Kim Yong-taek_ A long-held thought
Kim Kyung-hoo_ Helpless
Do Jong-hwan_ The rest of the day
Lee Jeong-rok_ Magpie New Year
Lee Seol-ya_ International Date Line
Shin Du-ho_ Global Village
An Mi-ok_ Candle
Park Yeon-jun_ A Silent Fight
Shin Yong-mok_ I wanted to sing a song with my voice gone
Park Sung-woo_ Another day
Lee Si-young_ Swing
Park Shin-gyu_ Proposal
Lee Mountain_ Lush and beautiful
Park Cheol_ Clothesline
Jang Seok-nam_ Travel Notes
Park Ra-yeon_ Somehow the harmony
Lim Gyeong-seop_ Coming to the Light
Kim Myung-soo_ When passing under a tall oak tree
Kim Jeong-hwan_ Empty Flower Pot
Kim Joong-il: Apologizing again today
Lee Dae-heum_ Magnolia
Kim Sai_ Sometimes joy
Na Hee-deok_ The person who turns on the heart
Lee Ki-in_ Always polite
Jeong Hee-seong_ Yeondu
Park So-ran_ Midnight Diner
Lee Kyung-rim_ West
Jeon Dong-gyun_ This is so quiet
Noh Hyang-rim_ On the camellia forest path
Park Kyung-hee_ An empty house
Yuiwoo_ It's time to go home now
Go Young-min_ Tofu
Hwang In-chan: "Everyone says they're sorry when I say I love them."
Lee Young-jae: On the Elegant and Violent Habits of Romanticism
Son Taek-su_ With the light that blooms when leaves sway
Lee Jeong-hoon_ About the End
Baekmusan_The power of stillness
Lee San-ha_ Birds and Rabbits
Goh Hyeong-ryeol_ Flower Seed
Park Hyung-jun_ Moon Stone
An Hee-yeon_ Stollen
Kim Hyun_ If I were a bird
Park Seung-min_ Mu-hyeon-geum (stringless zither)
Ahn Do-hyun_ Homey
Yoo Byeong-rok: I decided not to make any promises.
Choi Jeong-rye_ Where is the end of the world?
Jeong Hyeon-woo_ The back side of love
Kwak Jae-gu_ Longing
Shinmi Na_ The texture of eggplant
Lee Sang-guk_ Today
Kim Seung-hee_Hall of Love
Ji-eun Choi: Is there a story in this dream, like the dark side of the moon, that I don't know?
Lee Moon-jae_ Long-held sorrow
Kwon Chang-seop_ I Miss Understanding
Kim Seon-woo: Shall we become a leaf worshiper now?
Lee Geun-hwa_ Standing at the center of the world
Kang Ji-i_ Sea Soap
Jeong Da-yeon_ The Shape of Love
Lee Jong-min_ Torn Page
Lim Seon-gi_ Dream 2
Kim Soo-woo_ Even after creating God
Shim Jae-hwi_ High Spring Bus
Choi Baek-gyu_ Rainy season
Song Jin-kwon_ The beauty I saw for the first time
Jo On-yoon_ Centering
Moon Tae-jun_ A house with a bird and a tangerine tree
Choi Ji-in_ The person waiting
Shin Cheol-gyu_ The Reservoir in My Ear
Kim Yu-rim_ We are the chimney bird
Shin Dong-ho_ A garden with endlessly forking paths
Song Kyung-dong_ The police line within us
Lee Yong-hoon_ The bear is doing a handstand
Yoo Hye-bin_ Low-Blowing Wind
Jeon Wook-jin_ Reality
Jeong Ho-seung_ Leaving home
Yoo Su-yeon_ The mold of the idea of ​​the future
Yeoseil_ Common Sense
Lee Dong-woo_ stitch marks
Son Yu-mi_ Happening at the same time
Joo Min-hyeon_ Acorn Jelly
Jeong Geut-byeol_Imitating Apple
Yoo Hyun-ah: I work on Saturdays too
Chae Gil-woo_ Seaweed soup
Hwang Yu-won_ The sheep are leisurely grazing
Kim Hae-ja_ Rolling time like a ball
Jang Iji_ Postcard
Kang Woo-geun_ Someone with my heart lives on another planet.
Nam Gil-soon_ Daytime work
Jung Woo-young_ Dongbaek,
Han Jae-beom_ Reusable

Editor's Note
Works submitted

The value and potential of Changbi's perspective
Together with those who love poetry

The mid-2010s, when Changbi Poetry Series No. 401 was published, was a time when comprehensive review and reflection on Korean literature was in full swing.
In line with this, Changbi Siseon explored the maximum potential of poetry.
He endeavored to expand his scope by arranging poetry collections that infuse youthful sensibilities in various ways and seek to evolve lyricism.
As if to prove this, the twenty-one poets included in 『This is Just a Habit of Love』, including Ahn Mi-ok, Jeong Hyeon-woo, Choi Ji-eun, Lee Jong-min, Choi Baek-gyu, Jo On-yun, Yoo Hye-bin, Jeon Wook-jin, Yoo Su-yeon, Kang Woo-geun, and Han Jae-beom, are new poets whose works are being published in their first poetry collections.
This is a prime example of Changbi's attempt to break away from the existing inertia and keep pace with the rapidly changing landscape of the generation.


Of course, we did not forget to carry on the existing values.
The star-studded names that make their presence felt in this anthology, such as Kim Yong-taek, Lee Si-yeong, Kim Jeong-hwan, Noh Hyang-rim, Do Jong-hwan, Baek Musan, Ahn Do-hyeon, Jeong Ho-seung, and Choi Jeong-rye, demonstrate that the legacy of our poetry has been proudly carried on through the Changbi Poetry Collection.
We can also see that the core value of Changbi's poetry, which is to dream of tomorrow together and explore the possibilities of a new world through poetry, has become deeper and broader.
All the poets who were not specifically named earlier took up poetry as a weapon on behalf of the working people, on behalf of the world in ruins, on behalf of the marginalized and excluded, and these voices are fully contained in "This is Just a Habit of Love."
In that sense, this commemorative anthology can be said to be a culmination of Changbi Poetry’s consistent efforts.


These results were possible thanks to the readers who cherished and supported Changbi's poetry.
“If there were no lovers of poetry, poetry would be nothing more than empty sounds dissipating into the air.
But if we truly love poetry, and if we can open our hearts to the unfamiliar voice that poetry tells us, we can become new, and poetry can go further with us” (Editor’s Note).
That is why Changbi Sight hopes to see far-off places together with its readers as a habit.
It is for this reason that the title of the poetry collection commemorating the 500th issue of Changbi Poetry Series was chosen as “This is Just a Habit of Love.”


Editor's Note

These days, hope and prospects are more urgent than ever.
In these times, when we have become so accustomed to pessimism that we easily forget that we are pessimistic, poetry is special and precious to us.
Poetry allows us to dream of other worlds and brings to light worlds we could not have imagined.
Unlocking the world's possibilities is what poetry does best.
A book of poetry is equivalent to a world, and reading a book of poetry is like encountering a world. Therefore, as we love poetry, we come to realize our own potential, which we were not even aware of, while reading a book of poetry.
Humans become pessimistic when they feel they have few options, but perhaps we are not truly without a way out.
Perhaps what we lack is the power to imagine another world.
We can borrow that power for a moment through poetry.
At least, that is what Changbi Sight has been dreaming of through poetry.
(…)
This collection of poems covers a period of eight years, but if we consider the period from 1975, when Shin Kyeong-rim's "Farming" was published, nearly 50 years have passed.
This amazing trajectory of Changbi Poetry 500 was created together with readers who have consistently read and loved Changbi Poetry.
In order for a poetry collection to function as a single world, it must be done through the active reading behavior of the reader.
Without those who love poetry, poetry would be nothing more than empty sounds dissipating into the air.
But if we truly love poetry, if we can open our hearts to the unfamiliar voice it speaks to us, we can become new, and poetry can go further with us.
From that point on, we can discover a landscape that continues into tomorrow.
The landscape will shine with the colorful images of the future.