{"product_id":"153334","title":"Architectural Criticism (Quarterly): Spring Issue [2025] ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYDO0EKze5DN7nhX8O4f6Jthxv3hR.png?v=1765041372\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Architectural Criticism (Quarterly): Spring Issue [2025] \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/148390030\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e 『Architecture Criticism』 is an architectural theory critique journal founded in 2015.\u003cbr\u003e Published quarterly, four times a year in spring, summer, fall, and winter, the book is packed with architectural topics worth considering, architects and architectural work read from diverse perspectives, and other voices on architecture.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Opening remarks | Park Young-tae\u003cbr\u003e Focus | Kim Kwang-soo and Lee Jong-gun Talk\u003cbr\u003e The Possibilities of Architecture: Mannerism or Anarchism\u003cbr\u003e Walk | Hwang Du-jin's \"Windy Hill\"\u003cbr\u003e Internal and External Canons_Hwang Du-jin\u003cbr\u003e Questions for the Third Neighborhood_Kang Nan-hyung\u003cbr\u003e Wind, Water, and Moss: Windy Hill, Creative Dialogue with the World of Oppositional Structures_Kim Young-cheol The Art of Landscape Construction: Wind is not something to be calculated, but something to be overcome_Park Young-tae \u003cbr\u003eYoung Architecture Critic | Ryu In-geun, Kim Do-ran, and Jeong Sang-gyeong\u003cbr\u003e Strange Only to Us_Jeon Sang-hyun\u003cbr\u003e Architecture of Today, Our Time_Lim Seong-hun\u003cbr\u003e Small Beauty_Kim In-seong\u003cbr\u003e\u003cbr\u003e Buildings Move | SOA Architects\u003cbr\u003e Preface_Hyeon Myeong-seok\u003cbr\u003e A \/ The Moment Building A\/The Moment_Song Ha-yeop\u003cbr\u003e Architectural Experiments in the Triangle and the Phases of the Void_Cho Soon-ik\u003cbr\u003e Planning | Design Studio 2025\u003cbr\u003e Foreword: Positions_Lee Hee-jun\u003cbr\u003e Teaching Reality_Nicola Dorval-Bori\u003cbr\u003e Teaching Reality _ Nicolas Dorval-Bory\u003cbr\u003e On Continuous Buildings and Discontinuous Peripheries_Andreas Lechner\u003cbr\u003e Continual Building - On Buildings and Discontinuous Peripheries_Andreas Lechner\u003cbr\u003e Some Thoughts on Architectural Education_Jonathan Sergison\u003cbr\u003e Some thoughts on teaching architecture_Jonathan Sergison\u003cbr\u003e About the Porto Academy_Amelia Brandão Costa, Rodrigo da Costa Lima\u003cbr\u003e Porto Academy_Amelia Brandao Costa, Rodrigo da Costa Lima \u003cbr\u003eWonderland Design Studio Class_Kim Hyo-young\u003cbr\u003e What's Happening Outside_Go Jae-hyeop\u003cbr\u003e Interview: Conversation between Seo Jae-won and Lee Hee-jun, February 18, 2025, 2:37 PM to 5:00 PM\u003cbr\u003e Review | Gwangju Biennale Circular Poly\u003cbr\u003e A few thoughts on seeing the Gwangju Biennale Circular Poly?_Hyun Myeong-seok\u003cbr\u003e\u003cbr\u003e Book Review 1 | Seo Jae-won's \"Lost Houses of Korea\" by Lee Ji-hyung\u003cbr\u003e Book Review 2 | Kim Young-jun's \"Branches of Collective Forms\" by Jeong Man-young\u003cbr\u003e Serial | Laying the Foundations of Architectural Criticism (2)\u003cbr\u003e The Ontology of \"Between\": Preliminary Work for the Foundation of Architectural Criticism 2_Song Jong-yeol\u003cbr\u003e Authors\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The architectural possibilities dreamed of by mannerism and anarchism are not so much about presenting a model of a new vision as about revealing an attitude and method that embraces contemporaneity, which seems closer to a utopian impulse than to the utopian form mentioned by Jameson. \u003cbr\u003eIn other words, it can be said that the emphasis is on the structuring of architectural discourse rather than the structuring of the construction and practical use of buildings.\u003cbr\u003e --- p.7 From Park Young-tae's \"Introduction\"\u003cbr\u003e\u003cbr\u003e From that perspective, I would not hesitate to select Windy Hill as one of my representative works.\u003cbr\u003e To put it another way, this work allowed me to see myself, and furthermore, I have the confidence that I would have done this much because it was me.\u003cbr\u003e Its basis is architectural values ​​that differ from the thematic approach of the civil war, such as the relationship with the surrounding nature, the harmony of individuality and unity, the interpretation of topography and landscape, and the quality of the finished product.\u003cbr\u003e --- p.40 From Hwang Du-jin's \"Civil War and Foreign War\"\u003cbr\u003e\u003cbr\u003e This Gosan-ri housing project seems to be a question of what solutions architects should propose if the direction of universal architecture is to move away from 'main-city living.' \u003cbr\u003eJust as the topic of discussion in this era of population decline shifts from centrality to decentralization, from centralized cities to local small and medium-sized cities, and from the settled population to the related population,\u003cbr\u003e --- p.66 From Kang Nan-hyung's \"Questions for the Third Neighborhood\"\u003cbr\u003e\u003cbr\u003e The second is the courage to question.\u003cbr\u003e They question architecture.\u003cbr\u003e It is easy to repeat (learn), but it is difficult to question.\u003cbr\u003e Because the results of the inquiry are not guaranteed.\u003cbr\u003e Yet, they seem to enjoy the journey of reflection.\u003cbr\u003e Let me add a word here, there is no need to rush.\u003cbr\u003e Since architectural thinking is revealed through construction (or secondary results), someone will watch and chew over their construction (or counter-question).\u003cbr\u003e So, if you work hard like this, it will work out.\u003cbr\u003e --- p.129 From Jeon Sang-hyeon's \"Unfamiliar to Us\"\u003cbr\u003e \u003cbr\u003eBoth SOA's Brickwell and Promenade Ring demonstrate a structure in which the landscape plays a significant role and the architecture surrounds the landscape, but the positions and effects of the landscape and architecture are quite different.\u003cbr\u003e In Brickwell, architecture plays a proper role and can dramatize the central effect of the landscape, but in the latter, the intervention of architecture is so suppressed that even the landscape becomes meaningless, and the architecture reproduces the symptoms of that suppression.\u003cbr\u003e --- p.170 From Jo Soon-ik's \"Architectural Experiments in the Triangle and the Phases of the Void\"\u003cbr\u003e\u003cbr\u003e However, discussions related to architectural education in our country have focused on the architectural education accreditation system (hereinafter referred to as the accreditation system) rather than the actual content of education, including design studios.\u003cbr\u003e Given the impact of certification systems on education, it is clear that discussions about the system must continue. \u003cbr\u003eHowever, it should be noted that discussions about the certification system have taken away the opportunity for a more thorough discussion about the content of the classes, from the subject matter and method of conducting the design studio to the criteria for selecting educators.\u003cbr\u003e This is why this project focuses on the content of the design studio.\u003cbr\u003e --- p.175 From Lee Hee-jun's \"Positions\"\u003cbr\u003e\u003cbr\u003e Redefining architectural design as material design could be the architect's attitude and strategy in responding to the climate crisis.\u003cbr\u003e But by doing this, architecture is placed in a dilemma where it cannot solve its own problems.\u003cbr\u003e The Earth, the vast foundation of our lives, is a flexible and ever-changing organism, but the building materials that form our microscopic foundation almost always inevitably require permanence and durability that do not change. \u003cbr\u003eBut if we really look at it, there has never been a moment in the past, and there will never be one in the future, when architecture has been able to resolve or escape the innate dilemma it faces.\u003cbr\u003e That is the original sin and fate that architecture bears.\u003cbr\u003e --- p.258 From Hyun Myeong-seok's \"Some Thoughts on Seeing the Gwangju Biennale Circular Poly\"\u003cbr\u003e\u003cbr\u003e This book looks back at Korean houses from the 1960s and 1970s, but its perspective is not retro.\u003cbr\u003e It is not a gloomy gaze looking back on a history that once existed but has since been lost, but a passionate gaze that closely examines the form of the lost history projected onto the horizon of the present.\u003cbr\u003e The expressions reproduced today for this book do not merely serve as a medium for explanation.\u003cbr\u003e These testify to the author's attitude. \u003cbr\u003eThe author captures the signals of past events in the space and describes them on the parchment of the present, and the author tries to tie up, even if only through models, stories that have not yet ended.\u003cbr\u003e --- p.262 From Lee Ji-hyung's \"Lost Houses of Korea\"\u003cbr\u003e\u003cbr\u003e I think there is a phenomenon in which the ability and depth that Kim Young-jun reached when raising the topic of collective form is not widely communicated and shared, either because of excessive compression of logic or because of his usual unfriendly way of explaining things.\u003cbr\u003e I sincerely hope that this book will serve as an opportunity to resolve such a phenomenon.\u003cbr\u003e So I hope that his architectural theory will become a subject of lively discussion.\u003cbr\u003e Because the trajectory of his thoughts is too 'rare' and precious to just let it pass by as if nothing happened.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.272 From Jeong Man-yeong's \"Branches of Collective Form\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The Possibilities of Architecture: Mannerism or Anarchism \u003cbr\u003eThe spring 2025 issue of Architectural Criticism begins with a diagnosis of contemporary architecture in the era of uncertainty and chaos known as the \"interregnum.\"\u003cbr\u003e As an architect, Kim Gwang-soo constantly struggles between lightness and heaviness, ideals and reality, and responds with a manneristic attitude; and artist Lee Jong-geon argues that current architecture is in the midst of the disintegration of archism (power and order) and that a new order and freedom must be sought through anarchism. Their conversation emphasizes that architecture must be redefined through concrete practice and a new sensibility.\u003cbr\u003e Ultimately, it is argued that mannerism and anarchism are different ways of responding to reality, seeking the possibilities of architecture by twisting or overcoming the existing order.\u003cbr\u003e\u003cbr\u003e Architects and Architectural Works: Hwang Du-jin's \"Windy Hill,\" Yoap Architecture's Works, and SOA Architecture \u003cbr\u003eIn this issue, we also examine works that explore new communal life and construction techniques centered on the related population.\u003cbr\u003e Hwang Du-jin's \"Windy Hill\" is a work that the architect himself categorized as an \"external war\" rather than an \"internal war\" of the urban logic based on the porous, overlapping geometry presented in \"Rainbow Rice Cake Architecture.\"\u003cbr\u003e This architecture, which secures both privacy and community through porous construction techniques that exquisitely blend with nature and form wind passages, expands into a third neighborhood experiment that pursues low-density shared spaces and openness.\u003cbr\u003e Meanwhile, the characteristics of Yoap Architecture, in which Ryu In-geun, Kim Do-ran, and Jeong Sang-gyeong work together, were emphasized by three critics from three perspectives: ‘strangeness,’ ‘joy,’ and ‘sense of beauty.’\u003cbr\u003e Through this, the diverse spectrum and unique architectural value of Yoap Architecture are presented more clearly. \u003cbr\u003eAlso, SOA Architecture, which has produced objects and discourses of various scales, media, and materials that cannot be summarized across objects, pavilions, buildings, cities, exhibitions, and books, is captured in 'Architecture(s) Move', which follows the movement of the serious and steady practical work of the architect group.\u003cbr\u003e\u003cbr\u003e Design Studio 2025\u003cbr\u003e In this project, we revisited the architectural design education covered in the first issue of Architectural Review.\u003cbr\u003e In particular, we focused on design studio classes, which play a significant role and weight in today's architectural education, and suggested problems under the certification system, matters that need to be reviewed, and ways to improve the system without major modifications. We also closely examined design studio cases conducted by eight educators from seven design studios.\u003cbr\u003e\u003cbr\u003e Reviews, book reviews, and series \u003cbr\u003eHyun Myung-seok, the editor-in-chief of this publication, paid attention to the 'environmental architecture' project proposed by Rainer Banham, and examined various projects that were developed at the Gwangju Biennale's circular folly and that were reminiscent of Banham's approach, and put on paper some of the thoughts that came to mind from those projects.\u003cbr\u003e In addition, in the book reviews, Lee Ji-hyung and Jeong Man-young introduce two books, 『Lost Houses of Korea』 (written by Seo Jae-won, Space Bookstore, 2024) and 『Branches of Collective Forms』 (written by Kim Young-jun, Dongnyok Publishing, 2024), respectively.\u003cbr\u003e In the serial corner, continuing from the previous issue, the first discussion for 'laying the foundation for architectural criticism' addressed the issue of clarifying the 'ontological status of the critic-architect' who is directly involved in the 'practice' of architectural ideology.\u003cbr\u003e In the following article, we will discuss the role of the critic, the characteristics of criticism, and the criteria for criticism based on this discussion. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eDate of issue:\u003c\/strong\u003e June 16, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 296 pages | 152*223*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198750853\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1198750855 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43892511834154,"sku":"153334","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/b2e501bbf74d32f4ca9889d28a311fe0.jpg?v=1765380075","url":"https:\/\/librairie.coreenne.fr\/en\/products\/153334","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}