{"product_id":"142777","title":"Pulitzer Writing Class ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYG6V5TJoxx23NwNHn1ClODEXuNlT.png?v=1765015808\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Pulitzer Writing Class \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/104738778\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eTurning ordinary material into a story that everyone is excited about\u003cbr\u003e Special writing coaching from a Pulitzer Prize judge!\u003cbr\u003e\u003cbr\u003e Recommended by Jang Gang-myeong, Eun-yu, and Oh-hu!\u003cbr\u003e\u003cbr\u003e From Aristotle's Poetics\u003cbr\u003e From the latest research in neuroscience on the 'storytelling brain',\u003cbr\u003e \"Narrative Nonfiction Skills\" Unfold to Captivate Readers\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eIn this book, the author has poured all of his 35 years of writing coaching experience into providing insights that will benefit everyone from beginners to professional writers.\u003cbr\u003e It clearly organizes the things to keep in mind and techniques when researching materials, such as reporting, interviews, and writing composition, making it useful even for inexperienced writers.\u003cbr\u003e Additionally, the author reveals all the know-how he gained from his own trial and error and struggles on how to cook the collected materials into a “well-selling” narrative.\u003cbr\u003e\u003cbr\u003e Don't hesitate because the material is ordinary or the writing skills are lacking.\u003cbr\u003e A skilled and passionate writer can tell a good story in any medium.\u003cbr\u003e Even ordinary office workers can create eye-catching plans and reports by adding their own narratives to their proposals.\u003cbr\u003e This book provides useful insights that can be applied across a wide range of areas where storytelling is utilized.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e  \u003cli\u003eYou can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e Introduction\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1.\u003cbr\u003e Story\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Story is more important than writing skills\u003cbr\u003e The main ingredient of the story\u003cbr\u003e ―A series of actions: plot turning point \/ sympathetic protagonist \/ ordeal \/ resolution\u003cbr\u003e The power of story\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2.\u003cbr\u003e structure\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Visualizing the structure\u003cbr\u003e blueprint\u003cbr\u003e Narrative Parabola\u003cbr\u003e ―1.\u003cbr\u003e Origin \/ 2.\u003cbr\u003e Rise (Development) \/ 3.\u003cbr\u003e Crisis \/ 4.\u003cbr\u003e Climax (Resolution) \/ 5.\u003cbr\u003e Descent (Great Chapter)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3.\u003cbr\u003e Point of view\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Viewpoint character\u003cbr\u003e first person\u003cbr\u003e second person\u003cbr\u003e third person\u003cbr\u003e Camera position, 'stance'\u003cbr\u003e Distance from the target\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4.\u003cbr\u003e Voice and style\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The Secret to Being the #1 Podcaster\u003cbr\u003e First-person perspective and voice\u003cbr\u003e Persona and the Author's Position\u003cbr\u003e How are voice and style different?\u003cbr\u003e Why Hemingway Enjoyed the Game of Metaphors\u003cbr\u003e Create your own voice\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5.\u003cbr\u003e character\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The rise of real-life characters\u003cbr\u003e craving\u003cbr\u003e three-dimensional characters, one-dimensional characters\u003cbr\u003e Direct or indirect character description\u003cbr\u003e Physical characteristics \u003cbr\u003emovements, expressions, and mannerisms\u003cbr\u003e Markers indicating social status\u003cbr\u003e word\u003cbr\u003e anecdote\u003cbr\u003e Purpose of character description\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6.\u003cbr\u003e scene\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Finding the scene from within\u003cbr\u003e Selecting a scene\u003cbr\u003e Description that brings the scene to life\u003cbr\u003e Revealing details\u003cbr\u003e Details that characterize the group\u003cbr\u003e space\u003cbr\u003e Setting shot\u003cbr\u003e texture\u003cbr\u003e atmosphere\u003cbr\u003e Background settings\u003cbr\u003e Bringing the scene to life\u003cbr\u003e Scene building\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 7.\u003cbr\u003e Action\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Narrative Opening\u003cbr\u003e continuous motility\u003cbr\u003e The Language of Action\u003cbr\u003e Active voice\u003cbr\u003e Jumping over the starting point\u003cbr\u003e Time display device\u003cbr\u003e speed\u003cbr\u003e commentary\u003cbr\u003e First-person action\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 8.\u003cbr\u003e conversation\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e inner monologue\u003cbr\u003e Reconstruction of the conversation\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 9.\u003cbr\u003e subject\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Topic sentence\u003cbr\u003e The subject is the writer's projection\u003cbr\u003e Find a topic\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 10.\u003cbr\u003e take\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e infiltration\u003cbr\u003e access\u003cbr\u003e Observation and Reconstruction Narrative\u003cbr\u003e Interview\u003cbr\u003e Characters, scenes, actions, and themes\u003cbr\u003e An eye for storytelling\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 11.\u003cbr\u003e Story narrative\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Short story narrative\u003cbr\u003e Feature-length story narrative\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 12.\u003cbr\u003e Commentary Narrative\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 13.\u003cbr\u003e Other narratives\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e small text\u003cbr\u003e Bookend Narrative\u003cbr\u003e Kyungsoo Pil\u003cbr\u003e Column\u003cbr\u003e First-Person Narrative Issue Essay\u003cbr\u003e documentary film\u003cbr\u003e Podcast\u003cbr\u003e \u003cbr\u003e\u003cb\u003eChapter 14.\u003cbr\u003e Ethical awareness\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Difficulty\u003cbr\u003e Betraying trust\u003cbr\u003e The ethics of memoir\u003cbr\u003e speculation\u003cbr\u003e Honest and friendly advice\u003cbr\u003e Undercover reporting\u003cbr\u003e betrayal\u003cbr\u003e Patterns in the imagination\u003cbr\u003e Story structure and style\u003cbr\u003e Touching\u003cbr\u003e Ethical thinking habits\u003cbr\u003e\u003cbr\u003e Acknowledgements\u003cbr\u003e Translator's Note\u003cbr\u003e References\u003cbr\u003e Americas\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate3675\/MidCate003\/367421583.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e When I was at Northwest Magazine, we were riding the wave of nonfiction storytelling.\u003cbr\u003e It uses a non-fiction storytelling format to cover topics ranging from logging to heart transplants to genetic engineering.\u003cbr\u003e As a writing coach for writers and editors at The Oregonian, I passed on the same writing techniques I developed during my 12 years teaching storytelling theory at the university level.\u003cbr\u003e\u003cbr\u003e They successfully applied the theories I taught them to practice. \u003cbr\u003eThe Oregonian has won major awards for its storytelling articles on religion, business, music, crime, sports, and more.\u003cbr\u003e An article on international business written by Rich Reed under my direction won the Pulitzer Prize for commentary, and a second article written by Tom Holman and I won the Pulitzer Prize for feature writing.\u003cbr\u003e Michelle Roberts' storytelling article, which passed through my hands, also won the Pulitzer Prize for Breaking News.\u003cbr\u003e Rich Reed and Julie Sullivan, a writer who has worked with me for many years, were part of the investigative team led by Amanda Bennett when they won the Pulitzer Prize Gold Medal, considered the highest honor in journalism, in 2001.\u003cbr\u003e ---From the \"Introductory Note\"\u003cbr\u003e\u003cbr\u003e Knowing what to look for is half the battle.\u003cbr\u003e In fact, the basic ingredients for a story are all around us.\u003cbr\u003e You need to learn how to find material in everyday life and develop an eye for storytelling. \u003cbr\u003eIf you want to find a really great story, look for the ingredients I'll explain below.\u003cbr\u003e If you want to write a great story, study the techniques explained in this book.\u003cbr\u003e …\u003cbr\u003e\u003cbr\u003e The story, rather than the writing style, arouses the reader's interest.\u003cbr\u003e Lisa Kron, who looked at the above scientific studies, said, “If the story is good, poor writing skills can be less damaging than you might think.”\u003cbr\u003e A quick glance at the bestseller list confirms her words.\u003cbr\u003e A claim made 30 years ago by two-time Pulitzer Prize winner John Franklin is now backed up by bestseller lists.\u003cbr\u003e There are many books that are close to being poorly written, but the skill with which they unfold their stories is truly outstanding.\u003cbr\u003e Writers who spend enormous amounts of time and effort polishing words and sentences often miss opportunities to focus on the big story elements that could resonate deeply with readers before they even begin writing.\u003cbr\u003e …\u003cbr\u003e \u003cbr\u003eThe most common opinion was that the story's power made it impossible to take one's eyes off it.\u003cbr\u003e It creates a strong dramatic tension, and that tension continues until the very end.\u003cbr\u003e One reader said, “I couldn’t put the book down.”\u003cbr\u003e This reaction is a testament to the author's skill in conveying the gravity of the situation and in arranging events in a way that keeps the reader on the edge of their seats.\u003cbr\u003e If you want to keep your readers' attention until the end, you have to infuse your story with power.\u003cbr\u003e ---From \"Story\"\u003cbr\u003e\u003cbr\u003e If you really want to know, go to your local bookstore right now and go to the bestseller section.\u003cbr\u003e In any best-selling bookstore, there are bound to be a few books by indifferent novelists who, when approached with a remarkably elegant sentence and asked to dance, show no interest in whether the sentences are elegant or not. \u003cbr\u003eGene Aureol, the reason Tom Clancy's books sell millions of copies is because they understand story structure so well.\u003cbr\u003e This is what critics who mutilate their sentences overlook.\u003cbr\u003e\u003cbr\u003e Pulitzer Prize winner Richard Rose is a brilliant writer and an accomplished nonfiction writer with numerous bestselling books.\u003cbr\u003e He also says that the most important strategy for reaching readers “has little to do with vocabulary skills.”\u003cbr\u003e He explains that mastering structure requires “the ability to frame, the ability to govern the whole.”\u003cbr\u003e However, he lamented, “Writers rarely talk about structure.”\u003cbr\u003e …\u003cbr\u003e\u003cbr\u003e Mary Roach says, “I always try to remember that a story has a structure and that everything has to fit into that structure.\u003cbr\u003e “This way, we can avoid the waste of collecting data that will never be used,” he said.\u003cbr\u003e ---「Chapter 2. \u003cbr\u003eFrom \"Structure\"\u003cbr\u003e\u003cbr\u003e When I first started writing, I took metaphors lightly.\u003cbr\u003e But I changed my mind when I heard that Hemingway and Fitzgerald enjoyed playing metaphors while driving around the Spanish countryside in an open-top car.\u003cbr\u003e It is said that when one person points to something on the side of the road, another person immediately uses the word to create a metaphorical expression.\u003cbr\u003e If you failed, you had to take a long sip of Spanish red wine as a penalty.\u003cbr\u003e It's definitely fun to develop a sense of metaphor.\u003cbr\u003e …\u003cbr\u003e\u003cbr\u003e Working comfortably and quickly is a much easier way to write.\u003cbr\u003e It is mentally painful to struggle through the first draft, constantly worrying about whether there is a better way to express it.\u003cbr\u003e Above all, this pain kills the author's voice.\u003cbr\u003e People with distinct voices have a different approach.\u003cbr\u003e They often say that the writing process is fun. \u003cbr\u003eFor Mary Roach, the entire process of creating a narrative is “a process of weaving facts and entertainment.”\u003cbr\u003e\u003cbr\u003e ---「Chapter 4.\u003cbr\u003e From \"Voice and Style\"\u003cbr\u003e\u003cbr\u003e Nonfiction writers must find their subjects within themselves.\u003cbr\u003e The world constantly throws various facts at us.\u003cbr\u003e As a nonfiction expert, you should understand at least some of what those facts mean.\u003cbr\u003e John Franklin explained what he meant by \"meaning\" at the 2001 Nieman Conference on Narrative Journalism:\u003cbr\u003e “I think it’s the shape of the story and what that shape says.\u003cbr\u003e That's not something the writer gets from somewhere.\u003cbr\u003e “It’s something that the writer discovers and extracts from the story.”\u003cbr\u003e\u003cbr\u003e Let me share some trade secrets to help you find that \"something.\"\u003cbr\u003e First of all, Tom French says that when he's racking his brain to come up with a title, he focuses on the subject. \u003cbr\u003e“I always think hard about picking out chapter titles, subtitles, and even overall titles.\u003cbr\u003e “That way, all your thoughts converge on what the story is, what the structure and power are,” he said.\u003cbr\u003e “The real subject is not the word, but the sentence,” said Mackey.\u003cbr\u003e “It is a clear and concise sentence that contains the meaning of the story and cannot be shortened any further.”\u003cbr\u003e ---「Chapter 9.\u003cbr\u003e Among the “topics”\u003cbr\u003e\u003cbr\u003e Among the reporters I've worked with, there are some who always manage to catch great anecdotes, while others, though not particularly impressive, feel as hopeless as trying to catch a whale with a harpoon.\u003cbr\u003e Ken Metzler, author of \"The Creative Interview,\" gives some hints as to why this difference exists.\u003cbr\u003e “To get a story, you have to tell a story.”\u003cbr\u003e \u003cbr\u003eThis is it! When someone tells us about a trip ruined by a delayed flight, we sympathize by sharing similar anecdotes (like losing a bag or missing a connecting flight).\u003cbr\u003e Just like pouring water into a pump to draw water up, you first tell a story about yourself or the main character, and then ask them to tell you a story about you.\u003cbr\u003e “The X I know is a perfectionist.\u003cbr\u003e He showed me his sock drawer, and it was all rolled up and organized by color! He'd be the same way in his office.\u003cbr\u003e I guarantee it.”\u003cbr\u003e ---「Chapter 10.\u003cbr\u003e From \"Interview\"\u003cbr\u003e\u003cbr\u003e Jack Hart meticulously explains not only the aspects of stories we've all heard about in Korean language classes or in reviews of novels, movies, and plays, but also the details we'd never expect until we actually wrote the story ourselves. \u003cbr\u003eHow to establish a framework, how to determine the point of view that establishes the distance between the narrator and the stage, how to create a story stage, how to use a voice and style that reveals the author's unique personality, how to find a protagonist and shape him or her into a three-dimensional character, and various methods for collecting writing materials, as well as the daunting ethical concerns that nonfiction inevitably faces.\u003cbr\u003e The familiar has a world we never thought of, and the unfamiliar has the taste of getting to know it.\u003cbr\u003e Anecdotes from inside and outside the newspaper company are added to make reading more enjoyable.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From the \"Translator's Note\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eYour storytelling area is activated\u003cbr\u003e A miraculous book!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Cutting-edge brain analysis technology lends credence to the theory that humans are born with a gift for storytelling. \u003cbr\u003eScience writer Steven Holl conducted an experiment where he scanned his own brain with an MRI while he was writing a story, and found that a region the size of a sugar cube in his right frontal lobe actually became active.\u003cbr\u003e Hall called this area the \"storytelling area.\"\u003cbr\u003e Many neuroscientists have discovered similar truths.\u003cbr\u003e Since Steven Holl stepped into the MRI machine, neuroscientists, linguists, and other scientists have conducted hundreds of studies over two decades that have confirmed that “the human brain is hardwired to seek out stories.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Even more than the author's excellent writing skills, the story stimulates the reader's interest.\u003cbr\u003e Lisa Kron, a story consultant who helps with screenplay adaptations in Hollywood, emphasizes that “story is more important than writing skills.” \u003cbr\u003eEven a quick glance at the bestseller list reveals many books that make you wonder, \"Why is this book a bestseller?\" However, the author's storytelling skills are truly outstanding.\u003cbr\u003e Yet, many writers still spend so much time and effort polishing words and sentences that they neglect the story elements that truly resonate with readers.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e What's your nonfiction like? Is it just a list or collection of bland facts? Is it a well-crafted collection of personal experiences and case studies, but no one reads it, leaving it to gather dust? This book covers the key secrets to crafting a compelling story from any subject matter into compelling content.\u003cbr\u003e The realm of human storytelling will begin to become active.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMost trusted by Pulitzer Prize-winning authors\u003cbr\u003e A writing coach talks nonfiction storytelling.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eAuthor Jack Hart served as editor and writing coach at The Oregonian, a 170-year-old daily newspaper, for a full 25 years.\u003cbr\u003e There, he became known as a leading writing mentor by shifting the paradigm from orthodox articles that faithfully conveyed facts according to the six principles of writing to narrative articles that conveyed facts in a story format.\u003cbr\u003e He constantly developed techniques for arranging events in a way that breathes life into materials that can be found in ordinary situations, keeps readers enthralled and engaged until the very end, and keeps readers on the edge of their seats even when dealing with the same incident.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e By introducing novel writing techniques and incorporating \"non-fiction storytelling\" into investigative articles that had focused solely on conveying facts, the articles came to life and readers were enthusiastic.\u003cbr\u003e Almost any material can be turned into a great story.\u003cbr\u003e It did not discriminate between fields such as religion, business, music, crime, and sports. \u003cbr\u003eClassical music critic David Stubler first used storytelling techniques in a series about a musical prodigy that became a finalist for the Pulitzer Prize.\u003cbr\u003e Author Rich Reed also won a Pulitzer Prize for his first article using nonfiction storytelling techniques.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The story of a woman who was rescued after wandering the jungle for ten days, the realization that she has finally overcome the trauma that has engulfed her life, the tenacious and long story of a police officer tracking down a murderer, the sorrow of neonatal nurses who see babies go to heaven as soon as they are born, a scientist obsessed with his work, an American football player who is no longer sought after…\u003cbr\u003e These were all topics that could have been buried as just ordinary news articles, but through the non-fiction storytelling techniques introduced in this book, they drew empathy and enthusiasm from readers.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eYour bland text\u003cbr\u003e From now on, it will be completely different!\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eTo avoid forcing inappropriate material into the framework of storytelling, this book ensures a thorough understanding of well-proven theories dating back to the time of Aristotle.\u003cbr\u003e This is because, in order to write proper non-fiction storytelling, you must fundamentally understand the basic theories that make up a story and the story structure that those theories suggest.\u003cbr\u003e In addition, it details how proven non-fiction storytelling techniques such as plot turning points, captivating structural design, structural visualization, narrative parabolas, stance (camera position) adjustments, abstraction ladders, realistic character design, three-dimensionalization of characters, sensory details, narrative openings, dialogue reconstruction, reporting techniques, and broken link repair are applied, using vivid examples taken from already published books. \u003cbr\u003eThrough this course, readers will learn how to write “stories that sell, stories that connect, stories that readers love,” regardless of field, subject matter, or style.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e November 5, 2021\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 480 pages | 692g | 152*225*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791139700169\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1139700162 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891694600234,"sku":"142777","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/2c9a87db271c80d2489eb940b0747fd8.jpg?v=1765338282","url":"https:\/\/librairie.coreenne.fr\/en\/products\/142777","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}