{"product_id":"142049","title":"Embarrassing Stories of Oriental Art 4 ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOJXJDyPInHBmJFHLTv.png?v=1764874506\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n \u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003eEmbarrassing Stories of Oriental Art 4 \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/144642248\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA new curtain rises on art in China during the Five Dynasties and Sixteen Kingdoms and the Southern and Northern Dynasties!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The \"Embarrassing Oriental Art\" series, which introduced the hidden world of Oriental art by traveling between ancient India (Volume 1), ancient China (Volume 2), and the Silk Road (Volume 3), has returned with a richer art story.\u003cbr\u003e In Volume 4, the stage moves back to China and examines Chinese art from the 3rd to 6th centuries, which is considered the so-called 'age of division.'\u003cbr\u003e During this period, China faced great turmoil due to invasions by northern nomads, the great migration of the Han Chinese, and the influx of foreign cultures.\u003cbr\u003e In the process, Chinese art also achieved unprecedented innovation through the collision and fusion of heterogeneous elements.\u003cbr\u003e Volume 4 of \"The Embarrassing Story of Oriental Art\" illuminates how the turmoil of the times actually brought new spirit and creative energy to Chinese society. \u003cbr\u003eIn today's world, where hatred and rejection of those different from us are rampant, it is time to pay attention to the new possibilities that Chinese art from the Five Hus and Sixteen Kingdoms and the Northern and Southern Dynasties periods offers us.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Preface: The Age of Pioneering, the Leaping Art\u003cbr\u003e\u003cbr\u003e \u003cb\u003eⅠ Two Worlds Colliding\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -The era of the 16 nations begins\u003cbr\u003e 01.\u003cbr\u003e Memories of the Prairie\u003cbr\u003e 02.\u003cbr\u003e The arrival of northern nomads\u003cbr\u003e 03.\u003cbr\u003e On the way to China\u003cbr\u003e 04.\u003cbr\u003e From heaven to earth, from earth to heaven\u003cbr\u003e\u003cbr\u003e \u003cb\u003eⅡ The Threatener and the Threatened\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -The Southern and Northern Dynasties Period: Art of the Southern and Northern Dynasties\u003cbr\u003e 01.\u003cbr\u003e A heart playing in a bamboo forest\u003cbr\u003e 02.\u003cbr\u003e The moment the dragon flew away\u003cbr\u003e 03.\u003cbr\u003e Two pictures\u003cbr\u003e 04.\u003cbr\u003e Ho is Han's hat, Ho is Han's hat\u003cbr\u003e 05.\u003cbr\u003e Alchemy of Earth and Fire\u003cbr\u003e\u003cbr\u003e \u003cb\u003eⅢ Honey in your mouth, glue in your hand\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e -Sogdians of China\u003cbr\u003e 01.\u003cbr\u003e Silk Road Trendsetter\u003cbr\u003e 02.\u003cbr\u003e fire worshippers\u003cbr\u003e 03.\u003cbr\u003e A new stranger in the Central Plains\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5254\/MidCate009\/525383958.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\n\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e  \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eFor Siberians, deer antlers were seen as a medium connecting heaven and earth.\u003cbr\u003e Deer antlers, which continue to grow even after being cut, symbolize infinite vitality.\u003cbr\u003e This belief was passed down to the nomads of the steppes, giving rise to the deer ornamentation with its emphasized antlers.\u003cbr\u003e Artworks of this type are found throughout the Eurasian steppe.\u003cbr\u003e\u003cbr\u003e ---From \"Part 1, Chapter 1, 'Memories of the Prairie'\"\u003cbr\u003e\u003cbr\u003e The Han Chinese funerary art tradition is deeply connected to the Han Chinese's unique view of the afterlife.\u003cbr\u003e The ancient Chinese believed that the human soul was made up of the soul (魂) and the spirit (魄).\u003cbr\u003e It was believed that while alive, the soul and body were in harmony, but upon death, the soul and body separated, the soul going to heaven and the body remaining on earth.\u003cbr\u003e The funeral customs of the Han people were ceremonies to pray for the separated souls and the deceased to depart safely on their own paths. \u003cbr\u003eSo the Han people built large and splendid tombs for the hundred people left on earth.\u003cbr\u003e It meant that Baek should not bother the living and should live well in his own grave.\u003cbr\u003e\u003cbr\u003e ---From \"Part 1, Chapter 3, 'The Road to China'\"\u003cbr\u003e\u003cbr\u003e Ultimately, the discussion of painting is about the painting itself.\u003cbr\u003e Honestly, the drawing itself is of no use in real life.\u003cbr\u003e What else can you do with a painting? At best, you can use it as kindling in a furnace. In short, we can live without it.\u003cbr\u003e Still, why do we need paintings? What is a painting? Why does that artist paint in that way? Why is this painting good, and that painting bad? You might ask these questions.\u003cbr\u003e The Chinese answer to this is Hua-ron.\u003cbr\u003e\u003cbr\u003e ---From \"Part 2, Chapter 1, 'The Heart Playing in the Bamboo Forest'\"\u003cbr\u003e \u003cbr\u003eAfter losing their homeland, the Central Plains, to the northern barbarians, the people of the Southern Dynasties suffered from frustration and anxiety, and expressed their weakened hearts through art.\u003cbr\u003e But it was precisely this fragility that gave Southern Dynasty paintings their subtle and delicate beauty.\u003cbr\u003e In Southern Dynasty paintings, loss, sadness, and beauty intersect.\u003cbr\u003e Meanwhile, freedom and love, stubbornness and pride are also intertwined.\u003cbr\u003e Southern Dynasty paintings, which dreamed of beautiful art while preserving tradition, also have a bamboo-like uprightness.\u003cbr\u003e\u003cbr\u003e ---From \"Part 2, Chapter 2, 'The Moment the Dragon Flies'\"\u003cbr\u003e\u003cbr\u003e In Northern Dynasty paintings, filling in the surface with color was more important than anything else.\u003cbr\u003e Coloring was effective in highlighting the surface and creating a sense of three-dimensionality.\u003cbr\u003e But the people of the Southern Dynasty were different from those of the Northern Dynasty.\u003cbr\u003e I didn't like densely colored drawings without outlines.\u003cbr\u003e The thing that the Han people valued most in painting was always the brush, or brushstrokes. \u003cbr\u003eMoreover, in the Southern Dynasties, when coloring, the intensity of the ink was adjusted to create an overall transparent feeling.\u003cbr\u003e Look at the Southern Dynasties picture below.\u003cbr\u003e Lightly color the background color so that it shows through.\u003cbr\u003e It feels like watercolor.\u003cbr\u003e On the other hand, the Northern Dynasty paintings give an opaque feeling, as if they were painted with crayons.\u003cbr\u003e\u003cbr\u003e ---From \"Part 2, Chapter 2, 'Two Pictures'\"\u003cbr\u003e\u003cbr\u003e During the Northern and Southern Dynasties period, most of the people who consumed foreign culture were the ruling class.\u003cbr\u003e Just as Chinese silk was sold at exorbitant prices in Rome and Persia, the cultural artifacts that reached China via the Silk Road were also expensive.\u003cbr\u003e Seo Hyun-su, a high-ranking official of the Northern Qi Dynasty, also lived a luxurious life surrounded by foreign culture.\u003cbr\u003e There is an artifact right next to it that shows that evidence.\u003cbr\u003e The ring was found near the tomb owner's coffin.\u003cbr\u003e At first glance, it looks exotic and is presumed to be an ornament made in Iran or Central Asia. \u003cbr\u003eIt appears to have been created under the influence of Greek culture.\u003cbr\u003e The idea that the image engraved on the sapphire was Hercules became more convincing.\u003cbr\u003e\u003cbr\u003e ---From \"Part 2, Chapter 4, 'Ho wears Han's hat, Han wears Ho's hat'\"\u003cbr\u003e\u003cbr\u003e The word ‘Ho-pung’ is a combination of the character ‘ho’ (胡) meaning barbarian and the character ‘pung’ (風) meaning customs, meaning barbarian customs.\u003cbr\u003e Here, barbarians refer to all ethnic groups other than the Han Chinese.\u003cbr\u003e There were two main types of fashion that were popular during the Northern and Southern Dynasties.\u003cbr\u003e These are the customs of the nomads who occupied northern China and the culture of the Western immigrant peoples transmitted through the Silk Road.\u003cbr\u003e Western culture refers to the culture transmitted from the western region of the Silk Road, such as Greece, Rome, Persia, India, and Central Asia, based on China.\u003cbr\u003e The reason why the shape of pottery became elongated during the Northern and Southern Dynasties was also due to the influence of Western culture.\u003cbr\u003e\u003cbr\u003e ---From \"Part 2, Chapter 5, 'Alchemy of Earth and Fire'\"\u003cbr\u003e \u003cbr\u003eThe Sogdians, who were active mainly in Central Asia, dominated the Silk Road from the 3rd to the 8th century and led the fashion.\u003cbr\u003e He grew into the greatest merchant on the Silk Road, the route from Rome to China, and played a leading role in spreading not only goods from the East and the West, but also culture and art.\u003cbr\u003e The wind of prosperity that blew through China around this time was 80% thanks to the activities of Sogdian merchants.\u003cbr\u003e The Sogdians' influence influenced all aspects of the Chinese people, from their clothing to their thoughts and daily necessities.\u003cbr\u003e\u003cbr\u003e ---From \"Part 3, Chapter 1, 'Trendsetters of the Silk Road'\"\u003cbr\u003e\u003cbr\u003e Of course, it is true that the Sogdians were under Persian rule at certain times.\u003cbr\u003e It is also true that Persian art had a great influence on the Sogdians.\u003cbr\u003e But the Sogdians were a people who created their own culture and art separately.\u003cbr\u003e The Sogdians even had their own unique writing system and language. \u003cbr\u003eHowever, Sogdian art in Central Asia has long been treated as a subcategory of Persian art and has not received proper attention.\u003cbr\u003e Recent archaeological excavations in Central Asia and Xinjiang have revealed that Sogdian art was not a subculture of Persia.\u003cbr\u003e Some art styles that were vaguely called Persian art are now being renamed Sogdian art.\u003cbr\u003e\u003cbr\u003e ---From \"Part 3, Chapter 1, 'Trendsetters of the Silk Road'\"\u003cbr\u003e\u003cbr\u003e The 3rd to 6th centuries in China can be seen as a time of change and innovation, nourished by the chaos of the times.\u003cbr\u003e The Chinese immigrants were the main characters who in an instant turned the land of China, which the Han people had tightly embraced, into a new land.\u003cbr\u003e One of the fruits of this is the art of this era.\u003cbr\u003e At that time, Ho and Han's duet created a colorful melody that had never been heard before. \u003cbr\u003eAnd their performances continued into the next era, eventually resonating throughout the world as a magnificent orchestra called Tang Dynasty art.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Part 3, Chapter 3, 'The New Stranger in the Central Plains'\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eFinally, we have an Oriental art textbook!\u003cbr\u003e Richer in series, more practical in single volumes\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Readers' interest in art is always hot.\u003cbr\u003e The art corner of the bookstore is filled with new books every day.\u003cbr\u003e However, most of these books focus on Western art.\u003cbr\u003e From introductory to academic books, you can choose and read books at the level you want.\u003cbr\u003e In comparison, the spectrum of books on oriental art available on the market is not wide.\u003cbr\u003e It's either a simple interest book or a specialized book with dense small print.\u003cbr\u003e The series “Embarrassing Oriental Art” started from a sense of this problem. \u003cbr\u003eThis book, which catches two birds with one stone—interest and depth—is the textbook on Oriental art that has finally arrived.\u003cbr\u003e It is best to read the series sequentially, but the content is organized so that you can easily understand the book by selecting a country or period of art that interests you.\u003cbr\u003e If you are a beginner who wants to properly understand oriental art, there is ample reason to open this book.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe first foreign dynasty in Chinese history to occupy the Central Plains,\u003cbr\u003e An era of great change has begun, shaking up the Han-centered worldview!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Not many people can immediately recall what China was like in the 3rd to 6th centuries.\u003cbr\u003e Then, how about explaining it this way? It was a period of upheaval between the Three Kingdoms period, a time of chaotic heroes, and the Tang Dynasty, a golden age of culture.\u003cbr\u003e In fact, this period had not received much attention in Chinese academic circles for a long time. \u003cbr\u003eIt is usually lumped together as a dark or chaotic period in China, or it is sometimes devalued as a time of humiliation when China was trampled by foreigners.\u003cbr\u003e But is that really the case? Volume 4 of \"The Embarrassing Story of Oriental Art\" offers a completely different answer.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Around the 4th century, when even the heroes of the Romance of the Three Kingdoms had disappeared, the northern nomads who invaded China occupied half of the Chinese territory and shook Chinese society to its core.\u003cbr\u003e The repercussions this reality had on the Han people were enormous.\u003cbr\u003e The long-held belief that 'China is the center of the world, and the center of China is the Han people' has been shattered.\u003cbr\u003e Until recently, the Han Chinese considered the area outside the Central Plains to be their borders, and all non-Han peoples were called barbarians and looked down on.\u003cbr\u003e But now he had to watch with a heavy heart as the barbarians from the border established a dynasty on his land. \u003cbr\u003eComing down from the stage of the Central Plains, he was faced with the reality of having to rebuild his identity with a weakened mind.\u003cbr\u003e However, the borders broken down by the foreigners demanded a change in mindset in the closed Han Chinese society, and instead breathed into China an unprecedentedly brilliant vitality and new spirit.\u003cbr\u003e Art was also under its sphere of influence.\u003cbr\u003e The 3rd to 6th centuries were a period in Chinese art history when more diverse and innovative art was created than at any other time.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eGo Gae-ji, the painter who opened the curtain on Chinese painting,\u003cbr\u003e Nuye Myo murals, born from the fusion of Han Chinese and foreign cultures\u003cbr\u003e Metal tools from Central Asia transmitted through Sogdian merchants,\u003cbr\u003e Moonstone celadon, perfected with cutting-edge technology\u003cbr\u003e From the emergence of landscape paintings to Chinese jars containing Greek mythology!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e One of them is Buddhist art. \u003cbr\u003eThe nomads who established a country in northern China accepted Buddhism in the process of consolidating their royal authority in order to end their long nomadic life and live as settled people.\u003cbr\u003e Until the Han Dynasty, Buddhism was unable to properly permeate Chinese society because it was blocked by traditional Chinese ideologies such as Confucianism and Taoism.\u003cbr\u003e However, in China, which was ruled by a foreign dynasty, Buddhism quickly became the dominant religion.\u003cbr\u003e The spread of Buddhism is not simply the spread of religion.\u003cbr\u003e With the construction of grottoes and Buddhist statues along the Hexi Corridor, a road connecting the Western Regions and the Central Plains, art from India and the Western Regions was able to flow into inland China.\u003cbr\u003e In this way, China's immigrant dynasties boldly accepted foreign cultures with the openness characteristic of nomads, and this brought a wind of innovation unlike anything before to China.\u003cbr\u003e A new era in art has opened.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Among those who led this change were the Sogdians of China. \u003cbr\u003eBy this time, the Sogdians had settled in large numbers in northern China, which was ruled by a barbarian dynasty, and were exercising influence no less than that of nomads.\u003cbr\u003e Most of them worked as Silk Road merchants, but some rose to high positions and enjoyed considerable power, interfering with Chinese politics and economy.\u003cbr\u003e Western civilization, transmitted through the Sogdians of China, caught the eyes and ears of the ruling class of China at the time and ignited their interest in foreign civilizations from Greece, Rome, and Persia.\u003cbr\u003e Eventually, Western artistic styles were transmitted to China, leading to the creation of Chinese jars depicting Greek mythology.\u003cbr\u003e\u003cbr\u003e Meanwhile, the Han Chinese in southern China, who were driven out of the Central Plains, created art that pushed Han Chinese traditions to the extreme.\u003cbr\u003e The celadon produced in southern China at that time represents the pinnacle of ceramics-making technology that the Han people had honed over a long period of time. \u003cbr\u003eThe tradition of Chinese painting, which emphasized brush strokes, also developed to a higher level around this time, thanks to the emergence of full-fledged painting theory.\u003cbr\u003e At the center of it all are the legendary Southern Dynasty painter Go Gae-ji, Jong Byeong who gave birth to the theory of landscape painting, and Sa Hyeok who perfected the six rules for evaluating paintings.\u003cbr\u003e These are the people who formed the foundation of Chinese painting, and are the names that represent Chinese painting during the Northern and Southern Dynasties.\u003cbr\u003e Their reflections on the painting will serve as a fundamental guide to understanding not only Chinese painting but also Oriental painting as a whole.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe age of brilliant division,\u003cbr\u003e Meet the vibrant art just before it blooms!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The Chinese art of the Five Dynasties and Sixteen Kingdoms and the Northern and Southern Dynasties periods differed as much as the cultural differences between the northern part of China, ruled by a foreign dynasty, and the southern part, ruled by a Han dynasty. \u003cbr\u003eHowever, the art they created in their respective positions either pushed tradition to its limits or mercilessly surpassed it, each opening up a new realm of art.\u003cbr\u003e Furthermore, in this process, the Han Chinese and the foreign ethnic groups gradually break down the boundaries between their art and finally begin to face each other.\u003cbr\u003e This was due to the consistent efforts of the Northern Zhou Dynasty to achieve unification between the Han Chinese and other ethnic groups.\u003cbr\u003e In this way, they prepare to open a new China together called the Tang Dynasty.\u003cbr\u003e\u003cbr\u003e If we were to describe Chinese art from the 3rd to 6th centuries in one word, it would be like a flower just before it blooms.\u003cbr\u003e Here is art, vibrant and full of explosive potential, on the verge of blossoming.\u003cbr\u003e The art of this era beautifully decorated the path to a new China by bursting into bloom with various flower buds.\u003cbr\u003e It celebrated a new era ushered in by the Han Chinese and other ethnic groups with unprecedented fragrance and rare splendor. \u003cbr\u003eIn Volume 4 of \"The Embarrassing Story of Oriental Art,\" let's experience the dazzling feast of art created during a chaotic era, the art of that wondrous moment. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 8, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 536 pages | 806g | 153*225*32mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791162733417\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1162733411 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43890424676394,"sku":"142049","price":37.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/440273de7de4fcfb5869a51e41a65982.jpg?v=1765298301","url":"https:\/\/librairie.coreenne.fr\/en\/products\/142049","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}