{"product_id":"155408","title":"Connecting modern and contemporary art ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYDOVtuVYJn3tLIkmfuTEFgHqslSX.png?v=1765016437\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Connecting modern and contemporary art \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/167387425\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e★“Art history is the flower of the humanities.\u003cbr\u003e\u003cbr\u003e Woo Jin-young proved that proposition in writing.” _Choi Yeol, art historian\u003cbr\u003e\u003cbr\u003e ★“If you follow the lives of our writers in this book,\u003cbr\u003e “I realize why the word beauty aligns with art.” _Jang Myeong-suk, ‘Milanonna’\u003cbr\u003e\u003cbr\u003e “What if two artists from different eras met?”\u003cbr\u003e The breath of modernity and contemporary gestures intertwine\u003cbr\u003e Our Picture Story\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e At the 'Star Auction' held in New York, USA on the 17th, Kim Hwan-ki's 1971 work 'Blue Ignition' was sold for approximately 12.3 billion won. \u003cbr\u003eIt broke the second-highest price in the history of Korean art auctions, and served as an opportunity to once again make the presence and status of Korean art known to the world.\u003cbr\u003e Public interest in Korean art is growing increasingly heated.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Woo Jin-young, who majored in modern and contemporary Korean art history at Hongik University Graduate School and works as a curatorial researcher at the National Museum of Modern and Contemporary Art, has published his brilliant first book, \"Connecting Modern and Contemporary Art.\"\u003cbr\u003e This book delicately captures the intersection between the breath of modernity and contemporary gestures within the flow of art history.\u003cbr\u003e The struggles of artists who endured the hardships of the times, such as the Japanese colonial period, liberation, and the Korean War, are connected to the struggles of artists living in the breathless city of Seoul in the 21st century. \u003cbr\u003eModern writers Na Hye-seok and Lee Jae-heon, who confronted social prejudice against women through art, Kim Hwan-gi and Son Seung-beom, who pursued unchanging values ​​even in finite lives, and Koo Bon-woong and Lee Woo-seong, who captured their desire to share warmth with others in their paintings, meet across time.\u003cbr\u003e The artists' aspirations to express the essence and value of life overlap over a period of over 100 years.\u003cbr\u003e The author connects 47 modern and contemporary artists across five parts, taking readers on a unique art journey that spans time from Gyeongseong to Seoul.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Written out of a love for modern art and curiosity about contemporary art, this book comprehensively supplements columns and other articles serialized in the Saturday edition of The Hankyoreh, and adds intimate interviews with contemporary Korean artists who are attracting attention in the global art world. \u003cbr\u003eIt is richly filled with over 100 plates, including modern and contemporary masterpieces such as Kim Hwan-ki's representative works \"Rondo\" and \"Eternal Song,\" Koo Bon-woong's \"Portrait of a Friend\" and \"Woman,\" and Jang Wook-jin's \"Village.\"\u003cbr\u003e The text, which vividly conveys the brushwork, colors, and texture of the work, and the illustrations that smoothly connect with it, provide a sensory reading experience as if listening to a docent directly.\u003cbr\u003e This museum, where tradition and modernism intersect, invites you to a rare moment when works of art speak across time.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e Prologue: When a work speaks across time\u003cbr\u003e\u003cbr\u003e Part 1: My City and Yours\u003cbr\u003e\u003cbr\u003e Strolling through Gyeongseong and Seoul: Kim Ju-kyung and Jeong Yeong-ju\u003cbr\u003e [Appendix] \"Ultimately a Story About People\": An Interview with Author Jeong Yeong-ju\u003cbr\u003e\u003cbr\u003e Between Coolness and Passion: Ju-kyung and Noh Eun-joo \u003cbr\u003e[Appendix] \"Still Still, Still Changing\": An Interview with Author Eunju Noh\u003cbr\u003e\u003cbr\u003e In the Struggling City: Moon Woo-sik and Min Jun-hong\u003cbr\u003e [Appendix] \"Without Exaggeration or Lies\": An Interview with Author Min Jun-hong\u003cbr\u003e\u003cbr\u003e Stories Beyond the Landscape: Lee Sang-beom and Kwon Se-jin\u003cbr\u003e [Appendix] \"Work that Circulates with Nature\": An Interview with Artist Kwon Se-jin\u003cbr\u003e\u003cbr\u003e Part 2: Beings on the Borderline\u003cbr\u003e\u003cbr\u003e The Perspectives of Those Who Left: Elizabeth Keith and Kim Hyun-chul\u003cbr\u003e [Appendix] \"Toward the True Face of the Object\": An Interview with Author Kim Hyun-chul\u003cbr\u003e\u003cbr\u003e The Voices of Women in Our Time: Lee In-seong and Jeong Su-jeong\u003cbr\u003e [Appendix] \"Free and Courageous Women\": An Interview with Author Jeong Su-jeong\u003cbr\u003e\u003cbr\u003e Blessings on Your Cross: Im Yong-ryeon and Seo Min-jeong\u003cbr\u003e [Appendix] \"Simultaneous Life Experiences\": An Interview with Writer Seo Min-jeong\u003cbr\u003e\u003cbr\u003e Beyond Disability and Wounds: Kim Ki-chang and Hyun Deok-sik\u003cbr\u003e\u003cbr\u003e Gestures of Floating Beings: Song Hye-soo and Lee Hyuk\u003cbr\u003e [Appendix] \"Beauty from Conflict and Chaos\": An Interview with Author Lee Hyuk\u003cbr\u003e\u003cbr\u003e Part 3: A Sense of Passing Through the Seasons\u003cbr\u003e\u003cbr\u003e Seasons Painted in Color: Oh Ji-ho and Kim Hyun-soo\u003cbr\u003e \u003cbr\u003eWith a heart that awaits spring: Jang Woo-sung and Bin Woo-hyuk\u003cbr\u003e [Appendix] \"Drawing is an Extension of Life\": An Interview with Artist Bin Woo-hyuk\u003cbr\u003e\u003cbr\u003e A Midsummer Day's Dream: Baek Yeong-su and Lee Nae\u003cbr\u003e [Appendix] \"Following the Process of Memory Transformation\": An Interview with the Author\u003cbr\u003e\u003cbr\u003e A Snowy Landscape from a Winter Fairy Tale: Lee Seong-ja and Lee Chae-won\u003cbr\u003e [Appendix] \"I hope you don't lose the warmth that lies beneath\": An interview with author Lee Chae-won.\u003cbr\u003e\u003cbr\u003e Part 4: The Inner Vortex\u003cbr\u003e\u003cbr\u003e Anxiety in the Neatness: Lee Hyeong-rok and Lee Don-ah\u003cbr\u003e [Appendix] \"Human Desire Transcends Time\": An Interview with Author Lee Don-ah\u003cbr\u003e\u003cbr\u003e Fragments of Self-Consciousness: Kwon Jin-gyu and Kwon Oh-sang\u003cbr\u003e [Appendix] \"Unconventionality and Plausibility Go Together\": An Interview with Author Kwon Oh-sang\u003cbr\u003e\u003cbr\u003e Vomit or Empty: Park Seo-bo\u003cbr\u003e\u003cbr\u003e Dream Scene: Jang Wook-jin and Choi Min-young\u003cbr\u003e [Appendix] \"A Moment from Nature\": An Interview with Author Minyoung Choi\u003cbr\u003e\u003cbr\u003e A Private Record of the Body: Tattoos and Kang Cheol-gyu\u003cbr\u003e [Appendix] \"The Interplay of Weakness and Strength\": An Interview with Author Kang Cheol-gyu\u003cbr\u003e\u003cbr\u003e Part 5: Stories Flowing Through Life\u003cbr\u003e \u003cbr\u003eDreaming of Eternity and Embracing Disappearance: Kim Hwan-ki and Son Seung-beom\u003cbr\u003e [Appendix] \"With a Perspective on Small Things\": An Interview with Author Seungbeom Son\u003cbr\u003e\u003cbr\u003e Their Faces Speak: Park Soo-geun and Kim Jung-wook\u003cbr\u003e\u003cbr\u003e The Flowing Narrative of a Family: Lee Jung-seob and Ryu No-ah\u003cbr\u003e [Appendix] \"A Work That Speaks More\": An Interview with Artist Noah Ryu\u003cbr\u003e\u003cbr\u003e Others' Pain and My Pain: Im Gun-hong and Woo Jeong-su\u003cbr\u003e [Appendix] \"Finding Form in the Process\": An Interview with Artist Woo Jeong-su\u003cbr\u003e\u003cbr\u003e If You Can Share Warmth: Koo Bon-woong and Lee Woo-sung\u003cbr\u003e\u003cbr\u003e Americas\u003cbr\u003e References\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate6179\/MidCate007\/617866858.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The concrete buildings that fill the screen of Kim Ju-kyung's \"Landscape with Bukaksan Mountain in the Background\" were an unfamiliar landscape in 1927, revealing the city's transformation.\u003cbr\u003e In Korean cities in 2023, it is a familiar reality that can be seen everywhere. \u003cbr\u003eContemporary artist Jeong Yeong-ju depicts shacks nestled hidden among mountain villages, rather than the typical high-rise buildings of the city that stretch out as if boasting their grandeur.\u003cbr\u003e Kim Joo-kyung revealed the vivid changes in the modern city that occurred during that era.\u003cbr\u003e Kim Ju-kyung, a modernist who experienced the special period of Japanese colonial rule, was fascinated by the newness of the changing city of Gyeongseong and vividly expressed it.\u003cbr\u003e Jeong Yeong-ju, on the other hand, turned back the pendulum of the city's clock and soothed his own wounds.\u003cbr\u003e Something new happens.\u003cbr\u003e Change and move.\u003cbr\u003e It passes and flows.\u003cbr\u003e Stay and leave.\u003cbr\u003e I forget and miss you.\u003cbr\u003e That's what life is like in the city.\u003cbr\u003e --- p.26\u003cbr\u003e\u003cbr\u003e The transparency brought about by the achromatic colors of “Still Light 2” approaches us indifferently.\u003cbr\u003e no.\u003cbr\u003e I can't believe it.\u003cbr\u003e If you stay by Noh Eun-ju's paintings, you will know.\u003cbr\u003e It may look fragile, but there is strength within it.\u003cbr\u003e The soft things are taking shape on their own. \u003cbr\u003e“I don’t immediately throw away the objects or materials I’ve drawn, but keep them in my studio for a long time and observe them.” This is Noh Eun-ju’s confession.\u003cbr\u003e Take your time and ask yourself some sophisticated questions.\u003cbr\u003e The thin branches in the picture are no longer in danger.\u003cbr\u003e Flowers speak.\u003cbr\u003e It's okay if it doesn't bloom.\u003cbr\u003e A light was turned on in his cold still life.\u003cbr\u003e\u003cbr\u003e --- p.40-41\u003cbr\u003e\u003cbr\u003e 1957 was a year of progress.\u003cbr\u003e I had to move on.\u003cbr\u003e The devastation left by the war was being pushed away.\u003cbr\u003e Myeongdong was the center of change.\u003cbr\u003e Wounds heal slowly.\u003cbr\u003e Even if you try to hide it, it will be revealed.\u003cbr\u003e Without any notice.\u003cbr\u003e A clue is found.\u003cbr\u003e About the reason why the hardship is seen in the sophistication of the form embodied in “The Way to the Cathedral.”\u003cbr\u003e It captures the emotions quietly entangled in the city.\u003cbr\u003e My heart races with excitement at his agility.\u003cbr\u003e Moon Woo-sik proves that he is a writer who breathes with the times.\u003cbr\u003e He was an unconstrained artist.\u003cbr\u003e He joined the Namgwan Art Research Institute in 1948.\u003cbr\u003e I learned how to draw. \u003cbr\u003eIn 1952, he studied at the Department of Fine Arts at Hongik University, which set up a temporary school in a refugee camp in Busan.\u003cbr\u003e He absorbed the latest abstract trends of the time from Kim Hwan-ki, and developed an expressionist aesthetic sensibility through his friendship with Lee Jung-seob.\u003cbr\u003e Moon Woo-sik's unique writing style blossomed.\u003cbr\u003e Leaving behind the scars of war.\u003cbr\u003e\u003cbr\u003e --- p.47-48\u003cbr\u003e\u003cbr\u003e Na Hye-seok was an artist who encompassed both literature and art.\u003cbr\u003e Compared to the groundbreaking and progressive writing, the evaluation of the drawings is mixed.\u003cbr\u003e The criticism is that it is “an imitation of Japanese impressionism” and that “feminist ideas did not reach the painting.”\u003cbr\u003e I nod my head to some extent, but I don't want to agree 100 percent.\u003cbr\u003e The women in “Spring Comes” (1922) are busy doing laundry.\u003cbr\u003e I feel the coldness from the position where my back is to the screen.\u003cbr\u003e The spring scenery soon becomes the background and we get closer to the women's inner thoughts.\u003cbr\u003e The nudity in “Naboo” (1928) is abundant.\u003cbr\u003e It's neither white nor smooth.\u003cbr\u003e Shaded skin stands out. \u003cbr\u003eIt's realistic.\u003cbr\u003e We see boldness in the outstretched hand gestures in “The Dancer” (1940).\u003cbr\u003e It's refreshing.\u003cbr\u003e I don't want to turn a blind eye to that reality anymore.\u003cbr\u003e Na Hye-seok's paintings express.\u003cbr\u003e “I am speaking out here.”\u003cbr\u003e --- p.110\u003cbr\u003e\u003cbr\u003e Everyone has times when they burn out.\u003cbr\u003e It's easy to get drunk on yourself.\u003cbr\u003e The year 1929 was like that for Im Yong-ryeon.\u003cbr\u003e “The Cross” is a work from that time.\u003cbr\u003e Let out your pain.\u003cbr\u003e Despair flows.\u003cbr\u003e Those must have been days when he was able to fully blossom with his talents, so why did he portray his suffering?\u003cbr\u003e I want to ask the people in the painting who are praying without losing their colors.\u003cbr\u003e Do you know Im Yong-ryeon's mind?\u003cbr\u003e Was it an expression of the sorrow of a fallen nation, or was it a variation of traditional sacred painting accompanied by the artist's greed?\u003cbr\u003e sad.\u003cbr\u003e He has a future\u003cbr\u003e Did you have a premonition?\u003cbr\u003e\u003cbr\u003e --- p.123\u003cbr\u003e\u003cbr\u003e “I explored the human being returning to his essence as ice melts and turns into water.” This is Hyun Deok-sik’s explanation of “Yushido.” \u003cbr\u003eThe thick, flowing substances were ice.\u003cbr\u003e He answers again.\u003cbr\u003e I wanted to portray the inner desires of humans.\u003cbr\u003e I knew the answer, but the questions inside me continued.\u003cbr\u003e My desire is darkness, but why does the ice shine so transparently?\u003cbr\u003e I keep having to lower my head.\u003cbr\u003e It's hard to see the ice chunks that are distorted in shape.\u003cbr\u003e My heart is breaking.\u003cbr\u003e We often\u003cbr\u003e Hate someone.\u003cbr\u003e Either by force or by choice.\u003cbr\u003e Emotional violence, big and small, exists everywhere.\u003cbr\u003e There is no one who is at peace with this.\u003cbr\u003e It just hides the crushed insides.\u003cbr\u003e I see the scars condensed in the transparent ice.\u003cbr\u003e The dark desire cries out, saying that it does not want to be forced to hide.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.144\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e Whenever I read Woo Jin-young's writing, a sentence that I have kept in mind while living as an art historian comes to mind. \u003cbr\u003e'Art history is the flower of the humanities.' Woo Jin-young proved this proposition in his own writing.\u003c\/p\u003e\n\n\u003cp\u003e “Please read my writing.\u003cbr\u003e “It’s a column that connects the modern and contemporary eras.” “Bridging two eras?” I was puzzled and curious.\u003cbr\u003e Woo Jin-young's writing is a sophisticated blend of descriptive sensibility and depth of thought.\u003cbr\u003e In a narrative that connects the modern and contemporary eras, readers encounter the Gyeongseong modernists who heated up the Myeongdong teahouses of the 1930s, and experience today's writers who burn with passion, following in their footsteps.\u003cbr\u003e Woo Jin-young's writing style vividly brings scenes from the past to life, while also allowing us to breathe new life into them with today's sensibilities.\u003c\/p\u003e\n\n\u003cp\u003e Woo Jin-young does not stop at simply interpreting the world in his work.\u003cbr\u003e He overlaps his art with his life, reflecting on himself with an honest gaze and looking at the world and his neighbors with pure eyes.\u003cbr\u003e And look at all things with a warm heart. \u003cbr\u003eHis delicate sensibility and profound scholarship combine to create a writing that always delivers a gift of sincerity and resonance.\u003c\/p\u003e\n\n\u003cp\u003e Reading the writings of art columnist Woo Jin-young is not just about learning about art history.\u003cbr\u003e It is a journey to think together about the essence of life and art.\u003cbr\u003e If you want to experience the joy of reading a picture and the emotion that connects the ages, I recommend opening this book.\u003cbr\u003e The breath of modernity and contemporary gestures will bloom again in the hearts of readers.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e- Choi Yeol, art historian\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHere is art that blossomed while protecting life.\u003cbr\u003e I remember the first time I read Woo Jin-young's art column.\u003cbr\u003e Whenever I meet our modern artists who lived through difficult times, I often find myself turning back the clock.\u003cbr\u003e Because I want to hug their shoulders quietly.\u003cbr\u003e When I see contemporary artists constantly moving forward with their feet firmly on the ground, I want to give them a big push and cheer them on. \u003cbr\u003eYou will find out when you read her writing.\u003cbr\u003e How noble, yet also how difficult, is the life of an artist who is honest with himself.\u003c\/p\u003e\n\n\u003cp\u003e I appreciate Woo Jin-young's affection for our art history, not Western art history.\u003cbr\u003e That deep love overflows into each and every piece of work.\u003cbr\u003e Each sentence and paragraph is densely filled with the breath of art.\u003cbr\u003e As we follow the lives of our artists in \"Connecting Modern and Contemporary Art,\" we come to understand why the word \"beauty\" aligns with art.\u003cbr\u003e I hope you too will have that moment.\u003cbr\u003e We invite you to join us on an art journey that transcends time.\u003cbr\u003e Sometimes you will empathize with the pain deeply imprinted on the canvas, and at other times you will give your heart to the landscape bathed in light, and at some point you will find yourself walking along that path.\u003c\/p\u003e\n\n\u003cp\u003e Suddenly, a passage from the speech of Joseph Brodsky, winner of the 1987 Nobel Prize in Literature, which had long ago sunk deep into my heart, comes to mind. \u003cbr\u003eThose who know beauty are not easily polluted, and those who admire beauty try to somehow escape from the mud of ugliness.\u003c\/p\u003e\n\n\u003cp\u003e This is the true meaning of Dostoevsky's proposition that 'beauty saves the world'.\u003c\/p\u003e\n\n\u003cp\u003e \u003cstrong\u003e- Jang Myeong-suk, YouTuber 'Milanonna'\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 20, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 372 pages | 486g | 140*210*23mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791172133504 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891701841962,"sku":"155408","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/1e2b57305eb11582b4315d775ff9216f.jpg?v=1765338815","url":"https:\/\/librairie.coreenne.fr\/en\/products\/155408","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}