{"product_id":"108727","title":"Talking eyes ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2tq51fYIE95MyIAIemjl1zE5r6B.png?v=1765109709\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Talking eyes \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/116728717\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“I see.\u003c\/b\u003e \u003cbr\u003eI see some scenery because I want to see it, and I see some scenery because I don't want to see it.\u003cbr\u003e\u003cbr\u003e Usually, I don't close my eyes.\u003cbr\u003e “It is your job to open your eyes,” he said.\u003cbr\u003e\u003cbr\u003e Why do we take pictures, why do we wander, why do we think about where we fell?\u003cbr\u003e The first photography theory, \"Speaking Eyes,\" is a collection of the thoughts and scenes that have long haunted photographer Noh Sun-taek.\u003cbr\u003e\u003cbr\u003e “Some eyes speak.\u003cbr\u003e It's not just about speaking with your mouth, and it's not just about listening with your ears.\u003cbr\u003e To hear what the eyes are saying, you must make eye contact.\u003cbr\u003e Even when hiding behind the camera, eye contact is made.\u003cbr\u003e “Because I saw the eyes that spoke, I also tried to talk about what I saw with my own eyes.” Noh Sun-taek has captured the contradictions of a divided nation and the malfunctioning landscape of state power in series such as [Scent of Division], [State of Emergency], [Forgetting Machine], and [Black Feather], and is the first photographer to receive the ‘Artist of the Year’ award from the National Museum of Modern and Contemporary Art. \u003cbr\u003eHe is known not only for his unique photographic work, but also for his sophisticated and resonant writing that captures the struggles of his work.\u003cbr\u003e Nevertheless, he has never published a single volume that comprehensively organizes and condenses his thoughts, except for a collection of his photo works or a book that compiles his serialized writings.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \"Speaking Eyes\" is the \"first theory of photography\" that condenses the thoughts and scenes that have long haunted photographer Noh Sun-taek.\u003cbr\u003e This book, which contains thoughts on photography, people, and society, is composed of four chapters: “The Scissors of Photography,” which contemplates the cutting of photographs and the sewing of meaning; “The Trigger, Bullet, and Film,” which observes the context in which photographs are placed; “The Time of Photography,” which reflects on the presence and absence contained in photographs; and “The Struggle for Memory,” which talks about those who have preserved memories through the struggle against oblivion.\u003cbr\u003e \u003cbr\u003eNoh Sun-taek lingers in the photographs and writings he took, tied to the single fact that “I was there at that time.”\u003cbr\u003e He says.\u003cbr\u003e Some eyes say they speak.\u003cbr\u003e Because I saw the eyes that spoke, I also tried to talk about what I saw with my own eyes.\u003cbr\u003e If you can't think about the 'debt you owe for seeing', then you should stop taking pictures.\u003cbr\u003e Critic and writer John Berger said that in photography, 'the visible calls forth the invisible.'\u003cbr\u003e The truth of a photograph can be found when we carefully observe both what is visible and what is invisible.\u003cbr\u003e \"Speaking Eyes\" is a book that conveys its meaning powerfully.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Opening Remarks: Eyes That Tried to Speak ·7\u003cbr\u003e\u003cbr\u003e \u003cb\u003eScissors for photos 16\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e I'll take a picture of you when you fall down. ·20  \u003cbr\u003eFlesh, Life, and Photography ·24 \/ This is Not the President ·31 \/ The Awkwardness of Things Taken for Granted ·36 \/ When Death and Laughter Fight and Cry ·43 \/ Who is the Owner of the Same Photograph? ·50 \/ Those Who Depend Know and Don't Know ·56\u003cbr\u003e\u003cbr\u003e \u003cb\u003eTrigger, Bullet, and Film 62\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Don't shoot while eating ·66\u003cbr\u003e There is no country for the photographed ·68 \/ At that time, the photographer's hand was trembling ·73 \/ The insult of being photographed, the insult of being photographed ·80 \/ There is no bad ending, there is a good ending ·84 \/ Watching and protecting ·89\u003cbr\u003e\u003cbr\u003e \u003cb\u003eTime of the photo 96\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Time of Photography, Time of Photography ·100  \u003cbr\u003eWhen the sleeping film awakens one day ·103 \/ Time takes memories with it ·109 \/ Accumulated beginnings ·113 \/ What was not visible then, but is visible now ·116 \/ The giant ball launched by the new past ·123 \/ If B was everything to A, if it were so ·127 \/ I wish it was right, I wish it was wrong ·131 \/ In the evening, he struck my ear with death ·136 \/ A person crying in a car ·139 \/ Bird, bird ·144 \/ The death of those who do not know ·147 \/ The arrow that does not return ·150 \/ When my mother was buried, snow fell, like coincidence or inevitability ·154\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMemory Struggle 158\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Is memory good, and forgetting evil? ·162  \u003cbr\u003eAnswer me, if you want to ask why I cry ·167 \/ The verdict of a society doomed in advance ·173 \/ A certain movie I know ·179 \/ Drought ·182 \/ I hated Baek Gi-wan ·186 \/ Can you see this fire? ·190 \/ His fight always failed ·195 \/ Who is responsible for the April 3rd incident after April 3rd? ·200 \/ When someone's death becomes a harbinger of more deaths ·204 \/ The man said no again ·213 \/ Understanding the theme ·225\u003cbr\u003e\u003cbr\u003e Closing Remarks: The Meaning of What I Saw Then ·229\u003cbr\u003e\u003cbr\u003e Photo List ·253\u003cbr\u003e Source of the article ·254\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e What on earth is the past for us?\u003cbr\u003e What does it mean to look back?\u003cbr\u003e Can we capture the past in a photograph?\u003cbr\u003e Photography is inherently backward-looking.\u003cbr\u003e The moment you take a picture of the present, it is already a scene from the past, and no photograph has ever been invented to capture the future.\u003cbr\u003e Countless articles about photography, whether written by me or by others, also wander through the past, wandering through the past.\u003cbr\u003e It's painful to look back. \u003cbr\u003eEven the fun things...\u003cbr\u003e ---From \"Opening Note: Eyes That Tried to Speak\"\u003cbr\u003e\u003cbr\u003e The judgment is not a final one.\u003cbr\u003e It's layered.\u003cbr\u003e While physical judgment is involved, mental judgment is also involved.\u003cbr\u003e Anyway, it's stuck.\u003cbr\u003e Therefore, the photographs we encounter are the product of decisions made through layers of selection and exclusion.\u003cbr\u003e …to say that a photograph shows something is to say that it hides something.\u003cbr\u003e ---From \"The Scissors of Photography\"\u003cbr\u003e\u003cbr\u003e There was an impressive speech.\u003cbr\u003e The saying goes, “There is no bad ending, but there is a good ending.”\u003cbr\u003e … That one sentence has been running through my head for days.\u003cbr\u003e There is no bad ending, but there is a good ending.\u003cbr\u003e It seemed like there were many ways to read that word.\u003cbr\u003e My mother spoke of the 'good end of goodness', but I thought of the 'limits of goodness'.\u003cbr\u003e There is a limit to human kindness.\u003cbr\u003e There is no limit to human evil.\u003cbr\u003e Isn't making people human ultimately a bad thing?\u003cbr\u003e ---From \"Trigger, Bullet and Film\"\u003cbr\u003e \u003cbr\u003eThere is no standard to judge whether there is good intention in a photograph or not.\u003cbr\u003e After all, a photograph is just a text that depends on its context, and the only question that remains is in which context the photograph will be placed and in which context the photograph will be read.\u003cbr\u003e Photography can never be a good medium.\u003cbr\u003e It is a clever medium that can easily turn any 'good intention' into 'malice' and even 'malice' into 'good intention'.\u003cbr\u003e The standard for judging good and evil cannot be the photograph itself, but rather the context in which the photograph is placed.\u003cbr\u003e …you could call it a trap of photography, or you could consider it a possibility.\u003cbr\u003e Perhaps the very fact that photographs themselves contain no built-in yardstick for judging good intentions is precisely why we must constantly think about the production and use of photographs that capture the suffering of others.\u003cbr\u003e ---From \"Trigger, Bullet and Film\"\u003cbr\u003e \u003cbr\u003eThe scenes captured on camera become proof of the time we spent together, but soon become proof of absence, that the time we spent together has now passed.\u003cbr\u003e The paradox of photography: it was born to testify to existence, but ends up testifying to absence.\u003cbr\u003e …our memories, photos, pressed down in the anxiety of not being able to hold onto time, so if we could time travel as we pleased, would we take more photos or fewer?\u003cbr\u003e ---From \"Time of Photography\"\u003cbr\u003e\u003cbr\u003e It's shaking.\u003cbr\u003e Fall down.\u003cbr\u003e Go down the wrong path.\u003cbr\u003e I need to take pictures of living people, but I often end up taking pictures of dead people, old pictures of dead people.\u003cbr\u003e You have to take pictures of the land of the living, but sometimes you end up taking pictures of the graves of the dead.\u003cbr\u003e I need to look at my own photos, but my eyes wander to photos of people I don't know.\u003cbr\u003e Is there a road in the photo?\u003cbr\u003e Is there such a thing as the so-called 'right path'?\u003cbr\u003e If there is, I would like to know. \u003cbr\u003eSo that we can avoid that path.\u003cbr\u003e Just as there is no one who is eternal before time, there will be no eternal photographs.\u003cbr\u003e People and photos crumble before time.\u003cbr\u003e\u003cbr\u003e ---From \"Time of Photography\"\u003cbr\u003e\u003cbr\u003e What is the difference between fighting one war firsthand and witnessing several wars?\u003cbr\u003e The sensitivity and weight of what we experience and what we see are bound to be different.\u003cbr\u003e But can we quantify that weight, can we measure it with any sensitivity?\u003cbr\u003e I lived my life struggling, not even knowing the weight of the burden I was carrying.\u003cbr\u003e I tried to gauge the weight of another's burden, but I knew it was impossible.\u003cbr\u003e It's a difficult task.\u003cbr\u003e It is to measure the weight of the suffering of others.\u003cbr\u003e Just because you see something and accumulate it doesn't mean you have experienced it.\u003cbr\u003e Sometimes the antennae break.\u003cbr\u003e ---From \"The Struggle for Memory\"\u003cbr\u003e\u003cbr\u003e Is catastrophe a distant space and time? \u003cbr\u003eIt hasn't reached you yet, but it's already been a disaster everywhere, and it's been a disaster every now and then.\u003cbr\u003e … do you believe the pictures?\u003cbr\u003e Photography deals with things as they are, but does not show them as they are.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Closing Note: The Meaning of What I Saw Then\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe photographer's time and space, inside and outside of the photograph\u003cbr\u003e Traces of reflection while observing, lingering, and capturing the 'scene'\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \"Speaking Eyes\" is not a collection of texts and photographs, but rather an art essay in which texts that weave condensed thoughts are read alongside carefully arranged photographs.\u003cbr\u003e However, instead of photo essay or photo prose, the term ‘photo theory’ was added here.\u003cbr\u003e Doesn't that mean that we will thoroughly reflect on 'photography'?\u003cbr\u003e This book is filled with the author's struggles and struggles as a photographer, observing, staying, and capturing the 'scene'. \u003cbr\u003eThe scenes he captures and focuses on do not exist in an art world separate from reality, but rather encounter and intersect with our daily lives in Seoul, Jeju, Gwangju, Pyeongtaek, and elsewhere.\u003cbr\u003e\u003cbr\u003e 『Speaking Eyes』 consists of four chapters: “The Scissors of Photography,” “The Trigger, Bullets and Film,” “The Time of Photography,” and “The Struggle for Memory.”\u003cbr\u003e In \"The Scissors of Photography,\" it is pointed out that the idea of ​​a photograph being \"objective, neutral, fair, and impartial\" is nothing more than a play on words, and that the creation of a photograph necessarily involves expansion, contraction, and refraction of meaning.\u003cbr\u003e A photograph that cuts through the unfolding and continuous space-time necessarily contains concealment.\u003cbr\u003e To say that a photograph shows something is to say that it hides something.\u003cbr\u003e You can glimpse the intense struggles of cutting out time and space, while simultaneously exploring the front and back of the cut time and the inside and outside of the cut space, and threading meaning through the process. \u003cbr\u003eIn \"Trigger, Bullet, and Film,\" we ponder how to judge the intentions behind photographs in an era where the number of photographs taken per day has increased beyond the number of spoonfuls eaten.\u003cbr\u003e A photograph is a text that depends on context.\u003cbr\u003e The important thing is how to use the photos produced and in what context to place them.\u003cbr\u003e Even a photograph placed in a well-intentioned context can serve a purpose for evil.\u003cbr\u003e Noh Sun-taek says that this is the trap of photography, but also its potential.\u003cbr\u003e In \"Time of Photography,\" I reminisce about my frequent visits to the graves of the dead as much as the places of the living, and contemplate people and photographs that crumble before time.\u003cbr\u003e It sharply delves into the relationships and meanings of past, present, and future between life and death, existence and absence.\u003cbr\u003e He says, “There is no present in life that moves forward without stepping on the stepping stones of the past.” \u003cbr\u003eIn \"The Struggle for Memory,\" we witness those who have preserved their memories through a arduous struggle against oblivion.\u003cbr\u003e The sight of people who have become one with their wounds in the pain where even memories and records sometimes become materials for oblivion comes with a piercing pain.\u003cbr\u003e\u003cbr\u003e A photograph is a mysterious bead, a window through which we look out upon the world and a mirror reflecting us.\u003cbr\u003e Making you stop in front of the mirror, that is what the author wants to convey through the photo.\u003cbr\u003e That is why Noh Sun-taek's question, \"Do you believe in photography?\" and his insight that \"photography deals with things as they are, but does not show them as they are\" shake and shake the hearts of readers.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFrom the book's cover to its copyright, from its contents to its physical properties,\u003cbr\u003e A deep narrative that continues from the moment you open the book until you close it.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e『Speaking Eyes』 was designed to be a size that is easy to hold in one hand and read while immersing oneself in the text, but the images are arranged so that each takes up a separate page so that the photographs can be fully appreciated.\u003cbr\u003e The photo frame was designed to capture the meaning contained in Noh Sun-taek's photographs, which speak to both the world seen within the photograph and the world outside it.\u003cbr\u003e The photo in the center focuses on what the photo is saying, while the photo touching the outer boundary suggests a world connected to the outside of the photo.\u003cbr\u003e The title at the bottom of the text and cover design symbolize a perspective and thoughts that go beyond the existing hierarchy.\u003cbr\u003e Additionally, to allow readers to experience the depth of Noh Sun-taek's photographs more specifically, the book was completed with 5-color printing instead of the usual 4-color printing.\u003cbr\u003e The density and depth of field in black and white photography are particularly noteworthy. \u003cbr\u003eThe cover was printed using silkscreen printing, realizing the metaphorical meaning of the book through design and physical properties.\u003cbr\u003e The design of the belt also catches the eye as it sensually captures the message the book is trying to convey.\u003cbr\u003e\u003cbr\u003e There are books that I read and then reflect on carefully.\u003cbr\u003e This is not a book you should just look back at because it's beautiful, but a book you should hold your breath and carefully contemplate, as if searching for life sunk deep in the ocean.\u003cbr\u003e \"Speaking Eyes\" is a book that takes you back in time to reflect on the meaning and reasoning behind Noh Sun-taek's photographs and writings, and then deeply resonates with you as you discover that the world you encounter in the book connects with your own life.\u003cbr\u003e When you reread the meaning embedded in a photograph you'd casually passed over, when you discover a hidden story in a story you'd read like water, when you realize what meaning a cover you'd glanced at unintentionally holds, you can feel a wave of energy rushing through your body.\u003cbr\u003e \u003cbr\u003eThe book begins with “To the Grave” and ends with the story of the young worker Kim Yong-gyun.\u003cbr\u003e What can and cannot be said with a photograph?\u003cbr\u003e \"The Speaking Eye\" will be a book that will be kept close by, read often, and cherished for a long time by those who seek to capture and gain insight into life with a delicate perspective, those who grapple with the world's absurdities and contradictions, those who struggle on the border between despair and hope, and those who explore the medium of photography and ponder its true nature. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e December 11, 2022\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 256 pages | 330g | 128*188*16mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198043306\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 119804330X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894780428330,"sku":"108727","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/5eab1aefdc1819da73a94ee63a7e0cbc.jpg?v=1765445943","url":"https:\/\/librairie.coreenne.fr\/en\/products\/108727","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}