{"product_id":"142093","title":"Gerhard Richter ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOHH9T5t4igJ3pnMoRr.png?v=1764875084\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Gerhard Richter \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/140188155\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eGerhard Richter, the enigmatic master of modern art,\u003cbr\u003e A reliable biography written by his friend, secretary, and archivist.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The descriptions of painter Gerhard Richter are dazzling: a living legend, the most influential artist of our time, the founder of photo-painting, and the owner of a work that fetched 60 billion won at auction.\u003cbr\u003e Although his paintings are displayed in numerous exhibitions, collections, and art markets, there is more to him than meets the eye.\u003cbr\u003e That's understandable, as it's been Richter's long-standing strategy to keep his private life hidden.\u003cbr\u003e This also seems to reflect the influence of his experience of having to secretly escape from former East Germany. \u003cbr\u003eRichter's personal tendency to adamantly refuse to make personal comments about his paintings has led some critics to characterize them as \"artworks without an author.\"\u003cbr\u003e This makes his work more difficult to analyze, frustrating and sometimes perplexing critics.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author, Dietmar Elger, was a friend, secretary, and director of the Richter Archive, a seemingly enigmatic figure, and is considered one of the greatest connoisseurs of Richter's work.\u003cbr\u003e He observed this master of modern art from up close and wrote a biography that comprehensively covers not only his private life but also his world of works. \u003cbr\u003eThe author, who has worked as a curator of painting and sculpture for many years and has planned exhibitions and catalogs for various contemporary artists including Andy Warhol, Donald Judd, and Richard Tuttle, delves into the personal backgrounds of many of Richter's pictorial motifs in this book, providing readers with deep insights into the life and work of this great artist.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e\u003cbr\u003e introduction\u003cbr\u003e 1.\u003cbr\u003e Dresden\u003cbr\u003e 2.\u003cbr\u003e Capitalist Realism\u003cbr\u003e 3.\u003cbr\u003e exhibition\u003cbr\u003e 4.\u003cbr\u003e conversion\u003cbr\u003e 5.\u003cbr\u003e Uncle Rudy\u003cbr\u003e 6.\u003cbr\u003e Breaking Style as a Style Principle\u003cbr\u003e 7.\u003cbr\u003e Venice Biennale\u003cbr\u003e 8.\u003cbr\u003e tourist\u003cbr\u003e 9.\u003cbr\u003e Juno and Janus\u003cbr\u003e 10.\u003cbr\u003e October 18, 1977\u003cbr\u003e 11.\u003cbr\u003e Hanbalt\u003cbr\u003e 12.\u003cbr\u003e First look\u003cbr\u003e 13.\u003cbr\u003e Birkenau\u003cbr\u003e\u003cbr\u003e main\u003cbr\u003e Copyright of the painting\u003cbr\u003e Search\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5042\/MidCate008\/504175928(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eHaving experienced all the ideologies created by humans over a century, from the modern era to the early modern era, this old skeptic was unable to see or picture this world through any particular trend or concept.\u003cbr\u003e Even though I don't know, I've probably experienced situations where the artist's cause and determination have become nothing more than scraps of paper every time the world order has changed drastically.\u003cbr\u003e For him, who learned that “it is easy to start, but difficult to reach the end,” the words “I draw” were more urgent than “I drew a great piece of work.”\u003cbr\u003e In a reality where there can be no absolute picture, no beautiful utopia, and no clear truth, he created an artistic formula for viewing the world by repeatedly absorbing and spitting out modernism and postmodernism.\u003cbr\u003e\u003cbr\u003e ---From \"Yoon Hye-jeong - Recommendation\"\u003cbr\u003e \u003cbr\u003eThe current living environment, which Richter created himself in the early 1990s, architecturally demonstrates the relationship between the artist's artistic work and his private life.\u003cbr\u003e Two independent buildings stand on a spacious site on the outskirts of Cologne.\u003cbr\u003e A windowless studio facing the street sits like a screen in front of the artist's home, nestled in a pristine garden.\u003cbr\u003e Although Richter occasionally receives public honors, such as at exhibition openings, he generally prefers to remain hidden from the art world, hiding in the anonymity of his private life.\u003cbr\u003e Trying to shield himself from the public eye is also an old strategy of Gerhard Richter.\u003cbr\u003e When asked by Wulf Herzogenrath in 1972 to submit a portrait for use in an exhibition catalog, Richter instead sent a passport photo of a janitor working at the Düsseldorf Academy of Fine Arts. \u003cbr\u003e---From the \"Preface\"\u003cbr\u003e\u003cbr\u003e Gerhard was his mother's favorite child.\u003cbr\u003e She projected her ideals and unfulfilled hopes onto Gerhard.\u003cbr\u003e He inspired the fifteen-year-old boy by becoming enthusiastic about Nietzsche's writings and awakened his interest in various classical literature, including Goethe and Schiller.\u003cbr\u003e On the other hand, she constantly criticized her husband for his lack of interest in culture.\u003cbr\u003e Moreover, his father constantly repeated to young Gerhard that he was a failure.\u003cbr\u003e\u003cbr\u003e ---「1.\u003cbr\u003e From \"Dresden\"\u003cbr\u003e\u003cbr\u003e The decision to return to art studies five years after graduating from the Dresden Academy of Fine Arts was a momentous decision in Gerhard Richter's career.\u003cbr\u003e In fact, he had no interest in art education in the traditional sense of the word at the time.\u003cbr\u003e If that were the case, I would have received a better education in Dresden than in Düsseldorf. \u003cbr\u003eAt the time, Richter needed a place where he could escape his personal and artistic isolation, work, and above all, meet other artists.\u003cbr\u003e That is, after escaping East Germany, what I missed most was the community and conversations with like-minded people.\u003cbr\u003e His dream was fulfilled beyond his expectations when he studied at the Düsseldorf Academy of Fine Arts.\u003cbr\u003e Richter met his friends and artistic partners of the 1960s, Konrad Lueck, Sigmar Polke and Blinky Palermo, all here.\u003cbr\u003e\u003cbr\u003e ---「2.\u003cbr\u003e From “Capitalist Realism”\u003cbr\u003e\u003cbr\u003e Like the Impressionist art photographers, the blurring technique also served as a visual expression of Richter's philosophical stance on a perception of reality that could no longer believe in the possibility of clear truth.\u003cbr\u003e In a 1972 interview with Rolf Schön, Richter said: \u003cbr\u003e“There is nothing clearer about reality than my relationship to it, which is made up of ambiguity, uncertainty, transience, and fragmentation.”\u003cbr\u003e ---「3.\u003cbr\u003e From the \"Exhibition\"\u003cbr\u003e\u003cbr\u003e Critics have often interpreted Richter's choice of photographic images as motifs between 1962 and 1967 as a \"subjective meaninglessness\" and \"indiscriminate arbitrariness.\"\u003cbr\u003e His method of juxtaposing or indiscriminately arranging images from various areas of life and thematic contexts did not reveal any concept of their content.\u003cbr\u003e Only the medium context of having a circular photographic image tied all the works together.\u003cbr\u003e Moreover, it was difficult to find any indication that the author had any particular interest in any particular subject. \u003cbr\u003eThe fact that various templates were chosen and printed in a personal environment does not show the motivation behind the content of the work, but only reveals that the materials were easy to obtain.\u003cbr\u003e In late 1997, Susanne Ehrenfried wrote in her essay on Richter's portraits, Ohne Eigenschaften, Without Character:\u003cbr\u003e “Terms such as absence of selection, absence of composition, absence of style, absence of content are characteristic of Richter’s work.” Richter has long been interpreted in this way, and he himself has repeatedly supported this interpretation by emphasizing his indifferent attitude towards the subject matter of his paintings.\u003cbr\u003e “I pursue no purpose, no system, no tendency.\u003cbr\u003e I have no platform, no style, no mission.\u003cbr\u003e Neither the technical issues, nor the subject matter of the work, nor the artisanal variations are of any interest to me. \u003cbr\u003eI don't want to make any decisions, and I don't know what I want.\u003cbr\u003e I am inconsistent, indifferent and passive.\u003cbr\u003e “I like things that are unconstrained and unprescriptive, and endless uncertainty.”\u003cbr\u003e ---「5.\u003cbr\u003e From \"Uncle Rudy\"\u003cbr\u003e\u003cbr\u003e Richter still remembers the awe he felt at the time for the work of artists like Carl Andre and Sol LeWitt, and the self-reproach he felt that he could never create anything like it.\u003cbr\u003e So, while the original Corsican motifs arose from artistic anxiety, they were by no means formed in opposition to minimal and conceptual art.\u003cbr\u003e Rather, Gerhard Richter initially described these works as personal paintings without artistic aspirations to be trend-setting.\u003cbr\u003e Nevertheless, it took courage for Richter to paint romantic landscapes. \u003cbr\u003eHe gained this courage by convincing himself that he was painting for himself and not for the public.\u003cbr\u003e “These paintings are not so much about opposing minimal art as about giving up on it because I had nothing to do in that field.\u003cbr\u003e So, I thought I would become a weirdo who does what I love, doesn't belong anywhere, and creates a romantic atmosphere.\"\u003cbr\u003e ---「6.\u003cbr\u003e From \"Breaking Style as a Style Principle\"\u003cbr\u003e\u003cbr\u003e This interplay between representation and representation of reality can be applied to any motif, but Gerhard Richter deliberately chose this approach in two works.\u003cbr\u003e This not only gives substantial legitimacy to the elongated form of the work, but above all, it shows the pictorial concept of the work thematically. \u003cbr\u003eBoth paintings strikingly reflect Richter's fundamental artistic concern to use the possibilities and limitations of painting to perceive and understand reality.\u003cbr\u003e Therefore, this work represents, above all, Richter's skepticism toward all attempts to express this world in pictures.\u003cbr\u003e When even ordinary brushstrokes, upon closer inspection, turn out to be nothing more than mere appearances, one wonders how long such attempts can last.\u003cbr\u003e In the grayscale photo-paintings of the 1960s, blurriness signifies the inaccuracy of the depicted reality and thus expresses a lack of perceptual ability.\u003cbr\u003e However, in \"Stroke\", the fragmentation of the perceptual process shows that a holistic experience of reality is impossible.\u003cbr\u003e The picture clearly reveals both.\u003cbr\u003e On the one hand, it is an illusionistic expression of pictorial gestures, but on the other hand, it shows the viewers the realism of color materials. \u003cbr\u003eBoth perceptual possibilities can vary depending on the viewer's perspective.\u003cbr\u003e In his talk, Richter compared his painting to the uncertainty principle established in 1927 by physicist and Nobel laureate Werner Heisenberg.\u003cbr\u003e According to Heisenberg's insight, the position and velocity of an atomic particle cannot be measured simultaneously and with equal precision.\u003cbr\u003e Any attempt to define one of the two criteria more precisely inevitably introduces uncertainty into the definition of the other.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---「9.\u003cbr\u003e From \"Juno and Janus\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eIn an era that predicts the 'end of painting'\u003cbr\u003e A glimpse into the aesthetics of a pioneer who constantly explores possibilities.\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eGerhard Richter, who is well into his nineties, is a true master among masters who has steadily expanded the realm of painting by crossing the boundaries between photography and painting, abstraction and figuration, color and monochrome, and modernism and postmodernism, while achieving tremendous commercial success in the art market.\u003cbr\u003e Richter's achievement, above all, was that he transferred the characteristics of photography to painting, and realized in his work the possibility of continuing to paint even in an era when the 'end of painting' was predicted.\u003cbr\u003e A representative example is the creation of a unique style called 'photo painting' by transferring photographs taken by the artist himself or scraped from mass media onto canvas and using blurring techniques, abstract brushstrokes, and geometric compositions.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThis book vividly and specifically contains the critics' comments on 'photo-painting' and Richter's responses to them, allowing us to take a step closer to Richter's unique aesthetic that seems elusive yet still manages to be grasped.\u003cbr\u003e For example, one critic, in a paper on Richter's portraits completed in the style of photopaintings, remarked:\u003cbr\u003e “Terms such as absence of selection, absence of composition, absence of style, absence of content are characteristic of Richter’s work.” Richter supports this interpretation by responding as follows:\u003cbr\u003e “I pursue no purpose, no system, no tendency.\u003cbr\u003e I have no platform, no style, no mission.\u003cbr\u003e Neither the technical issues, nor the subject matter of the work, nor the artisanal variations are of any interest to me.\u003cbr\u003e I don't want to make any decisions, and I don't know what I want. \u003cbr\u003eI am inconsistent, indifferent and passive.\u003cbr\u003e “I like things that are unconstrained and unprescriptive, and endless uncertainty.”\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA work recognized by readers and critics\u003cbr\u003e A rich selection of Richter's major works from each era\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The German edition on which this book is based was first published in 2002, followed by a second edition in 2008, and a third edition in 2018, demonstrating its trust and recognition among readers and critics.\u003cbr\u003e In the third edition, the author corrects errors in information and adds information on the development of Gerhard Richter's work over recent years.\u003cbr\u003e In the 2000s, Richter once again expanded his artistic spectrum by implementing new production methods through reverse glass painting and digital \"STRIP\".\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Unfortunately, domestic readers have had few opportunities to encounter Richter's work in person. \u003cbr\u003eThe exhibition “4900 Colors” held at Espace Louis Vuitton Seoul in 2021 and the exhibition “Gerhard Richter\/ A.\u003cbr\u003e R. Penk》is the whole story. \u003cbr\u003eThis book includes \"Self-Portrait\" painted by Richter in his teens, \"Hanging\", a black and white photograph taken in East Germany in 1955, \"Table\", catalogue raisonné No. 1, representative photo-paintings \"Woman Descending a Staircase\" and \"Woman with an Umbrella\", a large-scale painting \"Emma (Nude on a Staircase)\" that appears to parody Duchamp's work, \"Aunt Marianne\" and \"Heide\" that allow the viewer to experience the criminal system of the Nazi regime through the fate of an individual, \"Uncle Rudi\" that depicts Richter's maternal uncle who was like a hero to him, and \"Horst with a Dog\" that conveys the emotional distance from his father, \"192 Colors\" from his early color panel works, and several landscape paintings such as \"Landscape near Huvelat\" and \"Seascape\", \"48 Portraits\" painted for the 36th Venice Biennale, \"Static\" with its dramatic color composition, and \"Station\" that reminds us of the transience of life and death. Richter's major works are carefully selected by period, including \"Candlelight\" and \"Skull,\" \"Betty\" which depicts the back of his daughter, and his recent works \"Strip\" and \"Birkenau.\" \u003cbr\u003eHere, Hye-Jeong Yoon, director of Kukje Gallery and author of My Private Artists and Life, Art, adds richness and depth to the book by incorporating her personal experiences with Richter, such as the moment she first encountered Richter's representative works and her brief meeting with Sabine Moritz (Richter's third wife), as well as her unique thoughts on the artist's art in her \"Recommendation.\" \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e December 15, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 676 pages | 914g | 137*195*41mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788932431574\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8932431574 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43890432802858,"sku":"142093","price":46.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ac6ff63fe27cd17ef410a85e3f348aca.jpg?v=1765298665","url":"https:\/\/librairie.coreenne.fr\/en\/products\/142093","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}