{"product_id":"155645","title":"The Actor's Work on Himself 2 (Stanislavski Complete Works 3) ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYDOVpQe2BJBuDUzNBqv294se5JSP.png?v=1765018282\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The Actor's Work on Himself 2 (Stanislavski Complete Works 3) \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/138914662\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA Guide to the Stanislavsky System\u003cbr\u003e A physical and expressive practical study of the actor's 'embodiment'\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Konstantin Sergeyevich Stanislavsky was a revolutionary in the art of modern acting and a pioneer of acting theory. \u003cbr\u003eAs an actor, director, and acting educator, he is an absolute figure in the development of theatrical arts, especially acting arts.\u003cbr\u003e Because we cannot discuss the art of theater or the art of acting without mentioning him.\u003cbr\u003e He was a lifelong comrade of theatrical art, V.\u003cbr\u003e Together with I. Nemirovich-Danchenko, he founded the Moscow Art Theatre and created the Stanislavsky System, which is now adopted by acting schools around the world, and spread it directly and indirectly through his students.\u003cbr\u003e His 'system' still has a profound influence on the development of theatre and acting arts today, and continues to inspire many theatre artists.\u003cbr\u003e\u003cbr\u003e Volume 3 of the complete works is the sequel to Volume 2, titled \"Working on Oneself through the Creative Process of Implementation,\" which is part 2 of \"The Actor's Work on Oneself.\" \u003cbr\u003eThis book, following Volume 2, is the result of Stanislavsky's practical work on the importance and necessity of 'realization' in the actor's creative process.\u003cbr\u003e If Volume 2 of the complete collection is a practical study of the mental, internal, and psychological aspects of 'experience' in the actor's creative process, Volume 3 of the complete collection is a practical study of the physical, external, and expressive aspects of 'realization.'\u003cbr\u003e Therefore, volumes 2 and 3 are one volume divided into parts 1 and 2, as Stanislavski stated.\u003cbr\u003e This is because ‘experience’ and ‘implementation’ are not separate, but rather combined and fused.\u003cbr\u003e This book is also written in the form of a diary by Nazbanov, a student who was a stenographer, about Mr. Tortsov's class, and consists of 12 chapters.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Editor's Preface\u003cbr\u003e\u003cbr\u003e Working on yourself through the creative process of implementing Part 2\u003cbr\u003e\u003cbr\u003e Chapter 1 Moving to Implementation\u003cbr\u003e Chapter 2: Developing Body Expression \u003cbr\u003eChapter 3 Sound and Speech\u003cbr\u003e Chapter 4: The Actor's Outlook and the Role's Outlook\u003cbr\u003e Chapter 5 Tempo-Rhythm\u003cbr\u003e Chapter 6: Logic and Consistency\u003cbr\u003e Chapter 7 Characterization\u003cbr\u003e Chapter 8: Moderation and Perfection\u003cbr\u003e Chapter 9: Stage Charm and Stage Temptation\u003cbr\u003e Chapter 10 Ethics and Discipline\u003cbr\u003e Chapter 11 Stage Self-Awareness\u003cbr\u003e Chapter 12 [Conclusion of the Dialogue]\u003cbr\u003e\u003cbr\u003e Appendix 1: Additional Materials for Volume 3\u003cbr\u003e Appendix 2: Materials for 'Systems' Training\u003cbr\u003e annotation\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e By examining our gait, we realized that we had become aware of our own and others' shortcomings and had forgotten how to walk.\u003cbr\u003e We had to relearn this important and difficult skill like children.\u003cbr\u003e … … Everything was interconnected and in harmony!\u003cbr\u003e --- p.67\u003cbr\u003e\u003cbr\u003e Actions are performed, and the lines of the role are pronounced as if according to the calculations of a hidden mental 'metronome' within us.\u003cbr\u003e Create an unbroken line where the stressed syllables and movements we indicate match our mental calculations, whether consciously or unconsciously. \u003cbr\u003e--- p.214\u003cbr\u003e\u003cbr\u003e Characterization is like a mask that hides the actor-human.\u003cbr\u003e In this masked form he can reveal his most intimate and vivid mental details.\u003cbr\u003e This is the characterization attribute that is important to us.\u003cbr\u003e --- p.318\u003cbr\u003e\u003cbr\u003e Actors have a duty to convey and spread beauty even in their daily lives.\u003cbr\u003e Otherwise, you will be creating with one hand and destroying with the other.\u003cbr\u003e Recognize this from your first year in the arts and prepare yourself to fulfill this mission.\u003cbr\u003e Develop in yourself the patience, ethics, and discipline necessary for a public figure who brings beauty, sublimity, and nobleness to the world.\u003cbr\u003e --- p.363\u003cbr\u003e \u003cbr\u003eAll these elements of external stage self-awareness must be well trained and prepared so that the physical organs for implementation, that is, the physical nature of the actor, can be as delicate, flexible, precise, clear, and plastic as the capricious emotions and the elusive mental world of the role he has to express.\u003cbr\u003e\u003cbr\u003e --- p.384\u003cbr\u003e\u003cbr\u003e Creativity is our natural necessity, otherwise we should not be able to create by the 'system'.\u003cbr\u003e But surprisingly, when we step onto the stage, we lose what nature has given us, and instead of creating, we begin to deviate, to pretend, to act, to express.\u003cbr\u003e What on earth makes us like this?\u003cbr\u003e --- p.434\u003cbr\u003e\u003cbr\u003e 'System' is a reference book.\u003cbr\u003e Please unfold and read.\u003cbr\u003e The 'system' is a guide, not a philosophy.\u003cbr\u003e The moment philosophy begins, the 'system' ends. \u003cbr\u003eWatch the 'system' at home, and throw it all away on stage.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.441\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eFully encounter the artistic world of Stanislavsky\u003cbr\u003e The first complete translation of the Russian original (8 volumes) in Korea\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e K., a master of 20th century theater.\u003cbr\u003e S. Stanislavski's complete works are being published in Korean for the first time in complete translation.\u003cbr\u003e Stanislavski's Complete Works (hereafter referred to as the \"Complete Works\", 8 volumes) were translated and published in various countries around the world in the early to mid-last century, but this is the first time that the complete Russian original has been translated in Korea.\u003cbr\u003e The Korean edition of the complete works was based on the complete works published by the Russian State Publishing House of Arts between 1954 and 1961, preserving the value of the original text as much as possible.\u003cbr\u003e The translation was done by Professor Park Sang-ha of the Korea National University of Arts and Professor Yoon Hyun-sook of Hankuk University of Foreign Studies.\u003cbr\u003e \u003cbr\u003eKonstantin Sergeyevich Stanislavsky (1863–1938) was a Russian actor, director, and acting educator, and one of the most influential figures in the development of modern theatrical art, especially acting.\u003cbr\u003e He founded the Moscow Art Theatre and created the Stanislavsky System, the most common acting method still used in acting schools around the world today.\u003cbr\u003e The Stanislavski system is sometimes called the bible of acting, and thanks to this 'system', Stanislavski is also considered the most outstanding theorist in the history of acting after Aristotle.\u003cbr\u003e His system still has a profound influence on the development of theatrical art and continues to inspire many theatre practitioners.\u003cbr\u003e \u003cbr\u003eThe Korean edition of the complete works was edited to faithfully preserve the content and structure of the Russian original in order to convey the author Stanislavsky and the editors' intentions as accurately as possible.\u003cbr\u003e We thoroughly reviewed the existing translation for errors, omissions, and mistranslations and corrected any mistakes.\u003cbr\u003e In particular, we focused on establishing consistency and unity in the use of translated terms to establish the term 'system', which is being used interchangeably in domestic theater schools and fields.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eThe bible of acting, leading actor education worldwide.\u003cbr\u003e The Stanislavski System, which theorized the creative nature of actors\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e The 'Stanislavski System' is the most common acting method adopted by acting schools around the world today.\u003cbr\u003e Stanislavsky worked tirelessly throughout his life to establish a holistic and harmonious system based on the laws of the actor's creative nature. \u003cbr\u003eHe established theories based on his experience gained through practical work, and developed a methodology for authentic acting by combining theory and practical work.\u003cbr\u003e He laid the foundation for modern acting techniques by suggesting various acting techniques such as 'what if' and 'action without an object'.\u003cbr\u003e\u003cbr\u003e The 'system' originated and took root, above all, on the foundations of Russian democratic theatrical culture.\u003cbr\u003e The history of the creation of the 'system' is inextricably linked to the development of the 'Moscow Art Theatre'.\u003cbr\u003e The Moscow Art Theatre dreamed of innovation in stage art and pursued experimental plays centered on the works of contemporary writers such as Chekhov and Gorky. \u003cbr\u003eDuring this process, Stanislavsky, together with his colleagues including Nemirovich-Danchenko, conducted long-term research and experiments, and developed a systematic methodology called the \"system\" to elicit the creativity of actors and enhance the authenticity of the work.\u003cbr\u003e\u003cbr\u003e In that sense, the 'system' is not simply an individual's theory, but a result that has been continuously verified and developed on the experimental stage called the 'Moscow Art Theatre'.\u003cbr\u003e The success of the Moscow Art Theatre at the time aroused interest in Stanislavsky's \"system,\" which soon became established as the militant ideological and creative program of the Art Theatre.\u003cbr\u003e Stanislavski directed the works of many authors and played numerous roles, putting into practice and developing the 'system'. \u003cbr\u003eIn particular, the effect of the 'system' was maximized through the characters in Chekhov's plays, and furthermore, the possibility of the 'system' was proven by expanding its scope to the opera stage.\u003cbr\u003e Even today, the 'system' remains an important guideline for many theater people.\u003cbr\u003e\u003cbr\u003e The three volumes of the complete works, which are the core of the 'system', are written in the form of a diary by Nazbanov, a student actor who was a stenographer.\u003cbr\u003e This book provides a detailed curriculum based on the 'system' that student actors and teachers (such as Mr. Tortsov and Assistant Professor Rachmanov) encounter in actual classrooms at drama schools, providing in-depth insight into acting education and is considered a must-read in the theater world. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 8, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover book binding method guide\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 664 pages | 152*214*35mm\u003c\/div\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788957339497\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8957339493 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd 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