{"product_id":"135961","title":"Chun-gok Goh-hee-dong ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYCCJ4I8S9LnSGLEnCCFRn6FWQUwQ.png?v=1765127537\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Chun-gok Goh-hee-dong \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate661\/MidCate001\/66004124.jpg\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e “Have you ever seen anything like this? I’m going to take my sketchbook and go out and draw something.\u003cbr\u003e They say they're making fun of cigarette sellers and candy sellers.\u003cbr\u003e Is that all?\u003cbr\u003e\u003cbr\u003e They make fun of me by saying things like, \"It's better to apply ointment than to smear it with poop.\"\u003cbr\u003e Anyway, at that time, society had no appreciation for Western paintings.\u003cbr\u003e\u003cbr\u003e Yeah, I didn't find it fun to draw, so I played around.\"\u003cbr\u003e\u003cbr\u003e This is a story told by Chun-gok Go Hui-dong (1886-1965), known as Korea's first Western-style painter.\u003cbr\u003e When he first painted Western paintings, the reactions of those around him who watched him were interesting.\u003cbr\u003e It's as if I can hear a voice saying, \"Isn't that a candy box? Give me some candy,\" as I look at the box containing the paintbrush, and it's as if I can see a person standing right next to me innocently asking, \"Why are you smearing chicken droppings on it?\" as I look at the canvas. \u003cbr\u003eThis is a story from just over 100 years ago.\u003cbr\u003e Go Hee-dong is recorded in art history as the first painter to introduce Western painting.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChun-gok Go Hui-dong, Portrait of an Artist in a Turbulent Modern Art World\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e At the end of the Joseon Dynasty, the country's fortunes declined due to invasion by foreign powers, and it was finally annexed by Japan and the country was lost.\u003cbr\u003e During this turbulent time, there was a ‘first Western painter’ who went to Japan to study Western painting and introduced Western painting for the first time. He was Go Hui-dong, the son of Chun-gok. \u003cbr\u003eThis book is the first to research and reveal from an art historical perspective the family lineage of Go Hee-dong, who was a member of the middle class in the late Joseon Dynasty, his childhood education, the process of going to Japan to study Western painting as an official of the Korean Empire and his painting classes, his activities in the modern art world during the turbulent times after returning to Korea, the founding of the Calligraphy and Painting Association and the operation of the Calligraphy and Painting Association Exhibition, artists during the chaos of liberation and the Korean War, the founding of the Republic of Korea Art Exhibition (abbreviated as 'National Art Exhibition'), and the founding of the National Academy of Arts.\u003cbr\u003e We trace the personal history of Goh Hee-dong from birth to death, his social activities and interactions, especially those in the art world.\u003cbr\u003e In particular, his family lineage, which was not well known until then, his time at Hansung Law School, and his painting classes while studying abroad in Japan are being intensively studied. \u003cbr\u003eThis book calmly portrays the portrait of an artist who braved the turbulent waves of history with his whole body during the turbulent modern art world.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation │ Kim Hong-nam\u003cbr\u003e Author's Preface │ Eunjeong Jo\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Bipa-dong Goh's house\u003cbr\u003e 2.\u003cbr\u003e Government-run Hanseong Law School\u003cbr\u003e 3.\u003cbr\u003e Drawing Management\u003cbr\u003e 4.\u003cbr\u003e Studying abroad in Tokyo\u003cbr\u003e 5.\u003cbr\u003e The first Western painter\u003cbr\u003e 6.\u003cbr\u003e New house in Wonseo-dong\u003cbr\u003e 7.\u003cbr\u003e The era of the Calligraphy and Painting Association\u003cbr\u003e 8.\u003cbr\u003e The last Western painting\u003cbr\u003e 9.\u003cbr\u003e cruel times\u003cbr\u003e 10.\u003cbr\u003e Rules of Power\u003cbr\u003e\u003cbr\u003e Author's chronology\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e I believe that the art historical study of a person as an artist should be an act of weaving together biographies and histories.\u003cbr\u003e This is because I believe that if we only defend the position of the subject or only use widely known facts as sources, we may end up in a deadlock with the truth.\u003cbr\u003e We need to embrace a person's life with a strictly balanced perspective, while also meaningfully viewing the turbulent history through which he navigated. \u003cbr\u003eIn this study of Goh Hee-dong, we attempted to weave his personal history from birth to death within the larger framework of social activities and interactions.\u003cbr\u003e\u003cbr\u003e There is something I realized early on while conducting research on Chun-gok Goh-hee-dong.\u003cbr\u003e The fact is that, other than the phrase 'Korea's first Western painter' that always precedes his name, there are extremely limited expressions that describe him.\u003cbr\u003e Compared to the considerable amount of documentation available about his complex and multifaceted life in the art world, very little is known about his personal life.\u003cbr\u003e This is precisely why this study was conducted while moving back and forth between the epithets “first” and “Western painter” that followed his activities like a shadow, and ignorance about his personal life. \u003cbr\u003eThat is why his family lineage was given great importance in the beginning, and why his father, Go Yeong-cheol, and his brothers, as well as Go Hee-dong and his brothers, were covered extensively.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In this study, the author embarked on a journey into modern times to understand the figure of Go Hee-dong.\u003cbr\u003e From the travels of Isabella Bird Bishop during the Enlightenment period, I followed the itinerary of Go Hee-dong's father, Go Yeong-cheol, to the Yeongseonsa and Bobingsa, and even had a vision of standing in front of Niagara Falls with Go Hee-dong.\u003cbr\u003e Although Go Hee-dong's life was not affluent, his love for his family was extraordinary.\u003cbr\u003e He was also fortunate to associate with his good friend Lee Do-young, his benevolent teachers Jo Seok-jin and Ahn Jung-sik, Oh Se-chang, his father's friend and comrade, and Choi Nam-seon, an eccentric figure of the time.\u003cbr\u003e Having grown into a modern painter through his encounters with them, he had to open up the field of modern art entirely on his own. \u003cbr\u003eAs with everything, there are pros and cons to his work in the field of modern art.\u003cbr\u003e\u003cbr\u003e - Jo Eun-jeong (art critic)\u003c\/div\u003e\n\u003cdiv\u003e ---From the author's preface\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eChun-gok Go-hee-dong\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e He was born in Seoul in 1886 as the third son of interpreter Go Yeong-cheol and Jeonju Lee.\u003cbr\u003e His pen name is Chun-gok (春谷).\u003cbr\u003e He entered the government-run Hanseong Law School and learned French, and in December 1904, he became an official of the Korean Empire, becoming an officer in the Office of the Prime Minister.\u003cbr\u003e From 1907, he studied painting under the tutelage of Solim Jo Seok-jin and Simjeon An Jung-sik, the last painters of the Dohwaseo, and in February 1909, he went on a business trip to Tokyo for the purpose of studying painting.\u003cbr\u003e In September of that year, he entered the Western Painting Department of Tokyo Art School as a senior and graduated in March 1915.\u003cbr\u003e You can see three Western paintings, including [Self-portrait with a Fan], because he was active as an Oriental painter after the mid-1920s. \u003cbr\u003eHe participated as a founding member of the Calligraphy and Painting Association and served as general manager and secretary.\u003cbr\u003e He was active in the Sanbyeok Poetry Society and the Handong Art Collection along with Oh Se-chang, Lee Gi, Choi Nam-seon, Park Han-young, and Lee Do-young, and led the new art movement, including the improvement of oriental painting.\u003cbr\u003e After liberation, he led the Korean Fine Arts Association, the Korean Federation of Arts and Culture Associations, and served as the first director of the Arts Council and a judge for the Korean National Art Exhibition.\u003cbr\u003e He was elected to the House of Councilors in 1960 through the Democratic Party's nomination, and took office as the president of Munhwa Broadcasting Corporation in 1961.\u003cbr\u003e He passed away on October 22, 1965, at the age of 80, and his funeral was held at the Yejongjang Hall.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe influence of the Bipa-dong Go clan and his father, Go Yeong-cheol\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Go Hui-dong was born on March 11, 1886 (April 13, 1886 in the lunar calendar) in Bipa-dong (present-day Gwansu-dong) as the third of Go Yeong-cheol's four sons.\u003cbr\u003e Goh Hee-dong's family is known as a prominent family with many interpreters who passed the civil service examination. \u003cbr\u003eIn particular, his father, Go Yeong-cheol, was an elite who broadened his perspective on the world by interacting with contemporary cultural figures and artists and enlightenment thinkers, and who visited China as a student of Yeongseonsa and, after the Korean Empire established diplomatic relations with the United States, as a member of the Bobingsa.\u003cbr\u003e Go Young-cheol must have had a great influence on his son, Go Hee-dong, based on his unique sense of reality as a middle-class person and the wealth of knowledge about the new world he acquired through his work as an interpreter.\u003cbr\u003e Go Hui-dong's pen name, Chun-gok (春谷), was also given to him by his father, Go Yeong-cheol.\u003cbr\u003e His father, Go Yeong-cheol, was a member of the Yukgyo Poetry Society and interacted with them, most of whom were reformist thinkers from families of interpreters and physicians.\u003cbr\u003e These interactions with his father seem to have influenced Go Hee-dong's growth as an artist, and Go Hee-dong continued to interact with the children of those who participated in the Yukgyo Shisa. \u003cbr\u003eThis is especially true of his friendship with Oh Se-chang (1864-1953), the son of Oh Gyeong-seok.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAdmission to the government-run Hanseong Law School and introduction to art\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e It is known that Go Hee-dong met a Frenchman named Leopold Remion, learned about Western painting, and eventually decided to study abroad in Japan, thus taking the path of a painter.\u003cbr\u003e In times when foreign powers were pushing in, learning a foreign language would have been a shortcut to success.\u003cbr\u003e His father, Go Young-cheol, who was an interpreter, would have known this better than anyone else.\u003cbr\u003e Instead of sending his son to an ordinary elementary school, his father, Go Yeong-cheol, enrolled him in the government-run Hanseong Law School, which was one of the most powerful schools at the time, where he studied French.\u003cbr\u003e Go Hee-dong entered school in 1899 (at the age of 14) to learn French and completed his studies with excellent grades. \u003cbr\u003eGoh Hee-dong says that he saw Lemion, who was known as the art teacher of this school, painting a portrait of the school principal, Emile Martel, and that this decisive moment was the turning point that led him to pursue the path of an artist.\u003cbr\u003e This book reveals for the first time the establishment and operation of the government-run Hanseong Law School, the content of Goh Hee-dong's classes, and especially the fact that Goh Hee-dong took art classes.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePainting manager Go Hee-dong goes on a painting research trip to Tokyo.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Go Hee-dong began his career as an official in the Optical Bureau in December 1904.\u003cbr\u003e It was upon the recommendation of Conseilles Deleoigue, who was an advisor to the Korean Empire's cabinet.\u003cbr\u003e Goh Hee-dong demonstrated his fluency in French by demonstrating his skills in interpretation and administrative work.\u003cbr\u003e In 1907, with the administrative reorganization, Goh Hee-dong appears to have worked as a funeral director at the funeral home, which was part of the Dohwaseo. \u003cbr\u003eIn 1908, he studied Japanese at the private Janghoon School's night school, and on February 15, 1909, he received an imperial decree from the Imperial Household Ministry ordering him to \"go on a business trip to Tokyo, Japan for art research.\"\u003cbr\u003e However, Go Hui-dong was already studying calligraphy and painting under the tutelage of Jo Seok-jin of Shaolin and An Jung-sik of Simjeon, the court painters who painted the face of Emperor Gojong.\u003cbr\u003e First, Go Hee-dong, who entered the Tokyo Art School through an 'entry course', recalls his first day of class, saying, \"I had no idea how to study art and had no elementary school preparatory knowledge whatsoever.\" He said, \"I had never seen or heard of them drawing on plaster statues, propping them up with charcoal on a frame.\"\u003cbr\u003e (Page 111) In 1915, Go Hee-dong became the first Korean to graduate from the Tokyo School of Fine Arts.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eHe was the first Western painter, but he started the new art movement as a traditional calligrapher.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eAround the time of his graduation in 1915, Go Hee-dong left behind three Western-style self-portraits.\u003cbr\u003e These include [Self-portrait wearing a cap], which is my graduation work, [Self-portrait holding a fan], and [Self-portrait wearing a durumagi].\u003cbr\u003e However, Go Hee-dong, the 'first Western painter', gave up Western painting and started a new art movement that introduced Western painting into Eastern painting.\u003cbr\u003e Go Hee-dong is expected to be a figure who can combine tradition and innovation, straddling both fields, and who can integrate the two fields of Eastern and Western painting.\u003cbr\u003e I was given such expectations simply because I had studied traditional and Western painting.\u003cbr\u003e He contributed to the establishment of the Calligraphy and Painting Association in June 1918 and played a major role in its operation until the end of the Calligraphy and Painting Association Exhibition in 1936. \u003cbr\u003eGo Hee-dong also exhibited at the Joseon Art Exhibition, participated in the founding of the Dong-A Ilbo as an art reporter, and engaged in various activities such as drawing illustrations.\u003cbr\u003e Just as his father, Go Yeong-cheol, had exchanged ideas at the Yukgyo Poetry Society, Go Hee-dong participated in various poetry societies and poetry clubs, wrote poetry and drew pictures, never missed a calligraphy club, and took a place in various cultural social gatherings.\u003cbr\u003e In the mid-1920s, Go Hui-dong's social circle was represented by the 'Handong Ajip' and 'Sanbyeoksisa', which left behind a collection of calligraphy and paintings.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAfter liberation, he became prominent in the art and political world.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Go Hee-dong, who avoided the controversy surrounding pro-Japanese collaboration during the final days of Japanese colonial rule, rose to the center of the art world by holding the “Liberation Commemorative Art Exhibition” with the liberation.\u003cbr\u003e The title of Secretary General of the first and only Calligraphy and Painting Association in our country must have played a significant role. \u003cbr\u003eGo Hee-dong is considered a representative figure among artists, capable of embracing both Eastern and Western painting.\u003cbr\u003e It is said that Go Hee-dong's speaking skills, logical reasoning, and ability to control an audience were so outstanding that they rivaled those of politicians. He eventually entered the political world and began to be very active.\u003cbr\u003e In February 1946, Syngman Rhee, who returned to Korea, was appointed as chairman, Kim Kyu-sik as vice-chairman, Kim Gu as prime minister, Yun Chi-young as secretary-general, and Go Hee-dong as secretary-general of the South Korean National Representative Democratic Assembly.\u003cbr\u003e Go Hee-dong became a member of the top leadership of the Democratic Party.\u003cbr\u003e In addition, Go Hee-dong, as the president of the Joseon Art Association, became the founder of the 'Korea-China Cultural Association', which was formed by cultural figures and politicians as a representative of artists. \u003cbr\u003eIt is said that Go Hee-dong served as a moderator at many political rallies and events with his overwhelming charisma.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe tragedy of the Korean War, a fellow artist being tried as a collaborator\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e During the Korean War, when Seoul, which had suffered under the People's Army for three months, was recaptured on September 28, private retaliatory killings of collaborators and the confiscation of property were rampant.\u003cbr\u003e Go Hee-dong is the chairman of the Cultural Association, also known as the Cultural Association, and is the main body in charge of evaluating the cultural workers' assistants.\u003cbr\u003e After the literary association established the principles, they held a committee to review artists who had collaborated with the association. This committee arbitrarily classified artists into A, B, and C categories based on the principles they had established, and referred them to the police investigation committee for their level of collaboration, on the grounds that they had remained in Seoul and gone out to the alliance to paint. \u003cbr\u003eThe majority of artists who remained in Seoul were forced to join the art alliance, either semi-forcibly or for survival, and participated in creating portraits of Kim Il-sung, posters, and leaflets.\u003cbr\u003e Most of those accused of having participated in forced labor were women or commoners who did not have the power to escape forced labor.\u003cbr\u003e Most of the powerful people were exempt from forced labor, and it was not uncommon for them to frame those who could testify to their own forced labor in order to hide it.\u003cbr\u003e Ultimately, the stigma of being a collaborator could be nothing more than a stigma of being weak in power relations.\u003cbr\u003e This is because the voluntary collaborators usually went up north with the People's Army at this time.\u003cbr\u003e Go Hee-dong also suffered during the war. \u003cbr\u003eHis second grandson was taken away by the People's Army and died, and there was even a story that among the artists, he instructed, \"Even if Comrade Kim Il-sung forgives all South Koreans, among the artists, he will never forgive Go Hee-dong and Jang Bal.\"\u003cbr\u003e Kim Jin-woo, who worked with Go Hee-dong in the Calligraphy and Painting Association, was accused of being a collaborator and died in Seodaemun Prison.\u003cbr\u003e It was in the prison where he was imprisoned for participating in the independence movement under Japanese colonial rule.\u003cbr\u003e Go Hee-dong is once again armed with anti-communist ideology.\u003cbr\u003e He leads the creation of the Ministry of National Defense's Military Artist Corps.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eHe led the National Art Exhibition, founded the Arts Academy, and became a politician.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e After the war ended and the National Art Exhibition era began, Go Hee-dong emerged as a powerful figure in the art world.\u003cbr\u003e Artists who had collaborated with the Japanese colonial government were rejected, and artists with socialist leanings all went to the North, leaving their place for national art and anti-communist art. At the center of this was Go Hee-dong. \u003cbr\u003eIn March 1954, an election was held in accordance with the 'Academy of Arts Election Ordinance', and Go Hee-dong became a lifelong member.\u003cbr\u003e Jang Bal, Lee Sang-beom, Son Jae-hyeong, Kim Hwan-ki, Yun Hyo-jung, and Bae Ryeom were elected as members of the art department.\u003cbr\u003e Goh Hee-dong also had excellent political sense and maintained a smooth cooperative relationship with the Syngman Rhee regime. However, he quickly realized the limitations of the Syngman Rhee regime's dictatorship of the Liberal Party, and in 1957 he participated in the founding of the Democratic Party and was appointed as an advisor.\u003cbr\u003e Go Hee-dong was in charge of the cover of Dr. Cho Byeong-ok's (1894-1960) collection of political essays, Democracy and I, which reflected his political standing.\u003cbr\u003e When the Syngman Rhee regime collapsed in the April 1960 student revolution, Go Hee-dong ran for election as a Democratic Party candidate and was elected to the House of Councilors in August.\u003cbr\u003e A painter who was a man of culture was born as a politician representing the people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAfter the May 16 military coup and the failure to enter the broadcasting industry, he returned to being an artist.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eOn January 28, 1961, shortly after being elected to the House of Councilors, Goh Hee-dong received a license.\u003cbr\u003e It was a ‘private radio broadcasting license.’\u003cbr\u003e This broadcasting license became the foundation of today's MBC Cultural Broadcasting Corporation.\u003cbr\u003e It is said that Go Hee-dong heard his son-in-law's words and asked Prime Minister Jang Myeon for a favor and received it in advance.\u003cbr\u003e At that time, Kim Ji-tae, the president of Busan MBC, was pushing for the establishment of a broadcasting station in Seoul, but when he was unable to obtain permission, he persuaded Go Hee-dong, who was appointed as the first president of Seoul MBC.\u003cbr\u003e The broadcasting station that was founded through the combination of Kim Ji-tae's capital and Go Hee-dong's license became the current MBC Munhwa Broadcasting Corporation.\u003cbr\u003e Go Hee-dong transforms into a politician and the first president of a private broadcasting station.\u003cbr\u003e But all of this was ruined by the May 16 military coup in 1961.\u003cbr\u003e Moreover, all shares of the broadcasting station are forcibly donated to the May 16 Scholarship Foundation. \u003cbr\u003eThrough this process, Munhwa Broadcasting Station will become the current owner of the Jeongsu Scholarship Foundation.\u003cbr\u003e\u003cbr\u003e Go Hee-dong returns to being a painter.\u003cbr\u003e Go Hee-dong started out as an official in the Korean Empire and became a painter. In his later years, he attempted to become a politician and broadcaster, but failed. He eventually returned to being a painter and ended his turbulent life in October 1965.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCelebrating the 50th anniversary of Chun-gok's death, a bust was unveiled, a special exhibition was held, and a lecture commemorating the publication was held.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e On October 22nd at 5 PM, the 50th anniversary of Chun-gok's death was successfully held at the 'Gohee-dong House' with the participation of bereaved family members and figures from the cultural and artistic community.\u003cbr\u003e There was also an opening ceremony for the special exhibition of the 50th anniversary of Go Hee-dong, Chun-gok, titled “The Pioneer of Modern Korean Painting,” and a dedication ceremony for related research books, “Chun-gok Go Hee-dong - A Portrait of an Artist in the Modern Painting World in Turbulent Times” (written by Jo Eun-jeong), and “Biography of Chun-gok Go Hee-dong - Korea’s First Western Painter” written by novelist Choi Il-ok, Go Hee-dong’s grandson. \u003cbr\u003eThere was also an unveiling ceremony for the ‘Bust of Goh Hee-dong’ created by sculptor Jeong Hyeon (Hongik University).\u003cbr\u003e The Gohwi-dong House, where the event and exhibition were held that day, was designed and built by Mr. Gohwi-dong Chun-gok himself, and was where he lived for 41 years. The National Trust Cultural Heritage Fund, a cultural heritage preservation organization, is in charge of preserving the house, which was in danger of being damaged, as a historical house museum and operating the exhibition.\u003cbr\u003e\u003cbr\u003e The exhibition runs from October 22nd to December 27th, and there will also be two lectures.\u003cbr\u003e\u003cbr\u003e first\u003cbr\u003e Date: 14:00, Tuesday, October 27th, Location: Gohui-dong House, Topic: 'My Grandfather, Gohui-dong', Instructor: Choi Il-ok (novelist)\u003cbr\u003e\u003cbr\u003e second\u003cbr\u003e Date: 12.\u003cbr\u003e Thursday, March 3rd, 7:00 PM, Location: Jeongdok Library, Topic: 'Go Hee-dong, the Leader of the Modern Art World,' Instructor: Jo Eun-jeong (Art Critic)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eRecommendation\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThe author begins from the perspective that Chun-gok Go Hui-dong was not an isolated individual active in the vacuum of reality, but rather a product of the society and environment in which he lived, and thus serves as a touchstone for examining his era and art.\u003cbr\u003e We set out to find answers to the questions about how he became Korea's first Western painter and why he chose not to remain a Western painter but instead turned to Eastern painting.\u003cbr\u003e\u003cbr\u003e Based on that understanding, we are trying to understand his artistic characteristics and delve into the reality of modern Korean art and culture.\u003cbr\u003e In particular, the efforts to understand unknown family and friendship relationships clearly demonstrate the effort researchers must make to understand a person, not just what appears on the surface.\u003cbr\u003e  \u003cbr\u003eFrom personal writings and diaries from the modern era to literature, newspapers, and magazines, the author went through a selection process to excavate as much relevant material as possible, providing rational explanations and interpretations, and revealing the interrelationships of situational causes and causal relationships, while also thoroughly trying to elucidate achievements, motivations for actions, and the causes of success and failure. This is evident throughout the manuscript.\u003cbr\u003e The results are excellent.\u003cbr\u003e With this, the author has not only made a mark on the study of modern Korean art history, but has also created an example of the vivid narrative of art history that can be achieved through a biographical approach.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In that respect, I have no doubt that this book will become a fundamental text on the history of modern art.\u003cbr\u003e In this book, characters who lived through the same era appear and disappear on stage like a play. \u003cbr\u003eOn an autumn day like today in 1924, the laughter of Wichang Oh Se-chang, Nanta Lee Gi, Seokjeon Park Han-yeong, Seongdang Kim Don-hee, Gwanjae Lee Do-yeong, and Yukdang Choi Nam-seon, sitting around the Sarangbang in Gohui-dong, seemed to break through 100 years of time and space and go over the walls of Gohui-dong's house.\u003cbr\u003e This book will serve as a springboard for developing the in-depth content necessary to officially register and operate the Goh Hee-dong House as the Goh Hee-dong Memorial Art Museum.\u003cbr\u003e\u003cbr\u003e - Kim Hong-nam (Professor Emeritus of Ewha Womans University, former Director of the National Museum of Korea, and Director General of the National Trust Cultural Heritage Fund Historic House Museum)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of publication:\u003c\/strong\u003e November 9, 2015\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 360 pages | 174*228*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788992074704\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8992074700 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43893908832298,"sku":"135961","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/fdf45c88c149f3a9dc9b5811b4a4231e.jpg?v=1765423575","url":"https:\/\/librairie.coreenne.fr\/en\/products\/135961","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}