{"product_id":"153524","title":"Heavy ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQt5mXON4RQlpJ710W5WRD.png?v=1764845920\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Heavy \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/154643644\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eWho can weigh this man?\u003cbr\u003e The most honest and fundamental question that shook American society\u003cbr\u003e\u003cbr\u003e “I wanted to write a lie.”\u003cbr\u003e\u003cbr\u003e A monumental memoir that elevates personal narrative to the pinnacle of social critique.\u003cbr\u003e\u003cbr\u003e “Oh my god.\u003cbr\u003e \"Heavy\" is amazing.\u003cbr\u003e It's profound.\u003cbr\u003e\u003cbr\u003e It's intense.\u003cbr\u003e It's layered.\u003cbr\u003e “Wow, just wow.” _Roxane Gay (author of “Hunger”)\u003cbr\u003e\u003cbr\u003e ★ Selected as one of the \"100 Best Books of the 21st Century\" by the New York Times\u003c\/b\u003e \u003cbr\u003e★ Carnegie Medal for Nonfiction · LA Times Isherwood Autobiographical Prose Award\u003cbr\u003e ★ Barnes \u0026amp; Noble Discover Award and Audible Audiobook of the Year Award\u003cbr\u003e\u003cbr\u003e Keith Layman's monumental memoir, \"Heavy,\" which reveals the contradictions of American society through the scars etched on one person's body, is finally being published in Korea.\u003cbr\u003e This book, an honest and painful confession of an oppressed body, an unforgettable memory, and a precarious love, shook the Anglo-American literary world immediately upon its publication and established the author as one of the most important writers in modern American literature.\u003cbr\u003e\u003cbr\u003e Keith Layman is a leading essayist and novelist in contemporary African American literature. He explores issues of race, class, and identity by intersecting autobiographical experiences with social contexts. \u003cbr\u003eHis first novel, The Long Divide, explored the language and memory of black youth, and his essay collection, How to Slowly Kill Yourself and Others in America, weaves personal experience with social critique.\u003cbr\u003e \"Heavy\" is the first work in which he reveals his confessions and shame without hiding anything, and shows the courage to choose the truth.\u003cbr\u003e The title 'Heavy' goes beyond simple physical weight, and contains the metaphorical weight of history, secrets, and wounds that an individual must carry throughout their life.\u003cbr\u003e\u003cbr\u003e At the heart of \"Heavy\" is the contradictory relationship between a mother who loves but also abuses her son.\u003cbr\u003e Raymond explores the ways in which love and violence coexist within that relationship, and how those wounds are etched into the body and life. \u003cbr\u003eHis weight fluctuations are linked to the social oppression of being a Black man and the weight of his family history, and readers witness the moments when personal wounds connect to societal issues.\u003cbr\u003e\u003cbr\u003e The book became a New York Times bestseller upon its publication in 2018 and won the Andrew Carnegie Medal, the highest honor awarded by the American Library Association.\u003cbr\u003e It also received overwhelming praise from the media and critics, including being named one of the \"100 Best Books of the 21st Century\" and \"50 Best Memoirs of the Past 50 Years\" by the New York Times, and being a finalist in the nonfiction category for the Kirkus Award.\u003cbr\u003e The Washington Post praised the book, calling it “a once-in-a-generation book,” heralding the birth of a work destined to become a classic of our time. \u003cbr\u003eAuthor Keith Layman was awarded a MacArthur Fellowship in 2022, nicknamed the \"Genius Grant,\" which recognizes individuals who demonstrate exceptional originality and creativity.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Preface to the Korean edition\u003cbr\u003e\u003cbr\u003e What happened\u003cbr\u003e \u003cb\u003e\u003cbr\u003ePart 1 Young Man\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e training\u003cbr\u003e There is nothing\u003cbr\u003e wet\u003cbr\u003e Be there\u003cbr\u003e \u003cb\u003e\u003cbr\u003ePart 2: Black Abundance\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e poor\u003cbr\u003e Abbreviation\u003cbr\u003e Hulk\u003cbr\u003e Kang\u003cbr\u003e \u003cb\u003e\u003cbr\u003ePart 3: Made at home\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Fantastic\u003cbr\u003e disaster\u003cbr\u003e already\u003cbr\u003e soon\u003cbr\u003e \u003cb\u003e\u003cbr\u003ePart 4: Addicted Americans\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e vegetable\u003cbr\u003e horror\u003cbr\u003e seat belt\u003cbr\u003e Promises\u003cbr\u003e\u003cbr\u003e reflex\u003cbr\u003e\u003cbr\u003e Translator's Note\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Failure creates shame, and shame allows for correction.\u003cbr\u003e To change your life, you need the courage to face yourself and the strength to bear the emotional weight. \u003cbr\u003eIn the process, we can reshape our vision for ourselves, our family, our work, our society, and our nation.\u003cbr\u003e The only thing that can save us is heaviness.\u003cbr\u003e\u003cbr\u003e --- From the \"Preface to the Korean Edition\"\u003cbr\u003e\u003cbr\u003e I didn't want to write this to you.\u003cbr\u003e I wanted to write a lie.\u003cbr\u003e\u003cbr\u003e --- p.19\u003cbr\u003e\u003cbr\u003e Thanks to your constant reminders that I need to read, reread, write, and revise, I've learned to neither fear nor be easily impressed by sentences, paragraphs, commas, or margins.\u003cbr\u003e You gave me a laboratory in the Black South where I could experiment with writing.\u003cbr\u003e In it, I learned how to assemble memories and imagination in every moment that was so painful that I wanted to die.\u003cbr\u003e\u003cbr\u003e --- pp.31-32\u003cbr\u003e\u003cbr\u003e It didn't matter whether the story was true or fake.\u003cbr\u003e The important thing is that they were good stories. \u003cbr\u003eBecause a good story has a way of sounding true.\u003cbr\u003e Because a good story has a way of making us pretend not to see what we just saw.\u003cbr\u003e\u003cbr\u003e --- p.49\u003cbr\u003e\u003cbr\u003e My body knew that boys were trained to harm girls in ways girls could never harm boys, straight kids were trained to harm queer kids in ways queer kids could never harm straight kids, men were trained to harm women in ways women could never harm men, and parents were trained to harm their children in ways their children could never harm their parents.\u003cbr\u003e\u003cbr\u003e --- p.60\u003cbr\u003e\u003cbr\u003e You took off all my clothes and made me lie face down on the bed we used to sleep in together.\u003cbr\u003e I don't think I've ever screamed like that.\u003cbr\u003e You made me bury my face in the bed so I couldn't resist. \u003cbr\u003eOf course being beaten hurt, but it hurt even more that you could hit me so hard while looking at my fat, naked, black body as a nine-year-old.\u003cbr\u003e\u003cbr\u003e --- p.86\u003cbr\u003e\u003cbr\u003e Early the next morning, I had my first wet dream.\u003cbr\u003e I didn't want to tell you.\u003cbr\u003e Because if I told you what my body did while you and Malachi Hunter were together, you'd definitely ask, \"Why?\"\u003cbr\u003e I hoped you would never touch me again.\u003cbr\u003e\u003cbr\u003e --- p.89\u003cbr\u003e\u003cbr\u003e “Come in and play with me, Jackson,” the boy said.\u003cbr\u003e \"no.\u003cbr\u003e “I’ll stay here,” I said, rolling down the window.\u003cbr\u003e “Want to shoot a squirrel in the head with an air gun in my backyard?”\u003cbr\u003e “No,” I answered.\u003cbr\u003e “My mom won’t let me shoot a squirrel in the head with a gun.\u003cbr\u003e I'm okay.\"\u003cbr\u003e “But you Jacksonians only shoot guns.”\u003cbr\u003e --- p.96\u003cbr\u003e \u003cbr\u003eBefore I fell asleep, I asked my grandmother.\u003cbr\u003e If a twelve-year-old weighs 98.8 kilograms, is that too fat?\u003cbr\u003e “Why do you keep weighing me?” asked the grandmother.\u003cbr\u003e “98.8 kilograms is just the right amount of weight.”\u003cbr\u003e “What do you mean by moderately heavy?”\u003cbr\u003e “It’s worth the weight of everything you have to bear.”\u003cbr\u003e --- p.108\u003cbr\u003e\u003cbr\u003e Every time you hit my body, I remember what I know and why I know it.\u003cbr\u003e You knew how white people would judge me if I went to school with visible bruises, so unlike in Holy Family, you hit me on my back, butt, and thick thighs, not my arms, neck, hands, or face, where they weren't visible.\u003cbr\u003e\u003cbr\u003e --- pp.120-121\u003cbr\u003e\u003cbr\u003e You took your hands off the steering wheel and stretched them out towards the police officer.\u003cbr\u003e “Please step away from the car. \u003cbr\u003eThis child is my son and he is only fifteen years old so he does not have any identification.\u003cbr\u003e \"Could you tell me your badge number, officer?\" I hated how stiff your tone sounded whenever you spoke without any abbreviations.\u003cbr\u003e The police ordered both of us out of the car.\u003cbr\u003e\u003cbr\u003e --- p.141\u003cbr\u003e\u003cbr\u003e We've been told since we were little that our superpower is patience.\u003cbr\u003e The ability to survive no matter how much is taken away.\u003cbr\u003e But I couldn't understand why survival was our superpower.\u003cbr\u003e Because white people made it so many of us couldn't survive.\u003cbr\u003e And even we who survived were destined to break, having learned to bend too much.\u003cbr\u003e\u003cbr\u003e --- p.182\u003cbr\u003e\u003cbr\u003e During class, I only spoke when I could make a clear argument in defense of black people.\u003cbr\u003e I didn't ask any questions or make any unsubstantiated claims. \u003cbr\u003eBecause making a mistake that seemed ignorant in that classroom full of white people was too risky.\u003cbr\u003e For the first time in my life, I felt scared of the classroom.\u003cbr\u003e And whenever I was scared, I always reached for cake.\u003cbr\u003e The cake was safe, intimate, and celebratory.\u003cbr\u003e\u003cbr\u003e The cake never fought back.\u003cbr\u003e --- pp.205-206\u003cbr\u003e\u003cbr\u003e It was a Friday morning, the day after you pulled a gun on me for talking back to me about whether I should type or handwrite my application for transfer to Oberlin College.\u003cbr\u003e I sat naked in a cold bathtub and tapped your .22 caliber pistol against my temple.\u003cbr\u003e I had already been told by three schools that I would not even be accepted for transfer because I had been expelled from Millsaps for fighting and stealing.\u003cbr\u003e --- p.258\u003cbr\u003e \u003cbr\u003eIn return for helping them strengthen their power, I received a paycheck, security, and the moral certainty that I was \"helping white people become better people.\"\u003cbr\u003e It was a first for me, but it was also a first for an old black man.\u003cbr\u003e --- p.309\u003cbr\u003e\u003cbr\u003e I loved the thrill of pushing my body beyond its limits, but I was actually addicted to controlling the number on the scale.\u003cbr\u003e Controlling that number on the scale has made my body less disgusting and more fulfilling than writing a novel or essay, feeling love, making money, or having sex.\u003cbr\u003e When I lost weight, I was able to forget myself for a little while.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.331\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe rhythm and flow of hip-hop that breathes life into prose\u003cbr\u003e A powerful narrative that shakes language and rebuilds existence.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “I didn’t want to write this to you. \u003cbr\u003eI wanted to write a lie.” _Page 19\u003cbr\u003e\u003cbr\u003e Keith Layman's writing style is rooted in the oral traditions of the African-American Southern community and is characterized by a musical rhythm, much like the flow of rap.\u003cbr\u003e Rough, sensual descriptions intersect with sharp thoughts, and the sentences adjust tension and tempo as if lyrics unfold over a beat.\u003cbr\u003e He adds intense emotional waves to this linguistic rhythm through the second-person point of view ('you') directed at his mother, making the emotions of confession, confrontation, and love resonate in layers.\u003cbr\u003e\u003cbr\u003e For example, he recalls a tender moment when his mother taught him to write, but then immediately asks, “Why did you hit me like that?”\u003cbr\u003e This direct narrative, where affection and violence intersect, reveals the author's unwavering determination to confront the truth she has ignored throughout her life, and draws the reader into the midst of the tense emotional tension between mother and son. \u003cbr\u003eThis style of writing, which simultaneously reveals the truth of one's own life and evokes the experiences of the Black community, resembles the style of hip-hop, which is deeply personal yet also voices a social voice.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Paradoxically, at the root of this literary attitude lies the survival skill taught by my mother: ‘revision.’\u003cbr\u003e Believing that perfect sentences were the only armor a black boy could have in a world full of prejudice, his mother mercilessly corrected her son's writing with a red pen, demanding perfection.\u003cbr\u003e But for his son, 'rewriting' goes beyond a simple writing skill; it becomes an act of rewriting the history of his life and relationships.\u003cbr\u003e With the sharp tool his mother passed down to him, he digs up the truth he wanted to hide the most. \u003cbr\u003eFrom childhood sexual abuse, to the family secret of his mother's gambling problem, to the pressure of racism, to the physical weight of his body - he dissects and reconstructs all 'heavy' truths through the act of 'rewriting'.\u003cbr\u003e\u003cbr\u003e So, 『Heavy』 is a story of a great literary struggle of a man, accomplished by faithfully following his mother's teachings while at the same time fundamentally betraying them.\u003cbr\u003e His writing takes the form of confession and revelation, but its ultimate goal is self-salvation, reassembling the broken self through language.\u003cbr\u003e At the end of this intense self-exploration, the author finally succeeds in writing his life fully, in his own voice, not in anyone else's.\u003cbr\u003e\u003cbr\u003e Read, reread, write, rewrite.\u003cbr\u003e Because you gave me these four things, I began writing this book 30 years ago on my grandmother's porch. \u003cbr\u003eBut thanks to those gifts, or perhaps because of those gifts, I had to admit.\u003cbr\u003e Like every other American kid, I've been brutally dishonest with you.\u003cbr\u003e And like every other American parent, you did the same to me.\u003cbr\u003e _Page 32\u003cbr\u003e \u003cb\u003e\u003cbr\u003eThe wounds of the times depicted through personal confessions,\u003cbr\u003e Crossing family, identity, and race\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The power of \"Heavy\" lies in its dense narrative structure, which expands the story of an individual into a story of the times.\u003cbr\u003e The multi-layered themes of family, body, and society are intertwined and organic, becoming causes and effects of each other.\u003cbr\u003e As a result, moments where micro-narratives and macro-narratives intersect in an individual's life are revealed.\u003cbr\u003e At this time, the body becomes a vessel that holds pain and a living record on which social oppression is imprinted.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The emotional core and primary narrative of this book is the relationship with the mother. \u003cbr\u003eThe author does not unilaterally condemn the relationship, which is filled with love and violence, or resolve it only with self-pity.\u003cbr\u003e Instead, it shows a desperate attempt to understand the truth of the relationship more deeply and complexly by revealing and confronting the wounds of both parties.\u003cbr\u003e This long and painful letter he sends to his mother through \"Heavy\" is a desperate gesture to restore a distorted relationship, and yet it is nothing less than an act of love that refuses to give up on understanding.\u003cbr\u003e\u003cbr\u003e I sat at the end of the bed, you sat at the desk.\u003cbr\u003e We looked at each other in silence for a few minutes.\u003cbr\u003e You seemed to think I was blaming you, but I wasn't.\u003cbr\u003e To blame you, I felt like I had to first acknowledge how sad I was and how many times I failed.\u003cbr\u003e Page 355\u003cbr\u003e\u003cbr\u003e All the themes of 『Heavy』 are embodied and testified through the author's 'body.' \u003cbr\u003eHis body, especially his 'weight', which has changed throughout his life, is the most central symbol of this book.\u003cbr\u003e Here, the body functions as more than a physical body; it is a text where personal and social history intersect.\u003cbr\u003e His weight is a product of a complex web of cravings for his mother's love, a desperate struggle to starve himself out of self-loathing, and a defense mechanism against the threatening gaze of society on the black male body.\u003cbr\u003e\u003cbr\u003e This narrative also strongly resonates with Roxane Gay's \"Hunger,\" which confesses to the traces of violence, fear, and survival etched into the body.\u003cbr\u003e The two authors revive repressed bodies and memories through confession, and restore the ethics and memories of the community through their own language, which they have acquired in lieu of silence.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e My body knew.\u003cbr\u003e That my weight, that exact number, has long been an emotional, psychological, and spiritual destination for me. \u003cbr\u003e(…) Controlling that number on the scale made my body feel less disgusting and filled me more deeply than writing a novel or essay, feeling love, making money, or having sex.\u003cbr\u003e Page 331\u003cbr\u003e\u003cbr\u003e Thus, \"Heavy\" expands beyond a personal confession into a massive testimony that denounces how heavily the nation called America weighs down on a person's life.\u003cbr\u003e The racism that runs deep in Mississippi, the twisted discipline of a mother who tried to protect her son from white police brutality, and the obesity that comes from poverty and racial prejudice.\u003cbr\u003e \"Heavy\" vividly reveals how issues of race, class, and gender intersect to shape a person's life.\u003cbr\u003e This demonstrates how the most personal confessions can become the most powerful political testimonies. \u003cbr\u003eFurthermore, it makes us reflect on how facing an individual's trauma is ultimately closely connected to the healing of society as a whole.\u003cbr\u003e\u003cbr\u003e \u003cb\u003e\u003cbr\u003eIf you want to change your life, you have to get heavy.\u003cbr\u003e The great power of empathy that transcends race and borders\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Everyone has words they swallow in their hearts.\u003cbr\u003e Even when things aren't okay, we pretend to be okay and smile, and we live our lives ignoring painful memories as if they never happened.\u003cbr\u003e But the feelings that were ignored do not disappear.\u003cbr\u003e It builds up somewhere in the body, becoming an inexplicable anxiety, a shadow that ruins relationships, and before you know it, an invisible weight that weighs down your entire life.\u003cbr\u003e\u003cbr\u003e Keith Layman's \"Heavy\" is a record of one man's fierce and courageous struggle with naked honesty against the very reality of that weight.\u003cbr\u003e This book shatters the world's myths about being a \"strong man.\" \u003cbr\u003eInstead of success and strength, the author places his deepest vulnerabilities and failures on the altar of language.\u003cbr\u003e The scars of racism, the memories of a mother's love and violence, and the broken body that fought against food addiction.\u003cbr\u003e He says in a voice that has thrown off its mask, that it is okay not to be strong, and that only when you acknowledge that weakness can you face your true self.\u003cbr\u003e This is the most fundamental question about the masculinity imposed by modern society, and a literary demonstration of how far honest self-exploration can reach.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The true 'weight' of 'Heavy' lies in the great power of empathy, in which the most personal confession can transcend borders and cultures to become 'my story.'\u003cbr\u003e When we are honest about our darkest parts, we realize we are no longer alone. \u003cbr\u003eAnd this book gives us a heavy hope that only when we stand up from that weight can our true lives begin. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 26, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 392 pages | 498g | 135*205*25mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791194523796\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 119452379X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43888849944618,"sku":"153524","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/0fbf87727da1445e78d772acf9a4ad70.jpg?v=1765213839","url":"https:\/\/librairie.coreenne.fr\/en\/products\/153524","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}