{"product_id":"142750","title":"If you call even the nameless ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYG6V54PtEGGE40KPZWps3FGHGE5l.png?v=1765015647\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e If you call even the nameless \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/105484545\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“Only those who love survive”\u003cbr\u003e\u003cbr\u003e Trees, cities, birds, tigers, stones, monkeys, poetry…\u003cbr\u003e The imagination that art extends to all beings on this earth\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Author Park Bo-na, who received much love for her work, “When Attitude Becomes a Work of Art,” has published her second art essay, “If You Call Even the Nameless One.”\u003cbr\u003e The author, who created a sensation by explaining modern art works through the artist's \"attitude,\" presents a new world of art through \"life,\" a topic he has long wanted to write about.\u003cbr\u003e Even leaving aside the author's book, the prevailing opinion seems to be that modern art is difficult and complex.\u003cbr\u003e For some, the time to freely imagine a work is a fun time of 'thinking', but for others, it is too difficult and cruel. \u003cbr\u003ePerhaps that is why there are many books that skip that process and try to explain and help readers understand the work directly.\u003cbr\u003e Books that encourage readers to take their time and enjoy the pleasure of looking at a work of art, and that allow them to spend that time more freely, are often overlooked.\u003cbr\u003e The book's consideration soon becomes a battle of patience for the readers.\u003cbr\u003e Author Park Bo-na gently allows readers room for interpretation between these two extremes, while also not forgetting to let her own voice be heard.\u003cbr\u003e Not only does it help us easily explain the work by comparing it to the artist's attitude, creativity, and imagination, but it also helps us view art 'sideways' in terms of coexistence and solidarity rather than a vertical relationship (the main theme of 'If You Call the Nameless Thing' is also 'a sideways conversation between art and life').\u003cbr\u003e The interpretation of art, which has been flattened in this way, swells and rises through the author's voice, becoming new particles and reaching the reader. \u003cbr\u003eIt becomes a small breathing hole that allows us to move our thoughts and feelings warmly, without being difficult or cruel.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e “If You Call Even the Nameless One” is an attempt to call out the “nameless one” to those who are not recognized as subjects.\u003cbr\u003e Moreover, it provides an opportunity to reconsider our attitude of arbitrarily naming and calling everything and trying to define everything arbitrarily.\u003cbr\u003e These days, with COVID-19 and various environmental crises making us more inclined to the word \"death\" than \"life,\" talking about cherishing life can seem crude, even outdated, like the idealistic thinking of idealists.\u003cbr\u003e However, attempts to understand and become closer to each other across countries and generations are becoming more intense.\u003cbr\u003e Rather, there are diverse movements taking place, including positive changes toward ethical consumption, animal rights, and critical movements against discriminatory views. \u003cbr\u003eIn this regard, the book introduces Eunji Jo's performance supporting the lives and rights of animals ([Pigs Are Born to Live Well]) and Jimmy Durham's art installation that seeks to disrupt and break down the distinction between purebreds and mixed breeds ([Breaking the Difference with Stone]).\u003cbr\u003e The author also said that he has always thought about what to do in today's dark and shady world.\u003cbr\u003e As soon as I had the opportunity to write, I decided that I had to talk about sustainable living on Earth, and that's how I completed this book.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Author's Note: If you call even the nameless\u003cbr\u003e\u003cbr\u003e Sideways like a tree or grass… Honp\u003cbr\u003e\u003cbr\u003e If you continue the sound of the birds… Oscar Santillan\u003cbr\u003e\u003cbr\u003e Are you raising an imaginary tiger? Hong Ryu\u003cbr\u003e\u003cbr\u003e Breaking down barriers with stones… Jimmy Durham\u003cbr\u003e \u003cbr\u003eWhen telling a story with the imagination of light… Jumana Emil Aboud\u003cbr\u003e\u003cbr\u003e Pigs are born to live well… Jo Eun-ji\u003cbr\u003e\u003cbr\u003e Divinity in the Eyes of the Monkey… Pierre Huyghe\u003cbr\u003e\u003cbr\u003e Hidden behind the vivid image… Park Bo-na\u003cbr\u003e\u003cbr\u003e When you have better hearing… Christine Sun Kim\u003cbr\u003e\u003cbr\u003e Beyond the quiet scenery… Minjeonggi\u003cbr\u003e\u003cbr\u003e People in cities and apartments… Kim Dong-won, Kim Tae-heon, Lee In-gyu\u003cbr\u003e\u003cbr\u003e The future of a world driven by poetic imagination… Jeong Seo-young\u003cbr\u003e\u003cbr\u003e If we can have a close bond with objects… Fischli \u0026amp; Weiss\u003cbr\u003e\u003cbr\u003e A little slower, a little closer… Katie Patterson\u003cbr\u003e\u003cbr\u003e Image Credit\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate3700\/MidCate005\/369944849.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e For nearly two years, we have been plagued by the COVID-19 pandemic, and as we watch disasters like wildfires, floods, and droughts ravage the globe, I have felt a profound sense of life-threatening danger. \u003cbr\u003eBefore the final alarm bell sounded, I kept thinking about how I could avoid falling into a deeper swamp, what I could do to have fewer regrets.\u003cbr\u003e Cutting the strings off my mask and throwing them away, or tearing off the labels on plastic bottles and throwing them away, was not enough to shake off the heavy feeling of guilt and helplessness.\u003cbr\u003e While I was worrying about that, I happened to get an opportunity to write more.\u003cbr\u003e So, this time I decided to take a side note and talk about how we can make life on Earth a little more sustainable.\u003cbr\u003e --- p.6\u003cbr\u003e\u003cbr\u003e HONF is not particularly interested in the fine arts of painting beautiful pictures or creating sculptures.\u003cbr\u003e Filling a corner of an art gallery blocked by white walls doesn't seem to be very interesting to them. \u003cbr\u003eThis creative group is dedicated to moving beyond the museum and actively blurring and interweaving the boundaries between nature and culture, life and art, and creators and viewers.\u003cbr\u003e We strive to connect people from diverse fields and bring even the smallest life forms and materials into our work.\u003cbr\u003e They propose that these different beings be brought together and that they share their experiences and knowledge.\u003cbr\u003e And we seriously ask ourselves how we can live together, and where we can meet and intersect more closely.\u003cbr\u003e --- p.17\u003cbr\u003e\u003cbr\u003e Rather than slippery words, the process of exchanging signals with non-human species through air, waves, movement and connection is less 'human' and therefore more inspiring.\u003cbr\u003e While humanity has been shouting with a language of threats and violence filled with pride, Oscar Santillan whispers a moment of coexistence by mixing bird and human signals.\u003cbr\u003e --- p.32\u003cbr\u003e \u003cbr\u003eAmong Durham's works is a series of still lifes in which a car is crushed by a large rock with eyes and a mouth painted on it.\u003cbr\u003e It may seem like a humorous task, but what it points to is not light.\u003cbr\u003e In this installation, the cars underneath symbolize technology and civilization.\u003cbr\u003e Therefore, the image of a stone shaped like a face crushing a car can be seen as meaning that closed reason and logic should be placed under the feet of open nature.\u003cbr\u003e This means that I will not agree with any calculating and power-centered order that is carried out under the pretext of being rational and efficient.\u003cbr\u003e At that point where the car and the rock come into comical collision, at that exhilarating point where rigid rational concepts and structures crumble to the ground, the author's consistent voice rings out again.\u003cbr\u003e A firm declaration is heard to discard existing principles and standards and pursue a hybrid, schizophrenic individual identity.\u003cbr\u003e --- p.52\u003cbr\u003e \u003cbr\u003eWhile I was closing my eyes and covering my ears, the leachate from the pig buried in the ground flowed out.\u003cbr\u003e The red blood of dead pigs was reflected in the soil of Yeoncheon, just 16 kilometers from the Imjin River, the source of our drinking water.\u003cbr\u003e I met writer Jo Eun-ji the day I saw that news.\u003cbr\u003e To my lament that pigs seem to have come into this world to teach us how foolish humans are, author Eunji Jo replied, “Pigs were born to simply live well, not to do anything for humans.”\u003cbr\u003e To my shame, I was still reciting the wrong human-centered lessons.\u003cbr\u003e right.\u003cbr\u003e Pigs were not born for us, of course.\u003cbr\u003e We were born to live fully as one life and feel happiness.\u003cbr\u003e --- p.80\u003cbr\u003e\u003cbr\u003e The core of Pierre Huyghe's work arises from the audience's questioning of this naturalness. \u003cbr\u003eThe artist's intentional aesthetic arrangement is intertwined with the beautiful growth of organic life forms, blurring the line between where art begins and where nature ends.\u003cbr\u003e In this chaotic scene, the audience divides and groups things according to arbitrary and capricious criteria.\u003cbr\u003e What was once nature is now viewed as art.\u003cbr\u003e It seems like art now, but I think it was nature after a while.\u003cbr\u003e Indeed, humans define nature as they please.\u003cbr\u003e The audience cannot help but be humble before Pierre Huyghe's artistic ecosystem.\u003cbr\u003e Because nature is not less beautiful than art, nor is art more composed than nature.\u003cbr\u003e The human-centered dichotomous classification of nature and civilization, nature and art feels pathetic. \u003cbr\u003eAt the point where this boundary of sharing collapses, the audience can suddenly realize that they too are part of the work, part of nature, and a member of the ecosystem.\u003cbr\u003e --- p.88\u003cbr\u003e\u003cbr\u003e The clearer and more detailed the image, the more easily it captivates us.\u003cbr\u003e As the color of the African sun burns redder, and the details of the lion's nose hair become more clearly visible, humans take the place of the lion.\u003cbr\u003e Well-crafted images trick us into believing that what we see is all there is.\u003cbr\u003e By making us think we've seen everything, we avoid trying to know more or asking sharp questions. 〈Kota Kinna Blue 1〉 and 〈1967_2015〉 are trying to tell us that if we close our eyes, we can hear better, and if we try to listen better, we can see new things.\u003cbr\u003e If you doubt a good-looking image, it can go much further than just your monitor. \u003cbr\u003eRather than discovering wilderness, tropical islands, or miraculous gold mines, we find a human-centered attitude toward nature, the presence of film industry workers, and the sinister plots of dictatorship.\u003cbr\u003e --- p.101\u003cbr\u003e\u003cbr\u003e Artist Jeong Seo-young says, “Through my work, I want to create moments where completely unrelated things meet and share the same time and space.”\u003cbr\u003e Here, the moment could be the combination of material and object, the relationship between the artist and the audience, or the encounter between the audience and the work.\u003cbr\u003e These various combinations and disintegrations surrounding Jeong Seo-young's sculptures are not at all inevitable.\u003cbr\u003e They just move randomly and accidentally brush past each other.\u003cbr\u003e In such an unexpected encounter, the author's loose language unfolds its 'broad'** power.\u003cbr\u003e It offers a distinct semiotic interpretation of art and offers a different approach to existing attempts to find answers within rigid discourse. \u003cbr\u003eJeong Seo-young's expressions leave room for poetry, giving the audience the opportunity to think and interpret them for themselves.\u003cbr\u003e You can breathe freely in the space that the writer has generously provided.\u003cbr\u003e --- p.147\u003cbr\u003e\u003cbr\u003e If you think that everyone has a trace of a star, the beings around you will feel more intimate.\u003cbr\u003e I think the reason Katie Patterson drew dead stars might have started from that long and close attraction.\u003cbr\u003e It is a wonder how long and slow the world has been created, how life has been born and spread, how they have met and continued to breathe.\u003cbr\u003e The eternal sharing of stars that have connected you and me, twinkling for a million or a hundred billion years, is dazzling.\u003cbr\u003e I feel the same stars and universe in the warm blood flowing through my body, and I think of the round Earth.\u003cbr\u003e Since the stars began to shine billions of years ago, we were destined to meet on this green planet. \u003cbr\u003eIt was a deep relationship that could not exist alone.\u003cbr\u003e Within that tight connection, we live together, breathing in the breath exhaled by the person next to us.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.171\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eJo Eun-ji, Jeong Seo-young, Jimmy Durham, Pierre Huyghe, Christine Sun Kim, etc.\u003cbr\u003e The artists' efforts to call out the 'nonexistent name' by breaking, cutting, throwing, and painting.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e There has been a steady movement in the art world to portray the ideal as reality rather than mere fantasy.\u003cbr\u003e Break, cut, paint, and.\u003cbr\u003e The artists featured in the book also, when necessary, fiddle with and throw empty bottles and dirt, and through their stories, seek connections with other beings.\u003cbr\u003e The author seeks to show what it means to acknowledge and understand the very existence of art in the world of art, rather than to dismiss its narrow labels (difficult, abstract, resistant). \u003cbr\u003eMoreover, I wrote this book in the hope that readers would look at and feel the work beyond art, rather than looking for something like “art.”\u003cbr\u003e No one has ever defined a dust-free art gallery as a work of art hanging on a white wall.\u003cbr\u003e I never said it wasn't art.\u003cbr\u003e The author wants us to question whether, in a fictional world where people believe there is such a thing as art, the purpose of the authors' actions is really to make art look like art.\u003cbr\u003e If we focus on the imagination that art extends to all beings on this earth, leaving that question aside, we will be able to discover a clearer real world.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e A total of 14 authors appear in the book. \u003cbr\u003eIt brings together works by Korean writers Eun-ji Jo, Seo-young Jeong, and the author (Bona Park), as well as lesser-known foreign writers such as Honf, Jumana Emile Aboud, Jimmy Durham, Pierre Huyghe, and Christine Sun Kim.\u003cbr\u003e I tried to metaphorically reveal the interconnectedness of life and the autonomy of existence by extracting one keyword from the works of 14 artists and connecting it to the theme of the next chapter.\u003cbr\u003e Within the organic system that connects trees to birds and birds to tigers, readers will discover the value of the authors' imagination and the \"sideways conversation\" that the author speaks of.\u003cbr\u003e For example, the Indonesian creative group Honf's work, which moves the value of art into the realm of coexistence and help, is just like trees and grass. \u003cbr\u003eFollowing that story, Ecuadorian artist Oscar Santillan sets out to find the sounds of birds that have lost their homes as the spaces where trees and grass grow are destroyed.\u003cbr\u003e What's next? In the United States, where we travel in search of the sounds of birds, we encounter the works of Hong Ryu and Jimmy Durham, who seek to break down the distinction between purebred and mixed breed.\u003cbr\u003e Pierre Huyghe presents a cool sense of observing humans from the perspective of a monkey (animal), and the author (Park Bona) exposes the greedy lies hidden behind images through a performance using video and sound.\u003cbr\u003e The author tells us that we can discover the truth by slightly twisting the angle of everything we believe we hear and see.\u003cbr\u003e That there is another reality out there.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In the final chapter, “A Little Slower, A Little Closer,” artist Katie Pattison performs a performance of planting a thousand trees in a Norwegian forest. \u003cbr\u003eThey say that when the tree is fully grown, it is processed into paper and used to make books.\u003cbr\u003e By then, both the author and we had already passed away.\u003cbr\u003e What does Pattison want to leave behind for future generations? Through his work, \"All the Dead Stars,\" Pattison reveals that the elements left behind by dead stars are the genesis of new life, imprinted within our very beings.\u003cbr\u003e Would you believe that our blood comes from elements of stars that died billions of years ago?\u003cbr\u003e The book begins with a story about trees by Indonesian creative group Honf and ends with a story about trees and stars by Scottish author Katie Paterson.\u003cbr\u003e We are all connected, the authors—and Katie Patterson—want to tell us, a connection that stretches back hundreds of millions of years to the birth and death of stars.\u003cbr\u003e “We were destined to meet on this green planet.” (p. 171)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eAll hands (life) held by art…\u003c\/b\u003e \u003cbr\u003eA conversation that is shared sideways with them, not up or down\u003cbr\u003e\u003cbr\u003e 《If Even the Nameless Call》 is a story about ‘all the hands (beings) that art holds.’\u003cbr\u003e So artists are not afraid to break down and shatter all actions that try to set boundaries and name existence on this earth.\u003cbr\u003e It presents a world of works that are so confusing that it is hard to tell what is nature and what is art in the face of the vain belief in pure blood and the ignorance that divides humans from animals.\u003cbr\u003e It shows how foolish it is to draw boundaries.\u003cbr\u003e\u003cbr\u003e The author was unmoved by the editor's suggestion to delete a few words because they were unrealistic.\u003cbr\u003e Those words that have not been erased are hidden everywhere, making the rights of small beings known more loudly.\u003cbr\u003e It was those words that brought their fierce spirit to life. \u003cbr\u003eThe performances of countless artists, including the author, are true 'reality' that moves, creates, and acts.\u003cbr\u003e Only the stories of those who act rather than dream can be considered 'reality'.\u003cbr\u003e Artists and the performances they create show us how ignorant the presumptuous thinking of those who have never truly moved is.\u003cbr\u003e The 'side conversation' shared with them will once again narrow the distance between contemporary art and readers.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e I wrote this book while pondering the kind words of Father Leonardo Boff: “There is no one in this world who deserves to be left behind or neglected.”\u003cbr\u003e By broadly reading the works of artists who call out the various beings we have arbitrarily pushed away one by one and flexibly connecting them to society, I hope to discuss the issue of survival on this earth together before it is too late. \u003cbr\u003e“I hope that the gestures of writers who call out to those who have lost their names and those who have no name, and my voice reading them, can create a time for you and I to breathe together, just a little longer.”\u003cbr\u003e _From the author's note\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e December 8, 2021\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 184 pages | 208g | 120*205*7mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791160406917\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 116040691X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891692994602,"sku":"142750","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/06cdcf2325cfd09e5c8f983302606d6e.jpg?v=1765338150","url":"https:\/\/librairie.coreenne.fr\/en\/products\/142750","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}