{"product_id":"108809","title":"Descriptive mind ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jXRVTZDL4K3XvqSOiP0lv61OET0Lj.png?v=1765110048\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Descriptive mind \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/111153737\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\n\u003cdiv\u003e\u003cdl\u003e\n\u003cdt\u003e A word from MD\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cdiv\u003e Drawing facial features in a movie\u003c\/div\u003e  \u003cdiv\u003eA collection of essays published by reporter Kim Hye-ri after five years.\u003cbr\u003e Movies that you only heard about on the podcast 'Film Club' are now available in dense writing.\u003cbr\u003e It covers a wide range of genres, from art films to Marvel series, and covers not only narrative but also film formats such as sound and editing.\u003cbr\u003e A book you want to read together like a movie.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003eAugust 9, 2022.\u003c\/span\u003e \u003cspan\u003eArt PD Lee Na-young\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“There has always been a movie.\u003cbr\u003e I found myself figuring out 100 reasons to stop writing until yesterday.\u003cbr\u003e “The movies that got me excited and sat down at the keyboard, completely forgetting about it.”\u003cbr\u003e\u003cbr\u003e A model of film writing,\u003cbr\u003e Reporter Kim Hye-ri's new work after five years\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “Some reviews are as moving as a film, a work of art in themselves.” “Writing unfolds softly, like a quiet drop of ink falling and seeping through.” \u003cbr\u003e“A film journalist who rediscovers the world of frames.” Kim Hye-ri, a reporter for [Cine21], has been thoughtfully conveying the virtues of film for over 20 years.\u003cbr\u003e Online, you can often find reviews praising his writing for its clear reasoning and delicate sentences.\u003cbr\u003e Kim Hye-ri's writing is considered a model of film writing not only by general readers but also by professional writers such as literary critic Shin Hyeong-cheol, novelist Yoon Seong-hee, and film critic Heo Mun-yeong.\u003cbr\u003e With such a large fan base, the publication of his collection of essays, \"Describing Heart,\" after five years will be welcome news to those who have only heard his stories about movies through his podcast since 2016.\u003cbr\u003e\u003cbr\u003e  \u003cbr\u003eThis book, which is a compilation of articles serialized in [Cine21]'s new release column \"Kim Hye-ri's Film Diary\" from 2017 to 2020, as well as several essays written before that, including a study on actress Tilda Swinton, shines with a humble attitude that still takes film as its subject and follows its shadow.\u003cbr\u003e In an age overflowing with presumptuous evaluations of what is spectacle, rather than displaying one's tastes, it is important to carefully ask oneself what the creative work of film means to oneself and to those who will read one's writing.\u003cbr\u003e And that attitude is also the driving force behind his ‘description’ of the film.\u003cbr\u003e He confesses that what he wanted to do was to look at the 'features' of the film and show people that portrait, and that walking along that path unexpectedly leads to an interpretation like 'a hill with a good view'.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e I look back and wonder what I did while following the movie. \u003cbr\u003eThe word that can be used without hesitation is 'description'.\u003cbr\u003e When we see an attractive person, we want to take a picture, and when we hear a catchy song, we want to sing along.\u003cbr\u003e If there were facial features in the movie, what I wanted to do might have been to draw that portrait and show it to people.\u003cbr\u003e (…) For me, interpretation was like a hill with a nice view that I often unexpectedly encountered while walking the path of description.\u003cbr\u003e _Page 11, Preface\u003cbr\u003e\u003cbr\u003e 『The Descriptive Mind』 begins with the first part, \"The Unsent Tribute,\" on actors, and moves on to parts that focus on themes of film (Part 2, \"Awakening Films,\" Part 3, \"Desiring Films,\" Part 4, \"Worrying Films\"), then delves into format (Part 5, \"Action and Movement,\" Part 6, \"The Sculpture of Time\"), and concludes with \"The Expanding Universe,\" which covers the landscape of Hollywood blockbusters since the 2010s. \u003cbr\u003eThe 53 essays that travel through the land of cinema are closely arranged according to the author's intention, forming a tight link where thinking about one film leads to thinking about the next.\u003cbr\u003e Between the dense text, the metaphors and subtle humor placed at just the right places are commas that lead the reader to the book's conclusion.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e 9 at the beginning of the book\u003cbr\u003e\u003cbr\u003e \u003cb\u003e1.\u003cbr\u003e Unsent tribute\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Mystery of Isabelle Huppert | Isabelle Huppert\u003cbr\u003e The Devilish Sociopath | Benedict Cumberbatch\u003cbr\u003e Tom Cruise's Mission | Tom Cruise\u003cbr\u003e Miss, choose that unassuming guy! | Paul Rudd\u003cbr\u003e Tilda Swinton in Context | Tilda Swinton\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2.\u003cbr\u003e Awakening Movie\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Moon Child | Moonlight\u003cbr\u003e Revolution from the Self | Lady Bird\u003cbr\u003e Parenting | Minors\u003cbr\u003e Lifelong Education | Persepolis\u003cbr\u003e Growth and Taboo | Stalker  \u003cbr\u003eFirst Love's Flair｜Call Me By Your Name\u003cbr\u003e The Keeper of the Magic Castle | The Florida Project\u003cbr\u003e\u003cbr\u003e \u003cb\u003e3.\u003cbr\u003e Desire Movie\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Art of Breaking Up | Marriage Stories\u003cbr\u003e Negotiation Called Love | My Love\u003cbr\u003e A Morbid Match Made in Heaven｜Phantom Thread\u003cbr\u003e Selfishly, Cruelly｜Lady Macbeth\u003cbr\u003e Crazy Guys Are My Specialty｜Elle\u003cbr\u003e Little Women of the South | The Bewitched\u003cbr\u003e Dedicated to a Like-minded Soul | Quiet Passion\u003cbr\u003e Oh! My Queen | The Favourite: The Queen's Woman\u003cbr\u003e\u003cbr\u003e \u003cb\u003e4.\u003cbr\u003e A worrying movie\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Loving the Weakest of Capitalism | Okja\u003cbr\u003e Save Me｜First Reformed\u003cbr\u003e Hand of God | Killing Deer\u003cbr\u003e Broken Mirror｜Midsommar\u003cbr\u003e Peel off just one layer｜Get Out\u003cbr\u003e Even if they cry out, I will not listen.｜Earth\u003cbr\u003e Hidden Pain | Tully\u003cbr\u003e Modern Saints｜Help Them\u003cbr\u003e\u003cbr\u003e \u003cb\u003e5.\u003cbr\u003e Action and movement\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Wingardium Furiosa! | Mad Max: Fury Road\u003cbr\u003e Not Kung Fu, but Gun Fu | John Wick 3 - Parabellum  \u003cbr\u003eThe Usefulness of Technology, the Usefulness of Religion | Life of Pi\u003cbr\u003e Michael Bay, the 'Auteur' | Transformers: Age of Extinction\u003cbr\u003e The Ruins of the Killer | You Were Not Here\u003cbr\u003e\u003cbr\u003e \u003cb\u003e6.\u003cbr\u003e The Sculpture of Time\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Rediscovering Life｜Right Now, Wrong Then\u003cbr\u003e Rhyme of Everyday Life | Paterson\u003cbr\u003e Beyond Death | Ghost Stories\u003cbr\u003e 2nd person past tense｜Rome\u003cbr\u003e Autobiography of a Villain | The Irishman\u003cbr\u003e A Week, a Day, an Hour | Dunkirk\u003cbr\u003e In Search of Lost Time | Turin's Horse\u003cbr\u003e\u003cbr\u003e \u003cb\u003e7.\u003cbr\u003e Expanding Universe\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e A rare item called the Grand Finale | Harry Potter and the Deathly Hallows Part 2\u003cbr\u003e The Threat of the Neverending Story | 2012 Hollywood Sequels\u003cbr\u003e No Man's Land | Wonder Woman\u003cbr\u003e The Laughing Man | Joker\u003cbr\u003e The Unforgiven | Logan\u003cbr\u003e Superhero Movies and Fascism | Captain America: The Winter Soldier\u003cbr\u003e The Hero Alliance's Dilemma | Avengers: Age of Ultron\u003cbr\u003e Black Beauty | Black Panther\u003cbr\u003e Oh, My Captain | Captain Marvel\u003cbr\u003e Season Finale | Avengers: Endgame  \u003cbr\u003eIconoclasm | Star Wars: The Last Jedi\u003cbr\u003e Backlash | Star Wars: The Rise of Skywalker\u003cbr\u003e Disney's 21st Century Strategy | Aladdin (Live-Action)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate3913\/MidCate007\/391269973.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Benedict Cumberbatch's acting has that special quality that instantly electrifies the viewer.\u003cbr\u003e Great acting can be either a touchy-feely performance or a permeating performance, but Cumberbatch's signature move is the one that instantly pierces the audience's heart.\u003cbr\u003e When I suddenly turned around, his sword blade was already sticking out from behind my back.\u003cbr\u003e --- p.29\u003cbr\u003e\u003cbr\u003e The story of [Moonlight] breaks away from the standard narrative of misery and redemption, and formally, it does not adopt the naturalistic aesthetic automatically adopted by films depicting socially caused misfortune. \u003cbr\u003eBarry Jenkins controls what to show and hear, what to hide and what to silence, with almost the rigor of a poet or architect.\u003cbr\u003e The result, thus refined, is a near-perfect blend of sound and silence, image and omission.\u003cbr\u003e --- p.71\u003cbr\u003e\u003cbr\u003e As is always the case with Bong Joon-ho's films, there is no such thing as an all-out victory, and the world goes on as it always has.\u003cbr\u003e Meanwhile, humans and animals do what they can and save what they can.\u003cbr\u003e Like Clarice (Jodie Foster) in [The Silence of the Lambs], who pursued Buffalo Bill, a serial killer who was merely a fragment of the evil rampant in the world, to the death in order to stop the bleating of slaughter lambs heard in her dreams, Mija will sometimes fall asleep with her eyes closed.\u003cbr\u003e And the memories of the fight will remain and flow through the world.\u003cbr\u003e --- p.169\u003cbr\u003e \u003cbr\u003eThe women in [Mad Max: Fury Road] are not feminists because they beat up men, but because they refuse to be objectified and reified as vessels for fetuses or tools for sexual gratification by male power simply because they are women.\u003cbr\u003e Bullet catcher Nux and 'blood bag' Max are both tooled humans and suffer the same pain, and the women fight in the same car as them.\u003cbr\u003e They are feminists who believe in their own strength and dignity, who are willing to die for their beliefs, who do not wait for men to rescue them, and who save men in battle. Max and Nux, who fully respect them, are also feminists.\u003cbr\u003e --- p.218\u003cbr\u003e\u003cbr\u003e Frank never quite knows where his life went wrong or who or what he should apologize to.\u003cbr\u003e No, they lose their physical strength and intelligence while being bewildered, not even being able to accurately recognize failure. \u003cbr\u003eThe old man, who has no one to protect him and yet keeps silent about the truth out of inertia, waits only for death to come through the slanted door and command the 'end'.\u003cbr\u003e Scorsese leaves the man there.\u003cbr\u003e\u003cbr\u003e --- p.286\u003cbr\u003e\u003cbr\u003e What's needed at the end of a movie, especially one that's been a long series made over ten years, is not a happy ending, but justice.\u003cbr\u003e Justice here does not simply mean that virtue is rewarded and evil is punished in the play.\u003cbr\u003e This means that the characters that the audience loved and hated must be respected to the end, the plot and events that have been unfolded so far must be taken responsibility for, and the overall theme and style of the work must reach a desirable synthesis.\u003cbr\u003e Director David Yates' [Harry Potter and the Deathly Hallows Part 2] (hereafter [Deathly Hallows Part 2]) is a 'righteous' finale that satisfies the above requirements. \u003cbr\u003eThe boy wizard Harry Potter ultimately won his seven-year battle with Voldemort, but he suffered numerous internal injuries and lost loved ones along the way.\u003cbr\u003e And then… …I survived.\u003cbr\u003e Yes, that's right.\u003cbr\u003e It would be more appropriate to say that they survived rather than that they won.\u003cbr\u003e And that's what we mean by justice.\u003cbr\u003e --- p.307\u003cbr\u003e\u003cbr\u003e The question of weighing individual freedom versus security is a point where Hollywood films have often connected with real society since 9\/11.\u003cbr\u003e (…) But fundamentally, the superheroes of American comics achieve their goals through physical force, and in most cases their goal is to protect and support the existing system.\u003cbr\u003e\u003cbr\u003e --- p.348~349\u003cbr\u003e\u003cbr\u003e In [The Dark Knight] and [The Dark Knight Rises], the friction that superheroes create with the public power that monopolizes violence and the impact that this has on the public psyche serve as the backbone of the entire narrative. \u003cbr\u003e(…) There was no room for defense in the interpretation that the film reduced anti-capitalist resistance to a savage riot through a spectacle that precisely recalled the Wall Street protests, and then found a solution in the sacrifice of a noble elite lone star.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.350~351\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eImages, sound, editing… … each film has its own way of doing things.\u003cbr\u003e Reflections on Film Ethics that Create a New Reality\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 『The Descriptive Mind』 covers a wide range of film genres, from arthouse films like Béla Turin's The Turin Horse to blockbusters like the Avengers series, but there is a common thread in his approach to viewing the works.\u003cbr\u003e The point is that in the process of thinking about why and how a film is good, it illuminates both the film's narrative and form. \u003cbr\u003eFilms inevitably contain narrative elements, such as conflicts and events between characters, while also having their own unique format, such as images, sounds, and editing, that support the narrative.\u003cbr\u003e Kim Hye-ri seeks to uncover the secrets of how these two aspects harmonize to make the magic of cinema work.\u003cbr\u003e For example, while comparing Park Chan-wook's [Stoker] to Alfred Hitchcock's [Shadow of a Doubt] with a similar story, one can identify the unique framework of [Stoker]—eliminating the contemporary and regional aspects and putting a family of three in a mansion to focus on the girl's consciousness—or draw attention to the universality of the family story the director delved into.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eMeanwhile, the use of low-angle shots using wide-angle lenses and the way the ceiling is hung above the frame in [The Favourite] (Yorgos Lanthimos) makes the powerful figures in the film look small and insignificant, and the aspect ratio (1.37:1) and the frame that resembles the photo paper of an old photograph in [A Ghost Story] (David Lowery) stimulate nostalgia for a house, all of which draw attention to the visual medium characteristics of films.\u003cbr\u003e Among the works that allow us to experience a new cinematic time, [Dunkirk] is undoubtedly at the forefront.\u003cbr\u003e Set against the backdrop of the Dunkirk evacuation during World War II, the film weaves together three perspectives: “The Pier: A Week,” “The Sea: A Day,” and “The Sky: An Hour,” and the very composition of the film “proves that film is the ultimate time machine and an art form that can ‘manipulate’ the quantity and quality of time experienced by humans.”\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eAbove all, one of the virtues of Kim Hye-ri's writing is that, as Shin Hyeong-cheol puts it, she is \"extremely sensitive to the 'ethical issues' latent in film narratives,\" and the writings in \"The Descriptive Mind\" also maintain this quality.\u003cbr\u003e He gauges the progress (and sometimes regression) in how directors view issues of feminism, racism, and class through the way they deal with the identities of their characters in their films, including gender, race, and nationality. This attitude also leads to questions about the director's position and the way he represents reality.\u003cbr\u003e His aesthetic judgment is not separate from his ethical judgment.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The lives and living spaces of extremely poor outsiders, rarely depicted in American films, and the underground economy where they earn their daily bread are subjects that have always drawn director Sean Baker. \u003cbr\u003eThe 2012 film [Starlet] was about a white porn star's friendship with an older woman in California's San Fernando Valley, and [Tangerine], the immediate predecessor to [The Florida Project], depicted the Christmas Eve of two transgender friends who make a living through prostitution.\u003cbr\u003e In approaching this material, director Sean Baker avoids the outrage or sympathy that an outsider might easily adopt.\u003cbr\u003e I want to stay by their side without looking down on them and grasp the beauty and darkness inherent in their lives.\u003cbr\u003e Sean Baker's film believes that in 'a life of poverty', the emphasis should not be on 'poverty' but on 'a life that entails the condition of poverty'.\u003cbr\u003e Page 107, \"The Keeper of the Magic Castle: The Florida Project\"\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“Movies bring us to life.”\u003cbr\u003e The hill of interpretation that follows delicate language\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eIn an era where the rapid growth of OTT original films has created a flood of things to see, what does film mean to us?\u003cbr\u003e In particular, what does it mean to go to the theater and watch a movie?\u003cbr\u003e As director James Cameron put it, do people go to the theater to experience sharper, smoother, and more magnificent images and sound than they can experience on their living room TVs? Kim Hye-ri responds that audiences go to the theater not simply to enjoy \"high-quality\" images, but \"in search of quality time.\"\u003cbr\u003e Only film is the 'art that can invent time' and only through film can we understand the 'meaning of time'.\u003cbr\u003e In reality, when we are cut off from our daily lives in the darkness, don't we gain autonomy over time and be able to fully accept 'time' as 'time'?\u003cbr\u003e 『The Descriptive Mind』 continues that special time a little longer. \u003cbr\u003eWhen the film is depicted on the ground, readers will have to turn the projector on again in their minds.\u003cbr\u003e Looking forward to the 'Hill of Interpretation' that we will reach with the author at the end of the movie.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The film makes the audience perceive time as time.\u003cbr\u003e At the same time, unlike TV or other media that are barely inserted into the torrent of everyday life, films implicitly (in the dark) respect the audience's autonomy to control the quality, density, and speed of time.\u003cbr\u003e While alive, humans do not know the meaning of time.\u003cbr\u003e Only death gives meaning to the unfinished.\u003cbr\u003e But while film preserves the time of life as the time of life, it produces meaning at every moment of the shot and sequence.\u003cbr\u003e A cut is a small death.\u003cbr\u003e So, as Virginia Woolf observed, movies are still more real than reality, and they can catch us when we are trying to get away from life and bring us back to life. \u003cbr\u003ePage 303, \"In Search of Lost Time: The Turin Horse\" \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e August 5, 2022\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 404 pages | 614g | 145*225*28mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788960907515\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8960907510 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894782165034,"sku":"108809","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/4296acb0b5de4a4382186cfbcfd881c2.jpg?v=1765446014","url":"https:\/\/librairie.coreenne.fr\/en\/products\/108809","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}