{"product_id":"142595","title":"The endless history of Western art ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYG63N1KH1zysMxujUHAUQJhAPLex.png?v=1765013760\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The endless history of Western art \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/112220013\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eIf you follow the question of why, you will naturally understand the history of Western art.\u003cbr\u003e Studying art history has also made me knowledgeable about Western history!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e If you look at ancient Egyptian murals, you will find something strange.\u003cbr\u003e Because the body is frontal, but the face is sideways.\u003cbr\u003e Why did Egyptians paint like this? These days, landscapes are the most common type of painting.\u003cbr\u003e However, landscape painting was neglected for a very long time in Western art history. \u003cbr\u003eWhy was that? \"A History of Western Art: A Guide to the Past\" is an introductory and educational book on art, offering a comprehensive overview of everything from prehistoric cave paintings to modern graffiti, based on crucial questions that profoundly changed the course of art.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e Part 1.\u003cbr\u003e Prehistoric and Ancient Art\u003cbr\u003e The Beginning of Art: Why Did They Paint in Caves?\u003cbr\u003e Egyptian Art: Why Were Faces and Bodies Painted That Way?\u003cbr\u003e Archaic Art: How Did Ancient Greek Art Differ from Egyptian Art?\u003cbr\u003e Classical Art: Why Greek Art Became the Standard\u003cbr\u003e Hellenistic and Roman Art: Why Does Exalted Art Lead to Exuberant Art?\u003cbr\u003e\u003cbr\u003e Part 2.\u003cbr\u003e medieval art\u003cbr\u003e Early Christian and Byzantine Art: Why Not Paint It as It Sees It?\u003cbr\u003e Romanesque and Gothic Art: Why Were Buildings Taller?  \u003cbr\u003eFlemish Art: Why the Bourgeoisie Created Their Own Art\u003cbr\u003e\u003cbr\u003e Part 3.\u003cbr\u003e modern art\u003cbr\u003e Early Renaissance: Why People Were Surprised by Giotto's Paintings\u003cbr\u003e The Renaissance: Why Do Geniuses Come All at Once?\u003cbr\u003e The Northern European Renaissance: Were the Nordics Untalented in Art?\u003cbr\u003e Mannerism: Why Strange Art Comes After Great Art\u003cbr\u003e Baroque Art: Why Bold Art Emerges After Balanced Art\u003cbr\u003e Dutch Art: Why Did the Dutch Love Still Life?\u003cbr\u003e Rococo Art: Why Solemn Art Becomes Lively Art\u003cbr\u003e Neoclassicism: Why Solemnity Behind Lively Art\u003cbr\u003e Will an art emerge?\u003cbr\u003e\u003cbr\u003e Part 4.\u003cbr\u003e After the French Revolution\u003cbr\u003e French Romanticism: Why It Depicted Human Passions\u003cbr\u003e German and Spanish Painters: How Did French and German Romanticism Differ?\u003cbr\u003e Turner and Constable: When Did Landscapes Become Popular? \u003cbr\u003eRealism: Why Peasants Shouldn't Be Painted\u003cbr\u003e Pre-Raphaelites: Why Did They Want to Go Back?\u003cbr\u003e Manet: Why did people get angry when they saw Manet's paintings?\u003cbr\u003e Impressionism: Why Did Painters Go Outside with Their Easels?\u003cbr\u003e Neo-Impressionism: Why Did He Fill His Paintings with Dots?\u003cbr\u003e Women Painters: Why Were Women Artists Unseen?\u003cbr\u003e Post-Impressionism: Is Light Only Outdoors?\u003cbr\u003e\u003cbr\u003e Part 5.\u003cbr\u003e Art of the New Century\u003cbr\u003e Fauvism: Are New Artists Monsters?\u003cbr\u003e Picasso and Braque: Why They Painted So Strangely\u003cbr\u003e Klimt and Schiele: How to Create Unconventional Paintings\u003cbr\u003e Expressionism: Why Couldn't I Paint Calmly?\u003cbr\u003e Abstract Art: What Did Kandinsky See in Sunset Paintings?\u003cbr\u003e Surrealism: Why I Wanted to Paint the Deepest Side of the Mind\u003cbr\u003e Duchamp: How the Foundations of Art Collapsed\u003cbr\u003e American Abstract Art: Why Art's Center Shifted\u003cbr\u003e Pop Art: How Popular Culture Became Art  \u003cbr\u003eConceptual Art: Can Art Be Made with Thought?\u003cbr\u003e Performance and Media Art: What Do Artists Connect?\u003cbr\u003e yBa: How Britain Created New Art\u003cbr\u003e Artists Who Worked with Space: Why They Moved Outside the Museum\u003cbr\u003e Graffiti: Why I Became an Outlaw\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate3929\/MidCate001\/392806075.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e There are many 'handprints' left behind by people from that era in cave paintings from the Paleolithic Age.\u003cbr\u003e But this handprint is also an interesting mystery.\u003cbr\u003e The ancients would spread out their hands, place them against the cave wall, and spray paint around their hands and between their fingers.\u003cbr\u003e It appears that the paint was blown into something like a pipe or sprayed directly into the mouth.\u003cbr\u003e These handprints are the signatures of the artists who painted the caves.\u003cbr\u003e --- p.22\u003cbr\u003e\u003cbr\u003e The Egyptians were concerned that if they depicted the dead incompletely, the dead would live on in that state. \u003cbr\u003eThe figures in the tomb murals are all young.\u003cbr\u003e I thought that youth was the most perfect time in life.\u003cbr\u003e When Egyptian artists drew people, they always drew the head in profile, the shoulders and torso in front, and the area below the waist in profile again. This was because they wanted to portray the deceased as 'complete' as possible.\u003cbr\u003e --- p.29\u003cbr\u003e\u003cbr\u003e This is because, unlike the Egyptians who adhered to rules, the Greeks put effort into depicting the human form more vividly.\u003cbr\u003e In other words, in Greece, the idea of ​​humans being the center of the world and the measure of all things developed, and that idea was also reflected in works of art.\u003cbr\u003e --- p.42\u003cbr\u003e\u003cbr\u003e Medieval European art doesn't look very realistic. \u003cbr\u003eIn ancient Greece and Rome, techniques for depicting people and objects continued to evolve. Why did a group of artists suddenly abandon these techniques and adopt seemingly simple and childish techniques? Some explain it as Christianity's emphasis on spiritual values, which discouraged realistic depictions.\u003cbr\u003e However, this can be seen as a result of the disappearance of Rome as a cultural center with the beginning of the Middle Ages.\u003cbr\u003e There was no basis for a group of artists to systematically learn and pass down techniques.\u003cbr\u003e As the empire fell, Christianity took its place.\u003cbr\u003e --- p.65\u003cbr\u003e\u003cbr\u003e The idea of ​​painting the faces of individuals without religious affiliation only arose in the late Middle Ages.\u003cbr\u003e Even at first, he had to show his face next to Jesus or the Virgin Mary.\u003cbr\u003e [The Madonna and Child with the Prime Minister Rolin] satisfies the desire of the person who commissioned the painting to have his or her likeness preserved while demonstrating his or her religious beliefs. \u003cbr\u003e--- p.83, 84\u003cbr\u003e\u003cbr\u003e There is no hierarchy in Bruegel's paintings.\u003cbr\u003e You can't tell which of the people and objects on the screen are more or less important.\u003cbr\u003e In this respect, Bruegel's paintings contain a completely new attitude.\u003cbr\u003e The world originally unfolded like this without any hierarchy or order.\u003cbr\u003e --- p.113\u003cbr\u003e\u003cbr\u003e Later, researchers who organized art history with the Renaissance masters at the top dismissed Mannerism as a transitional movement between the Renaissance and the Baroque.\u003cbr\u003e The flow of art history that had been going well stagnated and retreated with the arrival of Mannerism.\u003cbr\u003e However, since the 20th century, as the perspective on art has changed and the new and eccentric have been valued, Mannerism has been re-evaluated.\u003cbr\u003e --- p.126\u003cbr\u003e \u003cbr\u003eWhy does such extravagant art emerge after balanced art? This question arises when we look at Mannerism and Baroque art, which emerged following the Renaissance.\u003cbr\u003e A similar pattern could be seen before.\u003cbr\u003e After the balanced art of the so-called 'classical' period of ancient Greece, the colorful and passionate Hellenistic art emerged.\u003cbr\u003e We must see that the seeds of disorder, proliferation, and explosion are contained within balanced art.\u003cbr\u003e Even in the Renaissance masters da Vinci and Michelangelo, we can find a mysterious passion and a confusing emotion that is never balanced.\u003cbr\u003e --- p.130\u003cbr\u003e\u003cbr\u003e The Netherlands was a Protestant country, and since Protestantism prohibited the creation of religious images, Dutch artists could not receive commissions from churches like their Italian or French counterparts.\u003cbr\u003e So I drew a simple everyday life that pious citizens would like. \u003cbr\u003eArt genres such as portraits, still lifes, and landscapes developed.\u003cbr\u003e --- p.140\u003cbr\u003e\u003cbr\u003e As commerce developed and material conditions improved, Europeans opened their eyes to sensual pleasures.\u003cbr\u003e I hung paintings filled with luxurious items in my home, vicariously satisfying myself, and made that kind of wealthy life my life's goal.\u003cbr\u003e But even so, I couldn't abandon ethics and justification.\u003cbr\u003e So, the painting was a space where material desires and religious values ​​clashed.\u003cbr\u003e --- p.142\u003cbr\u003e\u003cbr\u003e Although both Neoclassicism and Romanticism emerged amidst industrial development and political upheaval, their artistic responses were diametrically opposed.\u003cbr\u003e While Neoclassicism pursued strict and concise rules, taking past cultures and heritage as examples, Romanticism argued that art should transcend rules and institutions and reveal the inner self of humans and their free emotions.\u003cbr\u003e --- p.170\u003cbr\u003e \u003cbr\u003eLandscape painting has not been well-received in the history of Western art.\u003cbr\u003e Compared to portraits, they were considered inferior and were treated as paintings for entertainment at best.\u003cbr\u003e However, as human attitudes toward nature changed, the status of landscape painting gradually rose.\u003cbr\u003e For example, in the Netherlands, which focused on maritime trade, many marine landscape paintings depicting the sea and ships were produced in the 17th century.\u003cbr\u003e --- p.181, 183\u003cbr\u003e\u003cbr\u003e Since the Renaissance, it had been customary to include nude figures in paintings depicting myths and history, so the nude figure itself was not unfamiliar.\u003cbr\u003e The overly realistic and cheeky atmosphere of Manet's paintings puzzled people, and that surprise led to anger.\u003cbr\u003e --- p.211\u003cbr\u003e\u003cbr\u003e In the 1840s, oil paints could finally be contained in metal tubes.\u003cbr\u003e We made a lid that seals simply by turning it. \u003cbr\u003eNow all you have to do is open the tube cap and squeeze the paint onto your palette.\u003cbr\u003e Painters were able to take their easels and tubes of paint with them and paint outdoors, directly observing the landscape.\u003cbr\u003e The image that we often think of when we think of a painter today, that is, a painter putting a canvas on an easel outdoors and playing with a brush, originated from this period.\u003cbr\u003e --- p.217\u003cbr\u003e\u003cbr\u003e Is it art to only draw the ever-changing appearance, or shouldn't we draw the fundamental things that don't change?\u003cbr\u003e Now artists are asking themselves this question:\u003cbr\u003e As a reaction to Impressionism, which doggedly pursued the moment, art emerged that pursued the eternal rather than the moment, the universal rather than the individual.\u003cbr\u003e --- p.228\u003cbr\u003e\u003cbr\u003e At the time, the idea that a woman could have a career as an artist was considered implausible. \u003cbr\u003eIt was a time when it was taken for granted that a woman's path was to draw pictures only as a hobby and then marry into a good family.\u003cbr\u003e Women who have walked the path of an artist have had to endure all kinds of pressure.\u003cbr\u003e Another huge limitation that male artists didn't have to worry about was that they couldn't draw from human models.\u003cbr\u003e --- p.230\u003cbr\u003e\u003cbr\u003e Meanwhile, some artists who surrounded Impressionism argued that art should move away from everyday subjects and address spiritual and fundamental issues.\u003cbr\u003e The grammar of art changed significantly between the late 19th and early 20th centuries.\u003cbr\u003e Some emerging artists have come up with radical alternatives.\u003cbr\u003e The world's reaction was not good.\u003cbr\u003e Matisse and his colleagues were given the name 'Fauvisme'.\u003cbr\u003e It means that the colors and brushstrokes run wild like a 'beast'.\u003cbr\u003e --- p.257, 258\u003cbr\u003e \u003cbr\u003eWho is the true surrealist artist? What are his works? The space where the answer should be is empty.\u003cbr\u003e This often happens when talking about trends.\u003cbr\u003e Artists' activities are all different, but a trend is something that conveniently groups those activities together.\u003cbr\u003e Surrealism had a profound influence on artists outside Europe, particularly in the United States.\u003cbr\u003e --- p.299\u003cbr\u003e\u003cbr\u003e Pop art is said to be art that responded to the public's demands in the era of popular culture.\u003cbr\u003e First of all, it is a friendly art form that is easy to understand and can be understood even by viewers with little knowledge.\u003cbr\u003e However, if you bring popular culture into art, art may end up being absorbed into popular culture.\u003cbr\u003e --- p.321\u003cbr\u003e \u003cbr\u003eDuchamp said that art should always give people a chance to think about something, and that an artist is not someone who 'makes' works, but someone who 'selects' ready-made ones.\u003cbr\u003e In other words, instead of creating something with one's own hands, an artist should become a director who comes up with ideas and creates situations.\u003cbr\u003e --- p.326\u003cbr\u003e\u003cbr\u003e Conceptual artists have tried to deny that there is such a thing as art.\u003cbr\u003e It has been said that art is not a material object, but a concept of the artist who created the object.\u003cbr\u003e The artist said that he didn't have to create anything.\u003cbr\u003e Even the world of art, such as galleries, art museums, art criticism, and art markets,\u003cbr\u003e He said that I didn't need that either.\u003cbr\u003e But if those things hadn't supported it, conceptual art wouldn't have existed.\u003cbr\u003e --- p.326, 328\u003cbr\u003e \u003cbr\u003ePerformance is a work that uses the body, and media art utilizes various mechanical devices, so at first glance, they seem to have different directions.\u003cbr\u003e However, both are similar in that they reaffirm the role of the artist as a mediator between humans and the world.\u003cbr\u003e --- p.336\u003cbr\u003e\u003cbr\u003e The role of the collector is crucial in contemporary art.\u003cbr\u003e yBa also gained fame by buying luxury works.\u003cbr\u003e In fact, art has long been driven by patrons.\u003cbr\u003e If Pope Julius II had not commissioned Michelangelo and Raphael to paint, we would not be able to see the Sistine Chapel ceiling and the frescoes in the Vatican today.\u003cbr\u003e --- p.340\u003cbr\u003e\u003cbr\u003e Since Romanticism, art has perplexed the world by shaking the sensibilities of mainstream society. However, today's art is caught up in the language and conventions of the art world, remaining difficult to understand and unable to shake the world or convey a clear message. \u003cbr\u003eIn this reality, graffiti artists, including Banksy, demonstrate that graffiti has a more distinct aesthetic significance and can exert critical power than so-called institutional art.\u003cbr\u003e Graffiti has become a street scene in cities around the world.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.356, 357\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Western history naturally follows the history of art.\u003cbr\u003e\u003cbr\u003e There are already quite a few books on Western art history.\u003cbr\u003e Most of the trends follow the chronological order.\u003cbr\u003e The structure is to introduce representative authors and works after explaining each trend.\u003cbr\u003e This book does not simply list trends; it faithfully explains the historical background in which each trend emerged.\u003cbr\u003e For example, as industry developed, the bourgeoisie and working class came to dominate society, and realistic paintings depicting their lives emerged. \u003cbr\u003eUntil then, art had been about depicting people of high status, such as priests and nobles, or depicting biblical stories, historical events, and myths.\u003cbr\u003e\u003cbr\u003e The reason why landscape painting developed in the Netherlands was because the Netherlands was a Protestant country and Protestantism prohibited the creation of religious images, so Dutch artists could not receive commissions from the church like artists in Catholic countries such as Italy or France.\u003cbr\u003e So I started drawing simple everyday life that citizens would like.\u003cbr\u003e This is the background against which genres such as portraits, still lifes, and landscapes had to develop.\u003cbr\u003e\u003cbr\u003e This book not only provides a fascinating historical background to each movement, but also points out the potential signs that existed between the movements, allowing us to grasp the dynamic and winding flow of art history.\u003cbr\u003e It also helps develop an eye for insight into the unique cyclical flow of art history.\u003cbr\u003e \u003cbr\u003eWhy does such extravagant art emerge after balanced art? This question arises when we look at Mannerism and Baroque art, which emerged following the Renaissance.\u003cbr\u003e A similar pattern could be seen before.\u003cbr\u003e After the balanced art of the so-called 'classical' period of ancient Greece, the colorful and passionate Hellenistic art emerged.\u003cbr\u003e We must see that the seeds of disorder, proliferation, and explosion are contained within balanced art.\u003cbr\u003e Even in the Renaissance masters da Vinci and Michelangelo, we can find a mysterious passion and a confusing emotion that is never balanced.\u003cbr\u003e -Pages 130 and 131\u003cbr\u003e\u003cbr\u003e New questions, fresh perspectives\u003cbr\u003e\u003cbr\u003e The main theme and driving force of this book is the question, \"Why?\"\u003cbr\u003e The questions continue one after another.\u003cbr\u003e Why is landscape painting inferior to historical painting? With the invention of tube-based paints, artists began carrying them outdoors. \u003cbr\u003eThis is the birth of Impressionist art.\u003cbr\u003e But around this time, as technology developed, photography emerged and began to capture the world as it was.\u003cbr\u003e Then this question follows:\u003cbr\u003e Why should we depict the world as it appears? After much pondering over this question, some artists began to paint abstract paintings.\u003cbr\u003e ‘Why’ is both a given task and a method employed to solve the task.\u003cbr\u003e What makes this book's perspective fresh is that the questions it asks are fresh.\u003cbr\u003e\u003cbr\u003e The format of the book is a special train.\u003cbr\u003e The train travels from cave paintings to modern graffiti.\u003cbr\u003e As we pass through each question station, a large work of art history is completed.\u003cbr\u003e This book will serve as an invaluable foundation for young people considering a career in art or for readers seeking a deep and accessible introduction to art history. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 8, 2022\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 360 pages | 620g | 148*215*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791168100855\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1168100852 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891662684202,"sku":"142595","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/fb2426810cc45ca0310b359afc9a0546.jpg?v=1765336890","url":"https:\/\/librairie.coreenne.fr\/en\/products\/142595","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}