{"product_id":"134698","title":"Wunderkammer ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYC5OkkzMsKWwCEwrjUAmOVT8r12x.png?v=1765041512\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Wunderkammer \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/102010522\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA microcosm in my head, filled with images and memories\u003cbr\u003e Where the remains of childhood dreams float\u003cbr\u003e The path to the destination is always already off course!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “What lies within my Wunderkammer, whether they are remnants and relics of something extinct, or whether some still live and breathe, I know a little in advance, but most of it I still don’t know at all.\u003cbr\u003e Even by the end of the book, there will be things you don't know.\u003cbr\u003e I welcome anyone to join me in my work of excavation, collection, display, and interpretation as a friend.\u003cbr\u003e “I hope that one day I too can look into your fundraiser.”\u003cbr\u003e \u003cbr\u003eYoon Kyung-hee's first book, \"Wunderkammer,\" has been published, and her name has been talked about among discerning readers in the fields of art and literature due to her unique writing style that is difficult to categorize into a specific genre.\u003cbr\u003e Beginning with a description of the Wunderkammer, meaning \"room of wonders,\" the interior spaces where the ruling classes and scholars of early modern Europe collected and displayed all kinds of rare objects in their mansions, the author turns his gaze to the innermost Wunderkammer of each of our minds, summoning faded images, memories, and texts. \u003cbr\u003eThe scenery I looked out of my window as a child, the treasure hunt on my first picnic, my mother's knitting, the closet adventures I had while visiting relatives, the smell of a nameless German bakery, the darkness of the Black Forest, a stone on someone's tombstone, indecipherable dreams, Rabelais's boasts, Walter Benjamin's chess-playing dolls, Roland Barthes's tautology, and various paintings, music, and poems as gifts... Countless stories arise and are shaped in the desire to approach the source of present desire and anxiety.\u003cbr\u003e\u003cbr\u003e This book is a kind of invitation from the author to the readers.\u003cbr\u003e Readers might find themselves exploring someone's messy room with this invitation in hand, and suddenly find themselves heading towards their own childhood.\u003cbr\u003e Following the occasional crumbs of bread I dropped as a child.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e  \u003ch5\u003e\u003cb\u003eindex\u003c\/b\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e invitation\u003cbr\u003e Ramelli's Reading Machine\u003cbr\u003e Treasure hunt\u003cbr\u003e Porcelain and mirrors\u003cbr\u003e understand his gestures\u003cbr\u003e Märchen\u003cbr\u003e Castle in the Forest\u003cbr\u003e Black Forest, Tautology, White Forest\u003cbr\u003e The name of the bakery is Bakery\u003cbr\u003e Roses in Prose\u003cbr\u003e Dream of Stone\u003cbr\u003e Mistranslation and love\u003cbr\u003e found footage\u003cbr\u003e Forbidden words\u003cbr\u003e The Messenger's Dream\u003cbr\u003e Closet of Creation\u003cbr\u003e Fictional slabs\u003cbr\u003e pornography\u003cbr\u003e Kurosu's Dream\u003cbr\u003e Cemetery Museum\u003cbr\u003e The Locksmith of the Heart\u003cbr\u003e Love belongs to art\u003cbr\u003e Addition\u003cbr\u003e Americas\u003cbr\u003e Illustration\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e On the other hand, the Funderkammer reflects and dramatizes the unique tastes and mental world of its individual owner.\u003cbr\u003e If we can find value in the Wunderkammer, it must have been supported by the class power and wealth of the people of the time, but it is because it three-dimensionally represents and visualizes human affection for various sensory objects omnipresent in the external world and the will to encyclopedic knowledge. \u003cbr\u003eEven if we exalt God's creations into the air and lower human works to the ground, even if we classify seemingly simple things into evidence and forms of more complex and rare life phenomena, within this all-too-human microcosm, whirlwinds constantly arise that shatter these linear systems.\u003cbr\u003e\u003cbr\u003e --- p.14~15\u003cbr\u003e\u003cbr\u003e For some contemporary artists who reinterpret the Wunderkammer, and for me, the Wunderkammer is a showcase of the unique history and memories of an individual interacting with the world, a symbol of the space-time of the mind.\u003cbr\u003e Memory is, in most cases, nothing more than a residue of a much larger forgetting.\u003cbr\u003e Therefore, the Wunderkammer we each build in our minds does not contain the archetypes of aesthetically highly valued works of art or the language of highly developed intellectual thought. \u003cbr\u003eRather, countless fragments of words and images, seemingly worthless, broken, cracked, worn, of unknown origin and name, coexist in a chaotic jumble.\u003cbr\u003e\u003cbr\u003e --- p.19\u003cbr\u003e\u003cbr\u003e Ramelli said that if his book wheel is useful and convenient, it is because “you can look at and read several books without moving from one place.”\u003cbr\u003e All the joy and sorrow of this fuss between image and text originates in this very sentence.\u003cbr\u003e As some of you may have already noticed, strictly speaking, the space and posture for reading are mostly similar, even considering the various differences in each of our bodies.\u003cbr\u003e Reading is an activity that involves keeping most of the body fixed in one place, with quiet, rhythmic movements of the eyes and\/or hands, or one or both.\u003cbr\u003e In reading activities, legs are not a problem. \u003cbr\u003eTherefore, this machine cannot be expected to be of any particular help to the physically fit, or even to “those with limited mobility or gout.”\u003cbr\u003e Reading machines are not things that cannot exist, but rather things that have no reason to exist.\u003cbr\u003e It's surplus.\u003cbr\u003e Even though it's only one wheel, it's already the fifth wheel.\u003cbr\u003e\u003cbr\u003e --- p.32~33\u003cbr\u003e\u003cbr\u003e The image of the reading machine is not only De Man's, but also a brilliant visualization of an aspect of modern thought about language and the human subject who depends on language for his or her life.\u003cbr\u003e The rotating platform and the fragments of infinite language spread out on it are therefore already metaphors. \u003cbr\u003eIt is a metaphor in which the possibilities of other languages, shyly and cautiously condensed within one language, unfold splendidly at once thanks to a delicate and thoughtful reading; it is also a metonymy in which other languages ​​are adjacent to one lonely language like friends and neighbors, forming a friendly community; it is a conversation in which your words approach and enter beside and within my own words; it is also an elegy in which the words of the living are placed like flowers, like glasses, like tears, in the place left by the words of the dead.\u003cbr\u003e It is a photo album and a projector where the memories we share as we read, write, meet, talk, live and die even if we never meet again flash like a montage in each frame.\u003cbr\u003e\u003cbr\u003e --- p.37~38\u003cbr\u003e\u003cbr\u003e The indifference, or embarrassment, of describing the object of your love with the most clichéd words, but it can't be helped.\u003cbr\u003e Barth defends this as follows: \u003cbr\u003e“Adorable: Without being able to give a name to the specificity of his desire for the beloved, the subject in love falls back on this somewhat foolish word.\u003cbr\u003e “Adorable!” […] Just as love cannot avoid the tautology of “I love you,” I have no choice but to translate “adorable” as simply “adorable.”\u003cbr\u003e Far from avoiding tautology, this is the best translation I can do.\u003cbr\u003e Because all translations are ultimately tautologies.\u003cbr\u003e Because the Black Forest is the Black Forest.\u003cbr\u003e Because through this wonderful tautology called translation, we come to love the language of the other, the other person.\u003cbr\u003e So, at some point in life, you finally go towards it and are with it.\u003cbr\u003e\u003cbr\u003e --- p.106~107\u003cbr\u003e\u003cbr\u003e Poetry is a gift to Celan.\u003cbr\u003e […] For Celan, poetry is created neither by revelatory inspiration nor by the active use of techniques such as invention. \u003cbr\u003eThe poem just comes to him and he takes it.\u003cbr\u003e “I received what I wrote well.\u003cbr\u003e (Similarly, I just used what I received well)” is the humility that encapsulates his starting method.\u003cbr\u003e According to this, the official usage of the gifted poem would be dictation.\u003cbr\u003e Come to me and put what you heard down on paper.\u003cbr\u003e Translation, which translates a word into another word that resembles it, is a form of dictation.\u003cbr\u003e The recipient of the gift of poetry becomes the humble scribe and translator of the poem.\u003cbr\u003e\u003cbr\u003e --- p.152~153\u003cbr\u003e\u003cbr\u003e we.\u003cbr\u003e A community of tones.\u003cbr\u003e It is resonance and harmony.\u003cbr\u003e Harmony.\u003cbr\u003e “Harmony” is mainly used as a musical term today, but in ancient Greece it also meant the joints or seams that tightly connected each piece of wood when building a ship, or the tools and methods for doing so. \u003cbr\u003eHarmony connects us, from tone to tone, from sign to sign, from unfinished fragments to what remains after loss, from word to word, moving and connecting broadly.\u003cbr\u003e The words that play the role of harmonia in “Mnemosyne” are “and und” and “but aber.”\u003cbr\u003e […] However, the two ordinary conjunctions do not perform the functions of direct and indirect conjunction, which guarantee the logical development of the statement, in Hölderlin’s poetry.\u003cbr\u003e They are almost indifferent to the meaning of the words placed before and after them, their grammatical elements, their temporality and causal relationships.\u003cbr\u003e Just sticking to the distant task of bridging the cracks and filling the abyss within language.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.277\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eStories emerge, take shape, and collapse.\u003cbr\u003e Infinite approach to faded origins\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eAlthough the Wunderkammer can be considered the predecessor of museums and art galleries, unlike museums and art galleries that collect and classify exhibits according to a certain system and display them to the public, it reflects and dramatizes the unique tastes and mental world of individual owners.\u003cbr\u003e For example, the Wunderkammer of the Danish medical professor Ole Vorm is crammed with countless animal specimens, including sharks, armadillos, and great auks, as well as exotic cloaks, masks, horns, globes, skeletons, copies of various works of art, wind-up automata, and a variety of other objects whose purpose is simply beyond guessing, fully revealing the collector's thirst for knowledge and his encyclopedic thirst for knowledge.\u003cbr\u003e Although these things appear at first glance to be systematic and rationally organized, we quickly discern the unsystematic chaos that dominates the space. \u003cbr\u003eThe author says that the Wunderkammer is a showcase of the unique history and memories of an individual interacting with the world, and a symbol of the space-time of the mind.\u003cbr\u003e Therefore, even in the Wunderkammer we each build in our minds, there is no archetype of a valuable work of art or the language of highly developed intellectual thought stored there.\u003cbr\u003e Rather, at first glance, countless fragments of meaningless, broken, and nameless words and images coexist in a chaotic mix.\u003cbr\u003e The author salvages these fragments, pieces them together, and attempts to interpret them.\u003cbr\u003e But language evades decisive semantics, and these efforts at interpretation continually slip.\u003cbr\u003e What the author foregrounds is not the interpretation itself, but rather the endless failure. \u003cbr\u003eNevertheless, the author makes a somewhat reckless plan to share with readers the story of this intimate Wunderkammer, the emotions and sensations emanating from things that cannot be captured in words and writing, and willingly jumps into the temptation of language, into the game it plays.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe story of Ramelli's book, which spins endlessly like a machine,\u003cbr\u003e A truly beautiful adventure in language\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e As you read the book, you may feel that the texts with different colors and breaths are mixed together in a messy manner.\u003cbr\u003e A rather serious explanation of metaphors is given in a calm voice, but then an extremely intimate confession flows out, and the next story denies what the previous story has painstakingly built up, and the sentence that was heading towards an ending changes direction and runs wild, adding a new mystery. \u003cbr\u003eTo properly read 『Wunderkammer』, you may need the help of Ramelli's 'reading machine (book wheel)' that appears in this book.\u003cbr\u003e Ramelli, a 16th-century Italian military engineer, left behind a design for a mechanical device that placed several books on a wheeled reading stand, allowing “even those with limited mobility” to read simultaneously while sitting. This incredibly useless machine possessed its own playful properties, while also being a theatrical device that externalized the human mind and worldview.\u003cbr\u003e This device foreshadows the reader's disability by unnecessarily supplementing the immobile leg, and further demands that we consider the disability of the act of reading itself.\u003cbr\u003e But there is something that is visibly amplified in this device: language. \u003cbr\u003e“The books on the bookshelf, existing as stuffy, closed objects, form a vast web of texts that are infinitely created and transformed as they are placed, opened, and turned in the reading machine.”\u003cbr\u003e\u003cbr\u003e The endless, circling movement of language.\u003cbr\u003e Like an explorer of my own, 『Wunderkammer』, which unfolds an adventure of thought by weaving between memories, objects, and texts, and passing through paths of poetry, dreams, stones, forests, and bread, resembles this reading machine itself.\u003cbr\u003e If you spin the machine called the \"Wunderkammer\" around and open the first text again, you may find that the original text has changed slightly.\u003cbr\u003e The black and white letters are also smiling.\u003cbr\u003e But in this reconstructed landscape, we will feel that we have come to understand something a little more about ourselves. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e May 31, 2021\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 300 pages | 416g | 150*210*14mm\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788932038667\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 893203866X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891677265962,"sku":"134698","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/f6a979cfaefb3b186b9539361f4adb80.jpg?v=1765337769","url":"https:\/\/librairie.coreenne.fr\/en\/products\/134698","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}