{"product_id":"142214","title":"Opera Stories You Didn't Learn at School ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQtVOJWWFFUNShEq8TUCHP.png?v=1764876807\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Opera Stories You Didn't Learn at School \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/125710922\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e  \u003ch5\u003e\u003cb\u003eBook Introduction\u003c\/b\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA song that sticks to your ears,\u003cbr\u003e A story more thrilling than a daily drama…\u003cbr\u003e\u003cbr\u003e I have been mistaken in thinking that opera is the exclusive domain of the 'educated'.\u003cbr\u003e A book for you\u003cbr\u003e\u003cbr\u003e -Did Verdi know from the beginning that 'A Woman's Heart' would come to him?\u003cbr\u003e -What happens when both the person singing the 'Cheers Song' and the person listening feel awkward at the same time?\u003cbr\u003e -Do students in the vocal music department also speak German or Italian well?\u003cbr\u003e -How was Wagner able to both compose and write plays?\u003cbr\u003e -Why were there criticisms that disparaged Puccini?\u003cbr\u003e -Why are so many operas set in the Andalusian region of Spain?\u003cbr\u003e\u003cbr\u003e As we follow the guidance of the author, a tenor and classical music commentator,\u003cbr\u003e Before I knew it, my playlist was enriched!\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eHow many people in our country have seen an opera performance at least once in their lives? There's no way to get a definitive answer, but it's safe to assume the number isn't very high.\u003cbr\u003e Compared to musicals, which are so popular that they even give rise to terms like 'picketing' and 'repeated viewings,' there seems to be a fairly common prejudice that opera is a difficult genre.\u003cbr\u003e\u003cbr\u003e For those who still think that opera is an art form enjoyed only by special people, this book, “Opera Stories They Don’t Teach You in School,” serves as a friendly guide.\u003cbr\u003e The author, who has performed on stage as a tenor and has also consistently worked as a music commentator and performance planner, carefully follows the flow of music history and illuminates eighteen operas in his own unique way. \u003cbr\u003eHe covers a variety of topics, including the arias and overtures in the work, the lives of the composer and librettist, and sometimes introduces the characteristics of the piece by drawing on his own stage experience, or offers advice on vocal technique.\u003cbr\u003e Furthermore, the author's writing, which covers a wide range of literary works that influenced the birth of opera, as well as scenes from world history related to the period of composition and playwriting, also provides an enjoyable humanistic approach to opera.\u003cbr\u003e\u003cbr\u003e You can follow along with \"Opera Stories They Never Taught You in School\" and listen to the familiar melodies of arias that have survived for hundreds of years, or you can first skim through popular narratives that rival any daily drama.\u003cbr\u003e It won't take long to get close to the opera. \u003cbr\u003eIt's okay if you've never seen an opera performance in person at a theater, and you don't remember learning opera properly in music class at school.\u003cbr\u003e What's the problem with music streaming sites that only play songs at the top of the charts and never even think to look for opera arias?\u003cbr\u003e Through this book, you will be able to get closer to a new and wonderful taste in music, starting today.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Opening remarks\u003cbr\u003e How to get one step closer to opera\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 1.\u003cbr\u003e A special way music and story meet\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e ·Handel, still relevant today, and the now-extinct castrati\u003cbr\u003e -Handel, Rinaldo\u003cbr\u003e\u003cbr\u003e ·What comes first, music or narrative?\u003cbr\u003e -Gluck, Orfeo ed Euridice\u003cbr\u003e\u003cbr\u003e ·〈Conversation with a Tenor〉 What is the difference between opera and musical?\u003cbr\u003e \u003cbr\u003e·The relationship between revolution and opera\u003cbr\u003e -Mozart, The Marriage of Figaro\u003cbr\u003e\u003cbr\u003e ·〈Conversation with a Tenor〉 How on earth does one vocalize?\u003cbr\u003e\u003cbr\u003e ·Recalling memories of the 19+ rated \"Don Juan\"\u003cbr\u003e -Mozart, Don Giovanni\u003cbr\u003e\u003cbr\u003e ·Magic flute? Not a magician?\u003cbr\u003e -Mozart, The Magic Flute\u003cbr\u003e\u003cbr\u003e ·If you endure a little longer, an opportunity will come!\u003cbr\u003e -Beethoven, Fidelio\u003cbr\u003e\u003cbr\u003e ·〈Conversation with a Tenor〉 About a slightly special overture\u003cbr\u003e\u003cbr\u003e ·The special charm of orchestral music experienced at opera\u003cbr\u003e -Weber, The Freischutz\u003cbr\u003e\u003cbr\u003e ·The world of the composer Wagner\u003cbr\u003e -Wagner, Tannhäuser\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 2.\u003cbr\u003e To better understand bel canto and Verdi\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e If there was a drug that would help you fall in love\u003cbr\u003e -Donizetti, The Elixir of Love\u003cbr\u003e\u003cbr\u003e ·The librettists of the opera \"Conversation with a Tenor\"\u003cbr\u003e\u003cbr\u003e ·The difficult process leading to marriage  \u003cbr\u003e-Rossini, The Barber of Seville\u003cbr\u003e\u003cbr\u003e Camellia and Violetta\u003cbr\u003e -Verdi, La traviata\u003cbr\u003e\u003cbr\u003e ·I have a feeling it will be a big hit\u003cbr\u003e -Verdi, Rigoletto\u003cbr\u003e\u003cbr\u003e ·Kim Seon-dal, Trovatore, and Creator\u003cbr\u003e -Verdi, Il trovatore\u003cbr\u003e\u003cbr\u003e ·〈Conversation with a Tenor〉 How is an opera made?\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePart 3.\u003cbr\u003e More realistically or with a more beautiful melody!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e ·The special charm of ordinary people\u003cbr\u003e -Bizet, Carmen\u003cbr\u003e\u003cbr\u003e ·Realistically, more realistically\u003cbr\u003e -Mascagni, Cavalleria rusticana\u003cbr\u003e\u003cbr\u003e Why we need to distinguish between drama and reality\u003cbr\u003e -Ruggero Leoncavallo, Pagliacci\u003cbr\u003e\u003cbr\u003e ·〈Conversation with a Tenor〉 If you go to the vocal music department\u003cbr\u003e\u003cbr\u003e ·The audacity to hit the back of the head until the very end\u003cbr\u003e -Puccini, Gianni Schicchi\u003cbr\u003e\u003cbr\u003e The power of storytelling\u003cbr\u003e -Puccini, Turandot\u003cbr\u003e\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eThe sound produced when the vocal cords on both sides vibrate without contact is falsetto, and the sound produced when the vocal cords on both sides vibrate while contacting each other is true.\u003cbr\u003e Sounds that involve excessive vocal cord contact are commonly referred to as 'raw voice'.\u003cbr\u003e For vocalization, you must use your true voice, so it is important to train yourself to produce sounds with little vocal cord contact.\u003cbr\u003e This technique is called 'timbro' in Italian.\u003cbr\u003e In addition to meaning tone and quality, it also has the meaning of a seal or stamp.\u003cbr\u003e\u003cbr\u003e --- p.44~45\u003cbr\u003e\u003cbr\u003e The citizens of Prague were enthusiastic about The Marriage of Figaro.\u003cbr\u003e They wanted Mozart to stay in Prague and to premiere his new opera there. \u003cbr\u003eEventually, Mozart composed and premiered an opera in Prague, Czech Republic in 1787, and that work was the opera “Don Giovanni,” written with a libretto by Lorenzo da Ponte.\u003cbr\u003e Some might argue that Da Ponte's libretto is not a perfect creation, as there were other works that influenced the writing of the libretto for Don Giovanni.\u003cbr\u003e However, it is clear that da Ponte made this work into a masterpiece that has remained beloved for hundreds of years.\u003cbr\u003e --- p.55\u003cbr\u003e\u003cbr\u003e I have never performed Tannhäuser, but I remember singing the Pilgrim's Chorus two or three times.\u003cbr\u003e This male choir piece, often sung in choir performances, is actually quite difficult.\u003cbr\u003e When you think the harmony is right, it isn't, and when it doesn't seem right, you find yourself singing with the harmony right.\u003cbr\u003e Aren't these characteristics also a perfect example of Wagner's greatness?\u003cbr\u003e\u003cbr\u003e --- p.94\u003cbr\u003e \u003cbr\u003eAbove all, the most famous aria from “The Elixir of Love” is “Tears shed in secret.”\u003cbr\u003e This famous song, sung by the poor male protagonist Nemorino, who thinks his love for Adina is almost fulfilled, begins in a dark minor key, but changes to a bright major key as the song progresses.\u003cbr\u003e Romani, who wrote the script, reportedly recommended revisions to the song, saying it would disrupt the overall flow.\u003cbr\u003e But Donizetti wanted to proceed, and the result was a great success.\u003cbr\u003e\u003cbr\u003e --- p.104~105\u003cbr\u003e\u003cbr\u003e It is said that through the work on the libretto for the opera \"Carmen,\" many of the cruel and provocative contents depicted in the original realistic novel were removed.\u003cbr\u003e Nonetheless, the libretto and music of Carmen were considered quite new and groundbreaking when it premiered in 1875. \u003cbr\u003eIn fact, the Comique Theatre in France, where the premiere took place, was a popular place for families to watch performances at the time.\u003cbr\u003e However, the Carmen premiered here was far from a family drama with a beautiful story or moving music.\u003cbr\u003e It was understandable that the audiences and critics of the Comique theater would have found it difficult to accept a work in which a soldier deserts for the sake of a gypsy woman who works in a cigarette factory, mixes with smugglers, and lives in a criminal organization, and in the end, the soldier, blinded by jealousy, kills his lover after losing everything.\u003cbr\u003e\u003cbr\u003e --- p.157\u003cbr\u003e\u003cbr\u003e Although there is some debate as to whether it is based on a true story, Pagliacci is considered one of the representative works of realistic opera, or verismo opera.\u003cbr\u003e Traditionally, in tragedy, the protagonists were often gods, royalty, or nobles. \u003cbr\u003eIn operas, the protagonists of tragedies were usually of high social status, but starting with Bizet's opera \"Carmen,\" the protagonists and content of tragedies began to change.\u003cbr\u003e Young Italian composers were shocked when they saw Carmen performed in Paris.\u003cbr\u003e And I felt a sense of crisis that operas from Germany and France were leading the change more than operas from Italy, the home of opera.\u003cbr\u003e The new attempt that resulted from this was the verismo opera.\u003cbr\u003e\u003cbr\u003e --- p.172\u003cbr\u003e\u003cbr\u003e Through choir classes, we learned to cultivate our own strong individuality and collaborate with each other.\u003cbr\u003e Almost everyone who majors in vocal music wants to work as a soloist, but the feeling of unity through this choir is also a great benefit.\u003cbr\u003e Some schools have concert choirs comprised solely of vocalists and musicians.\u003cbr\u003e If you choose to major in opera, you can also experience a workshop class where you can create opera scenes together.\u003cbr\u003e \u003cbr\u003e--- p.180\u003cbr\u003e\u003cbr\u003e Sometimes, because he put forward beautiful melodies that garnered immediate popular response, Puccini was often criticized by critics as being light and shallow.\u003cbr\u003e Nonetheless, there is no doubt that Puccini was a great composer with the ability to please the public's ears.\u003cbr\u003e The ability to create so-called 'catchy' melodies is not something that just anyone can possess.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.189\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe world of opera arias becomes more captivating the more you know about them.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Actually, if you think about it, opera is a pretty easy genre.\u003cbr\u003e There was a time in this country when even elementary school students who had no idea what “Rigoletto” was doing would hum a few lines of “A Woman’s Heart,” albeit with the lyrics changed to “Give me some time, I have places to go.” \u003cbr\u003eSome people may not know the Magic Flute very well, but they probably remember the high-pitched voices of celebrities who imitated it on variety shows, so they probably know the aria sung by the Queen of the Night.\u003cbr\u003e Meanwhile, there are probably quite a few people out there who are still captivated by the shout of \"Vinchero!\" by a singer who sings both trot and vocal music, and who know the meaning of the phrase \"Nessun dorma\" even though they have never seen the play \"Turandot.\"\u003cbr\u003e If you think about it, there are already more than enough opera arias we know.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Just by considering that it is a cradle of famous songs that have already become familiar to us, whether we know it or not, opera can already be considered a comprehensive art form with sufficient popularity.\u003cbr\u003e This book, \"Opera Stories They Don't Teach You in School,\" tells us in another way that opera is a genre that is \"easy to approach and becomes more interesting the more you learn about it.\" \u003cbr\u003eThe first chapter also begins with a story about the opera Rinaldo and the song \"Lascia ch'io pianga\" that anyone who hears it will know.\u003cbr\u003e If you have ever been captivated by the voice of a castrato after hearing the song \"Let Me Cry\" inserted in the movie \"Farinelli,\" you will be able to more easily approach the narrative of \"Rinaldo\" and Handel's life introduced by the author.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The author devotes ample space to explaining what meaning the popularly known arias have in opera and what musical characteristics they have. \u003cbr\u003eThrough this book, some readers may enjoy learning that the famous \"Oh, My Dear Father\" is a song of a daughter desperately asking her conman father to help her marry the man she loves, and that \"A Woman's Heart,\" which seems to be a song of lively and beautiful courtship, is actually an aria of a lustful man expressing the reasons for his womanizing.\u003cbr\u003e Following the author's commentary on songs that could be called \"Koreans' favorite opera arias,\" such as \"Tears Shed in Secret,\" \"Cheers,\" \"Toreador's Song,\" and \"Let No One Sleep,\" you will be able to experience hearing those familiar songs in a new way.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eReading free-spirited comprehensive art alongside history and literature\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Of course, not all of the music is familiar.\u003cbr\u003e The charm of opera also lies in the story. \u003cbr\u003eIn fact, the narratives contained in many operas are more popular than one might think.\u003cbr\u003e Furthermore, it is provocative.\u003cbr\u003e Is Carmen the only story about a woman who works in a silk cigarette factory and lives with smugglers, and a man who, blinded by love and jealousy, deserts and even commits murder?\u003cbr\u003e In Cavalleria Rusticana, a representative work of the 'verismo opera' that realistically depicts characters and events, a man who continues to meet his old lover even after marriage dies after a duel with the so-called 'current husband of his ex-girlfriend'.\u003cbr\u003e Pagliacci, one of the verismo operas, is also quite impressive.\u003cbr\u003e This work contains a tragic narrative of a husband who witnesses his wife's infidelity and becomes so enraged that he commits murder. \u003cbr\u003eAnother unique pleasure this book offers is that you can experience the 'spicy' story of a popular opera, sometimes as spicy as any drama, without the language barrier.\u003cbr\u003e\u003cbr\u003e Opera is a comprehensive art form that has survived for hundreds of years, and it can be enjoyed with a different charm when viewed with a focus on a specific point in world history.\u003cbr\u003e This book also suggests a way to become familiar with opera through a slightly more humanistic approach.\u003cbr\u003e The author discusses Beethoven's only opera, Fidelio, mentioning the relationship between Beethoven and Napoleon, and in his essay on The Barber of Seville, he discusses why Andalusia, Spain, was chosen as the setting for the work in an era when censorship of art was severe.\u003cbr\u003e After reading this book, some people will be able to see the connection between the French Revolution and Mozart while watching The Marriage of Figaro. \u003cbr\u003eThe author's story about the characteristics of the composer's era and the historical background of the work will certainly serve as a meaningful guide for those who want to enjoy 'reading' opera from a historical perspective.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In \"Opera Stories They Don't Teach You in School,\" the close relationship between opera and literature is often discussed.\u003cbr\u003e Explanations of the novel by Alexandre Dumas fils, which influenced the creation of \"La Traviata,\" and the short story of the same name, which is the original work of \"Carmen,\" provide a foundation for a richer appreciation of the opera.\u003cbr\u003e Some readers may encounter the narratives of Orpheus and Eurydice or Turandot in this book and then look for and read Greek Mythology or A Thousand and One Days.\u003cbr\u003e Meanwhile, the author also piques the reader's curiosity with stories about librettists like Lorenzo da Ponte, who created operas together with composers. \u003cbr\u003eWhile some composers, like Wagner, were both composers and librettists, many others collaborated with librettists to create operas. Readers will be able to broaden their perspectives on operas by learning about those who wrote the operas.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eDiscover new musical tastes through the guidance of a tenor\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Even among those who enjoy classical music to a great extent, there are many who frequently attend recitals, solo concerts, and orchestral performances, but still find it difficult to readily 'challenge' opera.\u003cbr\u003e Perhaps the language barrier could be one of the reasons.\u003cbr\u003e To better enjoy songs in languages ​​other than English, such as German or Italian, you need to at least look at the translated lyrics, and the passion to go through that effort is less common than you might think. \u003cbr\u003eThis book serves as a more practical guide for readers who only knew the melody but did not have the opportunity to know what the lyrics were about or which part of the work it was used in.\u003cbr\u003e For example, the aria \"Nessun dorma (Let No One Sleep)\", which is considered the best aria in Turandot, is remembered by its title \"The Princess Cannot Sleep\" and many people think it is a song about a princess who is so in love that she cannot sleep. However, it is actually a song sung by a prince who has a premonition of victory as he watches the princess pestering her subjects all night to solve a riddle.\u003cbr\u003e The lyrics of 'Vincero' sound a little more special when you read and listen to this content.\u003cbr\u003e\u003cbr\u003e The author, who is active as a vocalist, also sparks interest in vocal music in a special way by sharing his experiences singing on stage. \u003cbr\u003eReading the author's writing about the occasion when he sang \"Tears Shed in Secret\" in front of a single audience member, and the reason why he might feel embarrassed by the audience's applause when singing \"The Song of Celebration,\" gives one the pleasure of getting a glimpse into the life of a vocalist.\u003cbr\u003e\u003cbr\u003e Readers who broaden their musical tastes by following stories about the lives of composers or the history of music will find this book worth paying attention to, including the conflict between the Wagner and Brahms factions and Gluck's opera reforms that emphasized narrative.\u003cbr\u003e Furthermore, readers who feel particularly burdened by the language barrier are more likely to truly discover the charm of opera only in the world of opera overtures guided by the author.\u003cbr\u003e On the other hand, this book also shows the possibility of becoming closer to opera through film. \u003cbr\u003eFilm fans who particularly remember the scene in The Shawshank Redemption where the prisoners listen to the aria together through the prison speaker or the tragic ending of The Godfather: Part III will be even more delighted to read about The Marriage of Figaro or Cavalleria Rusticana.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Readers interested in vocal music may want to pay more attention to the section titled 'Conversation with a Tenor.'\u003cbr\u003e In 'Conversation with a Tenor', the author explains breathing, vocal cords, resonance, etc., introduces vocal techniques, and also tells you what classes you will take if you go to a vocal music department.\u003cbr\u003e Information that is difficult to access without taking vocal lessons for entrance exams or as a hobby is sometimes provided professionally and sometimes casually.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eHow many people in this world actually bother to listen to music? Even those who enjoy music quite a bit tend to just tune in to the top charts on streaming sites, or they rely on the algorithms of video sites to keep them going.\u003cbr\u003e But aren't there days when you suddenly feel like listening to music you normally wouldn't listen to?\u003cbr\u003e On such a day, listening to the opera arias in this book might be a pretty good choice.\u003cbr\u003e The fact that the song has survived for hundreds of years is probably a pretty reliable indicator anyway.\u003cbr\u003e In fact, filling a meager playlist and sloppy tastes isn't all that difficult. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 2, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 200 pages | 140*210*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791197765315\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN10:\u003c\/strong\u003e 119776531X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43890490769450,"sku":"142214","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/963ce032f7f77fada5c573e2dc5df9e9.jpg?v=1765299678","url":"https:\/\/librairie.coreenne.fr\/en\/products\/142214","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}