Wes Anderson
 |
Description
Book Introduction
* The only book that encompasses the filmography of Wes Anderson, the iconic film director of our time.
* Includes 10 films, 25 years of time, and over 200 visual materials and on-site still cuts.
* Strongly recommended by writer Jeong Se-rang and [Cine21] reporter Kim So-mi!
* Special cover design in collaboration with a Spanish illustrator, premium hardcover, and bookcase
“It’s just like a Wes Anderson movie,” we say when we see a scene with perfect symmetry and a gorgeous pastel color palette.
A film director whose name itself has become an adjective, so much so that you can tell who he is as soon as you see the screen.
A one-of-a-kind artist who embodies both the style of a master and the sensibility of an eternal boy, having created the arthouse masterpieces “The Grand Budapest Hotel” and “Moonrise Kingdom,” which took the world by storm, and the hit film “Asteroid City,” which was nominated for seven categories including the Palme d’Or at the 2023 Cannes Film Festival.
An iconic filmmaker who established a unique visual aesthetic and became a genre unto itself.
The new Wes Anderson book is a gift box full of everything about this genius film director.
This ambitious work encompasses 10 films and 25 years of Wes Anderson's work, from his 1996 debut, Bottle Rocket, to 2020's The French Dispatch.
This is the only book that compiles the entire filmography like this.
Renowned British film critic Ian Nathan meticulously examines the ins and outs of Wes Anderson's filmography, guiding readers into the elegant and beautiful world of Anderson.
It was also greatly loved by movie fans in the United States, the United Kingdom, Spain, and other countries where it was first published.
The book contains the background of each work, behind-the-scenes stories from the production and casting process, and even the director's family history and stories from his youth that formed the basis for the characters.
Along with a wealth of on-set stills, you can learn about the essence of Wes Anderson's style, his philosophy on film, and the actors known as the "Anderson Family."
Special care was taken in the design and production for readers who want to own Wes Anderson's world.
It was produced in high-quality printing and high-quality hardcover on a large format (188×257) as if looking at a screen, and the cover is decorated with a special painting by Pep Botella, a Spanish artist who loves Wes Anderson, paying homage to a scene from “Moonrise Kingdom.”
Here, the book case, modeled after the Mendl's cake box from "The Grand Budapest Hotel," is included, "embodying Wes Anderson's style, sensibility, and color palette through the physical properties of the book itself" (recommendation by Kim So-mi, [Cine21]).
Wes Anderson's films are like a cake exquisitely blended with beautiful mise-en-scène, witty dialogue, high-quality comedy and slapstick, and a dark and lonely melancholy within.
Opening this book like opening a cake box, you can fully experience the world and aesthetics of this unique genius director.
This will be the perfect gift for readers who want to enjoy Wes Anderson's world of work more deeply.
* Includes 10 films, 25 years of time, and over 200 visual materials and on-site still cuts.
* Strongly recommended by writer Jeong Se-rang and [Cine21] reporter Kim So-mi!
* Special cover design in collaboration with a Spanish illustrator, premium hardcover, and bookcase
“It’s just like a Wes Anderson movie,” we say when we see a scene with perfect symmetry and a gorgeous pastel color palette.
A film director whose name itself has become an adjective, so much so that you can tell who he is as soon as you see the screen.
A one-of-a-kind artist who embodies both the style of a master and the sensibility of an eternal boy, having created the arthouse masterpieces “The Grand Budapest Hotel” and “Moonrise Kingdom,” which took the world by storm, and the hit film “Asteroid City,” which was nominated for seven categories including the Palme d’Or at the 2023 Cannes Film Festival.
An iconic filmmaker who established a unique visual aesthetic and became a genre unto itself.
The new Wes Anderson book is a gift box full of everything about this genius film director.
This ambitious work encompasses 10 films and 25 years of Wes Anderson's work, from his 1996 debut, Bottle Rocket, to 2020's The French Dispatch.
This is the only book that compiles the entire filmography like this.
Renowned British film critic Ian Nathan meticulously examines the ins and outs of Wes Anderson's filmography, guiding readers into the elegant and beautiful world of Anderson.
It was also greatly loved by movie fans in the United States, the United Kingdom, Spain, and other countries where it was first published.
The book contains the background of each work, behind-the-scenes stories from the production and casting process, and even the director's family history and stories from his youth that formed the basis for the characters.
Along with a wealth of on-set stills, you can learn about the essence of Wes Anderson's style, his philosophy on film, and the actors known as the "Anderson Family."
Special care was taken in the design and production for readers who want to own Wes Anderson's world.
It was produced in high-quality printing and high-quality hardcover on a large format (188×257) as if looking at a screen, and the cover is decorated with a special painting by Pep Botella, a Spanish artist who loves Wes Anderson, paying homage to a scene from “Moonrise Kingdom.”
Here, the book case, modeled after the Mendl's cake box from "The Grand Budapest Hotel," is included, "embodying Wes Anderson's style, sensibility, and color palette through the physical properties of the book itself" (recommendation by Kim So-mi, [Cine21]).
Wes Anderson's films are like a cake exquisitely blended with beautiful mise-en-scène, witty dialogue, high-quality comedy and slapstick, and a dark and lonely melancholy within.
Opening this book like opening a cake box, you can fully experience the world and aesthetics of this unique genius director.
This will be the perfect gift for readers who want to enjoy Wes Anderson's world of work more deeply.
- You can preview some of the book's contents.
Preview
index
Intro
Bottle Rocket
Max falls in love
Royal Tenenbaums
Life Aquatic with Steve Zissou
Dazzling Co., Ltd.
Fantastic Mr.
Fox
Moonrise Kingdom
The Grand Budapest Hotel
Isle of Dogs
French Dispatch
source
Bottle Rocket
Max falls in love
Royal Tenenbaums
Life Aquatic with Steve Zissou
Dazzling Co., Ltd.
Fantastic Mr.
Fox
Moonrise Kingdom
The Grand Budapest Hotel
Isle of Dogs
French Dispatch
source
Detailed image
Into the book
There are few directors in the world who have such thorough control over the production process.
He personally delivers the script to the production team, including a mood board and detailed directing strategy detailing color usage plans, fabric selection, and precise camera movements.
The characters' clothing and the environment they live in reveal what kind of beings they are.
The crew of [The Life Aquatic with Steve Zissou] each wear their beanies at slightly different angles, and Anderson helped them position their hats precisely.
He makes movies at a molecular level.
Each of his films is its own ecosystem.
Light shimmers on the surface, but beneath it flows a deep, dark ocean.
--- p.10
If I were to summarize Wes Anderson's world of work in one word, it would be 'portraits of people living in disarray within a very orderly frame.'
Everything feels fake, but the feelings are real.
Although to varying degrees, he incorporates content related to his own life into his work, and he injects a great deal of his own identity into the warp and weft of his storytelling.
He sets the film in his old school, casts his real friends, acquaintances, and the owner of a local coffee shop as actors, and pays homage to works he has long admired in his own way.
Therefore, Anderson will never direct a screenplay written by someone else.
He can only serve his own peculiar and personal story.
This is why we call him an auteur director.
--- p.14
“Here is a film without a hint of cynicism,” Martin Scorsese wrote, describing Bottle Rocket as a rare work.
Scorsese supported the DVD release of Bottle Rocket, naming it one of the ten best films of 1996 and citing Anderson as a leader in a new generation of filmmakers.
He revealed that he was unconsciously drawn to the film's delicate and thoughtful aspects and was captivated by the human emotions contained in the story.
“A group of young people who believe that taking risks and uncertainty is the only way to truly live.
They don't know that it's okay to just be themselves.”
--- p.30
Anderson and Wilson staged a scene where their house was robbed.
The burglar entered the apartment through an unlocked window, pretended to steal items, and reported the crime to local police.
The landlord was not fooled.
He claimed it appeared to be an 'inside job' (which was true) and refused to even repair the window.
Although it did not achieve its original purpose, this attempt bore welcome fruit on other fronts.
This failed criminal attempt was developed into a scenario.
The two titled the scenario after the slang term "bottle rocket," referring to cheap fireworks that burst into flames and then go out in an instant.
“You could say that the movie started from our lifestyle at the time.
“Our lives were a bit disorganized.”
--- p.35
The story-within-a-story format began with [Max Falls in Love].
The film opens with a scene of a curtain opening on a stage.
[The Royal Tenenbaums] is a story in a book, and [Fantastic Mr.
[Fox] is based on the book by Roald Dahl.
[Moonrise Kingdom] is a documentary-like story with a blunt meteorologist's weather forecast surrounding the central story.
[The Grand Budapest Hotel] begins with a girl reading a book of the same title as the movie.
This framing sets the tone of the work.
It's about giving the audience a subtle hint about the mood of the story that will follow and making them immersed in it.
--- p.59
[Moonrise Kingdom] was a work that returned to the 'romantic impulse' he showed in [Max Falls in Love].
The film is set in 1965 (unusually accurate for an Anderson film), and is set in the fictional island of New Penzance off the coast of New England.
Why an island? Anderson wanted a place the audience had never been before.
He imagined a magical place, similar to Neverland in Peter Pan, where missing children live in tribes.
“The girl carries a lot of fantasy books in her suitcase.
As I was imagining it, it suddenly occurred to me that the entire movie should feel like it was inside that bag.
“A movie can be one of the books in your bag.”
--- p.125
Zero in [The Grand Budapest Hotel] M.
Let us recall the expression used about Gustav H.
“His world disappeared long before he even existed.
But he kept that fantasy alive with such grace and elegance.” This line is an accurate description of film director Wes Anderson.
He too will maintain his fantasy of his world with dignity and grace.
He personally delivers the script to the production team, including a mood board and detailed directing strategy detailing color usage plans, fabric selection, and precise camera movements.
The characters' clothing and the environment they live in reveal what kind of beings they are.
The crew of [The Life Aquatic with Steve Zissou] each wear their beanies at slightly different angles, and Anderson helped them position their hats precisely.
He makes movies at a molecular level.
Each of his films is its own ecosystem.
Light shimmers on the surface, but beneath it flows a deep, dark ocean.
--- p.10
If I were to summarize Wes Anderson's world of work in one word, it would be 'portraits of people living in disarray within a very orderly frame.'
Everything feels fake, but the feelings are real.
Although to varying degrees, he incorporates content related to his own life into his work, and he injects a great deal of his own identity into the warp and weft of his storytelling.
He sets the film in his old school, casts his real friends, acquaintances, and the owner of a local coffee shop as actors, and pays homage to works he has long admired in his own way.
Therefore, Anderson will never direct a screenplay written by someone else.
He can only serve his own peculiar and personal story.
This is why we call him an auteur director.
--- p.14
“Here is a film without a hint of cynicism,” Martin Scorsese wrote, describing Bottle Rocket as a rare work.
Scorsese supported the DVD release of Bottle Rocket, naming it one of the ten best films of 1996 and citing Anderson as a leader in a new generation of filmmakers.
He revealed that he was unconsciously drawn to the film's delicate and thoughtful aspects and was captivated by the human emotions contained in the story.
“A group of young people who believe that taking risks and uncertainty is the only way to truly live.
They don't know that it's okay to just be themselves.”
--- p.30
Anderson and Wilson staged a scene where their house was robbed.
The burglar entered the apartment through an unlocked window, pretended to steal items, and reported the crime to local police.
The landlord was not fooled.
He claimed it appeared to be an 'inside job' (which was true) and refused to even repair the window.
Although it did not achieve its original purpose, this attempt bore welcome fruit on other fronts.
This failed criminal attempt was developed into a scenario.
The two titled the scenario after the slang term "bottle rocket," referring to cheap fireworks that burst into flames and then go out in an instant.
“You could say that the movie started from our lifestyle at the time.
“Our lives were a bit disorganized.”
--- p.35
The story-within-a-story format began with [Max Falls in Love].
The film opens with a scene of a curtain opening on a stage.
[The Royal Tenenbaums] is a story in a book, and [Fantastic Mr.
[Fox] is based on the book by Roald Dahl.
[Moonrise Kingdom] is a documentary-like story with a blunt meteorologist's weather forecast surrounding the central story.
[The Grand Budapest Hotel] begins with a girl reading a book of the same title as the movie.
This framing sets the tone of the work.
It's about giving the audience a subtle hint about the mood of the story that will follow and making them immersed in it.
--- p.59
[Moonrise Kingdom] was a work that returned to the 'romantic impulse' he showed in [Max Falls in Love].
The film is set in 1965 (unusually accurate for an Anderson film), and is set in the fictional island of New Penzance off the coast of New England.
Why an island? Anderson wanted a place the audience had never been before.
He imagined a magical place, similar to Neverland in Peter Pan, where missing children live in tribes.
“The girl carries a lot of fantasy books in her suitcase.
As I was imagining it, it suddenly occurred to me that the entire movie should feel like it was inside that bag.
“A movie can be one of the books in your bag.”
--- p.125
Zero in [The Grand Budapest Hotel] M.
Let us recall the expression used about Gustav H.
“His world disappeared long before he even existed.
But he kept that fantasy alive with such grace and elegance.” This line is an accurate description of film director Wes Anderson.
He too will maintain his fantasy of his world with dignity and grace.
--- p.181
Publisher's Review
The greatest cineaste of our time
The definitive Wes Anderson collection of [The Grand Budapest Hotel]!
The perfect way to preserve the emotion and lingering feeling of 'Wes Anderson style'
“It’s just like a Wes Anderson movie,” we say when we see a scene with perfect symmetry and a gorgeous pastel color palette.
A film director whose name itself has become an adjective, so much so that you can tell who he is as soon as you see the screen.
A one-of-a-kind artist who embodies both the style of a master and the sensibility of an eternal boy, having created the art busters [The Grand Budapest Hotel] and [Moonrise Kingdom] that took the world by storm, and the hit film [Asteroid City] that was nominated for seven categories, including the Palme d'Or at the 2023 Cannes Film Festival.
An iconic filmmaker who established a unique visual aesthetic and became a genre unto itself.
The new Wes Anderson book is a gift box full of everything about this genius film director.
Special care was taken in the design and production for readers who want to own Wes Anderson's world.
The cover, which pays homage to the most iconic scene from [Moonrise Kingdom], was completed through a special collaboration with Spanish illustrator Pep Botella.
Here, the book case, modeled after the Mendl's cake box from [The Grand Budapest Hotel], is included, “realizing Wes Anderson's style, sensibility, and color palette through the physical properties of the book itself” (recommendation by Kim So-mi, reporter, [Cine21]).
Wes Anderson's films are often likened to a cake, exquisitely blending beautiful mise-en-scène, witty dialogue, high-quality comedy and slapstick, and a dark and melancholy lingering within.
Opening this book like opening a cake box, you can fully experience the world and aesthetics of this unique genius director.
This will be the perfect gift for readers who want to enjoy Wes Anderson's world of work more deeply.
How did the movie we loved come to be?
From the creation of the work to behind-the-scenes stories and in-depth commentary
Wes Anderson writes the screenplays for all of his films.
He is also a persistent aesthetician who does not allow any random elements into the frame.
『Wes Anderson』 is filled with a wealth of behind-the-scenes stories about the creation and production of each of his works.
As you read about Wes Anderson's story of writing the screenplay for his debut film, [Bottle Rocket], based on his own real-life experiences with his college friend and actor Owen Wilson in a shabby house where even the windows wouldn't close properly, the making of [The Royal Tenenbaums], which was greatly influenced by the film [The Magnificent Ambersons] by master director Orson Welles, and how he developed the screenplay for [The Grand Budapest Hotel] after reading Stefan Zweig's novel, [The Post Office Girl], you will discover the source of Wes Anderson's imagination and inspiration.
You can read about the foundation of the film that audiences and readers loved, as well as the numerous layers and homages hidden within the film.
Furthermore, this book takes us to the vivid scene where the 'Anderson Touch' is created, like a guide guiding readers behind the scenes of a magician's performance.
Anderson, who was fascinated by stop-motion animation with 'old-fashioned special effects', [Fantastic Mr.
You'll be invited to the magical locations of [The Fox], where they created over 500 dolls using real kangaroo fur and precision Swiss watch parts, filmed [The Darjeeling Limited] on a converted train in northwestern India, and filmed [The French Dispatch] in the picturesque French town of Angoulême, with its perfectly preserved medieval castle.
It is a truly delightful experience to explore this delicately organized, elegant world and fathom the many layers hidden beneath its beautiful surface.
Fans of Anderson's films will find themselves drawn into his world once again, filled with surprise and delight as they open any page of the book.
When watching a movie alone, there are parts that I didn't realize, but reading this book will help me finish watching it and gain a deeper understanding.
An irreplaceable iconic filmmaker
The most complete collection of Wes Anderson's life and cinematic world.
“I have my own way of designing sets, staging situations, and capturing them on film.
I've thought about changing it, but I like my way of doing things.
I think I made a decision at some point while working on it.
“I decided to continue writing stories in my own style.” - From the intro (page 8)
Wes Anderson made his debut in 1996 at the age of 27 with the legendary film Bottle Rocket, which created a huge cult following.
Although it was a box office failure upon its release, the respected master director Martin Scorsese chose Bottle Rocket as one of the best films of the year, calling it “a rare and fascinating work without a hint of cynicism,” and the world began to be captivated by this unique film director’s style.
[The Royal Tenenbaums], [The Dazzling Company], [Fantastic Mr.
Wes Anderson, who has become a brand and a new genre by releasing works that have his own style and sensibility engraved on them like a seal, such as [Fox] and [Moonrise Kingdom], won the Grand Jury Prize at the Berlin International Film Festival for the artbuster [The Grand Budapest Hotel], which grossed 180 million dollars worldwide, and swept many awards at the Academy Awards and Golden Globes.
In 2023, he returned with the hit film [Asteroid City], which was nominated for seven categories including the Palme d'Or at the Cannes Film Festival, meeting with a large audience and solidifying his position as one of the greatest film directors of our time.
"Wes Anderson" is a book that examines the filmography of film director Wes Anderson step by step, following the chronology and providing a thorough overview of the trajectory of his creative world.
Author Ian Nathan, a film critic and former editor of the venerable British film magazine Empire Magazine, has unraveled the countless stories behind the creative process of these fantastically poignant films, drawing on in-depth interviews with directors, production staff, and actors, as well as extensive archive material.
From a young man who started making short black-and-white films with his roommate to a world-renowned film director, this film follows the story of Wes Anderson, a film buff, detail-obsessed director, screenwriter, and auteur, over a period of 25 years.
Thanks to this, readers can vividly witness the process through which an artist's style and world develop and form.
This book also features a special eight-page spread that chronicles Wes Anderson's work in other fields (short films and documentaries, exhibition curation, advertising for fashion brands like Prada, and interior design for the Fondazione Gallery in Italy) while he was making feature films.
The book was translated by film expert translator Cheol-hee Yoon, and the book's quality was further enhanced through the review of film critic Jong-hyeok Jeon.
The definitive Wes Anderson collection of [The Grand Budapest Hotel]!
The perfect way to preserve the emotion and lingering feeling of 'Wes Anderson style'
“It’s just like a Wes Anderson movie,” we say when we see a scene with perfect symmetry and a gorgeous pastel color palette.
A film director whose name itself has become an adjective, so much so that you can tell who he is as soon as you see the screen.
A one-of-a-kind artist who embodies both the style of a master and the sensibility of an eternal boy, having created the art busters [The Grand Budapest Hotel] and [Moonrise Kingdom] that took the world by storm, and the hit film [Asteroid City] that was nominated for seven categories, including the Palme d'Or at the 2023 Cannes Film Festival.
An iconic filmmaker who established a unique visual aesthetic and became a genre unto itself.
The new Wes Anderson book is a gift box full of everything about this genius film director.
Special care was taken in the design and production for readers who want to own Wes Anderson's world.
The cover, which pays homage to the most iconic scene from [Moonrise Kingdom], was completed through a special collaboration with Spanish illustrator Pep Botella.
Here, the book case, modeled after the Mendl's cake box from [The Grand Budapest Hotel], is included, “realizing Wes Anderson's style, sensibility, and color palette through the physical properties of the book itself” (recommendation by Kim So-mi, reporter, [Cine21]).
Wes Anderson's films are often likened to a cake, exquisitely blending beautiful mise-en-scène, witty dialogue, high-quality comedy and slapstick, and a dark and melancholy lingering within.
Opening this book like opening a cake box, you can fully experience the world and aesthetics of this unique genius director.
This will be the perfect gift for readers who want to enjoy Wes Anderson's world of work more deeply.
How did the movie we loved come to be?
From the creation of the work to behind-the-scenes stories and in-depth commentary
Wes Anderson writes the screenplays for all of his films.
He is also a persistent aesthetician who does not allow any random elements into the frame.
『Wes Anderson』 is filled with a wealth of behind-the-scenes stories about the creation and production of each of his works.
As you read about Wes Anderson's story of writing the screenplay for his debut film, [Bottle Rocket], based on his own real-life experiences with his college friend and actor Owen Wilson in a shabby house where even the windows wouldn't close properly, the making of [The Royal Tenenbaums], which was greatly influenced by the film [The Magnificent Ambersons] by master director Orson Welles, and how he developed the screenplay for [The Grand Budapest Hotel] after reading Stefan Zweig's novel, [The Post Office Girl], you will discover the source of Wes Anderson's imagination and inspiration.
You can read about the foundation of the film that audiences and readers loved, as well as the numerous layers and homages hidden within the film.
Furthermore, this book takes us to the vivid scene where the 'Anderson Touch' is created, like a guide guiding readers behind the scenes of a magician's performance.
Anderson, who was fascinated by stop-motion animation with 'old-fashioned special effects', [Fantastic Mr.
You'll be invited to the magical locations of [The Fox], where they created over 500 dolls using real kangaroo fur and precision Swiss watch parts, filmed [The Darjeeling Limited] on a converted train in northwestern India, and filmed [The French Dispatch] in the picturesque French town of Angoulême, with its perfectly preserved medieval castle.
It is a truly delightful experience to explore this delicately organized, elegant world and fathom the many layers hidden beneath its beautiful surface.
Fans of Anderson's films will find themselves drawn into his world once again, filled with surprise and delight as they open any page of the book.
When watching a movie alone, there are parts that I didn't realize, but reading this book will help me finish watching it and gain a deeper understanding.
An irreplaceable iconic filmmaker
The most complete collection of Wes Anderson's life and cinematic world.
“I have my own way of designing sets, staging situations, and capturing them on film.
I've thought about changing it, but I like my way of doing things.
I think I made a decision at some point while working on it.
“I decided to continue writing stories in my own style.” - From the intro (page 8)
Wes Anderson made his debut in 1996 at the age of 27 with the legendary film Bottle Rocket, which created a huge cult following.
Although it was a box office failure upon its release, the respected master director Martin Scorsese chose Bottle Rocket as one of the best films of the year, calling it “a rare and fascinating work without a hint of cynicism,” and the world began to be captivated by this unique film director’s style.
[The Royal Tenenbaums], [The Dazzling Company], [Fantastic Mr.
Wes Anderson, who has become a brand and a new genre by releasing works that have his own style and sensibility engraved on them like a seal, such as [Fox] and [Moonrise Kingdom], won the Grand Jury Prize at the Berlin International Film Festival for the artbuster [The Grand Budapest Hotel], which grossed 180 million dollars worldwide, and swept many awards at the Academy Awards and Golden Globes.
In 2023, he returned with the hit film [Asteroid City], which was nominated for seven categories including the Palme d'Or at the Cannes Film Festival, meeting with a large audience and solidifying his position as one of the greatest film directors of our time.
"Wes Anderson" is a book that examines the filmography of film director Wes Anderson step by step, following the chronology and providing a thorough overview of the trajectory of his creative world.
Author Ian Nathan, a film critic and former editor of the venerable British film magazine Empire Magazine, has unraveled the countless stories behind the creative process of these fantastically poignant films, drawing on in-depth interviews with directors, production staff, and actors, as well as extensive archive material.
From a young man who started making short black-and-white films with his roommate to a world-renowned film director, this film follows the story of Wes Anderson, a film buff, detail-obsessed director, screenwriter, and auteur, over a period of 25 years.
Thanks to this, readers can vividly witness the process through which an artist's style and world develop and form.
This book also features a special eight-page spread that chronicles Wes Anderson's work in other fields (short films and documentaries, exhibition curation, advertising for fashion brands like Prada, and interior design for the Fondazione Gallery in Italy) while he was making feature films.
The book was translated by film expert translator Cheol-hee Yoon, and the book's quality was further enhanced through the review of film critic Jong-hyeok Jeon.
GOODS SPECIFICS
- Date of issue: August 23, 2023
- Format: Hardcover book binding method guide
- Page count, weight, size: 192 pages | 1,176g | 188*257*20mm
- ISBN13: 9791155816288
- ISBN10: 1155816285
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