Seosan Rock Buddha: The meaning behind that gentle smile
Yeongoksa Temple, Gurye: A Song for the Sunset of the Seomjin River
Northern Gyeongbuk Pilgrimage 1 - Uiseong and Andong: Do you know the hometown of the "Nikke"-shaped pagoda?
Northern Gyeongbuk Pilgrimage 2 - Andong and Pungsan: Have you tried dried mackerel?
Northern Gyeongbuk Pilgrimage 3 - Hahoe and Yean: Brother, the ancestral rites are held until the end of the year!
Northern Gyeongbuk Pilgrimage 4 - Dosan Seowon: Water That Plum Tree
Northern Gyeongbuk Pilgrimage 5 - Imha and Yeongyang: More than Jiri
Iksan Mireuksa Temple Site: The Unfulfilled Dream of a Royal Capital
Gyeongju Bulguksa Temple 1: There is no flower garden in the inner courtyard of Bulguksa Temple.
Bulguksa Temple, Gyeongju 2: What did you believe in?
Baekje Journey of Reminiscence 1 - Seoul: A Conversation with the Unspoken
Baekje Journey of Reminiscence 2 - Princess: Building a pavilion on the summit of Jeongjisan Mountain
Baekje Journey of Reminiscence 3 - Buyeo: May it bloom on the mountains and hills
Appendix: Tour Schedule and Guide Map

The third volume of the travelogue, "Conversations with the Unspoken," describes our cultural heritage by dividing it into four major cultural spheres.
These include the aesthetics of Baekje in the Buyeo and Gongju areas, the harmonious ideal beauty of the Unified Silla period shown by Bulguksa Temple in Gyeongju, the aesthetics of the Joseon Dynasty's yangban culture that permeates the Andong cultural sphere, and the aesthetics of mountain temples contained in the old temples along the Seomjin River and Jirisan Mountain.


This book, which begins with the discovery of the Seosan Rock Buddha and the heartbreaking story of Grandfather Seongwon, who has been managing the Seosan Rock Buddha for over 30 years, is most closely related to the newly released 6th volume of the travelogue, 'Life is like a constant stream of things.'
Introductions to connections made while traveling across the country, interesting anecdotes about the beautiful Seomjin River, stories of the Bulcheonwi ritual heard at the Andong Geomje Hakbong ancestral home, and anecdotes about Dosan Seowon and Toegye Yi Hwang, along with the book, allow for a humanistic and artistic experience that transcends time and space between the past and present.
In particular, this book includes an article about Bulguksa Temple in Gyeongju, which is a benchmark for the ideal aesthetics of the Unified Silla period. The author's unique aesthetic perspective is different from the introductions to Bulguksa Temple that we often read or hear about, and it contains interesting explanations of everything from the temple layout and architectural direction of Bulguksa Temple to the grangi method stone construction.