
Night Travelers
Description
Book Introduction
A completely new imagination unfolds by Yoon Go-eun, winner of the Hankyoreh Literary Award and the Lee Hyo-seok Literary Award. "Disaster Travel" product lead programmer Goyona's bizarre and spectacular disaster use cases 『Night Travelers』 by Yoon Go-eun, the author who is receiving the most attention in the literary world, has been published as part of the ‘Today’s Young Writers’ series. This is the second full-length novel published three years after the first short story collection, “A Table for One.” The protagonist, Goyona, is a senior programmer with 10 years of experience at Jungle, a travel agency that only sells 'disaster tours' that tour areas devastated by disasters. Faced with the threat of being fired from her job, she heads to the desert sinkhole, Mui. Jonah finds himself unexpectedly stranded on a trip and embroiled in a massive project. Author Yoon Go-eun begins her story by combining disaster and travel in a somewhat unpleasant way. "Night Travelers," a work that was also broadcast to great acclaim on EBS's "Radio Serial Novel," will allow readers to experience a world of imagination and reality that is more surprising and unique than any other novel or film. And I can confidently say that readers who turn the last page of this novel will not be able to escape the whirlpool of deep emotion and thrill for a while. |
- You can preview some of the book's contents.
Preview
index
1 Jungle
2 Sinkholes in the Desert
3 broken trains
4 3 weeks later
5 Mannequin Island
6 Drifting
Mui on Sunday 7
0 mangrove forest
Author's Note
Commentary on the work_ Kang Yu-jeong (literary critic)
Shadow of noon? Nowhere, everywhere
2 Sinkholes in the Desert
3 broken trains
4 3 weeks later
5 Mannequin Island
6 Drifting
Mui on Sunday 7
0 mangrove forest
Author's Note
Commentary on the work_ Kang Yu-jeong (literary critic)
Shadow of noon? Nowhere, everywhere
Into the book
Moving north.
High pressure, cherry blossoms, someone's death.
Going south.
Yellow dust, strikes, trash.
The fastest-moving news of the past week has been news of deaths.
It has a short shelf life, so it is quick to use as it loses its effectiveness after it has been released.
The news started in Jinhae, Gyeongnam.
Of all places, it's the birthplace of cherry blossoms.
Under a massive tsunami one afternoon, all life there suddenly came to a halt.
dot.
dot.
It was cut off.
People who went to greet the flowers, people walking, buildings sunbathing, streetlights on the beach, they were all dots.
dot.
dot.
It was shipwrecked.
--- pp.9~10
At that time, Kim got on the elevator with me.
And as soon as the door was closed, he said to Jonah:
“Johnson asked me to say hello to you.”
“Who is it?”
“It’s Johnson, my Johnson.”
Kim's finger was pointing at his own groin.
It was an elevator going down from the 21st floor to the 3rd floor, and there were only Kim and Yona.
Kim's hand grabbed Jonah's buttocks without giving her a chance to be surprised.
It was Jonah's butt.
It wasn't a mistake, it was intentional, and it was a gesture that showed that it didn't matter if it was found out.
“Aren’t you still young? Why can’t you understand what I’m saying?”
Jonah turned his body as naturally as possible to avoid Kim's hand.
This time, Kim put his hand inside Yona's blouse.
Jonah's heart sank.
It wasn't because I saw a different side of Kim.
It wasn't because I was sexually harassed by my boss.
As far as Yona knows, Kim has always targeted only the trash for sexual harassment.
People who have received a yellow card or are about to receive one.
Maybe Kim didn't even know that sexual harassment itself was a yellow card.
--- pp.18~19
The desert sinkhole was a 5-night, 6-day package.
The destination was a place called 'Mui', but I had to do some searching on the internet to find out where it was.
Mui was an island nation the size of Jeju Island.
To get to Mui, you had to go through southern Vietnam.
To get there, you need to take a plane to Ho Chi Minh City Airport, then a bus to the coastal city of Phan Thiet, and then a boat from Phan Thiet for about 30 minutes.
I think I know why this product isn't popular.
The scenery that could be seen in a day's journey there and a day's journey back seemed weaker than that of other disaster travel products.
As the product name suggests, it is true that a sinkhole has appeared in the desert, and as the promotional material describes, it may be a rather 'scary and sad sight,' but the problem is that it has now turned into a lake, so it doesn't look particularly scary or unique.
When people say "sinkhole," they now conjure up images of the 500-meter-deep, catastrophic hole that opened in the heart of Guatemala City in 2010.
I'm already beginning to wonder if this region can live up to those expectations.
(……)
If a disaster can tear a world apart like a fault, the camera is a tool that helps us experience that fault.
The moment the camera clicks, what is captured is no longer a person or a landscape.
It's a gap in time.
Sometimes, a short gap in time can have a greater impact on our lives than the time we are living in now.
Jonah thought.
Perhaps every journey has already crossed the starting line before it even begins.
A journey is merely a confirmation of a step that has already begun.
--- pp.33~35
There are people in the world who believe in Heinrich's Law.
It is said that before a disaster occurs, there are hundreds of small signs that can be seen in advance.
However, this only focuses on the occurrence of disasters, and there is no such rule for those who suffer from disasters.
Disasters just happen suddenly.
It's like the ground beneath your feet suddenly crumbling down one day, something too absurd to be coincidence, but too sad to be fate.
But can such a thing be created artificially?
“Before writing the script, I took pictures.
There were so many people taking pictures of the originals with a camera that I didn't really care about it, so I started doing the opposite.
You look at the photo and restore the original.
There was a time when I was receiving so many requests from the Internet that I couldn't take a single day off a week.
Some people bring their digital cameras and ask us to restore the images as they are, or to recreate the interior, and in some cases, we even hired similar people to recreate the graduation photo scenes in the digital cameras.
Now I work in disaster relief.
This isn't the first sinkhole.
Not all disasters are God's domain.
“There must be a human stake underneath that.”
(……)
“Aren’t you anxious?”
“For an artist, anxiety is like shoes.
“If you want to walk anywhere, you need shoes.”
“Later, many people will delve into the cause of the sinkhole.”
“The cause is the foundation work.
Mr. Jonah, I'm not an amateur.
Sinkholes can occur when underground rock dissolves or the ground is weak, or they can be caused by internal shocks such as earthquakes, or when groundwater is depleted or the ground dries out due to drought.
All of those things combined together created the cause.
I'm talking about the tower construction.
That tower will be our alibi.
It is said that many people actually went into the desert during the construction of the tower.
That's why I'm saying that.
Even though they were artificially created, those holes are much larger than the ones we first created.
The diameter and depth have both become much larger.
Things went so much easier than we expected that we were even a little taken aback.
It is said that sinkholes often occur in limestone areas, but regardless of whether it is limestone or not, the ground itself is not so difficult to dig a hole in.
I started to think that if I just left it like this, it would really collapse someday, and the tower that stood out in the distance looked unsettling.
“I believe that half of it was created by human labor and half by the desert itself.”
--- pp.122~124
Mui moved according to the script.
There were many fish caught in the net, as if the appropriate tension was giving a sense of tension to both land and sea.
The fishermen were somewhat surprised by the unexpected abundance of crops, but it was no bad thing.
The road was a little crowded with people pulling carts full of dead fish.
Some people were seen hanging CCTV cameras like Christmas trees on desert towers and roads.
The alarms also multiplied.
While everything was progressing smoothly, minor problems arose.
A few people disappeared.
It was not clear whether he had died or left, or for what reason.
The positions of male 11, female 15, and female 16 are vacant.
But it wasn't a machine that couldn't be turned around if a few parts were missing.
The empty seats were filled by others.
Jonah had witnessed a few car accidents firsthand, but they weren't as shocking as the first time.
It's just that the faces of the people who just died felt a little more familiar.
Among them was a woman who once came to Jonah and asked him about crocodiles.
Even after witnessing the woman being hit by a yellow truck, Jonah couldn't be sure if it was a dream or reality.
The woman seemed to have disappeared, perhaps for sure.
This is because the silhouette of a woman who often wandered around the resort like a ghost has not been seen for some time.
The woman was the only one who could enter the manager's room at night.
But now someone else was playing that role.
“Just release the crocodiles.
If you throw out the bait, everyone will gather.
Are you going to stay still and not move?
They always wanted one thing.
“It’s a residence permit.”
That was exactly what the woman wanted to know.
The manager's words were gradually forming a bigger picture in Jonah's head.
Jonah tried to numb himself to this scenario, but the first Sunday in August often appeared to him in his dreams.
When the crocodiles, summoned two hours before the sports day, are excited about getting their residency permits, they dream of the ground beneath their feet crumbling like hell.
It was not a dream, but a reality that would happen in a few days.
The only time Jonah could escape that reality was when he thought about Luck.
Of course, it wasn't perfect.
When I think of luck, crocodiles naturally come to mind.
--- pp.190~191
Moving north.
Low pressure, monsoon rains, someone's death.
Going south.
Strike, trash, story.
story.
The fastest-moving news of the past week has been news of deaths.
It has a short shelf life, so it is quick to use as it loses its effectiveness after it has been released.
The news started in Mui.
A place name that more people don't know than do.
Under a massive tsunami one night, all life there suddenly vanished.
dot.
dot.
It was cut off.
There is an island of trash stranded on the beach of Mui.
dot.
dot.
Scattered.
Plastics with Korean writing on them were scattered on the beach like shipwrecked sailors.
High pressure, cherry blossoms, someone's death.
Going south.
Yellow dust, strikes, trash.
The fastest-moving news of the past week has been news of deaths.
It has a short shelf life, so it is quick to use as it loses its effectiveness after it has been released.
The news started in Jinhae, Gyeongnam.
Of all places, it's the birthplace of cherry blossoms.
Under a massive tsunami one afternoon, all life there suddenly came to a halt.
dot.
dot.
It was cut off.
People who went to greet the flowers, people walking, buildings sunbathing, streetlights on the beach, they were all dots.
dot.
dot.
It was shipwrecked.
--- pp.9~10
At that time, Kim got on the elevator with me.
And as soon as the door was closed, he said to Jonah:
“Johnson asked me to say hello to you.”
“Who is it?”
“It’s Johnson, my Johnson.”
Kim's finger was pointing at his own groin.
It was an elevator going down from the 21st floor to the 3rd floor, and there were only Kim and Yona.
Kim's hand grabbed Jonah's buttocks without giving her a chance to be surprised.
It was Jonah's butt.
It wasn't a mistake, it was intentional, and it was a gesture that showed that it didn't matter if it was found out.
“Aren’t you still young? Why can’t you understand what I’m saying?”
Jonah turned his body as naturally as possible to avoid Kim's hand.
This time, Kim put his hand inside Yona's blouse.
Jonah's heart sank.
It wasn't because I saw a different side of Kim.
It wasn't because I was sexually harassed by my boss.
As far as Yona knows, Kim has always targeted only the trash for sexual harassment.
People who have received a yellow card or are about to receive one.
Maybe Kim didn't even know that sexual harassment itself was a yellow card.
--- pp.18~19
The desert sinkhole was a 5-night, 6-day package.
The destination was a place called 'Mui', but I had to do some searching on the internet to find out where it was.
Mui was an island nation the size of Jeju Island.
To get to Mui, you had to go through southern Vietnam.
To get there, you need to take a plane to Ho Chi Minh City Airport, then a bus to the coastal city of Phan Thiet, and then a boat from Phan Thiet for about 30 minutes.
I think I know why this product isn't popular.
The scenery that could be seen in a day's journey there and a day's journey back seemed weaker than that of other disaster travel products.
As the product name suggests, it is true that a sinkhole has appeared in the desert, and as the promotional material describes, it may be a rather 'scary and sad sight,' but the problem is that it has now turned into a lake, so it doesn't look particularly scary or unique.
When people say "sinkhole," they now conjure up images of the 500-meter-deep, catastrophic hole that opened in the heart of Guatemala City in 2010.
I'm already beginning to wonder if this region can live up to those expectations.
(……)
If a disaster can tear a world apart like a fault, the camera is a tool that helps us experience that fault.
The moment the camera clicks, what is captured is no longer a person or a landscape.
It's a gap in time.
Sometimes, a short gap in time can have a greater impact on our lives than the time we are living in now.
Jonah thought.
Perhaps every journey has already crossed the starting line before it even begins.
A journey is merely a confirmation of a step that has already begun.
--- pp.33~35
There are people in the world who believe in Heinrich's Law.
It is said that before a disaster occurs, there are hundreds of small signs that can be seen in advance.
However, this only focuses on the occurrence of disasters, and there is no such rule for those who suffer from disasters.
Disasters just happen suddenly.
It's like the ground beneath your feet suddenly crumbling down one day, something too absurd to be coincidence, but too sad to be fate.
But can such a thing be created artificially?
“Before writing the script, I took pictures.
There were so many people taking pictures of the originals with a camera that I didn't really care about it, so I started doing the opposite.
You look at the photo and restore the original.
There was a time when I was receiving so many requests from the Internet that I couldn't take a single day off a week.
Some people bring their digital cameras and ask us to restore the images as they are, or to recreate the interior, and in some cases, we even hired similar people to recreate the graduation photo scenes in the digital cameras.
Now I work in disaster relief.
This isn't the first sinkhole.
Not all disasters are God's domain.
“There must be a human stake underneath that.”
(……)
“Aren’t you anxious?”
“For an artist, anxiety is like shoes.
“If you want to walk anywhere, you need shoes.”
“Later, many people will delve into the cause of the sinkhole.”
“The cause is the foundation work.
Mr. Jonah, I'm not an amateur.
Sinkholes can occur when underground rock dissolves or the ground is weak, or they can be caused by internal shocks such as earthquakes, or when groundwater is depleted or the ground dries out due to drought.
All of those things combined together created the cause.
I'm talking about the tower construction.
That tower will be our alibi.
It is said that many people actually went into the desert during the construction of the tower.
That's why I'm saying that.
Even though they were artificially created, those holes are much larger than the ones we first created.
The diameter and depth have both become much larger.
Things went so much easier than we expected that we were even a little taken aback.
It is said that sinkholes often occur in limestone areas, but regardless of whether it is limestone or not, the ground itself is not so difficult to dig a hole in.
I started to think that if I just left it like this, it would really collapse someday, and the tower that stood out in the distance looked unsettling.
“I believe that half of it was created by human labor and half by the desert itself.”
--- pp.122~124
Mui moved according to the script.
There were many fish caught in the net, as if the appropriate tension was giving a sense of tension to both land and sea.
The fishermen were somewhat surprised by the unexpected abundance of crops, but it was no bad thing.
The road was a little crowded with people pulling carts full of dead fish.
Some people were seen hanging CCTV cameras like Christmas trees on desert towers and roads.
The alarms also multiplied.
While everything was progressing smoothly, minor problems arose.
A few people disappeared.
It was not clear whether he had died or left, or for what reason.
The positions of male 11, female 15, and female 16 are vacant.
But it wasn't a machine that couldn't be turned around if a few parts were missing.
The empty seats were filled by others.
Jonah had witnessed a few car accidents firsthand, but they weren't as shocking as the first time.
It's just that the faces of the people who just died felt a little more familiar.
Among them was a woman who once came to Jonah and asked him about crocodiles.
Even after witnessing the woman being hit by a yellow truck, Jonah couldn't be sure if it was a dream or reality.
The woman seemed to have disappeared, perhaps for sure.
This is because the silhouette of a woman who often wandered around the resort like a ghost has not been seen for some time.
The woman was the only one who could enter the manager's room at night.
But now someone else was playing that role.
“Just release the crocodiles.
If you throw out the bait, everyone will gather.
Are you going to stay still and not move?
They always wanted one thing.
“It’s a residence permit.”
That was exactly what the woman wanted to know.
The manager's words were gradually forming a bigger picture in Jonah's head.
Jonah tried to numb himself to this scenario, but the first Sunday in August often appeared to him in his dreams.
When the crocodiles, summoned two hours before the sports day, are excited about getting their residency permits, they dream of the ground beneath their feet crumbling like hell.
It was not a dream, but a reality that would happen in a few days.
The only time Jonah could escape that reality was when he thought about Luck.
Of course, it wasn't perfect.
When I think of luck, crocodiles naturally come to mind.
--- pp.190~191
Moving north.
Low pressure, monsoon rains, someone's death.
Going south.
Strike, trash, story.
story.
The fastest-moving news of the past week has been news of deaths.
It has a short shelf life, so it is quick to use as it loses its effectiveness after it has been released.
The news started in Mui.
A place name that more people don't know than do.
Under a massive tsunami one night, all life there suddenly vanished.
dot.
dot.
It was cut off.
There is an island of trash stranded on the beach of Mui.
dot.
dot.
Scattered.
Plastics with Korean writing on them were scattered on the beach like shipwrecked sailors.
--- pp.223~224
Publisher's Review
A completely new imagination unfolds by Yoon Go-eun, winner of the Hankyoreh Literary Award and the Lee Hyo-seok Literary Award.
'Goyona', the lead programmer of 'Disaster Travel' product
Outrageous and spectacular disaster techniques
“Under the great tsunami of one afternoon, all the life there
Suddenly a dot.
dot.
dot.
“It was cut off.”
“Imagination is not a groundless fantasy, but a desperate way of recognizing how to understand life on this earth” (literary critic Kim Kyung-soo) The emergence of novelist Yoon Go-eun has made “the density of Korean novels deeper, and the magnetic field of imagination has widened” (literary critic Lee Myeong-won).
『Night Travelers』 by Yoon Go-eun, the author who is receiving the most attention in the literary world, has been published as ‘Today’s Young Writer’ 03.
This is the second full-length novel published three years after the first short story collection, “A Table for One.”
Literary critic Kang Yu-jeong said, “I can confidently say that ‘Night Travelers’ is a turning point and another leap forward in Yoon Go-eun’s novelistic world.
“Perhaps we will see a different Yoon Go-eun after ‘Night Travelers’,” he praised.
“Night Travelers,” which is “a very special disaster travelogue by author Yoon Go-eun, who is unrivaled in the creation of ingenious artificial realities and sharp twists of reality” (literary critic Baek Ji-eun), and which was also a popular work broadcast on EBS’s “Radio Serial Novel,” will allow readers to experience a world of imagination and reality that is more surprising and unique than any other novel or film.
And I can confidently say that readers who turn the last page of this novel will not be able to escape the whirlpool of deep emotion and thrill for a while.
Yoon Go-eun's extraordinary, spectacular, and diverse approach to disaster management.
The protagonist, Goyona, is a senior programmer with 10 years of experience at Jungle, a travel agency that only sells 'disaster tours' that tour areas devastated by disasters.
Faced with the threat of being fired from her job, she heads to the desert sinkhole, Mui.
Jonah finds himself unexpectedly stranded on a trip and embroiled in a massive project.
Author Yoon Go-eun begins her story by combining disaster and travel in a somewhat unpleasant way.
Among the many common apocalyptic narratives colored by a sense of crisis and apocalyptic gloom, Yoon Go-eun's novel "Night Travelers" stands out.
The reactions people feel when going on a disaster trip largely go in the following order: shock → sympathy and pity or discomfort → gratitude for my life → sense of responsibility and lesson or a sense of superiority for having survived this situation.
The extent to which the heart is moved varies from person to person, but what I was ultimately able to confirm through this adventure was both the fear of disaster and the certainty that I was alive.
So, it's a selfish consolation to say that I was safe even though I was close to disaster.
Page 61
Yoon Go-eun depicts an apocalyptic world where the image of disaster, rather than the disaster itself, becomes a commodity.
What is important is that the space depicted by Yoon Go-eun is not simply an apocalyptic world that glorifies disaster, but rather a symbol of the providence of a late capitalist society in which even disaster is owned as an image and consumed as a commodity.
The fiction of disaster travel is more plausible, and sometimes more realistic, than the reality here.
Readers, along with the protagonist Yona, who sets out on a journey without knowing whether the daily life here is a jungle arena or the travel destination there is a jungle maze, quickly approach 'unexpected days'.
If you think it's a story that's agile in the customs of a commercial society, you're soon in a travelogue that's vividly filled with excitement, unfamiliarity, and excitement.
We are in the midst of a disaster where events and accidents that are difficult to predict even an inch ahead come crashing down dramatically, and before we know it, the ground is being engulfed, everything around us is falling, and alarms are blaring loudly.
As we traverse this diverse novel, what we learn is not how to deal with disaster, but how to use it.
As soon as I set out with her, I couldn't stop or avoid the questions that came flooding in as if they had been waiting for me.
Is disaster something we can look forward to?
Is it a natural disaster or a human catastrophe?
Is this situation, where the 'misfortune' of a disaster coexists with the 'good fortune' of avoiding that misfortune, inevitable and therefore fair, or inevitable and yet unfair?
Is this indiscriminateness divine providence or an unexpected fate?
Or is that difference a human design or an expected necessity?
In a disaster scenario, who is the main character and who is the extra?
Who is unhappy and who is not unhappy.
In a disaster, can the disaster of 'myself' and the disaster of 'others' be distinguished?
What is a disaster and what is not a disaster?
Where is the jungle, and where is not the jungle?
May there be hope for all of us who have embarked on this bizarre adventure, amidst disaster and reconstruction.
'Goyona', the lead programmer of 'Disaster Travel' product
Outrageous and spectacular disaster techniques
“Under the great tsunami of one afternoon, all the life there
Suddenly a dot.
dot.
dot.
“It was cut off.”
“Imagination is not a groundless fantasy, but a desperate way of recognizing how to understand life on this earth” (literary critic Kim Kyung-soo) The emergence of novelist Yoon Go-eun has made “the density of Korean novels deeper, and the magnetic field of imagination has widened” (literary critic Lee Myeong-won).
『Night Travelers』 by Yoon Go-eun, the author who is receiving the most attention in the literary world, has been published as ‘Today’s Young Writer’ 03.
This is the second full-length novel published three years after the first short story collection, “A Table for One.”
Literary critic Kang Yu-jeong said, “I can confidently say that ‘Night Travelers’ is a turning point and another leap forward in Yoon Go-eun’s novelistic world.
“Perhaps we will see a different Yoon Go-eun after ‘Night Travelers’,” he praised.
“Night Travelers,” which is “a very special disaster travelogue by author Yoon Go-eun, who is unrivaled in the creation of ingenious artificial realities and sharp twists of reality” (literary critic Baek Ji-eun), and which was also a popular work broadcast on EBS’s “Radio Serial Novel,” will allow readers to experience a world of imagination and reality that is more surprising and unique than any other novel or film.
And I can confidently say that readers who turn the last page of this novel will not be able to escape the whirlpool of deep emotion and thrill for a while.
Yoon Go-eun's extraordinary, spectacular, and diverse approach to disaster management.
The protagonist, Goyona, is a senior programmer with 10 years of experience at Jungle, a travel agency that only sells 'disaster tours' that tour areas devastated by disasters.
Faced with the threat of being fired from her job, she heads to the desert sinkhole, Mui.
Jonah finds himself unexpectedly stranded on a trip and embroiled in a massive project.
Author Yoon Go-eun begins her story by combining disaster and travel in a somewhat unpleasant way.
Among the many common apocalyptic narratives colored by a sense of crisis and apocalyptic gloom, Yoon Go-eun's novel "Night Travelers" stands out.
The reactions people feel when going on a disaster trip largely go in the following order: shock → sympathy and pity or discomfort → gratitude for my life → sense of responsibility and lesson or a sense of superiority for having survived this situation.
The extent to which the heart is moved varies from person to person, but what I was ultimately able to confirm through this adventure was both the fear of disaster and the certainty that I was alive.
So, it's a selfish consolation to say that I was safe even though I was close to disaster.
Page 61
Yoon Go-eun depicts an apocalyptic world where the image of disaster, rather than the disaster itself, becomes a commodity.
What is important is that the space depicted by Yoon Go-eun is not simply an apocalyptic world that glorifies disaster, but rather a symbol of the providence of a late capitalist society in which even disaster is owned as an image and consumed as a commodity.
The fiction of disaster travel is more plausible, and sometimes more realistic, than the reality here.
Readers, along with the protagonist Yona, who sets out on a journey without knowing whether the daily life here is a jungle arena or the travel destination there is a jungle maze, quickly approach 'unexpected days'.
If you think it's a story that's agile in the customs of a commercial society, you're soon in a travelogue that's vividly filled with excitement, unfamiliarity, and excitement.
We are in the midst of a disaster where events and accidents that are difficult to predict even an inch ahead come crashing down dramatically, and before we know it, the ground is being engulfed, everything around us is falling, and alarms are blaring loudly.
As we traverse this diverse novel, what we learn is not how to deal with disaster, but how to use it.
As soon as I set out with her, I couldn't stop or avoid the questions that came flooding in as if they had been waiting for me.
Is disaster something we can look forward to?
Is it a natural disaster or a human catastrophe?
Is this situation, where the 'misfortune' of a disaster coexists with the 'good fortune' of avoiding that misfortune, inevitable and therefore fair, or inevitable and yet unfair?
Is this indiscriminateness divine providence or an unexpected fate?
Or is that difference a human design or an expected necessity?
In a disaster scenario, who is the main character and who is the extra?
Who is unhappy and who is not unhappy.
In a disaster, can the disaster of 'myself' and the disaster of 'others' be distinguished?
What is a disaster and what is not a disaster?
Where is the jungle, and where is not the jungle?
May there be hope for all of us who have embarked on this bizarre adventure, amidst disaster and reconstruction.
GOODS SPECIFICS
- Date of publication: October 11, 2013
- Format: Hardcover book binding method guide
- Page count, weight, size: 252 pages | 345g | 136*196*20mm
- ISBN13: 9788937473036
- ISBN10: 8937473038
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