{"product_id":"142161","title":"The Perfect Formula for a Successful Story ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOJV1S5oH2RArqMZvhP.png?v=1764876036\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The Perfect Formula for a Successful Story \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/129375897\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e#1 on Amazon Japan!\u003cbr\u003e It sold over 30,000 copies immediately after publication!\u003c\/b\u003e \u003cbr\u003eFrom scenarios, novels, autobiographies, games, and even comics\u003cbr\u003e The expressive skills needed to create all the stories in the world,\u003cbr\u003e Anyone can learn it if they know the formula!\u003cbr\u003e\u003cbr\u003e They say that in Japan, there is an academy that teaches storytelling like TOEIC.\u003cbr\u003e This is the Scenario Center founded by Hajime Arai, who is called the \"Father of Scenarios\" and has written over 300 movie scenarios and 2,000 radio and TV drama scripts for Toho, Japan's largest film group.\u003cbr\u003e This book encapsulates the creative techniques of the Scenario Center, which produces 70% of Japan's drama writers and 90% of contest winners.\u003cbr\u003e\u003cbr\u003e Anyone who writes a story wonders, \"Doesn't it take a complex, mysterious, genius-level ability to write a great story?\" \u003cbr\u003eHowever, the Scenario Center teaches that anyone can write a story that touches people's hearts if they know the formula for writing a story.\u003cbr\u003e I just don't know how to think about what to do or how to do it properly to make the story interesting.\u003cbr\u003e\u003cbr\u003e This book teaches you how to organize your creative ideas and refine them into stories.\u003cbr\u003e It teaches you step-by-step how to find and develop compelling ideas, create a setting for your story, create compelling and vibrant characters, and create memorable scenes.\u003cbr\u003e It also provides an easy-to-understand explanation of the structure of a story and how to create a story structure, which is a great help to creators who want to write a novel. \u003cbr\u003eThe core curriculum of the Scenario Center, boasting a 50-year tradition, has been condensed into a single volume so that even those who have never written a story can read it and follow it right away.\u003cbr\u003e\u003cbr\u003e It's also packed with practical advice you can start with right away, including how to create a setting that you can start with even if you don't have a brilliant idea, how to structure a story that's both plausible and fun, how to establish points of appeal and resonance to create compelling characters, and how to use props to omit descriptive descriptions or dialogue.\u003cbr\u003e \u003cbr\u003eMany of Japan's leading drama screenwriters, including Yoshikazu Okada, the screenwriter for the dramas \"Now, I'll Meet You\" and \"Antique: An Antique Bakery,\" and Yoshiko Morishita, the screenwriter for \"Crying Out Love, in the Center of the World,\" have graduated from the Scenario Center. Furthermore, Koji Suzuki, the author of the novel \"Ring,\" which became a global phenomenon when made into a film, as well as writers responsible for the animation screenplays for \"Sazae-san,\" \"Doraemon,\" \"One Piece,\" \"Black Clover,\" and \"Family of Spy\" have also completed the center's lectures.\u003cbr\u003e\u003cbr\u003e Anyone can create engaging stories by learning the core creative techniques taught by professional writers at the Scenario Center.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Starting off_The creative class for you begins\u003cbr\u003e\u003cbr\u003e Get your hands on the map of the prologue's creation. \u003cbr\u003eCreation is a question of what to write and how to write it.\u003cbr\u003e Expressive techniques exist to portray humans.\u003cbr\u003e Seven Problems That Occur When There Is No Creative Guidance\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1: Understanding the Form of a Story\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The question of whether or not you have talent\u003cbr\u003e Drama and story are different\u003cbr\u003e What are the conditions for an interesting story?\u003cbr\u003e Let's learn how to think properly\u003cbr\u003e Let's draw a map of creation in our heads.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2: Creating an Exciting Setting\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Three components needed to set up a story\u003cbr\u003e Theme: When the goal is clear, the story becomes clear.\u003cbr\u003e Motif: Finding the Path to Your Goal\u003cbr\u003e Material: Create new stories with colorful combinations.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: Creating Lively Characters\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Audiences and readers want characters.\u003cbr\u003e Once the characters are established, story creation becomes faster.\u003cbr\u003e Audiences and readers empathize with compelling characters.\u003cbr\u003e Let's give the characters some charm \u003cbr\u003eHow to Write a Proper Resume for a Character\u003cbr\u003e Let's create human relationships between characters.\u003cbr\u003e Let's classify and describe the characters.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: Let's structure the story logically.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e If you want to break out of the mold, learn composition.\u003cbr\u003e Let's structure the story with a beginning, development, turn, and conclusion.\u003cbr\u003e How does the introduction, development, climax, and conclusion function in a story?\u003cbr\u003e Create stories quickly and easily using the box composition method.\u003cbr\u003e How to create a story using box composition\u003cbr\u003e Let's create the attraction of the story from the beginning\u003cbr\u003e Let's show the protagonist's desires and limitations in victory.\u003cbr\u003e In the finale, let's put the protagonist in danger and leave a lingering impression.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5: Let's Draw a Memorable Scene\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e What is the alternative scene?\u003cbr\u003e Scene Condition 1: Does it depict a human being?\u003cbr\u003e Dialogue creates character\u003cbr\u003e Scene Condition 2: Are you curious about the next scene?\u003cbr\u003e Scene Condition 3: Is it a picture?\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6: Let's Create by Taking Advantage of the Genre's Characteristics\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e For those who want to write a screenplay or novel \u003cbr\u003eTips for Writing Autobiographies and Essays\u003cbr\u003e Tips for Writing Comic Stories\u003cbr\u003e Tips for Writing Game Scenarios\u003cbr\u003e\u003cbr\u003e In conclusion: Even after the creative writing class ends, your creative work continues.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4618\/MidCate009\/461782973(1).jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e As you create a story, you unconsciously think of the story.\u003cbr\u003e At first, I was so enthusiastic about writing that I thought, \"Wow, I'm a genius. This is definitely going to be a fun piece.\"\u003cbr\u003e But at some point, the hand stops.\u003cbr\u003e And I think this way.\u003cbr\u003e 'Oh, I feel like I've read this somewhere before.'\u003cbr\u003e 'What the heck, this is just a common plot twist.'\u003cbr\u003e 'Hey, I guess I have no talent after all.'\u003cbr\u003e And then I stop creating.\u003cbr\u003e It's not that I lack talent or ideas, it's just that my writing style is wrong.\u003cbr\u003e\u003cbr\u003e --- p.44~45\u003cbr\u003e \u003cbr\u003eIf we express ideas in order from abstract to concrete, from large to medium to small, the first step in establishing the worldview corresponds to the outline of the story, so it corresponds to 'large'.\u003cbr\u003e It can be said to be the most abstract.\u003cbr\u003e The second step of establishing the characters and structuring the plot is 'middle' because it requires creating the flow of the story.\u003cbr\u003e The third step of drawing a scene is 'small' because you have to think about every scene in the story.\u003cbr\u003e This is the stage where you need to think of the most concrete idea.\u003cbr\u003e\u003cbr\u003e --- p.65\u003cbr\u003e\u003cbr\u003e Some people enjoy creating settings because they are constantly bombarded with ideas, while others struggle because they can't come up with ideas.\u003cbr\u003e Opinions on the stage of thinking about the setting of a story are largely divided.\u003cbr\u003e \u003cbr\u003eWhether you enjoy coming up with ideas or find them difficult, the root of your struggle is ultimately the same if you can't create a story setting based on your ideas.\u003cbr\u003e Many people still believe that to write a story, you have to come up with a brilliant idea that no one has thought of before.\u003cbr\u003e First of all, we need to get rid of that prejudice.\u003cbr\u003e So how do we create a setting for a story? The answer is simple.\u003cbr\u003e Setting up a story is a combination of three elements: theme, motif, and material.\u003cbr\u003e --- p.79~80\u003cbr\u003e\u003cbr\u003e When I went to give a lecture to a game production company before, I received a character setting chart of a game produced by that company as reference material in advance.\u003cbr\u003e The setting table was very detailed and filled with text, but I couldn't even begin to figure out what kind of person the character was. \u003cbr\u003eI understand the company's concerns about the discrepancies in character interpretation between the director and writer.\u003cbr\u003e\u003cbr\u003e Creating a resume itself is not the problem.\u003cbr\u003e The problem lies in how to write a resume.\u003cbr\u003e That's why you need 'how to write a proper resume'.\u003cbr\u003e The method is simple.\u003cbr\u003e Just establish the character's central personality, charm, and relatability, and then connect all the elements to that.\u003cbr\u003e\u003cbr\u003e --- p.137~138\u003cbr\u003e\u003cbr\u003e Many people say that when writing a story, you should think about the structure first.\u003cbr\u003e But there are definitely some people who think, 'I find composition a bit difficult.'\u003cbr\u003e Even in training sessions conducted by game developers, I've heard participants say, \"Because we focus so much on creative ideas, it's hard for us to think logically about the structure.\"\u003cbr\u003e (…) In the creative process of creation, only the composition requires logical use of the head. \u003cbr\u003eOnce you understand structure, storytelling becomes 100 times easier than it is now.\u003cbr\u003e Composition doesn't limit your creativity, it liberates it.\u003cbr\u003e\u003cbr\u003e --- p.160~161\u003cbr\u003e\u003cbr\u003e The box method is one way to organize the ideas in your head into a story.\u003cbr\u003e When composing, using box composition allows you to see the overall flow of the story at a glance.\u003cbr\u003e The box plot is very useful when writing a novel because it gives you an overall picture of the story.\u003cbr\u003e It can be used not only in movies and dramas, but also in novels and comics.\u003cbr\u003e\u003cbr\u003e --- p.179~180\u003cbr\u003e\u003cbr\u003e A scenario is a visual representation.\u003cbr\u003e Videos have time constraints.\u003cbr\u003e The need to impress the audience or viewer within a limited time inevitably leads to the development of composition techniques.\u003cbr\u003e Additionally, video has the unique property of allowing audience reactions to be measured over time. \u003cbr\u003eAs digitalization progresses, this trend has become even stronger.\u003cbr\u003e The compositional techniques of a scenario are intended to intentionally move the hearts of the audience and viewers.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.276\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eHow do storytelling professionals think and create stories?\u003cbr\u003e 70% of drama writers and 90% of contest winners are produced\u003cbr\u003e Discover the creative techniques of the Scenario Center in one volume!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e They say that in Japan, there is an academy that teaches storytelling like TOEIC.\u003cbr\u003e This is the Scenario Center, founded in 1970 by Hajime Arai, who is called the “Father of Scenarios” and wrote over 300 movie scenarios and 2,000 radio and TV drama scripts for Toho, Japan’s largest film group. \u003cbr\u003eThe Scenario Center offers a variety of programs for anyone from beginners to experts who want to create stories, based on the scenario techniques systematized by Hajime Arai. It is also renowned as a writer training academy that has produced 70% of Japan's drama writers and 90% of contest winners.\u003cbr\u003e This book encapsulates the creative techniques of the Screenplay Center, a world-renowned academy specializing in training writers.\u003cbr\u003e\u003cbr\u003e When creating, everyone is bound to have concerns.\u003cbr\u003e However, the concerns of amateurs and professionals are different.\u003cbr\u003e Amateur creators waste unnecessary energy worrying about the details, such as how to lead the story, how to write the dialogue, and how much description to use.\u003cbr\u003e Professional writers, on the other hand, focus solely on making stories interesting, and produce much more interesting stories with less effort. \u003cbr\u003eThe difference lies in 'how to write', that is, whether one properly understands the creative technique.\u003cbr\u003e\u003cbr\u003e This book distills the essence of creative techniques into simple, easy-to-understand instructions, teaching creators how to develop vague ideas into concrete and engaging stories.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEveryone has talent! The only thing missing is creative skills.\u003cbr\u003e Anyone can write stories like a pro if they know the creative map!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e What if the setting and worldview are compelling, but the story itself feels bland? What if there are so many ideas that it's hard to grasp what's being said? What if the characters' actions are so repetitive that the story feels predictable, or if the constant back-and-forth leads to a \"character breakdown\"?\u003cbr\u003e\u003cbr\u003e Even though I worked hard on it, there are times when I feel like it's not fun to read, or it's too much, or the story is vague. \u003cbr\u003eWhen you're thinking about the story, it might feel like an interesting piece of work, but after writing it and reading it, it might feel like a common, cliche story that you've seen somewhere before.\u003cbr\u003e It was clearly fun in my head, but why is the story I worked so hard to write so dull? Is it a lack of talent? The Scenario Center points out that the problem isn't talent, but a lack of understanding how to properly apply creative techniques where necessary.\u003cbr\u003e\u003cbr\u003e This book divides the steps of creating a story into three major parts and introduces them step by step.\u003cbr\u003e The first is the largest and most abstract stage that sets up the worldview of the story, the second is the intermediate stage that sets up the characters and organizes the structure of the entire story, and the third is the specific stage that depicts the scenes that the readers or audience directly encounters. \u003cbr\u003eIt introduces the entire creative process, from idea conception to storytelling and how to express it concretely.\u003cbr\u003e\u003cbr\u003e The methods introduced in this book can be read and followed immediately.\u003cbr\u003e If you can't come up with any original ideas, you can try combining the genre with the keyword \"○○-mul\" (mystery, historical, etc.), or use the \"reverse thinking method\" to turn tired ideas upside down.\u003cbr\u003e If you have too many attributes you want to give your character, or conversely, you don't know where to start, you can highlight their individuality by creating them around three axes: \"personality,\" \"charm points,\" and \"empathy.\"\u003cbr\u003e When it's difficult to organize a story logically, use the 'box organization method' to organize the entire story flow so that you can see it at a glance. \u003cbr\u003eIt also details methods such as the 'image thinking method' that allows you to vividly imagine a scene, the 'indirect expression method' that conveys indirectly instead of directly, and the 'dialogue leap method' that allows you to break away from a list of predictable lines.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMovie scripts, drama scripts, novels, autobiographies, essays, comic book stories, game scenarios…\u003cbr\u003e If you know the basics of storytelling, you can write an interesting story in any genre.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book introduces how to create stories based on screenwriting techniques, but it can be equally applied to writing novels, autobiographies, essays, comic book stories, game scenarios, and more.\u003cbr\u003e All the skills needed to create a story—finding and developing ideas, plotting a story, creating characters, composing scenes, writing dialogue—are essential, regardless of the genre you're creating.\u003cbr\u003e The same goes for autobiographies and essays. \u003cbr\u003eIt's easy to think of autobiographies and essays as being similar to diaries, but ultimately, to be read by others, the story needs to be structured in an interesting way.\u003cbr\u003e In order to convey my experiences in an appealing way, I need to establish the character of 'I' and select and convey specific scenes.\u003cbr\u003e To achieve unity throughout the story, you also need the ability to set a theme and structure the story accordingly.\u003cbr\u003e\u003cbr\u003e A comic story is similar to a scenario in that it is a video.\u003cbr\u003e In the past, most of the work was done by the author alone, from story composition to animation, but in the recent comics market, there are many cases where the author who creates the story and the artist who draws the pictures are different, and the demand for comics stories has also increased. \u003cbr\u003eWhen creating a comic story, it provides detailed information on which parts of the existing scenario writing method should be emphasized and which parts should be paid attention to.\u003cbr\u003e Additionally, through the experience of a seminar for game scenario writers held at the Scenario Center, we will also provide detailed information on what game scenario writers should pay attention to.\u003cbr\u003e This is a must-read for any creator of stories, regardless of genre.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA writer training academy with 54 years of tradition,\u003cbr\u003e What is Scenario Center, Inc.?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e A writer training academy founded in 1970 by Hajime Arai, known as the 'father of Japanese scenarios.'\u003cbr\u003e Based on the \"Basic Scenario Skills\" systematized by Hajime Arai, we offer a variety of programs for story creators, from basic lectures for beginners to purpose-based and genre-specific lectures for experts.\u003cbr\u003e \u003cbr\u003eRepresentative Japanese drama screenwriters James Miki and Makiko Uchidate, Yoshikazu Okada of \"Now, I'm Going to Meet You\" and \"Antique: Western Antique Bakery,\" and Yoshiko Morishita of \"Crying Out Love, in the Center of the World\" have all passed through the Scenario Center.\u003cbr\u003e It has also produced over 700 professional writers, including Koji Suzuki, the original author of the novel \"Ring\" which was made into a movie and became a worldwide sensation; Asako Yuzuki, who wrote the \"Akko-chan\" series which took Japan by storm and was nominated for the Naoki Prize three times; and Hika Harada, who won the grand prize at the NHK Original Radio Drama Script Contest.\u003cbr\u003e\u003cbr\u003e 70% of the full-length dramas broadcast in Japan are written by screenwriters who graduated from the Scenario Center, and 90% of the winners of scenario contests are from the Scenario Center.\u003cbr\u003e \u003cbr\u003eWe support all those who are interested in creating, and our corporate philosophy is “Until the day everyone writes a screenplay.”\u003cbr\u003e https:\/\/www.scenario.co.jp \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e August 10, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 304 pages | 414g | 140*210*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788984075047\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8984075043 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43890481070122,"sku":"142161","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/3503819e0d134036653e6bf3d8e6a2a6.jpg?v=1765299202","url":"https:\/\/librairie.coreenne.fr\/en\/products\/142161","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}