{"product_id":"140300","title":"Vincent van Gogh ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/Qopkf276HiuNBHloQ3S.png?v=1764977900\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Vincent van Gogh \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/137024716\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdl\u003e  \u003cdt\u003eA word from MD\u003c\/dt\u003e\n\u003cdd\u003e\u003cdiv\u003e [Immortal Painter, Vincent van Gogh] Van Gogh, a painter loved by people all over the world.\u003cbr\u003e We reinterpret the world of his works by following 100 of his works and his life's footsteps.\u003cbr\u003e The works are broadly categorized into portraits, still lifes, and landscapes, and are arranged chronologically to help follow Van Gogh's life.\u003cbr\u003e The author, a Korean art historian, also stands out with his fresh perspective.\u003cbr\u003e - Ahn Hyun-jae, art producer\u003c\/div\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eVincent van Gogh, the 'immortal painter' who remains\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Vincent van Gogh is still loved by people all over the world today.\u003cbr\u003e Following in his footsteps, art galleries and memorial spaces are being built, and many people visit the historic sites.\u003cbr\u003e Following the films, plays, and musicals produced based on Van Gogh's mad life and artistic spirit, his representative works have recently been digitally simulated to attract the public. \u003cbr\u003eIn this respect, he can be said to be the greatest in Western modern and contemporary art, and indeed in the entire history of world art.\u003cbr\u003e In Korea, Van Gogh's special exhibitions have attracted hundreds of thousands of visitors and have also been a commercial success, proving that he remains an 'immortal painter.'\u003cbr\u003e\u003cbr\u003e \"Vincent van Gogh: The Man Who Stole the Eyes of God\" presents readers with another Van Gogh exhibition that follows the footsteps of his life along with 100 of his works.\u003cbr\u003e The works are broadly categorized into portraits, still lifes, and landscapes, and are arranged in chronological order to allow one to grasp the flow of Van Gogh's world of art at a glance.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e At the beginning of the book\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe Life and Art of Vincent van Gogh and the Theory of East Asian Art\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -Dutch era\u003cbr\u003e Growing up in a Protestant family\u003cbr\u003e Finally, I entered the path of becoming a painter.  \u003cbr\u003eMeet the land and farmers of our homeland\u003cbr\u003e Learn about the national traditions of the golden age\u003cbr\u003e\u003cbr\u003e -French era\u003cbr\u003e Impressionism meets the screen, brightening it up\u003cbr\u003e Encountering the Orient through Japanese Ukiyo-e Woodblock Prints\u003cbr\u003e Arles' unique beauty is enhanced by its natural scenery.\u003cbr\u003e From Saint-Rémy to Auvers, reaching its climax\u003cbr\u003e\u003cbr\u003e - Van Gogh's creative theory resembles Eastern art theory\u003cbr\u003e Just let the brush go where it goes\u003cbr\u003e I'm glad it didn't go my way.\u003cbr\u003e Contemporary evaluations of Van Gogh were also good.\u003cbr\u003e Embracing the human and earth that God gave us\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe world of the work, an artistic fusion of humans and nature\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 10 years of my life as an artist, devoted entirely to painting\u003cbr\u003e\u003cbr\u003e -Portrait\u003cbr\u003e Self-portrait, intense gaze in a suit\u003cbr\u003e Portrait, not exactly like the appearance\u003cbr\u003e Genre painting, working people\u003cbr\u003e\u003cbr\u003e -still life\u003cbr\u003e Things placed in the living space\u003cbr\u003e Sunflower painting\u003cbr\u003e\u003cbr\u003e -landscape\u003cbr\u003e The Netherlands, the land of working people\u003cbr\u003e From Paris to the South of France, to the sun-drenched lands of the South\u003cbr\u003e Montmartre, Paris\u003cbr\u003e Arles-de-Provence\u003cbr\u003e Saint-Rémy-de-Provence  \u003cbr\u003eAuvers-sur-Oise\u003cbr\u003e Van Gogh's paintings, the foundation of modern art\u003cbr\u003e\u003cbr\u003e Review: Van Gogh and the Netherlands I Met\u003cbr\u003e List of illustrations\u003cbr\u003e List of domestic publications on Van Gogh\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4913\/MidCate006\/491250113.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e As the brush moves, it becomes a wheat field hill, a field of grass, or a cloud shape.\u003cbr\u003e The brush strokes that flowed according to inspiration and instinct show that Van Gogh achieved a state of mindlessness in his 30s.\u003cbr\u003e Although the material texture of the oil paints is not clearly visible due to the thickness of the material, if you look closely at the brush strokes and the flow of the touch, the concise expressive intention is also clearly read.\u003cbr\u003e\u003cbr\u003e Van Gogh's thoughts and expressions also show a simplicity and austerity that are close to the spirit of East Asian painting.\u003cbr\u003e It also brings to mind the painting of the mind, 'Sa-i', a southern school of painting theory of East Asian literati. \u003cbr\u003eIn particular, it is noteworthy that Van Gogh, despite his thoroughgoing approach to Oriental painting, which involves painting with the subject right in front of his eyes, also thought about the meaning of death.\u003cbr\u003e\u003cbr\u003e ---From \"A Theory of Van Gogh's Creation Resembling Oriental Art Theory\"\u003cbr\u003e\u003cbr\u003e If you look closely at the depiction style of these Joseon Dynasty portraits, you can see that they are drawn in a slightly right-facing pose, with both eyes and lips facing forward.\u003cbr\u003e Let's compare the facial features of [Portrait of Heungseon Daewongun] (1869, Treasure No. 1499, Seoul Museum of History), painted by Joseon Dynasty painters Lee Han-cheol and Yu Suk, with Van Gogh's self-portrait.\u003cbr\u003e It is interesting that the way this portrait is expressed closely resembles Van Gogh's self-portraits drawn in the mirror.\u003cbr\u003e Van Gogh's self-portraits show his face looking to the left or right, with the nose and ears in profile, but the eyes and lips closer to a frontal view.\u003cbr\u003e This gives the effect of staring straight ahead with such intensity that it overpowers the opponent even when the head is slightly turned. \u003cbr\u003eTo capture the two eyes looking straight ahead, van Gogh slightly widened the forehead and exaggerated it.\u003cbr\u003e\u003cbr\u003e ---From \"Portrait, Not Resembling the Appearance\"\u003cbr\u003e\u003cbr\u003e Van Gogh was interested in portraiture from his early days in the Netherlands.\u003cbr\u003e I sympathized with the desperate pain and suffering of farmers and miners working on the land.\u003cbr\u003e Furthermore, he recognized these lives as objects of religious salvation and poured his affection on them.\u003cbr\u003e He was also greatly influenced by Millet, whom he considered the greatest painter of his time.\u003cbr\u003e Van Gogh said, “If I were a gentleman living a wealthy life wearing fancy shoes, this indifference would really bother me.\u003cbr\u003e But I can get through it well because I wear wooden shoes,” he said, greatly agreeing with Millet’s attitude towards work.\u003cbr\u003e Also, through works like [The Gleaners] and [The Angelus], he sympathized with the lives of peasants and completely trusted the words of the peasant painter Millet, who said, “You must devote your heart and soul to art.”\u003cbr\u003e\u003cbr\u003e Van Gogh painted peasant portraits by Millet throughout his life. \u003cbr\u003eFrom his early pastel paintings [Peasant Woman Gleaners] (July-August 1885, Kröller-Müller Museum) such as [Peasant Digging] and [Peasant Digger] to his later oil paintings from his Provençal period such as [The Sower] (November 1888, Van Gogh Museum) and [Woman Binding Sheaves (copy of Millet)], these works are the result of his attempts to study painting by following Millet.\u003cbr\u003e Since then, he has continued to produce works in the form of drawings and oil paintings.\u003cbr\u003e Meanwhile, Van Gogh produced a large number of his own peasant portraits.\u003cbr\u003e\u003cbr\u003e ---From \"Genre Painting, Working People\"\u003cbr\u003e\u003cbr\u003e Van Gogh has been loved by many people more than anything else for his sunflower paintings.\u003cbr\u003e He enjoyed drawing so much that he considered it his own brand.\u003cbr\u003e He moved to Paris, France and then to Arles, where he expressed his aspirations in sunflower paintings.\u003cbr\u003e The sticky feeling of oil paint and the brushstrokes of dried and twisted flower petals seemed to go well with expressing Van Gogh's image. \u003cbr\u003eThat's how many masterpieces were born.\u003cbr\u003e Sunflowers are plants that grow in sunny locations and have strong reproductive capacity.\u003cbr\u003e It is also called 'flower of the sun' and 'flower of gold'.\u003cbr\u003e\u003cbr\u003e The sunflower painting started during my time in Paris.\u003cbr\u003e During his time in Paris, he painted two or three sunflowers on the ground with their ovaries fully ripe and their petals withered or dried, as in [Two Broken Sunflowers] (Summer 1887, Metropolitan Museum of Art).\u003cbr\u003e I drew a sunflower to match the blue background color that takes advantage of the complementary color contrast effect.\u003cbr\u003e In the expression of the sharp, falling petals, the breath of the freshly cut flower stem seems to have strongly tempted Van Gogh.\u003cbr\u003e\u003cbr\u003e ---From \"Sunflower Painting\"\u003cbr\u003e\u003cbr\u003e Van Gogh sought a new canvas to capture his moving wheatfield scene in Auvers.\u003cbr\u003e I painted several long landscapes on a 30-40 size canvas that is about 1 meter wide.\u003cbr\u003e It can be said to be a new form of Van Gogh's landscape paintings from his Auvers period. \u003cbr\u003eIn a 2:1 ratio, it is longer horizontally than the width of the canvas for the coast guard.\u003cbr\u003e It is a size and proportion that really suits the vastness of the European fields.\u003cbr\u003e I guess I never thought of this size when I was living in Provence, southern France, where the land was as wide and undulating as the sea.\u003cbr\u003e\u003cbr\u003e [Landscape with the Castle of Auvers at Sunset] (June 1890, Van Gogh Museum), [Wheatfield near Auvers] (June 1890, Austrian Museum), [Wheat Field] (July 1890, Beyeler Museum), [Farmhouses with Hills Behind] (July 1890, Tate Gallery, London), [View of Auvers in the Rain] (July 1890, National Museum, Cardiff), [Wheatfield Under a Cloudy Sky] (July 1890, Van Gogh Museum), [Wheatfield with Crows] (July 1890, Van Gogh Museum) are oil paintings measuring approximately 50×100cm.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Aubers-sur-Oise\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe World of Van Gogh as Seen by a Korean Art Historian\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eMeanwhile, 『Vincent van Gogh: The Man Who Stole the Eyes of God』 presents a new perspective on Van Gogh's work by interpreting it from the perspective of a Korean art historian.\u003cbr\u003e As is widely known, Van Gogh loved Japanese Ukiyo-e and even created his own painting style based on it.\u003cbr\u003e He also seems to have been interested in East Asian ink painting techniques.\u003cbr\u003e This is because there are many examples of people or landscape drawings from the Dutch or French era that were made using ink.\u003cbr\u003e However, since there was little cultural interaction between the Netherlands and Joseon at the time, the probability that he incorporated Joseon paintings into his work is very low.\u003cbr\u003e\u003cbr\u003e But surprisingly, when you look at his paintings, you find many similarities to Joseon Dynasty paintings.\u003cbr\u003e For example, Van Gogh's self-portraits and portraits are reminiscent of portraits of the literati, scholar-officials, and bureaucrats of the late Joseon Dynasty. \u003cbr\u003eLooking at the depiction style of Joseon Dynasty portraits, the pose is slightly tilted to the right, with both eyes and lips facing forward.\u003cbr\u003e This is interesting because it closely resembles Van Gogh's self-portrait drawn in a mirror.\u003cbr\u003e His self-portraits show his face looking to the left or right, with the nose and ears in profile, while the eyes and lips are closer to a frontal view.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Also, the intensity of complementary color contrast and the beauty of color that Van Gogh learned through Delacroix's paintings can be found in Korean art history.\u003cbr\u003e In particular, the complementary color contrast of green and red is a color combination that appears in Goguryeo tomb murals.\u003cbr\u003e It can be said to be the color of Korea, continuing from Goryeo Buddhist paintings and Joseon Buddhist paintings to Joseon Dynasty court colors and colored paintings.\u003cbr\u003e\u003cbr\u003e In this way, readers will be able to experience the joy of discovering aspects of Korean art in Van Gogh's work through 『Vincent Van Gogh: The Man Who Stole the Eyes of God』. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 15, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 268 pages | 902g | 178*225*25mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788960536654\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8960536652 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default 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