{"product_id":"141677","title":"Acting One ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOAqAQmElWhywS6x5DH.png?v=1764869488\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Acting One \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/6414174\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThe bible of acting that both beginners and professional actors must learn.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e This is a textbook that will be of great help not only to theater and film students who want to learn basic acting skills, but also to countless professional actors working on stage and film sets.\u003cbr\u003e The 28 lectures in 5 parts cover the basics that should be covered in a one- or two-year course that lays the foundation for acting.\u003cbr\u003e This book, written in a realistic lecture style, guides you through the fundamentals of acting step by step, helping you grow as an actor.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This revised edition more vividly expresses and explains key concepts such as \"imagination\" and \"creativity\" that actors need, and sensitively reflects the flow of the times by replacing practice scripts with more recent works. \u003cbr\u003eUseful advice and counsel from outstanding actors such as Susan Sarandon, James Caan, and Meryl Streep, as well as critic Walter Kerr and playwright and director George Bernard Shaw, will also provide additional acting wisdom.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e preface\u003cbr\u003e Acknowledgements\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Preparation for Acting Part 1]\u003c\/b\u003e\u003cbr\u003e Lesson 1: Preparing for Acting\u003cbr\u003e Relaxation | Trust | Fullness | Discipline | Criticism | Playful Attitude | Freedom | Preparation | Summary\u003cbr\u003e Lecture 2: What is Acting?\u003cbr\u003e summation\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Part 2: The Actor's Approach]\u003c\/b\u003e\u003cbr\u003e Lesson 3: Goals and Obstacles\u003cbr\u003e Basic Laws | Self-Consciousness | Projection | Summary\u003cbr\u003e Lesson 4: Acting with Others\u003cbr\u003e Other People | Interaction Dynamics | Characters | Tactics | Monologue | Summary\u003cbr\u003e Lesson 5: The Beginning of Acting\u003cbr\u003e Scene without content | Augmentation | Embodiment | Summary\u003cbr\u003e Lesson 6: Tactics\u003cbr\u003e Punishments and Rewards | Tactical Use | Alternating Tactics | Intermediate Category | Summary\u003cbr\u003e Lesson 7 Expectations \u003cbr\u003eExpectations for the Goal | Clear Goals | Eye Contact | Summary\u003cbr\u003e Lesson 8 GOTE\u003cbr\u003e Basic Tips | Determining a Character's GOTE | Summary\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Part 3: Actor's Mission]\u003c\/b\u003e\u003cbr\u003e Lesson 9: Preparing for the Role\u003cbr\u003e Finding Roles | Finding \"Characters\" | Editing Scenes | Memorization Methods | Cues: Action Cues and Dialogue Cues | Studying Dialogue | Summary\u003cbr\u003e Lesson 10 Rehearsal\u003cbr\u003e Rehearsal | Undirected Rehearsal | Alternatives to Rehearsal | Summary\u003cbr\u003e Scene 11: Staging\u003cbr\u003e Stage Directions | Creating the Scene | Movement and Stage Routines | Interesting Postures | Approaching the Audience | Summary\u003cbr\u003e Lesson 12 Selection\u003cbr\u003e The Need for Choice | A Good Choice | Summary\u003cbr\u003e Lecture 13 Performance\u003cbr\u003e Stage Fright | Classroom Performance | Acting for Results? Inside the Characters! | Summary\u003cbr\u003e Lesson 14: Evaluation and Improvement\u003cbr\u003e Beneficial Criticism | Rework | Summary\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Part 4: Actor's Tools]\u003c\/b\u003e\u003cbr\u003e Lesson 15: The Actor's Voice\u003cbr\u003e Breathing | Vocalization: Creating Sound | Resonance | Pitch | Stage-Friendly Voice | Summary\u003cbr\u003e Lesson 16: Stage Speaking\u003cbr\u003e Good Pronunciation | Short Consonants | Summary \u003cbr\u003eLesson 17: Use of Voice\u003cbr\u003e Liberation | Purpose | Summary\u003cbr\u003e Lesson 18: The Actor's Body\u003cbr\u003e Agility | Coordination | Walking | Sitting and Standing | Speed: Acceleration, Deceleration, and Constant Speed ​​| Balance | Dynamics of Movement | Summary\u003cbr\u003e Lesson 19: Voice and Body Integration\u003cbr\u003e Coordination | Direction | Tempo | Actors with Disabilities | Summary\u003cbr\u003e Lesson 20: Imagination and Creativity\u003cbr\u003e Imagination | Creativity | Creativity and Imagination | Using Fantasy | Summary\u003cbr\u003e Lesson 21: Emotions and Acting Theory\u003cbr\u003e Self-consciousness | Summary\u003cbr\u003e\u003cbr\u003e \u003cb\u003e[Part 5: Actor's Technique]\u003c\/b\u003e\u003cbr\u003e Lesson 22 Grammar\u003cbr\u003e Pronunciation | Speaking with an Open Mouth | Developing Pronunciation | Emphasis | Intonation | Grammar | Summary\u003cbr\u003e Lesson 23: Getting Started\u003cbr\u003e First Words | Physical Initiation | Taking the Turn | Preparing for a Strong Initiation | Summary\u003cbr\u003e Lesson 24: Execution\u003cbr\u003e Fishhook | Interrogative sentence as question | Statement as question | Statement as statement | Disappearing dialogue | Summary\u003cbr\u003e Lesson 25: The Connection of Ambassadors\u003cbr\u003e Analyzing Conversations | Rising Final Intonation | Falling Final Intonation | Onset Intonation | Intervals | Long Dialogues | Applications of Dialogue Connections | Summary \u003cbr\u003eLesson 26: Scene Structure\u003cbr\u003e Script Analysis | Selecting Scenes for Class | Structural Features | Transitions | Scene Analysis | Summary\u003cbr\u003e Lesson 27: Building a Surface\u003cbr\u003e Stacking and Covering | Cutting Back | Conquering | Controlling the Speed ​​of Construction | Complex Construction | Summary\u003cbr\u003e Lesson 28: The Creation of Monologue\u003cbr\u003e Doing it alone | Talking to someone else | Ambivalence | Acting a monologue or ambivalence | Summary\u003cbr\u003e\u003cbr\u003e Conclusion\u003cbr\u003e Dictionary of Acting Terms\u003cbr\u003e Translator's Note\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Lesson 1: Preparing for Acting\u003cbr\u003e Open your heart and enjoy\u003cbr\u003e I've always enjoyed acting quite a bit, and I think that for an actor, the stage is always an open, playful, listening, and exploratory space.\u003cbr\u003e Susan Sarandon on what inspired her to act---p.38\u003cbr\u003e\u003cbr\u003e Lesson 7 Expectations\u003cbr\u003e Eye contact\u003cbr\u003e Where do you look when acting? There's no definitive answer to this question, but generally, the most desirable place is your acting partner's eyes. \u003cbr\u003eThis is because in very dramatic scenes you seek goals with or from the 'other' character you are interacting with, your opponent.\u003cbr\u003e Therefore, direct eye contact with the other person is the best way to determine the possibility of achieving your goals, as it is the most reliable way to read the other person's unique reactions.\u003cbr\u003e Eye contact also conveys confidence—a confident expectation that you will achieve what you set out to do.\u003cbr\u003e It is an effective tactic that goes further to elicit trust and respect from the other party.\u003cbr\u003e The brilliant actor Michael Caine even advises actors not to blink (“Blinking makes the character look weak”) in order to enhance their acting skills through direct eye contact. ---p.110-111\u003cbr\u003e\u003cbr\u003e Lesson 20: Imagination and Creativity\u003cbr\u003e Exercise 20-4: Facing Love  \u003cbr\u003eMemorize the following lines from Juliet from \"Romeo and Juliet.\"\u003cbr\u003e “My generosity is endless like the sea,\u003cbr\u003e My love is as deep as the sea.\u003cbr\u003e So the more I give to you,\u003cbr\u003e I have more.\u003cbr\u003e “Because both are infinite.”\u003cbr\u003e At this moment in the play, Romeo has just made his first 'pledge to love' to Juliet, and asks her to make the same promise in return.\u003cbr\u003e Pass this line on to a fictional Romeo, then to another Romeo, and then to another Romeo, regardless of your or your Romeo's gender.\u003cbr\u003e Instead of trying to imitate what you think Juliet is like, deliver your lines as yourself, to a real person you actually love or wish to love, or to someone you wish to love. \u003cbr\u003eNext, imagine that the object of your love is a god, a spirit, or an animal.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---p.273-274\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eCan acting really be learned?\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Can acting really be learned from books? Yes.\u003cbr\u003e Acting can certainly be learned, and in fact, the explosion of actor training in the United States over the past 30 years has transformed the field of acting.\u003cbr\u003e But the key element in acting lessons is the teacher.\u003cbr\u003e The author of this book, Robert Cohen, is a professor who founded the Department of Theater at the University of California, Irvine, and regularly trains actors and conducts acting workshops.\u003cbr\u003e Because of this, he has chosen an open and suggestive teaching method rather than a restrictive and directive one, drawing on his extensive experience to ensure that this book can be stimulating without compromising the important work in the classroom.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eIn his closing remarks, he said, “The lectures in this book can be completed in a one-year course.\u003cbr\u003e However, it is advisable to study more deeply over a one and a half or two year course while working on the scene.\u003cbr\u003e “Some of these lectures will contribute to the improvement of actors’ acting skills on set, and undoubtedly, for some actors, some of the areas covered here will remain as lifelong challenges to be addressed,” he said.\u003cbr\u003e This book is comprised of fundamental acting exercises with a strong practical application and solid theories that require constant exploration and evolution.\u003cbr\u003e\u003cbr\u003e Acting and actor training are individual arts within the realm of collective and collaborative technical processes.\u003cbr\u003e Actors must strive to develop both technique and themselves, the two components of the art of theatre. \u003cbr\u003eThis book does not take into account the individual characteristics of each reader, but its true value is revealed depending on how the actor or teacher interprets and implements it.\u003cbr\u003e Cohen, who teaches master classes for actors and conducts acting workshops in theaters and drama schools around the world, has written numerous books and academic articles on theater, and translated plays and operas, has composed this book in a lecture-style that is rich in presence.\u003cbr\u003e There are many textbooks on acting, but few books teach the fundamentals of acting in a sequential manner, helping actors grow and realize their potential.\u003cbr\u003e This book is a perfect, up-to-date textbook that will be of lasting help not only to theater and film students who are learning basic acting skills, but also to countless professional actors working on stage.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAn essential acting textbook for both beginners and professional actors.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThis book is an introductory book for students who are just beginning to learn acting.\u003cbr\u003e The 28 lectures in five parts in this book cover the fundamentals of acting that should be covered in a one- or two-year course.\u003cbr\u003e Although this book may seem like an introduction to acting, its lessons are principles that professional actors spend a lifetime exploring and perfecting.\u003cbr\u003e Therefore, this book constantly presents challenges that must be learned throughout one's life.\u003cbr\u003e\u003cbr\u003e Since its first publication in 1984, Acting One has been revised four times: in 1992, 1998, 2002, and 2008.\u003cbr\u003e This revised and expanded edition is a new edition that has been revised and supplemented from the 5th edition.\u003cbr\u003e Since this book is primarily aimed at English-speaking readers, there are some parts that are difficult to directly apply to our reality, and the fact that the word order of Korean and English is different was also a major obstacle. \u003cbr\u003eHowever, since the translator has modified it to best suit our circumstances, actors and instructors can appropriately modify and utilize the contents related to pronunciation and speaking, including practice.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \"Preparing for Acting Part 1\" The fact that you can teach acting is the beginning of the art of acting.\u003cbr\u003e These teachings go beyond simply pointing out the stage and imposing written rules and regulations.\u003cbr\u003e And it's a way to help actors make the most of themselves and train their acting tools, including their voice and body, to become more useful and active tools.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \"Part 2: The Actor's Approach\" The actor's approach is a series of steps that an actor must go through in the process.\u003cbr\u003e They are steps of exploring, feeling, trying, and doing, which together create one holistic experience. \u003cbr\u003eEveryone, from beginners to seasoned professional actors, goes through this process.\u003cbr\u003e Every actor recreates the process of acting through every performance.\u003cbr\u003e Therefore, an actor's approach is a process of self-transformation that involves breaking away from oneself and elevating the role one takes on to the realm of art.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \"Part 3: The Actor's Duties\" presents practical methods to help prepare roles for rehearsal scenes in class or presentations in theater performances.\u003cbr\u003e While your instructor or director may provide you with some specific techniques, advice, and guidance for your work, it is ultimately up to you to develop a basic working method for preparing your roles.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \"Part 4: The Actor's Tools\" The acting tools are made up of the actor's personal characteristics and abilities, such as appearance, language and movement skills, emotional depth, intelligence, mental and physical harmony, sense of timing, sense of drama, and performance skills. \u003cbr\u003eNo one can have the tools of a professional actor in a few hours or months, and even if you want to be able to act beyond a beginner level, it won't give you much more than an outline of what you'll be working on.\u003cbr\u003e As you learn how to 'play' your tools, you will want to have better tools.\u003cbr\u003e\u003cbr\u003e \"Part 5: The Actor's Technique\" An actor's technique should be part of the entire acting experience, not a final polish or \"technique\" added at the end of rehearsal.\u003cbr\u003e Technique is a part of life itself, helping us achieve our goals not only on stage but in life as well.\u003cbr\u003e Much of what we know as acting techniques is simply effective human behavior: more economical actions, more specific gestures, more precise and powerful lines. \u003cbr\u003eLearning to become a more technically proficient actor is learning to become a more effective communicator in everyday life.\u003cbr\u003e\u003cbr\u003e Features of this book\u003cbr\u003e 1.\u003cbr\u003e Basic exercises are placed in the front, and many exercises and discussions, especially those related to technique, are added to the back throughout the book.\u003cbr\u003e\u003cbr\u003e 2.\u003cbr\u003e A total of 28 lectures in 5 parts are arranged sequentially to provide an efficient learning method for learning acting.\u003cbr\u003e Additionally, each lecture ends with a \"Summary\" that briefly explains the lecture, adding to its convenience.\u003cbr\u003e 3.\u003cbr\u003e Several new warm-up exercises and Cohen's trademark \"Pledge of Allegiance\" exercise appear throughout the first half of the book.\u003cbr\u003e 4.\u003cbr\u003e Useful advice and tips from famous actors and directors are scattered throughout the book.\u003cbr\u003e 5.\u003cbr\u003e Numerous new exercises and discussions on a variety of techniques are presented in a lively manner.\u003cbr\u003e\u003cbr\u003e 6. \u003cbr\u003eAt the end of the book, we have included a \"Dictionary of Acting Terms\" so that you can easily look up basic acting terms that appear in this book, as well as words that you will encounter repeatedly while studying acting. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 5, 2012\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 408 pages | 602g | 152*225*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788986377446\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8986377446 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd 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