{"product_id":"140785","title":"Christian Petzold ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOQgR9Uxo6l3fUYtQZV.png?v=1764979895\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Christian Petzold \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/164652913\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“His films are closest to the essence of cinema.”\u003cbr\u003e ?Film director Lee Chang-dong\u003cbr\u003e\u003cbr\u003e Christian Petzold's\u003cbr\u003e Korea's first book containing words and writing\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The first Korean book containing the words and writings of director Christian Petzold, who gained international fame through films such as “Phoenix,” “Undine,” and “Afire,” has been published by Maumsanchaek.\u003cbr\u003e Christian Petzold is a representative figure of contemporary German cinema and has been evaluated as “Germany’s most notable director since 1989” (Senses of Cinema). \u003cbr\u003eAs the successor to German auteur films following in the footsteps of Wim Wenders, Rainer Werner Fassbinder, and Werner Herzog, he has also been introduced in Korea through numerous special exhibitions and has gained support from art film fans.\u003cbr\u003e\u003cbr\u003e This book, Christian Petzold, covers Petzold's entire filmography, from his 1994 feature debut, Pilot, to his 2023 film, Afire.\u003cbr\u003e Based on a six-year conversation with French film critic Louise Dumas, this book delves into Petzold's cinematic world, exploring his historical heritage as a German, his collaborations with female actors including Nina Hoss and Paula Beer, themes of \"transition\" and \"drifting,\" and his way of working across screen and television.\u003cbr\u003e At the end of each chapter, director Petzold himself writes an essay, allowing readers to delve deeper into his political, social, and aesthetic perspectives. Over 60 photographs provide a glimpse into Petzold's cinematic world.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cul\u003e\u003cli\u003eYou can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Preface | Louise Dumas\u003cbr\u003e\u003cbr\u003e Sights of Germany\u003cbr\u003e First conversation\u003cbr\u003e Zombies of the Land of Reincarnation | Christian Petzold\u003cbr\u003e\u003cbr\u003e survivor\u003cbr\u003e Second conversation\u003cbr\u003e The Unfaithful Woman | Christian Petzold\u003cbr\u003e\u003cbr\u003e implementation\u003cbr\u003e Third conversation\u003cbr\u003e Monopole: Solingen | Christian Petzold\u003cbr\u003e\u003cbr\u003e Artists and craftsmen\u003cbr\u003e Fourth conversation\u003cbr\u003e Mediation Conference | Christian Petzold\u003cbr\u003e\u003cbr\u003e From the origin\u003cbr\u003e Fifth conversation\u003cbr\u003e The Child in Prison | Christian Petzold\u003cbr\u003e\u003cbr\u003e Conclusion | Louise Dumas\u003cbr\u003e\u003cbr\u003e Translator's Note\u003cbr\u003e annual report\u003cbr\u003e Filmography\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate6081\/MidCate001\/608004335.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The ancient, the mythical, the secret lies beneath its surface.\u003cbr\u003e The movie shows this wonderfully.\u003cbr\u003e --- p.66\u003cbr\u003e\u003cbr\u003e One day, I heard him doing several interviews, and he was asked a similar question to mine. \u003cbr\u003e“Why are your protagonists almost always women?” Chabrol replied.\u003cbr\u003e “Men live, women survive.\u003cbr\u003e The film focuses on people trying to survive.”\u003cbr\u003e --- p.82\u003cbr\u003e\u003cbr\u003e They believed that the scenario had pure exchange value.\u003cbr\u003e This belief has resulted in poor movies.\u003cbr\u003e This is also an American film.\u003cbr\u003e --- p.106\u003cbr\u003e\u003cbr\u003e This invisible door, the movie theater in the shopping center that we pass by without seeing, these two exist together.\u003cbr\u003e That's why I like movies that draw us into small cracks that we can squeeze into, rather than movies that open a big door and start.\u003cbr\u003e --- p.139\u003cbr\u003e\u003cbr\u003e I'm very interested in crime.\u003cbr\u003e Crime contains a desire for liberation.\u003cbr\u003e I want to get out of this relationship, I want to get rich, I want to leave this town… … .\u003cbr\u003e But because I don't want to be patient, I end up committing a sin. \u003cbr\u003eBut how should we handle that?\u003cbr\u003e --- p.148\u003cbr\u003e\u003cbr\u003e Films are particularly well-suited to observing how guilt works.\u003cbr\u003e How can we eliminate this wrongdoing, how can we suppress it? These are all activities the film observes.\u003cbr\u003e --- p.159\u003cbr\u003e\u003cbr\u003e What we were taught to emulate was not Sidney Lumet's films, but the 90-minute format, processed to a standard.\u003cbr\u003e And it was very unsettling to see this standardized playwriting approach being accepted by some of my fellow students.\u003cbr\u003e --- p.185\u003cbr\u003e\u003cbr\u003e We are looking for warmth, not advice.\u003cbr\u003e This is what I call the essence of drift.\u003cbr\u003e --- p.190\u003cbr\u003e\u003cbr\u003e If you think about it, a story has some similarities to a house.\u003cbr\u003e A house must stand on its own and have some elements even in the corners. \u003cbr\u003eAnd actors need to have a history (not a story, but a history) that they can physically embody.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.209\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e“The film is conscious of loss,\u003cbr\u003e “You can leap forward when you take up the topic”\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Christian Petzold is considered a representative figure of the 'Berlin School' in the history of German cinema.\u003cbr\u003e In the late 1980s, with the fall of the Berlin Wall, works attempting to imitate American films began to appear in the German film industry.\u003cbr\u003e Unlike a series of films that attempted to ignore the massive event of the Holocaust and the guilt it left behind, the Berlin School cineastes that emerged in the early 2000s focused on \"German\" themes that were distinct from mainstream Hollywood films.\u003cbr\u003e\u003cbr\u003e Among them, Christian Petzold is a director who is clearly aware of the fact that “mainstream German films are embarrassed to use Germany as a setting.” \u003cbr\u003eFor Petzold, cinema is an art that “looks to the future but always to the past,” and facing the past and reconstructing the future from its ruins becomes a central task of his films.\u003cbr\u003e Christian Petzold shows how deeply Petzold contemplates his origins and his place as a German male cinematographer.\u003cbr\u003e\u003cbr\u003e I am German and was born in the early 1960s.\u003cbr\u003e This means that I grew up in a story of the greatest oppression imaginable.\u003cbr\u003e There was a colossal mistake, an abyss called German fascism.\u003cbr\u003e People tried to suppress this false history.\u003cbr\u003e I try to go back to its origins through film.\u003cbr\u003e _From \"German Sights\"\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA film about drifting after exile,\u003cbr\u003e Noir with Color\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThe keywords that run through Petzold's filmography, which includes his representative works well known to international film fans, as well as television films and drama series that are still unfamiliar in Korea, are 'drifting' and 'transition.'\u003cbr\u003e His characters are adrift, “either on the run after committing a crime (Pilot, Wolfsburg), in exile (The Country I Belong To, Barbara, Transit), yearning for a fantasy place (Cuba Libre), or denying the cruel reality (Phoenix).”\u003cbr\u003e The motif of drifting that Petzold presents continues in his latest work, Mirror No. 3, which deals with the time he spends at the home of an unknown woman immediately after a car accident.\u003cbr\u003e\u003cbr\u003e In the book, Petzold says that “we all fear and desire drifting, finding ourselves drifting, stepping out of line.” \u003cbr\u003eThe drift away from the everyday is the moment when the character discovers forgotten desires and the story of Petzold's film begins.\u003cbr\u003e\u003cbr\u003e Why do we so passionately read these works, which depict the downfall of a character? Because these characters are consumed in their downfall, and we can warm ourselves through their embers.\u003cbr\u003e We are looking for warmth, not advice.\u003cbr\u003e This is what I call the essence of drift.\u003cbr\u003e _From \"Origin\"\u003cbr\u003e\u003cbr\u003e The motif of 'drifting' is also connected to the way Petzold positions himself within the history of German cinema.\u003cbr\u003e German film directors such as Fritz Lang and Edgar Ulmer, who left Germany during the Nazi regime and continued working in Hollywood, were “deeply influenced by the experience of exile” and created the film noir genre, characterized by strong black and white contrasts. \u003cbr\u003ePetzold calls his films, which follow in that lineage, “color noir.”\u003cbr\u003e This book is filled with the director's vivid desire to renew the future through films that observe exile and transition, drift and loss. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 15, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 248 pages | 322g | 133*200*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788960909595\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8960909599 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894927130666,"sku":"140785","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/4824ff0cbb2897eedaf3e028af422cfe.jpg?v=1765451860","url":"https:\/\/librairie.coreenne.fr\/en\/products\/140785","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}