{"product_id":"140704","title":"After Haraway ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOREUOtQePH66iiMDqW.png?v=1764956065\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e After Haraway \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/149112578\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eAn experiment in what can be done after Haraway\u003c\/b\u003e \u003cbr\u003e- After Haraway, follow Haraway and read and think about the world to create better stories!\u003cbr\u003e\u003cbr\u003e A book in which Professor Kim Ae-ryeong of Ewha Womans University reads, writes, and compiles the texts of Donna Haraway, one of the most influential philosophers of modern times, “after Haraway, following Haraway” and “in a usable way.”\u003cbr\u003e In this book, the author focuses on “experimenting with what can be done after Haraway.”\u003cbr\u003e “I learned this while reading and writing Haraway, that there could be better stories than the ones that have dominated the world so far, and that those better stories could be the force that could change the world that is falling apart,” says the author. As one of those attempts, he ‘re-examines’ the writing-machine, surrogacy, and the restoration of Cheonggyecheon and the transformation of Nanjido into a park in the name of ‘ecology’, and sets out to create a different story.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e  \u003cli\u003eYou can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Introduction\u003cbr\u003e\u003cbr\u003e \u003cb\u003eRead Part 1\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Chapter 1: Cyborgs and Sisters\u003cbr\u003e 1.\u003cbr\u003e Cyborg Manifesto\u003cbr\u003e The Encounter of the 'Real' and the 'Formal'\u003cbr\u003e 2.\u003cbr\u003e The emergence of cyborgs\u003cbr\u003e \"We are cyborgs.\" │Background of birth? -? 'The illegitimate child of militarism and patriarchal capitalism' │A political myth 'faithful as blasphemy' to socialist feminism │Reverberations │Reading irony\u003cbr\u003e 3.\u003cbr\u003e Visualization strategies as writing technology\u003cbr\u003e Shapes │ Chronotopes │ Figurative Realism\u003cbr\u003e 4.\u003cbr\u003e Humble Witnesses of the Late Second Millennium\u003cbr\u003e Reading the Technological and Scientific World of the End of the Century │Email Addresses and Special Phrases │Humble Witness @The_Second_Millennium │The First Humble Witness: A Cyborg in the Rockland Hospital Laboratory │Female Human ⓒ_Meeting_AnkoMouseTM│Thread-threading and Diffraction\u003cbr\u003e\u003cbr\u003e [Supplement] Contextual Knowledge - \"When Metaphors Change\"\u003cbr\u003e\u003cbr\u003e Chapter 2. \u003cbr\u003eBuilding Another World - The Story of Shuruse\u003cbr\u003e 1.\u003cbr\u003e Companion Species Declaration\u003cbr\u003e A New Declaration, a New Protagonist │ From Cyborg to Companion Species │ Companion Species Declaration │ 'Precious Otherness'\u003cbr\u003e 2.\u003cbr\u003e When bell meets bell\u003cbr\u003e The Ethics of Multi-Species Relationships? - The Question of 'Responsibility' │The Cat's Perspective--Derrida's Starting Point │Animal Suffering and Ethical Responsibility │What Did Derrida Miss? - The 'Game of Response and Respect' │The Intersection of Biopolitics and Ecopolitics\u003cbr\u003e\u003cbr\u003e 3.\u003cbr\u003e Changing the Story, Rebuilding the World\u003cbr\u003e Changing the Story │ Living with Trouble - Staying Insecure │ Naming the Age of Trouble - Anthropocene, Capitalocene, Plantationocene │ The Xulucene │ Sympoiesis - Creating Together │ The Science Fiction of the Xulucene\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWriting Part 2\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Chapter 1 [Cyborg] Writing Machines and Gender \u003cbr\u003e“Women’s place is the typewriter” │ Kittler’s media theory and ‘recording system 1900’ - ? Gramophone, film, = and typewriter │ Writing machine and gender │ The status of writing machines │ “Our thoughts work together with our writing tools” │ Voice-letter-writing machine │ Kittler’s deembodied media theory and the écriture of gender │ Typewriter - a cyborg that exposes the false problem of deembodiment\u003cbr\u003e\u003cbr\u003e Chapter 2 [A Humble Witness] Commercial Surrogacy: A Humble Witness to Technological Biopower\u003cbr\u003e 'Google Baby' - The emergence of a global reproductive market │ The female body in the circuit of new reproductive technology │ Conditions for outsourcing reproduction │ Feminist perspectives on 'commercial surrogacy' │ 'Reproductive rights' │ The changing meaning of 'making a baby' and 'becoming a mother' │ Through the gap called 'commercial surrogacy' - Reading diffraction patterns │ 'Motherhood' in the technological biopower system\u003cbr\u003e \u003cbr\u003eChapter 3 [Postgender] Attempts at Transformation: The Writing Style of Feminist Science Fiction\u003cbr\u003e The Science Fiction Genre │ How did \"Boys' Entertainment\" become a \"Girls' Playground\"? │ Science Fiction and Cyborg Technology │ Who is James Tiptree Jr.? │ The World of Tiptree Jr. │ The World of Rakura Sheldon │ \"Postgender\" Writing and Attempts at Transformation │ The Practice of Science Fiction │ Genre and Gender Again\u003cbr\u003e\u003cbr\u003e Chapter 4 [Natural Culture] Cheonggyecheon, the City's \"NatureTM\"\u003cbr\u003e Ecology of Cheonggyecheon │ Historical turning points in Seoul's urban planning surrounding Cheonggyecheon │ The spatial representation of 'urban hygiene' │ 'Nature-ecology' as a point of contention │ The ecosystem of 'NatureTM'\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3: Tying\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Chapter 1 [Terrapolis] Encounter with the Unknown - The Parrot\u003cbr\u003e Chapter 2 [Sympoiesis] The Art of Awareness—The Oak Tree\u003cbr\u003e Chapter 3 [Compost] The Thick Present of Nanjido Landfill - Reeds and Yago\u003cbr\u003e\u003cbr\u003e Sources | References | Index\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eNeoliberal capitalism, the blind developmentalism that technology will solve all problems, the bleak future predictions of humanists regarding the spread of uncontrolled technology and environmental crises, and the negative narratives that take for granted the objectification and instrumentalization of all non-human beings still dominate and exert power in this world.\u003cbr\u003e There seems to be no outside in this bleak situation.\u003cbr\u003e But rather than focusing on dismantling bad old stories, Haraway suggests that we imagine building a better world by collecting and telling other good stories.\u003cbr\u003e To do this, we immerse ourselves in a game of stringing together critters on the ground and a tentacle-based puzzle that stimulates our imagination.\u003cbr\u003e So Haraway's writing makes us think about what we can do now, amidst the swirling troubles of a damaged Earth. \u003cbr\u003eAfter Haraway, following Haraway, I hope we can begin to change our stories, engage in the practical play of creating better stories, spreading them, and building a better world. And I hope that all of this is not just a vague, optimistic hope.\u003cbr\u003e We need better stories, because we know that this world, dominated by bad old stories, is no longer sustainable.\u003cbr\u003e\u003cbr\u003e --- From \"Introductory Remarks\"\u003cbr\u003e\u003cbr\u003e For Haraway, form itself is a methodology.\u003cbr\u003e Although Haraway himself is reluctant to embrace the category of 'methodology', each form has its own research methodology. \u003cbr\u003eThus, to read Haraway's texts usefully, with their complex rhetorical devices and unfamiliar style, \"the reader must engage with Haraway's world of suggestive, contradictory, and distorted figures and its overabundant referential systems\" (Harrasser, 2011: 586). This is a surprisingly attractive invitation.\u003cbr\u003e After the ambivalent response to the \"Cyborg Manifesto,\" Haraway introduces the \"sisters\" of cyborgs in \"Humble Witness @ The Second Millennium. Meet the Female Human ⓒ Anko Mouse TM,\" providing a more in-depth explanation of the background of writing technology and the meaning of figurative work.\u003cbr\u003e In this book, titled \"Email Address,\" she explains her investigative strategy, introducing the background of the cyborg figure and attempting to expand or replace it through sister figures.\u003cbr\u003e\u003cbr\u003e --- From \"Chapter 1, Part 1, Cyborg and Sisters\"\u003cbr\u003e \u003cbr\u003eHaraway's cyborg figure, first proposed in 1985, is transformed and expanded within the new temporal topos of the second millennium.\u003cbr\u003e Since the \"Cyborg Manifesto,\" the widespread dominance of information technology and genetic biotechnology has promoted the growth of cyborgs.\u003cbr\u003e Cyborgs now reside within a chronotope called 'technobiopower'.\u003cbr\u003e Haraway depicts the world of the second millennium through the eyes of a cyborg, a lab rat implanted with an osmotic pump.\u003cbr\u003e “Cyborg anthropology attempts to provocatively reimagine the relationship at the boundary between particular humans, other organisms, and machines.” (Haraway, 2018: 52) In this shift of perspective, Haraway encounters the cyborg sisters who bear special codes.\u003cbr\u003e Haraway adopts FemaleManⓒ as her 'substitute, surrogate, sister'. \u003cbr\u003e'The female man' is a figure taken from Joanna Russ's science fiction novel of the same name.42\u003cbr\u003e This figure lives “after the implosion of information science, life science, and economics.”\u003cbr\u003e Female Humanⓒ shows the 'after' life takes the form of a commodity.\u003cbr\u003e --- From \"Chapter 1, Part 1, Cyborg and Sisters\"\u003cbr\u003e\u003cbr\u003e Haraway argues that an ethical relationship with animals presupposes that animals are 'responsive' beings, and therefore minimizing cruelty is not enough.\u003cbr\u003e Responsibility demands more than that.\u003cbr\u003e It must go beyond sympathy or pity and include recognition and respect for the dignity of the other person.\u003cbr\u003e It is the responsibility of human actors to share in the suffering that must be endured by those who are capable of responding and who deserve respect. \u003cbr\u003eIf killing is inevitable or even required, even though it is neither good nor justifiable, Haraway argues that a responsibility to share in the suffering within that specific, situated practice is necessary.\u003cbr\u003e --- From \"Chapter 2, Part 1: Building Another World - The Story of Soluse\"\u003cbr\u003e\u003cbr\u003e Haraway used 'diffraction' as a visual metaphor to express critical consciousness.\u003cbr\u003e Situational knowledge that starts from the position of a humble witness does not ‘reflect’ the situation, but ‘diffracts’ it.\u003cbr\u003e A 'diffraction pattern' records 'the history of interaction, interference, reinforcement, and difference' created by light rays scattered through small slits (Haraway, 2005: 170). \u003cbr\u003eWhat diffraction patterns are recorded as we pass through the eyes of a humble witness to the technological biopower regime known as \"commercial surrogacy\"? Under this technological biopower regime, commercial surrogacy becomes, in the most dramatic way, a body-site where the old order and the cutting-edge order intersect.\u003cbr\u003e Through the bodies of commercial surrogates, the possibilities and expectations of new reproductive technologies, as well as the objectification and exploitation of women's bodies, are simultaneously realized.\u003cbr\u003e In that sense, the humble witness's perspective as a 'commercial surrogate' provides contextualized knowledge that starts from the most peripheral position.\u003cbr\u003e\u003cbr\u003e Commercial surrogacy sits on the fringes of what is acceptable in assisted reproductive technology.\u003cbr\u003e Assisted reproductive technologies within that boundary are generally considered 'normal' and acceptable, and do not raise any moral or legal concerns. \u003cbr\u003eCommercial surrogacy, on the other hand, presents a difficult problem to solve, a difficult choice to decide on, and a highly controversial issue.\u003cbr\u003e If we were to write the narrative of technological biopower from the perspective of this humble, peripheral witness, what diffraction patterns might emerge?\u003cbr\u003e --- From \"Part 2, Chapter 2: Commercial Surrogacy, a Humble Witness to Technological Biopower\"\u003cbr\u003e\u003cbr\u003e Not only Russ, but also other feminist writers who devoted themselves to science fiction in the 1970s utilized science fiction as a feminist narrative strategy, believing that it could be a powerful weapon for the feminist imaginary project and “an inevitable first step toward the cultural and social transformation that would achieve the feminist political project.”63 \u003cbr\u003eAnd while reading their science fiction, Haraway saw that their imagination could serve as a critical and reflective reference point for the rapidly changing reality, and actively utilized that perspective to propose a new feminist politics called 'cyborg feminism.'\u003cbr\u003e From its origins in the ghetto of \"boys' entertainment,\" science fiction has become an alternative narrative strategy for feminist literature and the starting point for a new feminist politics. For this reason, female writers have had to transform the \"system of discursive properties\" of the science fiction genre.\u003cbr\u003e How have feminist writers utilized the science fiction genre, both in response to and attempting to change its conventions? How has science fiction become a \"cyborg technology\" that dismantles gender binaries?\u003c\/div\u003e\n\u003cdiv\u003e --- From \"Part 2, Chapter 3: Attempts at Transformation - Writing Styles of Feminist SF\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003eHaraway reveals questions and thoughts by creating and utilizing various terms, (......) and is wary of generalizations that skip over the specificity of the situation.\u003cbr\u003e While trying not to be captured by categorizations that sharply separate the murky and opaque reality of reality, I try to show what happens in that reality, who benefits and who suffers, by carefully examining how it occurs within some complex network of connections.\u003cbr\u003e By not forgetting this simple question, “For whom?” (Cui bono?), we try not to avoid responsibility for that reality.\u003cbr\u003e Therefore, her text cannot be faithfully read in a way that grasps and analyzes systematic theory.\u003cbr\u003e Following Haraway, this book seeks to read, write, and weave her texts in accessible ways.\u003cbr\u003e \u003cbr\u003eThe book's greatest interest lies in how we can apply the inspiration, insights, and ideas from Haraway's writings to our own circumstances, here and now.\u003cbr\u003e So, to put it in Haraway's terms, I dream of participating in a game of string figures, where I take a single strand of thread and weave it into something new and pass it on to someone else.\u003cbr\u003e The game of thread making involves creating shapes with thread strands and telling stories through those shapes.\u003cbr\u003e A game where there is no winning or losing, a creative intervention, an experimental weaving, a playful smile, a small clue that is not missed and tries to be passed on to someone else. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e July 15, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 360 pages | 452g | 140*210*25mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791192128603\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1192128605 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894385672234,"sku":"140704","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/59c6f6438f1590aa61e5e6aaf843882a.jpg?v=1765432242","url":"https:\/\/librairie.coreenne.fr\/en\/products\/140704","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}