{"product_id":"136085","title":"PHILO DESIGN ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtUTUiTtMoVls5MVXAHrD.png?v=1764948711\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e PHILO DESIGN \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/2501388\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e A new design book published five years later by the author, who was reinstated to his original position at the Department of Design at Seoul National University in 2005 after six and a half years of struggle and litigation to be reinstated.\u003cbr\u003e This is an art-humanities essay that shows how design and philosophy meet through the life of a designer.\u003cbr\u003e \u003cbr\u003eThe author, who has consistently discussed the social significance, role, and reflective function of design since his previous works, continues to push forward his previous awareness of the problem and talks about design that enables reflection on human life and the future.\u003cbr\u003e And to talk about this design, we hear about the lives, works, and philosophies of 22 designers who designed the times.\u003cbr\u003e From figures from over 100 years ago to those of our time, we can see the power of 22 designers who changed the times and provided reflection on human life through their design work based on their own philosophies, and the power that only design combined with philosophy can have to 'change lives and change society.'\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Preface: Why We Focus on Designers\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePrologue: Civic Consciousness and Designers\u003c\/b\u003e \u003cbr\u003e01 'I ♥ Truth': Milton Glaser, the Great Citizen Designer\u003cbr\u003e .1.\u003cbr\u003e The Blood and Truth of 9\/11 .2.\u003cbr\u003e 'I ♥ Truth' .3.\u003cbr\u003e Great citizen designer!\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1: Thinking Beyond Modernity at the Beginning of Modernity\u003c\/b\u003e\u003cbr\u003e 02 Modern Design and the First Self-Consciousness: William Morris\u003cbr\u003e .1.\u003cbr\u003e The modern meaning of Morris.2.\u003cbr\u003e Background .3.\u003cbr\u003e Arts and Crafts Movement and Aftermath\u003cbr\u003e 03 In Search of the Bauhaus Ark: Walter Gropius\u003cbr\u003e .1.\u003cbr\u003e Bauhaus in the sunset.2.\u003cbr\u003e Desperate life, new art. 3.\u003cbr\u003e Gropius's Sorrow\u003cbr\u003e 04 The First Totalist Artist of the 20th Century: László Moholy-Nagy\u003cbr\u003e .1.\u003cbr\u003e Predicting Image Illiteracy.2.\u003cbr\u003e Life and Journey.3.\u003cbr\u003e The New Vision\u003cbr\u003e 05 The Creation and Deconstruction of New Typography: Jan Tschichold\u003cbr\u003e .1.\u003cbr\u003e The privilege of letters. 2.\u003cbr\u003e Life .3.\u003cbr\u003e Light and Shadow of New Typography\u003cbr\u003e 06 The Spirit of Chinese Design Culture: Lu Xun\u003cbr\u003e .1.\u003cbr\u003e Behind 'Dancing Beijing' .2.\u003cbr\u003e Life .3.\u003cbr\u003e Thought and practice.4.\u003cbr\u003e Lu Xun's Lessons\u003cbr\u003e 07 Wings Spread in Virtual Space - The First Multimedia Human: Lee Sang\u003cbr\u003e .1. \u003cbr\u003eInto the Matrix .2.\u003cbr\u003e Colonial City Geijo Blues.3.\u003cbr\u003e Korea's first multimedia designer\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2: Thinking Beyond Technology with Technology\u003c\/b\u003e\u003cbr\u003e 08 The Archetype of American Industrial Designers: Henry Dreyfuss\u003cbr\u003e .1.\u003cbr\u003e Reasons for pride. 2.\u003cbr\u003e Henry's Dream .3.\u003cbr\u003e From styling to ergonomics\u003cbr\u003e 09 Memories of Memphis: Ettore Sottsass\u003cbr\u003e .1.\u003cbr\u003e 2 superstars.2.\u003cbr\u003e On the way to Memphis. 3.\u003cbr\u003e The true meaning of jewels\u003cbr\u003e 10 Modern Art by Graphic Designers: Paul Rand\u003cbr\u003e .1.\u003cbr\u003e Last new book .2.\u003cbr\u003e From Lascaux to Brooklyn. 3.\u003cbr\u003e From Brooklyn to Yale. 4.\u003cbr\u003e The perfection of experiential aesthetics\u003cbr\u003e 11 Galloping Sculpture: The Myth of Pininfarina\u003cbr\u003e .1.\u003cbr\u003e Wine and Cisitalia.2.\u003cbr\u003e Carrozzeria, Pininfarina.3.\u003cbr\u003e From Pininfarina to Mythos\u003cbr\u003e 12 Letters Carrying Love: Herb Lubalin\u003cbr\u003e .1.\u003cbr\u003e The noise and daily life of the square. 2.\u003cbr\u003e In the name of love. 3.\u003cbr\u003e The expression of the letters\u003cbr\u003e Paganini in 13 Types: David Carson\u003cbr\u003e .1.\u003cbr\u003e The End of Printing.2.\u003cbr\u003e Paganini of the type.3.\u003cbr\u003e Paganini style  \u003cbr\u003e14. The Digital Age: The World of Typography by Neville Brody\u003cbr\u003e .1.\u003cbr\u003e Digital Galaxy .2.\u003cbr\u003e Brody Boogie Woogie .3.\u003cbr\u003e Law beyond the law\u003cbr\u003e 15 Beyond Architecture, The Poetics of Architecture: Jean Nouvel\u003cbr\u003e .1.\u003cbr\u003e The Aesthetics of Tolerance .2.\u003cbr\u003e The Poetics of Architecture.3.\u003cbr\u003e Beyond Architecture\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3: Thinking Beyond History Through History\u003c\/b\u003e\u003cbr\u003e 16 The Insatiable Instinct of Resistance and Invention: Philippe Starck\u003cbr\u003e .1.\u003cbr\u003e Star Starck .2.\u003cbr\u003e Stockton's humor and imagination.3.\u003cbr\u003e Resistance + Invention + Innovation\u003cbr\u003e 17 The Godfather of 20th-Century American Architecture: Light and Shadow by Philip Johnson\u003cbr\u003e .1.\u003cbr\u003e Memories of the Building .2.\u003cbr\u003e Success Myth .3.\u003cbr\u003e From Modern to Deconstruction\u003cbr\u003e 18 Spiritual Mediums in Japanese Culture: The Graphic World of Yoko Tadanori\u003cbr\u003e .1.\u003cbr\u003e Roppongi Blues.2.\u003cbr\u003e Birth and Declaration .3.\u003cbr\u003e Nishiki (Silver) Pop's Shaman\u003cbr\u003e 19 Architecture of Meditation, Book Designer: Kohei Sugiura\u003cbr\u003e .1.\u003cbr\u003e When the skin becomes inflamed. 2.\u003cbr\u003e The Path of the Performer.3.\u003cbr\u003e Architecture of Cosmic Meditation\u003cbr\u003e 20 Vessels Containing Landscapes: Architect Jo Seong-ryong\u003cbr\u003e .1.\u003cbr\u003e Architecture of Landscape.2.\u003cbr\u003e Between life and architecture.3.\u003cbr\u003e Friendly Infiltrator  \u003cbr\u003e21 Imagination and Fulfillment of Korean Font Design: Sangsoo Ahn\u003cbr\u003e .1.\u003cbr\u003e Folk painting and Hangul.2.\u003cbr\u003e The Path of Experimentation.3.\u003cbr\u003e Imagination and movement of Hangul\u003cbr\u003e 22 Classic Innovations in Chinese Book Design: Lu Jingren\u003cbr\u003e .1.\u003cbr\u003e East Asian landscapes seen from Paju Book City. 2.\u003cbr\u003e Life Process.3.\u003cbr\u003e Lujingrun style\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e I believe that in order to heal a consumer society dominated by trends and desires, we need to understand designers who value their own identity and subjective style.\u003cbr\u003e The antidote to the severe material civilization lies within those who sowed its seeds: the designers.\u003cbr\u003e By understanding the lives and philosophies of designers, we hope to break free from the passivity of consumerism, a tendency to rely on others, and to regulate our own seething \"pleasure imperatives.\" \u003cbr\u003e… … If other-oriented people could enjoy the joy of constant discovery about their own identity and life like a true designer, they would not need to rely on trends or peer groups to reduce their loneliness in the crowd.\u003cbr\u003e Just as the creative selves of designers are, every human being has potential within them, like a well that never runs dry no matter how much you draw from it.\u003cbr\u003e Anyone who can discern the depth of this well will be able to live a life of self-reliance, without sacrificing their desires to manipulated marketing.\u003cbr\u003e If such a state could be achieved, humans would be able to see the world anew, with a sense of fullness and anticipation for the future, like a plump bunch of grapes.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- From the preface\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eDesign meets life and philosophy!!\u003cbr\u003e The lives and philosophies of great designers that offer reflections on life and the future.\u003c\/b\u003e  \u003cbr\u003eAnd their work!\u003cbr\u003e 『Philodesign』 is a new design book published by Professor Kim Min-soo, who was reinstated to his original position at the Department of Design at Seoul National University in 2005 after six and a half years of struggle and lawsuits to be reinstated.\u003cbr\u003e Professor Kim Min-soo, who has consistently discussed the social significance and role of design and its reflective function in his previous works, continues to push forward his previous critical thinking in \"Philodesign\" and discusses design that enables reflection on human life and the future.\u003cbr\u003e And what he looks at to talk about this design is the lives and works of 22 designers who designed the times, and their philosophies. \u003cbr\u003eThe author, who had suffered for a long time because he tried to live in harmony with his design philosophy, began writing about 22 designers during the period when he was holding a sit-in protest in a tent at Seoul National University and giving non-credit lectures to students and citizens.\u003cbr\u003e Through the work of 22 designers, from figures from over 100 years ago to contemporary figures, who changed the times and gave reflection on human life through their design work according to their own philosophy, Kim Min-soo wanted to talk about the power that only design combined with philosophy can have to 'change life and society.' \u003cbr\u003eThis book, \"Philodesign,\" examines the lives and works of designers who pondered \"beyond\" modernity at the dawn of the new era of \"modernity,\" designers who pondered beyond technology amidst technological advancements, and contemporary designers who think beyond history with imagination and a deep understanding of history, within the historical context of their thoughts and lives. It is a new art-humanities essay that shows how design and philosophy meet through the lives of designers.\u003cbr\u003e Therefore, unlike previous introductions to designers that were centered on their works or biographies, this book goes beyond simply introducing each designer and presents a three-dimensional view of the organic relationship between their lives, philosophies, and design works. \u003cbr\u003eThus, it will present a new role model to aspiring designers by showing them that 'good design', with its imagination and creativity, ultimately comes from reflection on life and society. It will also provide general readers with a starting point for a 'subjective' and 'autonomous' life that breaks free from passive consumption of culture.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThinking Beyond Modernity at the Beginning of Modernity—From Morris to Yi Sang\u003c\/b\u003e\u003cbr\u003e The figures covered in Part 1 of this book, Philodesign, include William Morris, who attempted to escape the uniformity of industrial capitalism through the Arts and Crafts Movement; Walter Gropius, who completed the standard of modern design called the Bauhaus; László Moholy-Nagy, the first totalitarian artist of the 20th century; Jan Tschichold, who created new typography; Lu Xun, the father of Chinese design culture; and Yi Sang, the first multimedia human being. \u003cbr\u003eThese are all figures from the late 19th and early 20th centuries, a time when capitalism was stabilizing as a socioeconomic system, scientific and technological development was accelerating, and pre-modern lifestyles and new lifestyles coexisted in everyday life. They are figures who considered design beyond the formative dimension and into the realm of social reform.\u003cbr\u003e\u003cbr\u003e In that respect, it is significant that Kim Min-su chose William Morris (1834-1896) as the first character in Part 1.\u003cbr\u003e Morris understood art not as high-class art for the few, but as a \"democratization of art into a living art.\" He sought to rescue human life and art from industrial slavery and express communal values ​​through labor.\u003cbr\u003e So, he worked with like-minded friends to achieve the goal of receiving design orders and producing products covering all areas of life. \u003cbr\u003eSome say that Morris's Arts and Crafts movement failed because it faced the contradiction of producing expensive handicrafts in a mass production system, but Kim Min-soo thinks differently.\u003cbr\u003e Kim Min-su argues that today's reality, where design is being reduced to a high-value-added means for maximizing capital's profits, is raising Morris's question again: \"What should design do for human society?\" and, in that respect, Morris's spirit of \"liberation of human freedom and democratization of art\" is not outdated but needs to be reexamined.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThinking Beyond Technology with Technology—From Dreyfuss to Jean Nouvel\u003c\/b\u003e\u003cbr\u003e Part 2 of \"Philodesign\" covers designers who, from the mid-20th century to the present day, utilized cutting-edge technology amidst the rapid advancement of science and technology, yet demonstrated artistic realms beyond technology. \u003cbr\u003eThe designers we meet in Part 2 include Henry Dreyfuss, who is called the prototype of American industrial designers; Ettore Sottsass, the founder of the design culture movement group Memphis; Paul Rand, who presented constantly new graphic designs; Pininfarina, who sublimated cars into racing sculptures; Herb Lubalin, who gave emotion to type; Neville Brody, who showed type in the digital age; and Jean Nouvel, who elevated the energy of architecture to the level of poetic emotion.\u003cbr\u003e These figures were all the first to embrace technological advancements and utilize them in their own creations, but they never lost sight of the \"joys and sorrows of life\" and ultimately presented creative works that could not be achieved through \"technology\" alone. \u003cbr\u003eSottsass (1917~ ) of the Memphis Group, who criticized the industrial design of the time that only valued the function of objects and reduced them to parts of industrial enterprises, and presented experimental designs in emotional, aesthetic, and human aspects, thereby bringing about innovation in the design world in the 1980s, or the 'Cartier Foundation d'Art Moderne' by French architect Jean Nouvel (1945~ ) that was created using metal and glass materials, looks as if it was originally planted and grew among the surrounding cedar trees that were planted in the 19th century. These are examples that clearly show where the gaze should be directed even when 'design' meets industry or technology.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThinking Beyond History Through History—From Philippe Starck to Lu Jingren\u003c\/b\u003e \u003cbr\u003eThe protagonists of Part 3, which deals with creators who have thought beyond history and tradition while reflecting on them, are Philippe Starck, famous for his spectacular design works; Philip Johnson, the godfather of 20th-century American architecture; Yoko Tadanori, who expressed a self-portrait of post-war Japan in Nishiki-e pop; Kohei Sugiura, a book designer who embodies the architecture of cosmic meditation in books; Jo Seong-ryong, who captures our traditional architecture in landscapes; Ahn Sang-soo, who captures the spirit of Hangeul in new typography; and Lü Jingren, who harmonizes the tradition and innovation of Chinese book art.\u003cbr\u003e Often, 'contemporary' and 'modern' designs are implemented by excluding traditional elements and taking on abstract 'futuristic' forms (but paradoxically, this often results in a result that is content with the present). \u003cbr\u003eHowever, the characters in Part 3 do not exclude the history and traditions of the society they belong to, but rather are designers who are inspired by them and simultaneously implement the 'past and future' in the 'present'.\u003cbr\u003e Architect Cho Sung-ryong's Uijae Art Museum, which revives the excitement of the unity of material and self in traditional Korean pavilions and pavilions at the foot of Mudeungsan Mountain in Gwangju; Yoko Tadanori's posters, which capture the reality of post-war Japanese popular culture in the popularity of American pop art using the traditional Japanese art of nishiki-e and collage techniques; and Lu Jingren's books, which revive the binding technique of ancient Chinese woodblock prints in a modern context to realize new material properties, remind us that history and tradition are not 'the end, but the path toward the future', and fully demonstrate the realm of achievement that designers can achieve when they work with a deep understanding of tradition.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eGood design comes from civic consciousness.\u003c\/b\u003e \u003cbr\u003eIn our daily lives, design has become a word no different from life itself.\u003cbr\u003e Because we encounter design in the spaces we live in, the things we use, and everything we wear or eat.\u003cbr\u003e But unfortunately, in Korean society, design is still perceived as a matter of 'currency' represented as a 'luxury product' rather than a matter of 'life'.\u003cbr\u003e The reason I try to design a product more beautifully is to charge a higher price, and the reason I decorate a space beautifully is because I believe that it reveals the value of the 'me' who lives in it.\u003cbr\u003e It would be difficult to say that a member of a society who feels a sense of security that he or she must wear a certain color or style that is in vogue in order to not be left behind is a \"subjective\" and solid individual.\u003cbr\u003e \u003cbr\u003eAuthor Kim Min-su says that the lives of designers covered in this book, \"Philo Design,\" can serve as a reference point for correcting this distorted society and envisioning our future.\u003cbr\u003e For the 22 designers featured in this book, design was the result of thorough consideration of ‘society’ and ‘human life.’\u003cbr\u003e They did not consciously design to change 'society', nor did they work to stand out from the desire to be one step ahead of the times.\u003cbr\u003e However, their extraordinary love and philosophy for human life and society ultimately made their works into 'works of the century' and made them people who designed the times. \u003cbr\u003eAmerican designer Milton Glaser, famous for creating the 'I♥NY' logo, created a poster with the words 'I♥NY More Than Ever' about a week after the 9\/11 attacks to soothe the wounds of New Yorkers (there is a stain on the lower left of the heart in 'I♥NY More Than Ever', symbolizing the collapsed World Trade Center building in the southwest corner of New York).\u003cbr\u003e Glaser, who has been soothing the wounds of members of society through design, said this about the role of designers in an interview.\u003cbr\u003e “The role of a designer is no different from that of any good citizen.\u003cbr\u003e A good citizen is someone who participates in democracy, expresses his or her views, and recognizes his or her role in the times.\u003cbr\u003e This doesn't mean that being a designer means you have more responsibility.\u003cbr\u003e “We all have a responsibility to be good citizens.” \u003cbr\u003eAs Glaser said, if more designers recognize the role they must play in a given era, design in our society will transcend the issue of \"currency\" and be recognized as a true \"life\" issue and companion.\u003cbr\u003e And when we can understand these designers, we too, as Kim Min-soo says, will be able to “live independent lives without sacrificing our own desires to manipulated marketing.” \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 15, 2007\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 455 pages | 847g | 153*224*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788976829771\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8976829778 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43893913485354,"sku":"136085","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/5bc69cc3ce7ed2d88710167fe5e745d1.jpg?v=1765423955","url":"https:\/\/librairie.coreenne.fr\/en\/products\/136085","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}