{"product_id":"109322","title":"The more classic one ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jX2sGB1oNH0efZKHW6UsgF67oVkOY.png?v=1765113305\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The more classic one \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate0001\/kepub\/L_569417.jpg\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e A classic guide that combines humanist writing and practicality, 『The Classic.\u003cbr\u003e one\".\u003cbr\u003e The first volume of the series contains 34 classical masterpieces from the late Baroque period to the early Romantic period, from Bach's Unaccompanied Cello Suites to Beethoven's String Quartet No. 16 in F major. \u003cbr\u003eIf the previous work attempted to break down the long-held prejudice that classical music is unfamiliar and difficult, this book is a friendly guide for readers who are seriously considering which songs and albums to listen to.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e prolog\u003cbr\u003e\u003cbr\u003e Ⅰ\u003cbr\u003e The musical ecstasy of a single cello - Bach, Unaccompanied Cello Suites\u003cbr\u003e Rhythm and Harmony that Embroidered the King's Boat - Handel, Water Music\u003cbr\u003e Into the Melody of the Chaconne - Bach, Partita for Solo Violin No. 2 in D minor\u003cbr\u003e Music resonating from a coffee shop - Bach, Orchestral Suite No. 3 in D major\u003cbr\u003e Seasonal Landscapes Painted in Sound - Vivaldi, Concerto \"The Four Seasons\"\u003cbr\u003e Oratorio Revived After 100 Years - Bach's St. Matthew Passion\u003cbr\u003e Musical or Mathematical - Bach, Goldberg Variations\u003cbr\u003e The Oratorio That Enchanted the King - Handel, Messiah\u003cbr\u003e\u003cbr\u003e Ⅱ  \u003cbr\u003eThe Turkish Style That Captivated Europe - Mozart, Piano Sonata No. 11 in A major\u003cbr\u003e A mysterious chord rising like a dark cloud - Mozart, Piano Concerto No. 20 in D minor\u003cbr\u003e Duet of Laughter and Tears - Mozart, Piano Concerto No. 21 in C major\u003cbr\u003e Andante of Sighs and Consolation - Mozart, Symphony No. 40 in G minor\u003cbr\u003e The Joys and Sorrows of Life as Depicted by the Clarinet - Mozart, Clarinet Quintet in A Major\u003cbr\u003e In Search of Lost Romance - Mozart, Clarinet Concerto in A major\u003cbr\u003e Grant him eternal rest - Mozart, Requiem in D minor\u003cbr\u003e The timpani strike that awakened the audience - Haydn, Symphony No. 94 in G major, 'Surprise'\u003cbr\u003e Haydn's Last Concerto - Haydn, Trumpet Concerto in E-flat major\u003cbr\u003e\u003cbr\u003e Ⅲ\u003cbr\u003e God save the Emperor - Haydn, String Quartet No. 77 in C major, 'Emperor'\u003cbr\u003e Praise the Lord, all peoples, with a loud voice - Haydn, Oratorio \"The Creation\"  \u003cbr\u003eA Lament of Youth Written in His Twenties - Beethoven, Piano Sonata No. 8 in C minor, \"Pathétique\"\u003cbr\u003e Even Beethoven is sometimes sweet and warm - Beethoven, Violin Sonata No. 5 in F major, 'Spring'\u003cbr\u003e Time of Love, Stop - Beethoven, Piano Sonata No. 14 in C-sharp minor, \"Moonlight\"\u003cbr\u003e Passion Running Towards Destruction - Beethoven, Violin Sonata No. 9 in A major, \"Kreutzer\"\u003cbr\u003e Forward through adversity! - Beethoven, Symphony No. 3 in E-flat major, \"Eroica\"\u003cbr\u003e Flames burning on a granite floor - Beethoven, Piano Sonata No. 23 in F minor, 'Appassionata'\u003cbr\u003e\u003cbr\u003e Ⅳ\u003cbr\u003e There is only one Beethoven - Beethoven, Violin Concerto in D major\u003cbr\u003e Fate knocks at the door like this - Beethoven, Symphony No. 5 in C minor\u003cbr\u003e Finding Peace While Walking in the Forest - Beethoven, Symphony No. 6 in F Major, \"Pastoral\"\u003cbr\u003e Go Forward with Confidence - Beethoven, Piano Concerto No. 5 in E-flat major, \"Emperor\"  \u003cbr\u003eA Lifelong Reciprocal Friendship - Beethoven, Piano Trio No. 7 in B-flat major, \"Archduke\"\u003cbr\u003e Drink and dance like Dionysus - Beethoven, Symphony No. 7 in A major\u003cbr\u003e A Symphony Created on a Single Piano - Beethoven, Piano Sonata No. 29 in B-flat Major, \"Hammerklavier\"\u003cbr\u003e Embrace the Million - Beethoven, Symphony No. 9 in D minor, 'Choral'\u003cbr\u003e Must it be so? It must be so. - Beethoven, String Quartet No. 16 in F major\u003cbr\u003e\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e This book is a \"ground lecture\" and \"music letter\" written with those in mind, whether they are eager to open the door to classical music and are just taking the first step, or those who have already been captivated by the joy and emotion of music.\u003cbr\u003e I chose 34 pieces in total, from Bach to Beethoven. \u003cbr\u003eI tried to approach a piece of music by looking into the musician's individual temperament and inner self, the situation he was in, and the social background of the time.\u003cbr\u003e I've tried to set aside my personal tastes as much as possible and describe the most beloved songs of today in the most sensitive style possible.\u003cbr\u003e If possible, I sincerely hope that you, the reader, can read this article at the same level as I do, and that we can enjoy music together, free from the trap of academicism and pretense.\u003cbr\u003e So, we're sending 34 songs and over 100 albums to your bedside.\u003cbr\u003e May music bring a ray of solace and a moment of peace to your life!\u003cbr\u003e -From the \"Prologue\"\u003cbr\u003e\u003cbr\u003e Vitali's 'Chaconne' is often described as 'the saddest song in the world'.\u003cbr\u003e That's probably because the melody of the song depicts deep sadness. \u003cbr\u003eOn the other hand, Bach's 'Chaconne' should be seen as depicting a fairly restrained sadness.\u003cbr\u003e Unlike Vitali, who pours out his sorrow raw, Bach maintains the overall harmony and balance of the music from beginning to end.\u003cbr\u003e Maybe it's the emotional difference between Italy and Germany.\u003cbr\u003e (Page 41)\u003cbr\u003e\u003cbr\u003e Why does the Piano Sonata No. 11 in A major feature the unusual style known as \"ala turka\" (in the Turkish style)? Simply put, it was a contemporary trend.\u003cbr\u003e As is well known, Turkey had a significant influence on European culture from the mid-17th century to the 18th century.\u003cbr\u003e If I had to pick one representative example, it would be coffee.\u003cbr\u003e It is said that Turkish-style clothing, furniture, and music were particularly popular in Vienna during the time when Mozart was active. \u003cbr\u003eSo to speak, there was a cultural trend that could be called the 'Turkish trend'.\u003cbr\u003e (Page 105)\u003cbr\u003e\u003cbr\u003e The clarinet is different from other woodwind instruments with a similar range, such as the oboe, in that it can express a variety of tones across a wide range.\u003cbr\u003e The oboe has almost the same tone from low to high.\u003cbr\u003e (……) The character of the oboe can be said to be its unwavering determination that does not waver under any circumstances.\u003cbr\u003e On the other hand, the clarinet has the characteristic of being able to quickly move between emotions of joy and sadness by changing the tone color in each register.\u003cbr\u003e The clarinetist is more of a spontaneous performer.\u003cbr\u003e (Page 149)\u003cbr\u003e\u003cbr\u003e Haydn, seemingly conscious of the audiences gathered in London concert halls, wrote symphonies with bold harmonies and powerful rhythms.\u003cbr\u003e (……) So to speak, there was a need to respond nimbly to the musical tastes of the London bourgeois audience. \u003cbr\u003eSymphony No. 94 is especially so.\u003cbr\u003e Haydn sneaks in a powerful timpani strike into the second movement that will instantly blow away the audience's boredom.\u003cbr\u003e The sound of this powerful fortissimo* that suddenly burst out from the slow beat of the movement was enough to startle people.\u003cbr\u003e So, this symphony was nicknamed 'The Surprise' immediately after its premiere.\u003cbr\u003e (Pages 170-171)\u003cbr\u003e\u003cbr\u003e The era of 'romance' begins with 'Eroica'.\u003cbr\u003e I think the reason this symphony is a masterpiece is because it contains romance within the classics and classics within romanticism.\u003cbr\u003e Classicism, which emphasized formality, and Romanticism, which emphasized the free expression of emotions, are passionately intertwined in one piece of music.\u003cbr\u003e It is by no means easy to reconcile these two opposing sides. \u003cbr\u003eSo, I often think that creation, at least for an artist like Beethoven, is like a war.\u003cbr\u003e (Page 245)\u003cbr\u003e\u003cbr\u003e Your ability to be a duke is a matter of family and chance.\u003cbr\u003e But I did it on my own.\u003cbr\u003e There have been and will be countless conspiracies, both now and in the future.\u003cbr\u003e But there is only one Beethoven.\u003cbr\u003e (Page 264)\u003cbr\u003e\u003cbr\u003e The powerful rhythm and expanded scale of Symphony No. 3 were unprecedented in previous symphonies.\u003cbr\u003e For example, Beethoven boldly introduces a two-beat rhythm into a passage that progresses in three beats to create a syncopated effect.\u003cbr\u003e From the perspective of staunch classicism, it might have been a kind of heretical act, but Beethoven gained powerful musical momentum through such a bold attempt. \u003cbr\u003eSo, Beethoven is a composer of the Classical era, but he is also a composer who can never be confined to the framework of ‘Classicism.’\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From the text\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eWhen you fall in love with music, the door to music opens!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e I heard it! No, I ended up hearing it.\u003cbr\u003e It could be on the street, in a cafe, at work, or at home.\u003cbr\u003e Music has penetrated our hearts.\u003cbr\u003e At times like this, we look around.\u003cbr\u003e You have to know what that music is.\u003cbr\u003e That way, you can buy CDs or LPs or go to concerts.\u003cbr\u003e It's similar to the desperation you feel when you meet someone you love at first sight and want to check them out.\u003cbr\u003e \"Excuse me, who composed this music and who performed it?\" Moonhaksu and his book, \"The Classic,\" will warmly welcome you. \u003cbr\u003eThrough this book, you will be able to learn more about the music that came to you like your first love, whether it be Bach's Goldberg Variations or Beethoven's Piano Sonata No. 29.\u003cbr\u003e\u003cbr\u003e - Kang Shin-ju (philosopher)\u003cbr\u003e\u003cbr\u003e \u003cb\u003e▶ The first step in the \"The Classic\" series\u003cbr\u003e - The ultimate classic guide that combines humanist writing with practicality.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e What music, what albums should I listen to? The author of \"Adagio Sostenuto,\" beloved for her deep love of music and sensuous writing, has published her second book, \"The Classics - From Bach to Beethoven\" (Volume 1 in the \"The Classics\" series).\u003cbr\u003e The first volume of the series contains 34 classical masterpieces from the late Baroque period to the early Romantic period, from Bach's Unaccompanied Cello Suites to Beethoven's String Quartet No. 16 in F major. \u003cbr\u003eIf the previous work attempted to break down the long-held prejudice that classical music is unfamiliar and difficult, this book is a friendly guide for readers who are seriously considering which songs and albums to listen to.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The strength of this book lies in the exquisite combination of the author's characteristically delicate writing as a humanist and the practicality of a guide to famous songs and albums.\u003cbr\u003e The elegant sentences that were already well-received in the previous work are fully displayed in this book as well.\u003cbr\u003e The author examines the musician's individual temperament and inner self, the circumstances and social background of his time, and writes down the stories contained in each of the 34 songs. \u003cbr\u003eFor example, the author's deep understanding of music history is evident in the following passages: explaining Haydn's move to England as a \"musical historical transition\" in which musicians who had been subordinate to the nobility entered the capitalist system; explaining Vitali and Bach's Chaconne as the emotional differences between Italy and Germany; and describing Beethoven's Symphony No. 3, \"Eroica,\" as \"the classicism that emphasized form and the romanticism that emphasized the free expression of emotion (...) passionately mixing.\"\u003cbr\u003e Of course, at the foundation of this kind of humanistic writing lies the author's love for music as a music lover.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In addition to its humanistic depth, this book also serves as a classic guide from a practical perspective. \u003cbr\u003eThis series, planned in three volumes, introduces 101 'essential masterpieces' that should never be missed in the history of classical music.\u003cbr\u003e The second book, due out in the second half of this year, will feature music from the Romantic era, from Schubert to Brahms, while the third will cover music from Mahler at the turn of the century to the 20th century.\u003cbr\u003e The ambitious goal of this book is to showcase the essence of classical music through 101 songs.\u003cbr\u003e\u003cbr\u003e Additionally, at the end of each chapter, three carefully selected recommended albums of the song are introduced.\u003cbr\u003e There are a total of 100 albums, ranging from historical masterpieces to masterpieces by skilled performers.\u003cbr\u003e In addition to existing albums that have a reputation as masterpieces, it also includes albums recorded in the 2000s that are not to be missed.\u003cbr\u003e Of course, it wasn't chosen arbitrarily by the author.\u003cbr\u003e We consulted major music magazines from various countries and listened closely to the opinions of domestic critics and music industry insiders. \u003cbr\u003eIn particular, the performances included in the recommended albums are ones that the author has listened to countless times, and rather than just lamenting the performances, he explains the strengths and weaknesses of the performances from his own critical perspective.\u003cbr\u003e For example, regarding Karl Böhm's 1971 recording of Mozart's Requiem in D minor, he praised it as \"an interpretation that deeply projects the inherent tragedy with a flowing flow,\" and regarding Hogwood's recording of the same piece (1980s), he delicately distinguished the characteristics of each performance, saying, \"Among the many performances of Requiem, this one stands out for its 'sadness.'\"\u003cbr\u003e The author, who confesses that “since readers are actually opening their wallets, I couldn’t help but feel reverent when choosing a single album,” is confident that this selection will be the ultimate guide for readers who are struggling to decide which album to choose.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA \"Music Letter\" for those looking to break away from classical music.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eSince the publication of his first book, the author has given numerous public lectures to hear firsthand the concerns readers have about classical music.\u003cbr\u003e Readers have easy access to music through radio and smartphones, but they have difficulty opening their hearts and approaching music.\u003cbr\u003e In that sense, this book is a 'ground lecture' for \"those who are just about to open the door to classical music and take the first step, and those who have already fallen in love with the fun and emotion of music to some extent.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author avoids expert commentary and approaches each song using simple terms and a sensitive writing style whenever possible.\u003cbr\u003e This is a consideration to alleviate the vague sense of unfamiliarity and fear that people who are just starting out in classical music may feel.\u003cbr\u003e In particular, at the end of the commentary, points to appreciate for each movement of each song are summarized. \u003cbr\u003eWhen listening to music, it emphasizes passages that the average listener might miss, or conveys the basic emotions contained in each song.\u003cbr\u003e Of course, it doesn't stop there. Through the song, the author expresses his own feelings in his own unique, sensual language.\u003cbr\u003e For example, the commentary describing the first movement, 'Summer', of Vivaldi's 'The Four Seasons' is fascinating.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “In the season when the sun shines strongly, people and livestock lose their vitality, and the trees and grasses become exhausted from the heat.\u003cbr\u003e The cuckoo chirps, the wood pigeons and the blackbirds sing.\u003cbr\u003e A pleasant breeze blows from somewhere.\u003cbr\u003e Then suddenly the north wind blows over the breeze, and the shepherd, fearing the rain, laments his misfortune and weeps.” Listen to the scene where the solo violin depicts the cuckoo's cry.\u003cbr\u003e Next, the songs of the wood pigeon and the blackbird are heard. \u003cbr\u003eThe scene of the north wind blowing is powerfully played by the entire ensemble, and the shepherd's tears are again expressed by the sad melody of the solo violin.\u003cbr\u003e (Page 63)\u003cbr\u003e\u003cbr\u003e Also, in the fourth movement of Beethoven's late work, String Quartet No. 16 in F major, a sensual commentary connects the musician's last life with the piece.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The fourth movement begins with a slow and gloomy introduction.\u003cbr\u003e This final movement, with its titular phrase \"A difficult decision,\" is cryptically written with the words \"Must it be so?\" and \"It must be so,\" giving rise to various interpretations.\u003cbr\u003e (……) The music flows in the form of a ‘question and answer’ where the viola and cello ask heavily, ‘Should it be so?’ and the violin softly answers, ‘It must be so.’\u003cbr\u003e At first he was hesitant, but then his tone of voice gradually grew more confident and his answers became more intense. \u003cbr\u003eSo the 'It has to be that way!' that appears at the end is very strong and firm.\u003cbr\u003e That is the 'last word' that Beethoven left behind in music.\u003cbr\u003e (Page 350)\u003cbr\u003e\u003cbr\u003e In this way, the author's deep love for music and musicians is evident in every page of this book.\u003cbr\u003e Rather than providing expert commentary, the author aims for empathy, hoping that readers will share the same emotions he received from music.\u003cbr\u003e For some readers, it might feel like receiving a 'musical letter' from a friend or lover.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIt takes stamina to listen to music\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Classical music has evolved from being the exclusive domain of the upper class to music enjoyed by ordinary people today.\u003cbr\u003e But many people still feel distant from classical music.\u003cbr\u003e The author points out that the reason is that we live hectic lives, absorbed in work and other entertainment. \u003cbr\u003eBecause listening to music requires leisure in life and the empty space in your heart that comes from it.\u003cbr\u003e On the other hand, it is pointed out that although classical music has become easily accessible through various media, this 'abundance' has actually reduced the desire for music.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e So, how can we truly experience and enjoy music in this reality? The author offers readers some helpful advice.\u003cbr\u003e First, listen to the 34 songs introduced in this book repeatedly.\u003cbr\u003e From the author's experience, music is an art that is not understood with the head, but rather felt with the whole body.\u003cbr\u003e If we keep listening to it, it will eventually be stored in our bodies, and when the melody and harmony of the song are memorized, at some point the overall structure of the music will unfold before our eyes.\u003cbr\u003e Therefore, it is not surprising that the author emphasizes ‘endurance’ as a virtue of listening to classical music. \u003cbr\u003eBecause listening to classical music requires more time and patience than any other genre of art.\u003cbr\u003e The author explains that only when we are ready to knock on the door of classical music with such 'earnestness' will music truly become a companion in our lives.\u003cbr\u003e In that respect, the \"The Classics\" series, which selects the best musical heritage of humanity, will be an invaluable guide for readers seeking to delve into music. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of publication:\u003c\/strong\u003e May 18, 2014\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 360 pages | 552g | 152*205*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788971996010\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8971996013 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894801301546,"sku":"109322","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/0b099955b364a546bc3bc78aadf1e47b.jpg?v=1765446638","url":"https:\/\/librairie.coreenne.fr\/en\/products\/109322","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}