nampo-dong, and Seomyeon, and handed out records to each DJ and begged them to come.” - From the text\u003cbr\u003e\u003cbr\u003e Additionally, the author created a separate section called \"Those Days\" to add to the fun of reminiscing about the past, including \"The entertainment industry's drinking culture of that time\" and \"Reporters' reporting methods of that time.\" \u003cbr\u003eThis book not only provides a glimpse into Cho Yong-pil's past and present, but is also a time machine that transports readers to the nostalgic 8090 era. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 21, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 216 pages | 152*225*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791171178407\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1171178409 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769713194,"sku":"108412","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/f9723250a07e15b07e9cc5b075b39ef9.jpg?v=1765445491"},{"product_id":"108416","title":"SOULSCAPE ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjklqGIFKjJm6pWPwOJssJ0GB.png?v=1765108294\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e SOULSCAPE \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/133762315\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e The recovery of thought and reflection and the meaning of space\u003c\/div\u003e\n\u003cdiv\u003e Architect Seung Hyo-sang's final task was the architectural vocabulary 'Soulscape', which he called 'the aesthetics of poverty'.\u003cbr\u003e The landscape of spirituality asks what it means to have a space for thinking and reflecting in a fragmented modern society. \u003cbr\u003eSince the space for exploring the inner self is the essence of architecture, his journey on how to cultivate oneself and live resonates with a calm resonance.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eOctober 4, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“Good architecture makes us reflect on any street or space.”\u003cbr\u003e\u003cbr\u003e Light and darkness are varied,\u003cbr\u003e A space that fills, empties, and breathes life into.\u003cbr\u003e A place to let go of the emotions of the world and find the strength to go back to everyday life.\u003cbr\u003e A place where modern people can recover the reasoning and reflection they have lost.\u003cbr\u003e\u003cbr\u003e Architect Seung Hyo-sang's architectural landscape of encounters with spirituality\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The architectural vocabulary 'Soulscape' that Seunghyosang took on as his final task,\u003cbr\u003e A 400-kilometer journey in search of the essence of architecture and the meaning of spirituality. \u003cbr\u003eRepresentative architect of the Republic of Korea, the first chief architect of Seoul Metropolitan Government, the first architect to be selected as the 'Artist of the Year' by the National Museum of Modern and Contemporary Art, recipient of the Silver Crown Order of Cultural Merit, honorary award from the American Institute of Architects, the first Asian architect to receive the Austrian Cross of Academic Arts, First Class...\u003cbr\u003e The language used to describe Seunghyo Sang in the media is colorful.\u003cbr\u003e However, as the head of the architectural firm Irojae, he has been in the field for over 50 years, and is an architect who still builds houses and writes while worrying and contemplating.\u003cbr\u003e ‘Aesthetics of the poor’, ‘Landscript’, ‘Landscape of those who exiled themselves’… .\u003cbr\u003e He is a rare architect who has a clear architectural language to describe his architecture and has published a relatively large number of books.\u003cbr\u003e The architectural vocabulary he took up as his final task was ‘Soulscape’, a landscape of spirituality.\u003cbr\u003e\u003cbr\u003e Readers who have been watching Seunghyosang for a long time will guess. \u003cbr\u003eFrom the beginning, the question of ‘spirituality’ was at the foundation of his architectural language, starting with ‘The Aesthetics of Poverty.’\u003cbr\u003e How to live while cultivating yourself.\u003cbr\u003e The exploration of spirituality became clearer and deeper in the previous work, Meditation.\u003cbr\u003e He believed that it was important to recover lost spirituality in order to fight against materialism.\u003cbr\u003e So, I set out on a journey and visited places of spirituality, such as monasteries and cemeteries.\u003cbr\u003e When building a building, I put a lot of effort into making it a place for thinking and reflecting, even if it's just a part of it.\u003cbr\u003e So, we wanted to restore our welcoming daily life and healing community.\u003cbr\u003e And now, after half a century as an architect, I have come to the point where I want to build a spiritual architecture with the theme of ‘Soulscape.’\u003cbr\u003e \"Soulscape: On the Architectural Landscape of Thinking and Reflection\" is an architectural essay written by Seung Hyo-sang and records the architectural landscape of spirituality he encountered. \u003cbr\u003eFrom Gunwi Arboretum to Hayang Muhakro Church, Gyeongju Dokrakdang, Yangsan Tongdosa Temple and Manchuheon, Busan Gudeok Church, Gimhae Bongha Village, Miryang Myeongrye Shrine, and Chilgok Benedictine Waegwan Monastery.\u003cbr\u003e A journey of approximately 400 kilometers, asking questions about the essence of architecture and the meaning of spirituality and finding answers, is presented with over 150 beautiful black-and-white illustrations.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This book is a travelogue of Seung Hyo-sang's architectural pilgrimage in search of the architectural landscape of spirituality, and a humanistic architectural essay that illuminates the foundation of his identity as an architect and the architectural theory he has long contemplated.\u003cbr\u003e For readers seeking to escape the tedious and habitual lifestyle and find new strength, this book will be an original travel guide. For those seeking to replace their journey with a book, this book will be a guide that offers a time of deep contemplation and reflection, as if they were stepping out of their daily routine.\u003cbr\u003e Good architecture makes us reflect on any road or space. \u003cbr\u003e『Soulscape』 seeks to convey the meaning and value of architectural landscapes that foster reflection and contemplation in a fragmented modern society that conforms to materialism.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Introduction Donna Nobis Patcham 6\u003cbr\u003e\u003cbr\u003e \u003cb\u003eㆍThe human being lives poetically 27\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Tour of the garden 42\u003cbr\u003e Hyeonam - A shabby, black house 50\u003cbr\u003e Saddam - Wall of Memory 62\u003cbr\u003e Myeongjeong - Invisible Observatory 70\u003cbr\u003e Cutting Edge - Level 82: Climbing to the Stars\u003cbr\u003e Wasa - Ruined Monastery 92\u003cbr\u003e Investigation - Bird Monastery 104\u003cbr\u003e Gochimjeongsa - A Place for Those on the Border 112\u003cbr\u003e Soyoheon - A House Without Boundaries 120\u003cbr\u003e Mukhyeon and the Inner Paradise ─ On the Hill of Silence, Peace of Mind 128\u003cbr\u003e Platoon - Gesture of Existence 134\u003cbr\u003e GaGaBinBin ─ House with Flowing Scenery 138\u003cbr\u003e Other facilities 144\u003cbr\u003e\u003cbr\u003e \u003cb\u003eHayang Muhakro Church, a place for those who are free in truth 151\u003c\/b\u003e\u003cbr\u003e Teahouse Water Sunshine - Sunlight on Water 164\u003cbr\u003e  \u003cbr\u003e\u003cb\u003eㆍDokrakdang: A House of Solitude for Enjoying Being Alone 169\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCity 183 for Tongdosa practitioners\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eㆍManchuiheon, The House That Stays Green Until Late 197\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eㆍThe Miracle of the Calling and the Grace of Response at Gudeok Church 211\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eㆍBongha Village's history exists through interruption 227\u003c\/b\u003e\u003cbr\u003e The President's House - Low-Roofed House 238\u003cbr\u003e President Roh Moo-hyun's Graveyard - A Landscape of Self-Exile 246\u003cbr\u003e President Roh Moo-hyun Memorial Hall - Rising Land 260\u003cbr\u003e\u003cbr\u003e \u003cb\u003eㆍBiblical Landscape of Myeongrye Holy Land 275\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eㆍSt. Benedictine Waegwan Abbey You are now at peace 291\u003c\/b\u003e\u003cbr\u003e Retreat Center - House on the Edge 302\u003cbr\u003e Maoro Hall - Modern Relics 328\u003cbr\u003e Monks' Shelter - A Space of Hospitality 338\u003cbr\u003e\u003cbr\u003e Later we are his house 348\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e I thought it was important to recover the lost spirituality in our daily lives. \u003cbr\u003eSo, even in single-family homes, some suggest keeping a study room where ancestors practiced their spirituality, creating a space of solitude. Some even make a part of the living room feel special, and some even raise the ceiling of the bathroom to provide a brief experience of the unfamiliar in everyday life.\u003cbr\u003e (…) Even in the design of small neighborhood living facilities, he persuaded people to include small sanctuaries.\u003cbr\u003e When the opportunity arose to design a cemetery, I focused on making it not a facility for ghosts, but a park where we could cultivate and reflect on ourselves, and thus a place that third parties would also enjoy visiting.\u003cbr\u003e We criticized religious institutions that seemed to have become slaves to materialism and obsessed with designing even small-scale churches to restore religious essence and comfort our community.\u003cbr\u003e --- From the \"Preface\"\u003cbr\u003e \u003cbr\u003eI feel that the tree, which rises above the ground and shapes itself with the help of the sky, is a being that is settled and builds, and even seems to think.\u003cbr\u003e And the work of nurturing such trees to live well seems like the work of an immortal being, so arboretums have always been a place of awe for me.\u003cbr\u003e I suggested that this arboretum be made not just a place to show off beautiful plants, but a place to recover the thoughts and meditation that modern people seem to have lost, and he ended up naming the arboretum \"Sayuwon\" on the spot.\u003cbr\u003e\u003cbr\u003e --- From \"Sayuwon\"\u003cbr\u003e\u003cbr\u003e The truth and goal of church architecture should be not a secular and decorative space, but a simple form filled with sincerity.\u003cbr\u003e French poet Paul Valéry said that nothing is more mysterious than clarity. \u003cbr\u003eA clear and simple space, a home for those who seek freedom in truth – this is what I consider the essence of the church and church architecture.\u003cbr\u003e --- From \"Hayang Muhakro Church\"\u003cbr\u003e\u003cbr\u003e If we live in an age of democracy, wouldn't it be right for both the architecture and the cities we inhabit to be structured around this kind of multi-centered space?\u003cbr\u003e (…) This house, built by Hoejae Yi Eon-jeok, a leading figure in Neo-Confucianism during the reign of King Jungjong of the Joseon Dynasty, after he was driven out of political strife and returned to his hometown, is a building built on this land at about the same time as Villa Rotunda.\u003cbr\u003e (…) The architecture of Dokrakdang here did not exist as a building.\u003cbr\u003e A building is merely a tool that forms a yard, and each yard is an independent world.\u003cbr\u003e --- From \"Dokrakdang\"\u003cbr\u003e\u003cbr\u003e The house site was on a slightly elevated hill at the end of Pyeongsan Village, beyond the mountain to the north of Tongdosa Temple.\u003cbr\u003e For an architect, visiting a piece of land for the first time to design is an incredibly exciting experience. \u003cbr\u003eThis is especially true for me, who believes that the answer to all architecture lies in the land.\u003cbr\u003e The moment you first encounter a given piece of land, it is a critical moment to discover the clues to architectural design from that land and to listen to the detailed story of the land so that those clues do not become fragmented.\u003cbr\u003e So, I developed the habit of washing my body thoroughly before going to a new land.\u003cbr\u003e --- From \"Manchuiheon\"\u003cbr\u003e\u003cbr\u003e Mr. Jeong Gi-yong broadened his horizons while maintaining the proper attitude of an architect in a land with a harsh architectural environment.\u003cbr\u003e He was a typical example of a so-called humanistic architect, a rarity in our society.\u003cbr\u003e He was also a social architect who was more dedicated than anyone else to creating happiness for those living in difficult and lowly places and the marginalized. To us who are content with vested interests and are content with the world around us, his entire life was that of a thorough outsider.\u003cbr\u003e So, it would have been a good fit for President Roh, who also had a lot of outsider tendencies. \u003cbr\u003eJeong Gi-yong was pleased to learn that while the president actively expressed his opinions during the design process, he ultimately followed the architect's decision.\u003cbr\u003e Good architecture is made by good architects, but good architects are made by good clients.\u003cbr\u003e --- From \"The President's House\"\u003cbr\u003e\u003cbr\u003e The true and essential function of a grave is to remember the dead and reflect on us, the survivors.\u003cbr\u003e In other words, the tomb is ultimately a facility for us, the living, and I thought it was right to create it that way.\u003cbr\u003e (…) In other words, the space where life and death meet, the space of the square that is always empty to mediate between them.\u003cbr\u003e The square of that moon had to be built here.\u003cbr\u003e (…) It is undoubtedly a scene of self-consolation and reflection, where one reads the inscriptions on the ground while walking or stopping along the road, gazes at Owl Rock while crossing the waterway, or stands alone in the rough field in a daze. \u003cbr\u003e--- From \"President Roh Moo-hyun's Grave\"\u003cbr\u003e\u003cbr\u003e This monastery, located near Waegwan Station, has had much of its land cut off by several urban planning projects, but even now, on a land of over 20,000 pyeong, it is fully equipped with all the facilities required for an orthodox monastery. It is a village for those who have so-called self-exiled themselves, and is a place full of peace.\u003cbr\u003e When I first visited the retreat center after being commissioned to design it, I was deeply moved, as if I were seeing the Cluny Abbey in France, the most powerful monastery in Europe during the Middle Ages, or the actual drawings of the monastery discovered in the library of the Abbey of St. Gall.\u003cbr\u003e There are facilities like this in this land too….\u003cbr\u003e Above all, I was grateful and thankful for the nearly 100 monks who, by their calling, exiled themselves here and devoted themselves to their lives of obedience.\u003cbr\u003e There is still hope in this world….\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- From \"St. Benedict's Waegwan Abbey\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e  \u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e\u003cb\u003ePublisher's Review\u003c\/b\u003e\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eA true space that relieves the pain of everyday life and infuses vitality.\u003cbr\u003e The power of thoughtful and reflective architecture\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e When we say ‘spirituality,’ some people might first think of religion.\u003cbr\u003e However, Seunghyosang wants to speak of the beauty of spirituality that encompasses silence and meditation, thought and reflection, peace and solidarity, not only in the religious sense of spirituality, but also in the sense of protesting against an unethical society and shallow capitalism.\u003cbr\u003e The reason Seunghyo Sang seeks spiritual values ​​and seeks to create a spiritual landscape is not because he himself possesses a clear spirituality.\u003cbr\u003e Instead, he confesses that he suffers and is tormented by his own mistakes, such as greed, hypocrisy, laziness, pride, and anger.\u003cbr\u003e He says that because we are constantly going through worries and reflections, we have no choice but to search for spirituality more desperately.\u003cbr\u003e This is why we can empathize with Seunghyosang's journey toward spirituality. \u003cbr\u003eModern people often live with anxiety and hatred due to the worries and concerns that come to them like fate.\u003cbr\u003e If this pain could be alleviated, wouldn't it be worth taking the time to dwell in a place of spirituality, an architectural landscape that allows for reflection and contemplation?\u003cbr\u003e\u003cbr\u003e All of the major locations covered by Seunghyo Sang in ‘Soulscape’ are domestic.\u003cbr\u003e In addition, the locations of the buildings for which Seunghyosang was commissioned to design are mostly places where the path can be connected without difficulty, making it easy and realistic to plan the route.\u003cbr\u003e Moreover, the author guides you to freely decide your route and accommodations, so you can set out according to your own circumstances when you want to escape from everyday life for a while and settle down.\u003cbr\u003e Additionally, the places covered in the book are diverse, including arboretums, old houses, cemeteries, and houses, as well as religious buildings such as holy places, sanctuaries, churches, cathedrals, monasteries, and temples. \u003cbr\u003eSeunghyo Sang presents a variety of places that we can easily find when we are tired of everyday life, and shows that meditation and contemplation are possible anywhere, if we put our minds to it.\u003cbr\u003e The places introduced in the book are each unique and special, but they fall into the same category as reflective landscapes that provide the strength to move back into everyday life through experiences that escape the everyday.\u003cbr\u003e \"Soulscape\" shows that architecture that evokes meditation through the mere play of light and darkness can be more energizing than architecture that creates spectacular scenes.\u003cbr\u003e By following the profound narrative of the architectural landscape that inspires thought and reflection, you can escape the hustle and bustle and encounter a mind that focuses on inner calm and solidity.\u003cbr\u003e\u003cbr\u003e “Architecture is a means, not an end. \u003cbr\u003e“We must keep it simple and silent so that it becomes the background of our lives.” Even in an era where architecture is being replaced by real estate and converted into money, Seung Hyo-sang believes in the power of architecture and the power of thought that permeates architecture.\u003cbr\u003e Because good architecture creates a good life.\u003cbr\u003e As you walk along the journey engraved in 『Soulscape』, you will come to have the same faith as the author.\u003cbr\u003e Of course, Seunghyosang's architecture and words are not flashy enough to dazzle others.\u003cbr\u003e Rather, it is so honest and clear that it can be readily explained with just light, darkness, and exposed concrete.\u003cbr\u003e Is it because authenticity lies in its simplest form?\u003cbr\u003e The concise space gives us a more powerful sense of persuasion and emotion.\u003cbr\u003e It is also in this context that the text of this book, which includes over 150 illustrations, is composed solely of black and white.\u003cbr\u003e The architectural landscapes we encounter in books appear as more realistic spaces because they are in black and white. \u003cbr\u003eThe meaning of the place also becomes deeper.\u003cbr\u003e If you follow the architectural landscape conveyed by Seunghyosang, you will soon find yourself with the same mindset as an architect.\u003cbr\u003e This book is the basis of Seunghyosang's thinking and proof of his faith.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe architectural landscape of spirituality that led architects,\u003cbr\u003e A spiritual map that readers can carve themselves through their own footsteps.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Gunwi Sayuwon, Hayang Muhakro Church, Gyeongju Dokrakdang, Yangsan Tongdosa Temple and Manchuheon, Busan Gudeok Church, Gimhae Bongha Village, Miryang Myeongrye Shrine, Chilgok Benedictine Waegwan Monastery.\u003cbr\u003e All together, it's a journey of nearly 400 kilometers.\u003cbr\u003e Seunghyo Sang calls this path, which can be taken as if on a pilgrimage, the ‘map of spirituality.’\u003cbr\u003e 『Soulscape』 introduces thirty architectural sites in detail, which can be broadly divided into nine locations.\u003cbr\u003e\u003cbr\u003e ㆍSayuwon: An arboretum located in Gunwi, Daegu. \u003cbr\u003eThis space, built by architects Seung Hyo-sang, Alvaro Siza, and Choi Wook, and decorated by landscape architects Jeong Yeong-seon and Kawagishi Matsunobu, is already a place that many people are interested in and visiting.\u003cbr\u003e It received renewed attention after appearing in the drama \"Queen of Tears\" starring actors Kim Ji-won and Kim Soo-hyun.\u003cbr\u003e It is a place where one can reflect on the harmony between nature and architecture, as well as the meaning of thought and reflection that a place provides.\u003cbr\u003e 'Hyeonam' where you can have an unfamiliar experience of becoming a piece of nature in silence; 'Sadam' built like a hypothetical stage set; 'Myeongjeong', an invisible observatory; 'Cheomdan' built like a water tank but a place to look at stars; 'Wasa', a ruined monastery; 'Josa', a monastery for birds; 'Gochimjeongsa', a place for border guards; 'Gagabinbin' built by Choi Wook; 'Soyoheon', 'Naesimnagwon', and 'Sodae' built by Alvaro Siza are all buildings in Sayuwon.\u003cbr\u003e  \u003cbr\u003eㆍHayang Muhakro Church: A small church in the Hayang area.\u003cbr\u003e It is a home for those who seek freedom in the truth, and a place where one can glimpse the essence of church architecture.\u003cbr\u003e\u003cbr\u003e ㆍDokrakdang: Located in Gyeongju, it is the old house where Lee Eon-jeok of Hoejae lived.\u003cbr\u003e Although it is a Joseon Dynasty building, it has a multi-centered spatial structure centered around a courtyard, making it a place that is even more meaningful in the democratic era.\u003cbr\u003e\u003cbr\u003e ㆍTongdosa Temple: Tongdosa Temple in Yangsan is one of the Three Jewel Temples and is registered as a UNESCO World Heritage Site under the name of ‘Sansa.’\u003cbr\u003e It is an architectural structure that resembles a special urban organization, and its size and composition are exquisite spaces.\u003cbr\u003e\u003cbr\u003e ㆍManchuiheon: Also located in Yangsan, it is the private residence of the 19th President Moon Jae-in.\u003cbr\u003e The name of the building, which means 'A pine tree by the stream that grows slowly, retains its lush greenness until late in life,' contains the architect's wish to live a peaceful life after retirement.\u003cbr\u003e\u003cbr\u003e ㆍGudeok Church: Located in Busan. \u003cbr\u003eThis is the place where the author spent his childhood, and a place to look back on the architectural experiences that laid the foundation for his career as an architect.\u003cbr\u003e\u003cbr\u003e ㆍBongha Village: Located in Gimhae, this area is well known as the site of President Roh Moo-hyun's tomb, which is visited by 1 million people annually.\u003cbr\u003e The former President Roh Moo-hyun's private residence, known as the 'low-roofed house,' was built by the late architect Jeong Gi-yong.\u003cbr\u003e This is a place that makes you ponder the saying that a good architect makes a good client.\u003cbr\u003e The Roh Moo-hyun Memorial Hall, rather than overwhelming its surroundings, was designed to embody the spirit and values ​​of Roh Moo-hyun through architecture by expressing the \"rising land\" as a landscape of a sloping square.\u003cbr\u003e The grave of President Roh Moo-hyun is covered with stone tablets inscribed with citizens' memorial messages like fingerprints, creating a reflective landscape where the dead and the living face each other, much like the Woldae of Jongmyo Shrine.\u003cbr\u003e\u003cbr\u003e ㆍMyeongrye Holy Land: Located in Miryang. \u003cbr\u003eThis place commemorates the martyr Shin Seok-bok Marco, and the old Hanok cathedral and the newly built memorial cathedral harmonize to celebrate peace.\u003cbr\u003e\u003cbr\u003e ㆍBenedictine Waegwan Abbey: Located in Chilgok, it is a beautiful place with a historic cathedral and a recently completed Seunghyosang building.\u003cbr\u003e Up to 100 monks live in a community with a spirit of martyrdom and devotion.\u003cbr\u003e The 'Retreat Center', a facility where guests can stay overnight at the monastery, was designed as a place of retreat for those who long for a life outside the boundaries and want to escape from their daily lives, even if only for a moment.\u003cbr\u003e It is called 'House on the Border' and is a place where one can stay and meditate alone in a solitary cell surrounded by silence.\u003cbr\u003e The 'Maoro Hall' was built in 1957, and the urgent task of remodeling it was to restore its original form by revealing the passage of time rather than hiding it. \u003cbr\u003eThe 'Monk's Shelter' was built as a so-called 'place-made architecture' that integrates with the bamboo forest of the existing roadside wall. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 24, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 356 pages | 514g | 133*192*24mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198043313\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1198043318 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769811498,"sku":"108416","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/712f716510b4aea4f582bb04dd9813f1.jpg?v=1765445499"},{"product_id":"108421","title":"Only pictures ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjlqwwFl6Z5rjXV2V4r4kI0yt.png?v=1765108315\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Only, picture \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/133646652\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e These paintings made art history\u003c\/div\u003e  \u003cdiv\u003e51 paintings that have made their mark on art history, selected by art critic Park Young-taek.\u003cbr\u003e At a time when the media of art are diversifying and the 'end of painting' is emerging, the 51 paintings demonstrate the interconnectedness of each and the role of painting in the past and present.\u003cbr\u003e The author's insight guides readers to the charm of painting, which exists as the essence of art.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eOctober 22, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eFrom Roman frescoes from the 1st century to Kiki Smith's \"Sky\" in the 21st century\u003cbr\u003e 51 paintings that made a new mark on Western art history\u003cbr\u003e A thoughtful insight into why this painting is essential to know.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The book 『Only, Painting』, which contains the essence of art critic Park Young-taek, who has been working as an art critic, curator, etc. for 34 years and has thoroughly examined the theory and practice of modern art, is being published. \u003cbr\u003eFifty-one paintings that brought about decisive changes in the history of Western art are introduced with the elegant and delicate appreciation of art critic Park Young-taek.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e As we enter modern times, the media of art have diversified.\u003cbr\u003e As not only paintings on canvas but also installation art and video works became major branches of art, the 'end of painting' continued to emerge.\u003cbr\u003e 『Only, Painting』dismisses such views and establishes the appeal of painting as the essence of art.\u003cbr\u003e\u003cbr\u003e As an art critic who loves art, the author selected works that deeply moved him.\u003cbr\u003e 『Only, Painting』 contains 51 paintings that revolutionized the history of Western art. The works of well-known painters such as Rembrandt, Van Gogh, and Picasso are displayed alongside those of relatively unfamiliar painters such as Antoine Watteau, Maurice Utrillo, and Max Beckmann, stimulating curiosity. \u003cbr\u003eThe book also includes works by active contemporary artists such as Kiki Smith, Anselm Kiefer, and David Hockney.\u003cbr\u003e In an age when the possibilities of painting seem to have been exhausted, the attempts of those who view the world from a new perspective and capture it on canvas are in themselves a refreshing inspiration.\u003cbr\u003e\u003cbr\u003e 『Only, Pictures』 is also a collection for art lovers.\u003cbr\u003e As you slowly examine each piece, following art critic Park Young-taek's introduction, you'll find yourself reflecting on your own reasons for loving art and wanting to build your own collection.\u003cbr\u003e\u003cbr\u003e All images arise from the perception and observation of their subject.\u003cbr\u003e An image begins with what you see.\u003cbr\u003e But seeing is not simply about confirming the image projected onto the retina.\u003cbr\u003e It is connected to intuition and experience, memory and association, and the access and flowering of the sense organs. \u003cbr\u003eSo, seeing is an act of recognizing, an act of realizing, and an act of the whole body responding.\u003cbr\u003e Page 141\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e At the beginning of the book\u003cbr\u003e\u003cbr\u003e 1 A gaze that turns physical walls into welcoming spaces: Unknown artist, “Virgin Holding a Flower”\u003cbr\u003e 2 Opening the Way to Three-Dimensional Illusion: Giotto Dibondone, \"Lamentation\"\u003cbr\u003e 3 A face that comes back to life in the present time: Robert Campin, Portrait of a Lady\u003cbr\u003e 4. Humanity Encountering the Infinity of God: Fra Angelico, The Annunciation\u003cbr\u003e The 'Stain' Left by the Stare of the Five Typers: Hans Holbein, \"The Two Ambassadors\"\u003cbr\u003e 6. Shapes created from huge masses of color: Titian Vecellio, Self-Portrait\u003cbr\u003e 7. Undeniable Individuality: El Greco, The Knight with His Hand on His Heart\u003cbr\u003e 8 A Fantastic Combination of Light and Darkness: Caravaggio, The Supper at Emmaus \u003cbr\u003e9 Paintings that make you think about things: Francisco de Zurbarán, “Water and Roses in a Cup”\u003cbr\u003e 10 Magically Sensual Paintings: Diego Velázquez, Portrait of Pope Innocent X\u003cbr\u003e 11 A woman's radiant neck and pearly dress: Gerard Terborch, Interior with Figures\u003cbr\u003e 12 The Presence of Living, Breathing Things: Johannes Vermeer, Woman with a Pearl Necklace\u003cbr\u003e 13 The Curves and Wrinkles of Life on the Face: Rembrandt Harmans van Rijn, Self-Portrait with Two Circles\u003cbr\u003e 14 Sadness in the Illusion of Beauty: Jean-Antoine Watteau, The Sign of Gersain\u003cbr\u003e 15 Eyes and Hearts That Cannot Be Reproduced: Francisco Goya, The Countess of Altamira and Her Daughter, Maria Agustina\u003cbr\u003e 16 Mysterious Spirits of Nature: Camille Corot, Ville d'Avray\u003cbr\u003e 17 The Transience and Chance of the World: Edgar Degas, \"Rehearsal\" \u003cbr\u003e18 A Feast of Beautiful Colors: Pierre-Auguste Renoir, “Woman with a Cat”\u003cbr\u003e 19 A painter who utilized and operated the material properties of space: Edouard Manet, “A Bar at the Folies-Bergère”\u003cbr\u003e 20 The Powerful Power to Bring Out What's Within You: Vincent van Gogh, Self-Portrait in Arles\u003cbr\u003e 21 Emotional Arousal Through Landscape: Edvard Munch, \"The Red House\"\u003cbr\u003e 22 Painting on the relationship between nature and perception: Paul Cézanne, Still Life with Onions\u003cbr\u003e 23 Colors Freed from Phenomenon: Albert Marquet, \"The Road Along the Grand Augustin\"\u003cbr\u003e 24 A painting that reproduces the form of the subject: Pablo Picasso, Bust of a Woman\u003cbr\u003e 25 The Truth That We Must See the World Naively: Henri Rousseau, \"View of the Defenses on the Left Side of the Locks of Vanves\"\u003cbr\u003e 26 Scenes of Life in the Ephemeral City: Maurice Utrillo, Rue des Banlieux Sannois\u003cbr\u003e 27 Interior Scenes with Colors: Henri Matisse, The Red Studio  \u003cbr\u003e28 Making the Invisible Visible: Paul Klee, \"As Soon as I Emerged from the Gray of Night\"\u003cbr\u003e 29 The ideal man, intelligent and self-confident: Max Beckmann, Self-Portrait in a Tuxedo\u003cbr\u003e 30 Ordinary Objects Raised with Light: Pierre Bonnard, “Restaurant with a View of the Garden”\u003cbr\u003e 31 A human being whose mind is constantly dominated by ominous desires: Balthus, \"Thérèse's Dreams\"\u003cbr\u003e 32 In Defense of Uncontaminated Perception: Jean Dubuffet, \"Fragments of the Earth\"\u003cbr\u003e 33 Contrast and Clash of Color and Matter: Serge Polyakoff, “White, Red, and Blue”\u003cbr\u003e 34. Representation Without a Place: Willem Duconing, Woman 5\u003cbr\u003e 35 Brushstrokes that border on desperate struggle: Philip Guston, Painting\u003cbr\u003e 36 A painting that vibrates between material and form, brushstrokes and colors: Giorgio Morandi, “Still Life”\u003cbr\u003e 37 A painting that blurs the lines between representation and abstraction: Richard Diebenkorn, “Seated Man” \u003cbr\u003e38 The Fate of the Line Made of Uncertainty: Cy Twombly, Panorama\u003cbr\u003e 39 Perception of the flatness of the screen and its limited borders: Frank Stella, Getty's Tomb\u003cbr\u003e 40 A Screen That Embraces the Abstract Sublime: Mark Rothko, Untitled\u003cbr\u003e 41 A painting that captivates the visual world: David Hockney, “Man Sunbathing”\u003cbr\u003e 42 Entirely Non-Representational Painting: Robert Ryman, Untitled\u003cbr\u003e 43 An allegory visualizing one's inner self: Agnes Martin, Untitled\u003cbr\u003e 44 A Face Questioning Traditional Ontology: Francis Bacon, Study for a Self-Portrait CR 86-02\u003cbr\u003e 45 Images That Became Objects: Andy Warhol, Lenin\u003cbr\u003e 46 A visual metaphor for the oblivion and distortion of a vanishing collective memory: Gerhard Richter, \"The Shot Man\" from the series \"18 October 1977\"\u003cbr\u003e 47 The emergence of something new that cannot be reduced to meaning: Anselm Kiefer, Falling Stars \u003cbr\u003e48 A fragile human being, torn between libido and ego: Lucian Freud, Flora with Blue Claws\u003cbr\u003e 49 A Strange Face That Doesn't Get Trapped in the Text: Luc Tuyman, Lumumba\u003cbr\u003e 50 Struggles with Our Everyday Vision: Wilhelm Sasnal, Copper and Rita\u003cbr\u003e 51 Tapestry created under a mysterious and sacred atmosphere: Kiki Smith, \"Sky\"\u003cbr\u003e\u003cbr\u003e Source and copyright of the image\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4777\/MidCate007\/477661750.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The painting is figurative, abstract, fantastical, real, and at the same time, it runs away from all of them.\u003cbr\u003e --- p.38\u003cbr\u003e\u003cbr\u003e Humans always view things and the world from the perspective of themselves.\u003cbr\u003e But things already exist in that place, regardless of me. \u003cbr\u003eWhat we call things are governed by our preconceptions, are subject to so-called universal laws of mathematics and physics, and are governed by religious and moral laws that involve violence.\u003cbr\u003e The objects we encounter in the realm of art are those that erase these objects and suddenly reveal their original form.\u003cbr\u003e\u003cbr\u003e --- p.82\u003cbr\u003e\u003cbr\u003e The power of images and paintings is to make visible what was invisible in everyday life.\u003cbr\u003e --- p.99\u003cbr\u003e\u003cbr\u003e All images arise from the perception and observation of their subject.\u003cbr\u003e An image begins with what you see.\u003cbr\u003e But seeing is not simply about confirming the image projected onto the retina.\u003cbr\u003e It is connected to intuition and experience, memory and association, and the access and flowering of the sense organs.\u003cbr\u003e So, seeing is an act of recognizing, an act of realizing, and an act of the whole body responding.\u003cbr\u003e --- p.143\u003cbr\u003e \u003cbr\u003eA great painting is one that speaks volumes.\u003cbr\u003e Paintings clearly speak to us, and when we can hear the sound of a painting, it becomes a truly living painting.\u003cbr\u003e --- p.160\u003cbr\u003e\u003cbr\u003e The unconscious is not a dream, but the power that creates dreams.\u003cbr\u003e There are memories that seem to be forgotten, but are not forgotten, and cannot be forgotten.\u003cbr\u003e We call the area of ​​the mind that exists within the mind but is not easily revealed to the outside the unconscious.\u003cbr\u003e Rousseau's paintings bring this unconscious world to the surface and give it form.\u003cbr\u003e And so a new world unfolds.\u003cbr\u003e --- p.218\u003cbr\u003e\u003cbr\u003e We all view everything placed before our bodies from a certain perspective.\u003cbr\u003e To see is to think.\u003cbr\u003e The role of art is to teach humans to see, and seeing in art means intuition. \u003cbr\u003eThis intuition is not intellectual knowledge, but empathy that penetrates into the subject and unites with its inner self.\u003cbr\u003e It is a perspective that is free from preconceived notions or perspectives internalized through learning.\u003cbr\u003e Only when a certain distance of view is secured can humans begin to think, realize, and recognize.\u003cbr\u003e --- p.225\u003cbr\u003e\u003cbr\u003e The surface of the painting is covered with traces of paint dripping down.\u003cbr\u003e This is a trace of paint flowing down due to the law of gravity.\u003cbr\u003e The author accepts the inevitable phenomenon caused by the laws of nature.\u003cbr\u003e Like life, painting is also a product of chance and accident.\u003cbr\u003e Humans just accept it.\u003cbr\u003e --- p.289\u003cbr\u003e\u003cbr\u003e To gaze is also a kind of desire.\u003cbr\u003e The desire is to see behind things and to see where the eyes cannot reach.\u003cbr\u003e Therefore, that desire is difficult to fulfill or realize.\u003cbr\u003e Perhaps art is the act of repeatedly performing such impossibilities. \u003cbr\u003eThrough this, we learn how to look at and understand the familiar yet unknown objects and world around us.\u003cbr\u003e --- p.308\u003cbr\u003e\u003cbr\u003e Conversation is a desperate task that clings to the skin of the world.\u003cbr\u003e --- p.402\u003cbr\u003e\u003cbr\u003e Humans are governed by time, are conscious of time, and time is always one-time.\u003cbr\u003e The sense of irretrievable extinction, the sense of loss that this is a one-time life that can never be repeated, are probably the decisive factors that preserve memories and recollections and lead us to draw.\u003cbr\u003e --- p.490\u003cbr\u003e\u003cbr\u003e Painting, simply put, is a device that creates illusions on a flat surface.\u003cbr\u003e The concept of painting is interpreted slightly differently in each period and given new life in the relationship between contemporary technology and images.\u003cbr\u003e Through modernism and postmodernism, painting became virtually powerless.\u003cbr\u003e Figurative and abstract painting are already a thing of the past. \u003cbr\u003eBut conversation does not die, but appears anew and different each time, waiting for the opportunity to come back to life and die again.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.425\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eA thoughtful insight into why this painting is essential to know.\u003cbr\u003e The history of painting summarized in one book\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 『Only, Pictures』 contains works that span eras and styles.\u003cbr\u003e Beginning with the frescoes produced in Rome around the 1st century, it continues through the Renaissance, Baroque, and Rococo, and continues with movements such as Impressionism, Cubism, and Abstract Expressionism, which revolutionized painting after the advent of photography.\u003cbr\u003e If you look at the paintings representing each period in chronological order, you can see the changing aspects of painting at a glance.\u003cbr\u003e\u003cbr\u003e Since the Renaissance, painters have aimed to reproduce images that resemble reality. \u003cbr\u003eExamples include Velázquez's Portrait of Pope Innocent X (1650), which captures a human face in its entirety, and Jean-Antoine Watteau's Sign of Gersain (1721), which shows the customs of the time.\u003cbr\u003e However, with the invention of photography in 1839, the meaning of reproducing an object as it is disappeared.\u003cbr\u003e Afterwards, works such as Van Gogh's \"Self-Portrait in Arles\" (1888) and Edvard Munch's \"The Red House\" (1890) appeared, expressing real objects through the prism of emotion.\u003cbr\u003e Cezanne and Picasso began to synthesize multiple perspectives on a single canvas.\u003cbr\u003e Painting, which had been changing from representation to expression and from figuration to abstraction since the advent of photography, finds its climax in Mark Rothko's color field abstract work, Untitled (1964).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This book doesn't stop there; it goes further. \u003cbr\u003eWe introduce artists like Francis Bacon and David Hockney who resisted the flow of abstract painting in the history of painting and attempted new forms of figurative painting.\u003cbr\u003e We also talk about artists who incorporate mythological figures into their paintings, such as Kiki Smith and Anselm Kiefer.\u003cbr\u003e The history of Western art conveyed in 『Only, Painting』 is not a linear history moving from the past to the future, but a circular history in which the past and present engage in a constant dialogue.\u003cbr\u003e Author Park Young-taek listens to the conversation and then relays it to his readers.\u003cbr\u003e\u003cbr\u003e Painting, simply put, is a device that creates illusions on a flat surface.\u003cbr\u003e The concept of painting is interpreted slightly differently in each period and given new life in the relationship between contemporary technology and images.\u003cbr\u003e Through modernism and postmodernism, painting became virtually powerless.\u003cbr\u003e Figurative and abstract painting are already a thing of the past. \u003cbr\u003eBut conversation does not die, but appears anew and different each time, waiting for the opportunity to come back to life and die again.\u003cbr\u003e Page 417\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWith a long and deep gaze\u003cbr\u003e Proving why we love art\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Author Park Young-taek observes a painting for a long time.\u003cbr\u003e He reveals the other side of the painting with tenacity and meticulousness that does not miss even a single small brushstroke in the corner.\u003cbr\u003e 『Only, Pictures』 tells us that there are whispers in a work of art that can only be perceived when looking at it for a long time.\u003cbr\u003e\u003cbr\u003e In Giotto's fresco \"Lamentation\" (1304-1306), the story of the people surrounding the body of Jesus is drawn out by examining the composition of the painting and the arrangement of the figures.\u003cbr\u003e In Manet's work, A Bar at the Folies-Bergère (1882), the meaning of the painting is expanded through the subtle shapes of the two figures placed on the right side of the painting. \u003cbr\u003eIn Giorgio Morandi's Still Life (1954), a subtle dissonance is found among the still objects, and in Lucian Freud's Flora with Blue Claws (2000-2001), a sexual nuance is captured through the shadows drawn at the bottom of the painting.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e A great painting is one that speaks volumes.\u003cbr\u003e Paintings clearly speak to us, and when we can hear the sound of a painting, it becomes a truly living painting.\u003cbr\u003e Page 159\u003cbr\u003e\u003cbr\u003e Until the Renaissance, paintings were rare and could only be seen in cathedrals or palaces.\u003cbr\u003e Then, as canvas was invented and reproductions became widespread, they became readily available everywhere, and the mystique of painting faded.\u003cbr\u003e 『Only, Painting』 restores the magical charm of painting, where three-dimensional, concrete objects or abstract emotions come to life when paint is placed on a two-dimensional plane. \u003cbr\u003eAuthor Park Young-taek's rich collection of paintings offers readers an opportunity to reflect on why they love painting. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 15, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 440 pages | 714g | 145*210*27mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788960908987\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8960908983 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769877034,"sku":"108421","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/4e138aa60f0141a6b468591927fd64dd.jpg?v=1765445506"},{"product_id":"108425","title":"Joaquin Sorolla's Paintings of Life ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjlqpnh6RiYk2T5m74DV72Xvf.png?v=1765108336\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Joaquin Sorolla's Paintings of Life \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/133311933\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\u003cdiv\u003e [The official selection of masterpieces by Joaquin Sorolla, a writer dedicated to his family and art] The official selection of masterpieces by Joaquin Sorolla, a master of light and a writer who was only recently re-evaluated in the 21st century.\u003cbr\u003e The author, who is the author's great-granddaughter, personally selected and included 100 major works, showing Sorolla's life devoted to family and art. \u003cbr\u003eSorolla's artistic world, which produced 4,000 works over 40 years, offers a moving experience that transcends 100 years.\u003cbr\u003e - Ahn Hyun-jae, art producer\u003c\/div\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThe official masterpiece line born after a long wait\u003cbr\u003e An art book featuring over 100 of his most famous works, this film-like account of the life of the painter Sorolla, who dedicated himself to his family and art.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “This beautifully designed and produced book contains over 100 of Sorolla’s major works, carefully selected by the author, a leading authority and his great-granddaughter.” - Art of Times\u003cbr\u003e “But even in these pale times, Sorolla’s great work shines as brightly as ever.” - Blanca Pons-Sorolla\u003cbr\u003e\u003cbr\u003e Joaquin Sorolla (1863-1923), the forgotten 'world's greatest Spanish painter' and 'master of light', was only rediscovered in the 21st century, 100 years later.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In 2009, a retrospective of Sorolla was held at the Prado Museum in Madrid. \u003cbr\u003e459,267 people visited the exhibition, the highest attendance in the past 10 years.\u003cbr\u003e His first solo exhibition in New York, held exactly 100 years ago in 1909, was considered “the greatest success in New York art history.”\u003cbr\u003e The American press reviewed the exhibition as follows:\u003cbr\u003e “What might have been a gentle wave of artistic interest grew into a tidal wave of uncontrollable enthusiasm.”\u003cbr\u003e\u003cbr\u003e In Paris, France, many critics and painters whom Sorolla met highly regarded him and shared friendships with him.\u003cbr\u003e Claude Monet, the painter of light, praised him as 'the master of light.'\u003cbr\u003e During his 40 years as a painter, Sorolla worked tirelessly, creating 4,000 works. Unfortunately, he collapsed while painting, and his last work was left unfinished.\u003cbr\u003e And for a hundred years it seemed to have fallen into a deep sleep, almost forgotten by the world outside Spain. \u003cbr\u003eBut Sorolla's great works, with their timeless universality and emotion, have always shone brightly.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e introduction\u003cbr\u003e Training and Growth 1880-1903\u003cbr\u003e Artistic heyday 1904-1911\u003cbr\u003e Creative maturity 1912-1920\u003cbr\u003e annual report\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4764\/MidCate003\/476324291.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e“His works are surprisingly unknown today.” - Kunsthalle Munich, 2016\u003cbr\u003e “The Mediterranean sunlight he portrays is timeless and unparalleled.” - National Gallery, London, 2019\u003cbr\u003e “Through his work, Sorolla tells the story of life.” - Domus, Italy, 2022\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Joaquin Sorolla was an accomplished draughtsman and painter of landscapes, portraits, and large-scale historical paintings with realistic colors. \u003cbr\u003eHe is famous for his beach scenes depicting children playing in the dazzling light of his hometown of Valencia, and his vivid depictions of the lives, pastimes, and customs of the people of the Spanish countryside.\u003cbr\u003e This beautiful book contains over 100 of Sorolla's major works selected by Blanca Pons-Sorolla, Sorolla's great-granddaughter and a leading Sorolla researcher.\u003cbr\u003e The author, who has had close contact with Sorolla's life and personal records, explores the artist's life and work, and his legacy in world art, through in-depth writing and rare photographic material.\u003cbr\u003e It brings together the main collection of the National Sorolla Museum in Spain as well as Sorolla's masterpieces scattered around the world.\u003cbr\u003e This is an official masterpiece that was born after a long wait.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePicture of life 1.\u003cbr\u003e Family - “During this time he discovered two great loves that would stay with him for the rest of his life.”\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eJoaquin Sorolla was born in Valencia in 1863 and died in Cercedilla, a town near Madrid, in 1923.\u003cbr\u003e His period of activity as an artist was from 1880 until 1920, when he stopped painting permanently due to a cerebral hemorrhage.\u003cbr\u003e During these 40 years, he painted an astonishing number of paintings, leaving behind a total of 4,000 paintings.\u003cbr\u003e As he said in a letter to his wife, for 40 years he only painted.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “I already told you about my day.\u003cbr\u003e …I always say the same thing.\u003cbr\u003e I draw a picture and say I love you.\u003cbr\u003e That's all.\u003cbr\u003e “Isn’t that enough?”\u003cbr\u003e\u003cbr\u003e His fulfillment as an artist is intertwined with the fulfillment he feels in life as an ordinary person.\u003cbr\u003e This can be confirmed through the letters he exchanged daily when he was not with his wife.\u003cbr\u003e His life depicted in this book is also largely based on these interesting letters. \u003cbr\u003eThe Museo Sorolla in Madrid preserves 988 letters Sorolla sent to his wife Clotilde and children, which have been published in two volumes.\u003cbr\u003e\u003cbr\u003e Sorolla met Clotilde when he was 15, married her when he was 25, and had three children.\u003cbr\u003e His love for his family was profound in many ways, as he lost both his parents to cholera when he was two years old.\u003cbr\u003e He had a very hard time when he was forced to be away from his wife and family, and when his children were sick, he took time off work to care for them.\u003cbr\u003e He had no intention of becoming a portrait painter, as he was interested in painting natural light, but once his paintings of his wife and children became known, he began receiving a steady stream of portrait commissions. \u003cbr\u003eHis family paintings, such as “Mother” (1895-1900), a peaceful portrait of a mother and daughter sleeping together to commemorate the birth of his third daughter, Elena, and “Walk by the Sea” (1910), a snapshot-like portrait of his wife and twenty-year-old eldest daughter strolling along the beach in Valencia, rank among his masterpieces.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePicture of life 2.\u003cbr\u003e The Sea - \"What a wonderful blue the sea is!\" (Sorolla to Clotilde)\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e As a typical Mediterranean person, the place where Sorolla felt most comfortable painting was clearly Valencia.\u003cbr\u003e He had an infinite ability to sensually capture the life and beauty of the world around him, and his ideal was to capture on canvas everything he could see and love.\u003cbr\u003e For him, Valencia was the place with the most impressive nature. \u003cbr\u003eArriving at the port of Valencia after a year of not seeing the sea due to his daughter Maria's illness, he writes in his first letter:\u003cbr\u003e\u003cbr\u003e “I’ve been enjoying the wonderful display of light and color here since 4 p.m.\u003cbr\u003e It's a warm and pleasant day.\u003cbr\u003e I'm looking at beautiful things without wasting a single moment.\u003cbr\u003e What a wonderful blue the sea is! The play of light is enchanting.\u003cbr\u003e I saw fishermen returning to port.\u003cbr\u003e Beautiful sails and fishermen, the sea reflecting a thousand colors… It's a shame you're not in Madrid.\u003cbr\u003e “It would be wonderful if the five of us could live together by the harbor.” (Sorolla to Clotilde, November 23, 1907)\u003cbr\u003e\u003cbr\u003e Since the mid-1900s, a prominent subject in his paintings has been the beach. \u003cbr\u003eLooking at works such as “White Boat, Havea” (1905), which is the cover illustration for this book, and “Girls Playing in the Water, Havea” (1905), one cannot help but acknowledge his outstanding skill in recreating light and movement.\u003cbr\u003e These beach works, painted outdoors from beginning to end, are embedded with grains of sand.\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePicture of life 3.\u003cbr\u003e The Garden - “What is beautiful is nature itself.” (Sorolla to Clotilde)\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Gardens were a frequent subject for Sorolla from 1907 onwards.\u003cbr\u003e The 1909 New York exhibition also featured several works depicting the gardens of the Palace of La Granja and the Alcázar in Seville.\u003cbr\u003e Later he painted the gardens of the Alhambra and Generalife in Granada, again in Seville, and above all, the gardens of his home in Madrid. \u003cbr\u003eIn all these garden paintings, he attempted photographic compositions and bold angles, capturing the interplay of light and shadow with sketchy, light brushstrokes and rich colors.\u003cbr\u003e These are not just landscapes, but also outstanding outdoor scenes featuring the women of the family, such as “Wife and Daughters in the Garden” (1910) and “Siesta” (1911).\u003cbr\u003e\u003cbr\u003e Sorolla, who preferred a house with a garden for the health of his wife and daughter, bought his first house in 1911.\u003cbr\u003e This house, complete with a garden and studio, is now the National Museum of Sorolla in Madrid.\u003cbr\u003e (This is the result of his wife Clotilde donating all of her property to the Spanish government in her will two years after Sorolla's death.) He painted many beautiful pictures depicting the garden of his home, and they are incomparably sensitive and excellent.\u003cbr\u003e He spent his last moments as a painter in the garden of his home. \u003cbr\u003eOn June 20, 1920, while painting a portrait of his friend's wife in the garden, he suffered a cerebral hemorrhage and was never able to paint again.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e* The Specialness of [Joaquin Sorolla's Pictures of Life]\u003cbr\u003e\u003cbr\u003e 1) Provided by the National Museum of Sorolla, Spain, this art book is beautifully reproduced in the highest quality.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book required the cooperation of world-renowned art institutions, including the Prado in Madrid and the Hispanic Society of New York, as well as high-resolution plates specially provided by the Sorolla Museum.\u003cbr\u003e You can fully experience the advantages of a large-format art book measuring 240x280mm, which allows you to fully appreciate each piece of art on a single page.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2) The essence of her great-grandfather Sorolla, compiled throughout her life by art historian Blanca Pons-Sorolla\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The author of this book, Blanca Pons-Sorolla, is the granddaughter of the painter Sorolla's eldest daughter, Maria, and a renowned art historian. \u003cbr\u003eShe spent her life compiling the artist's work, organizing articles, letters, and photographic materials, and is recognized as a leading authority.\u003cbr\u003e He selected about 100 works from over 4,000 works and appropriately introduced historically important and interesting photographic materials.\u003cbr\u003e He also displayed fantastic writing skills by exquisitely weaving the artist's life story with artistic commentary.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e3) The true face of a humane artist who loved the sea, the countryside, and, above all, his family and neighbors.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Having secured the support of critics and the public, Sorolla devoted himself to the subjects he truly wanted to portray.\u003cbr\u003e It was the customs (daily life) and the beach scenery.\u003cbr\u003e And he literally drew without rest.\u003cbr\u003e He created approximately 4,000 works and left behind approximately 8,000 drawings.\u003cbr\u003e His works are broadly categorized into seascapes, rural landscapes, and portraits. \u003cbr\u003eThe painter's love is evident in the portraits of his children, wife, and friends painted in the garden of his home, which he built and maintained himself in his later years, and these are undeniable masterpieces. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 4, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 224 pages | 1,506g | 248*288*24mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791190314374\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1190314371 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894769975338,"sku":"108425","price":66.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ab7d5f4ed23223cf45199afd14d456d4.jpg?v=1765445513"},{"product_id":"108429","title":"365-Day Masterpiece Calendar (Minimal Recover Edition) ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trhXDZgGki8MIO3qnTw4U8CK4x.png?v=1765108357\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e 365-Day Masterpiece Calendar (Minimal Recover Edition) \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/133204179\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eWith captivating masterpieces\u003cbr\u003e 365 days a year, ten thousand year calendar,\u003cbr\u003e Minimal Recover Edition released!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “Because I was able to stay in front of this painting, I will be happy for ten years of my life.” Just like this remark made by Van Gogh after seeing Rembrandt’s “The Jewish Bride,” sometimes a masterpiece lingers in our hearts from the moment we first see it until the day the emotion fades, giving us the strength to live on and becoming a light in our daily lives. \u003cbr\u003eArtist Kim Young-sook has presented the joy of reading paintings to many readers through bestselling art books such as “Art 365: One Page, All the Knowledge in the World Becomes Mine” and “Art in Every Moment.”\u003cbr\u003e One of them, “365-Day Masterpiece Calendar,” has come to readers in a ‘Minimal Recover Edition’ with even more upgraded packaging.\u003cbr\u003e\u003cbr\u003e The modern cover design featuring Odilon Redon's still life paintings, along with the minimalist style of the main text that allows readers to focus more on the 'appreciation of masterpieces' themselves, will provide a different kind of reading pleasure.\u003cbr\u003e Now, with the 《365-Day Masterpiece Calendar》, you can easily enjoy the world's dazzling masterpieces right on your desk every day.\u003cbr\u003e Author Kim Young-sook's kind and entertaining commentary is another joy you'll find in this book. \u003cbr\u003eThis year-end, the \"365-Day Masterpiece Calendar\" will be the perfect gift for you and your loved ones who want to start the new year with energy.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Author's Note\u003cbr\u003e january\u003cbr\u003e february\u003cbr\u003e March\u003cbr\u003e april\u003cbr\u003e May\u003cbr\u003e June\u003cbr\u003e July\u003cbr\u003e August\u003cbr\u003e September\u003cbr\u003e october\u003cbr\u003e November\u003cbr\u003e december\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4765\/MidCate002\/476413665(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Van Gogh created a strong contrast by painting the night sky and the river in deep cobalt blue, and the starlight and distant village lights in a complementary color of yellow.\u003cbr\u003e Although the shapes and sizes of the stars are exaggerated, their positions are accurate, and if you look closely, you can see that it is the Big Dipper.\u003cbr\u003e His principle was to draw what he actually witnessed on the scene.\u003cbr\u003e ---From \"Starry Night Over the Rhone, Vincent van Gogh, January 25th\"\u003cbr\u003e \u003cbr\u003eMonet, who was financially impoverished, began living in Vetheuil with his wife Camille and two children, and his patron's wife Alice and her six children who had gone bankrupt and had nowhere to go.\u003cbr\u003e In the midst of such difficulties, Monet, determined to rise again through painting, painted this tranquil winter landscape of Vetheuil while blowing on his frozen hands in the bitterly cold weather.\u003cbr\u003e ---From \"The Road to Vetheuil, Effect of Snow, Claude Monet, February 3\"\u003cbr\u003e\u003cbr\u003e Solberg, a painter who happened to go skiing and was captivated by the beauty of Mount Rondane, began sketching the mountain diligently on the train ride home.\u003cbr\u003e He returned to the mountain several times after that, studying how to express the overwhelming emotion he felt, and finally completed this painting after 15 years.\u003cbr\u003e ---From \"A Winter Night in the Mountains, Harald Solberg, February 25th\"\u003cbr\u003e \u003cbr\u003eJang Du-py captures the characteristics of an object in a simple form and then applies light-toned colors to the canvas, making it appear transparent even to the bottom.\u003cbr\u003e He gained fame as the painter who best painted Venice after Paris.\u003cbr\u003e Gondolas floating on the blue waters of the canals at dusk, bell towers, and even church buildings are a familiar sight to those who love Venice.\u003cbr\u003e ---From \"Venice, Jean Dufy, April 1st\"\u003cbr\u003e\u003cbr\u003e Skagen, a village located in the northernmost part of Denmark, is a fishing village famous for its herring fishing.\u003cbr\u003e The Skagen School was formed when Northern European painters, influenced by French Impressionist art, gathered one by one in the beautiful scenery surrounding the sea.\u003cbr\u003e Kroyer was one of them, staying here with his wife Marie.\u003cbr\u003e ---From \"A Summer Evening on the Beach at Skagen, Peder Severin Kröyer, June 19\"\u003cbr\u003e \u003cbr\u003eJust when they thought they could no longer endure, the ninth and most powerful wave approached, and the people on the wrecked ship were doing their best to resist it.\u003cbr\u003e Despite depicting a moment of harsh struggle, this work is praised as one of the most beautiful paintings in Russia.\u003cbr\u003e Aivazovsky was a Russian marine painter who lived in a house by the sea and created over 6,000 works there during his lifetime.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"The Ninth Wave, Ivan Aivazovsky, October 12\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e*** Art bestseller for 3 consecutive years\u003cbr\u003e *** 《365-Day Masterpiece Calendar》 Minimal Recover Edition Released!\u003cbr\u003e A 365-day calendar with captivating masterpieces\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e“Because I was able to stay in front of this painting, I will be happy for ten years of my life.” Just like this remark made by Van Gogh after seeing Rembrandt’s “The Jewish Bride,” sometimes a masterpiece lingers in our hearts from the moment we first see it until the day the emotion fades, giving us the strength to live on and becoming a light in our daily lives.\u003cbr\u003e Artist Kim Young-sook has been at the forefront of popularizing art knowledge by publishing several art books, and has provided domestic readers with the joy of delving deeper into paintings.\u003cbr\u003e Among his books, \"365-Day Masterpiece Masterpiece Masterpiece Masterpiece Masterpiece,\" which attracted great attention with its concept of \"a 10,000-year calendar for appreciating masterpieces every day,\" and which has maintained its position as a steady seller for three years, has come to readers in a recovered edition with even more upgraded packaging.\u003cbr\u003e \u003cbr\u003eNot only has the cover design been given a modern feel featuring Odilon Redon's still life paintings, but the main text has also been redesigned in a minimalist style optimized for 'appreciating famous paintings.'\u003cbr\u003e Even if you don't have time to visit an art museum in your busy daily life, you can easily encounter the world's dazzling masterpieces every day with this book.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eDeep emotion, comfort, and even cultural knowledge\u003cbr\u003e A tour of famous paintings through seven themes\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Perhaps just one routine is all you need to start your day happy.\u003cbr\u003e Place the “365-Day Masterpiece Calendar” in a place where your eyes often catch your eye, and read your mind by feeling one picture every day.\u003cbr\u003e From Monday, when the holiday spirit still lingers, to Sunday, when you want to pamper yourself after a hard week, this book is filled with masterpieces of rhythm and emotion essential for each day of the week, giving you a time of happiness just by looking at them every day.\u003cbr\u003e \u003cbr\u003e[MON] Energy: A Picture of Light to Start Your Day Better\u003cbr\u003e [TUE] Beauty: Masterpieces that Bring Dazzling Joy\u003cbr\u003e [WED] Confidence: The Colors That Make Me Feel My Best\u003cbr\u003e [THU] Relaxation: A Time to Let Go of Anxiety and Stress\u003cbr\u003e [FRI] Excitement: A Journey Through Exotic Landscapes and Paintings\u003cbr\u003e [SAT] Inspiration: The Ultimate Ecstasy, the Moment of Creativity\u003cbr\u003e [SUN] Comfort: A painting that soothes the mind\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIf you can't go to the art museum every day,\u003cbr\u003e Bring the art gallery to me\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Another joy you can find in this book is the friendly and entertaining commentary by Kim Young-sook, author of the best-selling art book, \"365 Art Lessons: All the Knowledge in the World Becomes Yours.\"\u003cbr\u003e Furthermore, the images of famous paintings printed on high-quality paper after undergoing detailed corrections convey a vivid sense of presence, as if you were viewing the famous paintings right before your eyes.\u003cbr\u003e\u003cbr\u003e There is beauty in the pictures and text of this book.\u003cbr\u003e It has the power to give courage. \u003cbr\u003eThere is excitement, passion, and wisdom that permeates the lives of artists.\u003cbr\u003e For me, who is about to start the new year with energy at the end of this year, or for someone special to whom I want to express my feelings, the \"365-Day Masterpiece Calendar\" will be the perfect gift. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 9, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Springbook book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 384 pages | 223*140*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791194033363\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1194033369 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770073642,"sku":"108429","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/66bfc9fc568359ce49b6ee49356937fc.jpg?v=1765445520"},{"product_id":"108437","title":"David Hockney: Anything is art ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjjfGVLHzO5I4TTOgFWfzMOBZ.png?v=1765108380\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e David Hockney: Anything Can Be Art \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/132621008\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA living legend of British pop art that has captured the attention of the world.\u003c\/b\u003e \u003cbr\u003eThe official book by David Hockney, a master of modern art!\u003cbr\u003e Colorful reflections on life and art, told directly by him\u003cbr\u003e A collection of Hockney's words and representative works full of artistic inspiration\u003cbr\u003e Meet Korea's first limited edition hardcover handbook!\u003cbr\u003e\u003cbr\u003e The official book, David Hockney: Anything Can Be Art, which contains the thoughts and insights of one of the most influential British artists of our time, is now available to readers in a limited edition hardcover.\u003cbr\u003e With a sturdy hardcover binding, a portable size, and a composition that expresses the colorful colors characteristic of Hockney's work, it was created so that you can 'dive' into Hockney's world anytime, anywhere.\u003cbr\u003e You can see at a glance his quotes and works, loved by people all over the world as a master of realist pop art, an indispensable genre in modern art, and an artist who has become a genre in itself. \u003cbr\u003eFilled with his unique thoughts on life and art, painting and creative work, nature and technology, this book offers readers an unparalleled dose of artistic inspiration.\u003cbr\u003e The included paintings, sketches, prints, photo collages, and iPad drawings, among other key works, enrich the reading experience by providing a deeper understanding of his world of bold artistic experimentation.\u003cbr\u003e\u003cbr\u003e David Hockney has constantly asked questions such as, “How should we see the world?” and “How should we express what we see in art?” across various media, including paint, film, and digital.\u003cbr\u003e Hockney's passion and persistence for the 'act of seeing' are fully expressed in his works, which delicately capture everyday scenes, objects, and people around us that we might easily overlook.\u003cbr\u003e “I have always been an observer. \u003cbr\u003eAs he said, “That’s what artists do,” anything that falls under David Hockney’s persistent gaze becomes art.\u003cbr\u003e This book, which directly tells how Hockney, a great artist of our time, sees the world around him, will provide readers with a valuable opportunity to renew their perspective on art.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Foreword - Martin Gayford\u003cbr\u003e Hockney's view of Hockney - the past\u003cbr\u003e Hockney's view of life\u003cbr\u003e Hockney's view of art\u003cbr\u003e Hockney's view of inspiration\u003cbr\u003e Hockney's view of his work\u003cbr\u003e Hockney's view of nature\u003cbr\u003e Hockney's view of the photograph\u003cbr\u003e Hockney's view of technology\u003cbr\u003e Hockney's view of Hockney - present\u003cbr\u003e References\u003cbr\u003e Included works\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4736\/MidCate009\/473587221.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e As the lives of many painters and sculptors show, great artists are not necessarily wise. \u003cbr\u003eBut Hockney seems to instinctively know how to forge his own path, both as an artist and in his personal life.\u003cbr\u003e\u003cbr\u003e Of course, Hockney would immediately say this.\u003cbr\u003e Everyone's inner self is different, and your own way may not work for everyone.\u003cbr\u003e In fact, perhaps no one but Hockney himself could live like that.\u003cbr\u003e How many people would be willing to watch raindrops fall into a puddle for hours, and how many would be so absorbed in painting a flowering fruit tree that they would completely lose track of time?\u003cbr\u003e ---From the \"Preface\"\u003cbr\u003e\u003cbr\u003e It's hard to say exactly why I decided to become an artist.\u003cbr\u003e Clearly, he had a little more talent than others. \u003cbr\u003eBut sometimes talent comes from enjoying observing, studying, and expressing things a little more than others, from finding the visible world a little more interesting.\u003cbr\u003e ---From \"Hockney Sees Hockney - The Past\"\u003cbr\u003e\u003cbr\u003e Most objects in the universe have no color.\u003cbr\u003e But the Earth has a surprising variety of colors.\u003cbr\u003e Blue, pink, green.\u003cbr\u003e That's exactly why I think we're special.\u003cbr\u003e We don't see the world from afar.\u003cbr\u003e We are in it.\u003cbr\u003e I like the idea that I exist in this world.\u003cbr\u003e I don't want to just look through the keyhole.\u003cbr\u003e ---From \"Life as Seen by Hockney\"\u003cbr\u003e\u003cbr\u003e The principle of pleasure in art cannot be denied.\u003cbr\u003e However, this does not necessarily mean that all art is easy and joyful.\u003cbr\u003e Some people find profound joy in pictures of Jesus crucified. \u003cbr\u003eArt should be a profound pleasure.\u003cbr\u003e There is a contradiction in the art of utter despair.\u003cbr\u003e Because at least the very attempt to communicate relieves some of the despair.\u003cbr\u003e Art has this inherent contradiction.\u003cbr\u003e ---From \"Art as Seen by Hockney\"\u003cbr\u003e\u003cbr\u003e I can be honest with you.\u003cbr\u003e For the past 60 years, every day I've done what I wanted to do.\u003cbr\u003e Not many people can say this.\u003cbr\u003e I find joy in the pictures I draw.\u003cbr\u003e If not, I would have quit already.\u003cbr\u003e Isn't that right? I never imagined I'd be painting with such ambition at this age.\u003cbr\u003e I know I'm a pretty famous painter.\u003cbr\u003e I guess it's just because my paintings resonate with a wide range of people.\u003cbr\u003e I don't think deeply about the reason.\u003cbr\u003e I don't really get into deep thoughts.\u003cbr\u003e I live in the present.\u003cbr\u003e It's always present.\u003cbr\u003e\n\n\u003c\/div\u003e  \u003cdiv\u003e---From \"Hockney as Seen by Hockney - Present\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eDavid Hockney, a master of modern art, first revealed his thoughts on art.\u003cbr\u003e A collection of the world's most valuable works by beloved artists, all in one volume!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In 2017, to commemorate the 80th anniversary of the artist's birth, a retrospective exhibition toured world-renowned art museums, including the Tate Gallery in London, the Centre Pompidou in France, and the Metropolitan Museum of Art in the United States.\u003cbr\u003e The number of visitors is approaching one million.\u003cbr\u003e Following this, the cumulative number of visitors to the exhibition held at the Seoul Museum of Art in Korea also exceeded 300,000.\u003cbr\u003e The protagonist who has attracted such global attention is David Hockney, a master of modern art representing the 20th century, a master of British pop art, and the most influential British artist of all time.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eBorn in Bradford, England in 1937, David Hockney graduated from the Royal College of Art in London and began to gain recognition around the 1960s. He continues to be active in his work and is much loved to this day.\u003cbr\u003e His works occupy a significant place in the history of modern art, particularly in that they expand the horizons of art by crossing various media such as painting, photography, iPad drawings, and stage design.\u003cbr\u003e Even now, as he approaches his nineties, Hockney retains a sparkling curiosity about the world and is not afraid to incorporate new technologies into his art. He was the first living artist to plan an immersive exhibition utilizing media art.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e 《David Hockney: Anything is Art》 is a story about life and art told directly by David Hockney, an artist beloved around the world. \u003cbr\u003eA selection of his representative works spanning various media, along with concise phrases that convey profound insights and artistic inspiration, are harmoniously presented.\u003cbr\u003e In particular, as an official book in which Hockney was directly involved in the composition and design of the content, it is a book that is more colorful and beautifully crafted like a single work of art while providing a more honest glimpse into him than any other book that has highlighted him.\u003cbr\u003e Hockney's unique and entertaining stories, covering a wide range of topics including his past and present, human life, art, inspiration, creative activities, nature, photography, and technology, provide readers with unparalleled artistic inspiration.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“I have always been an observer.\u003cbr\u003e That's what artists do.”\u003cbr\u003e Seeing the world through David Hockney's eyes\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eDavid Hockney's works, characterized by colorful colors and bright light, delicately capture everyday scenes that can easily be overlooked, such as natural landscapes, still lifes, and people around us.\u003cbr\u003e For him, who has constantly questioned how to view the world, the act of seeing holds special meaning.\u003cbr\u003e Martin Gayford, a leading British art critic and long-time friend of Hockney, described this aspect of Hockney as follows:\u003cbr\u003e 'In fact, no one but Hockney himself may be able to live like that.\u003cbr\u003e How many people would be willing to watch raindrops fall into a puddle for hours, and how many would be so absorbed in painting a flowering fruit tree that they would completely lose track of time?\u003cbr\u003e \u003cbr\u003eWe think we live our lives seeing a lot of things, but in reality, in our busy lives, we don't have many opportunities to take enough time to look at something 'properly'.\u003cbr\u003e David Hockney, on the other hand, is a man who devotes all his passion to seeing, understanding, and expressing this world fully.\u003cbr\u003e “I have always been an observer.\u003cbr\u003e As Hockney said, “That’s what artists do,” anything that falls into his persistent gaze becomes art.\u003cbr\u003e In \"David Hockney: Anything Can Be Art,\" he honestly conveys how he views the world around him.\u003cbr\u003e This book will serve as a milestone for the most accurate and profound understanding of the artist Hockney and his artistic world. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 2, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 176 pages | 364g | 126*177*22mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791193217511\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1193217512 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770335786,"sku":"108437","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/0d62fb0083b7990d5903e9202b0f6425.jpg?v=1765445526"},{"product_id":"108440","title":"How to decide to break up ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjl3CESmwg8SV7YXA6m3YJPvR.png?v=1765108401\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e How to decide to break up \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/132616420\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eFilm director and photographer Park Chan-wook\u003cbr\u003e Things I Want to Leave Behind Through [Decision to Break Up]\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The film [Decision to Leave] captivated audiences with the passionate performances of actors including Park Hae-il and Tang Wei, as well as impressive lines and meticulous details. \u003cbr\u003eAfter the release of several official books, including a script, storyboard book, and photo book, the most personal story is finally revealed.\u003cbr\u003e\u003cbr\u003e From the moment he decided to make [Decision to Leave], Park Chan-wook recorded various moments in the form of photographs, including meetings with actors and making the film.\u003cbr\u003e The photo book, \"How to Decide to Break Up,\" tells the story of how film director Park Chan-wook came to create \"How to Decide to Break Up,\" as the title suggests.\u003cbr\u003e So, this book contains not only photos from the film production site, but also objects discovered by photographer Park Chan-wook outside of the film industry.\u003cbr\u003e\u003cbr\u003e Among the photos he captured, some directly inspired the film, while others are difficult to detect at first glance.\u003cbr\u003e In other words, 『How to Decide to Break Up』 is not a book subordinate to the movie [Decision to Break Up], but a book about Park Chan-wook, the person who created this movie. \u003cbr\u003eIt is a photo essay that records the precious moments he encountered while making the film.\u003cbr\u003e Readers of this book will simultaneously encounter film director Park Chan-wook and photographer Park Chan-wook walking alone on the street.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4736\/MidCate007\/473566846.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e In the summer of 2018, I started planning an investigative\/romance film in London about a Korean detective, whom I thought Park Hae-il would be perfect to play, and a Chinese suspect, whom I thought no one else but Tang Wei could play.\u003cbr\u003e The film, \"Decision to Leave,\" was completed in Paju, South Korea, in May 2022, amidst the pandemic.\u003cbr\u003e Here are a few photos I took over the nearly four years.\u003cbr\u003e According to my claim, these are all production site photos. \u003cbr\u003eIt was a time when I mostly just thought about 'how to make the decision to break up', so wherever I went, it was a scene for me.\u003cbr\u003e\u003cbr\u003e I previously published a photo book titled “Close to the Lady” with a similar concept.\u003cbr\u003e This book is, so to speak, a record of the production process and my personal diary.\u003cbr\u003e If I were to describe this book as a diary, I would think of it more like a travelogue, and I really hope you can view this book that way.\u003cbr\u003e A photo book that serves as a record of a trip to see the movie \"Decision to Break Up.\"\u003cbr\u003e Imagine a notebook where you set off to a faraway land, sometimes getting lost and wandering, but eventually finding your way to your destination, quickly sketching the beautiful scenery you encounter along the way, and sometimes scribbling away at random when you're feeling excited.\u003cbr\u003e Things like train tickets, museum admission tickets, and even things like autumn leaves are attached. \u003cbr\u003eIn this way, horizontal and vertical images, black and white and color, objective and subjective, people and landscapes, prosaic and poetic photos were mixed.\u003cbr\u003e\u003cbr\u003e Rather than arranging them in chronological order, I focused on the pairing of left and right pages, and the pleasure of images appearing one after another as you turn the pages.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- From the text\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eSerious photos and hilarious commentary\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e As seen in his solo photo collection, “Your Expression,” Park Chan-wook’s photographic world is filled with a desire to discover.\u003cbr\u003e If film is about 'making', photography is about 'discovering'.\u003cbr\u003e Some objects are in ordinary scenery that can be easily overlooked, but suddenly catch our eye in a special time and light.\u003cbr\u003e The moment something looks beautiful, it acquires a meaning, an 'expression'.\u003cbr\u003e In this way, Park Chan-wook's photos are filled with sudden, sparkling gazes.\u003cbr\u003e \u003cbr\u003eThe funny thing is that when you describe that serious flash in words, it's full of humor rather than seriousness.\u003cbr\u003e He admits that he feels awkward explaining the photos he takes seriously, but he uses pleasant humor and wit when reminiscing about the moments when he took the photos.\u003cbr\u003e Those sentences, which are cheerful yet weighty, double the pleasure of reading and looking at the pictures.\u003cbr\u003e Fans of creator Park Chan-wook will find great joy in encountering his photographs and writings that capture and document the world.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA world called [Decision to Break Up]\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e With the publication of this photo book, the world surrounding the film [Decision to Leave] has expanded further.\u003cbr\u003e Following the unprecedented craze that was the script, a storyboard book visualizing the script for the first time was published, and later a photo book was released that collected the official still photos and rearranged them in a new way. \u003cbr\u003eAfter these official contents were published in succession, the film was finally capped off with the publication of 'Park Chan-wook - The Decision to Break Up - Photo Book', a collection of the director's personal reflections.\u003cbr\u003e Just like a commentary supplement to a movie Blu-ray, this photo book, which contains the inner reflections of the person who had the greatest influence on [Decision to Break Up], will be the best guide to help you experience the movie more deeply. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e August 25, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 160 pages | 978g | 232*301*16mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788932475059\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8932475059 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770401322,"sku":"108440","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/872596bebe60fc2f25f23a1288082c5f.jpg?v=1765445533"},{"product_id":"108446","title":"The Night the Painter Loved ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjl3g9Jy4wvC3GWnJ639yoC0W.png?v=1765108422\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The Night the Painter Loved \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/132616012\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e The world of night unfolding on canvas\u003c\/div\u003e\n\u003cdiv\u003e \"What was night like for painters?\" Docent Woo-cheol Jeong's new book delicately unravels the stories of 16 masters who left behind masterpieces on the theme of night.\u003cbr\u003e The 101 illustrations that fill the book sensually portray the quiet of the night.\u003cbr\u003e As the saying goes, the deeper the night, the brighter the stars become, and the deeper the night, the longer the aftertaste of appreciation lingers.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eSeptember 6, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“As the night grows darker, the stars grow brighter.”\u003cbr\u003e Van Gogh, Munch, Carl Larsson, Alphonse Mucha…\u003cbr\u003e A Night Walk with 16 Masters\u003cbr\u003e [You Quiz on the Block] Commentary by Docent Jung Woo-chul\u003cbr\u003e “Night is half of life.\u003cbr\u003e “The better half.”\u003cbr\u003e 16 masters comforted by the colors and warmth of the night\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe 'Things Loved by Artists' series gathers 101 works under one theme, revealing the artists' personalities and hidden stories.\u003cbr\u003e The third theme to be presented, following ‘trees’ and ‘sea’, is ‘night’.\u003cbr\u003e [The Night Loved by the Painter] presents the lives and 101 works of 16 masters who left behind immortal masterpieces on the theme of night.\u003cbr\u003e The works of masters, presented through the detailed commentary of star docent Jeong Woo-cheol, provide deep resonance and comfort to the viewer.\u003cbr\u003e\u003cbr\u003e The quiet and beautiful night brought the painter sparks of inspiration and warm comfort.\u003cbr\u003e Jean-François Millet found a beautiful night scene that marked the end of a simple peasant's daily life, and Vincent van Gogh captured the starry night sky with the last flame of his life.\u003cbr\u003e Claude Monet, the painter of light, captured life in achromatic tones during difficult times on canvas. \u003cbr\u003eSurrealist master René Magritte expressed the loneliness of alienated modern people with a crescent moon.\u003cbr\u003e 'Joan Miró' broke the walls of reality of war and dictatorship and painted a night sky filled with childlike innocence.\u003cbr\u003e The deep night was a time of dreams and fantasies, when the deep emotions and memories in the painter's heart were brought to life on canvas.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Prologue: A Night of Memories and Comfort\u003cbr\u003e\u003cbr\u003e Jean-François Millet - The Sublime Night of a Simple Peasant\u003cbr\u003e Peter Paul Rubens - A Warm Night of Peace\u003cbr\u003e Vincent van Gogh - Dreamscape and Starry Night\u003cbr\u003e Anne Magill - The Night When Time Stopped in Memories\u003cbr\u003e Edvard Munch - A Night of Solitude and Healing Wounds\u003cbr\u003e Jean-Auguste-Dominique Ingres - The Night the Legendary Gods Walk\u003cbr\u003e Alphonse Mucha - A Night of Hope that Soothes the Soul \u003cbr\u003eHarald Solberg - A Midsummer Night's Whisper of Eternal Love\u003cbr\u003e Claude Monet - Night Regaining Color Through Darkness\u003cbr\u003e Carl Larsson - A Nordic Night Painted with Warm Love\u003cbr\u003e Jean Vero - Paris at night, more beautiful than the day\u003cbr\u003e Ernst Ludwig Kirchner - Chaotic City and Peaceful Country Nights\u003cbr\u003e Henri Rousseau - Dreamy Moonlit Night\u003cbr\u003e René Magritte - The Mysterious Night That Awakens Imagination\u003cbr\u003e Joan Miro - A Night Shining with Innocent Smiles\u003cbr\u003e Marc Chagall - The Deep Blue Night When Love Blooms\u003cbr\u003e\u003cbr\u003e Epilogue: A Night That Shines in the Deep Darkness\u003cbr\u003e Source of the work\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4736\/MidCate007\/473564981.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Artists who gaze at the stars in the night sky, dream of a hopeful future, and soothe their loneliness while waiting for their loved ones, return home and capture those precious memories on canvas again, lest they forget them.\u003cbr\u003e Night puts our bodies to sleep, but it also awakens our dormant emotions. \u003cbr\u003eAnd then the real story begins.\u003cbr\u003e Did you know you can express your emotions with just a brushstroke? Applying paint thickly and firmly can convey overwhelming sadness, while a gentle touch can convey a slightly lighter feeling.\u003cbr\u003e If you look closely at the painting, you will see that it contains the history of a human being.\u003cbr\u003e Suddenly, I become curious about the history of the night they expressed.\u003cbr\u003e Looking back at the night picture, I realized that the night sky covered us with such a variety of colors.\u003cbr\u003e ---From the \"Prologue\"\u003cbr\u003e\u003cbr\u003e Millet neither romanticized nor idealized the lives of peasants.\u003cbr\u003e He simply expressed the fateful human life as he saw it, without any pretense.\u003cbr\u003e His honest, simple, and sincere life resembled the lives of farmers who silently performed their assigned roles each day. \u003cbr\u003eWe want special events to continue to happen in our lives, and we often feel like we're falling behind if we spend our days just being ordinary and the same.\u003cbr\u003e But isn't life simply about quietly carrying out the tasks assigned to us, itself a grand thing? Millet teaches us where the true value of life lies, and makes even our ordinary days special.\u003cbr\u003e ---From \"Jean-François Millet, [The Sublime Night of a Simple Peasant]\"\u003cbr\u003e\u003cbr\u003e In these works, Rubens used the chiaroscuro technique, which vividly expresses the contrast between light and darkness, to express darkness and candlelight as if a scene from a play was unfolding before his eyes.\u003cbr\u003e Let's take a closer look. A candle is burning in the old man's hand.\u003cbr\u003e Candles symbolize wisdom.\u003cbr\u003e A young boy approaches to light his own candle.\u003cbr\u003e It is to learn the wisdom of the elderly who have experienced the hardships of life. \u003cbr\u003eThe boy's face shows curiosity, respect, and love, while the old man's expression shows serenity and contentment.\u003cbr\u003e This work brings to mind memories shared between a grandmother and her grandson, transcending time and nationality.\u003cbr\u003e On a night like this, even the darkest darkness will feel warm.\u003cbr\u003e ---From \"Peter Paul Rubens, [A Warm Night Overflowing with Peace]\"\u003cbr\u003e\u003cbr\u003e How many people find something they truly love, something they can dedicate their lives to? Although his life was difficult, Van Gogh likely never regretted becoming a painter until the very end.\u003cbr\u003e What did the stars in the night sky mean to him? To those who scoffed at his large star paintings, he would say, \"The stars in the night sky always make me dream.\"\u003cbr\u003e Van Gogh painted while looking at the starlight reflected on the Rhone River. \u003cbr\u003eYellow gas lights glow softly, and lovers walk hand in hand.\u003cbr\u003e It must have contained his lonely heart from his unfulfilled love.\u003cbr\u003e The romantic work [Cafe Terrace at Night] was also born here.\u003cbr\u003e So, Van Gogh dreamed of a new life while looking at the stars in Arles.\u003cbr\u003e ---From \"Vincent van Gogh, [Dreamscape and Starry Night]\"\u003cbr\u003e\u003cbr\u003e The Russian famine of 1921 moved him.\u003cbr\u003e Many people starved to death, and Europeans mourned this tragedy.\u003cbr\u003e Muha decides to respond to their pain through painting.\u003cbr\u003e Muha did not simply portray them as resigned.\u003cbr\u003e He gave the character a ray of hope.\u003cbr\u003e Let's revisit [The Lady of the Wilderness]. Behind a woman who seems to have lost everything, a brightly shining star illuminates the path. \u003cbr\u003ePerhaps this is what Muha wanted to say: \"It's so painful right now that you can't see ahead, but don't give up.\u003cbr\u003e If you get up and walk again, you will find that at some point the light is shining.” This work still deeply moves people who live difficult lives day after day.\u003cbr\u003e ---From \"Alphonse Mucha, [A Night of Hope that Soothes the Soul]\"\u003cbr\u003e\u003cbr\u003e Claude Monet's pursuit of the impression of light was also a pledge to never again paint the world in achromatic colors.\u003cbr\u003e Just as those who have experienced sadness can more deeply portray happiness, those who have gone through darkness can express light more clearly.\u003cbr\u003e Art becomes powerful only when emotions are truly expressed.\u003cbr\u003e The year 1868, when Claude Monet was about to end his life, ended up being the most important year of his life. \u003cbr\u003eBecause I knew that colors could shine even in the darkest night.\u003cbr\u003e ---From \"Claude Monet, [Night Regaining Color Through Darkness]\"\u003cbr\u003e\u003cbr\u003e Through these elements, Joan Miró's work conveys dreams and hopes that we have forgotten.\u003cbr\u003e In a world of constant war and dictatorship, what kind of nights might Miro have dreamed of? The nights in his paintings, filled with shining stars, offer a glimpse.\u003cbr\u003e The labyrinth must have dreamed of freedom and peace within it.\u003cbr\u003e His work seems to whisper to us to dream together.\u003cbr\u003e ---From \"Hoan Miro, [A Night Shining with Innocent Smiles]\"\u003cbr\u003e\u003cbr\u003e Chagall's story is so romantic that it could be used as a screenplay for a romantic film.\u003cbr\u003e Sometimes reality is more like a movie.\u003cbr\u003e Chagall says:\u003cbr\u003e “All I had to do was open the window.\u003cbr\u003e Then Bella came in with the blue air of the sky and the flower of love. \u003cbr\u003eDressed all in white, she flew over the canvas, guiding my painting.\u003cbr\u003e Bella has been my painting all my life.” I hope that tonight, your night will be a beautiful blue night like Chagall’s painting.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From Marc Chagall, [The Deep Blue Night When Love Blooms]\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eA Nighttime Art Walk with Star Docent Jung Woo-chul\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Korea's leading exhibition docent, 'Docent Jeong Woo-cheol', has returned with [The Night the Painter Loved].\u003cbr\u003e He commentated on exhibitions by renowned masters such as Bernard Buffet, Toulouse-Lautrec, Joan Miró, Alphonse Mucha, and Marc Chagall, and was praised by art-loving visitors, becoming a star at the museum.\u003cbr\u003e The detailed analysis of the work and the vivid story that tells the artist's story captivate the listener's heart. \u003cbr\u003eDocent Jeong Woo-cheol, who has returned as a midnight storyteller, carefully selects works that capture beautiful night scenery and depicts the stories, backgrounds, tears, and love of the artists contained within them.\u003cbr\u003e The immersive commentary, as if heard directly from an art gallery, brings readers one step closer to the artists' lives and special moments.\u003cbr\u003e The 101-point masterpiece comes as a warm comfort that drives away the darkness and shadows of life.\u003cbr\u003e Now, let us follow the path he leads and take a look at the night scenery left behind by the 'Painters of the Night'.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA midnight comfort delivered through 101 star-embroidered canvases.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [The Night the Painter Loved] introduces 16 masters who capture the stories of their hearts with sparkling inspiration and their own unique personalities. \u003cbr\u003eFrom Van Gogh, Munch, Millet, and Monet, whom Koreans especially love, to Peter Paul Rubens, who is called the king of painters, Alphonse Mucha, who gave the starlight of hope to those who were hurt and fallen, Carl Larsson, the Swedish national painter who depicted the warm love of Northern Europe, Marc Chagall, who put confessions to his lover on canvas, and modern painter Anne Magill, who left behind vague memories, the masterpieces and hidden stories are told in vivid voices.\u003cbr\u003e In addition to the works of 16 masters, it contains a total of 101 pieces, including works of the night that docent Jeong Woo-cheol personally selected and confidently presents.\u003cbr\u003e The delicate brushstrokes and vivid colors of the plates make you feel like you are walking through an art gallery.\u003cbr\u003e Quotes from great artists discussing the night add a poignant emotional quality to their works.\u003cbr\u003e \u003cbr\u003e[The Night the Painter Loved] is a book filled with hidden stories and gentle emotions in the works of masters who found comfort and inspiration in the darkness.\u003cbr\u003e If you're spending a day in the darkness, achromatic, and want to convey your precious feelings and warm comfort to a loved one, this book would be a truly affectionate gift.\u003cbr\u003e Let's take a stroll along the midnight promenade, following the painters who decorated the night sky. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 15, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 180 pages | 564g | 165*230*19mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198146151\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 119814615X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770532394,"sku":"108446","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/742eb00c8161611d5915a0f22f4f0ed3.jpg?v=1765445540"},{"product_id":"108452","title":"Layers of Korean beauty ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjjL2ns39M5nX7XAIJL8CC1gS.png?v=1765108443\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Layers of Korean beauty \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/130325689\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eK-Art is receiving great attention worldwide\u003cbr\u003e What can we really say about Korean beauty?\u003cbr\u003e A book that can give you a definitive answer to this question!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e K-Art, which encapsulates the beauty of Korea, is no longer a keyword that simply inspires patriotism.\u003cbr\u003e As K-Art is now attracting attention from all over the world, it is also opening up a new paradigm.\u003cbr\u003e This phenomenon raises one question.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e What is Korean beauty?\u003cbr\u003e What is it about Korean beauty that is loved all over the world that attracts so much attention?\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e When we think of Korean beauty, many things come to mind, but they can be broadly grouped into one theme.\u003cbr\u003e Tradition.\u003cbr\u003e But Korean beauty is not limited to history. \u003cbr\u003eAuthor Ahn Hyun-jung describes Korean beauty as \"the unique vitality of Koreans who have lived and permeated this land,\" and says that it is not a beauty that exists only in the past, but that it has continued from the past and continues to build a vibrant world even today.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Hyun-Jeong Ahn, the author of the book “Layers of Korean Beauty,” is currently the curator at Sungkyunkwan University (a first-class curator at a museum or art gallery). Instead of listing vague concepts about what Korean beauty is, she matched 26 cultural assets with 26 contemporary artists to explain it in a way that allows more people to easily understand it.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The subtitle, Discovery of the Taste of the Eye, includes a chapter titled 'Discovery of the Taste of the Eye' to help readers develop their own 'taste of the eye', that is, the pleasure of seeing with their eyes, when encountering a work of art, and to help them discover 'taste of the eye' in their daily lives.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eIn keeping with the active expansion of Korean beauty in the global era, the appendix, in English, briefly summarizes the thoughts of 26 contemporary artists on Korean beauty, creating a book that introduces K-Art to anyone, as if viewing the artists' representative works in a gallery.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Entering the traditional art craze, K-Art reborn as Korean beauty\u003cbr\u003e Prologue: Layers of Korean Beauty, Heritage, and Contemporary Art\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1: Ceramics, Layers of Light and Color\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 026 Pure Celadon and Kim Taek-sang, a permeating \"clear rain color\"\u003cbr\u003e 038 Inlaid Celadon and Park Jong-gyu, the Emergence of Korean Convergence Aesthetics\u003cbr\u003e 050 Buncheong Ware and Kim Geun-tae, Freedom of Simple Moderation\u003cbr\u003e 062 Dalhangari and Choi Young-wook, the exquisitely refined \"natural aesthetic\"\u003cbr\u003e 072 Porcelain Bottle with a Striped Pattern and Seo Su-yeong, the Aesthetics of a Free-spirited Treasure\u003cbr\u003e 082 Blue and White Porcelain Knee-Length Dropper and Kim Chun-su, Blue and Deep Enlightenment \u003cbr\u003e094 | Discovery of the Eye 1 | Retro Taste? Why did the celadon craze take hold during the Japanese colonial period?\u003cbr\u003e 097 | Discovery of the Taste of the Eye 2 | The National Treasure and Treasure Numbers Have Disappeared.\u003cbr\u003e What is 'Relic Number - Geonhee'?\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2: Calligraphy and Painting, Layers of Painting and Writing\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 102 Goryeo Buddhist Paintings and Shin Je-hyeon, the True Faces of the Back Coloring Techniques\u003cbr\u003e 116 An Gyeon's Dream Journey to the Peach Blossom Land and Han Ho, a timeless \"dream-light embodiment\"\u003cbr\u003e 130 Jeongseon's Inwangjesaekdo and Lee Se-hyeon's Real Scene and the Heart of Red Landscape\u003cbr\u003e 142 | Discovery of the Eye 3 | Appreciating Oriental Painting: Focus on the Spirit, Not the Form\u003cbr\u003e 146 The Strokes of Chusa Kim Jeong-hui and Woo Jong-taek, Freedom Crossing the Margins\u003cbr\u003e 156 | Discovery of the Taste of the Eye 4-1 | Love for the People and the Aesthetics of the World in Su Dongpo's Works\u003cbr\u003e 159 | Discovery of the Eyes 4-2 | Geom-yeo's feelings for lawyer Han Seung-heon, perfectly executed\u003cbr\u003e 164 Portraits of King Taejo and Shin Yeong-hun, Portraits of Figures of Our Time\u003cbr\u003e 178 | Discovery of the Eye 5 | Why are there only five extant Eojin?\u003cbr\u003e 182 Self-Portrait of Yun Du-seo and Jeon Byeong-hyeon, Fierce Self-Awareness \u003cbr\u003e192 Kim Myeong-guk's Dharma Painting and Han Sang-yoon's Line Drawing in Ilpilhwaji\u003cbr\u003e 202 Shin Yun-bok's Portrait of a Beauty and Kim Mi-sook: The Aesthetics of the Times in Portraits of Women\u003cbr\u003e 212 | Discovery of the Eyes 6 | The Standard of Beauty: Changing with the Times\u003cbr\u003e 220 Kim Du-ryang's \"Sapsarigae\" and Lee Seok-ju: The Socio-Historical Implications of Hyperrealistic Painting\u003cbr\u003e 234 | Discovery of the Eye 7-1 | Reality Talk: When Politics Meets Art\u003cbr\u003e 237 | Discovery of the Eye 7-2 | The Art of Korean Painting: Requesting Hwang Chang-bae\u003cbr\u003e 240 Jo Hee-ryong's Ink Plum and Choi Ji-yoon, Love in Spring - In Praise of Plum Blossoms\u003cbr\u003e 252 Royal Peony Screen and Kim Eun-ju, \"Detailed Grandeur\" in the Painting\u003cbr\u003e 264 Book Street Screen and Eom Mi-geum: The Power of Humanities, Embracing All Things in the World\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3: Craft and Architecture, the Sensory Layer\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 278 Comb-patterned pottery and Kim Ho-jeong, pure form transcending function\u003cbr\u003e 290 Silla Tou and Chae Seong-pil: The \"Spirit of Earth\" in Pursuit of Its Origins\u003cbr\u003e 300 National Treasures: Bangasayusang and Art Nom, Reflecting on the \"Zeitgeist\"\u003cbr\u003e 310 | Discovery of the Taste of the Eye 8 | The Distinction Between Buddha and Bodhisattva, and the Presence or Absence of a Headgear \u003cbr\u003e314. The Arhat Statue and Shin Mi-gyeong at the Changnyeongsa Temple Site: Traces of an Ancient Future\u003cbr\u003e 326 Mireuksa Temple Site and Baesamsik: The Beauty of Imagination in the Largest Temple Site in the Orient\u003cbr\u003e 338 Goryeo Mother-of-Pearl Lacquerware and Kim Deok-yong, the Most Stunning Light\u003cbr\u003e 350 Jongmyo Shrine and Kim Hyeon-sik, a space of meditation with a majestic formality\u003cbr\u003e 364 Changdeokgung Palace's Injeongjeon Hall and Ha Tae-im: The \"Elegant Balance\" of Dancheong and Colored Bands\u003cbr\u003e 376 | Discovery of the Taste of the Eye 9 | What Makes the Most Expensive Painting?\u003cbr\u003e 380 | Discovery of the Eye 10 | Post-Corona Aesthetics: Paintings that Transcend the Disease\u003cbr\u003e\u003cbr\u003e Epilogue: The Discovery of the Taste of the Eyes, the Connector that Unlocks Time\u003cbr\u003e Appendix Layers of Korean Beauty,The Discovery of Visual Aesthetics\u003cbr\u003e 390 Introduction to the author\u003cbr\u003e 392 Introduction - The Traditional Art Craze: K-Art Reborn as Korean Beauty\u003cbr\u003e 398 Prologue - Layers of Korean Art: Heritage and Contemporary Art\u003cbr\u003e 406 Views of Korean Artists on the Essence of Korean Beauty\u003cbr\u003e 432 Epilogue - Discovery of the Pleasure of Seeing, A Connector Opening the Gates of Time\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4656\/MidCate003\/465527534.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\u003cb\u003eInto the book\u003c\/b\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Art developed primarily in economic powers that could sustain and manage a large population and enormous social capital.\u003cbr\u003e But now, in this vast cultural melting pot, we have entered an era where the originality of third-country or minority values ​​is more recognized.\u003cbr\u003e\u003cbr\u003e --- p.6\u003cbr\u003e\u003cbr\u003e Originally, the collection number was determined by combining a word that revealed the source of the artifact, the route of its introduction to the collection, etc., with a randomly assigned number.\u003cbr\u003e The collection number of the ‘White Porcelain Jar with Iron Painting and Grape Monkey Design’ is ‘Main Building 2029.’\u003cbr\u003e ‘Main building’ means that it was acquired by the Joseon Government-General Museum.\u003cbr\u003e In the case of donations, it is indicated by ‘정’, but when the donation has a significant meaning, the donor’s ‘호’ is often used.\u003cbr\u003e A representative example is the use of 'Dongwon' in the donations of Mr. Lee Hong-geun, who donated approximately 4,900 pieces.\u003cbr\u003e In other words, there is no established textbook principle for assigning collection numbers, and it has a great symbolic meaning. \u003cbr\u003eCultural assets brought in this way are managed as official collections through a procedure called 'artifact registration.'\u003cbr\u003e --- p.99\u003cbr\u003e\u003cbr\u003e The realistic landscape paintings created by Jeong Seon (1676-1759), who was the most Korean and nationalist painter of the era, were inspired by the subjective landscapes existing in Korea and, based on Chinese-style conceptual landscape paintings, captured vivid visual experiences that he had actually seen and felt on canvas.\u003cbr\u003e The dense energy that unites me with the screen is fully demonstrated in the Inwangjesaekdo.\u003cbr\u003e This is a real-view landscape painting of Inwangsan Mountain after rain by Jeong Seon.\u003cbr\u003e This work, which was in the collection of the Leeum, Samsung Museum of Art, came to be called ‘Collection No. Lee Kun-hee No. 1’ of the National Museum of Korea after being donated by the ‘Lee Kun-hee Collection.’\u003cbr\u003e\u003cbr\u003e --- p.131\u003cbr\u003e \u003cbr\u003eWhen art is directed toward the human mind, it aims for healing and appreciation, but when it is directed toward society, it becomes a reportage that exposes the scene, boldly exposing the intimate phenomena of the times.\u003cbr\u003e In this way, painters expose the conscience and morality that the times have abandoned, and make us think deeply about what the right path in life is.\u003cbr\u003e\u003cbr\u003e --- p.238\u003cbr\u003e\u003cbr\u003e Dancheong is a painting method that creates intermediate colors by combining basic colors such as blue, red, yellow, white, and black. It was designed to permanently preserve buildings and to compensate for the strong wood and cracking of pine, a major building material.\u003cbr\u003e The special colors and patterns of Dancheong have had magical meanings and were intended to enhance the grandeur and dignity of palaces since ancient primitive societies.\u003cbr\u003e Dancheong signifies nature and the universe itself. \u003cbr\u003eThe five colors are connected to the five elements, taking the center and the four directions as the basis, and by introducing the idea of ​​the Four Gods, it connects the religious ideas of ‘previous life, present life, and next life.’\u003cbr\u003e Blue symbolizes 'wood - spring - east', red symbolizes 'fire - summer - south', yellow symbolizes 'soil - earth use - center', white symbolizes 'metal - fall - west', and black symbolizes 'water - winter - north'.\u003cbr\u003e\u003cbr\u003e --- p.367\u003cbr\u003e\u003cbr\u003e The development of successful traditional content like this holds the potential to spread the power of our culture and arts not only domestically but also internationally.\u003cbr\u003e The development of modern art today cannot be considered without considering the inheritance and innovation of traditional artistic spirit. \u003cbr\u003eThe rich content and diverse forms of expression of traditional arts have already gone beyond the term 'Hallyu', which was limited to Asia, and are now being globalized as terms such as 'K-Drama', 'K-Pop', and 'K-Culture' have replaced it.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.386~387\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e\"Layers of Korean Beauty\": A New Definition of Korean Beauty\u003cbr\u003e An encounter between cultural assets and modern artists, and a new interview format.\u003cbr\u003e This is a book that anyone who wants to develop a true 'taste for the eyes' will eventually have to read!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e K-Art, K-Pop, K-Movie, K-Drama, K-Food: these words have something in common.\u003cbr\u003e It's K (KOREA).\u003cbr\u003e Korea is no longer a quiet land of the morning, somewhere far away in the East.\u003cbr\u003e Korea has become a cultural powerhouse, to the point where there is no need for the Do You Know series, which lists familiar figures that foreigners who do not know Korea well would know. \u003cbr\u003eIn line with this, a similar trend has also swept the Korean art world, with large-scale exhibitions introducing Korean contemporary art being held around the world, starting with Frieze's entry into Korea.\u003cbr\u003e Not settling here, K-Art, that is, the beauty of Korea.\u003cbr\u003e Further developing Korean beauty is emerging as a task of the times.\u003cbr\u003e Before that, one question comes to mind.\u003cbr\u003e So what is Korean beauty?\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAn innovative encounter between 26 cultural assets and 26 contemporary artists.\u003cbr\u003e Introduction to the works of famous contemporary writers interviewed directly by the author\u003cbr\u003e Even the definition of Korean beauty as described by modern writers!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Korean beauty is not a beauty that remains in tradition or the past.\u003cbr\u003e It is an archetype that is still actively swimming and living in the present age and is connected to the future, and is equipped with something new rather than outdated.\u003cbr\u003e Author Ahn Hyun-jung did not explain the concept of Korean beauty in an academic way by listing vague words. \u003cbr\u003eWe matched 26 cultural assets that are well-known and familiar to the public with 26 contemporary artists.\u003cbr\u003e It is a truly 'Korean-style' approach that penetrates the past, present, and future.\u003cbr\u003e This book connects 26 cultural assets, including Buncheong ware, moon jars, Goryeo Buddhist paintings, paintings of the Bodhidharma, Arhat statues from the Changnyeongsa Temple site, portraits of beauties, and Injeongjeon Hall at Changdeokgung Palace, with 26 famous modern artists, including Kim Geun-tae, Choi Yeong-uk, Shin Je-hyeon, Han Sang-yoon, Shin Mi-kyung, Kim Mi-sook, and Ha Tae-im. Through this book, you will be able to encounter the 'unique vitality of Koreans' that stretches from the past to the present and into the future.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eRecommendation\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “Korean beauty is a simple beauty that comes from the encounter between the splendor of the palace and the simplicity of the common people’s houses.\u003cbr\u003e “I hope you will discover your own unique taste through ‘Layers of Korean Beauty,’ which explores Korean beauty through conversations between yesterday and today.” \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 1, 2024\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 434 pages | 954g | 170*228*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198633873\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1198633875 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770597930,"sku":"108452","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ba1f4b49335868402a3aebe7462aa3a6.jpg?v=1765445548"},{"product_id":"108457","title":"A museum guide's guide to France ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjjLkysFlgCOkqTETKOtASekS.png?v=1765108466\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e A museum guide's guide to France \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/130093011\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThe source of art lies outside the exhibition hall!\u003cbr\u003e A French Art Tour with an Art Museum Guide\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e How does an art museum guide navigate France? A French nationally certified guide with over 10 years of experience in Paris will lead you beyond the exhibition halls to the living art and history that resides throughout the city.\u003cbr\u003e The author, who studied art history and urban engineering and met countless travelers, has organized the book into three interesting themes based on his experience.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eChapter 1, “Walking the City Like a Parisian,” explores the history and characteristics of common places in every city, such as cathedrals, city halls, and squares. Chapter 2, “Walking in the Footsteps of Artists,” explores regions that inspired artists, such as Flanders, Normandy, and Nice, and the artists who worked there.\u003cbr\u003e Finally, Chapter 3, ‘Walking through the Works of Architects,’ examines the influence that architecture and cities have on each other through the buildings built by modern architects such as Le Corbusier and Mallet-Stevens.\u003cbr\u003e This book broadens your perspective on French art and history, as well as various works of art.\u003cbr\u003e The author added a sense of realism by including abundant photos taken while traveling throughout France.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eChapter 1: Walking the City Like a Parisian\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [Cathedral] The journey begins at the cathedral.  \u003cbr\u003eAt the heart of every French city is a cathedral.\u003cbr\u003e Notre Dame Cathedral, the center of Paris\u003cbr\u003e A journey back in time: Notre Dame Cathedral in Strasbourg\u003cbr\u003e Notre Dame Cathedral in Rheims, shining like champagne\u003cbr\u003e\u003cbr\u003e [Palace] A drama unfolding in the palace\u003cbr\u003e City within the city\u003cbr\u003e The Queen's Palaces\u003cbr\u003e The Avignon Popes' Palace, a demonstration of the power of religion\u003cbr\u003e Da Vinci's resting place, Château d'Amboise\u003cbr\u003e\u003cbr\u003e [City Hall] If you are looking for a downtown area, go to City Hall\u003cbr\u003e City mansions\u003cbr\u003e Paris City Hall, the heart of the commercial district\u003cbr\u003e Toulouse City Hall, representing the city of roses\u003cbr\u003e The majesty of the magnificent clock tower, Rouen Old Town Hall\u003cbr\u003e\u003cbr\u003e [Square] Parisians head to the square.\u003cbr\u003e The beginning of the radial square\u003cbr\u003e Paris' hidden treasure, the Place Royale\u003cbr\u003e The beauty of classical architecture at a glance: Place Stanislas in Nancy\u003cbr\u003e Arras Grand Place and Petit Place, vibrant spaces for the common people\u003cbr\u003e\u003cbr\u003e [Last name] An invitation from an old castle\u003cbr\u003e If you want to feel liberated from the city\u003cbr\u003e Another Louvre, the Château de Chantilly \u003cbr\u003eLoire Castle, just like the Renaissance\u003cbr\u003e A vacation in the vineyards, Bordeaux Castle\u003cbr\u003e\u003cbr\u003e [Hotel] The most Parisian place\u003cbr\u003e The beginning of high culture\u003cbr\u003e Palais Royal, a house with a large garden\u003cbr\u003e Little Versailles Palace, Naval Mansion\u003cbr\u003e The Richelieu Wing of the Bibliothèque Nationale de France, a mansion turned into a library\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2. Following the Artist's Footsteps\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [Flanders] Inspiration Found in Everyday Life\u003cbr\u003e The Land of Merchants\u003cbr\u003e Pieter Bruegel, who depicted the small pleasures of everyday life\u003cbr\u003e The Illusion of Everyday Life, Peter Paul Rubens\u003cbr\u003e The Everyday Life Created by Fantasy, by Jean-Antoine Watteau\u003cbr\u003e\u003cbr\u003e [Normandy] The beauty of changeable weather\u003cbr\u003e Drama created by nature\u003cbr\u003e Claude Monet, the painter of light\u003cbr\u003e Eugene Boudin, Painter of Clouds\u003cbr\u003e Realist painter, Gustave Courbet\u003cbr\u003e\u003cbr\u003e Brittany: A Little England in France\u003cbr\u003e A journey into the past\u003cbr\u003e Paul Gauguin, the painter who dreamed of the wild\u003cbr\u003e Breton Renaissance, Nabis\u003cbr\u003e The Reconstruction of Memory, Émile Bernard\u003cbr\u003e\u003cbr\u003e [Provence] If there is a paradise on earth, it is here.\u003cbr\u003e French Arcadia \u003cbr\u003ePaul Cézanne, the painter who escaped the shackles of light\u003cbr\u003e Paintings like poetry, Pablo Picasso\u003cbr\u003e A painting like a novel, Van Gogh\u003cbr\u003e\u003cbr\u003e [Nice] Bright sunshine of the Mediterranean\u003cbr\u003e A place with an ocean view\u003cbr\u003e Changes brought about by the sunlight on the beach, Henri Matisse\u003cbr\u003e Art that bloomed from the ground, Joan Miro\u003cbr\u003e Art from the Sky, Yves Klein\u003cbr\u003e\u003cbr\u003e [Paris] Paris Today\u003cbr\u003e Mona Lisa and Paris\u003cbr\u003e Pure Art, Jean Dubuffet\u003cbr\u003e My Story, Niki de Saint Phalle\u003cbr\u003e You are the main character, Daniel Buren\u003cbr\u003e\u003cbr\u003e \u003cb\u003e3 Walking through the architect's work\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e [Ottoman style] The duality of being a city of art\u003cbr\u003e The beginning of change\u003cbr\u003e Ottoman style\u003cbr\u003e People who have lost their way\u003cbr\u003e\u003cbr\u003e [Art Nouveau] A Challenge for New Art\u003cbr\u003e Art born in the shade\u003cbr\u003e Art Nouveau remains in Paris\u003cbr\u003e Villa Majorelle, a house filled with nature\u003cbr\u003e\u003cbr\u003e [Le Corbusier] Architecture that creates a healthy rhythm of life\u003cbr\u003e History of Recreation\u003cbr\u003e Villa Savoye, true to its purpose as a home\u003cbr\u003e The birth of the modern apartment\u003cbr\u003e\u003cbr\u003e [Males Stevens] Pure and Practical Beauty\u003cbr\u003e West of Paris \u003cbr\u003eMalestevens Street\u003cbr\u003e Villa Cavroa, a modern-day Versailles\u003cbr\u003e\u003cbr\u003e Richard Rogers and Renzo Piano's Urban Regeneration Project\u003cbr\u003e The Birth of the Marais District\u003cbr\u003e The Pompidou Center, a showcase of the architecture of the times\u003cbr\u003e Amiens Citadelle, a fortress turned into a school\u003cbr\u003e\u003cbr\u003e Frank Gehry: Architecture for Walking\u003cbr\u003e The future of walking\u003cbr\u003e An Antidote to City Life: The Louis Vuitton Foundation\u003cbr\u003e Chateau La Coste, a winery turned art gallery\u003cbr\u003e\u003cbr\u003e Copyright of illustrations and photographs\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4648\/MidCate008\/464775582(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Most French city centers have religious buildings such as cathedrals.\u003cbr\u003e This rule applies not only to cities, but also to small towns and even smaller villages.\u003cbr\u003e In the past, churches served as a kind of community center, but unlike today's community centers, after churches were built, people gathered around them and cities were formed. \u003cbr\u003eTherefore, the names of places in France often follow the names of cathedrals.\u003cbr\u003e For example, in the center of the Saint-Germain district, one of the busiest districts in Paris, there is the Cathedral of Saint-Germain, and in the center of the city of Saint-Denis, north of Paris, there is the Cathedral of Saint-Denis.\u003cbr\u003e When the cathedral was built, a wall was built around it to protect against invasion, and the space between the walls was filled by residents, creating a city called Bourg.\u003cbr\u003e This is the typical structure of a city in France.\u003cbr\u003e\u003cbr\u003e --- p.17\u003cbr\u003e\u003cbr\u003e French city halls are always surrounded by many commercial areas.\u003cbr\u003e The reason this structure continues to this day is because we still live in the age of merchants.\u003cbr\u003e Although not as extravagant as the Champs-Élysées, the area around City Hall is a very attractive place for tourists as it offers a close-up view of how city life goes. \u003cbr\u003eIf you decide to visit, I recommend going on a weekday rather than on a weekend or late afternoon.\u003cbr\u003e If you visit this place and enjoy some leisure time while everyone else in a foreign country is busy with their daily work, wouldn't that be a true vacation?\u003cbr\u003e --- p.61\u003cbr\u003e\u003cbr\u003e Even this gloomy weather could not turn away those who visited Normandy.\u003cbr\u003e The ever-changing weather has actually provided great inspiration to artists.\u003cbr\u003e Normandy's weather, which changes every moment and allows one to experience all four seasons in one day, is like a drama full of twists and turns, and artists who were captivated by it have left countless traces.\u003cbr\u003e Claude Monet, Guy de Maupassant, and more recently, Chanel founder Coco Chanel have all visited here.\u003cbr\u003e\u003cbr\u003e --- p.130\u003cbr\u003e\u003cbr\u003e Even the artist's models who visit his studio look relaxed and at ease under the Nice sunshine, as if they are on vacation. \u003cbr\u003eThe ornate arabesque pattern surrounding her also looks much more refined.\u003cbr\u003e When the family visits the artist, the hotel room becomes even brighter, if not softer.\u003cbr\u003e The painter's gaze, once like that of a beast, has changed to that of a child.\u003cbr\u003e I think his philosophy of not losing the innocence of a child even as an adult began at this point.\u003cbr\u003e\u003cbr\u003e --- p.192\u003cbr\u003e\u003cbr\u003e The pure architecture that Le Corbusier dreamed of sought to break away from the splendid tradition, but at the same time, it also sought to distance itself from the untamable wild.\u003cbr\u003e He only thought about the fundamental purposes for which humans built houses, such as protection and rest.\u003cbr\u003e But if you think about it carefully, his architecture seems to resemble the architecture that is common in Korea. \u003cbr\u003eWhen it comes to architecture that is practical, values ​​natural light, and allows people to enjoy nature in a protected space, there is nothing quite like an apartment.\u003cbr\u003e In fact, people today call him “the father of apartments.”\u003cbr\u003e --- p.253\u003cbr\u003e\u003cbr\u003e Above all, the fact that each architect designed the building to perfectly display his or her individual talents adds to the charm of this winery.\u003cbr\u003e Tadao Ando's architecture, which designs promenades, emphasizes meditation, and the architects of the Centre Pompidou create galleries that encourage free viewing.\u003cbr\u003e Finally, Frank Gehry's spectacular performance halls invite us to dream of escape.\u003cbr\u003e As they were given full authority, the architects were able to freely demonstrate their strengths.\u003cbr\u003e Wouldn't it be appropriate to call this a great promenade created by great masters?\u003c\/div\u003e\n\u003cdiv\u003e --- p.311\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eTravel to where art began with a Parisian art museum guide.\u003c\/b\u003e \u003cbr\u003eFrom Monet in Normandy to Gauguin in Brittany,\u003cbr\u003e From Le Corbusier to Mallet-Stevens, who presented new architecture on the outskirts of Paris.\u003cbr\u003e 22 Cities That Inspired Countless Artists\u003cbr\u003e A rich and vibrant art journey encompassing art and architecture\u003cbr\u003e\u003cbr\u003e First, walk the city like a Parisian\u003cbr\u003e How to properly explore a historic city\u003cbr\u003e\u003cbr\u003e In France, every city has a common place.\u003cbr\u003e At the center of the city is a cathedral that once served as a town hall, and the names of local areas, such as Saint-Germain and Saint-Denis, often follow the name of the cathedral.\u003cbr\u003e In the merchants' gathering place, a city hall was built as a ceremonial building, and those in power, longing for Italy, created a square.\u003cbr\u003e When you travel knowing the city's rules that have been in place for a long time, you begin to see many things, and it becomes easier to move according to your preferences. \u003cbr\u003eIf you're looking for a downtown area, go to the city hall, or if you want to feel a sense of freedom from the city, go to a nearby castle.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSecond, follow the artist's footsteps.\u003cbr\u003e The beauty of the city that inspired artists\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Works of art are not born in exhibition halls.\u003cbr\u003e Modern art in Paris, in particular, began with the advent of the train.\u003cbr\u003e Artists whose scope of activities has expanded have scattered across the country to find sources of inspiration.\u003cbr\u003e Therefore, there are bound to be many works that cannot be understood without knowing the atmosphere of the scene.\u003cbr\u003e This book takes us on a tour of the French regions beloved by artists and reveals how the works we love were created.\u003cbr\u003e In Normandy, where the weather was unpredictable, Claude Monet captured the various colors of light on canvas, and in Brittany, where the local scenery remained, Paul Gauguin and the Nabis created intense colors. \u003cbr\u003eIn Provence, a paradise on earth, Paul Cézanne and Pablo Picasso created their own worlds, while in the dazzling sunlight of Nice, Henri Matisse, Joan Miró, and Yves Klein created their own worlds.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThird, walking through the architect's work\u003cbr\u003e Art that comes closest to life\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Architecture, which combines location, surrounding environment, and historical context, is the art that most closely touches our lives.\u003cbr\u003e This book examines the architectural styles that emerged over the course of history and remain throughout the city to this day, and visits the places where architects who, confronting the walls of tradition, pioneered new territories on the outskirts of Paris. \u003cbr\u003eWe will explore the buildings of Le Corbusier, who demonstrated architecture faithful to its purpose as a home, Mallet-Stevens, who pursued pure beauty like abstract art, and Renzo Piano, who demonstrated architecture of a new era, and learn about the beautiful changes their buildings brought about in the lives of citizens.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA veteran guide came out of the art museum\u003cbr\u003e Vivid commentary and photos\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book is a new publication by author Lee Hye-jun, who co-wrote the art bestsellers “Art Museums of Paris” and “90 Nights of Art Museums: The Louvre Museum.”\u003cbr\u003e The author, who has worked as a French nationally certified guide for over 10 years and has continued to study art history and urban engineering, has compiled the knowledge and experiences he has gained over the years in an interesting way.\u003cbr\u003e Having traveled all over France personally, writing manuscripts and taking photographs, the book is vivid and easy to read, as it has provided cultural commentary to tens of thousands of tourists. \u003cbr\u003eIf you want to explore an old city in depth, if you want to appreciate the works of art while empathizing with the landscapes that the artist's gaze lingered on beyond the canvas, if you want to expand your appreciation to include architecture not seen in art galleries, open this book. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 2, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 316 pages | 424g | 145*205*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791197880582\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1197880585 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770696234,"sku":"108457","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/9af2d8b917e3961c499eda8ad2b35545.jpg?v=1765445554"},{"product_id":"108462","title":"Munch's Starry Night ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjk0YmM1FCeyI3XieRiCGqjXR.png?v=1765108489\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Munch's Starry Night \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/129781266\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e Step into Munch's Time\u003c\/div\u003e\n\u003cdiv\u003e Edvard Munch's masterpiece = The Scream.\u003cbr\u003e Professor Lee Mi-kyung, a Munch expert, breaks this formula.\u003cbr\u003e By examining each of the records Munch left behind, we can see that his life and works were a journey from pain and despair to hope.\u003cbr\u003e Moments from Edvard Munch's life that shine even brighter in despair are vividly depicted.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eAugust 16, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eKBS 1TV 'Issue Pick with Teacher' Professor Lee Mi-kyung's\u003cbr\u003e A deep understanding of Munch's life and works\u003cbr\u003e A Munch guide that shines with kind and warm storytelling!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Edvard Munch (1863–1944), considered one of the most influential painters on modern art at the turn of the century.\u003cbr\u003e This year marks the 80th anniversary of Munch's death. \u003cbr\u003e\"Munch's Starry Night\" invites us into the life of Munch, the master of expressionism, whom we never knew about.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author of this book, Professor Lee Mi-kyung (Yonsei University), is a Munch expert who served as exhibition advisor for the special retrospective exhibition “Edvard Munch: Beyond the Scream” currently being held at the Seoul Arts Center.\u003cbr\u003e Prior to the publication of the book, the author spoke about the life, death, and art of Edvard Munch, who overcame the pain and anxiety that had plagued him his entire life and sublimated the darkness of the Scream into a brilliant sun, on KBS 1TV's [Issue Pick with Teacher] (June 30, 2024) under the theme, \"The Brilliant Scream - Munch's Instruction Manual for Life.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author spared no effort in understanding Munch's life and work by searching for and reading the diaries, notes, sketches, and letters left behind by the record-keeping fanatic Munch. \u003cbr\u003eAs a result, 『Munch's Starry Night』 vividly depicts every moment of his life, including his tragic childhood, his relationships with various artists who had a great influence on his early art, his love affair with three women marred by infidelity, unrequited love, and stalking, and his lifelong struggles with mental illnesses such as depression, claustrophobia, alcoholism, and insomnia, as if we were meeting him in 19th-century Oslo, Paris, and Germany.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e It is often said that to understand a painting, you must know the artist's life.\u003cbr\u003e This is especially true of Munch's work.\u003cbr\u003e For example, to fully understand \"Dance of Life,\" one must know about the seaside dance festival Munch experienced as a child, his painful memories of his first love, Millie, and the accidental pistol discharge by Toula, who was stalking him.\u003cbr\u003e Munch created this work by complexly connecting several memories. \u003cbr\u003eThis is why 『Munch's Starry Night』 is a must-read before visiting the exhibition 『Edvard Munch: Beyond the Scream』.\u003cbr\u003e Through this book, readers will gain new perspectives on Munch's work.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e prolog\u003cbr\u003e\u003cbr\u003e \u003cb\u003eI.\u003cbr\u003e Disease, death, madness\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Childhood with Death\u003cbr\u003e A Bachelor's Late Marriage | The Prelude to Tragedy | The Demon of Death Visits Munch | Guilt Becomes a Debt of the Heart | Painting \"The Sick Child\"\u003cbr\u003e Ah! Father, Father\u003cbr\u003e Embarking on the path of an artist | Father's final farewell | Father's death | Two people who were endlessly at odds | Munch's final gift to his son\u003cbr\u003e Family who has been my support\u003cbr\u003e Shaking Under the Weight of Life | Unfinished Tragedy | Families Left Behind\u003cbr\u003e\u003cbr\u003e \u003cb\u003eII.\u003cbr\u003e Wandering Youth\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Benefactors of Oslo\u003cbr\u003e Oslo: Christiania Bohemian Group  \u003cbr\u003eKrog, From Benefactor to Villain | Describe Your Life | The Destroyer from the Underworld | The Shabby Death of Yeager\u003cbr\u003e Paris: Declaration of Saint-Cloud\u003cbr\u003e Munch encounters Impressionism | The Saint-Cloud Declaration | A relapse of rheumatism and a studio fire | A gambling addiction\u003cbr\u003e Berlin: Black Piglet Group 98\u003cbr\u003e The Munch Scandal | The Missing 'R' Mistake | The Black Piglet's Lover | And Jens Thies\u003cbr\u003e Back to Norway\u003cbr\u003e Building a Home on the Beach of the Gods | Finally Finding Small Happiness\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIII.\u003cbr\u003e Munch's Women\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Millie Thewlov: A First Love That Left Only Shame\u003cbr\u003e Suffering from Love Fever | Elusive but Evident | The Emergence of the Femme Fatale\u003cbr\u003e Dagny Yul: You Who Cannot Be Approached\u003cbr\u003e A Woman of Mysterious Allure | Dagny, Munch's Model | Dagny's Marriage and Fall | The Murdered Madonna | Portraits of Munch and Dagny\u003cbr\u003e Tula Larsen: A Stalker's Daily Life  \u003cbr\u003eLove Turns to Stalking | Munch's Growing Anxiety | The Worst Gun Accident of His Life | Trapped in the Hell of Toula | Munch, the Incarnation of Revenge | Another Gun Accident\u003cbr\u003e Eva Mudoch: A Love That Just Ended Like That\u003cbr\u003e Ideal Love, But | Women Who Vanished from Records\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIV.\u003cbr\u003e Freeze of Life\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Symphony of Life | Reading Order for \"The Frieze of Life\"\u003cbr\u003e Seeds of Love\u003cbr\u003e Love began with a voice | In the dark, in the forest, under the moonlight | Such a provocative Madonna\u003cbr\u003e The Flowering and Ending of Love\u003cbr\u003e Love Leaves Only Ashes | Vampires, the Reality of Fear | Adding First Love to Childhood Memories | Ibsen and Munch Meet | Back to Paris! | Munch, Feeling a Sympathy\u003cbr\u003e unrest\u003cbr\u003e Munch's First Scream: \"Despair\" | \"The Scream,\" a Modern Mona Lisa | Graffiti: Munch's Timid Revenge | The World as Seen by Munch, Suffering from Agoraphobia\u003cbr\u003e death\u003cbr\u003e Death Hovering Around Munch | Longing Sublimated into Art\u003cbr\u003e\u003cbr\u003e \u003cb\u003eV Life of a Hermit\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThank you to our generous supporters\u003cbr\u003e Max Linde, who predicted Munch's era | Munch's children | Munch's lifelong supporters | The wardrobe of a successful man\u003cbr\u003e Munch admitted to a mental hospital\u003cbr\u003e Munch's Long-Lasting End | The Seeds of Madness Sprouting | Self-Enrollment in a Mental Asylum\u003cbr\u003e The Sun mural in the Aula Grand Hall\u003cbr\u003e Munch Becomes a Natural Man | The New Sun of the 20th Century\u003cbr\u003e The Decadent Art Exhibition and the Reclusive Life\u003cbr\u003e Grim news | The painters who painted \"Starry Night\" | Munch, painting the essence of night | Munch, who gained the artist's eye | The stigma of decadent art | A great legacy\u003cbr\u003e\u003cbr\u003e Epilogue\u003cbr\u003e\u003cbr\u003e Appendix 1 \/ Munch's Chronicles\u003cbr\u003e Appendix 2 \/ Munch's Footsteps\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4643\/MidCate009\/464284444.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Munch felt a maternal affection for his caring older sister Sophie, who took the place of his mother, whom he lost when he was five years old.\u003cbr\u003e His sister's death came as a tremendous shock to Munch as he was entering puberty. \u003cbr\u003eAt the age of fourteen, Munch's emotions and feelings became increasingly unstable.\u003cbr\u003e He was gripped by the fear that he could die at any moment, and was consumed by fear, anxiety, and guilt.\u003cbr\u003e\u003cbr\u003e The young Munch blamed himself for infecting Sophie with his illness and felt intense guilt that his sister had died in his place.\u003cbr\u003e This burden on the mind was born as “Sick Child” nine years later.\u003cbr\u003e Munch never recovered from the psychological shock of losing his older sister, Sophie, on whom he had relied.\u003cbr\u003e --- p.21\u003cbr\u003e\u003cbr\u003e A look into Munch's tragic family history reveals a series of illnesses, deaths, and madness.\u003cbr\u003e But Munch did not give in to this.\u003cbr\u003e He chose to face the illness, death, and madness that had followed him throughout his life head-on, rather than covering it up or ignoring it.\u003cbr\u003e Looking at Munch's diary, we can see that he accepted this suffering as a part of his life.\u003cbr\u003e\u003cbr\u003e My suffering is part of myself and my art. \u003cbr\u003ePain is one with me, so if it is destroyed, both I and art will be destroyed.\u003cbr\u003e ―MM T 2748, Sketchbook, 1927–1934 (2024-6-14)\u003cbr\u003e\u003cbr\u003e As Munch recorded, his art was a continuation of suffering.\u003cbr\u003e And Munch's life, which did not turn away from pain, was a solution to pain and a user manual for life.\u003cbr\u003e The greatness of Munch's art lies in the fact that he accepted suffering as part of his life and sublimated it into art.\u003cbr\u003e --- p.65~66\u003cbr\u003e\u003cbr\u003e Munch painted full-length portraits of those who supported him, like Thies, and placed them in his outdoor studio like a guard of honor.\u003cbr\u003e Those full-length portraits stayed with Munch until the moment of his death.\u003cbr\u003e The portraits were exposed to heavy rain, wind, and snow in an outdoor studio, and the marks of these exposures remain on the canvas.\u003cbr\u003e They also buried the droppings of all kinds of animals, including birds, dogs, and horses.\u003cbr\u003e The portrait of Tiss was no exception.\u003cbr\u003e The snow had piled up after the rain, and the melted stains remained.\u003cbr\u003e \u003cbr\u003eSomeone once asked Munch why he worked so hard on his works.\u003cbr\u003e Munch said that layers of time are accumulated on the canvas.\u003cbr\u003e The full-length portraits of his friends bear the marks of time spent with Munch.\u003cbr\u003e --- p.110\u003cbr\u003e\u003cbr\u003e Munch expressed the heartbreaking pain he felt after parting with Millie in “The Parting.”\u003cbr\u003e Millie, dressed in white, walks towards the beach, feeling the sea breeze.\u003cbr\u003e Millie's hair fluttered in the wind, wrapped around Munch's neck, and flowed down close to his heart.\u003cbr\u003e Unable to catch Millie as she leaves, Munch clutches her heart as if it were in pain.\u003cbr\u003e Millie Munch's first love was his heart.\u003cbr\u003e Munch clearly felt from his own experience that a person's heart hurts when they break up.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Before painting “The Parting,” Munch visited a slaughterhouse to observe the slaughtering process of a cow in order to see the torn heart firsthand. \u003cbr\u003eA large bull yowled as it fell into the hands of a ruthless slaughterer.\u003cbr\u003e The slaughterman mercilessly stabbed the bull's heart with a dagger.\u003cbr\u003e After a while, the cow's heart also stopped beating.\u003cbr\u003e Like a merciless butcher, he cut out Munch's heart.\u003cbr\u003e Munch's love also stopped.\u003cbr\u003e --- p.125~126\u003cbr\u003e\u003cbr\u003e There are three people in “Jealousy.”\u003cbr\u003e Adam and Eve, and the mysterious man.\u003cbr\u003e This work is a story of a love triangle between Munch, Dagny, and Przybyszewski.\u003cbr\u003e Munch portrayed himself and Dagny as Adam and Eve, and Dagny's husband, Przybyszewski, as a jealous man, creating an absurd love triangle.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e After Dagny got married, Munch could only watch her from afar.\u003cbr\u003e There is another painting that represents his longing for Dagny.\u003cbr\u003e In another painting, \"Jealousy,\" Munch captured the indifferent appearance of Przybyshevsky. \u003cbr\u003eThe face of Przybyshevsky, painted large on the front, is painted green.\u003cbr\u003e In German, 'green' means 'young, fledgling', so we can read Munch's mind mocking Przybyszewski for not recognizing Dagny's value.\u003cbr\u003e --- p.137\u003cbr\u003e\u003cbr\u003e One day, when I gathered all my works together, I felt that each painting was connected to each other.\u003cbr\u003e When the pieces were placed side by side, they immediately became notes and blended together to form a symphony.\u003cbr\u003e Then I started drawing friezes.\u003cbr\u003e ―MM N 46, Memo 1930–1934 (2024-6-10)\u003cbr\u003e\u003cbr\u003e Munch believed that showing his works together rather than one by one would help the public understand his work better.\u003cbr\u003e Munch thought of each work as a single musical note.\u003cbr\u003e So, it was believed that many notes came together to form a great harmony and finally completed as a symphony. \u003cbr\u003e《Frieze of Life》 is Munch's life symphony that was born in this way.\u003cbr\u003e --- p.185~186\u003cbr\u003e\u003cbr\u003e If you look closely at the bloody clouds in “The Scream,” you’ll find a small doodle that reads, “Only a madman could draw this.”\u003cbr\u003e The graffiti was first discovered in 1904, eleven years after the work was created.\u003cbr\u003e The museum suspected that the graffiti was created by a visitor who was dissatisfied with the artwork.\u003cbr\u003e However, in 2021, the National Gallery of Norway concluded through handwriting analysis during the restoration process that this graffiti was done by Munch himself.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.221\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eBreaking the formula of “Munch = Scream”\u003cbr\u003e A glimpse into Munch's brilliant hope that transcends anxiety\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e If you ask people about Munch, 100 out of 100 will think of “The Scream.”\u003cbr\u003e And perhaps because of that masterpiece, I think he is a painter of madness, a painter of loneliness and despair. \u003cbr\u003eHe is remembered as a painter who was obsessed with madness and lived an anxious life, always close to death and alcohol.\u003cbr\u003e Is this really true?\u003cbr\u003e\u003cbr\u003e It is true that Munch lived his entire life in anxiety and pain due to numerous mental illnesses, including depression, claustrophobia, alcoholism, and insomnia.\u003cbr\u003e But that's not all.\u003cbr\u003e “My suffering is a part of myself and of my art.\u003cbr\u003e “Pain is one with me, so if it is destroyed, I and art will be destroyed,” said Munch.\u003cbr\u003e He accepted the pain as his life and sublimated it into art.\u003cbr\u003e Munch is recognized as a living master, leaving behind over 20,000 works of art and living until the age of 81.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author says that “The Scream” is not the only masterpiece left by Munch.\u003cbr\u003e In particular, he mentions “The Sun,” “Nurse Holding a Sheet,” and “Starry Night,” emphasizing that he is a painter who depicts not only anxiety and despair, but also comfort and hope. \u003cbr\u003eAmong them, “The Sun,” full of brilliant colors, radiates the most brilliant and powerful life energy of Munch’s life.\u003cbr\u003e Perhaps that is why this work is so beloved by Norwegians that it is even featured on their currency.\u003cbr\u003e Surprisingly, however, \"The Sun\" was painted after Munch was discharged from the mental hospital, and through \"The Sun\" he shows us the brilliant hope he found at the end of depression and pain.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEngraved in Oslo, Paris, and Germany in the 19th century\u003cbr\u003e Interesting moments from Munch's life are vividly revealed.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Munch spent his childhood and later years in Oslo, and spent his youth wandering around Paris and Nice in France and various cities in Germany.\u003cbr\u003e This book contains a detailed account of the important moments Munch experienced in the various European cities he traveled to.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThe moment he sent his mother and sister away, the time he was suffering from conflict with his father, the moment he left for France for the first time while being seen off by his family, the moment he heard the news of his father's death in Saint-Cloud, the night he blew his remaining scholarship money in a gambling den in Monte Carlo, the days he secretly enjoyed the Munch scandal in Germany, the moment he could only look at Dagny in The Black Piglet, and even the moment he was shot in his left hand during a physical fight with Toula - these moments unfold so that it makes you feel as if you were right by Munch's side and watching him.\u003cbr\u003e These are moments where the author's kind, warm, and delicate storytelling shines.\u003cbr\u003e This is possible because the author spent a lot of time trying to understand Munch's life by reading not only his works but also his diaries, notes, sketches, and letters.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThe author did not lose interest in Munch even while creating 'Munch's Starry Night'.\u003cbr\u003e I set out on a journey to Oslo to find traces of Munch.\u003cbr\u003e She personally visited the houses where Munch spent his childhood, the house where he painted “The Sick Child,” which marked the beginning of his art, his first studio, the café he often visited, the Munch Museum, Ekeberg Hill, the setting for “The Scream,” the house in Ekely where he spent his old age, and Our Savior Cemetery, and included the photos in this book.\u003cbr\u003e In particular, during this trip, she discovered new facts about Munch's neglected urn, which she included in this book.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecial retrospective exhibition “Edvard Munch: Beyond the Scream”\u003cbr\u003e A must-read before you go and after you return!\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe special retrospective exhibition \"Edvard Munch: Beyond the Scream,\" currently being held at the Hangaram Art Museum in the Seoul Arts Center, has been viewed by over 150,000 people as of mid-August.\u003cbr\u003e There is a lot of interest in Munch.\u003cbr\u003e So, what did they think and understand when they looked at Munch's works?\u003cbr\u003e\u003cbr\u003e In fact, Munch's works number over 20,000 and the meanings contained in them are so complex that it is not easy to understand them.\u003cbr\u003e Therefore, it is nearly impossible to fully understand his work without understanding his life.\u003cbr\u003e The author, who served as exhibition advisor for \"Edvard Munch: Beyond the Scream,\" knows this fact all too well, and so, as a \"Munch expert,\" he poured his skills into writing this book, \"Munch's Starry Night.\" \u003cbr\u003eThe author devotes a great deal of space to the Frieze of Life, a particularly important section of this exhibition.\u003cbr\u003e Contains everything you need to understand The Freeze of Life, including how it came to be, how to read it, and interpretations of its major works.\u003cbr\u003e\u003cbr\u003e If you visit the Edvard Munch: Beyond the Scream exhibition with this book in hand, you will be able to hear the stories whispered by Munch's works more clearly.\u003cbr\u003e It's okay since I've already been there.\u003cbr\u003e If you read this book while recalling the works you saw at the exhibition, the emotions you felt at that time will come back vividly. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e August 8, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 316 pages | 534g | 143*210*19mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791193153307 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770827306,"sku":"108462","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/1c7b0a0dec74e7f32755710b33639606.jpg?v=1765445562"},{"product_id":"108468","title":"Myunghwajapsa ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trh776pCpfoI6TWw05rrw2CFMJ.png?v=1765108510\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Myunghwajapsa \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/128862114\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“More vivid than a documentary and more stimulating than a drama!”\u003cbr\u003e The one and only book for you, the 'perennial art museum beginner'\u003cbr\u003e YouTube's 'Art and Humanities' has accumulated 11 million views.\u003cbr\u003e Kim Tae-jin's very special and new way of appreciating art\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Artist Taejin Kim, who created a sensation in the art world by coining the term \"art humanities\" with his captivating storytelling that blends humanities with art, has returned with a new work after three years. \u003cbr\u003eThe author, who has been conveying the charm of art to the public through his YouTube channel 'Art Humanities' with 11 million cumulative views and offline lectures, unravels the miscellaneous and personal stories contained in 15 famous paintings one by one through 'Miscellaneous History of Famous Paintings'.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The trivial and personal stories surrounding famous paintings are none other than the lives of the people in the paintings.\u003cbr\u003e This book is full of fascinating behind-the-scenes stories of famous paintings, from the saucy rumors surrounding Raphael's death, to the story of a girl who was dethroned after just nine days, to the 'diamond necklace fraud' that implicated Marie Antoinette. It's so captivating that you'll want to sneak away and read it alone.\u003cbr\u003e The themes of the story are mostly not the noble and elegant records that befit the word 'masterpiece', but rather twisted desires or foolish choices that do not know what will happen next. \u003cbr\u003eThe reason why we must know the 'miscellaneous stories' in order to properly appreciate a masterpiece is because the joys and sorrows of our lives are contained therein.\u003cbr\u003e As you flip through the pages, you will find yourself naturally feeling empathy and compassion for the life of a person depicted in the painting.\u003cbr\u003e\u003cbr\u003e To fully enjoy the intricate stories within beautiful masterpieces, the author presents a special way of appreciating them in \"Miscellaneous History of Masterpieces.\"\u003cbr\u003e That's right 1.\u003cbr\u003e Appreciating famous paintings without any information, 2.\u003cbr\u003e After reading the story behind the famous painting, 3.\u003cbr\u003e It's like looking at a masterpiece again.\u003cbr\u003e Through this process, readers can feel the vividness of the figures from hundreds of years ago who were frozen in the picture, as if they were moving and coming to life.\u003cbr\u003e Additionally, through the 'Humanities Café' provided in each chapter, you can also see what trends of the times the lives of the protagonists in famous paintings fiercely lived belonged to.\u003cbr\u003e\u003cbr\u003e  \u003cbr\u003eIf you're curious about the stories contained in great masterpieces, more vivid than documentaries and more stimulating than dramas, open this book right now.\u003cbr\u003e As you follow the author's characteristically witty banter, you will feel an 'inner intimacy' with the characters in famous paintings that once seemed distant and aloof.\u003cbr\u003e And you will find yourself visiting the art museum again.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e prolog\u003cbr\u003e What you believe in your head cannot overcome what you see with your eyes.\u003cbr\u003e\u003cbr\u003e Before reading: A special way to appreciate paintings from \"Famous Paintings\"\u003cbr\u003e The magic that makes time flow again\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1: The World of God Begins to Decline\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e * Rome's top star painter who fell in love with a baker's daughter\u003cbr\u003e Dominique Ingres, [Raphael and La Fornarina]\u003cbr\u003e * A polite and elegant rejection depicted in the picture\u003cbr\u003e Hans Holbein, The Ambassadors\u003cbr\u003e * A girl who was kicked out after only nine days as queen \u003cbr\u003ePaul Delaroche, The Execution of Jane Grey\u003cbr\u003e * A lover who stole the heart of a princess who only followed her older brother\u003cbr\u003e Michiel Jansson van Merevelt, [Elizabeth Stuart, Queen of Bohemia]\u003cbr\u003e [Humanities Cafe] - From the Reformation to the Religious Wars\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2: The Flow of Wealth from Land to Sea\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e * The woman who protected Rembrandt even while being pointed at\u003cbr\u003e Rembrandt van Rijn, Bathsheba with David's Letter\u003cbr\u003e * A bird that has finally become free after entering a cage\u003cbr\u003e Louise Desnos, [Encounters at the Royal Court]\u003cbr\u003e * The emperor who respected his mother's sworn enemy\u003cbr\u003e Adolf Menzel, [Meeting between Frederick II and Joseph II at Neisse, 1769]\u003cbr\u003e * The butterfly effect caused by the necklace scam?\u003cbr\u003e Elisabeth Vigée-Lebrun, [Marie Antoinette and Children]\u003cbr\u003e [Humanities Cafe] - From Absolute Monarchy to Enlightenment\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: Romance and Reality after the Revolution\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e * The beautiful woman who killed the monster of revolution\u003cbr\u003e Paul-Jacques Aimé Baudry, The Assassination of Marat \u003cbr\u003e* The reason why I appeared as a nude model in front of my lover's friend\u003cbr\u003e Gustave Courbet, [Lady with Parrot]\u003cbr\u003e * The Habsburg fool fooled by Napoleon III\u003cbr\u003e Jean-Paul Laurent, Emperor Maximilian on the Way to Execution\u003cbr\u003e * The artist's eternal muse, left behind in paintings\u003cbr\u003e James Tissot, [Garden Bench]\u003cbr\u003e [Humanities Cafe] - From Political Revolution to Industrial Revolution\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: An Age of Optimism and War, Lovers Who Cry and Laugh\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e * A sleepless man above a blue storm cloud\u003cbr\u003e Oskar Kokoschka, [The Bride of the Wind]\u003cbr\u003e * A girl desperately embracing death\u003cbr\u003e Egon Schiele, [Death and the Maiden]\u003cbr\u003e * A shattered body, a cruel and harsh love\u003cbr\u003e Frida Kahlo, [Self-Portrait with Thorn Necklace]\u003cbr\u003e [Humanities Cafe] - From the Illusion of Prosperity to Ruins\u003cbr\u003e\u003cbr\u003e Epilogue\u003cbr\u003e Something that sparkles endlessly on the mighty river\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4596\/MidCate006\/459552091.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e It has already been ten years since Art Humanities was first introduced to the world. \u003cbr\u003eI've introduced many famous paintings, and a significant portion of the conversations I've had have been about history.\u003cbr\u003e Because famous paintings are history books in themselves.\u003cbr\u003e What better textbook on absolute monarchy could there be than a portrait of Louis XIV? In this way, art transports us to a moment in history.\u003cbr\u003e ---From the \"Prologue\"\u003cbr\u003e\u003cbr\u003e So, what should we do to truly appreciate a masterpiece? While there's no right answer, I'd like to suggest a new and effective method.\u003cbr\u003e That is to become completely immersed in the work.\u003cbr\u003e To immerse oneself in a work of art means to use one's imagination and feel as if one has entered the scene in the painting.\u003cbr\u003e Anyone who hears it for the first time will probably think, 'What is that?' and find it difficult.\u003cbr\u003e But if you actually try it, it's not that difficult.\u003cbr\u003e What is absolutely necessary for imagination to be exercised at this time is a story. \u003cbr\u003eI'm talking about the kinds of stories we encounter through novels and movies.\u003cbr\u003e The more exciting the story, the easier it is for us to experience the world within the canvas.\u003cbr\u003e ---「Before reading: A special way to appreciate paintings from 《Famous Paintings》」\u003cbr\u003e\u003cbr\u003e Raphael, who arrived in Rome in 1508 at the age of 25, immediately captivated the city.\u003cbr\u003e He was a rather handsome man, and yet his manners were very elegant.\u003cbr\u003e He possessed outstanding drawing skills and a high level of culture, and because he always considered the other person's position before acting, everyone who met Raphael praised him.\u003cbr\u003e Wherever he went, people flocked to him and everyone wanted to see him, so Raphael had to manage a very busy schedule.\u003cbr\u003e Moreover, he became successful as an artist and became a wealthy man in a short period of time.\u003cbr\u003e A phenomenon that could be called the Raphael Syndrome hit Rome hard. \u003cbr\u003e---From \"The greatest star painter in Rome who fell in love with a baker's daughter\"\u003cbr\u003e\u003cbr\u003e But Anne Boleyn treated both ambassadors respectfully.\u003cbr\u003e It was she who commissioned the court painter Holbein to paint portraits of the two ambassadors as farewell gifts.\u003cbr\u003e However, there is more meaning hidden behind this painting commissioned by Anne Boleyn than you might think.\u003cbr\u003e It wasn't just a simple portrait.\u003cbr\u003e Each object depicted contains symbols that strangely intertwine with the situation at the time, and as these symbols are connected, a meaningful message is revealed throughout the painting.\u003cbr\u003e Let's take a look at some of the important ones.\u003cbr\u003e ---From \"Polite and Elegant Refusal in Painting\"\u003cbr\u003e\u003cbr\u003e If we've looked through a magnifying glass to identify important figures and events, let's put the glass aside and take a few steps back to take a broader look at the era of the Reformation and the religious wars. \u003cbr\u003eYou will see the larger trends of the times.\u003cbr\u003e So, the answer to the same question, 'Why did the Reformation break out?' changes like this.\u003cbr\u003e Well… it was time for the long Middle Ages to end.\u003cbr\u003e\u003cbr\u003e ---From \"Humanities Cafe - From the Reformation to the Religious Wars\"\u003cbr\u003e\u003cbr\u003e Montespan, who had the opportunity to meet Louise on the queen's errand, treated Louise with the utmost respect, unlike the queen's other maids of honor.\u003cbr\u003e Then, he made full use of his talents and entertained Louise with interesting stories.\u003cbr\u003e Since there was always something to laugh about when she came, Louise naturally started calling her over and talking to her more often.\u003cbr\u003e He came to trust Montespan as if he were his own person.\u003cbr\u003e But Louise's maids all spoke ill of her.\u003cbr\u003e He said that we must be careful because we cannot know what is inside.\u003cbr\u003e But Louise instead scolded the maids. \u003cbr\u003eAnd then, after a while, he makes a critical mistake.\u003cbr\u003e ---From \"The Bird That Entered the Cage and Finally Became Free\"\u003cbr\u003e\u003cbr\u003e Marie Antoinette was easily distracted and had difficulty concentrating, which made her hate studying.\u003cbr\u003e I also had difficulty with foreign languages, so I wasn't even good at French, which was the most basic language I had to speak.\u003cbr\u003e Moreover, he was a bit reckless and reckless, so he treated people he didn't like with arrogance and coldness.\u003cbr\u003e So, Maria Theresa was also worried about whether her daughter would be able to handle the complicated court life, let alone perform her duties well for her mother.\u003cbr\u003e But in reality, it is difficult to see this as a major disqualification for royalty.\u003cbr\u003e In short, she was an ordinary princess, neither particularly wise nor particularly foolish. \u003cbr\u003eIf such a drastic event as the Great Revolution had not occurred, she would have been remembered simply as a beautiful and sophisticated queen from Vienna.\u003cbr\u003e ---From \"The Butterfly Effect Caused by the Necklace Fraud?\"\u003cbr\u003e\u003cbr\u003e At the time, Hiffernan was living on the beaches of Normandy.\u003cbr\u003e After Whistler left, she continued to paint and hang out with artists she had become close with.\u003cbr\u003e At this time, I also met Courbet frequently, and one day, Courbet made a serious proposal.\u003cbr\u003e It was a request to be a model for a nude painting.\u003cbr\u003e He added that the exposure would be more severe than expected.\u003cbr\u003e Hippernan knew well.\u003cbr\u003e That his offer included not only modeling but also dating him.\u003cbr\u003e She also knew very well that Courbet had liked her for a long time.\u003cbr\u003e ---From \"The Reason I Appeared as a Nude Model in Front of My Lover's Friend\"\u003cbr\u003e \u003cbr\u003eIn the spring of 1911, the twenty-year-old painter Egon Schiele was contemplating his future.\u003cbr\u003e Painting was his everything, but he was not sure if he had talent as an artist or if his paintings, which were driven by impulse, would be successful.\u003cbr\u003e At that time, a 17-year-old girl, Bali Noizil, appeared in front of him.\u003cbr\u003e Bali was originally Klimt's model.\u003cbr\u003e At the time, Klimt was Schiele's idol, and Klimt, who presented very classic yet unconventional paintings, was extremely popular at the time.\u003cbr\u003e Sille went to see him and asked for advice and received a lot of advice.\u003cbr\u003e Klimt encouraged Schiele, saying that he had a more primitive sensibility and boldness that he did not have, and introduced him to Bali, saying that it would fit well with his painting style.\u003cbr\u003e ---From \"The Girl Who Desperately Embraces Death\"\u003cbr\u003e\u003cbr\u003e In this book, we encounter 15 famous paintings and the dramas that unfold within them. \u003cbr\u003eAnd I placed them on the mighty waves of history.\u003cbr\u003e Then they all became Yunseul and shone brightly.\u003cbr\u003e This sparkle of Yunseul leaves a long aftertaste in our hearts.\u003cbr\u003e What evokes this lingering feeling is, of course, the emotion felt from the life of the protagonist in the famous painting.\u003cbr\u003e This kind of emotion does not arise because he is a historical figure.\u003cbr\u003e It's not like I left behind any great achievements.\u003cbr\u003e Regardless of their status or position, they simply lived a messy reality.\u003cbr\u003e But there was something special about their reality.\u003cbr\u003e In other words, a certain mindset, a fierce struggle, etc. breathed life into the drama, and through some opportunity, it became a masterpiece.\u003cbr\u003e That is how a single grain of Yunseul was born.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From the \"Epilogue\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eJust knowing the story behind a painting makes it easier to appreciate famous paintings!\u003cbr\u003e\u003cbr\u003e 11 million cumulative YouTube views\u003c\/b\u003e  \u003cbr\u003eThe story of Taejin Kim, an outstanding art storyteller of 'Art Humanities'\u003cbr\u003e 15 \"miscellaneous\" and \"historical\" stories from \"Famous Paintings\"\u003cbr\u003e\u003cbr\u003e Have you ever stopped by an art museum while traveling? You're probably hoping to admire the ancient and beautiful paintings and feel like a cultured person, but you're overwhelmed by the complex historical context and unfamiliar scenery, and you end up thinking, \"That's a pretty dress...\" or \"They all look the same...\" And then you realize, \"Art just isn't for me.\"\u003cbr\u003e Right now, if you're feeling a pang of remorse for this story, there's an art textbook you need to read.\u003cbr\u003e Even those who only went to art museums with a 2% sense of regret can enjoy this book, “Miscellaneous History of Famous Paintings,” by 200%.\u003cbr\u003e\u003cbr\u003e 《Masterpieces of Fine Art》 is an art textbook presented by author Taejin Kim, who is renowned for his captivating storytelling that blends humanities with art stories, after three years. \u003cbr\u003eThe author, who coined the term \"Art Humanities,\" which is now widely used as a common noun, and published a series of the same name, delivers stories of art that cross fields such as history and philosophy in a way that is easy and fun for anyone to access through the YouTube channel \"Art Humanities,\" which has accumulated 11 million views, and through offline lectures.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In this book, \"A History of Famous Paintings,\" the author has collected 15 interesting behind-the-scenes stories of famous paintings that will make even \"perennial art museum beginners\" who find art unfamiliar lose track of time.\u003cbr\u003e The reason why we must know the 'miscellaneous stories' in order to properly appreciate a masterpiece is because the joys and sorrows of our lives are contained therein.\u003cbr\u003e As you flip through the pages, you will find yourself naturally feeling empathy and compassion for the human life captured in the picture.\u003cbr\u003e \u003cbr\u003e\u003cb\u003eRaphael, Rome's greatest star painter, met a mysterious death.\u003cbr\u003e Jane Grey was deposed from the throne after only 9 days… .\u003cbr\u003e The masterpieces that I only thought were noble\u003cbr\u003e Meet human life, desires, beliefs and struggles!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Dominique Ingres' painting, [Raphael and La Fornarina], depicts two lovers in love.\u003cbr\u003e It was the golden age of the Renaissance, and it was Raphael who was famous as a star painter in Rome, and his fateful lover, Margherita Luti.\u003cbr\u003e Because of Margherita's low social status, many people were displeased with their relationship, but their love burned for a long time, overcoming the opposition of those around them.\u003cbr\u003e Then one day, on his 37th birthday, Raphael suddenly collapsed and died five days later.\u003cbr\u003e And from that day on, secret rumors surrounding Raphael's death began to spread throughout Rome. \u003cbr\u003eThe rumor was none other than that Raphael had died while spending the night with Margherita.\u003cbr\u003e Was this rumor true? And how did Margherita, who was left behind, live on?\u003cbr\u003e\u003cbr\u003e Meanwhile, in Paul Delaroche's [The Execution of Jane Grey], a girl who appears young at first glance is sitting in front of the scaffold with her eyes covered.\u003cbr\u003e She is Jane Grey, the shortest-lived queen in English history.\u003cbr\u003e The whole story was like this.\u003cbr\u003e At that time, in England, a political battle broke out over the succession to the throne as King Edward VI became critically ill.\u003cbr\u003e Pushed by nobles who wanted to block Mary I, the first in line for succession, and by her power-hungry parents, Jane Grey ascended to the throne at the age of 16.\u003cbr\u003e And after becoming a sacrifice to the greed of the adults, she is driven out after only 9 days as queen and put on the gallows. \u003cbr\u003eWhy did the nobles choose Jane Grey as queen instead of Mary? And why was Jane Grey condemned to death?\u003cbr\u003e\u003cbr\u003e Like this, the 15 famous paintings in “Famous Paintings” are full of dopamine-inducing stories that make you want to read them secretly.\u003cbr\u003e The author skillfully summons figures from Western history from hundreds of years ago, captured in the paintings, to the readers of this book in the 21st century.\u003cbr\u003e As you follow the author's captivating sentences, you will soon have the illusion that the characters in the famous painting are coming to life.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e And that's not all.\u003cbr\u003e For readers who feel overwhelmed when standing before famous paintings, the author introduces a new, never-before-seen method of art appreciation. \u003cbr\u003eTo provide a more vivid look into famous paintings, this book goes beyond simply listing interesting stories, and is structured so that readers can compare their impressions before and after learning about the drama behind the paintings.\u003cbr\u003e\u003cbr\u003e * A special way to appreciate paintings unique to 《Famous Paintings》\u003cbr\u003e 1.\u003cbr\u003e Seeing a famous painting without any prior knowledge.\u003cbr\u003e On the right side is a brief introduction to the painting.\u003cbr\u003e This introduction serves to arouse curiosity about the painting before delving into the story in earnest.\u003cbr\u003e\u003cbr\u003e 2.\u003cbr\u003e Turn the pages and read the exciting stories hidden in the famous paintings.\u003cbr\u003e After reading the story, I go back and look at the famous painting I first saw.\u003cbr\u003e Unlike the first time, the main character in the famous painting will appear more vividly.\u003cbr\u003e 3.\u003cbr\u003e Finally, through the 'Humanities Café', we step away from the paintings and look into the times in which the characters in the paintings lived. \u003cbr\u003eThrough this, readers can understand and accept famous paintings and people, and famous paintings and history in a three-dimensional way.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eHumanities Cafe: Where Miscellaneous Stories and History Meet\u003cbr\u003e A fresh look at my life through famous paintings from hundreds of years ago.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 《Myeonghwa Miscellaneous》 is composed of a total of four chapters.\u003cbr\u003e Chapter 1 covers the period from the beginning of the Reformation to the religious wars; Chapter 2 covers the period from the end of absolute monarchy to the rise of the Enlightenment; Chapter 3 covers the period from the political revolution to the industrial revolution; and Chapter 4 covers the period from the industrial revolution to the optimistic world ending in war.\u003cbr\u003e The reason why the four chapters are divided by era is because they serve to tie together and organize the miscellaneous stories that history encounters in famous paintings.\u003cbr\u003e When we look back at history after learning the dramatic stories of the main characters in famous paintings, the history we knew appears in a new light. \u003cbr\u003eAnd I think about the joys and sorrows of human life, which sparkle like a grain of dew in the winding flow of history.\u003cbr\u003e\u003cbr\u003e “Regardless of their status or position, they simply lived a messy reality.\u003cbr\u003e But there was something special about their reality.\u003cbr\u003e In other words, a certain mindset, a fierce struggle, etc. breathed life into the drama, and through some opportunity, it became a masterpiece.\u003cbr\u003e That is how a single grain of Yunseul was born.” _337,338p\u003cbr\u003e\u003cbr\u003e When we delve deep into the lives of people from hundreds of years ago, we are finally left asking this question:\u003cbr\u003e Can our lives also become masterpieces? Can we, even if fleeting, experience a sparkling moment worthy of being remembered in the waves of history? Addressing these questions, the author suggests living with a \"long breath,\" rather than being caught up in a \"memory scene\" or swayed by impatience. \u003cbr\u003eInstead of worrying that our lives will remain as mere mediocrity, only when we live in the present as ourselves can we truly write a \"drama of growth\" and live in the present.\u003cbr\u003e And I realize that this 'now' is the masterpiece of my life.\u003cbr\u003e\u003cbr\u003e “We can only live in the present and do something only in the present.\u003cbr\u003e …let’s say someone took a picture of me looking so lively.\u003cbr\u003e I am truly alive in the photo.\u003cbr\u003e If I ever see such a wonderful picture, I will finally realize it.\u003cbr\u003e This is what a masterpiece is.\u003cbr\u003e And that my present moment is shining brightly like Yunseul.” _342p\u003cbr\u003e\u003cbr\u003e If you're curious about the 15 masterpieces and the dramas they portray, open this book. \u003cbr\u003eJust like a drama that's so entertaining you watch it all night, if you read each story in a single sitting, you'll soon feel an 'inner intimacy' with the characters in the famous paintings that once seemed distant and distant.\u003cbr\u003e And you will experience the fulfillment of gaining a new perspective on history, and a new perspective on your own life.\u003cbr\u003e As a bonus, you'll find yourself heading to the art museum again with a fluttering heart. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e July 9, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 352 pages | 152*210*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791168272040\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1168272041 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894770892842,"sku":"108468","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/9541344fe73e8a2ba4f2ad232a1f9a3a.jpg?v=1765445568"},{"product_id":"108470","title":"Thinking Art Museum ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjiGSGRzUNCqhw968zQw3skuB.png?v=1765108532\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Thinking Art Museum \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/128704687\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e Life becomes history, recorded as art.\u003c\/div\u003e\n\u003cdiv\u003e A book that explores the history hidden in works of art.\u003cbr\u003e The records of yesterday captured by the painters invite readers to the era in which the paintings were created, and the stories hidden within the paintings connect the era and the paintings. \u003cbr\u003eThe author's friendly explanations not only broaden my perspective on art appreciation, but also expand my appreciation into the realm of the humanities, awakening my inner thoughts.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eJuly 30, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eReading yesterday's records in famous paintings!\u003cbr\u003e Reading from a famous painting that was sleeping in an art museum\u003cbr\u003e 30 Very Historical and Fascinating Stories\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Louis XIV, who has been regarded as a symbol of absolute power, actually focused on fashion to hide his complexes, and as a result, made France a mecca for high fashion.\u003cbr\u003e The political pornography that plagued Marie Antoinette eventually became the catalyst that led to the French Revolution.\u003cbr\u003e The origins of the \"fasting girls\" who appeared in the Victorian era and lived without eating can be traced back to the medieval nuns who starved to death, who had to undergo even harsher and more severe ascetic practices than men to become saints. \u003cbr\u003eEven in the 17th century, there was a foodstagram, and these were even made into paintings to be recreated as famous paintings.\u003cbr\u003e Van Gogh, who was considered 'abnormal', was confined to a mental hospital and painted the scenery he saw from the window at dawn, capturing his dreams, anxiety, hope and pain in 'Starry Night'.\u003cbr\u003e We can also learn about the form of sugar, once called \"white gold,\" in paintings, how the day of humanity's destruction was depicted in Michelangelo's work, why he painted his own face in \"The Last Judgment,\" and how Disney repackaged the myth of the Indian princess as a fantastic lie, all through famous paintings that have been recorded in history.\u003cbr\u003e\u003cbr\u003e This book is a pictorial history book that examines the history that was dormant or overlooked in works of art through six keywords. \u003cbr\u003eWe read the history, the records of yesterday, that the painters of the past vividly depicted in their paintings, as if they were living and breathing their own times.\u003cbr\u003e It shows how famous kings and queens, who were the center of pre-modern history, and sex and love, which can be said to be the core of life along with food, clothing, and shelter, are remembered in paintings.\u003cbr\u003e In addition, we can read about the history of food left in the paintings, how the history of faith and religion recorded in the paintings, the history of power and authority are imprinted in the paintings, and what thoughts and values ​​humans have had and how they have lived through the paintings that contain the appearance of modern society.\u003cbr\u003e The moment you see a famous painting, you will clearly see the era and scenes that you had not been able to see before.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e introduction\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1.\u003cbr\u003e The king and queen in the painting\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 1. \u003cbr\u003eRoxelana, the harem slave who stole the Sultan's heart\u003cbr\u003e - The era of female sultans in the Ottoman Empire\u003cbr\u003e 2.\u003cbr\u003e Theodora of the Byzantine Empire, a prostitute who became empress\u003cbr\u003e - From Hippodrome actress to the court of Constantinople\u003cbr\u003e 3.\u003cbr\u003e Tudor's rival princess\u003cbr\u003e - A story of royal sisters entangled in love and hate\u003cbr\u003e 4.\u003cbr\u003e Louis XIV, the pioneer of French high fashion\u003cbr\u003e - The Great Narcissist Monarch\u003cbr\u003e 5.\u003cbr\u003e Propaganda portrait of Napoleon crossing the Alps\u003cbr\u003e - Collaboration between art and politics\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2.\u003cbr\u003e The history of scandals left behind in paintings\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 6.\u003cbr\u003e Cleopatra, victim of the femme fatale myth\u003cbr\u003e - Misconceptions and Truths About the Legendary Seducer\u003cbr\u003e 7.\u003cbr\u003e Christianity, Sex, and Sin\u003cbr\u003e - Lovers in Hell\u003cbr\u003e 8.\u003cbr\u003e Women's Duel!\u003cbr\u003e - History of duels\u003cbr\u003e 9.\u003cbr\u003e The Political Pornography That Tormented Marie Antoinette - A Caricature of the Sex Scandal That Rocked Europe\u003cbr\u003e 10.\u003cbr\u003e The Countess of Castiglione, the pioneer of the selfie\u003cbr\u003e - The woman who thought she was the most beautiful in the world\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3.\u003cbr\u003e Food served in the picture\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 11. \u003cbr\u003eCatherine de Medici, the pioneer of French culinary culture\u003cbr\u003e - The beginning of French gastronomy\u003cbr\u003e 12.\u003cbr\u003e Coffee that moved world history\u003cbr\u003e - A masterpiece with coffee\u003cbr\u003e 13.\u003cbr\u003e Pepper, the spice, and its tempting history\u003cbr\u003e - A taste of heaven from the East\u003cbr\u003e 14.\u003cbr\u003e The temptation of sugar in a painting\u003cbr\u003e - The sweet yet cruel world history of 'white gold'\u003cbr\u003e 15.\u003cbr\u003e 17th-century foodstagram recreated through famous paintings\u003cbr\u003e - “How is it? I’m eating well and living like this!”\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4.\u003cbr\u003e The Age of Faith Recorded in Painting\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 16.\u003cbr\u003e The Dance of Death and the Triumph of Death\u003cbr\u003e - Art in the Black Death\u003cbr\u003e 17.\u003cbr\u003e Plate of Sin\u003cbr\u003e - Beware of earthly gluttony!\u003cbr\u003e 18.\u003cbr\u003e The Holy Fast of a Medieval Saint\u003cbr\u003e Girls who live without eating\u003cbr\u003e 19.\u003cbr\u003e Doomsday, the day of humanity's destruction\u003cbr\u003e - The shadow of apocalyptic eschatology\u003cbr\u003e 20.\u003cbr\u003e Where do witches come from?\u003cbr\u003e - The history of witches is the history of misogyny.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5.\u003cbr\u003e The history of power and authority remembered in paintings\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 21.\u003cbr\u003e Lucretia, the ideal woman of ancient Rome\u003cbr\u003e - How do we view women?\u003cbr\u003e 22.\u003cbr\u003e Exotic Luxury Black Slaves \u003cbr\u003e- Slaves were commodities.\u003cbr\u003e 23.\u003cbr\u003e No Fairy Tale: A Real-Life Beauty and the Beast\u003cbr\u003e - The tragedy of a werewolf family\u003cbr\u003e 24.\u003cbr\u003e Pocahontas, the myth of the Indian princess\u003cbr\u003e - Disney's Lies\u003cbr\u003e 25.\u003cbr\u003e Mental Illness and Its Violent History\u003cbr\u003e - The boundary between normal and abnormal\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6.\u003cbr\u003e The light and shadow of modern society captured in the painting\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 26.\u003cbr\u003e Exciting train travel and modern life\u003cbr\u003e - 19th century Parisian leisure life\u003cbr\u003e 27.\u003cbr\u003e 'Les Misérables': The Shadow of Prosperity\u003cbr\u003e - A self-portrait of the urban poor in the industrial age\u003cbr\u003e 28.\u003cbr\u003e Monet's painting of smog on the Thames\u003cbr\u003e The 'pea soup fog' that engulfed London\u003cbr\u003e 29.\u003cbr\u003e Why are these animals rectangular in shape?\u003cbr\u003e - The cow that swallowed the refrigerator!\u003cbr\u003e 30.\u003cbr\u003e Bloody Sunday\u003cbr\u003e - The prelude to the Russian Revolution\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4589\/MidCate010\/458891427.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e It is very interesting that only the king, Jane Seymour, and the prince are placed within the space of the pillars, while the princesses are pushed out of the pillars. \u003cbr\u003eIt gives the impression that the king's only real family is the prince and his deceased mother, Jane Seymour.\u003cbr\u003e The positions of the two princesses in the portrait still make them appear as illegitimate children, reserves for the throne.\u003cbr\u003e Additionally, the necklaces of the two princesses reveal the cold conflict within this family.\u003cbr\u003e Mary, a Catholic, wears a crucifix necklace, while Elizabeth wears an emerald and pearl necklace with the initial A, which she inherited from Anne Boleyn.\u003cbr\u003e Sometimes a picture speaks a thousand words.\u003cbr\u003e Although it is a portrait of a family gathered together, it tells a complex story of love and hate for this royal family.\u003cbr\u003e --- p.56\u003cbr\u003e\u003cbr\u003e Jean-Léon Gérôme depicts the romantic first meeting between Caesar and Cleopatra, based on Plutarch's account.\u003cbr\u003e In the painting, Cleopatra has just emerged from the carpet and is standing before Caesar in a seductive pose. \u003cbr\u003eHer breasts are revealed beneath a gorgeous and elaborate Egyptian necklace, and her legs are voluptuous, visible through a transparent veil-like skirt beneath her belt.\u003cbr\u003e Next to her, a slave, painted as a prop to create an exotic atmosphere, crouched fearfully behind the queen.\u003cbr\u003e Caesar, sitting at his desk, looks up at Cleopatra, waving his hands in the air in confusion.\u003cbr\u003e The artist portrayed a young and alluring Egyptian queen in a typically Orientalist light, imagining ancient events.\u003cbr\u003e --- p.95\u003cbr\u003e\u003cbr\u003e Oranges and lemons hanging from the branches of the tree symbolize new hope.\u003cbr\u003e Winter carries a double meaning: it is not death and extinction, but it holds another life, and the Emperor's power and authority will never disappear.\u003cbr\u003e The nose was drawn with spices such as cinnamon sticks, eyes with cloves, lips with ginger, ears with nutmeg, and forehead with white pepper. \u003cbr\u003eThese are spices with warm properties and are often used in winter dishes.\u003cbr\u003e In this way, spices in Arcimboldo's works were used as elements that express a sense of the seasons.\u003cbr\u003e --- p.189\u003cbr\u003e\u003cbr\u003e What is even more amazing is that Michelangelo included his own image in the painting.\u003cbr\u003e The face painted on the skin held by Saint Bartholomew is his self-portrait.\u003cbr\u003e Why did Michelangelo portray himself as an empty shell, suspended precariously between heaven and hell? He often lamented his younger years, when he focused more on the beauty of art than on the salvation of the soul.\u003cbr\u003e In this mural, painted in the mid-60s, he may have been repenting for his artistic arrogance by impersonating himself as St. Bartholomew and wishing that Christ would show mercy and allow him to join the flock of the chosen ones.\u003cbr\u003e --- p.261~262\u003cbr\u003e\u003cbr\u003e Nimue dominates the center of the canvas, crushing masculine authority. \u003cbr\u003eThe book Nimue holds indicates that she is a woman of knowledge.\u003cbr\u003e Her hair, entangled with snakes, is reminiscent of Medusa, the goddess of ancient Greek mythology who turned people to stone.\u003cbr\u003e This symbolizes that Nimue is a witch.\u003cbr\u003e The painting uses myth to suggest that intelligent women can become a threatening force that destroys men.\u003cbr\u003e This is a projection of patriarchal Victorian values ​​that oppose female education, and reveals men's anxiety and rejection of educated women.\u003cbr\u003e --- p.274\u003cbr\u003e\u003cbr\u003e In 17th-century still lifes, it was common for slaves to be depicted alongside other objects as belongings to their masters.\u003cbr\u003e Even when the client did not own slaves, he would sometimes request that they be painted to add a touch of luxury to the painting.\u003cbr\u003e Van Stryk created paintings that satisfied the vanity of his clients by placing black servants among still lifes. \u003cbr\u003eThis is why the black boy is painted with still life.\u003cbr\u003e --- p.292\u003cbr\u003e\u003cbr\u003e In her portrait, young Antonietta holds a piece of paper with her tragic family history written on it.\u003cbr\u003e A letter explaining who she is and what happened to her.\u003cbr\u003e 'Petrus Gonsalvus, discovered in the Canary Islands, was presented to King Henry II of France and then sold to the Duke of Farnese.\u003cbr\u003e It is written, 'I am Antonietta, his descendant, and I now live at the court of Madame Isabella Pallavicina.'\u003cbr\u003e The girl, dressed up in extravagant attire, smiles kindly, seemingly oblivious to the letter's meaning.\u003cbr\u003e The artist wanted to show the girl's lineage and history, like a breed certificate for an animal.\u003cbr\u003e How could the Gonsalvus couple be happy in a life where they had to send their children away like giving away puppies?\u003cbr\u003e --- p.308\u003cbr\u003e \u003cbr\u003eA small figure is seen entering a door in the middle of a hallway painted in bright, warm yellow and orange tones.\u003cbr\u003e This is the most impressive painting of the hospital ward where Van Gogh stayed for a year from May 1889 until May 1890, just before his death.\u003cbr\u003e The perspective, which recedes sharply while producing repetitive vibrations, creates a feeling of tightening.\u003cbr\u003e Why do artists often gravitate toward what society calls disease or abnormality? Because creativity often stems from the irrational voyages of the mind.\u003cbr\u003e --- p.328\u003cbr\u003e\u003cbr\u003e But what really captured Monet's heart was not the majestic modern architecture, but the London fog that seemed to melt everything away.\u003cbr\u003e Monet loved the mysterious fog that gripped the city so much that he wrote in a letter to his second wife, Alice, “London would not be beautiful without the fog.” \u003cbr\u003eThe city and its buildings, shrouded in fog, seem as if they will disappear in an instant, like the fleeting and precarious nature of human life.\u003cbr\u003e Did Monet like that subtle feeling?\u003c\/div\u003e\n\u003cdiv\u003e --- p.360~361\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eA masterpiece that reveals a life story that has been hidden for a long time.\u003cbr\u003e “There is no painting without history.”\u003cbr\u003e Our lives become history, and ultimately are recorded as art.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In addition to their aesthetic purpose and artistic value, paintings contain information about the people who lived in that era and society.\u003cbr\u003e A work of art is a record that reflects an era, society, and history, and is a mirror that reflects human life.\u003cbr\u003e If we look at the actions of past figures and historical events with free and open eyes, rather than the familiar perspective revealed in textbook-style historical accounts, a new world we had not seen before will open up. \u003cbr\u003eIn this respect, the purpose of this book is to expand into the realm of humanities through art.\u003cbr\u003e\u003cbr\u003e And if we look at how the leisurely flow of history was captured in a famous painting, we will see clearly the lives of the people who lived in that era and their forgotten history.\u003cbr\u003e As with all of our lives, all lives become history and are ultimately recorded as art.\u003cbr\u003e What do these paintings want to tell us? How should we view them, what thoughts and emotions should we feel, and how should we hold them in our hearts? How we view and interpret past history and society determines the shape of our lives.\u003cbr\u003e Let us think about the day in the future when our lives will also become history through these paintings that contain the history of that time, as if they were metaphors for life.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe shadows behind the brilliantly shining masterpiece\u003cbr\u003e Awakening the story hidden in the painting\u003c\/b\u003e \u003cbr\u003eAn invitation to an art museum that awakens the thoughts within me!\u003cbr\u003e\u003cbr\u003e Whether it is a message to a large audience or a secret code of metaphors and allusions, a painting always contains the artist's intention.\u003cbr\u003e The artist did not paint simply to convey a single, brilliant masterpiece.\u003cbr\u003e Representative examples include 'still lifes' depicting 'human luxury goods' such as expensive Chinese porcelain, rare fruits imported from overseas, expensive flowers, and black slaves who were treated as the property of their owners, like cute parrots or dogs.\u003cbr\u003e The 17th-century Dutch painter Julien van Stryk produced many paintings that included black servants among still lifes to satisfy the vanity of his clients.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Or what about the smog that emitted from the Thames River in the late 19th century, when air pollutants absorbed and scattered light, making distant objects appear hazy and cloudy? \u003cbr\u003eSmog, a byproduct of Britain's Industrial Revolution, created cityscapes of a spectrum of colorful fog, including yellow, brown, and black, and captivated many writers and artists.\u003cbr\u003e Claude Monet loved the mysterious fog that took over the city and the enchanting light effects in the fog so much that he said, “London would not be beautiful without the fog.” He was so captivated by the magic of the Thames fog that covered and dissolved everything in the city that he created a series of paintings of around 100, including “Waterloo Bridge,” “Houses of Parliament,” and “Chatting Cross.”\u003cbr\u003e\u003cbr\u003e In this way, the author breathed new life into the narrative recorded in the famous painting and brought it back to life before our eyes.\u003cbr\u003e It illuminates the shadows hidden behind the brilliantly shining masterpiece. \u003cbr\u003eThe lives of the people of that era, the stories they carry, and the shadows behind them that we had not been able to read from the paintings until now have made themselves transparent to us living in the present.\u003cbr\u003e If you come to know the story contained in the painting more thoroughly, you will not only receive the pleasure conveyed by the masterpiece, but also gain new eyes to see the world.\u003cbr\u003e And I hope you will explore and think about the wider world that will unfold before your eyes. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e July 29, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 382 pages | 658g | 152*210*21mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788925574776\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8925574772 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894771023914,"sku":"108470","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/0a4d0635c62d17b17d2f5312353dd7a2.jpg?v=1765445575"},{"product_id":"108477","title":"Secret Hill Script Collection ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2trjiFWy7JOrsDHyTTvBlTw98AS.png?v=1765108578\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Secret Hill Script Collection \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/128702306\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e Contains the beginning and end of the movie\u003c\/div\u003e  \u003cdiv\u003eA collection of acclaimed movie scripts.\u003cbr\u003e For director Lee Ji-eun, writing a script is about weaving together the warp that meets the audience's expectations and the weft that betrays them.\u003cbr\u003e Maybe that's why.\u003cbr\u003e This script collection is full of the author's intentions, which are reflected in the beginning and end of the work.\u003cbr\u003e The included interview with editor Kim Hye-ri and the writings of writers Kim Hye-jeong and Kim Jung-hyuk enrich the script collection.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eAugust 2, 2024.\u003c\/span\u003e \u003cspan\u003eArt PD Ahn Hyun-jae\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eInvited to the Generation Kplus competition section of the Berlin International Film Festival,\u003cbr\u003e Buil Film Awards and Wildflower Film Awards Best New Director Award,\u003cbr\u003e Women in Film of the Year Award, Busan Film Critics Association Award for Best Screenplay, etc.\u003cbr\u003e Secret Hill: The Most Popular Drama of 2022-2023\u003cbr\u003e Publishing a script book to commemorate the first anniversary of the film's release.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eThe screenplay collection of the hit film \"Secret Hill,\" which reveals profound questions about writing, family, honesty and lies from the perspective of a fifth-grade girl who remains true to her desires, is being published to mark the first anniversary of its release.\u003cbr\u003e\u003cbr\u003e For director Lee Ji-eun, screenplay is her favorite word “out of all film terms.”\u003cbr\u003e This book contains the original screenplay for “Secret Hill,” which he wrote with a passionate heart, “tightly weaving together the warp that satisfies what the audience wants to see and the weft that pleasantly betrays the audience’s expectations.”\u003cbr\u003e In the work, the main character Myeong-i's continuous writing process is also the result of Lee Ji-eun's deep exploration of writing as a screenwriter before becoming a film director.\u003cbr\u003e Therefore, the script version of “Secret Hill” is not an unfinished film, but a highly complete literary work in its own right.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThe script in this book contains lines and scenes that differ from the actual film.\u003cbr\u003e It is fun to see how the two-dimensional world envisioned by screenwriter Lee Ji-eun and the three-dimensional world realized by director Lee Ji-eun differ.\u003cbr\u003e The process of each character's development before the script and between the script and the film is described in \"Story of Scenes and Characters,\" written by Lee Ji-eun herself.\u003cbr\u003e From the main character Myeong-eun, who said she “wanted to make Myeong-eun experience all the shame she could possibly experience,” to Ae-ran, a teacher fresh out of school, who draws on her own experiences, to the mother Gyeong-hee and father Seong-ho, who bring to life the details of a “sad couple who are too young,” to Hye-jin, who appears as a character who “will bring Myeong-eun’s world to a crashing halt,” you can get a glimpse of the creator’s meticulous considerations.\u003cbr\u003e In addition, the author's profound intentions, which are embedded in the beginning and end of this work, are also revealed.\u003cbr\u003e\u003cbr\u003e Other perspectives on “Secret Hill” also illuminate this book. \u003cbr\u003eFirst, Kim Hye-ri, an editorial member of Cine21, conducts an in-depth interview with Lee Ji-eun and analyzes the character of Myeong-eun, a teenage girl who is “a subject of intense desire,” and derives the meaning contained in the details of the film.\u003cbr\u003e Novelist Kim Hye-jeong looks back on the time when she was around the same age as Myeong-eun.\u003cbr\u003e Myeong-eun and Hye-jin talk in affectionate sentences about what writing meant to them at the time and what they learned and gained through writing.\u003cbr\u003e Novelist Kim Jung-hyuk defines “Secret Hill” as “an answer to the question, ‘How are creators born?’”\u003cbr\u003e Is honesty always the right thing to do? Is it better to pursue perfect art even if it means hurting someone? Ultimately, this film confirms the power of confronting these fundamental questions that anyone who aspires to write inevitably faces.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n \u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e\u003cb\u003eindex\u003c\/b\u003e\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Author's Note - Lee Ji-eun\u003cbr\u003e Secret Hill script\u003cbr\u003e Stories about scenes and characters ─ Lee Ji-eun\u003cbr\u003e Climbing the Hill and Looking Back: An Interview with Director Lee Ji-eun ─ Kim Hye-ri\u003cbr\u003e Why I Write, Why I Write, Why I Will Write: The Castle of Writing ─ Kim Hye-jeong\u003cbr\u003e Is honest writing always good? ─Kim Jung-hyuk\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4589\/MidCate009\/458881027.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e It's fun to enjoy the character's journey through the script itself, and if you happen to see the movie, I think it'll be quite fun to compare how the blueprints were realized, how the fingerprints and lines on paper were made three-dimensional when they met the actors, and what ideas were substituted on set and during post-production that weren't in the script.\u003cbr\u003e ---From \"Lee Ji-eun, Author's Note\"\u003cbr\u003e\u003cbr\u003e “Secret Hill,” which depicts the world of a twelve-year-old, strangely does not encourage nostalgia for childhood. \u003cbr\u003eInstead, it reminds me of the days when I lived each day with all my heart, determined to become the person I wanted to be.\u003cbr\u003e It makes me miss the cool shame of the moment I realized my cowardice, the resilience of rising taller after being broken by contradictions.\u003cbr\u003e\u003cbr\u003e ---From \"Kim Hye-ri, Climbing the Hill and Looking Back: Interview with Director Lee Ji-eun\"\u003cbr\u003e\u003cbr\u003e Reality is not kind to me.\u003cbr\u003e There are many times when I just can't figure out why things keep making things difficult and harassing me.\u003cbr\u003e At times like that, I hid in the story.\u003cbr\u003e Just as writing has been a strong foundation for me, both when I was young and now, wasn't it the same for Myeong-eun and Hye-jin?\u003cbr\u003e\u003cbr\u003e ---From \"Kim Hye-jeong, Why I Write, Why I Write, Why I Will Write: The Castle of Writing\"\u003cbr\u003e\u003cbr\u003e Secret Hill is a film about writing.\u003cbr\u003e It is disrespectful to the director to make such a conclusion. \u003cbr\u003eSecret Hill could be a coming-of-age story, a story about friends, a story about secrets and lies, a story about family, or a story about the importance of teachers.\u003cbr\u003e A good movie originally has many faces at the same time.\u003cbr\u003e Still, I'd like to insist that this is a film that reveals the secrets of writing.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Kim Jung-hyuk, Is Honest Writing Always Good?\" \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e July 30, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 224 pages | 290g | 129*188*15mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791192512921\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1192512928 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894771253290,"sku":"108477","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/40d23d3122c02d89a11f34586a6c5b59.jpg?v=1765445589"}],"url":"https:\/\/librairie.coreenne.fr\/en\/collections\/%ec%98%88%ec%88%a0.oembed?page=10","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}