
Her body and the party of others
Description
Book Introduction
- A word from MD
-
What do women desire?The debut novel by Shirley Jackson Award-winning author Carmen Maria Machado.
The author boldly and persistently examines the female body, desires, and fears, creating a powerful story.
A bold, original, and new voice that speaks to women in the world, the world of women, and what it means to be a woman today.
May 4, 2021. Novel/Poetry PD Park Hyung-wook
The countless sensations experienced by a woman's body,
It vividly shows the confusion and ecstasy
Original, sensual and bold imagination
Carmen Maria Machado, the author who surprised the American literary world with her original and subversive imagination and her boldness that transcends genre and form, has published her debut novel collection, Her Body and the Party of Others.
This collection of eight short stories, which speak in rough, passionate, and vivid language about the unspoken truth about women's bodies, desires, and what it means to live as a woman, garnered immediate attention upon its publication in 2017, and, unusually for a debut work by a new writer, went on to sell three copies in its first week.
In addition, it has received several literary awards, including the Shirley Jackson Award for psychological suspense, horror, and dark fantasy, and the National Book Critics Circle John Leonard Award for the best debut novel of the year. It was also a finalist for the National Book Award and the Dylan Thomas Award, and was selected by the New York Times along with Han Kang's The Vegetarian as one of "15 Notable Books by Women Writers Who Are Forging the Path for Reading and Writing Fiction in the 21st Century."
The title 'Her Body and Other Parties' is a variation of '○○ and Other Stories', a common title in English-speaking novels, and has an ambiguous meaning: the female body is the subject that experiences joy and pleasure on its own, but at the same time, it is the object of a party in which others, excluding the person involved, pursue and enjoy pleasure.
The contradiction and tension inherent in the title permeates all eight short stories in the collection, radiating a powerful energy. The author boldly and persistently examines what women desire and fear, exploring a surrealism that feels more real than reality.
It vividly shows the confusion and ecstasy
Original, sensual and bold imagination
Carmen Maria Machado, the author who surprised the American literary world with her original and subversive imagination and her boldness that transcends genre and form, has published her debut novel collection, Her Body and the Party of Others.
This collection of eight short stories, which speak in rough, passionate, and vivid language about the unspoken truth about women's bodies, desires, and what it means to live as a woman, garnered immediate attention upon its publication in 2017, and, unusually for a debut work by a new writer, went on to sell three copies in its first week.
In addition, it has received several literary awards, including the Shirley Jackson Award for psychological suspense, horror, and dark fantasy, and the National Book Critics Circle John Leonard Award for the best debut novel of the year. It was also a finalist for the National Book Award and the Dylan Thomas Award, and was selected by the New York Times along with Han Kang's The Vegetarian as one of "15 Notable Books by Women Writers Who Are Forging the Path for Reading and Writing Fiction in the 21st Century."
The title 'Her Body and Other Parties' is a variation of '○○ and Other Stories', a common title in English-speaking novels, and has an ambiguous meaning: the female body is the subject that experiences joy and pleasure on its own, but at the same time, it is the object of a party in which others, excluding the person involved, pursue and enjoy pleasure.
The contradiction and tension inherent in the title permeates all eight short stories in the collection, radiating a powerful energy. The author boldly and persistently examines what women desire and fear, exploring a surrealism that feels more real than reality.
- You can preview some of the book's contents.
Preview
index
Pretty Eye Surgery 013
List 059
Moms 077
Particularly Heinous Crimes _ A Review of Episode 272 of "Law & Order: Sex Crimes Unit" 109
Real Women Have Bodies 201
Eight mouths 239
Resident Writer 271
Embarrassing Person at a Party 347
Acknowledgments 383
Translator's Note 387
List 059
Moms 077
Particularly Heinous Crimes _ A Review of Episode 272 of "Law & Order: Sex Crimes Unit" 109
Real Women Have Bodies 201
Eight mouths 239
Resident Writer 271
Embarrassing Person at a Party 347
Acknowledgments 383
Translator's Note 387
Into the book
I've always wanted to choose the important moments in my life, and this is the moment I chose.
--- p.17
Perhaps we all bear a mark in some way, even if it is invisible.
--- p.43
I realize that the world will continue to turn even if no one lives on it anymore.
Maybe it will turn a little faster.
--- p.76
I believe in a world where impossible things happen.
A world where love can suppress cruelty, cancel it out as if it never existed, or transform it into something more beautiful and new.
A world where love can overcome nature.
--- p.96
By loving me when I did not love her, by being abandoned by me, she became immortal.
She will live hundreds of millions of years longer than me, much longer than that.
She will outlive my daughter, my granddaughter, and the earth will be filled with her and her kind, with their incomprehensible forms and unknown destinies.
--- p.269
Move-in, what a strange term.
At first glance, it seems natural, but when you turn it over, life is like a stone stuck in the ground.
Residents live somewhere.
You are a resident of a city or a resident of a house.
Here, you are a resident of this space, that's true, but of course it's not real.
You are a visitor.
But while visitors leave at the end of the evening and drive off into the darkness, residents are expected to set up an electric kettle and stay for a while.
You are also a resident who stays in your own thoughts.
You have to discover and become aware of your thoughts, but once you know exactly where they are, you never have to drive away.
--- pp.297-298
Only then did I understand.
Only then did I see the outlines of my past and future as clear as crystal, and I pictured in my mind the things above me (the countless stars, the incalculable universe) and the things beneath my feet (miles of mindless dirt and stones).
I understood that knowledge is a miniaturization, a forgetting, a devouring of everything, and that knowing is both a grateful and a deeply painful thing.
I was a tiny creature trapped in the gaps of an indifferent universe.
Only then did I realize.
--- p.337
Which one is more terrible?
Is it better to be locked in your own heart and wander outside, or to be trapped inside?
Which one is more terrible?
To use a metaphor, or to be a metaphor? To be more than one metaphor.
--- p.17
Perhaps we all bear a mark in some way, even if it is invisible.
--- p.43
I realize that the world will continue to turn even if no one lives on it anymore.
Maybe it will turn a little faster.
--- p.76
I believe in a world where impossible things happen.
A world where love can suppress cruelty, cancel it out as if it never existed, or transform it into something more beautiful and new.
A world where love can overcome nature.
--- p.96
By loving me when I did not love her, by being abandoned by me, she became immortal.
She will live hundreds of millions of years longer than me, much longer than that.
She will outlive my daughter, my granddaughter, and the earth will be filled with her and her kind, with their incomprehensible forms and unknown destinies.
--- p.269
Move-in, what a strange term.
At first glance, it seems natural, but when you turn it over, life is like a stone stuck in the ground.
Residents live somewhere.
You are a resident of a city or a resident of a house.
Here, you are a resident of this space, that's true, but of course it's not real.
You are a visitor.
But while visitors leave at the end of the evening and drive off into the darkness, residents are expected to set up an electric kettle and stay for a while.
You are also a resident who stays in your own thoughts.
You have to discover and become aware of your thoughts, but once you know exactly where they are, you never have to drive away.
--- pp.297-298
Only then did I understand.
Only then did I see the outlines of my past and future as clear as crystal, and I pictured in my mind the things above me (the countless stars, the incalculable universe) and the things beneath my feet (miles of mindless dirt and stones).
I understood that knowledge is a miniaturization, a forgetting, a devouring of everything, and that knowing is both a grateful and a deeply painful thing.
I was a tiny creature trapped in the gaps of an indifferent universe.
Only then did I realize.
--- p.337
Which one is more terrible?
Is it better to be locked in your own heart and wander outside, or to be trapped inside?
Which one is more terrible?
To use a metaphor, or to be a metaphor? To be more than one metaphor.
--- p.341
Publisher's Review
Recommended by novelist Son Bo-mi and Cheon Seon-ran!
Shirley Jackson Award winner, National Book Award finalist (2017)
Stories that vibrate with originality, queerness, sensuality, and eccentricity.
_Roxane Gay
The first short story, "Pretty Surgery," features a woman with a green ribbon around her neck.
Honest about her desires and eager to make important life choices for herself, she first covets the man she likes and then teaches him “what I want, what flickers between my eyelids as I sleep.”
Throughout their lives together, dating, getting married, having children, and raising them, she gives everything to the man, but she forbids him from touching one thing: a ribbon.
The husband gets angry at the woman who doesn't say anything about the ribbon, saying, "Why do you want to hide that from me?", but the woman replies, "I'm not hiding it.
He simply replies, “This is not yours.”
In this short story, the woman tells the reader various stories, but unlike her who happily enjoys physical pleasure, the women in the stories always meet miserable endings.
Park your car on a remote lakeside, have sex with a hook-handed killer, cook your own liver for your husband, and go to a graveyard alone in the middle of the night to prove your courage.
And as the protagonist's ribbon comes to symbolize desire, invasion, and control, even she, who seemed to have led a proactive life, eventually faces an inevitable catastrophe.
Machado's novels focus on sex and death, a theme that becomes even more evident in the apocalyptic "List" and "Real Women Have Bodies."
"The Lists" lists every man and woman a woman has had sexual relations with, from her childhood to the present day, when the world is being destroyed by a virus.
The virus is transmitted through physical contact, but because the vulnerable body is also a source of joy, the protagonist continues to search for someone to share his body and soul with.
If in "The Lists" the end comes equally to everyone, in "Real Women Have Bodies" it is only women, and especially those presumed to be queer, who face extinction.
From one day on, the women's bodies gradually become transparent, and eventually their forms disappear completely, and the only way to exist in this world is to have their transparent bodies sewn into dresses.
While men and cisgender women, who are not subject to extinction, continue their daily lives oblivious to this reality, the protagonist watches helplessly as his girlfriend Petra slowly disappears right next to him.
"A Particularly Heinous Crime," the longest of the eight short stories, is also the most formally experimental.
The author features Benson and Stabler, the two main characters from the TV drama Law & Order: Sexual Assault Unit, in the novel, but rewrites the story in a way that is reminiscent of the titles of the 300 episodes alone.
As in the drama, in the novel, incidents of women being assaulted, raped, and murdered continue to occur, and as readers read this short story, they are led to think about ourselves as viewers who take these incidents for granted and dramatize them into reality.
How women live in this world,
The most powerful and original voice on how the world treats women.
The women in Machado's novels are largely queer, occasionally see ghosts, and routinely encounter fear and violence, both real and surreal.
A victim of a suspected sexual assault becomes able to read the minds of porn stars ("The Embarrassing Person at the Party"), a female detective is visited by ghosts with two small brass bells dangling from her eyelids ("A Particularly Heinous Crime"), and a slimmed-down woman discovers parts of herself missing from her home after undergoing bariatric surgery and locks them in the basement ("Eight Mouths").
These novels, which are difficult to define as a single genre such as science fiction, horror, dystopia, fantasy, or fable, “come together and mix like raindrops falling on a pond” to create a common emotion and atmosphere.
And at its foundation lies the author's keen insight into the depths of women's experiences accumulated over centuries.
The author thoroughly explores what women desire and fear, or what they desire despite their fear, and completely dismantles the rigid and internalized notions of women, presenting them anew in his own unique language.
In this way, this book, "Her Body and the Party of Others," vividly presents to the world the most powerful and original voice on how women live in this world and how the world treats them.
〔 Recommendation 〕
Through these formally masterful and emotionally charged fragments, Machado gives substance and form to the memories, longings, and desires of women.
Karen Russell
Machado's writing is full of the suppressed physical energy and raw anger of a woman who has been annihilated.
The female body is the subject, the perpetrator, and the innocent.
The short stories contained here were amusing, and that made me uncomfortable, because in my laughter I heard the same sound as the whining of a small dog under threat.
Louis Erdrich
Original and vivid stories that suddenly appeared.
Filled with bizarre myths that capture familiar but unspoken truths about being a woman, this book tells a story that realism fails to deliver. NPR
A wild work covered in spangles and scales. Drawing from science fiction, queer theory, and horror fiction, this collection is ablaze with the influence of storytellers from Angela Carter to Kelly Link to Helen Oyeyemi.
It's been a while since a debut work by a relatively unknown author has garnered this much attention, and it deserves even more.
The New York Times
The author's vivid and experimental lens through which she portrays women struggling to gain power is remarkable.
New Yorker
Machado's novel, which features elements of science fiction and fantasy, depicts the unbelievable realities of being a woman in a way the author herself never expected. NBC
With an absurdly brilliant talent, he condenses and writes about moments that are extremely important but were previously scattered here and there.
The author shows how original, subversive, energetic, and joyful a story can be when it comes from the depths of the heart, even if it comes from a broken heart, or especially because it comes from such a heart.
Los Angeles Times
The texture of the sentences feels so vivid that I want to rub them with my fingers.
This book, permeated by a powerful feminism, tells the story of a woman's body engaged in a struggle against sex, power, pleasure, pain, and self-loathing.
Machado achieved great alchemy by combining disparate and conflicting elements.
The Boston Globe
Although it's full of fantasy-like premises, the realities of sexual desire, the malleability of the body, and gender inequality make the fantasy feel like real reality.
San Francisco Chronicle
In this twisted, original, and enchanting debut collection, the author combines a chilling and terrifying tale with psychological realism and dark comedy.
These stories, hot and cool at the same time, will leave readers on their feet.
Chicago Tribune
Shirley Jackson Award winner, National Book Award finalist (2017)
Stories that vibrate with originality, queerness, sensuality, and eccentricity.
_Roxane Gay
The first short story, "Pretty Surgery," features a woman with a green ribbon around her neck.
Honest about her desires and eager to make important life choices for herself, she first covets the man she likes and then teaches him “what I want, what flickers between my eyelids as I sleep.”
Throughout their lives together, dating, getting married, having children, and raising them, she gives everything to the man, but she forbids him from touching one thing: a ribbon.
The husband gets angry at the woman who doesn't say anything about the ribbon, saying, "Why do you want to hide that from me?", but the woman replies, "I'm not hiding it.
He simply replies, “This is not yours.”
In this short story, the woman tells the reader various stories, but unlike her who happily enjoys physical pleasure, the women in the stories always meet miserable endings.
Park your car on a remote lakeside, have sex with a hook-handed killer, cook your own liver for your husband, and go to a graveyard alone in the middle of the night to prove your courage.
And as the protagonist's ribbon comes to symbolize desire, invasion, and control, even she, who seemed to have led a proactive life, eventually faces an inevitable catastrophe.
Machado's novels focus on sex and death, a theme that becomes even more evident in the apocalyptic "List" and "Real Women Have Bodies."
"The Lists" lists every man and woman a woman has had sexual relations with, from her childhood to the present day, when the world is being destroyed by a virus.
The virus is transmitted through physical contact, but because the vulnerable body is also a source of joy, the protagonist continues to search for someone to share his body and soul with.
If in "The Lists" the end comes equally to everyone, in "Real Women Have Bodies" it is only women, and especially those presumed to be queer, who face extinction.
From one day on, the women's bodies gradually become transparent, and eventually their forms disappear completely, and the only way to exist in this world is to have their transparent bodies sewn into dresses.
While men and cisgender women, who are not subject to extinction, continue their daily lives oblivious to this reality, the protagonist watches helplessly as his girlfriend Petra slowly disappears right next to him.
"A Particularly Heinous Crime," the longest of the eight short stories, is also the most formally experimental.
The author features Benson and Stabler, the two main characters from the TV drama Law & Order: Sexual Assault Unit, in the novel, but rewrites the story in a way that is reminiscent of the titles of the 300 episodes alone.
As in the drama, in the novel, incidents of women being assaulted, raped, and murdered continue to occur, and as readers read this short story, they are led to think about ourselves as viewers who take these incidents for granted and dramatize them into reality.
How women live in this world,
The most powerful and original voice on how the world treats women.
The women in Machado's novels are largely queer, occasionally see ghosts, and routinely encounter fear and violence, both real and surreal.
A victim of a suspected sexual assault becomes able to read the minds of porn stars ("The Embarrassing Person at the Party"), a female detective is visited by ghosts with two small brass bells dangling from her eyelids ("A Particularly Heinous Crime"), and a slimmed-down woman discovers parts of herself missing from her home after undergoing bariatric surgery and locks them in the basement ("Eight Mouths").
These novels, which are difficult to define as a single genre such as science fiction, horror, dystopia, fantasy, or fable, “come together and mix like raindrops falling on a pond” to create a common emotion and atmosphere.
And at its foundation lies the author's keen insight into the depths of women's experiences accumulated over centuries.
The author thoroughly explores what women desire and fear, or what they desire despite their fear, and completely dismantles the rigid and internalized notions of women, presenting them anew in his own unique language.
In this way, this book, "Her Body and the Party of Others," vividly presents to the world the most powerful and original voice on how women live in this world and how the world treats them.
〔 Recommendation 〕
Through these formally masterful and emotionally charged fragments, Machado gives substance and form to the memories, longings, and desires of women.
Karen Russell
Machado's writing is full of the suppressed physical energy and raw anger of a woman who has been annihilated.
The female body is the subject, the perpetrator, and the innocent.
The short stories contained here were amusing, and that made me uncomfortable, because in my laughter I heard the same sound as the whining of a small dog under threat.
Louis Erdrich
Original and vivid stories that suddenly appeared.
Filled with bizarre myths that capture familiar but unspoken truths about being a woman, this book tells a story that realism fails to deliver. NPR
A wild work covered in spangles and scales. Drawing from science fiction, queer theory, and horror fiction, this collection is ablaze with the influence of storytellers from Angela Carter to Kelly Link to Helen Oyeyemi.
It's been a while since a debut work by a relatively unknown author has garnered this much attention, and it deserves even more.
The New York Times
The author's vivid and experimental lens through which she portrays women struggling to gain power is remarkable.
New Yorker
Machado's novel, which features elements of science fiction and fantasy, depicts the unbelievable realities of being a woman in a way the author herself never expected. NBC
With an absurdly brilliant talent, he condenses and writes about moments that are extremely important but were previously scattered here and there.
The author shows how original, subversive, energetic, and joyful a story can be when it comes from the depths of the heart, even if it comes from a broken heart, or especially because it comes from such a heart.
Los Angeles Times
The texture of the sentences feels so vivid that I want to rub them with my fingers.
This book, permeated by a powerful feminism, tells the story of a woman's body engaged in a struggle against sex, power, pleasure, pain, and self-loathing.
Machado achieved great alchemy by combining disparate and conflicting elements.
The Boston Globe
Although it's full of fantasy-like premises, the realities of sexual desire, the malleability of the body, and gender inequality make the fantasy feel like real reality.
San Francisco Chronicle
In this twisted, original, and enchanting debut collection, the author combines a chilling and terrifying tale with psychological realism and dark comedy.
These stories, hot and cool at the same time, will leave readers on their feet.
Chicago Tribune
GOODS SPECIFICS
- Date of issue: May 6, 2021
- Format: Hardcover book binding method guide
- Page count, weight, size: 392 pages | 478g | 135*194*22mm
- ISBN13: 9788954678957
- ISBN10: 8954678955
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