{"product_id":"133148","title":"In the Name of Literature (Half Year): Volume 2, 2025 ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYCU4uBChtkDD9NOfUh4JsB6XROjz.png?v=1765033668\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e In the Name of Literature (Half Year): Volume 2, 2025 \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/155150903\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA special feature on “The Violence of Power and the Language of Reflection,” which reflects on the martial law situation from a literary perspective.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e I hereby declare.\u003cbr\u003e I declare.\u003cbr\u003e Dismissed.\u003cbr\u003e Words uttered as predicates define what the subject intends and command the hearer to carry out the action.\u003cbr\u003e If the subject's entity is the subject of power that exercises the authority of the state and law, the predicate forces the subject's purpose to be carried out.\u003cbr\u003e In Sophocles' Antigone, Creon's proclamation is also a statement of positive law.\u003cbr\u003e Creon forbids the funeral of his nephew, who has become an enemy.\u003cbr\u003e Those words are the language of violence that can even sentence citizens who violate the proclamation to death.\u003cbr\u003e The effectiveness of that word arises from the premise of the benefit of the community and the happiness of its citizens.\u003cbr\u003e However, Antigone disobeys Creon's decree. \u003cbr\u003eShe holds her brother's funeral according to the unwritten laws of the gods rather than the decree of Creon, who is merely a human.\u003cbr\u003e It is an unwritten law of the gods that anyone who dies must be given a funeral.\u003cbr\u003e “We were born to love one another, not to hate one another.” Antigone’s words, which violate positive law.\u003cbr\u003e It is the ethics of useless words that resist power.\u003cbr\u003e It is a literary question that useless words pose to the useful words of positive law.\u003cbr\u003e In that sense, the language of literature may be the question itself that resists the execution of the predicate and doubts the subject of the predicate.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eSpecial Feature: The Violence of Power and the Language of Reflection\u003c\/b\u003e\u003cbr\u003e 1.\u003cbr\u003e Civil War, Language, and the Secrets of Carl Schmitt and His Family | Kim Hang\u003cbr\u003e 2. \u003cbr\u003eOn the Partiality and Plurality of Power: Thoughts on Directly Elected Presidents and Martial Law | Kim Tae-hwan\u003cbr\u003e 3.\u003cbr\u003e The Vulnerability of Legal Language and the Rule of Law: From the Constitutional Court's Ruling on the President's Impeachment | Kim Yeon-mi\u003cbr\u003e 4.\u003cbr\u003e Ontology Between \"Not Yet\" and \"Already\": Violence and Literature | Han Rae-hee\u003cbr\u003e 5.\u003cbr\u003e The Triumph of Rebellion and the Failure of Tragedy: Reading Camus's \"Martial Law\" | Moon Kyung-hoon\u003cbr\u003e 6.\u003cbr\u003e The Social Contract and the Origins of the State (and Violence) _ Rereading Lee Cheong-jun's \"Your Heaven\" | Lee Su-hyeong\u003cbr\u003e 7.\u003cbr\u003e The Grammar of Destruction and Memory: A Community in Conflict with Lim Cheol-woo's \"Spring Day\" | Kim Yo-seop\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWith a Special Feature - Voices from the Field: Awareness of Political Crisis and Literary Responses\u003c\/b\u003e\u003cbr\u003e 1.\u003cbr\u003e Moving with Silence and Power | Kim Na-young\u003cbr\u003e 2.\u003cbr\u003e Kim Hye-soon 1 | Kim Yi-gang\u003cbr\u003e 3.\u003cbr\u003e I Lost My Way to Write | Park Ji-il\u003cbr\u003e 4.\u003cbr\u003e Kim Dan's Winter | Jin Yeon-ju\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePoetry and novels\u003c\/b\u003e\u003cbr\u003e The Deep Side of the Old Bookstore and Two Other Books | Kim Yeon-deok\u003cbr\u003e Suspicions about the site of the removed wart, Part 2 | Seo Young-cheo\u003cbr\u003e Sinkhole and 2 others | Shin Yong-mok\u003cbr\u003e Other people | Anyun \u003cbr\u003eBlack one-piece | Lee Ju-ran\u003cbr\u003e That's the point | Jeong Gi-hyeon\u003cbr\u003e Giil and 2 others | Jeong Woo-shin\u003cbr\u003e Hongok | Joo Yi-hyun\u003cbr\u003e\u003cbr\u003e \u003cb\u003eText Experiment Space\u003c\/b\u003e\u003cbr\u003e Congratulatory message | Seo Ije\u003cbr\u003e\u003cbr\u003e \u003cb\u003e11th Literature Lab Forum\u003c\/b\u003e\u003cbr\u003e _Some Notes on the Overseas Literature School_World Literature as a Liberal Arts | Kim Dong-sik\u003cbr\u003e _The Critical Existence of the Postwar Foreign Literary Generation_ Focusing on Kim Bong-gu, Song Wook, and Jeong Myeong-hwan | Lee Eun-ji\u003cbr\u003e Kim Hyun on Reading Barthes and the Three Propositions He Reinterpreted | Seohyun Ahn\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAnnouncement of the 11th Kim Hyun Literary Award Winners\u003c\/b\u003e\u003cbr\u003e Introduction to the Kim Hyun Literary Society\u003cbr\u003e Words of selection\u003cbr\u003e The salamander's path is indicated by a dotted line. | ​​Sim Ji-ah\u003cbr\u003e Me and Literature | Yang Seon-hyeong\u003cbr\u003e The Poetics of Wandering Award-Winning Writers: Sim Ji-ah's Theory | Song Hyun-ji\u003cbr\u003e Dusk and Illusion_Yang Seon-hyeong-ron | Lee So\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThat experiment back then\u003c\/b\u003e\u003cbr\u003e The Politics of Violence and Allusion There_Kim Hye-sun's Poetry Collection: A Star's Hell | Song Seung-hwan\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThis language now\u003c\/b\u003e\u003cbr\u003e Capitalism and the Death Drive: Kim Ahn's \"Mazeppa\" and Kim Geun's \"From to\" | Park Dae-hyun \u003cbr\u003eThese current educational novels: Yoon Seong-hee's \"Slow-Moving Heart\" and Lee Shin-jo's \"Your Season, My Weather\" | Yang Sun-mo\u003cbr\u003e Don't You Know What Love Is Just Because You're Old? - Baek Su-rin's \"Everything About a Spring Night\" and Wi Su-jeong's \"The Night We Don't Have\" | Kang Ji-hee\u003cbr\u003e\u003cbr\u003e \u003cb\u003eLiterature Lab New Book Review\u003c\/b\u003e\u003cbr\u003e The Curve of False Shadows_Kim Sol's Short Story Collection \"Pure Contradiction\" | Jo Dae-han\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e 1.\u003cbr\u003e Civil War, Language, and the Secrets of Carl Schmitt and His Family | Kim Hang\u003cbr\u003e 2.\u003cbr\u003e On the Partiality and Plurality of Power: Thoughts on Directly Elected Presidents and Martial Law | Kim Tae-hwan\u003cbr\u003e 3.\u003cbr\u003e The Vulnerability of Legal Language and the Rule of Law: From the Constitutional Court's Ruling on the President's Impeachment | Kim Yeon-mi\u003cbr\u003e 4.\u003cbr\u003e Ontology Between \"Not Yet\" and \"Already\": Violence and Literature | Han Rae-hee\u003cbr\u003e 5.\u003cbr\u003e The Triumph of 'Rebellion' and the Failure of 'Tragedy' _ Reading Camus's 'Martial Law' | Moon Kyung-hoon\u003cbr\u003e 6. \u003cbr\u003eThe Social Contract and the Origins of the State (and Violence) _ Rereading Lee Cheong-jun's \"Your Heaven\" | Lee Su-hyeong\u003cbr\u003e 7.\u003cbr\u003e The Grammar of Destruction and Memory: A Community in Conflict with Lim Cheol-woo's \"Spring Day\" | Kim Yo-seop\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWith a Special Feature - Voices from the Field: Awareness of Political Crisis and Literary Responses\u003c\/b\u003e\u003cbr\u003e 1.\u003cbr\u003e Moving with Silence and Power | Kim Na-young\u003cbr\u003e 2.\u003cbr\u003e Kim Hye-soon 1 | Kim Yi-gang\u003cbr\u003e 3.\u003cbr\u003e I Lost My Way to Write | Park Ji-il\u003cbr\u003e 4.\u003cbr\u003e Kim Dan's Winter | Jin Yeon-ju\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe 11th Literature Lab Forum: Foreign Literature as the \"Other\"\u003c\/b\u003e\u003cbr\u003e The theme of the 11th [Literature Lab Forum] this year is “Foreign Literature as the ‘Other.’”\u003cbr\u003e As you know, in 1925, colonial Korean students studying abroad in Tokyo formed the 'Foreign Literature Research Association' and published the first issue of Overseas Literature in 1927.\u003cbr\u003e A hundred years later, in 2024, a symbolic event occurred: a Korean novelist won the Nobel Prize in Literature.\u003cbr\u003e The history of the full-scale encounter between foreign literature and Korean literature that unfolded in the meantime. \u003cbr\u003eIt raises questions and reflections on the process of seeking the modernity of Korean literature and advancing toward world literature while accepting foreign literature as the 'other.'\u003cbr\u003e\u003cbr\u003e _Some Notes on the Overseas Literature School_World Literature as a Liberal Arts | Kim Dong-sik\u003cbr\u003e _The Critical Existence of the Postwar Foreign Literary Generation_ Focusing on Kim Bong-gu, Song Wook, and Jeong Myeong-hwan | Lee Eun-ji\u003cbr\u003e Kim Hyun on Reading Barthes and the Three Propositions He Reinterpreted | Seohyun Ahn\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePoetry, novels, and plays\u003c\/b\u003e\u003cbr\u003e In the column [Poetry and Novels], where you will immediately fall into its richness once you start reading, poets Kim Yeon-deok, Seo Yeong-cheo, Shin Yong-mok, and Jeong Woo-shin, and novelists Ahn Yun, Lee Ju-ran, Jeong Gi-hyeon, and Joo I-hyeon, who have come together across generations, present their own unique creative worlds in a colorful way.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eText Experiment Space\u003c\/b\u003e \u003cbr\u003eIn this issue of [Text Experiment Space], Seo Ije presents “Chukmun (祝文)” and provides another new reading experience through the form of “je (祭) writing.”\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThat experiment back then\u003c\/b\u003e\u003cbr\u003e [That Experiment at That Time] reads the third poetry collection, Hell of a Star (1988), by poet Kim Hye-sun, who has recently been spreading her poetic world around the world.\u003cbr\u003e Through the first edition of his poetry collection, Song Seung-hwan closely examines the 'politics of suggestion' that resisted the political violence and oppression of women of the time.\u003cbr\u003e This critique is even more interesting because it is closely linked to the theme of this special issue.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThis language now\u003c\/b\u003e\u003cbr\u003e In [This Language Now], three critiques focus on two volumes of poetry and four novels.\u003cbr\u003e Park Dae-hyun reads Kim Ahn's \"Mazeppa\" and Kim Geun's \"From to\" as attempts to formalize the outline of the capitalist subject. \u003cbr\u003eYang Sun-mo looked back on the acceptability of novels through the re-meaning of educational novels through Yoon Seong-hee's \"A Slow-Going Heart\" and Lee Shin-jo's \"Your Season, My Weather.\"\u003cbr\u003e And Kang Ji-hee analyzes Baek Su-rin's \"Everything About Spring Night\" and Wi Su-jeong's \"The Night We Don't Have\" as the faces of old age newly revealed in imperfect rhythms.\u003cbr\u003e All of these works open new interests for readers with their unique perspectives.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAnnouncement of the 11th Kim Hyun Literary Award Winners\u003c\/b\u003e\u003cbr\u003e Poet Shim Ji-ah and novelist Yang Seon-hyeong were selected as the winners of the 11th [Kim Hyun Literary Award].\u003cbr\u003e Sim Ji-ah was evaluated as “expanding our thinking in a way that makes our understanding of the world more detailed through free imagination about the world of the nature of things,” and Yang Seon-hyeong was evaluated as “an artist who enjoys the freedom of ‘illusion’ to the fullest extent,” and “the language he created between reflection and fantasy.” \u003cbr\u003eThe structures of the fishery were evaluated as “heterogeneous and avant-garde to the extent that it is difficult to find examples of them in the history of Korean literature.”\u003cbr\u003e On behalf of Kim Hyun, I congratulate the two award winners, who are pursuing their own linguistic explorations in the avant-garde of Korean literature.\u003cbr\u003e The theories of Song Hyun-ji and Lee So will provide an opportunity to gauge the achievements of that language exploration.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eLiterature Lab New Book Review\u003c\/b\u003e\u003cbr\u003e In [Literature Lab New Book Review], Cho Dae-han evaluates Kim Sol's new short story collection, Pure Contradiction, as \"a triumph of absence over reality and a feast of ecstatic lies\" in the mimetic dimension, and recommends immersing oneself in \"the pleasure of shade brought about by the curves of false shadows.\" \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 30, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 532 pages | 140*240*35mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9772465795005\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN10:\u003c\/strong\u003e 24657956 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default 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