{"product_id":"133894","title":"Heart under the Moon ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYCCugzG8I4GfCmB9Zp9p0LxMX6kx.png?v=1765021172\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Heart under the Moon \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/142069583\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003eFragments from the life and times of Kim Hyang-an, a modern woman ahead of her time.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Byun Dong-rim married Kim Hwan-ki in 1944 and acquired a new name, Kim Hyang-an.\u003cbr\u003e From then on, the title of Kim Hwan-ki's wife followed her around the world, but Kim Hyang-an traveled to Seoul, Paris, New York, and other countries, leaving behind many writings from the perspective of a woman living in her time, and sometimes as an intellectual.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e After Kim Hwan-ki passed away in 1974, Kim Hyang-an left another mark as a museum person by establishing the Hwan-ki Foundation and opening the Hwan-ki Art Museum.\u003cbr\u003e The epic related to this is separated into 『Art Museum Diary』, and in this revised edition, based on 『Mind Under the Moon』 published in 2005, we added about 20 of her essays and published them in chronological order to focus on introducing the life of Kim Hyang-an, a new woman ahead of her time, and her thoughts on the times.\u003cbr\u003e \u003cbr\u003eIn addition, among the eight books published by Kim Hyang-an between the 1950s and 1990s, images from 『Ssukkkotsaeorok』(1959) and 『Paris』(1962), in which Kim Hwan-gi created the binding and illustrations, were selected and included in the revised edition, and one of Kim Hwan-gi's drawings was used as the inside cover to add more meaning.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e1940s~1950s\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eHead | Season | Moon seen from the window - Western painter Kim Hwan-ki's wife | Things that have disappeared - Memories of a notebook | Water | Heart under the moon | Spring | Small table | Circus | Sky song of hometown - To a young bachelor who graduated from college | May and new songs | Dream interpretation | Road home | Emptiness and emptiness | Returning home | Pyojokdang and Myeong-dong | White porcelain jar | Handbag | A flower feast with spring | The painter's wife | From the feeling of life | Women's clothing | Shibai | The taste of pumpkin | A journey to Deokjeokdo Island | Heating | Anticipating a new artist | Arrival in Paris | Paris Festival | Summer in Paris | Rodin Museum | Paris's tomb | We too, like others | Parisian women's art museum | Parisian street artists | Visit to Manesier\u003cbr\u003e \u003cb\u003e\u003cbr\u003e1960s~1970s\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eSouthern France Travels Early Autumn 1957 - Nice, St. Paul de Vence, Vallauris, Monaco | Customs of the Island of Saint-Louis Atelier Rue d'assas Days | Atelier Rue Dutot | Spring in Paris | Cafes and paper towels | Handkerchiefs | Thinking of that place | Grass and vines | The taste of living in the mountains | The heart of treading on the auspicious snow - In the joy of New Year's Day and birthday | Diary of the Beginning of Spring | Palace walls and street trees | Generational change of goods | Carp dish | Pigeons | My favorite painting | Seogang scenery I - Flower fields and currency reform | Seogang scenery II - Sweet rain | Seogang scenery III | The day trumpet buds bloom | A married couple shares everything | Object Commentary - Paradise, Buddha Statues, and Pagodas | Dreams and Illusions | Hippie Country | Central Park | Louisiana Exhibition | Imaginary Landscapes | Spring and Travel\u003cbr\u003e \u003cb\u003e\u003cbr\u003e1980s~1990s\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eMoving the Fondation (Foundation) to Avenue de Wagram | Moonju, Sound of Spring, Southeast | Travel to Egypt | Song of the Horse Chestnuts | The Establishment of Free Ventilation | The Meaning of Collection - Artworks Are Living Beings | Donating Works to the Pompidou Museum | Parting with Works That Were Like Altered selves | June | The Sea of ​​the Seventies for a Day | Golden Wedding Anniversary Exhibition\u003cbr\u003e \u003cb\u003e\u003cbr\u003eretrospect\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eDonghae Boy's Skeleton | Real Story | Appreciation and Memories | I Married a Healthy Young Man, Lee Sang | I Also Wrote Miscellaneous Essays for Sale | The Five Senses | Lee Sang, Who Had High-Level Human Dreams | He Enjoyed Wearing Hanbok Even While Being Frequently Checked | Holding a Cold Hand | I, Byeon Dong-rim, am not the protagonist of Lee Sang's Story | I Left Home with a Bag | A Small House by the Creek, a Honeymoon Without Day or Night | Lee Sang Enjoys Cow Intestine Dishes | Lee Sang's Management of Six Nine (69), Trying to Fool the Japanese Police | Lee Sang's Story: \"A Beauty Picked Up at a Construction Site\" | The Solitude of a Poet | 'Lemon and Melon', Lee Sang Enjoys Flavor as Well as Fragrance | My Childhood | 'Geumhong' Is Just a Model for the Story | The Reason I Couldn't Forgive Lee Sang | Work Experience - Bar and the Governor-General's Office | Kim Hwan-ki, the Painter of Gija Island | A Letter Overflowing with Affection | Marriage to Kim Hwan-ki\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\u003cb\u003eInto the book\u003c\/b\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e On a night when the cold moon shines brightly through the window, I resonate with the thought that someone, without telling me, had secretly told me that hometown is nothing but a place where family is. I don't think I would mind seeing another wrinkle in the mirror tomorrow morning, and I also think that the feeling I had when I saw my grandmother's white hair grow on my head as a child might be similar to the smile of Buddha.\u003cbr\u003e\u003cbr\u003e --- From \"Heart Under the Moon\" from the 1950s and 1960s\u003cbr\u003e\u003cbr\u003e Looking back on our past up to today, it is rare to find a female artist who has competed with men and established a family.\u003cbr\u003e In addition to the innate condition of being female, it is also true that our social conditions have always hindered women's development.\u003cbr\u003e Our reality today has opened the way to liberation for women in many ways. \u003cbr\u003eIn a sense, this could be seen as forcing some women to sacrifice themselves, but sacrifices during a transitional period are inevitable in any history, and I am rather optimistic about the chaos of this transitional period and have high hopes for the future of our women's world after this transitional period has passed.\u003cbr\u003e --- From \"Expecting Newcomers in the 1950s and 1960s\"\u003cbr\u003e\u003cbr\u003e In Paris, the sun was already starting to set and it was getting chilly, but as we left Paris and headed south, the sun began to rise again, and the sky became blue and white clouds bloomed.\u003cbr\u003e I saw pine trees lined up on a hill covered with white rocks, and a flowing stream with pebbles. Suddenly, I felt like it was a landscape similar to our country. When I got off at the final stop, Nambul Nice, after a short while, it was a hot night, just like midsummer in our country. \u003cbr\u003eThe square in front of the station was covered with palm leaves fluttering in the wind, and there were many southern plants, including cacti of strange shapes, and willow-leafed peaches in full bloom lined the streets.\u003cbr\u003e --- From \"Nambulgihaeng (Travels to the South and the North) in the 1960s and 1970s, Early Autumn 1957\"\u003cbr\u003e\u003cbr\u003e I like painting.\u003cbr\u003e Appreciating art is my hobby.\u003cbr\u003e Regardless of the level of my appreciation, I have always thought that any painting that brings me joy when I look at it is a good painting, and that has usually proven to be true.\u003cbr\u003e Mr. T, an art critic I met in Paris, said he didn't like being called a critic and wanted to be called someone who writes stories about art.\u003cbr\u003e I agree with you.\u003cbr\u003e I just want to write stories about the art I like.\u003cbr\u003e --- From \"My Favorite Paintings from the 1960s and 1970s\"\u003cbr\u003e \u003cbr\u003eWhen I first went to Paris 30 years ago, the thing I envied most about Sign Language were the paperback books.\u003cbr\u003e Books should not be just decorations to be placed on a bookshelf.\u003cbr\u003e It should be a book that can be held in hand and read lightly.\u003cbr\u003e We also said that when we go back, we should make a book like this.\u003cbr\u003e So, when I published 『Ba-ri』 (Paris) in 1962, I insisted on a paperback cover.\u003cbr\u003e The cover is bound in the pink of horse chestnut flowers on top and the blue of the Seine River on the bottom.\u003cbr\u003e --- From \"Song of the Marronnier\" from the 1980s and 1990s\u003cbr\u003e\u003cbr\u003e Not everything you donate to an art museum is accepted.\u003cbr\u003e I hesitated for a long time, anticipating the discomfort I would experience if our museum refused to accept your donation.\u003cbr\u003e But now I have no time to wait or hesitate any longer.\u003cbr\u003e So I wrote a letter.\u003cbr\u003e If you refuse, let's ask another art gallery, another art gallery -.\u003cbr\u003e But unexpectedly, a reply came soon.\u003cbr\u003e \u003cbr\u003e--- From \"Donating Works to the Pompidou Museum in the 1980s and 1990s\"\u003cbr\u003e\u003cbr\u003e I took a twelve-hour train, an eight-hour ferry, and another twenty-four-hour train to Tokyo.\u003cbr\u003e Go straight to the Dongdaemun Hospital ward.\u003cbr\u003e I opened one of the rooms in the hospital room with tatami mats and saw Lee Sang lying there.\u003cbr\u003e Open your eyes wide at the sound.\u003cbr\u003e A happy expression moves.\u003cbr\u003e I kneel down next to him and take his hand.\u003cbr\u003e He closes his eyes again as if feeling relieved.\u003cbr\u003e I wasn't sad because I was nervous.\u003cbr\u003e How could I save him? I couldn't believe he was dying.\u003cbr\u003e Sang-sang opens his eyes and closes them again, opening and closing them.\u003cbr\u003e\u003cbr\u003e --- From \"Holding a Cold Hand\"\u003cbr\u003e\u003cbr\u003e Kim Hwan-ki is really good at writing letters.\u003cbr\u003e A touching piece of writing that touches the human heart, but sometimes overflows with emotion.\u003cbr\u003e But I didn't reply right away. \u003cbr\u003eThen, another one-sided letter arrived.\u003cbr\u003e I received his letters several times and wrote back to him once, and during that time, we, who had only met once, became close through letters.\u003cbr\u003e When I met him the second time, like N and P, we became quite close.\u003cbr\u003e Why did he only send letters for so long?\u003cbr\u003e It wasn't until much later that I realized why he hadn't been more honest and direct with me for so long.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- From \"A Letter from Sign Language Overflowing with Love\" \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 11, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 388 pages | 140*188*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788992716550\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8992716559 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891344408618,"sku":"133894","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/d76523828bd9c952c15ca4ba1c34923a.jpg?v=1765323416","url":"https:\/\/librairie.coreenne.fr\/en\/products\/133894","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}