{"product_id":"141657","title":"Audacious History of Modern Art ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOAqBn7U7hDX7VpYQ1p.png?v=1764869002\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Audacious History of Modern Art \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/14752204\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eFrom the dawn of modern art, which began with 19th-century Impressionist works, to contemporary art, which continues with Andy Warhol's \"Campbell's Soup Cans\" and Damien Hirst's \"Shark,\" the stories hidden in masterpieces are vividly told through the eyes and mouths of the artists.\u003cbr\u003e Will Gomperts' art history lectures, which flow naturally with the narrative flow, help readers understand modern art, which was once difficult to understand, with much greater ease.\u003cbr\u003e\u003cbr\u003e During his seven years as director of the Tate Gallery, a world-renowned modern art museum, author Will Gomperts constantly saw visitors simply staring blankly at the artworks on display, shaking their heads and turning away.\u003cbr\u003e Even Sir Nicholas Serota, the director of the world-renowned Tate Gallery in London, is sometimes at a loss.\u003cbr\u003e\u003cbr\u003e He says this reaction to modern art is natural. \u003cbr\u003eHowever, this does not mean that we can dismiss all modern art as fraud and give up appreciating it.\u003cbr\u003e Will Gomperts says that to understand and enjoy modern or contemporary art, rather than trying to evaluate whether it has value as a work of art, we must first understand the process by which such a work was created.\u003cbr\u003e\u003cbr\u003e He also says that contemporary art is like a game, and even if it seems incomprehensible at first glance, it can be approached much more easily if you know the basic rules and regulations.\u003cbr\u003e The rules and regulations of this time can be inferred through the history of modern art.\u003cbr\u003e For this reason, in this book, he illuminates 150 years of modern art history, encompassing the cultural, political, and social backgrounds of the time.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Author's Note | Introduction |  \u003cbr\u003e01 Why Duchamp signed the urinal \"Mutt\"_ \"Fountain\", 1917\u003cbr\u003e 02 Young Painters Who Went Out_Before Impressionism, 1820-1870\u003cbr\u003e 03 Capturing a Fleeting Moment_Impressionism, 1870-1890\u003cbr\u003e 04 Leaving the Impressionist Nest_Post-Impressionism, 1880–1906\u003cbr\u003e 05 The Man Who Changed the Art World_Cézanne, 1839-1906\u003cbr\u003e 06 Primordial Cry_Primitivism, 1880-1930\/Fauvism, 1905-1910\u003cbr\u003e 07 Dissecting and Reassembling the Plane_Cubism, 1907–1914\u003cbr\u003e 08 New Showman Marinetti_Futurism, 1909-1919\u003cbr\u003e 09 Kandinsky, who drew echoes_Kandinsky\/Orphism\/Déuil Reiter, 1910-1914\u003cbr\u003e 10 Russian Geniuses_Absolutism\/Constructivism, 1915–1925\u003cbr\u003e 11 Mondrian's Red, Blue, Yellow_Neoplasticism, 1917-1931\u003cbr\u003e 12 Republic of Intellectuals_Bauhaus, 1919–1933\u003cbr\u003e 13 Flying Youth in the Art World_Dadaism, 1916-1923\u003cbr\u003e 14 Mysterious, Strange, and Eccentric Art_Surrealism, 1924-1945  \u003cbr\u003e15 Bold gestures and emotional brushstrokes_Abstract Expressionism, 1943-1970\u003cbr\u003e 16 Art as a Commodity_Pop Art, 1956-1970\u003cbr\u003e 17. A Head-on Clash of Ideas_Conceptual Art\/Fluxus\/Arte Povera\/Performance Art_After 1952\u003cbr\u003e 18 Untitled_Minimalism, 1960-1975\u003cbr\u003e 19 Imitation_Postmodernism, 1970-1989\u003cbr\u003e 20 Artists Who Made Themselves Brands_Art Today, 1988-2008-Present\u003cbr\u003e Acknowledgments | Locations by Work | List of Plates | Index\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e P.15: Everyone, including new viewers, faces the challenge of ‘understanding’ when encountering unfamiliar works.\u003cbr\u003e Even prominent artists, curators of prestigious academic institutions and museums are no exception.\u003cbr\u003e Anyone can be bewildered when they see a painting or sculpture that has just come out of the studio and into the world. \u003cbr\u003eEven Sir Nicholas Serota, director of the world-renowned Tate Gallery in London, sometimes feels at a loss.\u003cbr\u003e One time, he confessed to me that he felt a little 'intimidated' when he saw a new piece in the studio.\u003cbr\u003e “There are many times when I can’t think of anything.\u003cbr\u003e “It’s also frustrating.” If even a world-renowned authority in the contemporary art world is like this, what more could one expect of the rest? --- From “Introduction”\u003cbr\u003e\u003cbr\u003e P.27: Duchamp began to question all kinds of media, including canvas, marble, wood, and stone.\u003cbr\u003e The means limited the way in which the work could be created.\u003cbr\u003e It was always the first issue to consider.\u003cbr\u003e Only after the artist has decided on the means can he express his imagery through painting, sculpture, or drawing.\u003cbr\u003e Duchamp, who wanted to change this order, postponed the means until later.\u003cbr\u003e I placed the first priority on the image. \u003cbr\u003eOnce you have decided on an image and developed it, only then do you decide on the means.\u003cbr\u003e At this time, the means must be those that can most successfully express the imagery chosen by the writer.\u003cbr\u003e If it's a urinal, you can just take it and use it.\u003cbr\u003e Essentially, Duchamp's argument was that anything could become art if the artist so desired.\u003cbr\u003e ---From \"Why Duchamp Signed the Urinal 'Mutt'\"\u003cbr\u003e\u003cbr\u003e And even if the painting is a typical depiction of urban life in the late 19th century, the harmonious landscape, simple, repeated geometric shapes, and muted shades are reminiscent of the Renaissance.\u003cbr\u003e The figures, which appear to be statuesque, are reminiscent of an even older era.\u003cbr\u003e I'm talking about ancient times, like Egypt, where mythological scenes were carved into stones and used to decorate buildings and interior spaces. \u003cbr\u003eAlthough similarly stylized, Seurat's painting has a 'modern' element.\u003cbr\u003e Pointillism heralds the digital age using pixels.\u003cbr\u003e Geometric combinations reveal the product's modern design.\u003cbr\u003e There are similarities between Seurat's paintings and Ive's Apple products.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Escape from the Impressionist Nest\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe one book that will blow away your fear of museums!\u003cbr\u003e Tate Gallery Director Will Gomperts's Storytelling on Modern Art\u003cbr\u003e\u003cbr\u003e Handy without the dense annotations and lengthy lists of materials.\u003cbr\u003e Moments of the Big Bang of Modern Art Vividly Unfold\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e “There are already many excellent contemporary art history books on the market.\u003cbr\u003e I have no intention of comparing it to such orthodox academic books.\u003cbr\u003e If I had one ambition, it was to write an objective and vivid book.\u003cbr\u003e The story about modern art is very cool. \u003cbr\u003e“I hope that if readers read this book and go to a modern art museum, they will feel less scared and more interested than before.” From “Author’s Note”\u003cbr\u003e\u003cbr\u003e \"A Bold History of Modern Art\" covers the birth of modern art, starting with the 19th-century Impressionist works, and continues with contemporary art, including Andy Warhol's \"Campbell's Soup Cans\" and Damien Hirst's \"Shark,\" vividly telling the stories hidden in masterpieces through the eyes and mouths of the artists themselves.\u003cbr\u003e Will Gomperts' art history lectures, which flow naturally with the narrative flow, help readers understand modern art, which was once difficult to understand, with much greater ease.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWhat are you looking at?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Interest in contemporary art is also growing in our country. \u003cbr\u003eLast year, world-renowned contemporary artists such as Takashi Murakami, Jeff Koons, and the Chapman Brothers (Dinos Chapman and Jake Chapman) visited Korea, and this year's 'Yayoi Kusama Exhibition' also attracted a large crowd.\u003cbr\u003e But what are they really seeing?\u003cbr\u003e\u003cbr\u003e \"What are you looking at?\" is a book that provides an answer to this very question.\u003cbr\u003e During his seven years as director of the Tate Gallery, a world-renowned modern art museum, author Will Gomperts constantly saw visitors simply staring blankly at the artworks on display, shaking their heads and turning away.\u003cbr\u003e Even Sir Nicholas Serota, the director of the world-renowned Tate Gallery in London, is sometimes at a loss.\u003cbr\u003e The author says that this kind of reaction to modern art is natural. \u003cbr\u003eHowever, this does not mean that we can dismiss all modern art as fraud and give up appreciating it.\u003cbr\u003e\u003cbr\u003e Will Gomperts says that to understand and enjoy modern or contemporary art, rather than trying to evaluate whether it has value as a work of art, we must first understand the process by which such a work was created.\u003cbr\u003e For example, in the case of Canadian artist Jeff Wall's photographic work \"The Ruined Room,\" it becomes much easier to understand the work once you know that it is a sophisticated postmodern recreation of Eugène Delacroix's \"The Death of Sardanapalus.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author says that contemporary art is like a game, and even if it seems incomprehensible at first glance, it can be approached much more easily if you know the basic rules and regulations. \u003cbr\u003eIn \"Canticle of Love\" by the Italian painter Chirico, who was greatly influenced by Magritte, a rubber glove hangs next to a Greek statue and a train passes behind a green ball.\u003cbr\u003e When you realize that this is a 'mix and match' game using illusions, you can feel the anxiety and loneliness inherent in the picture.\u003cbr\u003e And the rules and regulations of this time can be inferred through the history of modern art.\u003cbr\u003e For this reason, in \"A Bold History of Modern Art,\" he illuminates 150 years of modern art history, encompassing the cultural, political, and social backgrounds of the time.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eGreat scenes from modern art history, vividly alive and moving\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The book begins with Duchamp purchasing a Bedfordshire toilet in a store with his close friends Arensberg and Stella.\u003cbr\u003e Duchamp moved the purchased urinal to his studio and painted it with black paint as 'R. \u003cbr\u003eHe gave it a title, wrote the pseudonym and date 'Mutt 1917', and submitted it to the American Independence Exhibition held in 1917.\u003cbr\u003e In just a few hours, an ordinary urinal was reborn as \"Fountain,\" a work that left its mark on modern art history.\u003cbr\u003e The reason Duchamp chose a urinal as the subject of his work was because he wanted to emphasize that artists should first capture the image they want to express and then think about how to give it meaning, rather than choosing colors or techniques to provide aesthetic pleasure.\u003cbr\u003e Duchamp's interpretation had a great influence on performance artists such as Josef Beuys, who were active from the late 1950s onwards, and they created not only the imagery but also the means themselves.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eIn this way, the author has created an engaging storytelling that follows the flow of history by adding the influence of the times on their works and their relationships with other fellow painters.\u003cbr\u003e The author explains that the Cubist technique of breaking down a single plane into several pieces was influenced by Einstein's theory of relativity, and that the emergence of the 'bourgeoisie', the newly wealthy middle class, spurred a shift from the 'Barbizon School', which expressed outdoor rural landscapes using the colors of natural light, to the 'Impressionists', which captured everyday landscapes.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The scenes from modern art history captured by Will Gomperts are all vibrant. \u003cbr\u003eFrom the scene of the banquet Picasso prepared for Henri Rousseau to the story of Picasso visiting the Stein siblings' apartment, which was bustling with artists, and being inspired by a wooden sculpture Matisse was holding, and becoming absorbed in primitivism, the book allows readers to more easily and interestingly understand the history of modern art through the eyes, mouths, and thoughts of artists.\u003cbr\u003e The author's desire to eliminate the public's vague fear and boredom of modern art shines throughout the book, to the point where he deliberately learned stand-up comedy and planned and presented a show on the theme of modern art at the Fringe Festival.\u003cbr\u003e Even the part about abstract painting, which is often the most difficult for viewers, is made exciting by Will Gomperts' wit.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\"Big Bang Moments\" in Modern Art History: A Challenge to the Mainstream by the Non-Mainstream\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eIn \"The Bold History of Modern Art,\" scenes of fierce competition, factionalism, jealousy, and conflict between genius artists appear.\u003cbr\u003e Unlike Van Gogh, whose artistic value was recognized only after his death, Picasso rose to stardom among avant-garde artists after moving to Paris in his teens.\u003cbr\u003e But even he, when faced with Matisse's work, is overcome with strong jealousy and competitiveness.\u003cbr\u003e In order to earn the title of \"the greatest living painter,\" artists often challenge mainstream painting methods by making major changes to their painting style or risking being relegated to the fringes. Interestingly, there are always patrons who recognize these marginalized artists.\u003cbr\u003e The Impressionist painters' establishment in the history of modern art would not have been possible without the vision of their patron, the art dealer Paul Durand-Ruel. \u003cbr\u003eDurand-Ruel, who understood the rapidly changing tastes of the public at the time, provided a market for talented painters who had not received permission or recognition from the academy, and helped them to pursue their creative activities without interference or financial difficulties.\u003cbr\u003e His role as an art dealer would later lead to Peggy Guggenheim's patronage of abstract painters such as Jackson Pollock and Constantin Brancusi.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e When a new star emerges, the established star has no choice but to give up his or her place. This history of the non-mainstream becoming mainstream and then giving up that spot to a new non-mainstream star offers another insight to modern people. \u003cbr\u003eImpressionism emerged as a rejection of the style of the academic painters who only painted still lifes in their studios, but they had soon become “a mainstream part of French cultural life, just like the opera and, ironically, the Académie,” and gradually began to disintegrate after their last exhibition in Paris in 1886.\u003cbr\u003e Punk culture, represented by Maurizio Cattelan, also originated from a sense of rejection and resistance to the older generation.\u003cbr\u003e Meanwhile, in postmodernism, ‘imitation’ emerges as a new technique.\u003cbr\u003e Rather than rejecting all the results of the older generation, including existing painters, he expressed his own consciousness that distorted existing perspectives by accepting or borrowing them.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eBy examining the history of the non-mainstream's challenges and imitations toward the mainstream, we can easily understand how the works of today's contemporary artists, such as Damien Hirst and Jeff Koons, who compete with their own brands, came into being, starting with the Impressionist works that opened the door to modern art.\u003cbr\u003e The reason why art history, which can easily be perceived as boring, still holds meaning for modern people is because some of the ways in which it was recorded in history are repeated and are spreading and unfolding even at this very moment. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 30, 2014\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 560 pages | 614g | 132*210*25mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788925552460\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8925552469 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43890302812202,"sku":"141657","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/8ed919a6c58f2b73153890d9bf9cc0a3.jpg?v=1765294816","url":"https:\/\/librairie.coreenne.fr\/en\/products\/141657","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}