{"product_id":"105840","title":"The Usefulness of a Timid Photo ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYHtSBfY9fOC3nhFhVUCYUR2qxw9t.png?v=1765124193\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The Usefulness of a Timid Photo \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/82954923\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e “Photography, especially media photography, is often rude.\u003cbr\u003e Taking pictures often involves standing in front of people, but I'm shy so I hesitated to approach them.\u003cbr\u003e I also felt that just holding the camera close was violent.\u003cbr\u003e Still, I preferred to take photos by getting up close with a wide-angle lens.\u003cbr\u003e “I always thought about how close I could get to the subject and whether getting close was the right thing to do.”\u003cbr\u003e\u003cbr\u003e In addition to taking press photos, the author stayed behind after events and incidents to take photos and write for himself and for other purposes.\u003cbr\u003e I've always wondered what a beautiful distance would be between people I meet on the street. \u003cbr\u003eIt explains in detail, one by one, how the subject endures time in a barren and desperate scene, and how time flows and passes for the subject.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e About usefulness\u003cbr\u003e owe\u003cbr\u003e\u003cbr\u003e 1 meter: It's a big deal, but it's not a big deal\u003cbr\u003e 2~3 meters: Exciting spring sunshine, sad spring\u003cbr\u003e 5~7 meters: Places hold memories.\u003cbr\u003e 10 Meters Down: This is not a movie\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate2741\/MidCate002\/274018612.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Do important things with your left hand.\u003cbr\u003e This is especially true when the task requires delicate hand movements.\u003cbr\u003e For example, something like buttoning a shirt.\u003cbr\u003e Fixing broken children's toys and replacing toilet drains are other things.\u003cbr\u003e --- p.11\u003cbr\u003e\u003cbr\u003e I wasn't used to shooting big, flashy scenes.\u003cbr\u003e It was mainly because I was slow and often lazy. \u003cbr\u003eI simply took a step back and observed, or sometimes summoned the courage to ask, write down, and photograph the little things that went unnoticed.\u003cbr\u003e --- p.13\u003cbr\u003e\u003cbr\u003e It was an interview.\u003cbr\u003e Not long ago, I was asked again about the death of a person who had put his child first.\u003cbr\u003e Fortunately, it wasn't my job to ask questions.\u003cbr\u003e I thought to myself there that I was lucky to be able to hide behind the camera.\u003cbr\u003e I picked up the camera a little late.\u003cbr\u003e I brought some lighting equipment with me, but I gave up on taking it out.\u003cbr\u003e I just watched and listened for a long time.\u003cbr\u003e It was a process of raising or lowering emotions, should we call it synchronization.\u003cbr\u003e I thought that it would be okay if my emotions were neither too much nor too little.\u003cbr\u003e It was also considered a matter of courtesy.\u003cbr\u003e I felt that immediately pointing a camera at someone and setting up lights and blasting them out was a violent act.\u003cbr\u003e --- p.59\u003cbr\u003e\u003cbr\u003e It was a bit embarrassing to stick a camera in front of people living in tents. \u003cbr\u003eEven people who are about to fight are concerned about their messy hair and clothes.\u003cbr\u003e There is always someone who hides in a corner or turns their face away.\u003cbr\u003e Take a picture or ask for consent.\u003cbr\u003e I had to learn how to make lame jokes.\u003cbr\u003e I also had to learn the skills of making eye contact, asking questions, and listening to others.\u003cbr\u003e Above all, I had to sit there and kill time.\u003cbr\u003e --- p.93\u003cbr\u003e\u003cbr\u003e Operations to suppress sit-ins were usually carried out at dawn.\u003cbr\u003e It is also a good time for the protesters to lose focus and avoid the cameras following them.\u003cbr\u003e The name of the operation that suppressed the residents who were protesting at the Daechu branch school against the expansion of the US military base in Pyeongtaek was also ‘Stork at Dawn.’\u003cbr\u003e Only those who waited all night could capture the scene in photographs.\u003cbr\u003e It is the fate of a person with a camera to be there at that time.\u003cbr\u003e I was often lazy.\u003cbr\u003e I live with a lot of debt in my heart.\u003cbr\u003e --- p.123\u003cbr\u003e \u003cbr\u003eIt was a bit embarrassing to put it in front of the people working and turn on the lights.\u003cbr\u003e I still haven't gotten used to being shameless, so it's always difficult.\u003cbr\u003e Taking pictures of sweat is something that even the person holding the camera will sweat.\u003cbr\u003e Sweating together in the heat created a strange sense of solidarity.\u003cbr\u003e --- p.38\u003cbr\u003e\u003cbr\u003e The same difficult-to-watch scenes were repeated every day.\u003cbr\u003e I couldn't imagine hell, but I also had trouble finding other words.\u003cbr\u003e I thought this place was hell.\u003cbr\u003e I often stood there in a daze, not knowing what more photos to take or what to say.\u003cbr\u003e I held onto my senses and followed the subject according to the familiar, predictable photography formula.\u003cbr\u003e While being swayed back and forth between police officers, out-of-focus photos captured someone's hand, the back of his head, and his legs.\u003cbr\u003e Among them was a student ID card that was shaking violently.\u003cbr\u003e It was a ruined photo and unusable, but I couldn't erase it, so I just left it. \u003cbr\u003eThe mother, surrounded by police and unable to move, cried and spoke.\u003cbr\u003e As I tilted my head back and cried, the Taegeukgi flag behind me caught my eye.\u003cbr\u003e At that time, many people were asking the question, “What is a nation?”\u003cbr\u003e There were also many parents there who raised their voices and waved the Taegeukgi, saying that the communist agitators should be sent to hell.\u003cbr\u003e If I ever have to draw a picture of hell, I think I'll remember those scenes.\u003cbr\u003e --- p.45\u003cbr\u003e\u003cbr\u003e Everyone there is laughing and having fun, but at that moment, the expressions of the people holding the cameras are completely distorted.\u003cbr\u003e My mind is busy trying to take a good picture of something.\u003cbr\u003e This is especially true when you are concentrating and have one eye tightly closed.\u003cbr\u003e It's the observer's fate.\u003cbr\u003e If there is a decisive moment, I always greet it with a camera in hand and a frown.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.230\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e◎ Photos and writings by the observer\u003c\/b\u003e\u003cbr\u003e The photos were divided into four parts based on the distance from the subject. \u003cbr\u003eHere, we have revealed the 'focal length' for each photo to help you estimate the distance to the subject more accurately.\u003cbr\u003e The author has written about the distance from the subject.\u003cbr\u003e The author always wonders what a beautiful distance is between people he meets on the street.\u003cbr\u003e\u003cbr\u003e “Photography, especially media photography, is often rude.\u003cbr\u003e Taking pictures often involves standing in front of people, but I'm shy so I hesitated to approach them.\u003cbr\u003e I also felt that just holding the camera close was violent.\u003cbr\u003e Still, I preferred to take photos by getting up close with a wide-angle lens.\u003cbr\u003e I always thought about how close I could get to the subject and whether getting close was the right thing to do.\u003cbr\u003e The distance from the subject was often proportional to the relationship.\u003cbr\u003e Looking back, there were many more things I failed at because I didn't make an effort to get closer than things I failed at because I couldn't step back.\u003cbr\u003e Even if there was nothing special going on, I visited the protest site every time I went there. \u003cbr\u003eI was wondering if there was anything.\u003cbr\u003e Well, there was something there, it was a place where people lived, so I listened to their stories.\u003cbr\u003e When others are sad and crying, that's when the person holding the camera gets busy.\u003cbr\u003e He forgot his regret and kept firing the flash.\u003cbr\u003e “I became numb.”\u003cbr\u003e\u003cbr\u003e \u003cb\u003e◎ How does time pass in microhistory or on-site?\u003c\/b\u003e\u003cbr\u003e As writer Im Jong-jin points out, the places where Jeong Gi-hun stayed are “barren and desperate soils,” such as “the hunger strike sites of laid-off workers at Colt, KTX, and Ssangyong Motors, the Sewol Ferry tent in Gwanghwamun, and the Japanese Embassy.”\u003cbr\u003e In such a scene, it explains in detail, one by one, how the subject endures time and how time flows and passes for the subject.\u003cbr\u003e Of course, time will also pass for the author standing around the subject, but he depicts both at the same time.\u003cbr\u003e\u003cbr\u003e Professor Ha Jong-gang described the author's work as \"our precious microhistory.\" \u003cbr\u003e“If it weren’t for this book, I would never have seen or heard the heartbreaking conversations between them or the facts that were almost buried in the numbers in the statistics until I died,” he explained his reason.\u003cbr\u003e He was at every scene.\u003cbr\u003e Readers will quickly realize the moment they open the book that the phrase \"every scene in Korea\" is no exaggeration.\u003cbr\u003e \u003cbr\u003eKTX female flight attendants, Cortek dismissed workers, Pyeongtaek Ssangyong Motor factory, Kiryung Electronics workers, Sewol ferry victims' families, Samsung Electronics Service workers, the late Kim Yong-gyun, Raytech Korea workers, Myeongdong redevelopment area, Yongsan disaster, tollgate toll collectors, Yooseong Enterprise labor union, Japan-Korea agreement on Japanese military 'comfort women', Hydis layoffs, Dongyang Cement subcontractor workers, national university hospital service workers, Hanjin Heavy Industries Yeongdo Shipyard layoffs, civil disobedience movement, public service union, irregular workers in educational public service, E-Land unfair dismissal, Seoul National University Hospital branch strike, Korean Teachers and Education Workers Union, Samsung leukemia, janitor strike, Gangjeong naval base, Baek Nam-gi farmer, Han Sang-gyun, Korean Confederation of Trade Unions chairman, presidential dismissal, Jeon Tae-il memorial day, Gwangju Mangwol-dong cemetery, Ssangyong Motors Daehanmun memorial altar, Guui Station screen door accident, presidential election vote counting, Kim Jin-sook, Korean Confederation of Trade Unions steering committee member, SeAH Steel dismissed workers, part-time workers, building Rope workers cleaning exterior walls, teachers who sacrificed themselves at Danwon High School, building cleaners, security guards, people's uprising, irregular workers at cable broadcasting companies such as C\u0026amp;M, etc.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cb\u003eThere was nothing unusual, the fight had already been going on.\u003c\/b\u003e\u003cbr\u003e People who did the Sambo Ilbae crawled like maggots from Gwanghwamun to Seoul Station.\u003cbr\u003e When standing, he clasped his hands together, and when lying down, he stretched them forward, often raising them towards the sky.\u003cbr\u003e Another person's hand was close behind my feet.\u003cbr\u003e The camera was high up among the people lying down.\u003cbr\u003e The camera was not used to looking down, so it would lower itself to follow them.\u003cbr\u003e Near the floor, a very distorted expression was visible.\u003cbr\u003e Among the many repetitive movements, I kept capturing the standing up.\u003cbr\u003e In August 2009, I was standing on the roof of a five-story building in Chilgoe-dong, Pyeongtaek, Gyeonggi Province, gazing out at the Ssangyong Motors factory in flames across the street, my heart burning with anger and shame. Then, my mother told me, “The house in Suwon has been sold.”\u003cbr\u003e Late one night, my father came home with a clattering extension bag.\u003cbr\u003e The smell of alcohol was strong, and the smell of fermented skate mixed in there. \u003cbr\u003eI was worried that my drunken father would stumble and step on my new white basketball shoes.\u003cbr\u003e Two people starved in a shabby vinyl house built on the roof of the factory's main entrance information office.\u003cbr\u003e He leaned his gaunt body against the back of the chair and licked his dry lips.\u003cbr\u003e They demanded a solution to the problem of illegally dispatched irregular workers.\u003cbr\u003e “In the past, when someone committed suicide, the whole country would be turned upside down and in an uproar, shouting, ‘Solve this,’ but now, even if one or two people die, people quickly forget about it, saying, ‘Look who died.’”\u003cbr\u003e It is said that slogans and words of war are often exaggerated, but these words were as dry as flesh clinging to the bones, and there was nothing to take away.\u003cbr\u003e At 3:00 PM, Yumin's father, who had been holding out, left the tent.\u003cbr\u003e Headed towards the Blue House.\u003cbr\u003e Police radios blared loudly everywhere.\u003cbr\u003e The ambulance followed along at a slow pace.\u003cbr\u003e I finally took a short break in front of the splendid phoenix fountain.\u003cbr\u003e He leaned on his cane and looked into the distance. \u003cbr\u003eI took a deep breath and walked towards the civil affairs office.\u003cbr\u003e The police who were following me were quick.\u003cbr\u003e There was a loud fight.\u003cbr\u003e The police there were fast and strong, wearing short-sleeved shirts.\u003cbr\u003e Yumin's father, who had been out of the kitchen for a long time but was still breathing hard, could not endure the physical fight and turned back to the protest site.\u003cbr\u003e On the first anniversary of the Sewol ferry disaster, many people cried.\u003cbr\u003e Asking whether it was because of the person blocking the movement or the reporters who had gathered to take pictures was meaningless in front of the Ansan Hwarang Amusement Park.\u003cbr\u003e It was the same with distinguishing whether the streams running down my face were tears or rainwater.\u003cbr\u003e Young-seok's mother cried with her whole body.\u003cbr\u003e Yonggyun's mother can often be seen at the front row of discussions and rallies aimed at preventing further deaths.\u003cbr\u003e Still crying.\u003cbr\u003e I crouch down in front of him and struggle to hold back those tears.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e◎ Author's Note\u003c\/b\u003e\u003cbr\u003e Photos, especially media photos, are often rude. \u003cbr\u003eTaking pictures often involves standing in front of people, but I'm shy so I hesitated to approach them.\u003cbr\u003e I also felt that just holding the camera close was violent.\u003cbr\u003e Still, I preferred to take photos by getting up close with a wide-angle lens.\u003cbr\u003e I always thought about how close I could get to the subject and whether getting close was the right thing to do.\u003cbr\u003e The distance from the subject was often proportional to the relationship.\u003cbr\u003e Looking back, there were many more things I failed at because I didn't make an effort to get closer than things I failed at because I couldn't step back.\u003cbr\u003e Even if there was nothing special going on, I visited the protest site every time I went there.\u003cbr\u003e I was wondering if there was anything.\u003cbr\u003e Well, there was something there, it was a place where people lived, so I listened to their stories.\u003cbr\u003e When others are sad and crying, that's when the person holding the camera gets busy.\u003cbr\u003e He forgot his regret and kept firing the flash.\u003cbr\u003e I became numb.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e November 20, 2019\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 300 pages | 454g | 140*210*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791187572190\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1187572195 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43893976793130,"sku":"105840","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/bbff357d100502b0e2c164a521e94dd0.jpg?v=1765427591","url":"https:\/\/librairie.coreenne.fr\/en\/products\/105840","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}