{"product_id":"133188","title":"Contemporary Literature (Monthly): January [2025] ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYCU19GuMqhFXjSjC0rPJs8Tzm9Ep.png?v=1765037501\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Contemporary Literature (Monthly): January [2025] \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/140865774\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e ∥70th Anniversary Special Feature - Novel∥\u003cbr\u003e \u003cbr\u003e* Kim Kyung-wook's \"How Did the Master Become a Writer,\" a record of the narrator's youth who, watching his disciple break the egg and go out into the world, reflects on his own passive life of staying in the shell; Kim Yeon-su's \"Snowy Samilpo,\" a narrative of a long journey that reached the realm of a famous painter of the Joseon Dynasty who captured the world of \"Makhyeonho-eun\" (莫顯乎隱) on canvas with the enlightenment of a lifetime; Kim Na-hyun's \"Garden in the Sky,\" Park Hyeong-seo's \"It's the Wind,\" Ye So-yeon's \"Deep Breath of the Heart,\" Im Hyeon's \"Heavy Snow Advisory,\" Jeong Yong-jun's \"Close to Pain,\" Choi Eun-mi's \"All of This,\" Ham Yun-i's \"When Our Enemies Climb the Mountain,\" and Hyeon Ho-jeong's \"Swing on the Swamp Edge\" are included.\u003cbr\u003e\u003cbr\u003e From Kim Yeon-su to Hyeon Ho-jeong, today's novels captured in modern literature!\u003cbr\u003e\u003cbr\u003e I've lived a life like a matchstick on my eyelashes.\u003cbr\u003e Kim Kyung-wook, \"How the Master Became a Writer\"\u003cbr\u003e \u003cbr\u003eGhost stories are scary and miracles are beautiful.\u003cbr\u003e But ghost stories can be beautiful and miracles can be scary.\u003cbr\u003e Then, wouldn't the two stories switch places?\u003cbr\u003e ―Kim Na-hyun, \"Gardens in the Sky\"\u003cbr\u003e\u003cbr\u003e If you are currently tossed around by the storms of life, listen to a story you cannot understand, a story you cannot believe.\u003cbr\u003e Because light seeps in there.\u003cbr\u003e Don't believe that what you see with your eyes is everything, try to see what is invisible.\u003cbr\u003e When you doubt your own righteousness, new paths open up.\u003cbr\u003e Kim Yeon-su, \"Snowy Samilpo\"\u003cbr\u003e\u003cbr\u003e Come to think of it, I wonder if there are two types of people in the world.\u003cbr\u003e People running in ecstasy on the empty road, and people standing on the shoulder in anxiety because they can't see anyone.\u003cbr\u003e I mean, where am I?\u003cbr\u003e ―Park Hyung-seo, \"It's the Wind\"\u003cbr\u003e\u003cbr\u003e It was a strange thing.\u003cbr\u003e I felt like my life was clearly existing. \u003cbr\u003eAs if, even in the midst of this difficult daily suffering, blood can flow, clot, and burst out somewhere.\u003cbr\u003e ―Yesoyeon, \"Deep Breath of the Heart\"\u003cbr\u003e\u003cbr\u003e “But, there’s a saying that you have to shoot the gun on stage.\u003cbr\u003e (……) That always sounded strange to me.\u003cbr\u003e Shouldn't there be a reason to shoot first? It's as if, for no reason at all, you have to shoot anyone just because of the gun.\"\u003cbr\u003e ―Im Hyeon, \"Heavy Snow Advisory\"\u003cbr\u003e\u003cbr\u003e I am a person who cannot strangle Seon-ah's neck, but I am a person who can strangle the neck of the person who killed Seon-ah.\u003cbr\u003e ―Jeong Yong-jun, \"Close to Pain\"\u003cbr\u003e\u003cbr\u003e Under the night sky, the road lines stretched out into the distance, intertwined with each other.\u003cbr\u003e It was like a vein exposed in the ground, or like a crack split in the ground.\u003cbr\u003e The houses that were built and then torn down on the ground seemed like signals from beyond time.\u003cbr\u003e ―Choi Eun-mi, \"All of This\"\u003cbr\u003e \u003cbr\u003eIn all the books, salvation came after an enemy air raid.\u003cbr\u003e The arrival of the enemies also meant the end of a long, painful wait, a wait that had become a world in itself.\u003cbr\u003e Therefore, Seonhwa carefully observed the people who came every day.\u003cbr\u003e They climbed the mountain and waited for someone who would end their arduous wait.\u003cbr\u003e ―Ham Yun-i, \"When Our Enemies Climb the Mountain\"\u003cbr\u003e\u003cbr\u003e 'Now life is a transparent heart that beats.'\u003cbr\u003e ―Hyeon Ho-jeong, \"Swing on the Swamp\"\u003cbr\u003e\u003cbr\u003e ∥70th Anniversary Special Feature - Poetry∥\u003cbr\u003e\u003cbr\u003e * We include poems by twenty poets including Kwak Hyo-hwan, Kim Ki-taek, Kim Bok-hee, Kim Haeng-sook, Kim Hyeon, Moon Bo-young, Min-gu, Park Eun-ji, Shin Yong-mok, Ahn Mi-ok, Ahn Hee-yeon, Yang Anda, Lee Gi-seong, Lee So-ho, Lee Jang-wook, Lee Je-ni, Jeong Hyeon-woo, Choi Jae-won, Han Yeo-jin, and Hwang Yu-won.\u003cbr\u003e\u003cbr\u003e From Kim Ki-taek to Moon Bo-young, today's poetry captured in modern literature!\u003cbr\u003e\u003cbr\u003e Between the eyes looking down and the eyes looking up\u003cbr\u003e Between being sucked in and bouncing out\u003cbr\u003e There is gravity and speed \u003cbr\u003eOne point bursting at the vertical end and blackout\u003cbr\u003e Kim Ki-taek, \"The Cliff\"\u003cbr\u003e\u003cbr\u003e Hope, if alone, she could fly naked, but Hope, like Emily Dickinson, even in the midst of a rough storm, someone must hear Hope's cries, Hope,\u003cbr\u003e I check in my luggage separately and return to the crowd.\u003cbr\u003e Kim Bok-hee, \"New Position\"\u003cbr\u003e\u003cbr\u003e How did bats grow wings by stretching the skin between their fingers? How did humans end up with split hands and wearing things like rings? I kept thinking, what if a swarm of bats flew up behind me, their long fingers spread wide? What if a ring, sparkling like a snowflake, fell from the sky?\u003cbr\u003e Kim Haeng-sook, \"The Telephone on the Beach\"\u003cbr\u003e\u003cbr\u003e Hold on somehow\u003cbr\u003e Hold on anywhere\u003cbr\u003e\u003cbr\u003e Saying goodbye to the collapsed house\u003cbr\u003e Pray for abandoned shoes\u003cbr\u003e This is our job to tie up the hammock\u003cbr\u003e Park Eun-ji, \"Hammock Diary\"\u003cbr\u003e\u003cbr\u003e When a loved one tries to cross the threshold \u003cbr\u003eI pulled back the curtains and pointed to the orchard beyond the window.\u003cbr\u003e This is me, can you still love me?\u003cbr\u003e _An Hee-yeon, \"Fruit Tree\"\u003cbr\u003e\u003cbr\u003e Last winter, I brushed the snow off my face and watched the horizon glow. The sun created a scene of sunrise like a wildfire spreading. Is that really so? If you call love love, is that where hate pours down? It was a blizzard. It turned out I was alone in the shade, where the sun never shines.\u003cbr\u003e _Yang An-da, \"Eine Kleine Nachtmusik\"\u003cbr\u003e\u003cbr\u003e You speak with or without drinking water.\u003cbr\u003e This mountain path is really nice.\u003cbr\u003e No matter how far I go, there is no end.\u003cbr\u003e If I keep walking like this, I'll reach the end of the world.\u003cbr\u003e Maybe by reaching the end of the world, I can get out of the world.\u003cbr\u003e I drink water instead of answering.\u003cbr\u003e _Ijeni, \"Walking with Water\"\u003cbr\u003e\u003cbr\u003e But, Grandma… …\u003cbr\u003e If you ask how should we live life,\u003cbr\u003e I have to hold on tight, tight, tight, from then on \u003cbr\u003eI learned how to hang on without even knowing what it was.\u003cbr\u003e _Han Yeo-jin, \"The wind flows from high places to low places, and people\"\u003cbr\u003e\u003cbr\u003e The reason there is no parallax between the Moon and the Earth is because they rotate at the same speed.\u003cbr\u003e So from Earth, we only see one side of the moon.\u003cbr\u003e But if we can observe scars on the lunar surface, what does that mean for the distant ones?\u003cbr\u003e Moon Bo-young, \"I Was Just Saying\"\u003cbr\u003e\u003cbr\u003e ∥Modern Literature Pin Series_Novels∥\u003cbr\u003e\u003cbr\u003e * We present Moon Ji-hyuk's \"Night Train,\" embroidered with the nostalgia of a radiant youth, recalling the will to freedom that was the sole purpose of his journey 25 years ago, in search of \"just one image, one place, one word,\" and confirming that the journey is over only by eliminating that abstract entity.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Modern Literature Pin Series\u003cbr\u003e Novel | Moon Ji-hyuk's Night Train\u003cbr\u003e\u003cbr\u003e novel\u003cbr\u003e Kim Yeon-su, Samilpo, where it snows \u003cbr\u003eHow Master Kim Kyung-wook Became a Writer\u003cbr\u003e Kim Na-hyun's Sky Garden\u003cbr\u003e Park Hyung-seo is the wind\u003cbr\u003e Yesoyeon takes a deep breath\u003cbr\u003e Lim Hyeon Heavy Snow Advisory\u003cbr\u003e Jeong Yong-jun's pain is close\u003cbr\u003e Eunmi Choi All of this\u003cbr\u003e Hamyun, when our enemies climb the mountain\u003cbr\u003e Hyeonhojeong Swamp Swing\u003cbr\u003e\u003cbr\u003e city\u003cbr\u003e Kwak Hyo-hwan's Transition of Heart\u003cbr\u003e Kim Ki-taek cliff\u003cbr\u003e Kim Bok-hee's new position\u003cbr\u003e Kim Haeng-sook's Beach Phone\u003cbr\u003e Kim Hyun-so\u003cbr\u003e That's what Moon Bo-young was talking about\u003cbr\u003e Min Gu Bank stepping\u003cbr\u003e Park Eun-ji's hammock diary\u003cbr\u003e Shin Yong-mok Playground\u003cbr\u003e An Mi-ok, to the question of who owns Christmas\u003cbr\u003e Ahn Hee-yeon's fruit tree\u003cbr\u003e Yanganda Eine Kleine Nachtmusik\u003cbr\u003e The coat of mourning for Lee Ki-seong\u003cbr\u003e Lee So-ho: The tip of my tongue still lives in the classroom.\u003cbr\u003e Lee Jang-wook's epic journey to Jumunjin\u003cbr\u003e Now it's time to take a walk with water\u003cbr\u003e Jeong Hyeon-woo's White Thread of Light\u003cbr\u003e Choi Jae-won's rice cake soup\u003cbr\u003e The wind blows from high places to low places, and people\u003cbr\u003e Hwang Yu-won New World Monkey\u003cbr\u003e\u003cbr\u003e ● Modern Literature*Miraen Youth Literature Award\u003cbr\u003e ● Newcomer Recommendation\u003cbr\u003e ● Cover artist's note\u003cbr\u003e ● Editing review\u003cbr\u003e\u003cbr\u003e Cover · Yoo Young-guk \u003cbr\u003ePhoto overlaid with text · Bong Joo-yeon | Koo Bon-chang\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5084\/MidCate004\/508333685.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e “A nation that has the capacity to perpetuate its culture will never decline.”\u003cbr\u003e\u003cbr\u003e From Kim Yeon-su to Hyun Ho-jeong, from Kim Ki-taek to Moon Bo-young!\u003cbr\u003e Monthly 『Modern Literature』 70th Anniversary Special Issue Published\u003cbr\u003e\u003cbr\u003e * Contemporary Literature, which has published 741 issues without a single missed issue since its first issue in January 1955, has published a special commemorative issue to mark its 70th anniversary.\u003cbr\u003e\u003cbr\u003e As a pure literature magazine with a 70-year history, we have never had an easy time.\u003cbr\u003e From the time we began to breathe in the barren maternity wards of the postwar era, to the time we began to enjoy the richness of life, to the present day, when culture began to blossom, no era has been without its challenges. \u003cbr\u003eYet, has there ever been a time when we forgot, even for a moment, our founding aspirations for literature: \"Literature is the center of culture\"? Has there ever been a time when, in the pursuit of the paradoxical combination of \"tradition and modernity,\" we forgot the value of history, simply seeking the new? We have never forgotten either of those things.\u003cbr\u003e We have endured the hardships of the past 70 years, the misfortunes of our time, with the sole sense of mission to create a culture that will enable our nation to survive as a nation, and with the belief that this is the only value we must uphold.\u003cbr\u003e Everything changes.\u003cbr\u003e But we must move forward with the conviction that a nation with the capacity to perpetuate its culture will never decline.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eNow, as we enter the year 2025, we present this 70th anniversary issue, a beautiful culmination of a time that has produced 625 writers and guided countless works into the future of literature.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This commemorative issue, planned solely with one novella, ten short stories, and twenty poems from the \"Pin Series,\" will be remembered as a gem-like anthology of participating writers who illuminate the diverse world of graphic literature of our time through the \"spiritual adventure of being a writer.\"\u003cbr\u003e As we open this festival, we would like to express our special gratitude to all the writers and longtime readers who have made 『Modern Literature』 possible for their boundless support.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e We also pay tribute to the late artist Yoo Young-guk and his foundation for sending us their precious covers, which allowed us to publish a commemorative issue with two covers. We also ask that you share this joy with many readers by reporting widely.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e January 1, 2025\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 288 pages | 152*223*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9771227234011 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43892465565738,"sku":"133188","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/840552b399722fc95af6960951405b9f.jpg?v=1765377764","url":"https:\/\/librairie.coreenne.fr\/en\/products\/133188","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}