
I want to be a frog
Description
Book Introduction
“Don’t expect anything.
Don't be disappointed.
Don't try to get to know anyone.
“Don’t try to tell me about yourself.”
Even if there are days when you feel suffocated by boredom and depression, believe that you can jump again.
Kim Hwa-jin, who won the Today's Writer Award for "About Naju" and has been loved for her affectionate language that depicts the shape of the heart through works such as "Tokyo" and "The Dinosaur's Migration Path," has published "I Want to Be a Frog" as part of Wisdom House's short story series, Wipick.
Su-kyung, who returns after briefly looking into the future, shared joys and sorrows with Ga-eun for a year, but one day, Wan drifted away without telling her why, and Ga-eun decided not to expect or be disappointed anymore after Wan left.
Through the figures of three people, author Kim Hwa-jin talks about the vague and fragile bonds that human relationships create.
On the one hand, it affirms the power of relationships by holding on to the string of 'ambition' that can only be realized through such loose ties.
Don't be disappointed.
Don't try to get to know anyone.
“Don’t try to tell me about yourself.”
Even if there are days when you feel suffocated by boredom and depression, believe that you can jump again.
Kim Hwa-jin, who won the Today's Writer Award for "About Naju" and has been loved for her affectionate language that depicts the shape of the heart through works such as "Tokyo" and "The Dinosaur's Migration Path," has published "I Want to Be a Frog" as part of Wisdom House's short story series, Wipick.
Su-kyung, who returns after briefly looking into the future, shared joys and sorrows with Ga-eun for a year, but one day, Wan drifted away without telling her why, and Ga-eun decided not to expect or be disappointed anymore after Wan left.
Through the figures of three people, author Kim Hwa-jin talks about the vague and fragile bonds that human relationships create.
On the one hand, it affirms the power of relationships by holding on to the string of 'ambition' that can only be realized through such loose ties.
- You can preview some of the book's contents.
Preview
index
I want to be a frog
Author's Note
Interview with author Kim Hwa-jin
Author's Note
Interview with author Kim Hwa-jin
Into the book
Most of my trip to Tokyo wasn't interesting, but I realized I had a talent for walking long distances, enduring hunger, and waiting for things, and I got a little ceramic frog figurine from a small shop in Kichijoji.
---p.15
The good thing is that my mood during work hours doesn't fluctuate like it used to, every second.
The bad thing is that even though there are occasional instances of people being rude to others at work, it doesn't go up, but it does go down.
---p.17
The best thing a person who does nothing does is blame others.
It's really easy to blame others.
You don't have to try hard, just stick it on and you'll be fine.
I don't know who I'm blaming, but there's no reason for me to be blamed.
It's just that I got it wrong.
---p.30
I really don't have anything I want to do.
okay?
huh.
Quitting? Quitting?
really?
huh…….
no.
---pp.34~35
Wan and I got along well.
Looking back, it wasn't that anything particularly worked out well, it was just luck.
At the same time, the timing was perfect for them to like each other, to be passionate about each other, and to be friends.
---p.40
Hey, office workers can go on adventures too! That's cool.
Wan, who said that, looked cool.
---p.43
Don't ask.
Don't complain.
Let go of someone who wants to leave.
Live my own way.
Or, I want to live my life as I please.
Become indifferent.
Don't expect anything.
Don't be disappointed.
Not trying to get to know anyone.
Don't try to tell me about yourself.
---p.50
I want to be like a frog.
You can sit in the same position for hours, but if you put your mind to it, you can jump to unpredictable heights and distances in one go.
I want to believe that I have that potential within me.
---p.15
The good thing is that my mood during work hours doesn't fluctuate like it used to, every second.
The bad thing is that even though there are occasional instances of people being rude to others at work, it doesn't go up, but it does go down.
---p.17
The best thing a person who does nothing does is blame others.
It's really easy to blame others.
You don't have to try hard, just stick it on and you'll be fine.
I don't know who I'm blaming, but there's no reason for me to be blamed.
It's just that I got it wrong.
---p.30
I really don't have anything I want to do.
okay?
huh.
Quitting? Quitting?
really?
huh…….
no.
---pp.34~35
Wan and I got along well.
Looking back, it wasn't that anything particularly worked out well, it was just luck.
At the same time, the timing was perfect for them to like each other, to be passionate about each other, and to be friends.
---p.40
Hey, office workers can go on adventures too! That's cool.
Wan, who said that, looked cool.
---p.43
Don't ask.
Don't complain.
Let go of someone who wants to leave.
Live my own way.
Or, I want to live my life as I please.
Become indifferent.
Don't expect anything.
Don't be disappointed.
Not trying to get to know anyone.
Don't try to tell me about yourself.
---p.50
I want to be like a frog.
You can sit in the same position for hours, but if you put your mind to it, you can jump to unpredictable heights and distances in one go.
I want to believe that I have that potential within me.
---p.58
Publisher's Review
“Don’t expect anything.
Don't be disappointed.
Don't try to get to know anyone.
“Don’t try to tell me about yourself.”
Even if there are days when you feel suffocated by boredom and depression, believe that you can jump again.
Kim Hwa-jin, who won the Today's Writer Award for "About Naju" and has been loved for her affectionate language that depicts the shape of the heart through works such as "Tokyo" and "The Dinosaur's Migration Path," has published "I Want to Be a Frog" as part of Wisdom House's short story series, Wipick.
Ga-eun, an office worker who is faced with the situation where “nothing I do is fun” and “the company where I worked for nine straight hours a day for nine years is the most boring” (p. 15), finds small comfort in a small frog doll placed on her office desk.
Days spent struggling with boredom, with nothing really good or really bad.
Ga-eun's boredom, which has become "familiar to me, to the company and to myself at the company" (p. 16), may be natural.
On the other hand, Ga-eun's friend Soo-kyung is like a "god of joy" (page 13).
Ga-eun is always curious about Soo-kyung's cheerful and happy appearance even after drinking a cup of latte.
"Why are you so good? Why do I always feel good when I see you? Why... can't I be like that?" (p. 30) How can I break the shackles of boredom, anger, and croissant that aren't solid, but are building up layer by layer? Is quitting the only answer? Will quitting make me happy?
Su-kyung, who returns after briefly looking into the future, shared joys and sorrows with Ga-eun for a year, but one day, Wan drifted away without telling her why, and Ga-eun decided not to expect or be disappointed anymore after Wan left.
Through the figures of three people, author Kim Hwa-jin talks about the vague and fragile bonds that human relationships create.
On the one hand, it affirms the power of relationships by holding on to the string of 'ambition' that can only be realized through such loose ties.
The novel speaks with Kim Hwa-jin's unique grammar, which transparently looks into the depths of emotions.
Even when life is dominated by boredom, depression, discontent, anger, and cynicism, there are things we must hold on to until the very end, so that we can rise again.
A special experience that allows you to breathe deeply into 'a single story'
Beginning in November 2022, Wisdom House will be introducing the most diverse and newest stories of Korean literature, one per week, through its short story serial project, "Weekly Fiction."
Over the past year, 50 stories have been loved by readers, including Gu Byeong-mo's "Shred," Jo Ye-eun's "Waiting for the High Tide," Ahn Dam's "The Girl Grows Alone," and Choi Jin-young's "Aurora."
The Wepick series publishes serialized novels in this way, and rather than the conventional method of binding together several short stories, it takes the unusual approach of composing a book with only one short story, giving readers the special experience of breathing deeply into each story.
Wepick is not bound by any criteria or distinctions such as material or format, and focuses solely on the completeness of a single story.
Through novels by a variety of authors, including novelists, non-fiction writers, poets, and youth literature writers, we break down genres and boundaries, expanding the possibilities and enjoyment of stories.
Following the 50 episodes of Season 1, Season 2 is filled with even more new writers and stories.
Season 2 will feature writers Kang Hwa-gil, Lim Seon-woo, Dan Yo, Jeong Bo-ra, Kim Bo-young, Lee Mi-sang, Kim Hwa-jin, Jeong I-hyeon, Lim Sol-ah, and Hwang Jeong-eun.
Additionally, Season 2 will include author interviews, telling a variety of stories both inside and outside of the works, further enriching the annual festival of 50 stories.
Introducing the Wepick Series
Wepick is a short story series from Wisdom House.
It offers a special experience of breathing deeply into ‘one story’.
I dream that this small piece will become a new piece that expands your world, that each small piece will come together to become your story, and that it will become a piece of literature that will be deeply engraved in your heart.
Don't be disappointed.
Don't try to get to know anyone.
“Don’t try to tell me about yourself.”
Even if there are days when you feel suffocated by boredom and depression, believe that you can jump again.
Kim Hwa-jin, who won the Today's Writer Award for "About Naju" and has been loved for her affectionate language that depicts the shape of the heart through works such as "Tokyo" and "The Dinosaur's Migration Path," has published "I Want to Be a Frog" as part of Wisdom House's short story series, Wipick.
Ga-eun, an office worker who is faced with the situation where “nothing I do is fun” and “the company where I worked for nine straight hours a day for nine years is the most boring” (p. 15), finds small comfort in a small frog doll placed on her office desk.
Days spent struggling with boredom, with nothing really good or really bad.
Ga-eun's boredom, which has become "familiar to me, to the company and to myself at the company" (p. 16), may be natural.
On the other hand, Ga-eun's friend Soo-kyung is like a "god of joy" (page 13).
Ga-eun is always curious about Soo-kyung's cheerful and happy appearance even after drinking a cup of latte.
"Why are you so good? Why do I always feel good when I see you? Why... can't I be like that?" (p. 30) How can I break the shackles of boredom, anger, and croissant that aren't solid, but are building up layer by layer? Is quitting the only answer? Will quitting make me happy?
Su-kyung, who returns after briefly looking into the future, shared joys and sorrows with Ga-eun for a year, but one day, Wan drifted away without telling her why, and Ga-eun decided not to expect or be disappointed anymore after Wan left.
Through the figures of three people, author Kim Hwa-jin talks about the vague and fragile bonds that human relationships create.
On the one hand, it affirms the power of relationships by holding on to the string of 'ambition' that can only be realized through such loose ties.
The novel speaks with Kim Hwa-jin's unique grammar, which transparently looks into the depths of emotions.
Even when life is dominated by boredom, depression, discontent, anger, and cynicism, there are things we must hold on to until the very end, so that we can rise again.
A special experience that allows you to breathe deeply into 'a single story'
Beginning in November 2022, Wisdom House will be introducing the most diverse and newest stories of Korean literature, one per week, through its short story serial project, "Weekly Fiction."
Over the past year, 50 stories have been loved by readers, including Gu Byeong-mo's "Shred," Jo Ye-eun's "Waiting for the High Tide," Ahn Dam's "The Girl Grows Alone," and Choi Jin-young's "Aurora."
The Wepick series publishes serialized novels in this way, and rather than the conventional method of binding together several short stories, it takes the unusual approach of composing a book with only one short story, giving readers the special experience of breathing deeply into each story.
Wepick is not bound by any criteria or distinctions such as material or format, and focuses solely on the completeness of a single story.
Through novels by a variety of authors, including novelists, non-fiction writers, poets, and youth literature writers, we break down genres and boundaries, expanding the possibilities and enjoyment of stories.
Following the 50 episodes of Season 1, Season 2 is filled with even more new writers and stories.
Season 2 will feature writers Kang Hwa-gil, Lim Seon-woo, Dan Yo, Jeong Bo-ra, Kim Bo-young, Lee Mi-sang, Kim Hwa-jin, Jeong I-hyeon, Lim Sol-ah, and Hwang Jeong-eun.
Additionally, Season 2 will include author interviews, telling a variety of stories both inside and outside of the works, further enriching the annual festival of 50 stories.
Introducing the Wepick Series
Wepick is a short story series from Wisdom House.
It offers a special experience of breathing deeply into ‘one story’.
I dream that this small piece will become a new piece that expands your world, that each small piece will come together to become your story, and that it will become a piece of literature that will be deeply engraved in your heart.
GOODS SPECIFICS
- Date of issue: December 11, 2024
- Format: Hardcover book binding method guide
- Page count, weight, size: 88 pages | 166g | 100*180*12mm
- ISBN13: 9791171717262
- ISBN10: 1171717261
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카테고리
korean
korean