{"product_id":"124569","title":"Meanwhile, Festival No. 18 [2025] ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYGiouFBeQLYFBY05yQHDAMfgYjKW.png?v=1765006153\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Meanwhile, Festival No. 18 [2025] \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/155059579\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \"Do you like festivals?\" From midsummer rock festivals to seasonal festivals held in Korea's mountains and rivers, to book fairs where you can be the first to discover new books.\u003cbr\u003e Festivals held here and there are always spaces of escape and liberation where we can break away from the same old routine and become a new 'me'. \u003cbr\u003eBut how can we find renewed excitement when festivals, which are often a new meeting place for participants, become burdensome for organizers, when we find ourselves alone and unable to melt into the midst of this exciting celebration? From traditional death rituals to modern \"otaku\" festivals and \"festival-like gatherings,\" Issue 18 of \"Han-Gi-Oh\" examines the conditions that create festivals and explores ways to transform the stifling everyday into a festival-like experience.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Publishing 'Festival', the beginning and end of the festival 4\u003cbr\u003e\u003cbr\u003e Lee Su-yu's Death and Festival 19\u003cbr\u003e Here, \"What are you doing?\" 35\u003cbr\u003e The Story of the Choi Yeo-ul 10,000-Year Festival, Part 53\u003cbr\u003e Jeong Yun-yeong Children's Festival Horseback Riding Experience 69\u003cbr\u003e Kim Kyung-eun Breaks the Red Light 85\u003cbr\u003e A festival-like gathering and hope for the 103rd National Flag\u003cbr\u003e Park Seon-young's Celebrating in the Age of Climate Change 125\u003cbr\u003e Shin Dong-il, At the Crossroads of Two Languages ​​137\u003cbr\u003e\u003cbr\u003e Reference 153  \u003cbr\u003eList of past issues 156\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e “Death is not an event to be endured alone, but rather something that passes through a crowd of people, amidst a chaotic mix of laughter and tears.\u003cbr\u003e “The festival did not drive out death, but embraced it.”\u003cbr\u003e ---From \"Lee Su-yu - Death and Festival\"\u003cbr\u003e\u003cbr\u003e “The joy that makes you empty your wallet and fill your shopping bag.\u003cbr\u003e “A new surge of enthusiasm, a fresh inspiration for my work, and a passion that gives me the will to live until the day the next exhibition opens.”\u003cbr\u003e ---「Iriye - “What are you doing?”」\u003cbr\u003e\u003cbr\u003e “The Ainu Mosiri Ten Thousand-Year Festival I experienced was more like a place where we joyfully welcomed one another and brought back what we had lost to us gathered here now.”\u003cbr\u003e ---From \"Choi Yeo-ul - The Story of the Ten Thousand-Year Festival\"\u003cbr\u003e \u003cbr\u003e“I found it strange that at a children’s festival, children would enjoy themselves by riding horses and pretending to shoot guns.\u003cbr\u003e “It was uncomfortable that no one found that appearance strange.”\u003cbr\u003e ---From \"Jeong Yun-yeong - Horseback Riding Experience at the Children's Festival\"\u003cbr\u003e\u003cbr\u003e “Resistance, initiated with immediate determination and without external help, by asking about the cause of accumulated suffering, brings the excitement of being the subject, a sense of solidarity like a festival, and, unexpectedly, excitement about the future.\u003cbr\u003e \"\u003cbr\u003e ---From \"Kim Kyung-eun - Breaking the Red Light\"\u003cbr\u003e\u003cbr\u003e \"What kind of life is the momentum for a new future created by the impeachment rally living within the discourse? Are these discourses expanding this momentum, or are they simply dedicated to preserving the memory of that time as a utopian fantasy?\"\u003cbr\u003e ---From \"National Nameplate - Festival-like Gathering and Hope\"\u003cbr\u003e \u003cbr\u003e\"In the age of climate crisis, festivals can be a special time and space, a lifelong journey where we can empathize with the difficulties and depression caused by the climate crisis, encourage one another, and broaden our sense of cooperation.\"\u003cbr\u003e ---From \"Park Seon-yeong - Celebrating in the Age of Climate Change\"\u003cbr\u003e\u003cbr\u003e \"But what if, after a festival or trip, I keep thinking, 'I really want to be a different person now?' I can't forget the afterimages and events I encountered outside of everyday life.\"\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Shin Dong-il - At the Crossroads of Two Languages\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The festival takes place in a place\u003cbr\u003e\u003cbr\u003e The driving force of a festival is the energy generated by people coming together.\u003cbr\u003e From quiet secret meetings to village festivals and funerals filled with laughter and tears, all festivals began with people gathering in yards, alleys, and streets. \u003cbr\u003eAnthropologist Lee Su-yu's \"Death and Festival,\" which opens the door to the \"Festival\" movement, looks into Korea, where the yard of a house that has suffered a bereavement naturally becomes a place for neighbors to gather and celebrate the deceased.\u003cbr\u003e For modern people, festivals are considered something far removed from death and tears, something surplus rather than essential, a matter of consumption and taste, but for a long time, festivals were integrated into life and embraced death.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “What Are You Doing?” by Lee Ri-ye, a feminist researcher, is a story about creating a place to exercise “imagination that makes us laugh” within the “common sense order that makes us cry.”\u003cbr\u003e It's not easy to give a straight answer to the question, \"What do you do here?\", but the 'otaku' festival of those who talk, write, and draw about their favorite works is unforgettable. \u003cbr\u003eIn \"The Story of the Ten Thousand-Year Festival\" by Choi Yeo-ul, a graduate of Seongmisan School, the village festival that \"served as a corner to lean on when there was something I wanted to do\" meets the Ainu Mosiri Ten Thousand-Year Festival in Japan.\u003cbr\u003e A welcoming space where you don't have to do anything, but can try whatever you want without feeling pressured.\u003cbr\u003e The festival is an event that “brings back what we have lost to the present.”\u003cbr\u003e\u003cbr\u003e The beginning and end of the festival\u003cbr\u003e\u003cbr\u003e A festival that occupies a place soon becomes a form of resistance.\u003cbr\u003e In \"Breaking the Red Lantern,\" a Korean literature researcher, Kim Kyung-eun reads Lee Hyo-seok's short story \"The Broken Red Lantern,\" in which gisaengs decide to find out \"what is it that has made us like this, outside of our fate.\"\u003cbr\u003e The moment we ask questions about the absurdity of life and the poverty of the times, the alley where we begin our conversation with our colleagues next to us is the beginning of the festival. \u003cbr\u003eAnd then there's \"Festival-like Protests and Hope,\" by anthropologist Guk Myeong-pyo, who analyzes the months of protests that followed martial law on December 3rd and the impeachment verdict.\u003cbr\u003e What would change if we focused on the phrase \"festival-like rally\" before the symbol of the \"cheering stick\"?\u003cbr\u003e\u003cbr\u003e Reporter Jeong Yun-yeong's \"Horseback Riding Experience at a Children's Festival\" and activist Park Seon-yeong's \"Holding a Festival in the Age of Climate Change\" address the dark side of festivals.\u003cbr\u003e At festivals, the most natural way for humans to gather and play, some animals suffer and are killed.\u003cbr\u003e Shouldn't festivals, which generate waste and emit carbon in a short period of time, be stopped in the face of climate crisis? These two articles propose a new form of festival that allows for a different way to connect with animals and reduces carbon emissions.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e After the festival is over, we have to return to our daily lives. \u003cbr\u003eFor those who find themselves lost in the afterglow of a festival and the frustrations of everyday life, where their disciplined and impulsive selves clash every day, linguist Shin Dong-il's \"At the Crossroads of Two Languages\" reminds us how to refine the language that expresses ourselves.\u003cbr\u003e To make festivals more enjoyable and everyday life more flexible.\u003cbr\u003e\u003cbr\u003e A new generation of humanities magazines, \"Hanpyeon\"\u003cbr\u003e\u003cbr\u003e Even in an age of constant flow of images, thoughts begin with a single word and are concluded with a single word.\u003cbr\u003e The humanities magazine \"Hanpyeon,\" launched in 2020, produces meaning by weaving together individual pieces of writing.\u003cbr\u003e At Minumsa, young editors who create philosophy and literature textbooks request manuscripts, and young researchers in the humanities and social sciences write the articles.\u003cbr\u003e This is to enable authors and readers to share the joy of solving problems here and now through a medium that is shorter than a book and easier than a thesis.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eMeanwhile, the font used on the cover of Issue 17 of ‘Korea’ is the Waggle Waggle font of the Goyang Children’s Museum.\u003cbr\u003e It is full of personality, like the various voices heard at a noisy banquet.\u003cbr\u003e The humanities magazine \"Hanpyeon\" is published three times a year, in January, May, and September, and will continue with the theme of \"Alone\" in January 2026, following the topics of \"Humor,\" \"Korea,\" and \"Festival\" in 2025. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 19, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 160 pages | 127*182*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788937491757\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8937491753 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891553468458,"sku":"124569","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/8eb25c0206f663d10f73ea371d626e8c.jpg?v=1765330155","url":"https:\/\/librairie.coreenne.fr\/en\/products\/124569","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}