{"product_id":"155445","title":"Rilke's Rodin ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYDOVuGihHFIE03nGh4Mg63KqU6vj.png?v=1765016885\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Rilke's Rodin \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/152520018\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eRodin and Rilke: A Meeting of Two Art Masters\u003cbr\u003e Documenting Rodin's life and art through Rilke's lyrical language.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Rainer Maria Rilke, a young poet at the age of 27, met the great sculptor Auguste Rodin in Paris in 1902 and perfected his own artistic vision. \u003cbr\u003e\"Rilke's Rodin\" is a record of Rilke's thoughts, expressed in his own beautiful style, about his attitude as an artist, which he realized through constant observation and study of Rodin.\u003cbr\u003e Rilke does not simply describe the sculpture.\u003cbr\u003e It captures the patience, the joy of creation, and the artist's attitude toward the world.\u003cbr\u003e As you read about the process of a human being perfecting himself through art, you will realize that looking at a sculpture is like looking at life.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eKBS Radio's \"Small Bookstore\" \"Jang Kang-myeong's Book of Life\"\u003cbr\u003e Recommended by Kim So-young, author of \"The World of Children\"!\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e “Rilke’s writing style immediately captivates the reader.\u003cbr\u003e Even if you have no background in sculpture or art, or are unfamiliar with Rilke or Rodin, you will be drawn into the book as soon as you open the first chapter.\u003cbr\u003e And maybe, like me, you'll keep it around for a long time.”\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e  \u003cli\u003eYou can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Recommendation\u003cbr\u003e\u003cbr\u003e Part 1: Life, This Surprise - To a Young Woman Sculptor, Paris, December 1902\u003cbr\u003e Part 2: The Forces of Nature - Lecture, 1907\u003cbr\u003e Addendum_ About the Labor Tower\u003cbr\u003e\u003cbr\u003e Translator's Note: Rodin and Rilke's Literature\u003cbr\u003e Rodin Chronology\u003cbr\u003e List of plates\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5579\/MidCate002\/557813329.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Before he achieved fame, Rodin was lonely.\u003cbr\u003e And the fame that followed probably made him even more lonely.\u003cbr\u003e Because fame is ultimately nothing more than the sum of all the misunderstandings that surround a new name.\u003cbr\u003e --- p.11\u003cbr\u003e\u003cbr\u003e There was a task here, a task as great as the world.\u003cbr\u003e And the person who stood before this task and saw it was an unknown man who was groping in the darkness for something to eat. \u003cbr\u003eHe was completely alone, and if he were truly a dreamer, he must have had beautiful and deep dreams.\u003cbr\u003e You must have had one of those long, long dreams that no one can understand, one that makes your whole life seem like a day.\u003cbr\u003e This young man, who worked in a factory in Sevres, was a dreamer whose dream was within his grasp, and he immediately set about making it come true.\u003cbr\u003e He knew where to begin, for the stillness within him showed him the wise path.\u003cbr\u003e --- p.24\u003cbr\u003e\u003cbr\u003e He read Dante's Divine Comedy for the first time.\u003cbr\u003e It was a kind of revelation.\u003cbr\u003e He saw vividly the suffering bodies of other races, he saw a century of torn garments, and he saw the great and unforgettable judgment of a poet upon his own age.\u003cbr\u003e The awards that appeared there acknowledged Rodin's legitimacy. \u003cbr\u003eSo when Rodin read that Nicholas III's feet were crying, he already knew.\u003cbr\u003e That there are crying feet, that crying is everywhere, beyond the perfect human being, that there are enormous tears welling up from every pore.\u003cbr\u003e --- p.33\u003cbr\u003e\u003cbr\u003e This serious and calm worker, who never went out to find materials and who wanted no other accomplishment than what he could do with his maturing tools, followed this path through all the dramas of life.\u003cbr\u003e Now before him lay the nights of profound love, the wide world, dark and full of pleasure and sorrow.\u003cbr\u003e In this world, as in the heroic world, there were no clothes, faces were erased, and bodies were important.\u003cbr\u003e He entered into the great chaos of this struggle with a burning sense of purpose as a man in pursuit of life.\u003cbr\u003e --- p.66\u003cbr\u003e \u003cbr\u003eHe spreads his hands in the air, releasing something as if giving freedom to a bird.\u003cbr\u003e It's a breakup.\u003cbr\u003e A farewell to all that is uncertain, a farewell to the happiness I have yet to taste, a farewell to the agony of the wait now in vain, a farewell to people who live somewhere and who I might meet someday, a farewell to all the possibilities of tomorrow and the day after, and it is also a farewell to death, which I thought would remain far away, that I would meet gently and quietly at the end of a long, long time.\u003cbr\u003e --- p.118\u003cbr\u003e\u003cbr\u003e One day we will recognize what it was that made this great artist so great, what made him want nothing more than to become a workman, to immerse himself with all his might in the low, rough presence of his tool. \u003cbr\u003eThere was also a kind of resignation to life.\u003cbr\u003e But through this perseverance he eventually gained life.\u003cbr\u003e Because the world has come to his tools.\u003cbr\u003e --- p.135\u003cbr\u003e\u003cbr\u003e But who can stem the tide of lovers rising out there, in the sea of ​​art? With these mercilessly interwoven figures, fates, sweet yet desperate names, approach.\u003cbr\u003e But then suddenly they disappear like a fading light.\u003cbr\u003e So we see the remaining floor.\u003cbr\u003e We see men and women.\u003cbr\u003e Again we see men and women, again and again men and women.\u003cbr\u003e And the longer we look at it, the simpler its content becomes, until in the end, what remains before our eyes are objects.\u003cbr\u003e --- p.157\u003cbr\u003e\u003cbr\u003e Patience was in the love of the one who worked, and because of love his patience was constantly renewed. \u003cbr\u003ePerhaps the secret of this price is that he was the one she loved and nothing could resist him.\u003cbr\u003e His demands were so long, so passionate, and so constant that all things yielded to him.\u003cbr\u003e\u003cbr\u003e --- p.160\u003cbr\u003e\u003cbr\u003e It is predictable that artists would eventually accept this war that is constantly being declared.\u003cbr\u003e Depending on the person, this person or that person may have been gripped by discomfort and anxiety.\u003cbr\u003e But in that case, the artist going out to the battlefield cannot help but be completely separated from his work.\u003cbr\u003e Rodin's triumph lies in his tenacity in his work, in his response to destruction in a natural way: with a new beginning and a tenfold increase in fruition.\u003cbr\u003e --- p.183\u003cbr\u003e\u003cbr\u003e There are countless writings and new writings about Rodin today. \u003cbr\u003eAlthough Rilke's \"On Rodin\" is only a small part of this, Rilke's exceptional ability to interpret individual sculptures in a unique way, and his ability to grasp the essence of Rodin's art and focus his entire work on it, still maintains a secure place in the Rodin study catalogue today.\u003cbr\u003e --- p.217\u003cbr\u003e\u003cbr\u003e Just as art is a confrontation with the existing reality, the life of an artist is also bound to ultimately experience discord with the life of a citizen.\u003cbr\u003e Rilke recognized that great artists had no choice but to give up everyday happiness for the sake of their art, and his idealized great artists included Rodin, Cézanne, and Tolstoy.\u003cbr\u003e Rilke, who confirmed this in his first meeting with Rodin, came to the conclusion in a letter written on September 5th that life (civic daily life) and art were a matter of choosing between the two.\u003cbr\u003e\u003cbr\u003e --- p.221\u003cbr\u003e \u003cbr\u003eRilke's repeated statements prove that Rodin's great art was born from such constant physical effort.\u003cbr\u003e Rilke, observing Rodin's immersion in his work, realized that he himself was woefully lacking in such intensity.\u003cbr\u003e It is said that Rilke once complained to Rodin about the anxiety he felt as he adjusted to his new life in Paris, to which Rodin replied, “Toujours trayailler” (Keep working).\u003cbr\u003e Afterwards, Rodin's one-liner reply was deeply imprinted on Rilke as a principle of life.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.222\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eWhat did the poet see in the fingertips of the great sculptor?\u003cbr\u003e Rodin's life and work, as recorded by Rilke, and the secrets of his profound gaze.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Rodin's studio was not just a space filled with clay, plaster, and marble, but a place of life where forms were born. \u003cbr\u003eRilke spent his daily life there and recorded in detail the process by which Rodin's hands groped for the essence of things and followed light to find surfaces.\u003cbr\u003e To him, Rodin's hands were hands with listening ears, and Rilke listened to Rodin's life.\u003cbr\u003e\u003cbr\u003e \"Rilke's Rodin\" is a record of Rilke's thoughts, expressed in his characteristically lyrical style, about the greatness he felt while observing Rodin's work.\u003cbr\u003e When he arrived in Paris on August 28, 1902, commissioned to write a biography of Rodin, Rilke was virtually unknown in the metropolis.\u003cbr\u003e On the other hand, Rodin, at the age of 62, was already a master sculptor who had been gaining fame for a long time.\u003cbr\u003e This is how the exchange between the great sculptor and the great poet began.\u003cbr\u003e By the end of that year, Rilke had completed his manuscript of Rodin (Auguste Rodin), which was published in late March of the following year as part of the \"Die Kunst\" series.\u003cbr\u003e This is Part 1 of this book. \u003cbr\u003eRilke gave lectures on Rodin in Dresden and Prague in 1905, the contents of which are included in Part 2 of the book.\u003cbr\u003e It contains a chronology of Rodin's life, including Rilke's activities, and the translator's commentary by a Rilke specialist serves as a good guide to understanding Rilke and Rodin.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe aesthetics of immersion and contemplation as discussed by two artists\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The greatest lesson Rilke discovered from Rodin was 'sincerity without rushing.'\u003cbr\u003e Rodin spent his entire life perfecting his forms, knowing that a single stroke of the chisel could change the life of an entire work.\u003cbr\u003e In the midst of the endless cycle of failure and trial and error, he never became impatient.\u003cbr\u003e Rilke saw this attitude not as a virtue exclusive to sculptors, but as a mental muscle necessary for all artists.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e However, this book is not an art book only for artists.\u003cbr\u003e A guide for everyone who is creating their lives. \u003cbr\u003eWhen we read Rodin's works and Rilke's sentences together, each piece asks us a question.\u003cbr\u003e What are you creating? What time do you endure to perfect its form? This book is a luminous journey chronicled by a poet alongside an artist, answering these questions.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA special record created by the meeting of artists.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Rilke and Rodin were mirrors reflecting each other's artistic views, and this book is a portrait of the two artists reflected in that mirror.\u003cbr\u003e Rilke redefined his literary methodology by observing Rodin, and Rodin rediscovered how his own work could be read through Rilke's eyes.\u003cbr\u003e The exchange between artists of different genres goes beyond commentary on the work and shows how art nurtures art. \u003cbr\u003eAs readers follow this special tension that flows through each page, they will come to realize what the greatest gift an artist can give another artist.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e August 27, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 240 pages | 318g | 128*188*16mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791192768403\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 119276840X \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891706986538,"sku":"155445","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/ba01df6fc42d5af2405484664eb462e7.jpg?v=1765339199","url":"https:\/\/librairie.coreenne.fr\/en\/products\/155445","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}