{"product_id":"129325","title":"A room of one's own, 3 guineas ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtgpSoAlq6CioKw6QXT1N.png?v=1764873721\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e A room of one's own, 3 guineas \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/1943891\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e Virginia Woolf was a writer who, starting from a clear awareness of the reality faced by women of her time, freely explored the questions that arose within her through the modernist style of writing called the \"stream of consciousness technique\" and discovered the reality of life within it.\u003cbr\u003e Woolf's essays continue to engage in multifaceted conversations about freedom and power, politics and art, men and women, and remain open to new interpretations.\u003cbr\u003e This book brings together two of Woolf's representative works, \"A Room of One's Own\" and \"Three Guineas,\" one of the most studied writers in American literature today and a pioneer of 20th-century feminist criticism.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In these two works, Wolff launches a sharp attack on patriarchy and sexual inequality. \u003cbr\u003ePublished in 1929, \"A Room of One's Own\" offers a witty, dignified, and persuasive argument about the intellectual subordination of women, especially women writers.\u003cbr\u003e Conceived as a sequel and published in 1938, \"Three Guineas\" is a passionate and even more polemical account of the hypocrisy of Victorian patriarchy and the evils of fascism, juxtaposing them with striking incisiveness.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e A Room of One's Own 7\u003cbr\u003e 3 guineas 173\u003cbr\u003e\u003cbr\u003e Commentary on the work 449\u003cbr\u003e Author's Chronology 477\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4071\/MidCate006\/407055631(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eA Room of One's Own\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e There is no need to rush.\u003cbr\u003e There's no need to flash your wit.\u003cbr\u003e There is no need to try to be someone other than yourself.\u003cbr\u003e We will all go to heaven and Van Dijk will be with us.\u003cbr\u003e\u003cbr\u003e --- p.21\u003cbr\u003e \u003cbr\u003eNo force in this world can take 500 pounds from me.\u003cbr\u003e Food, shelter, and clothing are now mine forever.\u003cbr\u003e So not only will the effort and labor end, but so will the hatred and bitterness.\u003cbr\u003e I don't have to hate anyone.\u003cbr\u003e Because no one can harm me.\u003cbr\u003e And there's no need to flatter anyone.\u003cbr\u003e Because he has nothing to give me.\u003cbr\u003e In this way, I found myself adopting a slightly new attitude towards the other half of humanity.\u003cbr\u003e\u003cbr\u003e --- p.60\u003cbr\u003e\u003cbr\u003e Moreover, a book is not made by stringing together sentences, but, to borrow an image, is built with arches or round roofs.\u003cbr\u003e These forms were also created by men for their own use and according to their own needs. \u003cbr\u003eJust as the sentence is not suitable for women, there is no reason to think that the epic or poetic form is suitable for women either.\u003cbr\u003e But by the time women became writers, the old literary forms had already been solidified and determined.\u003cbr\u003e Only novels were flexible and new enough for her to handle.\u003cbr\u003e This is probably another reason why women write novels. \u003cbr\u003eBut who would dare to confidently assert that even the \"novel\" (I use quotation marks to express my sense of the inadequacy of this word), this most flexible of all forms, is truly suited to the use of women? When women are free to use their limbs, they will undoubtedly break it down and create new forms, offering new means of conveying their inner poetry, even if it isn't necessarily verse.\u003cbr\u003e\u003cbr\u003e --- p.118\u003cbr\u003e\u003cbr\u003e Intellectual freedom depends on material things.\u003cbr\u003e Poetry depends on intellectual freedom.\u003cbr\u003e And women have been poor not just for 200 years, but since the beginning of history.\u003cbr\u003e Women had less intellectual freedom than the sons of Athenian slaves.\u003cbr\u003e So, women didn't have even a single opportunity to write poetry. \u003cbr\u003eThis is why I have placed so much emphasis on money and a room of one's own.\u003cbr\u003e\u003cbr\u003e --- p.163\u003cbr\u003e\u003cbr\u003e Therefore, I would like to encourage you to write any kind of book, no matter how trivial or how broad the topic, without hesitation.\u003cbr\u003e I hope you will have enough money to travel, to laze around, to contemplate the future and past of the world, to read, to daydream, to wander the streets, to dip your fishing line of thought deep into the river.\u003cbr\u003e\u003cbr\u003e --- p.164\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\"3 guineas\"\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e She emerges from the shadows of her private home, stands on the bridge between the old and new worlds, twirls the sacred coin in her hand, and asks:\u003cbr\u003e “What can I do with this? What can I see with it?” Through that light, all visible things—men and women, cars and churches—all looked different. \u003cbr\u003eEven the moon, with its scars of forgotten craters, looked to her like a white sixpence.\u003cbr\u003e\u003cbr\u003e --- pp.196~197\u003cbr\u003e\u003cbr\u003e Do not build a chapel.\u003cbr\u003e Don't create museums and libraries that store books on chains and first editions in glass cases.\u003cbr\u003e Make sure you always have new pictures and books to change.\u003cbr\u003e Let each generation redecorate inexpensively with their own hands.\u003cbr\u003e\u003cbr\u003e --- p.224\u003cbr\u003e\u003cbr\u003e “Take this guinea and burn the university.\u003cbr\u003e Burn the old assumptions.\u003cbr\u003e Let the flames of the burning building scare the nightingales and turn the willows red.\u003cbr\u003e Let the daughters of educated men dance around the fire, throwing their wilted leaves into the flames.\u003cbr\u003e Let their mothers look down from their windows and shout.\u003cbr\u003e “Burn! Burn! We’ve finished this ‘education’!”\u003cbr\u003e --- p.228\u003cbr\u003e \u003cbr\u003eWho can doubt that once writers have the opportunity to write what they love, they will find it so much more enjoyable that they will refuse to write under any other circumstances? And who can doubt that once readers have the opportunity to read what writers write with pleasure, it will be so rich in nutrients that they will no longer tolerate being fooled by the commonplace substitutes? And so, just as slaves of old built pyramids by piling stones, so too will slaves now, bound and immobile by the task of piling words into books and articles, shake off the manacles and abandon their abhorrent labor.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.328\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003e“I just mutter simply and monotonously that it is far more important to be yourself than to be anything else.”\u003cbr\u003e\u003cbr\u003e Virginia Woolf, a pioneer of 20th-century feminist criticism\u003cbr\u003e The first literary history of women writers and a canon of women's literary criticism: \"A Room of One's Own\"\u003cbr\u003e \"Three Guineas\": A Serious Critique of Civilization Beyond Feminist Criticism and the Discovery of a Comprehensive Alternative\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In \"A Room of One's Own,\" Virginia Woolf discusses sex with as much imagination as logic, as wit as erudition, and with the true power of a novelist.\u003cbr\u003e - [New York Times]\u003cbr\u003e\u003cbr\u003e In \"Three Guineas,\" Virginia Woolf follows two thoughts that lead to one sea.\u003cbr\u003e The ocean it reaches is a better, healthier, and safer human civilization than any of us have ever known.\u003cbr\u003e - [New York Times]\u003cbr\u003e \u003cbr\u003e\u003cb\u003e■ The first literary history to cover female writers, and the first theoretical work to discuss literary heritage with a focus on gender.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Woolf began writing on the topic of 'Women and Fiction' for a lecture at Girton and Newnham, the women's colleges of Cambridge University. She developed the content of her lecture presentation and, in 'A Room of One's Own', examined the works of women writers such as Jane Austen, George Eliot, and Emily Brontë, and discovered the reality that they had to write distorted works due to their limited experience and conventional control.\u003cbr\u003e Beyond its historical significance as the first attempt to position female writers within the history of literature and the first theoretical work to discuss literary heritage with a focus on gender, it has become a canon of women's literary criticism encompassing the diverse interests of various feminist critics.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\"Three Guineas\" delves into the status of women as outsiders, the university education and professional careers that fuel possessiveness and competition, the connection between women's oppression and capitalist, imperialist projects and war, and the lack of civilization in patriarchal society, leading to the presentation of an alternative to patriarchal culture.\u003cbr\u003e Woolf, who had already exposed in \"A Room of One's Own\" how a culture dominated by one sex suppresses the self and hoped for the advent of a civilization in which both sexes are equally balanced, argues in \"Three Guineas\" that the history of women's marginalization has actually established their political and cultural identity.\u003cbr\u003e The idea is that marginalized and oppressed outsiders have developed a spirit of opposition to fascism and war.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e■ Two keys that can open the door to freedom.\u003cbr\u003e A steady income and a room of one's own\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Virginia Woolf asks: \u003cbr\u003eWhy do only men always have power, wealth, and fame?\u003cbr\u003e Women have nothing but children.\u003cbr\u003e And he claims.\u003cbr\u003e If women could find just two keys to unlock the door to freedom, there might be a female Shakespeare in the future.\u003cbr\u003e The two keys are a steady income and a room of your own.\u003cbr\u003e “A Room of One’s Own” begins with a reflection on the meaning of the lecture topic, “Women and Fiction.”\u003cbr\u003e Here, Woolf categorizes the concept of 'fiction' into what women are, fiction written by women, and fiction written about women, and in each subsequent chapter, she examines the historical significance of these three concepts and develops her thoughts on sex and writing.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eBut from the very beginning of the essay, Woolf suggests that women need money and a room of their own—in other words, independent income and independent space—to write, and the essay as a whole invites readers to participate in the imaginative experience by concretely revealing the trajectory of thought that led to that conclusion.\u003cbr\u003e Woolf argues that the disparity between affluence and poverty symbolizes the unequal distribution of wealth, noting that the formal dinners at women's colleges established in the late 19th century were so meager compared to those at men's colleges established in the Middle Ages.\u003cbr\u003e This, coupled with the historical fact that universities have excluded women, clearly shows how long women have been excluded from the benefits of higher education. \u003cbr\u003eIt is here that Woolf points out how fragile the material foundations for women to develop their abilities are, and she begins by presenting the conclusion of the entire article: that women need a steady income and a room of their own to become writers.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e■ A longing for a humane era where both sexes are in harmony\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Woolf goes to the British Museum to find an answer to the question of what it means to be a woman, but what she finds there is that countless books about women have been written by men who “have no other qualifications than that they are not women.”\u003cbr\u003e And even more surprisingly, the fact that these men are angry at women reveals that their actions are based on the confidence they gain by treating women as inferior beings.\u003cbr\u003e\u003cbr\u003e For any gender, life is a hard and difficult, constant struggle. \u003cbr\u003eIt requires tremendous courage and strength.\u003cbr\u003e And for creatures with illusions like us, it probably requires more than anything else: confidence in oneself.\u003cbr\u003e Without confidence, we are like babies in their cradle.\u003cbr\u003e How can we most quickly acquire this invaluable, yet infinitely valuable quality? By perceiving others as inferior to ourselves.\u003cbr\u003e (…) Women have for centuries served as mirrors, possessing the delightful power of reflecting men's images magnified to twice their actual size.\u003cbr\u003e (Pages 55-56)\u003cbr\u003e \u003cbr\u003eHe searches through books to find out “what education women had, whether they learned to write, whether they had rooms of their own, how many had children before they were twenty-one, and in short, what they did from eight in the morning until eight at night,” but finds no record of it anywhere.\u003cbr\u003e So, in the end, we end up imagining what would have happened if Shakespeare had a sister named Judith.\u003cbr\u003e In that imagination, Judith, despite her talent for writing, dies young without ever writing a single line and is buried at a bus stop across from the elephant zoo.\u003cbr\u003e This situation remained the same into the 19th century.\u003cbr\u003e With the exception of Jane Austen and Emily Brontë, 19th-century women writers were confined to their homes, forced to write works twisted by rage and convulsions. \u003cbr\u003eOn the one hand, by conforming to dominant masculine values, and on the other, in the absence of a tradition of women's writing, their work was bound to be flawed.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e And Woolf holds out the hope that writing “as a woman who has forgotten that she is a woman” will allow her to write without being tainted by anger and protest.\u003cbr\u003e This leads to the argument that the two sexes must be in harmony, that is, that only when one has an androgynous mind that is a fusion of masculine and feminine qualities can one fully utilize all of the functions of the mind.\u003cbr\u003e It is like finding oneself without suppressing the masculinity in women or the femininity in men, and this is still valid today.\u003cbr\u003e\u003cbr\u003e I just mutter simply and monotonously that it is far more important to be yourself than to be anything else. \u003cbr\u003eI would say, don't even dream of influencing other people.\u003cbr\u003e If only I could put it in a way that made it sound noble.\u003cbr\u003e Think of things only in themselves.\u003cbr\u003e (Page 167)\u003cbr\u003e\u003cbr\u003e \u003cb\u003e■ \"Three Guineas\": A Serious Critique of Civilization Beyond Feminist Criticism\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \"Three Guineas\" consists of three letters: one from a lawyer asking for ways to prevent war and \"defend cultural and intellectual freedom,\" another requesting funds to rebuild a women's college, and another requesting funds from an association seeking to assist women in their professional careers.\u003cbr\u003e Wolfe decides to send one guinea to each of the three organizations, revealing that these three seemingly unrelated issues are in fact closely linked to the cause of promoting peace. \u003cbr\u003e\"Three Guineas\" describes the process leading to this decision, and in the process, Woolf emphasizes that women's higher education and advancement into professional careers are essential prerequisites for the cause of peace.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Patriarchy, imperialism, and fascism are logically connected in that they are based on the oppression of women.\u003cbr\u003e The patriarchal university culture has shaped men into exclusive individuals who are extremely self-conscious about their rights, unwilling to share their privileges with others, and who do not hesitate to use force when those rights are violated, fostering a competitive, belligerent, and uncompromising culture.\u003cbr\u003e Therefore, Wolf argues that women, who were outsiders of society, should be admitted to universities and provided with alternative education.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “Take this guinea and burn the university.\u003cbr\u003e Burn the old assumptions. \u003cbr\u003eLet the flames of the burning building scare the nightingales and turn the willows red.\u003cbr\u003e Let the daughters of educated men dance around the fire, throwing their wilted leaves into the flames.\u003cbr\u003e Let their mothers look down from their windows and shout.\u003cbr\u003e \"Burn! Burn! We've finished this 'education'!\" (p. 228)\u003cbr\u003e\u003cbr\u003e It also highlights the need to support women's advancement into professional careers by highlighting the struggles of professional women in their daily lives against dictatorships such as patriarchy and fascism.\u003cbr\u003e However, as in \"A Room of One's Own,\" these arguments do not encourage confrontation between men and women, but rather aim for an era in which \"the human spirit can transcend boundaries and create unity from diversity.\" \u003cbr\u003eTherefore, the issues Woolf raises in this essay are not limited to women's rights; they can be read as a critique of patriarchal values, capitalism, and fascism, as well as civilization itself, and can be seen as a holistic vision that discovers a single world, a single life, encompassing the inner and outer worlds of human life. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 10, 2006\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 492 pages | 566g | 132*224*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788937461309\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8937461307 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43890412060714,"sku":"129325","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ee5ea5df86de72355f6f1c11144bb455.jpg?v=1765297837","url":"https:\/\/librairie.coreenne.fr\/en\/products\/129325","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}