{"product_id":"155686","title":"Animation Motion Direction Drawing Workbook ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYDOSWSWHQu9jARh2IDwNWDUO8Dlz.png?v=1765018583\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Animation Motion Direction Drawing Workbook \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/124939309\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eFrom basic planning, directing, production, and completion\u003cbr\u003e A to Z of Animation\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Due to the rapid development of digital media, the traditional cell animation production method has been rapidly transformed into a new media animation industry, and students who want to study and acquire animation tend to rely on computer programs.\u003cbr\u003e Of course, computers are very useful tools for implementing realistic motion. \u003cbr\u003eHowever, we must not overlook the fact that the background to the splendid birth of Pixar's 3D animation today was possible not only because of the efforts of artists working with digital media, but also because of the efforts of artists working with traditional media such as drawing, painting, pastel, and sculpture.\u003cbr\u003e Computer programs only serve to help you easily process, cut, and paste.\u003cbr\u003e Ultimately, the key to creating animation lies not in technology but in the skills of the animator artist.\u003cbr\u003e\u003cbr\u003e From this perspective, this book will focus on the directing of original animation, which is called the flower of animation, among the various processes of producing animation.\u003cbr\u003e If we compare the directing of a film to that of a real actor, it can be seen as the performance of a great actor who gives a realistic performance. \u003cbr\u003eJust as an actor who is new to acting learns to express movement, you will learn the core content of drawing movement expression corresponding to character movement expression acting.\u003cbr\u003e By examining this through various examples and drawings, readers can easily learn how to plan and proceed with the timing of the basic movements of animation, and understand and utilize various expression methods necessary throughout the basic drawing process.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Preface 4\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1: Animation Basics 10\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Principles of Animation 13\u003cbr\u003e 2.\u003cbr\u003e 15 Types of Animation\u003cbr\u003e 3.\u003cbr\u003e Understanding and Fundamentals of Video Output 19\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2 Animation Planning 22\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Basic Conditions of Planning 25\u003cbr\u003e 1) What (setting of material and genre)\u003cbr\u003e 2) How (determining the production method)\u003cbr\u003e 3) For whom (target setting)\u003cbr\u003e 4) How much (calculating production costs)\u003cbr\u003e 5) Until when (production period)\u003cbr\u003e\u003cbr\u003e 2.\u003cbr\u003e Character Design 32\u003cbr\u003e 1) Character style\u003cbr\u003e 2) Character's age\u003cbr\u003e 3) Gender and main character settings  \u003cbr\u003e4) Product setup\u003cbr\u003e 5) Movement settings\u003cbr\u003e 6) Expression of personality\u003cbr\u003e 7) Design organization\u003cbr\u003e\u003cbr\u003e 3.\u003cbr\u003e Coloring 44\u003cbr\u003e\u003cbr\u003e 4.\u003cbr\u003e Screenwriting 56\u003cbr\u003e 1) Scene number and location\u003cbr\u003e 2) Fingerprint\u003cbr\u003e 3) Ambassador\u003cbr\u003e 4) Camera\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: Animation Directing 66\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Screen composition 69\u003cbr\u003e\u003cbr\u003e 2.\u003cbr\u003e Storyboarding Tips 80\u003cbr\u003e 1) Storyboard example\u003cbr\u003e 2) Maintain consistency in the direction of progress.\u003cbr\u003e 3) Clearly convey the character's facial expressions and movements.\u003cbr\u003e 4) Pay attention to the natural connection of the cuts.\u003cbr\u003e 5) Pay attention to the composition\u003cbr\u003e 6) Organize the timing of dialogue and sound.\u003cbr\u003e 7) Know the symbols of camera work.\u003cbr\u003e\u003cbr\u003e 3.\u003cbr\u003e Layout Creation 110\u003cbr\u003e 1) Setting the light source and shadows\u003cbr\u003e 2) Pose details\u003cbr\u003e 3) Specifying the camera work area\u003cbr\u003e 4) Composition and three-dimensionality\u003cbr\u003e 5) Unification of props, etc.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4 Animation Production 122\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Fundamentals of the Korean Won 125\u003cbr\u003e\u003cbr\u003e 2.\u003cbr\u003e The Law of the Won 129\u003cbr\u003e 1) Squash \u0026amp; Stretch\u003cbr\u003e 2) Anticipation\u003cbr\u003e 3) Follow Through \u0026amp; Overlapping Action  \u003cbr\u003e4) Acceleration and Deceleration (Slow Out \u0026amp; Slow In)\u003cbr\u003e\u003cbr\u003e 3.\u003cbr\u003e Wonhwa Technique 141\u003cbr\u003e 1) Cell separation\u003cbr\u003e 2) Shadow\u003cbr\u003e 3) Ambassador\u003cbr\u003e 4) Blink\u003cbr\u003e 5) Walking and running\u003cbr\u003e 6) Cell movement and matchline\u003cbr\u003e 7) Transmitted light\u003cbr\u003e 8) Brush effect\u003cbr\u003e 9) Original paintings of natural objects\u003cbr\u003e\u003cbr\u003e 4.\u003cbr\u003e Fairy Tale 164\u003cbr\u003e 1) Turn your face\u003cbr\u003e 2) Walking\u003cbr\u003e 3) Running\u003cbr\u003e\u003cbr\u003e 5.\u003cbr\u003e Chaehwa 184\u003cbr\u003e 1) Change color\u003cbr\u003e 2) Star cell processing\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5: Animation Completion 210\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Cut Shoot Edit 213\u003cbr\u003e 2.\u003cbr\u003e Sound Editing 228\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6: Animation Marketing 242\u003cbr\u003e\u003cbr\u003e Chapter 7: The Present and Future of Animation 250\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e References 256\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e The types of animation are classified by how and with what the listed images are created, that is, by the production method. \u003cbr\u003eIn fact, in the past, 2D animations were classified as either \"full animation\" (24 frames per second) or \"limited animation\" (12 frames per second or less) based on the number of pictures displayed, but now, due to circumstances, most are \"limited animation\" (in fact, Disney, which used to make full animations, no longer makes 2D animations after \"The Princess and the Frog\" in 2009), and it is meaningless because the number of pictures in a specific scene is increased or decreased depending on the situation.\u003cbr\u003e So, if you create an animation in any way, you can name it that way.\u003cbr\u003e Just as the first person to discover a star names it after himself.\u003cbr\u003e The most popular types of animation are 2D digital animation and 3D digital animation.\u003cbr\u003e The difference between the two is whether the picture is flat or three-dimensional depending on the production method. \u003cbr\u003eIt will be easy to understand if we take Dooly the Little Dinosaur and Pororo as examples.\u003cbr\u003e --- p.15\u003cbr\u003e\u003cbr\u003e Now that you know how to compose a screen, let's get started on creating a storyboard. Storyboards are created on storyboard paper.\u003cbr\u003e The following image is a typical storyboard paper.\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e Page: This is where you write the page number of the storyboard.\u003cbr\u003e\u003cbr\u003e 2.\u003cbr\u003e Cut: This is where you write the cut number.\u003cbr\u003e If the cut continues to the next page, rewrite the cut number at the top of the first page.\u003cbr\u003e\u003cbr\u003e 3.\u003cbr\u003e Panel: A space where scenarios are expressed in pictures.\u003cbr\u003e If it cannot be expressed in one picture, it is okay to use multiple panels, and since the cuts do not change, they are not numbered separately.\u003cbr\u003e Also, there is no need to draw the same picture.\u003cbr\u003e --- p.80\u003cbr\u003e\u003cbr\u003e 4) Blink\u003cbr\u003e\u003cbr\u003e We blink when there is a change in facial expression or when the external environment triggers it. \u003cbr\u003eSince blinking actions appear frequently in animation, let's learn how to do it.\u003cbr\u003e In fact, the blinking action is the same as the mouth.\u003cbr\u003e However, when you blink, you must work on the eyes as a separate cell (separate layer).\u003cbr\u003e As shown in the picture, the character's eyes were worked on with C cells and the eyes were worked on with D cells, and the open and closed eyes had to be worked on.\u003cbr\u003e The eyes in the middle are drawn by a fairy tale worker.\u003cbr\u003e The timesheet for this example would look like this:\u003cbr\u003e --- p.150\u003cbr\u003e\u003cbr\u003e 1) Change color\u003cbr\u003e\u003cbr\u003e There are times when you need to change the colors of an image that has been completed like this due to unavoidable circumstances.\u003cbr\u003e Especially in practice, there are colors that cannot be produced due to work schedules.\u003cbr\u003e For example, in the picture above, the character had his eyes closed throughout the play, so there was no color designation for his pupils. \u003cbr\u003eHowever, if a scene suddenly appears where the eyes open like in the picture above, and the color of the pupils needs to be specified, but the color has not been specified even after the animation is complete (the color setting manager must do the color setting), the work cannot be stopped vaguely while waiting for the color of the pupils to be set.\u003cbr\u003e Because coloring, like fairy tales, is paid by the number of copies, if you don't work, you don't get any income.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.201\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eRequires professional knowledge and experience\u003cbr\u003e A comprehensive art form that combines advanced technology and art\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Animation production is not a field that can be easily entered without considerable dedication and will.\u003cbr\u003e Because it is a field that requires more hands-on work than any other art form and requires wrestling with countless frames every day. \u003cbr\u003eAnimation can be said to be the result of countless repeated processes of drawing one part at a time in the correct order.\u003cbr\u003e In addition, animation has its own unique production style and is a comprehensive art form that combines advanced technology and art, requiring highly specialized knowledge and experience.\u003cbr\u003e\u003cbr\u003e The first chapter of this book covers the basics and principles of animation, the types of animation and how visual expression is done, and the understanding and basics of animation visual output. \u003cbr\u003eIn the second chapter, we learned character acting, motion drawing, and color expression in the process of planning, directing, and producing animation, so that we could apply and implement animation movements. In the last chapter, we explored the direction that the Korean animation industry should take in the future through mentions of animation marketing and the present and future of the animation industry.\u003cbr\u003e\u003cbr\u003e This book will be of great help to readers and animation majors who want to know how to express the imaginary images they draw through movement. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e February 8, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 264 pages | 152*225*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791193210567\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1193210569 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43891756728362,"sku":"155686","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/1cefc5619f0f143b25ab36626584df1f.jpg?v=1765340773","url":"https:\/\/librairie.coreenne.fr\/en\/products\/155686","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}