{"product_id":"108097","title":"Art is dead ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/uOoBM90MxH7lI8IguHugqmLfVmx.png?v=1765106259\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Art is dead \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/159171243\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“Art is dead! Art is dead!”\u003cbr\u003e We killed him!\u003cbr\u003e We are all his murderers!”\u003cbr\u003e\u003cbr\u003e Philosophical reflections on the definition, role, and direction of art\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eAuthor Wonjae Park, who founded the One \u0026amp; J Gallery in 2005 and has introduced talented Korean artists to the world stage, declares in this book that “art is dead.”\u003cbr\u003e Why does the man who led the only Asian gallery to win the Baloise Prize at Art Basel, the world's premier art fair, in 2018 say art is dead? The author diagnoses that contemporary art has become swayed by capitalism and goal-oriented thinking, disconnected from our lives.\u003cbr\u003e Art museums have become graveyards that separate art from its contemporaneity, and in the digital age, NFTs have reduced art to an object of ownership.\u003cbr\u003e However, the author emphasizes that art is originally an act of exploring the essence of life through the human body and senses, and that art must return to life.\u003cbr\u003e\u003cbr\u003e This book traces the historical evolution of art and analyzes how capitalism and technology have hollowed out art. \u003cbr\u003eArt has long been closely linked to the lives of the masses, as seen in the Lascaux cave paintings, Shakespearean public performances, and Renaissance works, but modern art has become the preserve of a select few.\u003cbr\u003e However, the essence of art still lies in the creator's senses and the audience's experience.\u003cbr\u003e This book goes beyond a philosophical discussion of art, presenting examples of contemporary artists such as Marina Abramović, Antoni Gormley, Olafur Eliasson, Ai Weiwei, Alighiero Boetti, Tracey Emin, and Rukritt Tirawanit, and suggesting specific ways for art to return to life.\u003cbr\u003e You will feel that art can go beyond personal creation and become a platform for social connection and healing.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Prologue - Art is Dead\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1: Why has art become distant?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1. \u003cbr\u003eWho Killed Art?\u003cbr\u003e 2.\u003cbr\u003e Art Museums: Where Art Goes to Die\u003cbr\u003e Art for art's sake\u003cbr\u003e Art out of context\u003cbr\u003e 3.\u003cbr\u003e Is art dead?\u003cbr\u003e 4.\u003cbr\u003e Why has industry distanced itself from art?\u003cbr\u003e How did art become a commodity?\u003cbr\u003e Is the work art?\u003cbr\u003e The right to pardon was also a commodity\u003cbr\u003e 5.\u003cbr\u003e The Traps of Capitalism and Goal-Orientedness\u003cbr\u003e The rule of the invisible hand\u003cbr\u003e The problematic reality resulting from the combination of goal-orientation and elitism.\u003cbr\u003e negative impact on art\u003cbr\u003e Negative impact on society\u003cbr\u003e Art as a Platform for Diversity\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2: Art was originally life\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Humanities before the humanities\u003cbr\u003e 2.\u003cbr\u003e Restoration of body and senses\u003cbr\u003e Why we need to restore our bodies and senses\u003cbr\u003e Marina Abramović: The Communion of Silence and the Body\u003cbr\u003e Antony Gormley: A Life of Body and Sense\u003cbr\u003e Olafur Eliasson: Expansion of Environment and Senses\u003cbr\u003e Truth revealed through the senses\u003cbr\u003e The only language that understands difference\u003cbr\u003e 3.\u003cbr\u003e Reconstruction of the community\u003cbr\u003e The Purpose of Art: For Living Together \u003cbr\u003eConflicting Values ​​and the Role of Art\u003cbr\u003e 4.\u003cbr\u003e Restoring diversity\u003cbr\u003e Diversity frees identity from non-identity.\u003cbr\u003e 5.\u003cbr\u003e Restoring the subjectivity of life\u003cbr\u003e How did mankind come to make art?\u003cbr\u003e 6.\u003cbr\u003e The Age of Creators\u003cbr\u003e Social Media: Pros and Cons\u003cbr\u003e What questions does the advent of AI raise about art?\u003cbr\u003e The Invention of the Camera and AI: Technology That's Pushing the Boundaries of Art\u003cbr\u003e 7.\u003cbr\u003e Without life, there is no connection to reality.\u003cbr\u003e 8.\u003cbr\u003e It's not the result, it's the reason\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3: What will art look like when it returns to everyday life?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Moments when art, reduced to a work of art, returns to life.\u003cbr\u003e 2.\u003cbr\u003e Art that changes society\u003cbr\u003e 3.\u003cbr\u003e Art that allows communication between the artist and the audience\u003cbr\u003e 4.\u003cbr\u003e It's art because it's everyday life\u003cbr\u003e The legitimacy of art through everyday life\u003cbr\u003e The feeling of feeling again, reconnecting, and living again\u003cbr\u003e 5.\u003cbr\u003e From knowledge to life, from image to experience\u003cbr\u003e Inviting people to participate and experience beyond observation and appreciation.\u003cbr\u003e Subject-object relationship in art: from object to opponent\u003cbr\u003e Artwork is not an object of ownership, but a starting point for sharing. \u003cbr\u003eWhat does an experiential exhibition look like?\u003cbr\u003e From collection to experience\u003cbr\u003e 6.\u003cbr\u003e Collaboration with other industries\u003cbr\u003e\u003cbr\u003e Epilogue - The Resurrection of Art\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5886\/MidCate009\/588589603.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Art that enters an art museum no longer moves.\u003cbr\u003e There, art becomes separate from the lives of its viewers and transforms into an untouchable relic.\u003cbr\u003e This is contrary to the essence of art.\u003cbr\u003e Art was originally born in the midst of life, consumed there, stimulating emotions and triggering thoughts.\u003cbr\u003e However, art that enters an art museum stops this process and becomes a ‘record.’\u003cbr\u003e --- p.22\u003cbr\u003e\u003cbr\u003e The commercialization of art became fully systematized during the Industrial Revolution in the 18th and 19th centuries.\u003cbr\u003e As capitalism matured, the art market was structurally formed.\u003cbr\u003e The rise of the middle class increased the demand for art, and with the emergence of galleries and auction houses, art became an object of private ownership. \u003cbr\u003eThe founding of Christie's auction house in 1766 is symbolic of this trend.\u003cbr\u003e The irony that a genius like Vincent van Gogh in the late 19th century did not sell a single piece during his lifetime, yet his works were sold for billions after his death, shows that art was beginning to be swayed by the logic of the market.\u003cbr\u003e --- p.41~43\u003cbr\u003e\u003cbr\u003e The artist is here, presented at the Museum of Modern Art in New York in 2010, is the pinnacle of sensory recovery.\u003cbr\u003e For three months, Abramović sat at a table for more than seven hours every day, making eye contact with each audience member.\u003cbr\u003e They were connected only through silence and gaze, without words or gestures.\u003cbr\u003e This simple act evoked a deep emotional response.\u003cbr\u003e Some audience members shed tears, some smiled, and others recalled long-buried memories. \u003cbr\u003eOne audience member said, “I saw the faces of my family in her eyes I had forgotten,” while another said, “In the silence, I heard my own heartbeat for the first time.”\u003cbr\u003e --- p.88~89\u003cbr\u003e\u003cbr\u003e The ancient world suppressed the body as a source of sin and desire, while the Middle Ages completely subjugated the body before the will of God.\u003cbr\u003e Modernity has made humans the subject, but paradoxically, it has strengthened the domination of the mind rather than the liberation of the body.\u003cbr\u003e The rational-centered view of humanity assumes that everyone has the same rationality and erases the need for ‘difference.’\u003cbr\u003e This has led to humans developing the illusion of being a 'universal being', which has ultimately led to egocentrism, where the world is judged based on oneself.\u003cbr\u003e Ultimately, it created the myth of self-complete beings rather than living together.\u003cbr\u003e --- p.106\u003cbr\u003e\u003cbr\u003e Art has also been a means for us to live together, despite our intense individuality. \u003cbr\u003eThrough art, we empathize and strengthen the communal nature of life.\u003cbr\u003e As individualism becomes rampant in modern society, we become increasingly isolated and unable to understand one another. Art is the most powerful tool we can use to open a space of empathy and reestablish ourselves as a community.\u003cbr\u003e --- p.116\u003cbr\u003e\u003cbr\u003e Frida Kahlo's masterpiece, \"The Two Fridas,\" is a work that symbolically expresses her dual identity.\u003cbr\u003e This painting, which shows Frida in traditional Mexican dress and Frida in European dress holding hands, expresses her multicultural background and the conflicts of her identity.\u003cbr\u003e However, this work does not simply reveal conflict; it suggests that these identities can coexist, emphasizing the possibility of diversity. \u003cbr\u003eThrough her work, Frida opened a new chapter in embracing diverse identities and voices beyond the confines of standardized art.\u003cbr\u003e --- p.133\u003cbr\u003e\u003cbr\u003e The greatest advantage of social media is that it lowers the threshold for creation and democratizes art.\u003cbr\u003e In the past, one had to overcome institutional barriers such as galleries, museums, and curators to be recognized as an artist.\u003cbr\u003e But now, you can showcase your work to the world with just one photo or a short video.\u003cbr\u003e This opens up opportunities, especially for creators who have been marginalized from the mainstream art world.\u003cbr\u003e --- p.151\u003cbr\u003e\u003cbr\u003e If photography gave birth to Picasso and Van Gogh, what kind of artists will AI create? I believe AI isn't simply a tool that replaces art, but rather a catalyst for rethinking the very essence of art.\u003cbr\u003e If photography has made artists ask, “What is truth?”, AI asks, “What is humanity beyond machines?” \u003cbr\u003eFor example, even if an AI-generated image boasts perfect composition, can it truly capture human suffering, hope, or contradiction? --- p.170\u003cbr\u003e\u003cbr\u003e A work of art is the trace of the artist's self-imposed collision with the world, and it is evidence of his emotions, bodily memories, and existence.\u003cbr\u003e We must not just 'see' it with our eyes, but 'enter' into it.\u003cbr\u003e It's an experience.\u003cbr\u003e If appreciation is an act of maintaining a certain distance, then experience is breaking down that distance and going inward.\u003cbr\u003e In it, I meet the writer, look back at myself, and think again about our existence.\u003cbr\u003e --- p.230\u003cbr\u003e\u003cbr\u003e Tom Sachs' collaboration with Nike created an unprecedented case where \"art can become sneakers.\"\u003cbr\u003e His work does not simply remain within the framework of ‘collaboration with brands.’ \u003cbr\u003eRather, he established a new aesthetic politics by clashing his DIY aesthetic and critique of consumer culture with the popular system called Nike.\u003cbr\u003e His studio functions like a factory, with shoes becoming objects of experimentation and a medium for critique.\u003cbr\u003e This collaboration goes beyond the question of “Can art become a commodity?” to ask “How can a commodity become art?”\u003cbr\u003e The moment consumers purchase shoes, they experience the experience of 'walking on a work of art,' which creates an opportunity to transform everyday consumption into an artistic practice.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.251\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eHow can we, so different from one another, live together?\u003cbr\u003e Art: A Platform for Answering Humanity's Fundamental Questions\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The author, who had gained attention by winning the Baloise Prize at Art Basel, ran into an unexpected wall. \u003cbr\u003eAfter running for a long time to gain recognition in the art world, I realized that it is a small elite group that determines the direction of art.\u003cbr\u003e He studied religious philosophy to reflect on the meaning of life beyond art, and discovered something surprising.\u003cbr\u003e The history of religion is filled with those who seek to monopolize the truth they claim to have received from God, and the world of art operates by a similar mechanism.\u003cbr\u003e It was often a small group of authorities who determined what was 'good' art, what was 'valuable' art, and they confined art within a certain framework and distanced it from the public.\u003cbr\u003e\u003cbr\u003e \"Is art really meant to be defined by such a small number of people? Wasn't art originally meant to connect people's lives and emotions, to unite those who are different?\" _Page 6\u003cbr\u003e\u003cbr\u003e But art has a nature that embraces newness and difference. \u003cbr\u003eIt holds the potential to open a space for empathy and sharing the experiences and feelings of different people.\u003cbr\u003e The author says that art is the platform that can answer humanity's fundamental question: \"How can we, who are so different from one another, live together?\"\u003cbr\u003e Art is not simply a painting hanging on the wall of an art gallery or a commodity at an auction house; it is a force that enriches our lives and connects us with others.\u003cbr\u003e Art is a tool that helps us understand each other, embrace our differences, and find ways to live together.\u003cbr\u003e In this book, the author explores how art can reconnect with our lives and become a bridge that connects us with one another.\u003cbr\u003e \u003cb\u003e\u003cbr\u003eThe Death, Essence, and Resurrection of Art\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Part 1, \"Why Did Art Disappear?\", addresses why art was said to be dead and who killed it. \u003cbr\u003eWe examine various examples and works to understand the problems and causes of art in our time.\u003cbr\u003e Leonardo da Vinci's \"Madonna of the Rocks\" was created according to the client's request, and even Shakespeare's plays were transformed by the audience's reaction and came to life.\u003cbr\u003e However, the concept of 'art for art's sake', which emerged in the 19th century, expanded the boundaries of art, but sometimes lost connection with the audience and led to elitism in the art world.\u003cbr\u003e Moreover, with the development of capitalism, art has become increasingly commodified, and the intrinsic value of art has been diluted by a combination of goal-oriented thinking and elitism.\u003cbr\u003e\u003cbr\u003e Part 2, ‘Art was originally life,’ examines the essence of art, or in other words, what art is.\u003cbr\u003e Art today is conceptual and metaphysical, and can only be approached by understanding certain knowledge or logic. \u003cbr\u003eArt has become something that must be studied, separated from life.\u003cbr\u003e But art was originally life.\u003cbr\u003e It started from the body, and it was our life itself.\u003cbr\u003e The author presents the works of Marina Abramović, Antoni Gormley, and Olafur Eliasson and argues for the need for restoration of the body and senses.\u003cbr\u003e We also examine the changes and possibilities in art brought about by the development of technologies such as social media and AI.\u003cbr\u003e\u003cbr\u003e Part 3, \"What will art look like when it returns to everyday life?\" explores the revival of art, or what needs to be done to bring it back into our lives.\u003cbr\u003e For art to be revived, the process, not the result, and the experience, not the possession, are important.\u003cbr\u003e Art should be a space for communication created together by the artist and the audience. \u003cbr\u003eWhat we need now is not new technologies or more information, but a sense of re-feeling, re-connecting, and re-living.\u003cbr\u003e The author says that in the future, the art industry must move toward realizing experiences.\u003cbr\u003e We also explore collaborations with other industries as a way for art to connect with more people and in more diverse contexts.\u003cbr\u003e\u003cbr\u003e The book begins with the declaration that art is dead, but it does not stop at a negative critique of art today.\u003cbr\u003e Because recognizing the death of art can be the first step toward exploring the possibilities of new art.\u003cbr\u003e This book diagnoses the problems of art in this era, reflects on what art is, what role it plays, and in what direction it should move, and suggests the possibility that we, who are so different from one another, can share our lives, communicate, and coexist through art.\u003cbr\u003e\u003cbr\u003e “Art is dead. \u003cbr\u003eBut if we want, we can bring it back to life.\u003cbr\u003e And in the process, we too can be reborn.” _Page 12 \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e October 20, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 260 pages | 478g | 152*224*16mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788946423152\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8946423153 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894754476074,"sku":"108097","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ba56b3d1e2a2342bf625721808bb2091.jpg?v=1765444796","url":"https:\/\/librairie.coreenne.fr\/en\/products\/108097","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}