{"product_id":"112928","title":"Hilma af Klint Biography ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYEg5kHRupuxKTn8s9qIiD0C5YNLf.png?v=1765125585\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Hilma af Klint's Biography \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/105175306\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“People will be amazed by the attempts I have made.”\u003cbr\u003e The most important rediscovery in modern art history: the life of Hilma af Klint.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Hilma af Klint is one of the most important rediscoveries in the history of modern art. \u003cbr\u003eThe Hilma af Klint retrospective held at the Solomon R. Guggenheim Museum in New York in 2018 recorded the largest number of visitors since its opening.\u003cbr\u003e The exhibition catalog became the museum's best-selling book.\u003cbr\u003e Since 2019, Af Klint's paintings have been on loan to the Museum of Modern Art in New York's New Collections Gallery, propelling the outsider of art history into stardom.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Hilma af Klint, a Swedish female painter who began abstract painting before Kandinsky, Mondrian, and Malevich, had been thoroughly excluded from existing art history until then.\u003cbr\u003e Af Klint's unusual paintings were only widely shared and disseminated by future generations who visited the museum.\u003cbr\u003e Many questions followed.\u003cbr\u003e What motivated this female artist? What did she hope to achieve? Who writes art history? Who was excluded, and why?\u003cbr\u003e \u003cbr\u003eBased on extensive research, Hilma af Klint: A Biography tells the extraordinary life of an exceptional artist, shatters stereotypes and myths about artists.\u003cbr\u003e This book will be your key to the life of Hilma af Klint, bringing the past vividly into the future that has become the present.\u003cbr\u003e It is your job to turn your gaze to the excluded history and look into the world that has been invisible.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The Life Journey of Hilma af Klint\u003cbr\u003e Introduction\u003cbr\u003e Five Things You Need to Know About Hilma af Klint\u003cbr\u003e preface\u003cbr\u003e Return to Uppsala\u003cbr\u003e\u003cbr\u003e \u003cb\u003eI.\u003cbr\u003e Family history, childhood and youth in Stockholm\u003c\/b\u003e\u003cbr\u003e Mary Wollstonecraft visits Sweden and is upset.\u003cbr\u003e Great-grandfather Eric Clint was ennobled\u003cbr\u003e birth\u003cbr\u003e Academics and Faith\u003cbr\u003e An exhibition held in London  \u003cbr\u003eBertha Valerius and the Dead\u003cbr\u003e Kerstin Cardon's School of Painting\u003cbr\u003e Hermina dies\u003cbr\u003e\u003cbr\u003e \u003cb\u003eII.\u003cbr\u003e Academic and Independent Period at the Academy\u003c\/b\u003e\u003cbr\u003e Academy\u003cbr\u003e Guardian spirit\u003cbr\u003e receive an award\u003cbr\u003e Anna Cassel\u003cbr\u003e First experience as a medium in 1891\u003cbr\u003e My days in the atelier and traveling\u003cbr\u003e Dr. Helladay and Love\u003cbr\u003e 5-person group\u003cbr\u003e Art from the East\u003cbr\u003e Roses and Crosses\u003cbr\u003e Time spent at the Veterinary Research Institute\u003cbr\u003e Children's books and decorative arts\u003cbr\u003e Italy\u003cbr\u003e genius\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIII.\u003cbr\u003e Paintings for the temple\u003c\/b\u003e\u003cbr\u003e Old paintings\u003cbr\u003e revolution\u003cbr\u003e First chaos\u003cbr\u003e Eros\u003cbr\u003e spirit medium\u003cbr\u003e Ten large paintings\u003cbr\u003e I was a tool of the mindless realm\u003cbr\u003e Rudolf Steiner visits Sweden\u003cbr\u003e youth faction\u003cbr\u003e Sigrid Lansen\u003cbr\u003e Women Artists Association\u003cbr\u003e Frank Heimann\u003cbr\u003e A kingdom built on an island in Lake Mälaren\u003cbr\u003e The first exhibition held at a gathering of Theosophists\u003cbr\u003e Tree of Awareness\u003cbr\u003e kiss\u003cbr\u003e Singoala\u003cbr\u003e Baltic Sea Exhibition\u003cbr\u003e war\u003cbr\u003e St. George\u003cbr\u003e Kandinsky staying in Stockholm\u003cbr\u003e Parsifal and the Atom  \u003cbr\u003eAtelier building on Moonsoe Island\u003cbr\u003e Thomasine Andersson\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIV.\u003cbr\u003e Dornach, Amsterdam and London\u003c\/b\u003e\u003cbr\u003e An art gallery in a suitcase\u003cbr\u003e Flowers, moss, lichens\u003cbr\u003e My first visit to the Goetheanum\u003cbr\u003e S = Schlange = Ormen\u003cbr\u003e Fire and Letter\u003cbr\u003e Amsterdam\u003cbr\u003e London\u003cbr\u003e\u003cbr\u003e \u003cb\u003eV.\u003cbr\u003e Temple and the Afterlife\u003c\/b\u003e\u003cbr\u003e Temple and Spiral\u003cbr\u003e +x\u003cbr\u003e Temple built in New York\u003cbr\u003e Lightning over London\u003cbr\u003e future humans\u003cbr\u003e Nazism\u003cbr\u003e Speech given in Stockholm\u003cbr\u003e German 'mutant' art and New York abstract art\u003cbr\u003e Plans for the Tura Clean and Art Museum\u003cbr\u003e The last few months\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Concluding remarks\u003cbr\u003e Addendum by Johann af Klint\u003cbr\u003e Addendum by Ulrika af Klint\u003cbr\u003e Acknowledgements\u003cbr\u003e List of Hilma af Klint's travel destinations and residences\u003cbr\u003e Hilma af Klint's collection\u003cbr\u003e References\u003cbr\u003e List of illustrations and photographs\u003cbr\u003e Translator's Note\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate3686\/MidCate002\/368513215.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e But she had no interest in creating illusions.\u003cbr\u003e Rather, it was the opposite. \u003cbr\u003eNothing she created with her brush belonged to reality as people knew it.\u003cbr\u003e She had a natural talent for seeing things not as they are, but as they could be.\u003cbr\u003e Her work does not deal with objects or boundaries.\u003cbr\u003e In her work, life appears undistorted, vibrantly moving and beautiful, buzzing, buzzing and spinning.\u003cbr\u003e --- p.34\u003cbr\u003e\u003cbr\u003e Hilma af Klint, wearing buttoned-up clothes up to her neck, looks at the men wearing nothing but a small piece of cloth and draws them.\u003cbr\u003e She and a dozen other female students periodically look at the male model.\u003cbr\u003e This is an arrangement that turns art history upside down.\u003cbr\u003e A clothed woman drawing a naked man. \u003cbr\u003eWhat tradition is this scene based on? Many male artists and professors have deemed it unsightly, unnatural, and grotesque.\u003cbr\u003e It is for this very reason that royal academies of art elsewhere in Europe continued to reject women.\u003cbr\u003e --- p.129\u003cbr\u003e\u003cbr\u003e Hilma af Klint did not portray the king's daughter with the wide, terrified eyes that usually seek the viewer's gaze, as if helplessly pleading.\u003cbr\u003e The Andromeda she drew turns its head towards the sea.\u003cbr\u003e She acts professionally, like a captain who is cool, cautious, and tries to figure out the situation without believing in sea monsters or anything like that.\u003cbr\u003e No tears, no pleading, no shaking of the feet or twisting of the body.\u003cbr\u003e Andromeda's attitude does not at all indicate that her life is in danger.\u003cbr\u003e She is standing upright. \u003cbr\u003eFrom the figure of the victim, a female hero emerged, a master in control of the situation.\u003cbr\u003e In the long history of art, no one had ever thought of showing a princess, unafraid, waiting for a sea monster.\u003cbr\u003e --- p.139~140\u003cbr\u003e\u003cbr\u003e In contrast, the works of female artists were relegated to the farthest corners of the labyrinthine exhibition hall, two small spaces next to the stairs and the emergency exit.\u003cbr\u003e In order to ensure that no member of the association was excluded, the walls were densely hung with a total of 200 paintings.\u003cbr\u003e Although Af Klint is no longer a member after leaving the group, one of her paintings is on display.\u003cbr\u003e But finding that picture is as hard as finding a needle in a haystack.\u003cbr\u003e --- p.352\u003cbr\u003e \u003cbr\u003eIsn't this artist's life a reckless struggle? Hilma af Klint is 64, but despite all her circumstances, she hasn't lost her greatest strength: the ability to start and see things through.\u003cbr\u003e Every rejection is a beginning.\u003cbr\u003e Every ending is also a beginning.\u003cbr\u003e This artist seems to lack the patience needed to finish his work.\u003cbr\u003e She keeps losing sight of patience, and patience is ebbing away like the tide.\u003cbr\u003e One plan leads to the next, and she continues to open up new territory in a constantly changing form.\u003cbr\u003e --- p.425~426\u003cbr\u003e\u003cbr\u003e Little did the painter in Stockholm know that at the same time, on the other side of the Atlantic, the doors were wide open for explicitly non-figurative painting.\u003cbr\u003e (…) From now on, the canon of art that will be formed in New York will be determined by Alfred Barr’s perspective on history. \u003cbr\u003eAbstraction would be regarded as a formalist experiment for decades to come, with Kandinsky, Mondrian, Malevich and Kupka proclaimed as its inventors.\u003cbr\u003e As with spiritual beings and spiritual values, there is no place for women there.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.505\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Hilma af clintrani!\u003cbr\u003e Was there a painter with that name?\u003cbr\u003e Why on earth is her name not written in art history?\u003cbr\u003e Who is this man who trusted in the coming generation, who has not yet been born?\u003cbr\u003e What motivated this spiritual painter?\u003cbr\u003e What was she trying to achieve?\u003cbr\u003e Who writes art history? Who is excluded, and why?\u003cbr\u003e This book is an attempt to find answers to these questions.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe most important rediscovery in modern art history: the life of Hilma af Klint.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “First of all, I will try to understand the flowers of the earth, starting from the plants of the earth. \u003cbr\u003eThen we will try to study in the same detail what lives in the water on Earth.\u003cbr\u003e Next, the blue sky with its numerous animal figures will become the subject of my research.\u003cbr\u003e And finally, we will go into the forest, study the silent moss, and study the animals that live in the trees and cold, dark undergrowth.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“Art history must be rewritten.”\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Hilma af Klint was a revolutionary genius, but a completely forgotten painter.\u003cbr\u003e For just three years now, her presence and paintings have been generating a lot of buzz worldwide.\u003cbr\u003e Hilma af Klint was an abstract painter before Kandinsky.\u003cbr\u003e Why was she so unknown? There's only one reason: Hilma af Klint was a woman.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e As Europe experienced turmoil, including repeated revolutions and two world wars, the flow of modern art shifted to the United States. \u003cbr\u003eWorld art is defined by the views of Alfred Bahr, who was the first director of the Museum of Modern Art in New York at the time.\u003cbr\u003e This illustrates the consequences of people in positions of influence being narrow-minded or biased.\u003cbr\u003e In defining abstract art, he proclaims Kandinsky, Mondrian, and Malevich as its founders.\u003cbr\u003e Even though there were women who painted abstract paintings before or around the same time as them.\u003cbr\u003e There was no place for women in Bar's praise.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA female artist who tried to escape the male-dominated art world.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Hilma af Klint was educated in a wealthy environment and was an intelligent woman who was good at drawing from a young age, but was also interested in natural science, humanities, and prophecy. \u003cbr\u003eAlthough many European art academies still refused to admit women, she entered the Royal Academy of Fine Arts in Stockholm.\u003cbr\u003e As a painter, she created some of the most original and forward-thinking paintings of her time.\u003cbr\u003e But in the authoritarian art world, Af Klint was always discriminated against 'because she was a woman.'\u003cbr\u003e At an event showcasing the works of some 200 Academy members, only two of her paintings were displayed in the most remote corners of the exhibition hall, next to the stairwell and the emergency exit.\u003cbr\u003e Of course, no one could be interested in her.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePainting for the next generation\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Amidst this unfair treatment, Hilma af Klint leaves the art association.\u003cbr\u003e But she didn't stop drawing.\u003cbr\u003e Instead, I draw pictures by myself.\u003cbr\u003e Break away from the established art world and don't interact with anyone. \u003cbr\u003eAf Klint began to paint pictures that, in his own judgment, were timeless.\u003cbr\u003e I didn't paint to sell.\u003cbr\u003e But she knew that one day her paintings would be appreciated and displayed permanently.\u003cbr\u003e However, he thought that his contemporaries did not have the eyes to appreciate his paintings.\u003cbr\u003e Therefore, her paintings were for the next generation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e“Open the painting 20 years after I die.”\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In 1932, at the age of 70, Hilma organized all her paintings herself.\u003cbr\u003e Get rid of a lot of records and notes, and re-classify and organize the pictures.\u003cbr\u003e Then, mark +X with a pencil on your notebook.\u003cbr\u003e And he writes, “This marked painting should be opened 20 years after my death.”\u003cbr\u003e It was like putting something in a time capsule and sending it into space or burying it underground. \u003cbr\u003eAccording to Af Klint's will, all of her paintings were bequeathed to her nephew, Vice Admiral Erik af Klint of the Swedish Navy.\u003cbr\u003e And the nephew faithfully carried out his aunt's will.\u003cbr\u003e Eric kept his aunt's paintings safe from anyone's reach, and after 20 years, the sealed boxes were opened.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIt doesn't appear in textbooks or art history books.\u003cbr\u003e 600,000 people flock to the painter's retrospective!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The 2018 Hilma af Klint retrospective at the renowned Guggenheim Museum in New York attracted 600,000 visitors, the largest attendance in the museum's history.\u003cbr\u003e This is an exhibition of a painter who doesn't appear in textbooks or art history books.\u003cbr\u003e Her art collection has become the museum's best-selling catalog since its opening. \u003cbr\u003eAdditionally, her paintings have been on tour in major European cities since 2019, attracting over 10 million visitors.\u003cbr\u003e Just one exhibition has brought art history and art textbooks to a point where they need to be revised.\u003cbr\u003e Hilma af Klint was the first to start abstract art, and she painted more beautiful pictures than anyone else.\u003cbr\u003e And they are now visible to all.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe Hilma af Klint craze continues in Korea!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Interest in Hilma af Klint is just beginning.\u003cbr\u003e Especially in her home country, she is still little known.\u003cbr\u003e I will not speak of the tragic private life and mysterious anecdotes of her later life. \u003cbr\u003eAs readers read this biography, I hope they will discover the fascinating life of a truly fascinating artist and the magnificent life of an unfortunate woman born in the wrong era.\u003cbr\u003e Getting to know an artist is not only about getting to know a person and his life, but also about an era and society, and furthermore, it leads to an understanding of art in general.\u003cbr\u003e This is the value of a biography.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Here is a book about the most brilliant and outstanding woman in the world, yet she was abandoned by the world.\u003cbr\u003e It contains all of one woman's hopes, glory, and torn pain.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA Crucial Rediscovery of Modern Art History: Hilma af Klint\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Hilma af Klint is one of the most important rediscoveries in the history of modern art.\u003cbr\u003e The Hilma af Klint retrospective held at the Solomon R. Guggenheim Museum in New York in 2018 recorded the largest number of visitors since its opening. \u003cbr\u003eThe exhibition catalog became the museum's best-selling book.\u003cbr\u003e Since 2019, Af Klint's paintings have been on loan to the Museum of Modern Art in New York's New Collections exhibition, propelling the outsider of art history into stardom.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Hilma af Klint, a Swedish female painter who began abstract painting before Kandinsky, Mondrian, and Malevich, had been thoroughly excluded from existing art history until then.\u003cbr\u003e Af Klint's unusual paintings were only widely shared and disseminated by future generations who visited the museum.\u003cbr\u003e Many questions followed.\u003cbr\u003e What motivated this female artist? What did she hope to achieve? Who writes art history? Who was excluded, and why?\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eDrawing the invisible dimension\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Darwin's announcement of the theory of evolution, proof of the existence of atoms, discovery of Roentgen, invention of the microscope and incandescent light bulb... \u003cbr\u003eFrom the late 19th century to the early 20th century, science made remarkable progress.\u003cbr\u003e This made it possible to confirm existences that had previously been invisible to the eye, and those who believed in the spiritual world or souls were convinced that invisible things powerfully worked to shape humans and the world.\u003cbr\u003e Those who believed that the invisible dimension was more important created 'Theosophy' or 'Anthroposophy'.\u003cbr\u003e The figures in modern art who began abstract art in the early 20th century are those who sympathized with or paid attention to the trend that emphasized that spirit.\u003cbr\u003e\u003cbr\u003e In the midst of that flow was Hilma af Klint.\u003cbr\u003e She developed her own theories of spiritualism and was an artist with a rare level of knowledge and understanding of natural science for her time.\u003cbr\u003e He attempted to harmonize spirituality and scientific knowledge, and left his view of the universe in drawings. \u003cbr\u003eAf Klint knew that there were phenomena that could not be expressed in words, and he painted what could not be expressed.\u003cbr\u003e She had no interest in creating illusions, and what she painted did not belong to the reality people knew.\u003cbr\u003e Af Klint had a natural talent for seeing things not as they are, but as they 'could be'.\u003cbr\u003e Her work is directed not at the subject or the boundaries, but at the 'invisible'.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eExcluded Women Painters and the Unrecorded History of Abstraction\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In such a time, female painters such as Georgiana Hutton and Hilma af Klint pioneered the development of abstract art.\u003cbr\u003e However, women were ultimately excluded from the history of abstract art.\u003cbr\u003e It was a time when the movement for women's suffrage was taking place in Sweden, and only men were appointed as teachers in the academy. \u003cbr\u003eThe works of female artists were often pushed to the farthest corners of the labyrinthine exhibition hall, next to the stairs and emergency exits.\u003cbr\u003e Karin, the wife of the painter Carl Larsson, once attempted to become a painter as a student at the Stockholm Academy, but after marrying Carl Larsson, she was stripped of her identity as a painter and was reduced to a model for her husband's paintings.\u003cbr\u003e\u003cbr\u003e In the midst of the turbulent world history of revolution and world war, the leadership of art shifted to New York, USA.\u003cbr\u003e From then on, the flow of art was determined by the views of Alfred Barr, the first director of the Museum of Modern Art in New York.\u003cbr\u003e Abstract art was later seen as a formalist experiment in the following decades, with Kandinsky, Mondrian, Malevich and Kupka being 'proclaimed' as its inventors.\u003cbr\u003e There is no place for women there. \u003cbr\u003eThe spiritual and feminine irrationality that dominated the flow of abstract art was eliminated, and the leading role in interpretation was transferred to abstract art as a formal experiment based on masculine reason and logic.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eTurning our gaze to the next generation and the future\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Despite this, Hilma af Klint never gave up drawing.\u003cbr\u003e Every rejection becomes a beginning.\u003cbr\u003e She worked with the intention of creating works that would be permanently collected in a museum, not for sale.\u003cbr\u003e He archived his drawings by transferring them to small albums so that he could take them out and show them at any time.\u003cbr\u003e But in the end, she says goodbye to the contemporary art world.\u003cbr\u003e It seeks greater meaning than simply occupying a firm place in the history of painting.\u003cbr\u003e It sought to break down rigid systems of thought and order, including the dichotomies of gender, class, materialism, capitalism, and East and West.\u003cbr\u003e \u003cbr\u003eHilma af Klint chooses the next generation over those who do not understand her paintings.\u003cbr\u003e She did not doubt her own work, but she doubted and decided the meaning of her contemporaries.\u003cbr\u003e In 1932, Hilma af Klint marked a +x in pencil in her notebook and wrote an explanation below it.\u003cbr\u003e “All works marked above should be opened 20 years after my death.” Her works were placed in a time capsule and launched into the future.\u003cbr\u003e Both the understanding of the work that initiated the history of abstract art and the evaluation of the figure who pioneered women's lives by not giving up are now the responsibility of future generations.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eViewing the artist's life through the eyes of future generations\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The baton passed by Hilma af Klint is now in our hands. \u003cbr\u003eIt is important not only to appreciate and try to understand the work, but also to talk about the individual who created the work and his or her life.\u003cbr\u003e\u003cbr\u003e Women's lives have not been a topic of conversation for a very long time.\u003cbr\u003e As a result, people have come to believe that there is nothing to talk about when it comes to women.\u003cbr\u003e Not only the work, but also the individual artist was underestimated.\u003cbr\u003e Because the creation, history, events, or relationship of the work to other artists and their work is not conveyed, art quickly becomes a personal affair.\u003cbr\u003e Without information, context, and surroundings, the entire work is diminished.\u003cbr\u003e As a result, the work becomes smaller and smaller, unviewable, and meaningless.\u003cbr\u003e\u003cbr\u003e Based on extensive research, Hilma af Klint: A Biography tells the extraordinary life of an exceptional artist, shatters stereotypes and myths about artists. \u003cbr\u003eThis book will be your key to the life of Hilma af Klint, bringing the past vividly into the future that has become the present.\u003cbr\u003e It is your job to turn your gaze to the excluded history and look into the world that has been invisible.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “I am very small and insignificant, but I feel a great force flowing within me that compels me to move forward.” - Hilma af Klint (1862-1944) \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e November 10, 2021\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 624 pages | 916g | 148*222*50mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791189346270\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1189346273 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43893888909354,"sku":"112928","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/de7fdb1fa5318788ba4ec76f9bc36f9c.jpg?v=1765422487","url":"https:\/\/librairie.coreenne.fr\/en\/products\/112928","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}