{"product_id":"128917","title":"Cellist Casals My Joys and Sorrows ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtgfCoDBvSeQ08J2veifP.png?v=1764953383\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Cellist Casals, My Joys and Sorrows \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/102742863\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“Any insult to human dignity is an insult to me.\u003cbr\u003e “Does human rights matter less to artists than to ordinary people?” - Pablo Casals\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Pablo Casals (1876-1973) dictated and Albert E.\u003cbr\u003e Kahn's 『Cellist Casals, My Joys and Sorrows』 is a book that contains the life of a Catalan artist who experienced World War I and II and the Spanish Civil War with his whole body.\u003cbr\u003e Casals, who lived for a long time, about a century, did everything he could as an artist to protect human values ​​during three wars that shocked modern history.\u003cbr\u003e\u003cbr\u003e Casals, who said that “an artist’s life cannot be separated from his ideology,” did not hesitate to take actions that might be perceived as political. \u003cbr\u003eThe values ​​he pursued were born from love for humanity and life, free from personal greed.\u003cbr\u003e Casals's intense life, based on love, gives readers the courage and hope to live.\u003cbr\u003e\u003cbr\u003e A master cellist who rediscovered Bach's unaccompanied cello suites, known as the 'Old Testament of cello performance', and developed an innovative cello fingering method.\u003cbr\u003e A republican who knew how to see the value of labor and respect the individual's personality.\u003cbr\u003e The countless contexts and depths contained in his every word carry weight and resonance far beyond the content of a few pages or words.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Why I'm So Moved by His Music │ Cellist Yang Seong-won\u003cbr\u003e In front of Casals' portrait │ Compiled by Albert Kahn\u003cbr\u003e\u003cbr\u003e Life without retirement\u003cbr\u003e The world of music opens up\u003cbr\u003e Bach, the fountain of my soul\u003cbr\u003e Pilgrimage of Youth and Poverty \u003cbr\u003eGet off the ground and stand up\u003cbr\u003e Entering the White House with a cello\u003cbr\u003e Human figures\u003cbr\u003e Casals' appearance during the interview\u003cbr\u003e Casals refuses to play today\u003cbr\u003e Who is this music for?\u003cbr\u003e The setting sun over my homeland, Spain\u003cbr\u003e The Shadow of Fascism\u003cbr\u003e My weapon, the cello\u003cbr\u003e Silence! I'm talking about principles.\u003cbr\u003e Peace in a manger\u003cbr\u003e\u003cbr\u003e Casals Chronology 1876–1973\u003cbr\u003e Casals' Immortal Albums\u003cbr\u003e Why Do You Make Music? │ Translated by Kim Byeong-hwa\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e I turned ninety-three on my last birthday (December 29, 1969).\u003cbr\u003e --- First sentence\u003cbr\u003e\u003cbr\u003e I couldn't just get lost in the music anymore.\u003cbr\u003e At that time, and since then, I felt that music, or any form of art, could not provide the answer in itself.\u003cbr\u003e Music should serve a purpose.\u003cbr\u003e It must become part of something bigger than itself, part of humanity. \u003cbr\u003eIn fact, the core of my opinion on contemporary music, that it lacks humanity, lies in the above judgment.\u003cbr\u003e Musicians are human too.\u003cbr\u003e It's your attitude towards life that's more important than the music itself.\u003cbr\u003e Also, those two things cannot be separated from each other.\u003cbr\u003e --- p.76\u003cbr\u003e\u003cbr\u003e The conversation with Bergson was particularly interesting.\u003cbr\u003e …one topic we talked about a lot was intuition.\u003cbr\u003e Of course, he wrote a lot on the subject.\u003cbr\u003e He was particularly curious about the role of intuition in music.\u003cbr\u003e For me, intuition has been a crucial factor in both composing and performing music.\u003cbr\u003e --- p.134\u003cbr\u003e\u003cbr\u003e He had a younger sister who was a medical student, a strong-looking, beautiful, and determined woman in her twenties.\u003cbr\u003e He was a man of outstanding intelligence and vivid self-expression.\u003cbr\u003e Her name was Gertrude. \u003cbr\u003eOf course, at that time, Gertrude Stein was not yet a world-famous celebrity.\u003cbr\u003e --- p.147\u003cbr\u003e\u003cbr\u003e We were practicing at the hotel before the concert, and we didn't realize how much time had passed until it was time to start the concert.\u003cbr\u003e When it was time to start, I hurriedly changed into my performance clothes, but my foot got caught while pulling on my pants.\u003cbr\u003e I was so high on medicine that I kicked my foot hard, and suddenly my trouser leg ripped open and my foot went right through it! I almost fainted.\u003cbr\u003e --- pp.158-159\u003cbr\u003e\u003cbr\u003e As I was drawing the bow to the string to produce the first note, I suddenly and horribly felt the bow slipping out of my fingers.\u003cbr\u003e I was desperately trying to catch it properly, but my movements were too rough.\u003cbr\u003e The bow was knocked out of his hand, and as he looked on in horror and despair, it flew over the heads of the audience in the first row. \u003cbr\u003eNot a single pin drop could be heard in the concert hall.\u003cbr\u003e --- p.173\u003cbr\u003e\u003cbr\u003e I was in Paris when the war broke out.\u003cbr\u003e The whole city went wild.\u003cbr\u003e I think there must have been some awareness that it was a terrible disaster that would engulf the entire country.\u003cbr\u003e But it wasn't.\u003cbr\u003e On the contrary, it was a wild, festival-like atmosphere.\u003cbr\u003e Bands played military music, flags waved from every window, and pompous speeches about honor and patriotism were delivered! What a terrifying parade it was!\u003cbr\u003e --- p.228\u003cbr\u003e\u003cbr\u003e I know there are people who don't love animals.\u003cbr\u003e But I think that's because they don't know much about animals.\u003cbr\u003e Or maybe it's because I really didn't look at them properly.\u003cbr\u003e …sometimes animals do not trust people and are afraid of them, but that is because people have treated them arrogantly and indifferently.\u003cbr\u003e --- p.267\u003cbr\u003e \u003cbr\u003eI heard that my house in San Salvador was taken over by fascist troops.\u003cbr\u003e I couldn't get the terrible thoughts out of my head.\u003cbr\u003e Thoughts came rushing in like waves.\u003cbr\u003e I felt like I was going to drown in it.\u003cbr\u003e I sat in my room, pulled down all the blinds, and just stared into the darkness.\u003cbr\u003e Perhaps he was trying to find some kind of oblivion in the darkness that could free him from his suffering.\u003cbr\u003e …I was probably on the verge of going crazy or on the verge of death.\u003cbr\u003e I really didn't want to live.\u003cbr\u003e --- p.309\u003cbr\u003e\u003cbr\u003e It is natural for anyone to love their country.\u003cbr\u003e But why should that love stop at the border?\u003c\/div\u003e\n\u003cdiv\u003e --- p.390\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Pablo Casals (1876-1973) dictated and Albert E. \u003cbr\u003eKahn's 『Cellist Casals, My Joys and Sorrows』 is a book that contains the life of a Catalan artist who experienced World War I and II and the Spanish Civil War with his whole body.\u003cbr\u003e Casals, who lived for a long time, about a century, did everything he could as an artist to protect human values ​​during three wars that shocked modern history.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\u003cbr\u003ePablo Casals, the artist who loved life\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “If you can continue to work and constantly feel the beauty of the world around you, you will come to understand that growing older does not necessarily mean getting old.\u003cbr\u003e …I am more deeply moved by many things than ever before, and life becomes more wonderful as time goes by.”_Page 29\u003cbr\u003e\u003cbr\u003e The opening chapter of the book, “Life Without Retirement,” expresses Casals’s joy in life from the very title. \u003cbr\u003eEvery moment we are thrown into life until it ends in death.\u003cbr\u003e There can be no such thing as 'retirement' in life, as even a brief rest and a moment to catch one's breath constitute a part of life.\u003cbr\u003e This is the ultimate task given to us.\u003cbr\u003e The reason Casals was able to not give up on himself and those around him in the midst of a turbulent era that shook the world was probably because he respected life itself and knew its beauty.\u003cbr\u003e In an age where old age is given negative value and productivity becomes the reason for existence, Casals's voice sounds even more urgent.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\u003cbr\u003eOpening a new paradigm in cello performance\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e There is an adjective that always follows Pablo Casals' name.\u003cbr\u003e It is 'Bach's Unaccompanied Cello Suites'.\u003cbr\u003e In 1890, at the age of thirteen, Casals fatefully encountered the sheet music for Bach's unaccompanied cello suites in an antique music bookstore in Barcelona that he visited with his father. \u003cbr\u003eThis suite, consisting of 6 songs and 36 movements, had been treated as a series of isolated cello exercises until Casals.\u003cbr\u003e However, Casals discovered the organic beauty of the suite only when he played all six pieces as a whole, and he did not perform it officially until he was twenty-five, after practicing for over ten years.\u003cbr\u003e This piece, filled solely with the melody of the cello strings without any accompaniment, demands a solid skill from the performer, to the point of making the performer feel as if he or she has been 'stripped bare'.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\u003cbr\u003eAn artist who faced the seriousness head on and acted optimistically\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “What they are saying is that I need to understand the intricacies of diplomacy.\u003cbr\u003e “You have to wait for things to happen in order.”_Page 342\u003cbr\u003e\u003cbr\u003e It is easy for an individual to feel helpless in the face of massive social trends. \u003cbr\u003eEspecially when it is directly linked to politics, it hits an even bigger wall.\u003cbr\u003e Casals, who was in the midst of the two world wars and the interwar Spanish Civil War, was a man who, while acutely aware of these limitations, set out to find what he had to do.\u003cbr\u003e In 1936, a rehearsal of Beethoven's Ninth Symphony was underway at the Montjuïc Palace in Barcelona, ​​the same place where the proclamation of the Second Spanish Republic was celebrated.\u003cbr\u003e Just before the last movement began, a man ran onto the stage.\u003cbr\u003e He handed Casals an envelope.\u003cbr\u003e Inside was a telegram warning that fascist troops were advancing on Barcelona and that they should stop playing immediately and evacuate.\u003cbr\u003e The musicians finished their performance as a farewell to each other in the face of the grim news and dispersed into the eerie streets.\u003cbr\u003e\u003cbr\u003e “The only weapons I have, as always, are my cello and my baton. \u003cbr\u003eDuring the civil war, I used that weapon to the fullest extent to support the causes I believed in, freedom and democracy.\u003cbr\u003e …I traveled extensively, holding charity concerts to raise money for food, clothing, and medical assistance.”_298-299\u003cbr\u003e\u003cbr\u003e During the horrific civil war, Casals served as honorary president of the Committee of Musicians Supporting Democracy in Spain, raising funds through charity concerts and performing at special concerts for the Children's Rescue Foundation, drawing global attention to the civil war.\u003cbr\u003e After the end of World War II, he became deeply disappointed with the world's attitude towards the fascist Franco regime and declared that he would no longer perform publicly, going into seclusion in Prades. \u003cbr\u003eHis search for practical solutions within his own context gives us the courage to act now that we have realized that the most personal is political.\u003cbr\u003e\u003cbr\u003e “I decided that there was only one thing I had to do at this critical time.\u003cbr\u003e … a way of protesting wholeheartedly and making it clear that you are in complete agreement.”_Page 342\u003cbr\u003e\u003cbr\u003e “I also knew that it would have virtually no influence on the direction of the country’s policies.\u003cbr\u003e In the end, it's just one person's actions.\u003cbr\u003e But there was no other way to act.\u003cbr\u003e “Everyone has to live in their own way.”_Page 345\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\u003cbr\u003eAn artist who knew the value of labor\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e In 1920, Casals founded the Pau Casals Orchestra.\u003cbr\u003e Although it began with a national desire to create music for the Catalan people, he saw the orchestra's success as the realization of another belief.\u003cbr\u003e \u003cbr\u003e“It is true that I am an artist, but when you look at the process of realizing art, I am also a manual laborer.\u003cbr\u003e I've been like that my whole life.”_Page 98\u003cbr\u003e\u003cbr\u003e Casals' childhood was closely intertwined with the lives of workers.\u003cbr\u003e The Café Toast, where he earned money playing the cello as a child, was frequented by nearby workers, and Casals must have naturally learned from their enjoyment of classical music that anyone can appreciate culture if given the chance.\u003cbr\u003e It was no coincidence that Casals, who felt the personal dignity of each worker through personal interactions, came up with music for them.\u003cbr\u003e\u003cbr\u003e “If you think about it, aren’t they the ones who created most of our country’s wealth?\u003cbr\u003e “But why should they be unable to enjoy our country’s cultural heritage?”_Page 253\u003cbr\u003e \u003cbr\u003e“The idea of ​​giving a free concert didn’t really appeal to me.\u003cbr\u003e I knew that workers also had pride,\u003cbr\u003e Because I knew that if it looked like a good deed, they would never accept it.”_Page 253\u003cbr\u003e\u003cbr\u003e Casals founded the Workers' Concert Association, which consisted solely of workers, and held concerts exclusively for them.\u003cbr\u003e The membership fee was about $1, which was an affordable fee and enough to make workers feel they were exercising their rights fairly.\u003cbr\u003e Casals proposed that the association publish a musical periodical, Fruicions, which would give the workers an opportunity to establish their own musical foundation rather than simply be consumers.\u003cbr\u003e Afterwards, the association grew strong enough to organize its own music library and music school.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e \u003cbr\u003eCasals, the human being, expressed in his unadorned and honest voice.\u003cbr\u003e\u003cbr\u003e Despite three wars and the hardships of his time studying in Paris, Casals's artistic career was relatively successful.\u003cbr\u003e At first glance, it may seem like the smooth road to life of an unapproachable genius: his father, who was an artist, his mother, who recognized his son's potential and paved the way for him to become an artist; the cello, which he met as if by fate while performing on the street; Josep Garcia, his great first teacher; the owner of Café Toast, who gave young Casals the authority to plan performance programs and the experience of enjoying music; and the meeting with Count de Morphy, who provided him with generous mental and material support.\u003cbr\u003e However, Casals' honest voice has a charm that makes even ordinary people empathize with his life, separate from his musical achievements. \u003cbr\u003eEspecially in the scene where he confesses his anxiety before a concert, we can vaguely guess at Casals' 'human' side and the weight that a master of a field must bear.\u003cbr\u003e\u003cbr\u003e “That was 80 years ago, but even now, the anxiety before a concert is something I can’t seem to overcome.\u003cbr\u003e That's always torture.\u003cbr\u003e Before going on stage, my chest hurts as if something is stabbing it.\u003cbr\u003e It's really painful.\u003cbr\u003e The thought of playing in front of others is still a nightmare.”_Page 67\u003cbr\u003e\u003cbr\u003e “Oddly enough, the first thought that came to mind as I looked at my bloody fingers was, ‘Oh, thank goodness, I won’t have to play the cello again.’\u003cbr\u003e … In fact, dedicating one's life to art is a kind of slavery.\u003cbr\u003e And, needless to say, I always feel terrible anxiety before a performance.”_pp. 146-147\u003cbr\u003e\u003cbr\u003e\u003cb\u003e \u003cbr\u003eThe lingering joy and sorrow of Casals\u003cbr\u003e\u003cbr\u003e If we look at the life of 'Pablo Casals' as a symphony, it can be said to be composed of the first movement (childhood) in which he discovered his potential as an artist, the second movement (studying abroad) in which he laid the foundation for that, the third movement (concert tour) in which he steadily built his reputation as an artist, and finally the fourth movement (late years) in which he made the most of his efforts to create a better world.\u003cbr\u003e It would be absurd to summarize Casals' life of nearly 100 years in a single book.\u003cbr\u003e But, as he himself said, “Music is not something that can be turned on like a faucet and then quickly turned off, but something that must be approached with one’s entire self,” Casals seems to have succeeded in revealing himself as a whole even in this book, “Casals the Cellist, My Joys and Sorrows.” \u003cbr\u003eThe countless contexts and depths contained in his every word carry weight and resonance far beyond the content of a few pages or words.\u003cbr\u003e\u003cbr\u003e “The only achievement we can claim is the talent we were born with.\u003cbr\u003e It's about what it's used for.\"_Page 54 \u003c\/b\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e July 12, 2021\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 428 pages | 704g | 147*202*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788935668670\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8935668672 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default 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