{"product_id":"124645","title":"Comics Now: Issue 26 [2025] ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYGioAHv3WD33MDrB7WEyXo9l1yYn.png?v=1765010851\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Now, Comics: Issue 26 [2025] \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/151044216\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e 《Now, Comics》 has established itself as Korea's only comics criticism magazine since its first issue in 2018.\u003cbr\u003e Not only academics and cartoonists, including those in the Department of Webtoon and Cartoon Studies, but also people working at webtoon platforms, agencies, related businesses, aspiring artists, and students majoring in the field welcome the cartoon critique magazine, “Now, Cartoon.”\u003cbr\u003e As there are virtually no media outlets that candidly examine the hottest issues happening in the Korean comics and webtoons world, provide sharp critiques of related works, and even deliver vivid interviews, the number of people who want to read comics and webtoons through \"Now, Comics\" is steadily increasing. \u003cbr\u003eIssue #26 of \"Now, Comics\" (2025) explores the science fiction genre, exploring the human condition and humanity in a future where science and technology are advanced.\u003cbr\u003e\u003cbr\u003e Originally, SF was an abbreviation for science fiction, referring to creative works based on scientific facts or theories. The SF genre examines the present through a future humans cannot enter, prompting us to reflect on humanity and humanity.\u003cbr\u003e Advances in science and technology have led to dreams of a bright future for humanity, but with the climate crisis, nuclear weapons development, and the invention of artificial intelligence, our outlook on the future is bleak and negative.\u003cbr\u003e Not only movies and literature, but even comics and webtoons make us reconsider the existence of humanity based on scientific imagination, such as end-of-the-century dystopias, wars with machines, and alien invasions and confrontations.\u003cbr\u003e\u003cbr\u003e The Korean science fiction genre has also steadily developed a loyal readership and developed its own ecosystem. \u003cbr\u003eAfter Choi Seong-kwon's \"Dr. Handel\" was first published in 1952, interest in science fiction comics was aroused in 1959 with Kim San-ho's \"Lion of Justice, Raifai.\"\u003cbr\u003e The 1960s saw a much wider variety of science fiction comics.\u003cbr\u003e Wang Hyun's \"Shoot the Star,\" Shin Dong-woo's \"Fight Earth Fleet,\" Park Ki-dang's \"Thousand-Liar,\" and Lee Jeong-moon's \"Snowman Alpacaan\" garnered attention for featuring space, robots, and action heroes.\u003cbr\u003e\u003cbr\u003e Even in the 2000s, interest in science fiction comics and webtoons did not wane.\u003cbr\u003e Without going too far, if we just think about webtoons that have been serialized over the past 10 years, many of the webtoons that are still mentioned today are works of the science fiction genre. \u003cbr\u003eYang Young-soon's \"Denma,\" which once had a solid fandom and was serialized for nearly 10 years, Lee Kyung-tak and Noh Mi-young's \"Deep Sea Water,\" which is always mentioned when discussing cartoon direction, and Bapsae and Walpae's \"Us on the Water,\" which recently finished its first part and is currently on hiatus, are also continuing the tradition of Korean SF webtoons.\u003cbr\u003e Statistically, the criteria and environment for clearly classifying SF webtoons have become vague, but the number of works classified as SF webtoons has been nearly doubling every year.\u003cbr\u003e Ultimately, it is clear that science fiction is one of the genres that cannot be left out when discussing the comics medium.\u003cbr\u003e\u003cbr\u003e Nevertheless, the reality is that the comics and webtoon industry still considers the science fiction genre to be a non-mainstream genre.\u003cbr\u003e Moreover, as the production system of Noble Comics has become entrenched, the position of the science fiction genre in the webtoon market is not favorable compared to the romance fantasy and modern fantasy genres that have established themselves. \u003cbr\u003eHowever, it has already been historically shown that it is a genre that has formed a narrow but strong readership within the webtoon market.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e ■ Cover Story\u003cbr\u003e ▷ From Hope to Darkness\u003cbr\u003e The origins of the science fiction genre and its literary and cinematic evolution\u003cbr\u003e : Jeong Myeong-seop (SF writer)\u003cbr\u003e ▷ Science Fiction Yesterday and Today in Comics\u003cbr\u003e Lee Jae-min (comic critic)\u003cbr\u003e ▷ Science fiction in comics and webtoons transcends genres and becomes a platform.\u003cbr\u003e Korean SF Webtoons by Keywords\u003cbr\u003e Kim Min-tae (comic critic)\u003cbr\u003e ▷ Why has Korean science fiction been consistently underrated?\u003cbr\u003e About a deeper and more structural problem than you think\u003cbr\u003e Lee Hyun-jae (comic critic)\u003cbr\u003e\u003cbr\u003e ■ Interview\u003cbr\u003e ▷ Dreaming of a wider and more expansive universe and a comic book about people beyond the rough world of machines.\u003cbr\u003e : Cartoonist Kim Jun-beom\u003cbr\u003e ▷ Leading the comics ecosystem where anyone can create, connect anywhere, and expand globally.\u003cbr\u003e Baek Jong-hoon, President of the Korea Creative Content Agency\u003cbr\u003e\u003cbr\u003e ■ Critic\u003cbr\u003e Comical \"Signs\" of an Era of Coexistence with Artificial Intelligence \u003cbr\u003eMachine Warrior 109 and Housekeeper\u003cbr\u003e Moon Jong-pil (comic critic)\u003cbr\u003e ▷ The monolith called \"2001: A Space Odyssey\" that came down before us\u003cbr\u003e Characteristics and Applications of Science Fiction Space Opera in Korean Pure Love Comics\u003cbr\u003e : Jeon Hye-jin (SF writer)\u003cbr\u003e ▷ Personal narrative in the apocalypse\u003cbr\u003e Black Ark\u003cbr\u003e : Kim Deuk-won (comic critic)\u003cbr\u003e ▷ The boy borrowed the giant's body and jumped into the world of adults.\u003cbr\u003e And now…\u003cbr\u003e Lee Hyeon-seok (comic critic)\u003cbr\u003e\u003cbr\u003e ■ Interview\u003cbr\u003e ▷ The comics industry's hopes and requests for the new government in 2025\u003cbr\u003e :Song Soon-gyu (CEO of Webtoon Warehouse, a webtoon production company)\u003cbr\u003e Park Ji-hyun (CEO of Mutun)\u003cbr\u003e Kim Jeong-yeong (Professor, Department of Webtoon and Cartoon Content, Yonsei University)\u003cbr\u003e Yaksu (Naver Webtoon writer)\u003cbr\u003e Park Se-hyeon (Chairman of the Korean Cartoon and Webtoon Critics Association)\u003cbr\u003e\u003cbr\u003e ■ Issue\u003cbr\u003e Analysis of the Fair Trade Commission's announcement of unfair secondary copyright contracts between webtoon and web novel authors.\u003cbr\u003e Baek Jong-seong (Professor of New Art and Film Animation, Mokpo National University)\u003cbr\u003e ▷ The line drawn by technology, the narrative completed by the writer \u003cbr\u003eThe Next Stage of Creation Seen at the KOBA2025 AI Toon Lecture\u003cbr\u003e : Kim Han-jae (Professor, Department of Cartoon and Webtoon Contents, Kangdong University)\u003cbr\u003e\u003cbr\u003e ■ Essay\u003cbr\u003e ▷ People in between\u003cbr\u003e Webtoon Producers: The First Link Between Creation and the Market\u003cbr\u003e : Lee Seung-hyung (currently executive producer of The Grim Entertainment)\u003cbr\u003e ▷ The Accelerated Global Webtoon Market and Trends\u003cbr\u003e Kim Jeong-yeon (CEO of Next Culture Lab, former director of Gyeongui Line Book Street)\u003cbr\u003e\u003cbr\u003e ■ Comics to read on a sleepless summer night: Comics to read on a sleepless summer night\u003cbr\u003e ▷ Universe in the Room: My Childhood, Charlie Brown and His Friends\u003cbr\u003e Charles Schulz's \"Peanuts\"\u003cbr\u003e : An So-ra (comic critic)\u003cbr\u003e ▷ The dead cannot speak, but their brains do.\u003cbr\u003e Shimizu Reiko's \"Secret\"\u003cbr\u003e : Choi Gi-hyeon (comic critic)\u003cbr\u003e ▷ About creepiness and strangeness\u003cbr\u003e Anna Rae, Kim Dal, and Sumima's \"Moral Hazard\"\u003cbr\u003e : Lee Yong-geon (comic critic)\u003cbr\u003e ▷ A comforting heart, a comforting heart\u003cbr\u003e A fluffy collection of short stories that will blow away the humidity \u003cbr\u003eOshiro Kogani's \"Stove on the Beach\"\u003cbr\u003e Park Min-ji (comic critic)\u003cbr\u003e ▷ Telling history through 'ghost stories'\u003cbr\u003e Kang Tae-jin's \"A Ghost Story\"\u003cbr\u003e Park Geun-hyung (comic critic)\u003cbr\u003e\u003cbr\u003e ■ Relay Interview\u003cbr\u003e ▷ If you love stories, you are already a writer.\u003cbr\u003e Novelist Kim Ho-yeon\u003cbr\u003e\u003cbr\u003e ■ I'm going to meet you now\u003cbr\u003e ▷ Pursue your dreams with creativity that can break down all walls\u003cbr\u003e : Cartoonist Lee Woo-jeong (edited by cartoonist Kim Jong-ok)\u003cbr\u003e\u003cbr\u003e ■ Webtoon VS Movie\u003cbr\u003e ▷ Furessha VS Kang Dong-won\u003cbr\u003e Webtoon \"Possessed\" and the film \"Dr. Cheon's Exorcist Lab: The Secret of the Snow Scene\"\u003cbr\u003e : Jeong Ji-hye (film critic)\u003cbr\u003e\u003cbr\u003e ■ Webtoon VS Drama\u003cbr\u003e ▷ Comics and dramas amid the K-creature craze\u003cbr\u003e Webtoon \"Tiger Brother\" vs. Drama \"Tale of the Nine-Tailed\"\u003cbr\u003e : Kim Yong-deok (Lecturer at Cheonggang Cultural Industries College, author of \"Encyclopedia of Mysterious Animals Hidden in Cultural Heritage\" and \"I Am a God\")\u003cbr\u003e\u003cbr\u003e ■ Famous lines and scenes from life in comics\u003cbr\u003e ▷ People change, people don't change\u003cbr\u003e Kwak Baek-su's \"A Man from China\" \u003cbr\u003e: Lee Dong-jun (culture columnist, author of \"Berlin Code\" and \"Movie of the Day\")\u003cbr\u003e ▷ Today's daily life looks a little bit sparkly\u003cbr\u003e A place of memories created by the comic \"Every Day, a Holiday\"\u003cbr\u003e : Kim Ha-rim (comic critic)\u003cbr\u003e\u003cbr\u003e ■ Critics' picks!\u003cbr\u003e ▷ A faint and faint love story\u003cbr\u003e Sanho's \"Nanani in a Glass Bottle\"\u003cbr\u003e : Han Yu-hee (comic critic)\u003cbr\u003e\u003cbr\u003e ■ Comic News Inside\u003cbr\u003e\u003cbr\u003e ■ New Release Report\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5516\/MidCate009\/551584293(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eWith the advent of artificial intelligence both welcome and unwelcome, what should science fiction comics depict?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In the West, Jules Verne and H.G. Wells cannot be left out when talking about science fiction writers. Their novels such as 20,000 Leagues Under the Sea, From the Earth to the Moon, The Time Machine, and The War of the Worlds have been made into modern films and are considered classics of science fiction literature. \u003cbr\u003eFilms such as James Cameron's Avatar series, the Marvel Heroes film series, and Bong Joon-ho's Snowpiercer have also been successful in terms of both artistic quality and box office success.\u003cbr\u003e\u003cbr\u003e With the advent of the Fourth Industrial Revolution and artificial intelligence, humanity seemed to welcome a new era, but anxiety about the future still lingers. Just as literature and film have, webtoons, like comics, reveal deep reflections on humanity in the gloomy end of the century.\u003cbr\u003e\u003cbr\u003e The best-selling \"Dr. Handel\" by Choi Sang-kwon, which features Dr. Handel fighting villains on a ruined surface, and Kim San-ho's \"Lion of Justice, Raifai\", which features him defeating villains on a swallow, were groundbreaking science fiction comics in the 1950s.\u003cbr\u003e In the 1960s, science fiction comics by artists such as Shin Dong-woo, Oh Myeong-cheon, Im Chang, and Lee Jeong-moon appeared, inspiring readers to imagine space and the future with heroes fighting to save the Earth. \u003cbr\u003eIn the 1990s, it was especially loved by readers in the science fiction genre of pure romance comics for its sensitive directing and composition, even in narratives set in space.\u003cbr\u003e Entering the era of webtoons in the 2000s, various works such as Kim Seong-min's \"Night Run,\" Yang Yeong-sun's \"Denma,\" and Moon Ji-hyun's \"No Named\" were introduced.\u003cbr\u003e In particular, Seyoon's \"Pure Villain\" adds a science fiction touch to the conflict structure of romance, and like Bapsae and Walpae's \"Us on the Water\" and Sanho's \"And the Witch Went to the Forest,\" it is gaining popularity for its emotional expression while showing hints at a future setting even without directly revealing science and technology.\u003cbr\u003e\u003cbr\u003e In this way, the science fiction genre in webtoons does not give up on the possibility of humanity and humanity, despite the dangers of nuclear weapons development and the antipathy toward artificial intelligence. \u003cbr\u003eHe insists that we must never forget goodness and morality in the midst of a still-challenging life. This is why the appeal of science fiction webtoons has long been beloved by readers.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWhat should we look for in science fiction comics and webtoons depicting the age of machine civilization in science and technology?\u003cbr\u003e What is the present and future of Korean SF webtoons, and which works should I read?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The 'cover story' of the 26th issue of the webtoon critique magazine \"Now, Manhwa\" traces the history of the science fiction genre and the changes in Korean manhwa and webtoons in chronological order.\u003cbr\u003e From the first Korean comics called science fiction comics to webtoons that deal with AI, we also pointed out the characteristics of these comics.\u003cbr\u003e We analyzed recent trends in SF webtoons by keyword to determine readers' interest. \u003cbr\u003eIn 'Critic', we compared and analyzed webtoons containing science and technology and AI through 'Machine Warrior 109' and 'Housekeeper', and we looked into the characteristics of space opera in Korean romance comics through the movie '2001: A Space Odyssey'.\u003cbr\u003e And I critically analyzed “Black Ark” and representative works of Japanese robot manga.\u003cbr\u003e\u003cbr\u003e In 'Interview', we met with cartoonist Kim Jun-beom, who recently became a hot topic with the re-publication of 'Machine Warrior 109', and heard about his recent activities and future plans.\u003cbr\u003e We also met with Baek Jong-hoon, the director of the Korea Creative Content Agency, and discussed the significance of Bucheon as a city specializing in comics and the agency's role.\u003cbr\u003e We have compiled the comics industry's expectations for the new government in 20205, based on analysis and forecasts from various figures in the comics industry. \u003cbr\u003eIn 'This Kind of Comics for This Time', we meet a curation of comic recommendations from celebrities under the theme of 'Comics to read on a sleepless summer night', and introduce various comics\/webtoons through 'Famous lines\/scenes from life in comics', 'Webtoon vs. Drama', and 'Webtoon vs. Webtoon'.\u003cbr\u003e Additionally, in the 'Critics' Picks!' corner, comic critics provide in-depth critiques of works selected by them.\u003cbr\u003e We also deliver news of the opening of the special exhibition “Temperature of the Neighbor” held at the Korea Manhwa Museum.\u003cbr\u003e This year's newly launched 'Relay Interview' series heard about the relationship between novelist Kim Ho-yeon, known for his best-selling work 'Inconvenient Convenience Store', and 'I'm Going to Meet You Now' visited veteran cartoonist Lee Woo-jeong to hear about the history of the cartoon world.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e《Now, Comics》 No. 26 = SF + Comics\u003cbr\u003e\u003cbr\u003e ● Where and how did Korean science fiction comics begin?\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eOur country's science fiction comics are known to people as science fiction comics.\u003cbr\u003e Beginning with Choi Seong-kwon's \"Dr. Handel\" in 1952 and Kim San-ho's \"Lion of Justice, Raifai\" in 1959, readers were introduced to the imaginary era of the future world through comics.\u003cbr\u003e After that, in the 1960s, comics with diverse backgrounds, settings, and main characters such as Wang Hyun's \"Shoot the Star,\" Shin Dong-woo's \"Fight Earth Fleet,\" Park Ki-dang's \"Cheonlian,\" and Lee Jeong-moon's \"Snowman Alpacaan\" gained popularity.\u003cbr\u003e With the emergence of webtoons in the 2000s, readers began to seek out colorful, full-color science fiction webtoons. \u003cbr\u003eVarious works such as Yang Yeong-sun's \"Denma\" and Moon Ji-hyun's \"Nonamed\" were presented, and Se-yoon's \"Pure Villain\", Bapsae and Walpae's \"Us on the Water\", and Sanho's \"And the Witch Went to the Forest\" showed that it is possible to create SF webtoons that can be loved by readers with just an emotional approach without directly revealing scientific theories and the machine age.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e● Why is the science fiction genre so unsuccessful in Korea?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Looking at recent popular webtoons, novel comics with various fantasy settings, such as romance fantasy and otherworldly fantasy, are the trend.\u003cbr\u003e It is true that in such a situation, SF webtoons are seen as non-mainstream.\u003cbr\u003e Nevertheless, SF webtoons have already carved out a niche in the comic webtoon market.\u003cbr\u003e If we list the names of SF webtoons we know from the last 10 years, we can see it clearly. \u003cbr\u003eThere is a view that this is due to the characteristics of readers who accept the comics market rather than a problem with the production of SF genre webtoons.\u003cbr\u003e In other words, if we understand the complex relationship between distribution channels and the content industry in advance, we will be able to predict the future of Korean science fiction webtoons.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e● What keywords can I use to find SF webtoons?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e On webtoon platforms, it is difficult to easily find examples where a specific work is clearly marked as a 'SF webtoon'.\u003cbr\u003e However, although the environment for clearly classifying SF webtoons has disappeared, paradoxically, the number of works classified as SF comics and webtoons has been nearly doubling every year.\u003cbr\u003e Entering 2021, the frequency of explicit appearance of the keyword \"SF\" in SF webtoons has noticeably increased compared to the previous year.\u003cbr\u003e It combines hybrid genres such as game fantasy, regression, superpower battles, and creature games to drive the narrative. \u003cbr\u003eThe works of this period are based on a worldview that operates like a game rule, and science fiction elements such as the apocalypse, survival, and the appearance of creatures serve as the driving force of the story.\u003cbr\u003e In particular, with the proliferation of keywords like AI, survival, hunters, and the occult, exaggerated real-world threats serve as a key narrative engine. Science fiction has moved beyond mere background setting to become a core element driving the story's themes.\u003cbr\u003e Recently, however, science fiction has expanded beyond serious exploration and philosophical questions to embrace everyday life and playfulness, and this change can be interpreted as an evolutionary trend toward shedding the rigid, inherent image of science fiction and communicating with readers through a more popular sensibility and rapid pace. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e August 5, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 203 pages | 450g | 170*240*10mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788968182877\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8968182876 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891602489386,"sku":"124645","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/211e84aa1d6e03e64ddad9279f47100c.jpg?v=1765333086","url":"https:\/\/librairie.coreenne.fr\/en\/products\/124645","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}