{"product_id":"155440","title":"A Guide to Contemporary Art for Those Who Go Gray When They Visit Art Museums ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYDOVuGiQwF5wrnRvS8HTV2rrTXkY.png?v=1765016834\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e A Guide to Contemporary Art for Those Who Go Gray When They Visit Art Museums \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/71854967\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e A compact introduction to contemporary art by Grayson Perry, a world-renowned ceramicist, Turner Prize winner, OBE, Fellow of the Royal Academy of Arts, and crossdresser. \u003cbr\u003eIn this book, he delves into the workings of the world of contemporary art, mixing in his signature black humor.\u003cbr\u003e He also shares the artist's innermost thoughts honestly based on his own experiences.\u003cbr\u003e For the average art lover, this book will provide an insight into the ambiguous and esoteric world of contemporary art, allowing them to grasp its essence.\u003cbr\u003e And if you're a working artist, you'll find in this book not only warm comfort and a sense of solidarity, but also powerful and ingenious tips for building your career.\u003cbr\u003e In 2013, Grayson Perry became the first visual artist to tell the story of contemporary art in his BBC Rees Lectures. \u003cbr\u003eThe annual Rees Lectures, held on BBC Radio since 1948, have featured leading intellectuals such as Stephen Hawking, Bertrand Russell, and Michael Sandel, and Grayson Perry's lectures were among the most popular.\u003cbr\u003e This book is based on this lecture.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Source: Art critic Ban I-jeong's YouTube channel\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Prologue_Welcome to Art World!\u003cbr\u003e\u003cbr\u003e Chapter 1: Democracy is a matter of taste.\u003cbr\u003e Things to keep in mind when talking about aesthetic value\u003cbr\u003e How much is the art?\u003cbr\u003e Who proves the value of art?\u003cbr\u003e What is this 'saying'?\u003cbr\u003e Is there even such a thing as a standard?\u003cbr\u003e\u003cbr\u003e Chapter 2: Pushing the Boundaries of Art\u003cbr\u003e When he called it art, it became art.\u003cbr\u003e Sitting down and doing art\u003cbr\u003e What on earth is art?\u003cbr\u003e Eight Boundaries That Distinguish Art from Non-Art\u003cbr\u003e The Crisis of Art vs. \u003cbr\u003eThe possibilities of art\u003cbr\u003e\u003cbr\u003e Chapter 3: Come on in, cool rebellion!\u003cbr\u003e Welcome to Art World, it's going to be awesome!\u003cbr\u003e The artist's illusions, anxieties, and reality\u003cbr\u003e Bring revolution, I'll give you money\u003cbr\u003e The artist's last weapon\u003cbr\u003e Moments from 8-track tape\u003cbr\u003e I am a serious artist\u003cbr\u003e\u003cbr\u003e Chapter 4 I Discovered Myself in the World of Art\u003cbr\u003e A work of art that is not shown to anyone\u003cbr\u003e What You Really Get Out of Art College\u003cbr\u003e How Artists Build Their Careers\u003cbr\u003e Everyone needs their own escape.\u003cbr\u003e\u003cbr\u003e Epilogue_The book ends, but\u003cbr\u003e thank you\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate2231\/MidCate003\/223021424.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e “One day I created a jar called ‘Affectionate Agreement.’\u003cbr\u003e At that time, I received a list of the top 50 people and institutions that would be good candidates for my work from the dealer, and wrote their names on the jar as decoration. \u003cbr\u003eThe jar was exhibited at the Turner Prize exhibition, and one of the names on the jar, a major collector named Dakis Joannou, saw it at the Tate Gallery and phoned to buy it.\u003cbr\u003e As a side note, this is a little tip for artists.” \u003cb\u003e_Pages 38-39\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e There is something I have learned through my experience with the definition of art.\u003cbr\u003e The point is that art revolves around boundaries of taste, not formal boundaries such as what an artist should do.\u003cbr\u003e I think that's an example of vulgarity.\u003cbr\u003e Beneath the seemingly sophisticated and tolerant attitude of “Yes, anyone can make art and everything they do can be art,” there is, interestingly, a kind of class snobbery.\u003cbr\u003e \u003cb\u003ePage 80\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eTattoos, piercings, drugs, interracial sex and fetishism were once considered subversive and dangerous, tools used by artists to show their freedom and uniqueness, but now all of this can be easily seen on Saturday night family-watched reality music audition show \"The X Factor.\"\u003cbr\u003e So now the last truly dangerous thing left, the one thing you'll never see, is armpit hair! \u003cb\u003e_Pages 124-125\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e When creating a work, the meaning contained in the children's work, the message they want to convey, and the emotions they express all spill out without the children even realizing it.\u003cbr\u003e I'm sure the art teacher who told me I would do well in art school saw traces of my unconsciousness that had seeped into my paintings and stained them like stains. \u003cbr\u003eThe teacher noticed that while I was very awkward expressing myself verbally as a teenager, I expressed myself much more through my drawings.\u003cbr\u003e \u003cb\u003ePage 158\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e A friend asked the children, “What do you think contemporary artists do?”\u003cbr\u003e Then one kid raised his hand quite precociously and said, “I sit at Starbucks and just laze around and eat an organic salad.”\u003cbr\u003e I thought that was a pretty accurate description of what many artists do in the city's glamorous districts.\u003cbr\u003e After the children had spent some time learning about what contemporary artists were doing, at the end of the program, my friend asked again.\u003cbr\u003e “What do you think contemporary artists are doing these days?” Then the same kid spoke again.\u003cbr\u003e “They know things,” I thought. \u003cbr\u003e'Wow, this is a really short and sharp definition of what an artist does!' \u003cb\u003e_pp. 162-163\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Finnish photographer Arno Minkinen came up with the 'Helsinki Bus Terminal Theory' in 2004.\u003cbr\u003e Leaving art school and choosing your own style and path in the art world is a bit like getting on a bus at the Helsinki bus terminal.\u003cbr\u003e There are about 20 platforms, and each platform has about 10 types of buses.\u003cbr\u003e An ambitious young man, a graduate of art college, chooses a bus and boards it.\u003cbr\u003e After about three stops (each stop representing a year in his career), he gets off the bus and goes into a gallery to show his work.\u003cbr\u003e People who saw it said, “Oh, it’s very good, it’s very good.\u003cbr\u003e “But it reminds me of Martin Parr,” he says.\u003cbr\u003e Then he says, “Ugh!! I’m not original. \u003cbr\u003e“I’m not unique!” he says, feeling very discouraged.\u003cbr\u003e So I catch a taxi, go back to the bus terminal, and get on another bus.\u003cbr\u003e And of course… the same thing happens again.\u003cbr\u003e Minkinen says:\u003cbr\u003e “All you have to do is stay on that damn bus!” \u003cb\u003e_Page 171\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The art world is a place where sarcasm often runs rampant, and such sarcasm has the quality of corroding delicate organisms like creative impulses.\u003cbr\u003e I protect my bundle of creative energy.\u003cbr\u003e He protects it with a shield of irony of hypocritical indifference, a helmet of mischief, and a breastplate of wit.\u003cbr\u003e And he wields the carefully sharpened blade of cynicism.\u003cbr\u003e Because the part of me that keeps me going as the sun goes down is too vulnerable to be completely exposed to the world's harsh eyes.\u003cbr\u003e \u003cb\u003ePage 178\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eIf you're still unsure how to react when encountering a contemporary work of art, try a thought exercise I often use.\u003cbr\u003e Imagine what kind of conversation would take place a century later when someone were to put that piece up for appraisal on a 22nd-century edition of \"Authentic Masterpieces.\"\u003cbr\u003e I have seen great results with this method.\u003cbr\u003e \u003cb\u003ePage 186\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e --- From the text\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e “In this book, I want to pose and answer the basic questions that people might have when they visit an art museum, questions that they usually avoid asking for fear of appearing too ignorant.” (p. 12)\u003cbr\u003e\u003cbr\u003e 'This is a work of art?'\u003cbr\u003e It's been 100 years since urinals became works of art.\u003cbr\u003e After that, there was an artist who replaced portraits with telegrams and sold his own excrement in cans for the equivalent weight of gold.\u003cbr\u003e It happened about 50 years ago. \u003cbr\u003eThese days, some artists \"recommercialize\" Duchamp's famous urinal by pouring real urine into it, others place famous actors in glass cases for audiences to admire, and others create virtual situations in exhibition halls, where the viewer's interactions within those situations create a new, fresh work of art each time (meaning even the viewer's interactions are considered elements of the work).\u003cbr\u003e In this flow, artists may have enjoyed the freedom to create, but viewers' minds have become increasingly gray.\u003cbr\u003e \"Is this a work of art?\" Ordinary viewers are perplexed when faced with contemporary art exhibited in an art museum.\u003cbr\u003e But did you know that so-called experts aren't all that different from ordinary viewers?\u003cbr\u003e So there's no need to be discouraged.\u003cbr\u003e\u003cbr\u003e Even I still find commercial galleries, especially, quite intimidating. \u003cbr\u003eThe front desk is manned by gallery ladies who are so chic they're almost daunting, and the atmosphere of hushed praise for mysterious and incomprehensible objects in this expensive and stylish concrete building that occupies an enormous lot is also uncomfortable.\u003cbr\u003e Not to mention the often overblown, over-the-top terminology of the art world, which often lacks clarity (p. 14).\u003cbr\u003e\u003cbr\u003e This is the confession of Grayson Perry, a full member of the art world (world-renowned ceramic artist, Turner Prize winner, OBE, Fellow of the Royal Academy of Arts) and author of the book, \"A Guide to Contemporary Art for People Who Go Gray When They Go to Art Museums.\"\u003cbr\u003e\u003cbr\u003e What is contemporary art?\u003cbr\u003e 'Contemporary art' literally means art of the present era (this also means that in the distant future, today's contemporary art will be called by a different name). \u003cbr\u003eIn art history, it refers to art after 1978, but in Korea, the term 'contemporary art' is not often used and is often lumped together as 'modern art'.\u003cbr\u003e Why does this term, which simply distinguishes a period, feel so difficult? It's because contemporary art is an extension of modern art.\u003cbr\u003e In the era of modern art, the scope of art has expanded explosively, no longer remaining limited to traditional forms such as drawing, painting, and sculpture.\u003cbr\u003e As I said before, even poop became art 50 years ago, and now even computer programs are becoming art.\u003cbr\u003e So, contemporary art is bound to seem increasingly unfamiliar to the average viewer.\u003cbr\u003e\u003cbr\u003e Fujida talks about innovation \u003cbr\u003eIn an era where everything can become art, or in other words, an era where the boundaries of what constitutes art have disappeared, paradoxically, this is an era where works that “cross the boundaries of what can be art” no longer emerge.\u003cbr\u003e This means that fundamental innovations like those that have occurred in contemporary art are no longer possible, as the boundaries of art have disappeared.\u003cbr\u003e Even if a new idea pops into your head, don't expect it to be new, because if you search the Internet, there's a good chance that someone else has already done it.\u003cbr\u003e In this day and age, “originality” is something that people forget or don’t search on the internet!\u003cbr\u003e\u003cbr\u003e If someone were to ask artists what the cutting edge idea of ​​today is, they would probably chuckle.\u003cbr\u003e Because they think that a new idea is just a slight twist on the current trend. \u003cbr\u003eAesthetic upheaval and cultural upheaval are relatively commonplace concepts in today's art. (p. 113)\u003cbr\u003e\u003cbr\u003e So, now, the only thing that can be new is the ‘meaning’ and ‘energy’ that the artist is trying to convey.\u003cbr\u003e This is why the artist's self-consciousness is so strongly interfering with art today.\u003cbr\u003e Artists must “reflect, based on self-consciousness, not only on ‘what to create and how to create,’ but also on ‘what exactly is this thing called art?’”\u003cbr\u003e\u003cbr\u003e How to distinguish between art and non-art\u003cbr\u003e Because the artist's self-consciousness has become so strongly embedded and the limitations of expression have disappeared, contemporary art has become an object of mystery (unless the self-consciousness of the artist and the viewer is highly synchronized).\u003cbr\u003e\u003cbr\u003e This is why it is said that contemporary art is not an object of understanding, but an object of appreciation.\u003cbr\u003e Maybe that's why. \u003cbr\u003eIn this book, Grayson Perry focuses on explaining the workings of the contemporary art world and the inner thoughts of artists, rather than going into individual works to explain them.\u003cbr\u003e 'This is how the world works.\u003cbr\u003e When you realize, 'This is what artists are like!', it becomes easier to approach the work with an open mind (the most essential quality for appreciating it).\u003cbr\u003e Even so, shouldn't there be some minimum standard by which we can determine what is art and what is not art?\u003cbr\u003e There is a clear difference between a kindergartener's drawing and an artist's work.\u003cbr\u003e Grayson Perry introduces eight testing techniques he calls “border-pushing art.”\u003cbr\u003e To name just three, the first is, 'Is it just a boring version of something else?'\u003cbr\u003e What is defined as art has neither entertainment value nor pleasure. \u003cbr\u003eNext up is something called the 'Handbag and Hipster Test'.\u003cbr\u003e “If you see people with beards, glasses, and single-speed bicycles, or privileged ladies carrying big, fancy handbags, looking at something and looking bewildered or confused by what they’re seeing,” then it’s likely a work of art.\u003cbr\u003e Finally, there is also the 'garbage dump test'.\u003cbr\u003e “If a work of art is placed in a garbage dump, it qualifies as a work of art only if someone passing by sees it and wonders why it was thrown away.”\u003cbr\u003e\u003cbr\u003e Come! Into the wide and warm embrace of contemporary art.\u003cbr\u003e\u003cbr\u003e We can easily become timid when it comes to art and art appreciation.\u003cbr\u003e It's like saying that you can't enjoy a work of art without a lot of academic and historical knowledge. \u003cbr\u003eBut if there's one message I hope readers take away from this book, it's that anyone can enjoy art and anyone can live a life of art.\u003cbr\u003e Even I, a cross-dressing potter from Essex, was accepted into the mafia of the art world. (p. 10) So even making traditional pottery was ultimately welcomed and accepted. (p. 118)\u003cbr\u003e\u003cbr\u003e This hospitality from the art world isn't limited to those we call \"artists.\"\u003cbr\u003e As viewers, we can all experience freedom of spirit by observing the various attempts at contemporary art and make it our own. \u003cbr\u003eMoreover, as German artist Joseph Beuys said, \"Everyone can be an artist,\" we can express ourselves more truthfully through artistic activities (where formal limitations disappear and, in essence, the need for evaluation disappears).\u003cbr\u003e Grayson Perry says this is the essence of art.\u003cbr\u003e Whether through appreciation or expression, art ultimately enriches and fulfills our lives.\u003cbr\u003e He wrote the book, he said, \"to help people like the Scarecrow, the Tin Woodman, and the Cowardly Lion enter the Emerald City of the art world a little smarter, a little braver, and a little more kindly.\"\u003cbr\u003e In short, this book is an invitation to contemporary art.\u003cbr\u003e It flew to me and you.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 11, 2019\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 189 pages | 189g | 125*188*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788998602901\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8998602903 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891706429482,"sku":"155440","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/9910a201b222bec1f7ef705c71f5439e.jpg?v=1765339149","url":"https:\/\/librairie.coreenne.fr\/en\/products\/155440","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}