{"product_id":"129532","title":"Attachment relics ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtgpSpENTXzWkO1QLqDVv.png?v=1764976652\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Attachment relics \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/163444655\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eWhen you gaze at a relic, the relic gazes at you.\u003cbr\u003e\u003cbr\u003e A Maniacal Pursuit of Beauty Through 36 National Treasures at the Taipei National Palace Museum\u003cbr\u003e\u003cbr\u003e Artifacts that survived air raids, collapses, night shifts, and bombings\u003cbr\u003e Travel the world, collect, and discover hidden treasures in famous mountains.\u003cbr\u003e What story, history, and art history does each artifact encapsulate?\u003cbr\u003e\u003cbr\u003e Until everyday life becomes as excellent as a relic\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e There is a book that can tell you that if you want to appreciate and interpret relics, you have to do it like this person.\u003cbr\u003e This is Jeong-ing's 『Attachment Artifact』.\u003cbr\u003e He is demonstrating outstanding talent in discernment, interpretation, commentary, and writing. \u003cbr\u003eThe author, who majored in classical Chinese literature, teaches students at a medical school.\u003cbr\u003e But three days is a long time, so I go to the Taipei Palace Museum with them.\u003cbr\u003e As the thresholds and shoe soles wore down, my knowledge and love for relics deepened, leading me to write a 500-page book introducing a total of 36 treasures.\u003cbr\u003e The author presents a full-color commentary on the artifacts, detailing the historical strata, diversifying the interpretation, and enriching the text.\u003cbr\u003e\u003cbr\u003e The concept of the book is borrowed from the Emperors' Dabogeuk.\u003cbr\u003e The Dabogyeok was a drawer-type storage box where emperors collected, organized, classified, and stored their treasured relics.\u003cbr\u003e The author says that he will put a total of 36 relics in the readers' Dabokgeuk like their emperor. \u003cbr\u003eThe author's selection criteria are trustworthy, having traveled frantically to see domestic and international ceramics and kiln sites, been captivated by the mere sight of fragments, and delved into the artistic imagery of the time, combining history and literature.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author's distinctiveness lies, firstly, in turning back the clock and going back to the time when the artifact was created.\u003cbr\u003e All 36 points created incomparable beauty in the slow flow of time.\u003cbr\u003e Second, he has the skill to dramatize and unfold contemporary scenes into a drama.\u003cbr\u003e This is the result of the combined mobilization of the senses of smell, hearing, sight, and touch.\u003cbr\u003e Third, the ability to see things is trained.\u003cbr\u003e In other words, he possesses the ability to appreciate relics and find meaning in them rather than just looking at them with his eyes.\u003cbr\u003e Fourth, it has excellent linguistic aesthetics and emotional evocation.\u003cbr\u003e For example, sentences like ‘It feels like blue spring water has entered my field of vision, and my mind becomes calm’ written after seeing Yeoyo shine. \u003cbr\u003eThe author's mind is not only a mirror that reflects the relics, but also a mirror that reflects the minds of the readers (viewers), and comes to us in language that corresponds to the relics.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e One of the most notable features of this book is its writing style.\u003cbr\u003e The author opens the reader's heart with the utmost sincerity in using polite language, and each paragraph bears the fruit of a sweet style.\u003cbr\u003e While honorifics are often seen as a tool for approaching readers in an easy and friendly manner, the author faithfully bridges the gap between historical figures and modern readers by incorporating a sense of reverence for the creators and collectors of artifacts into his writing style.\u003cbr\u003e This elevates the reader's daily life to the level of excellence and nobility that the history of relics holds.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e I was so captivated and excited while listening to that story that I didn't know what to do. _Luo Yijun\u003cbr\u003e\u003cbr\u003e preface \u003cbr\u003eI would like to put the most shining treasures of the Taipei National Palace Museum in your Dabo-geuk.\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Yeoyo Celadon Amethyst Bowl | The Always Sunny Sky in My Heart\u003cbr\u003e 2.\u003cbr\u003e Korean Food | Su Dongpo is the greatest of all the literary figures of all time.\u003cbr\u003e 3.\u003cbr\u003e A jade warrior | Dancing softly on the delicate jade water\u003cbr\u003e 4.\u003cbr\u003e Calculating Haengryodo | Finding Humanity's Place Between Heaven and Earth\u003cbr\u003e 5.\u003cbr\u003e The most beautiful woman in the palace\u003cbr\u003e 6.\u003cbr\u003e Why Why Why Are You Sleeping | Shining White Like Snow\u003cbr\u003e 7.\u003cbr\u003e Gunyo | The Aesthetics of Darkness\u003cbr\u003e 8.\u003cbr\u003e Southern Song Guan Yao | My Beauty and Sorrow\u003cbr\u003e 9.\u003cbr\u003e Song In-seo's Room | A Room of One's Own\u003cbr\u003e 10.\u003cbr\u003e Mogongjeong | A treasure that protects the nation\u003cbr\u003e 11.\u003cbr\u003e Dangin Palace Map | The sun and moon rising over Bongnae Palace will last forever\u003cbr\u003e 12.\u003cbr\u003e The Ming Emperor's Travels | Is this a dream? Is this reality?\u003cbr\u003e 13.\u003cbr\u003e Jejulmungo | The best of the remaining Anjinkyungche in the world\u003cbr\u003e 14.\u003cbr\u003e The Emperor's Toy Box\u003cbr\u003e 15.\u003cbr\u003e From Cheonghwa to Tuchae\u003cbr\u003e 16.\u003cbr\u003e Kangxi Enameled Porcelain | The Best of the Qing Court\u003cbr\u003e 17.\u003cbr\u003e Yongjeong Enameled Porcelain | Poetry, Calligraphy, Painting, and Seals, Venus and Ukyeong\u003cbr\u003e 18. \u003cbr\u003eQianlong Enameled Porcelain | Splendid Scenes\u003cbr\u003e 19.\u003cbr\u003e Nam Hoon Jeon Do-sang | Let's see the certification shot\u003cbr\u003e 20.\u003cbr\u003e Jo Chun-do | Beautiful and charming\u003cbr\u003e 21.\u003cbr\u003e Hwarangdo | I walk through the alleys carrying a hundred items.\u003cbr\u003e 22.\u003cbr\u003e Jade and White Chakra | Jeweled Flower\u003cbr\u003e 23.\u003cbr\u003e A Love Letter that Transcends Time and Space\u003cbr\u003e 24.\u003cbr\u003e Buchunsan Geodo | Eternal Landscape\u003cbr\u003e 25.\u003cbr\u003e Yongseuljaedo | An empty pavilion speaks praise\u003cbr\u003e 26.\u003cbr\u003e Grip | Unit of measurement\u003cbr\u003e 27.\u003cbr\u003e Southern Song landscape painting | The wind blows through me, and I feel as if I'm sitting in a warm spring breeze.\u003cbr\u003e 28.\u003cbr\u003e \"Calculation Petition\" | If you cultivate your mind and contemplate the Way, you can travel a thousand miles, even if you lie down or sit and look at a painting.\u003cbr\u003e 29.\u003cbr\u003e A long-held, gilded bronze statue of a Qing court resident | A very fine piece\u003cbr\u003e 30.\u003cbr\u003e Han Gung Chunhyo | Flowing Song of Pleasure\u003cbr\u003e 31.\u003cbr\u003e Ming Dynasty Lacquerware | Building Dreams\u003cbr\u003e 32.\u003cbr\u003e From gifts to merchandise, and even the party itself\u003cbr\u003e 33.\u003cbr\u003e From Moon Jin-myeong to Moon Jin-hyeong | Everyday Life in Sosidae\u003cbr\u003e 34.\u003cbr\u003e Cheonhyang Ganam | As hard as gold and as warm as jade\u003cbr\u003e 35. \u003cbr\u003eGuguimok | Wangmong, a fantasy that portrays reality\u003cbr\u003e 36.\u003cbr\u003e A Refreshing Snow Festival Invitation | Sonata in a Dream\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate6074\/MidCate002\/607312981.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The map of the wanderings resembled the outline of a large goose with its wings spread wide across the lines of longitude and latitude.\u003cbr\u003e Every point, every wave, every swing, every slap was accompanied by an air raid, a collapse, a night move, and a bombing.\u003cbr\u003e The national treasure that the first generation of palace guards risked their lives to protect has finally set foot in Taipei.\u003cbr\u003e Like a grand symphony with a magnificent introduction, the extraordinary value of the Taipei Palace Museum's collection is established.\u003cbr\u003e They were the exemplars of their time, played with and manipulated by past kings.\u003cbr\u003e Among them were refined products that the emperor could not obtain even after trying hard to obtain them, had to travel the world to collect them, and were hidden in famous mountains before being passed on to the world.\u003cbr\u003e Every artifact has its own story, its own history, its own condensed art history. \u003cbr\u003eIt's as if cultural history was woven using the technique of woven silk.\u003cbr\u003e --- p.20\u003cbr\u003e\u003cbr\u003e Why do the chief and the meticulous study lead people to a state of \"retaining what they've observed from the outside, replaying it over and over again, forgetting even the erosion and entering a state of pure confession\"? --- p.27\u003cbr\u003e\u003cbr\u003e At this moment, imagine that we have entered the porcelain exhibition area of ​​the Taipei National Palace Museum.\u003cbr\u003e The first thing that catches your eye is the stillness.\u003cbr\u003e As we slowly walk along the exhibition hall, an ivory-colored stillness appears, and a sense of stability comes into our hearts.\u003cbr\u003e It feels incredibly warm and secure, like when my mother stroked my hair as a child, or like holding a piece of Hetian white jade in my hand.\u003cbr\u003e Let's keep moving forward.\u003cbr\u003e At first glance, it seems like a blue spring has come into our sight, and our hearts become calm.\u003cbr\u003e This is the girl. \u003cbr\u003e“Create this color in the blue sky after the rain, where the clouds have cleared.” A blue sky that looks like it has been washed clean after a shower.\u003cbr\u003e The color of the sky is the purest blue that appears after the white clouds have slightly dispersed.\u003cbr\u003e Yeoyo Pilse·Yeonhwaonwan… … Next, the Yeoyo Suseonbun, the only one in the world called ‘no pattern’, appears before us.\u003cbr\u003e The moment I face this, the surging frenzy in my heart and the roaring, gushing sound of the torrent all subside.\u003cbr\u003e There is a vast distance of a thousand years between the Northern Song Dynasty and today.\u003cbr\u003e This appearance of Su-seon-bun was even ordered by Aesin Gak-ra Yun Jin, when he was still the Fourth Prince, to be painted on a folding screen in his favorite reading room, Simryu Dokseodang.\u003cbr\u003e And now, this water fountain sits quietly in the exhibition hall of the Taipei Palace Museum, gazing at us. \u003cbr\u003eA thousand years have passed in the blink of an eye, yet the human world remains at peace.\u003cbr\u003e --- p.33\u003cbr\u003e\u003cbr\u003e If pure white and shiny Jeongyo porcelain was the first to lead the aesthetic trend of the Song Dynasty, then it was followed by sky blue Yeo porcelain and clear and clean Yongcheon porcelain.\u003cbr\u003e And although it was not included in the ranks of the five most famous kilns of the Song Dynasty by the Ming and Qing literati, there is a type of porcelain that has its own unique style and characteristics and continues to be popular to this day.\u003cbr\u003e It is famous for its teacups, commonly called Geonyo in the ceramics industry, and is generally called 'Geonjan'.\u003cbr\u003e To deeply understand 'Geonjan', we must transcend time and space.\u003cbr\u003e Let's put down the tea leaves around us and take a time machine to the Tang Dynasty and the Five Dynasties and Ten Kingdoms period.\u003cbr\u003e It's like going back to the era of 'boiled tea' from 'bubble tea'.\u003cbr\u003e --- p.106~107\u003cbr\u003e \u003cbr\u003eSomehow, the Southern Song official kilns before our eyes always had distinct, angular lines beneath the soft, beautiful blue and green of the sky.\u003cbr\u003e This is different from the other Yeo-yo Su-seon-bun we admired together, which had a soft bend that was difficult to discern with the naked eye even on the slanted edges.\u003cbr\u003e Because Southern Song Dynasty kilns were born with the sadness of history.\u003cbr\u003e Guan-yo has had a dignified character since birth, as it shouldered the historical responsibility of replacing the bronze ceremonial vessels.\u003cbr\u003e --- p.124\u003cbr\u003e\u003cbr\u003e However, I like the difficult-to-grasp rim, protruding lines, and curved doors of Southern Song official kilns the most.\u003cbr\u003e They did not lose their original color even after applying multiple layers of glaze, and the original color became more visible as time passed. \u003cbr\u003eJust as the sky is round and the earth is square under the soft and gentle colors, just as the outside is soft and the inside is strong, just as the literati's harmonious but uncluttered prayers are, they are the lines of our own character that we have always kept and cherished in our hearts.\u003cbr\u003e --- p.126\u003cbr\u003e\u003cbr\u003e As the book progresses through the latter half of \"My Question,\" the signs of revision and erasure become more frequent, the handwriting becomes more chaotic, and sorrowful phrases are repeated several times.\u003cbr\u003e Towards the end of the text, the handwriting becomes closer to cursive.\u003cbr\u003e The upright and dignified figure of An Jin-gyeong suddenly collapses and falls to his knees, as if he has nowhere to hide his immense sorrow and no strength to bear it.\u003cbr\u003e Coming here, a fact suddenly comes to mind.\u003cbr\u003e By the way, An Jin-gyeong took Jang Wook, the herbal saint, as her teacher.\u003cbr\u003e (…) The writing style was round, powerful, yet fluent, and he completed the sentence in one breath with concentrated mind. \u003cbr\u003eWatching the text's suggestions and sudden gestures, and the ink changing from a deep black to a dry gray, brings tears to my eyes.\u003cbr\u003e An Jin-kyung completely forgot the flag he had raised.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.178~179\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eBreaking through the white predicament by seeing the colors swirling in the margins\u003cbr\u003e May your ditches and ponds also be dyed in dark and rich colors.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Among the relics of the Taipei National Palace Museum, the one the author considers the best is the 'Northern Song Ru ware Celadon Water Tomb with No Pattern'.\u003cbr\u003e Let's look at a description of this work.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “Its beauty lies in its low, oval form, its four pedestals supporting the base, and its stable pedestal.\u003cbr\u003e Its beauty lies in the soft, blue-green color of the glaze applied to the entire vessel, and in the subtle pinkish hue that appears in the thinly applied glaze at the edges. \u003cbr\u003eThe entire vessel is clean and patternless, so the clouds are light and the wind is like a gentle blue sky, as if a refined aesthetic was brought from the Song Dynasty through a passage of time.\u003cbr\u003e (…) The craftsmen, with the attitude of going crazy, added agate powder to the glaze to reveal a subtle pink luster.\u003cbr\u003e The wide-mouthed, serrated shape of the succulent is just the right height to perfectly showcase the towering, light green veins of the leaves.”\u003cbr\u003e\u003cbr\u003e The viewer's eyes usually first perceive the shape and color of the artifact, feeling a sense of beauty or sadness from it, and then research and interpret the literature on the technique of the work and the history it contains.\u003cbr\u003e As someone who has seen more artifacts from the Taipei Palace Museum than anyone else, the author teaches us how to look at artifacts deeply. \u003cbr\u003eFor example, it guides you through the simple, white-hued Jeongyo of the Song Dynasty, where material and science made great strides, the ice-like and jade-like Ruyo celadon, and even the official kilns of the Southern Song Dynasty, all in one go, making you realize, “This is the era of Song Minglihak!”\u003cbr\u003e By applying the Neo-Confucianism's ideas of tranquility, studying things, and moderation to aesthetics, and making even the courage to live so simple, it teaches us how to observe things and realize the Way.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e It gently guides you with the hope of securing your own path and visiting the museum even on snowy days, while also painting your ditch and large pond with thick ink and heavy colors.\u003cbr\u003e For example, after seeing the colors flowing through the margins of Emperor Yongzheng's porcelain, he meticulously explored the direction of Chinese aesthetics over the course of three generations of emperors, overcoming the predicament of white. \u003cbr\u003eThe entire book evokes a leisurely atmosphere, with bamboo in front of a window, a landscape painting hanging inside, a bronze tripod placed on the table, and chrysanthemums placed in a vase made of official kiln wood amidst the scent of agarwood.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Relics are like longing.\u003cbr\u003e If you look closely, the times and stories you experienced will be revealed.\u003cbr\u003e For example, the password that communicated between heaven and earth is revealed in the jade bell of Yangju.\u003cbr\u003e The condensed time is released as a narrative in the jade warrior dancing on the delicate jade water, the Tang Sancai knight woman as spirited as a man, the refreshing Yeoja porcelain like the blue sky after the rain, and the Yongzheng enamel landscape bowl with the golden and red seal of Xuying.\u003cbr\u003e In this way, each and every one of the author's self and each and every one of the giant landscape paintings he looked at allows us to regain peace of mind and listen to his voice.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEmperor, the artistic director who torments and encourages himself\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThe Taipei Palace Museum was established thanks to the emperors who had a great sense of beauty and the ability to collect artifacts.\u003cbr\u003e Among them, the relics collected by the three emperors of the Qing Dynasty, Kangxi, Yongzheng, and Qianlong, were moved from the mainland to Taiwan after the Manchurian Incident and are now shining brightly at the Taipei Palace Museum.\u003cbr\u003e Each of these has its own story, a history of art condensed with history.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The three emperors demonstrated their skills as artistic directors beyond politics and administration.\u003cbr\u003e The emperor's aesthetic sense guides the artistic achievements of a dynasty and a generation.\u003cbr\u003e The Emperor's tastes may be fastidious or narrow-minded, but in the long river of time, all this becomes a special scenery on the riverbank.\u003cbr\u003e For example, all of Emperor Yongzheng's achievements came from strict discipline.\u003cbr\u003e He slept only four hours a day and meticulously supervised the production of the crafts he was asked to create. \u003cbr\u003eThus, the blood and flesh of the Qing Dynasty lives on in these relics, and the details are exquisite.\u003cbr\u003e Emperor Yongzheng's orders were meticulous in encompassing all contradictions.\u003cbr\u003e “The style must be refined.” “The style must be elegant.” “The skeleton must be sleek.” “The skeleton must be refined.” “Pay attention to even the smallest details.” Although he was an emperor whose evaluations were divided, he had the finest craftsmen write and paint his relics.\u003cbr\u003e These craftsmen mastered all four arts perfectly: poetry, calligraphy, painting, and seals.\u003cbr\u003e The fact that Yongzheng took the lead in the production of the official kiln ware means that he was involved in everything from the elements of the screen to the color arrangement.\u003cbr\u003e Kangxi was generous, his son Yongzheng followed the path of a literati, and his grandson Qianlong continued this tradition while also displaying ingenious ideas.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eBut among these three emperors, the real protagonist is Emperor Qianlong.\u003cbr\u003e The author calls him \"Orabeoni Rong,\" \"Elder Rong,\" and \"Injanggwang,\" and reveals how excellent a court artistic director Qianlong was.\u003cbr\u003e Qianlong, who wanted to follow in the footsteps of his father Yongzheng and achieve the style of an era, was able to demonstrate overwhelming skill thanks to the pressure and encouragement he put on himself.\u003cbr\u003e This is the very implementation of the 'icing on the cake' law.\u003cbr\u003e Moreover, he left traces wherever he went, from the design of the palace to the interior spaces of the palace, and each and every one of them was filled with his own artistic talent.\u003cbr\u003e For example, in the \"Buchunsan Geodo\", traces of plains and seals were left in fifty-five places.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e During the Manchurian Incident, when the Japanese military's artillery was increasingly concentrated, the relics that had flowed one by one into the Forbidden City's palaces through the river of time were put into boxes one by one and returned to the world. \u003cbr\u003eFrom then on, the artifacts in 13,427 boxes and 64 loads set out on the greatest adventure in history, crossing mountains, rivers, and seas.\u003cbr\u003e Meanwhile, 369 pieces of enamel-clad porcelain from the three dynasties of Kangxi, Yongzheng, and Qianlong were moved to the National Palace Museum in Taiwan without any hesitation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e ***\u003cbr\u003e\u003cbr\u003e Each artifact and story in this book is like a drawer.\u003cbr\u003e The author explains these with sincerity, love, and affection.\u003cbr\u003e As you open each drawer, your readers will also begin to develop a fanatical pursuit of beauty.\u003cbr\u003e As the brilliant and eternal light of 4,000 or 5,000 years ago seeps in quietly. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 14, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Guide to book binding methods for four-sided binding\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 484 pages | 734g | 145*200*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791169094474 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894888857642,"sku":"129532","price":41.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/e09890b3fc71f07ba950d3b69f70e4e1.jpg?v=1765450324","url":"https:\/\/librairie.coreenne.fr\/en\/products\/129532","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}