{"product_id":"141327","title":"A new child is coming ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOAnlFtwgJJCLPxgzwB.png?v=1764957658\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e A new child is coming \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/95377387\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eTo communicate with children who are natives of the digital age,\u003cbr\u003e First, adults' perspective on the world must change.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \"A New Child Comes\" contains several very important questions to explore.\u003cbr\u003e These days, children are increasingly distancing themselves from books.\u003cbr\u003e Trapped in the world of digital images, we avoid writing.\u003cbr\u003e How can we bring children into the world of reading?\u003cbr\u003e In this digital age where images reign supreme, we are exploring various perspectives on how children can enjoy the joy of reading.\u003cbr\u003e In order to communicate with children, who are natives of the digital age, adults must first change their perspective on the world. \u003cbr\u003eWe take an in-depth look at the limitations of the stereotypes that adults have when communicating with children these days.\u003cbr\u003e After going through this process, I analyzed the language used by children's characters that adults previously could not accept, and explored various aspects of how adults should accept this language and how they should let go of authority and communicate with children, crossing over movies, philosophy books, and children's literature.\u003cbr\u003e Lee Jae-bok, the children's literature critic who wrote this book, runs a fantasy creative writing school and spends a lot of time critiquing the works of authors.\u003cbr\u003e There's always a lot of discussion in creative settings about how we can tell stories that enter into the world of children, who are natives of the digital age, while using language that connects them to their inner selves. \u003cbr\u003eBecause the authors reflect on the field records of their efforts to enter children's lives and become soulmates, the examples and points of controversy are richly imbued with the current reality of the here and now.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Starting with 6\u003cbr\u003e Chapter 1: Children in the Digital Age Communicate Through Image Language 11\u003cbr\u003e Chapter 2: Reversing the Negative Image of Mothers Who Force Anxiety on Children 35\u003cbr\u003e Chapter 3: A Child Poet Who Doesn't Get Trapped in a Double Bind: The Emergence of a New Character\u003cbr\u003e -Question 71 posed by the cruel poem\u003cbr\u003e Chapter 4: Child Characters Who Break the Patriarch's One-Way Authority 103\u003cbr\u003e Chapter 5: The Power of Affirmation in Modern Fairy Tale Characters Who Acknowledge Differences in Desire 125\u003cbr\u003e Chapter 6: Young Cyborg Alices Ushering in the Era of Science Fiction and Fantasy 149\u003cbr\u003e Chapter 7: The world is covered with a forest of symbols and codes.\u003cbr\u003e -The Practice of Reading Folk Tales 183 \u003cbr\u003eChapter 8: Kwon Jeong-saeng and North Korean Children's Literature 203\u003cbr\u003e Coming out 220\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate3314\/MidCate007\/331368492.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The images pouring out of digital devices are so powerful.\u003cbr\u003e To put it metaphorically, it would be a good idea to say that it captivates children's five senses.\u003cbr\u003e Once you get into this, it's not easy to get out.\u003cbr\u003e The younger the child, the more likely it is that the large number of image symbol elements from digital devices will completely dominate their cognitive structure, making them indifferent or insensitive to images of ordinary objects in everyday life.\u003cbr\u003e A child accustomed to strong stimuli will find it difficult to understand, sense, and resonate with the sounds and tremors of color produced by countless delicate and minute beings.\u003cbr\u003e\u003cbr\u003e --- p.17\u003cbr\u003e\u003cbr\u003e The most unfortunate thing is that parents force their newborn children to watch digital videos without any reason. \u003cbr\u003eThe cognitive problems that arise when children are exposed to digital images too early should be seriously considered.\u003cbr\u003e --- p.20\u003cbr\u003e\u003cbr\u003e A mother's one-sided devotion prevents the child from becoming the subject.\u003cbr\u003e Parents who are usually trapped in family-centered culture forget this.\u003cbr\u003e For a child, the mother is a dual object that evokes feelings of both attachment and separation.\u003cbr\u003e It is the object of love and affection, but it is also the object of fear and anxiety, fearing that one will be forever captivated by that mother and never be able to escape.\u003cbr\u003e --- p.54\u003cbr\u003e\u003cbr\u003e The child is in a dilemma at this point.\u003cbr\u003e He already felt through meta-messages that his mother did not love him, but she kept coming at him as if forcing herself to say that she loved him, so he couldn't reject her and after much thought, he decided to accept her fake feelings because he still wanted to maintain a good relationship with her. \u003cbr\u003eAs this forced relationship repeats itself, the child falls into one very serious situation.\u003cbr\u003e If a child touches on the realm of hidden emotions by saying, \"Mom, you don't love me right now,\" the mother will quickly punish the child or give him some other reason, saying, \"You're mistaken.\u003cbr\u003e You will try to persuade the child by saying, 'You are making a wrong decision now.'\u003cbr\u003e\u003cbr\u003e --- p.78\u003cbr\u003e\u003cbr\u003e It is not yet possible to completely separate from the imaginary space that existed before the ego was formed and when the baby was completely one with the mother.\u003cbr\u003e So the child wants to sleep with his mother a little longer.\u003cbr\u003e But at a cultural level, the child is absolutely rebelling against the mother.\u003cbr\u003e The concept of family (home), which is the basis of maternal ideology, is a product of modern times.\u003cbr\u003e In the 1990s, the concept of the middle class was put into operation in our children's literature, and the concept of family was further strengthened. \u003cbr\u003eIn the era of neoliberalism, the concept of family has become more closed, secretive, and private, as it has merged with modern education that emphasizes academic background.\u003cbr\u003e In the closed space called home (family), the mother must be an example of absolute self-management, never giving up, and must also be a watchdog who must constantly manage her child.\u003cbr\u003e In order to incorporate a child into the system of academic elitism, the mother must first hide her own desires or show herself to be castrated.\u003cbr\u003e Mothers must fulfill a double and triple role, controlling their children in the name of protection and love for their children's happiness, and even using patriarchal language that enforces logic that castrates the children's desires.\u003cbr\u003e Of course, there are exceptions, but I think this is a common situation for Korean mothers.\u003cbr\u003e\u003cbr\u003e --- p.106\u003cbr\u003e \u003cbr\u003eIn \"My Friend Winn-Dixie,\" the mother abandons her child (Opal).\u003cbr\u003e In a way, the mother prioritized her own desires and took away Opal's right to love her.\u003cbr\u003e In some way, the mother is abusing the child.\u003cbr\u003e Because of this, Opal became a child destined to live with a longing for her mother.\u003cbr\u003e Many writers and mother readers will ponder the moral issues surrounding a mother abandoning her child.\u003cbr\u003e This primary emotion drives writers to write sentences dominated by language of sympathy and compassion when depicting the lives of isolated children without parents. Their perspective on existence is prioritized over moral judgment.\u003cbr\u003e Because we look at a child whose parents have left with a feeling of pity, it is natural that the sentence is depressing, but it is difficult for it to go beyond the level of being instructive and enlightening. \u003cbr\u003eIsn't it, in a way, arrogant to view a being with pity or compassion? The perspective that views the language of pity and compassion only in a positive light needs to be reconsidered.\u003cbr\u003e Politicians cosplay as sympathizers.\u003cbr\u003e Cosplay should not be confused with authenticity and sympathy.\u003cbr\u003e Cosplaying as sympathy is nothing more than a highly abstract, conceptual, and intentional act of wanting to drastically reduce the gap with some other person.\u003cbr\u003e\u003cbr\u003e --- p.128\u003cbr\u003e\u003cbr\u003e He was a useless being.\u003cbr\u003e So, these oncomouses and female humans are the actual living cyborg species that cannot help but exist in an unsaved state because they do not know the history of salvation.\u003cbr\u003e Women who seek to overthrow the male-centered ruling order cannot help but break away from the existing history of salvation. \u003cbr\u003eOncomous and female humans are also called “mediums of infection that contaminate the natural subject” (Humble Witness, p. 249).\u003cbr\u003e In the world created by God, there was a sacredness of nature.\u003cbr\u003e There was a sacredness to life.\u003cbr\u003e “The purity of the race, the purity of all kinds, the great white hope of a heliocentric enlightenment for a truly indigenous Europe, the dream of man’s own creation, the ultimate control of natural others for the sake of a single good—all these things” (ibid.).\u003cbr\u003e (Page 250) It was broken by the Oncomouse, a ‘hybrid mouse’, and the female human, a ‘fictional human who is not human’.\u003cbr\u003e They mixed everything together to create a hybrid.\u003cbr\u003e The boundaries between species that had been separated by purely natural subjects have been completely overcome.\u003cbr\u003e It has transcended all taxonomic boundaries and has also contaminated male-dominated family lines. \u003cbr\u003eThe work of creating a new world is science fiction, and the discourse that deals with who can be a citizen and who can be an intermediary in this world is the theme of the world that science fiction pursues.\u003cbr\u003e Oncomouse and female humans may be the most symbolic protagonists of a new world on the path to a cyborg world since the modern era.\u003cbr\u003e Here, let's read together Kwon Jeong-saeng's last work, the science fiction work \"Langrangbyeol Ttaettaerong.\"\u003cbr\u003e The story I will tell from now on has a very important meaning in relation to the question of how we should view Kwon Jeong-saeng's literature.\u003cbr\u003e When an author leaves this world, his work remains as a legacy of human culture.\u003cbr\u003e We must cherish this cultural heritage, enjoy it in every way we can, and continually use it as material and fuel for today's storytelling. \u003cbr\u003eSo, one writer must be willing to be eaten by the next generation of writers.\u003cbr\u003e In some way, we must summon Kwon Jeong-saeng, link his works, words, and traces of life with various other things, and create a new storytelling from them.\u003cbr\u003e The storytelling that emerges at this time should not be accepted as valuable only in the language that idolizes the writer Kwon Jeong-saeng.\u003cbr\u003e As Haraway said earlier, we must be able to have diverse discussions while enduring the tense tension that comes from acknowledging both sides of the same unchangeable perspective on existence, which is to say, seeing all incompatible beings as true beings.\u003cbr\u003e At such times, both entities will be able to reveal their inherent, deep meaning and resonance.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- pp.162~163\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003eThe structure of the world children live in today is very different from the past.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Today's children are literally natives of the world of science fiction and fantasy, born into the digital age's dominant world of science fiction and fantasy, and accept this world as another reality.\u003cbr\u003e The language and thought processes used by these indigenous people are clearly different from those of adults who have been taught to be diligent and diligent and to find the right answer.\u003cbr\u003e Children, natives of the digital age, are the “new children” that adults have never experienced before.\u003cbr\u003e Many parents and those at school say that it is very difficult to communicate with these children.\u003cbr\u003e In reality, there are many teachers who leave the school field. There are many reasons, but ultimately, it is because they find it difficult to communicate with children.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThere will be differences in how children, who are natives of the digital age, view the world and adults of the previous generation who received a modern education.\u003cbr\u003e Today's children are exploring a world that is broader and deeper than the traditional, visible concept of reality, where the magic of mythical times and the science of science fiction merge.\u003cbr\u003e For adults who communicate with children today, magic is difficult and science is also difficult.\u003cbr\u003e The countless worlds of science fiction and fantasy that these two create together seem even more dazzling and complex.\u003cbr\u003e This book was designed with the intention of providing teachers and parents with some help in communicating with the new generation of children who are natives of the digital age. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e November 13, 2020\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 228 pages | 362g | 148*210*15mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791197207907\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1197207902 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43894466019370,"sku":"141327","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/780ff5822dbe8269cb3c8686eeae1685.jpg?v=1765433996","url":"https:\/\/librairie.coreenne.fr\/en\/products\/141327","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}