{"product_id":"114312","title":"Salon de Gyeongseong 2 ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYEEDTPngnP4To8nC4RUhJosMUqwh.png?v=1765125338\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Salon de Gyeongseong 2 \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/145710715\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eFrom Lee Sang-beom, who attempted to transform Korean painting, to Cheon Gyeong-ja, who was an icon of the times,\u003cbr\u003e From Nam Kwan, a successful artist in Paris, to the master of abstract art, Yun Hyung-geun\u003cbr\u003e An exhibition of modern Korean painters spanning a century\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Korean modern art is emerging as something 'cool' among the younger generation. \u003cbr\u003eSince the opening of the Lee Kun-hee Collection in 2021, exhibitions of modern artists such as Lee Ungno, Jang Wook-jin, and Won Kye-hong have become a popular attraction, and local art museums are also seeing an increase in visitors.\u003cbr\u003e Public interest in modern Korean art has become an important phenomenon, transcending mere cultural consumption.\u003cbr\u003e\u003cbr\u003e During this period, Kim In-hye, the curator and art historian at the National Museum of Modern and Contemporary Art, published 『Salon de Gyeongseong 2』, which covers the lives and art of modern Korean painters.\u003cbr\u003e This is the sequel to 『Salon de Gyeongseong』, which is a collection of the popular column in 『Chosun Ilbo』, 『Kim In-hye's Salon de Gyeongseong』, which \"even BTS RM reads avidly.\"\u003cbr\u003e This book, which covers the lives and works of 23 artists, including 20 articles from the latter half of the column and newly written sections on Lee Ungno, Seo Se-ok, and Yun Hyung-geun, covers a wider range of time and space than the previous work. \u003cbr\u003eFrom painters born in the late 1800s, such as Oh Se-chang, Go Hee-dong, and Byeon Gwan-sik, to painters born in the early 1900s, such as Jeon Hyeok-rim, Won Gye-hong, and Yun Hyeong-geun, from traditional Korean painters to Western painters who pioneered and entered the world, the range is truly wide and diverse.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e They had to face the greatest storms of modern Korean history, from the fall of Joseon to colonial rule and the Korean War, but they were not discouraged.\u003cbr\u003e The stories of artists who lived in their own regions, such as Jeon Hyeok-rim of Tongyeong and Jeong Jeom-sik of Daegu, as well as Byeon Gwan-sik, who traveled the country painting the Geumgang River all his life, the \"wandering painter\" Byeon Jong-ha, the adventurer Kim Dong-seong who went to the United States, and Lee Ungno, who raised the bar of Korean art in Paris, unfold vividly before the readers' eyes.\u003cbr\u003e\u003cbr\u003e Author Kim In-hye has presented this vast story in an engaging way, using her signature thoughtful narrative and thorough research, as seen in her previous works. \u003cbr\u003eThe stories of genius painters who, even in the darkest of historical times, blossomed with their artistic spirit, those who desperately immersed themselves in the agony of pursuing their own art and united to continue the tradition of art and survive, are deeply moving in themselves.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e prolog\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1: The Path of Art in an Age of Turmoil\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 01 “Be careful, but when the opportunity arises, you must act quickly.” _Oh Se-chang\u003cbr\u003e 02 The Korean Peninsula Became a Tiger at the Tip of His Brush _ Ahn Jung-sik\u003cbr\u003e 03 The first Western painting by a Korean was a self-portrait. _Go Hee-dong\u003cbr\u003e 04 The \"Idiots\" Who Shake Up Joseon's Painting World - Kim Dong-seong and Noh Su-hyeon\u003cbr\u003e 05 How can a fisherman who sails a boat in troubled times be so peaceful? _Lee Sang-beom\u003cbr\u003e 06 A stubborn man like Geumgang, the magnificent Korean mountains he portrays _Byeon Gwan-sik\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2: A Fervent Prayer for Art\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e01 The soft light of Baekje Buddha statues opens a passage to another world _ Jeon Hwang\u003cbr\u003e 02 A small man weighing 40 kilograms rolled across the canvas and painted a masterpiece. _Park Saeng-gwang\u003cbr\u003e 03 The Most Splendid Treasure Painted by the Poorest Painter _ Jeon Hyeok-rim\u003cbr\u003e 04 Sunsets Painted Whenever Home Comes to Mind, Brushing the \"Age of Loss\" _Yoon Jung-sik\u003cbr\u003e 05 The Heart of Placing a New Rose in a Vase Every Dawn _ Won Gye-hong\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: The Sages on the Road Not Taken\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The sound of hammers heard every day in Room 01 was a silent education. _Kim Jong-young\u003cbr\u003e 02 70 pieces in the Lee Kun-hee Collection alone, a versatile pioneer of Korean crafts _Yoo Kang-yeol\u003cbr\u003e 03 The owner of the artists' love room and a collector with a keen eye for art _Jeong Mu-muk\u003cbr\u003e 04 Jin-Hwan, a cow with the wings of a genius who could not fly\u003cbr\u003e 05 I threw away my paintbrush three times, but the painting was destined to be like that _Jeong Jeom-sik\u003cbr\u003e 06 After a journey through despair, the artist opened his book to page 22. _Cheon Kyung-ja\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: Connecting with the World through Korean Art\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e01 A Korean with a strong will who achieved success in Paris but was terribly lonely _Nam Gwan\u003cbr\u003e 02 A life of suffering, never having a good day, and what he drew at the end was coexistence _Lee Ungno\u003cbr\u003e 03 “An artist cannot paint if his mental age is over five years old.” _Kwon Ok-yeon\u003cbr\u003e 04 Joseon's Don Quixote, who rushed towards art _Byeon Jong-ha\u003cbr\u003e 05 Challenging the Impossible: Expressing Shapes Beyond Shapes _Seo Se-ok\u003cbr\u003e 06 A space that spreads without a care, a dimensional door that opens there _Hyung-Geun Yoon\u003cbr\u003e\u003cbr\u003e Americas\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5283\/MidCate008\/528279236.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e There was a world where I couldn't speak or cry.\u003cbr\u003e So, it was a world that could only be expressed through pictures!\u003cbr\u003e\u003cbr\u003e If we combine the 'han' of these people, their power alone would easily be enough to rebuild a new country, but the reality of our country is that we do not have even one proper modern art museum where the works of these many artists are neatly gathered!\u003cbr\u003e\u003cbr\u003e However, I am confident that things will get better little by little. \u003cbr\u003eThe basis of confidence is none other than ‘love.’\u003cbr\u003e Love as spoken of by sculptor Kim Jong-young.\u003cbr\u003e Didn't he say, \"All values ​​in life are based on love, and art is the processing of love?\"\u003cbr\u003e The source of our hearts is not hatred, envy, or anger, but fundamentally love.\u003cbr\u003e When people's affection gathers together, it becomes strength, and that strength will move and create something.\u003cbr\u003e I have such a 'well-founded' belief.\u003cbr\u003e And I hope this book will be of some help in creating such a movement.\u003cbr\u003e ---From the \"Prologue\"\u003cbr\u003e\u003cbr\u003e “Not being able to draw is like death to me”_Lee Ungno\u003cbr\u003e\u003cbr\u003e According to the memoirs of Go Hee-dong, a junior painter who admired Oh Se-chang, Oh Se-chang said the following while under surveillance by the Japanese police immediately after the Gyeongsul National Shame. \u003cbr\u003e“You must be cautious in your words and actions, and when the opportunity arises, you must not miss it and act swiftly.\u003cbr\u003e “Just wait and see.”\u003cbr\u003e\u003cbr\u003e In this way, he organized ancient documents and wrote books while being a benefactor, studied epigraphy to restore classics, and collected or personally made calligraphy and seals in large quantities.\u003cbr\u003e He may have seemed like he was just leisurely playing, but he was working hard and waiting for his time.\u003cbr\u003e And in 1919, he suddenly rose up and led the March 1st Movement with Son Byeong-hui, and was imprisoned for 2 years and 8 months as a result.\u003cbr\u003e\u003cbr\u003e ---「Chapter 1 - 01 “Be careful, but when the opportunity arises, you must act quickly” _ Oh Se-chang」\u003cbr\u003e\u003cbr\u003e There was this anecdote when he first entered school.\u003cbr\u003e A Japanese professor pointed to a white plaster statue and asked, “What color is this?”\u003cbr\u003e Go Hee-dong wondered why he was being asked such a simple question, so he answered, “It’s white.” \u003cbr\u003eThen he pointed to the plaster statue again and asked, “What color is this?”\u003cbr\u003e Go Hee-dong suppressed his displeasure, thinking that he was being ignored, and answered, “It’s white.”\u003cbr\u003e Then the professor asked, “This side looks white because it receives light, but the other side does not receive light and is shaded. Does it still look the same color?”\u003cbr\u003e Go Hee-dong felt ashamed of his ignorance.\u003cbr\u003e That's how he first learned the art of shading and how to observe things objectively.\u003cbr\u003e This was a completely different approach from the Oriental painting perspective that had persisted for thousands of years.\u003cbr\u003e ---「Chapter 1 - 02 Self-portrait of a Korean by the first Western painter in Joseon _ Go Hee-dong」\u003cbr\u003e\u003cbr\u003e In 1977, he held a solo exhibition at Jinhwa Gallery in Seoul and secured a sponsor for the first time in his life.\u003cbr\u003e Park Saeng-gwang asked him first. \u003cbr\u003e“There is a picture I want to paint before I die, so please help me.” (Omitted) He painted historical paintings at the end of his life.\u003cbr\u003e I completed [Empress Myeongseong] in 1983 and drew [Jeon Bong-jun] in 1985.\u003cbr\u003e Next, I was planning to draw Ahn Jung-geun and Yun Bong-gil, but it did not come to fruition.\u003cbr\u003e Park Saeng-gwang was already diagnosed with laryngeal cancer in July 1984.\u003cbr\u003e With little time left, the artist's mind became more anxious, and he worked for more than 10 hours a day.\u003cbr\u003e Sponsor Kim Ihwan lamented that the reason Park Saeng-gwang got laryngeal cancer was probably because of the soft-bowel injections he always sucked in and spit out.\u003cbr\u003e After using cinnabar, which was particularly expensive among paints, Park Saeng-gwang always washed the brush with his mouth.\u003cbr\u003e After gently sucking the paint out of my mouth, I carefully spit it out into the paint dish to use again.\u003cbr\u003e It may have been to save on paint, but it is possible that the mineral component of the light injection was causing the cancer. \u003cbr\u003ePark Saeng-gwang must have had so many paintings to show to future generations, even sparing his paints.\u003cbr\u003e ---「Chapter 2 - 02 A man weighing 40 kilograms rolled over the canvas and painted a masterpiece _ Park Saeng-gwang」\u003cbr\u003e\u003cbr\u003e So, the exhibition commemorating the 100th anniversary of Won Gye-hong's birth held at the Seonggok Art Museum in 2023 was a dramatic reversal.\u003cbr\u003e In the 1980s, there were two collectors who fell in love at first sight with Won Gye-hong's work that was kept by his family.\u003cbr\u003e They kept the works for over 40 years, and then, to commemorate the 100th anniversary of the artist's birth, they unveiled over 100 of his works to the world for the first time.\u003cbr\u003e What was most surprising was that this exhibition became a huge success thanks to word of mouth among the MZ generation.\u003cbr\u003e Young audiences, led by BTS's RM, continued to flock to the exhibition, and the exhibition period was eventually extended.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eIt is quite difficult for our generation to understand the spiritual world of Won Gye-hong, who was born over 100 years ago and lived through a time of war and chaos.\u003cbr\u003e But, as the artist claimed, is the \"essence of painting\" something that transcends time? Perhaps Won Gye-hong dedicated his life to a single path—painting—and created this vast body of work, seeking to prove that truth, even if only now.\u003cbr\u003e ---From \"Chapter 2 - 05 Only One Path, Devoting One's Life to Finding the Essence of Painting _ Won Gye-hong\"\u003cbr\u003e\u003cbr\u003e Strangely enough, Cheon Kyung-ja's 1960s works, painted in this state of entanglement of anxiety and happiness, possess a unique beauty that no one can imitate.\u003cbr\u003e Her work at the time was fantastically beautiful yet trembled with a subtle anxiety.\u003cbr\u003e This is an unprecedented work in which the so-called 'feminine sensibility' is expressed so honestly. \u003cbr\u003eThings that were usually considered 'errors' in a strict Confucian society, such as weakness, anxiety, and vain hope, emerged as serious themes in Cheon Gyeong-ja's work.\u003cbr\u003e The sad, innocent, and fragile emotions that seemed like they could break were expressed in a dreamlike, mysterious, and beautiful way.\u003cbr\u003e These are fantastic works that are worthy of Marc Chagall.\u003cbr\u003e ---「Chapter 3 - 06 After traveling through despair, the painter opened his '22 pages' _ Cheon Kyung-ja」\u003cbr\u003e\u003cbr\u003e In late fall of 1976, when Choi Soon-woo was in Tokyo, he received a phone call from a reporter from the Tokyo branch of Time.\u003cbr\u003e “Mr. Choi, please calm down and listen.\u003cbr\u003e “There is news that a close friend of Mr. Choi, a professor at Hongik University in Seoul, passed away early this morning.” This is how Choi Sun-woo heard the news of Yoo Kang-yeol’s sudden death.\u003cbr\u003e Yoo Kang-yeol passed away at the age of 56 from a heart attack early this morning.\u003cbr\u003e \u003cbr\u003eShin Young-ok, who was Yoo Kang-yeol's last research assistant, said that she met him by chance on the streets of Sinchon the night before he died.\u003cbr\u003e I had the opportunity to chat with Yoo Kang-yeol, who was trying to catch a taxi after a drink.\u003cbr\u003e Yoo Kang-yeol said, “You work hard and become a writer.\u003cbr\u003e He said that he left encouraging words like, “You can do it,” and told himself this.\u003cbr\u003e “I’m going to try to create some work now.”\u003cbr\u003e ---「Chapter 3 - 02 Lee Kun-hee Collection alone has over 70 pieces, a multi-talented pioneer of Korean crafts _Yoo Kang-yeol」\u003cbr\u003e\u003cbr\u003e He gradually became known in the French art world, starting with his invitation to the Salon de Mai in 1958.\u003cbr\u003e Having somehow managed to enter the Salon de Mai that I had seen in Tokyo in 1952 was a just reward for a 'man of persistence'. \u003cbr\u003eJacques Busse, a member of the Salon de Mai, highly regarded Nam Gwan, and he was invited to the Salon de Mai almost every year.\u003cbr\u003e And in the 1960s, he held solo exhibitions at leading European galleries, including those in London and Hamburg.\u003cbr\u003e\u003cbr\u003e He eventually won the grand prize at the International Biennale held in Menton, France in 1966.\u003cbr\u003e It was a great honor for a Korean to win the top prize in a year when Antoni Tapies, a master of European abstract expressionism, received an honorary award.\u003cbr\u003e This news was also featured prominently in Korean newspapers, and to commemorate the occasion, Nam Kwan held a solo exhibition in Korea.\u003cbr\u003e He packed his bags and returned home in 1968, telling a newspaper interview:\u003cbr\u003e “I came back after doing my work.”\u003cbr\u003e ---From \"Chapter 4 - 01 A Korean with Obsession Who Captivated Paris but Was Terribly Lonely _Nam Gwan\"\u003cbr\u003e\u003cbr\u003e And then the Dongbaekrim incident broke out. \u003cbr\u003eIt was 1967, when the Vietnam War was in full swing and the Park Chung-hee regime was solidifying its dictatorship.\u003cbr\u003e The Dongbaekrim Incident was a case in which 194 people active in European cultural and artistic circles and academia were arrested on charges that the Korean Central Intelligence Agency had engaged in subversive activities by colluding with North Korea while visiting Dongbaekrim (East Berlin).\u003cbr\u003e Composer Yun Isang and painter Lee Ungno were included in this list.\u003cbr\u003e (Omitted) Lee Ung-no appeared in court several times due to this incident.\u003cbr\u003e Sometimes I cried out, “Aren’t we all the same people?” and when I was sentenced to life imprisonment in the first trial, I was so dumbfounded that I laughed in vain.\u003cbr\u003e All the scenes where he cried and laughed were captured in photographs and left as a record of the times.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Chapter 4 - 02 A life of suffering that never had a good day, and what was depicted at the end was coexistence _ Lee Ungno\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003eA great lineage and spectrum created by a passion for art\u003cbr\u003e The amazing achievements of genius painters revived before our eyes\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book shows the flow of modern Korean art in four major categories.\u003cbr\u003e Chapter 1 features Korean painting masters born in the late 1800s.\u003cbr\u003e During this period, when the tradition of Korean painting was on the verge of extinction, painters taught and helped each other, innovated traditions, and persevered.\u003cbr\u003e Oh Se-chang, who led the cultural movement during the Japanese colonial period, was the teacher of Go Hee-dong, the first Western-style painter in Joseon, and Ahn Jung-sik was particularly fond of his students No Su-hyeon and Lee Sang-beom, who were leaders in the Korean art world.\u003cbr\u003e Chapter 2 is the story of painters who overcame the misfortunes of their times and personal lives with a single yearning for art. \u003cbr\u003eWe can get a glimpse of their tenacity and struggle through examples like Jeon Hwa-hwang, who lived a difficult life as a Zainichi Korean and even lost his two older brothers unjustly, but painted Buddhist statues that glowed softly in the darkness, and Park Saeng-gwang, who painted while rinsing paint with his mouth even in poverty because he had so many paintings he wanted to paint before he died.\u003cbr\u003e\u003cbr\u003e Chapter 3 is the story of those who pioneered a new path in art.\u003cbr\u003e This fascinating collection includes stories from Kim Jong-young, a pioneer of modern abstract sculpture, to Yoo Kang-yeol, a pioneer of Korean crafts who left behind many excellent works, over 70 of which were in the Lee Kun-hee Collection alone, to Chun Kyung-ja, a legendary artist who shocked the art world with her squirming snake paintings.\u003cbr\u003e Chapter 4 is about painters who have spread out across the world. \u003cbr\u003eThere are Nam Gwan, who established a firm foothold in the Parisian art world by entering the Salon de Mai, and Lee Ungno, who left for Paris with a solemn determination to nurture numerous blue-eyed painters and ultimately spread the Korean spirit to the world.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEncompassing the artist, his work, and the context of his era, we enrich our understanding of modern art.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Appreciating art can be done with just one piece, but it can be enjoyed in a much more three-dimensional and richer way when you know the context of the work, the artist, and the era.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e If we understand the turbulent life of artist Lee Ungno, who was unjustly sentenced to life imprisonment for the Dongbaekrim Incident and later exiled to Paris, we can understand why he so often depicted crowds gathered like ants.\u003cbr\u003e How was the summit? \u003cbr\u003eBorn the eldest son of a Confucian family in the 1920s, a time of extreme Japanese oppression, he was known for his quiet demeanor. If you hear about his life, you will no longer feel vague about his abstract paintings, which he gritted his teeth and sought to overcome reality.\u003cbr\u003e\u003cbr\u003e To this end, artist Kim In-hye, who has worked at the National Museum of Modern and Contemporary Art, personally collected materials on modern artists, interviewed their families, and planned exhibitions, tells the jewel-like stories of our modern art that are not easily accessible to the general public.\u003cbr\u003e We aimed to convey a deep and accurate story about the artists through living materials, and to vividly portray the world of each artist's work with 173 plates.\u003cbr\u003e \u003cbr\u003eAuthor Kim In-hye laments the current reality of not having a single modern art museum that exhibits the works of artists who have fallen through the turmoil of the times, and says she wrote this book in the hope that it will make a small contribution to improving this situation.\u003cbr\u003e As if he had noticed this, Professor Yang Jeong-mu of the Korea National University of Arts recommended this book, saying, “Just as Giorgio Vasari made over 100 Renaissance artists immortal, I hope that through Kim In-hye’s voice, 100 writers who lived through Korea’s difficult modern history will be resurrected before our eyes.”\u003cbr\u003e\u003cbr\u003e This book will offer a unique perspective not only to beginners interested in art, but also to art enthusiasts seeking a deeper understanding of modern Korean art, and even to professionals working in the art world. \u003cbr\u003eThe passing of modern Korean artists, who left behind dazzling achievements during a turbulent era, will convey a sense of pride and profound resonance in our art. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e May 26, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 336 pages | 566g | 145*215*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791167141149\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1167141148 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894874898474,"sku":"114312","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ac82a875fd0f50a241a038c23a99c9e9.jpg?v=1765449801","url":"https:\/\/librairie.coreenne.fr\/en\/products\/114312","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}