{"product_id":"155717","title":"The world of landscapes and scenery ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYDOVgfsZAVSxYBvrGZg96hpy4rVf.png?v=1765019047\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The world of landscapes and scenery \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/110149923\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eA textbook that explains the development of Eastern landscape painting and Western landscape painting, and guides readers to understand the flow of the two worlds of painting.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Eastern and Western paintings have developed and converged, overcoming geographical differences. \u003cbr\u003eThis book sheds new light on Eastern landscape painting and Western landscape painting through the author's unique perspective.\u003cbr\u003e As each world of painting has a vast history and content, it is a collection of painters who created their own unique painting styles in each era.\u003cbr\u003e Through the universal human emotions contained in the paintings, readers are able to encounter themselves.\u003cbr\u003e\u003cbr\u003e Nature, harmoniously depicted on the canvas, will harmonize our consciousness and deeply engage our perspective and perception of the world, consciously or unconsciously.\u003cbr\u003e This book is recommended for those who want to understand Eastern landscape painting and Western landscape painting, and for those who enjoy the hidden stories in paintings.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Preface | Chronology\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 1: Ancient Nature\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e arithmetic\u003cbr\u003e The Afterlife and Kunlun Mountain\u003cbr\u003e Description of the bounty of nature\u003cbr\u003e sight\u003cbr\u003e Scenery in the mythical world\u003cbr\u003e A simple depiction of nature\u003cbr\u003e \u003cbr\u003e\u003cb\u003eChapter 2: The Development of Nature Description\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e arithmetic\u003cbr\u003e Inheritance of ancient depictions\u003cbr\u003e Changes in portrait production\u003cbr\u003e The first landscape painting theory\u003cbr\u003e Various external stimuli\u003cbr\u003e Changes in arithmetic\u003cbr\u003e sight\u003cbr\u003e The spread of ancient depictions\u003cbr\u003e Fresco and Change\u003cbr\u003e The role of the city council\u003cbr\u003e Transformation of painting\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3: The Completion of the Classics and the Beginning of a New Era\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e arithmetic\u003cbr\u003e Unified landscape atmosphere\u003cbr\u003e Chill in the Fog - Reason\u003cbr\u003e A place to hang out and a place to live\u003cbr\u003e Simple naturalness - Dongwon\u003cbr\u003e Strong Line and Food - Lee Dang\u003cbr\u003e The Four Great Masters of the Yuan Dynasty and the Completion of Classics - Huang Gongwang, Wu Jin, Ye Chan, and Wang Meng\u003cbr\u003e sight\u003cbr\u003e Unity through Light - Jan van Eyck\u003cbr\u003e Ordered Space - Joachim Patinir\u003cbr\u003e Landscape drawing and perspective\u003cbr\u003e Parerga's fashion\u003cbr\u003e The Rise of Classical Landscape Painting - Nicolas Poussin\u003cbr\u003e Claude Lorrain, the pioneer of pastoral landscape painting\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4: The Establishment of Classics and the Discovery of Landscape\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e arithmetic\u003cbr\u003e Professional painter and sculptor\u003cbr\u003e Rediscovery of the classics\u003cbr\u003e Completion of the literati's theory of landscape painting\u003cbr\u003e The golden age of classical brushwork\u003cbr\u003e sight  \u003cbr\u003eLandscapes for Civil Society\u003cbr\u003e Landscape background and landmark scenery\u003cbr\u003e Discovery of Landscape\u003cbr\u003e New Pioneers - John Constable and JMW\u003cbr\u003e Turner\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5: The End and New Exploration\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e arithmetic\u003cbr\u003e rejection of the classics\u003cbr\u003e The tastes of the consumer city of Yangju\u003cbr\u003e The beginning of a new era\u003cbr\u003e sight\u003cbr\u003e A premonition of an unexpected era\u003cbr\u003e The Perfection of Landscape - Jean-Baptiste Camille Corot\u003cbr\u003e The Pursuit of Urban Landscape and Light\u003cbr\u003e Back to form and parting\u003cbr\u003e\u003cbr\u003e List of Plates | References | Biographical Dictionary\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate3863\/MidCate005\/386245065.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Dongwon was a writer and painter of the Southern Tang Dynasty.\u003cbr\u003e Jinling served as the deputy director of the Imperial Garden, located north of Nanjing, present-day Nanjing, and was also called Dongbei Garden.\u003cbr\u003e In addition to landscapes, the painting also depicts cows, tigers, and court ladies.\u003cbr\u003e However, it was the landscape painting that left its mark on later generations.\u003cbr\u003e Dongwon's landscape paintings have served as a model for almost all literati painters since the Yuan Dynasty. \u003cbr\u003eAnd it has been influential for hundreds of years and has become a classic.\u003cbr\u003e But it was almost unknown until Mibul discovered it.\u003cbr\u003e It was just a little bit unusual.\u003cbr\u003e What Mibul found in his paintings was a sense of calm and innocence.\u003cbr\u003e He admired, “(Dongwon’s) valley bridge, fishing port, sandbar in the middle of the water, and each and every shade are all part of a Gangnam landscape.”\u003cbr\u003e He said that in it, “there is an innocence that is ordinary, simple, and close to nature.”\u003cbr\u003e In other words, it is Dongwon's unique characteristic to naturally depict the Gangnam scenery as it is.\u003cbr\u003e\u003cbr\u003e ---From \"Simple Naturalness\"\u003cbr\u003e\u003cbr\u003e In Gangnam, the main players in the painting activities were writers outside the field.\u003cbr\u003e In the Yuan Dynasty, even writers were targets of discrimination.\u003cbr\u003e It was placed just above the beggars, the lowest of the 10 social classes. \u003cbr\u003eThese writers, who were blocked from entering society and suffered discrimination, expressed their suppressed and resentful emotions in their paintings.\u003cbr\u003e They thought of the pictures as poetry or writing.\u003cbr\u003e It was considered as a tool to convey emotions and thoughts.\u003cbr\u003e It is against this backdrop that literati painters emerged in large numbers in Yuan.\u003cbr\u003e In fact, in these paintings, it is easy to read the emotions of the artist.\u003cbr\u003e\u003cbr\u003e ---From \"The Completion of the Classics and the Four Great Masters of the Original Language\"\u003cbr\u003e\u003cbr\u003e Wang Won-gi (王原祁, 1642-1715, pen name Lutai) was the last painter of the Four Kings.\u003cbr\u003e He is the grandson of Wang Shimin.\u003cbr\u003e He also showed talent for painting from an early age.\u003cbr\u003e Wang Shimin learned of this and said, “If you pass the civil service examination, devote yourself to painting.”\u003cbr\u003e He passed the civil service examination after Wang Shimin died.\u003cbr\u003e He rose to the position of Left Secretary of the Ministry of Taxation.\u003cbr\u003e Apart from his official position, he was favored by the Kangxi Emperor for his paintings.\u003cbr\u003e He also respected Hwang Gong-mang the most.\u003cbr\u003e He painted dozens of “Wandering Landscapes” throughout his life. \u003cbr\u003eHe experimented with his paintings through drawing.\u003cbr\u003e That is, it pursued the internal order of the painting itself.\u003cbr\u003e So to speak, the lines and shapes of the Hwanggongwang were experimental tools.\u003cbr\u003e With this, the composition and arrangement were sometimes made simple, and sometimes they were made densely.\u003cbr\u003e In it, we confirmed how the order of balance and imbalance is created.\u003cbr\u003e In that respect, he is sometimes compared to Paul Cezanne, who pursued order and autonomy in his paintings by repeating apple still lifes countless times.\u003cbr\u003e\u003cbr\u003e ---From \"The Golden Age of Classical Brushwork\"\u003cbr\u003e\u003cbr\u003e China's majestic mountains and diverse nature have been a source of inspiration since ancient times.\u003cbr\u003e On the one hand, it was recognized as a great soul in itself.\u003cbr\u003e People regarded nature, a spiritual being, as a symbol of comfort and freedom.\u003cbr\u003e And I wanted to express the subjective spirit and objective natural world felt from all things in heaven and earth on the painting.\u003cbr\u003e That is the birth of landscape painting. \u003cbr\u003eIn landscape painting, a balance between the subjective mind and the objective world has always been pursued.\u003cbr\u003e It has stimulated development in every era.\u003cbr\u003e At times, the balance would tilt to one side.\u003cbr\u003e This was especially true in the late Ming Dynasty.\u003cbr\u003e At this time, Dong Ki-chang's theory of literati painting was held to be an absolute value.\u003cbr\u003e Therefore, the balance between the subjective mind and the objective world is tilted toward the subjective side.\u003cbr\u003e It was during the mid-Qing period that this balance was restored.\u003cbr\u003e Yangju Palgwae restored balance by reviving the world of senses based on facts.\u003cbr\u003e And in the late Qing Dynasty and early Republic of China, Je Baek-Seok attempted to reconcile the objective world and subjective spirit with his unique writing style.\u003cbr\u003e It was also passed down through the modern era to the present through disciples such as Lee Ga-yeom.\u003cbr\u003e\u003cbr\u003e ---From \"The Beginning of a New Era\"\u003cbr\u003e\u003cbr\u003e 『Hwaeo-rok』 is famous as a painting theory written by a painter, along with Hyung-ho's \"Pilbeop-gi\" and Gwak Hui's \"Imcheon-gochi.\"\u003cbr\u003e It contains many famous quotes that have been frequently quoted in later generations. \u003cbr\u003eAmong them, there is this one.\u003cbr\u003e “(Painting) is borrowing brush and ink to draw all things in the world and let myself play happily in it.”\u003cbr\u003e This is in line with Dong Chi-chang’s saying, “I find pleasure in painting (以畵爲樂).”\u003cbr\u003e In addition to self-indulgence, Seokdo, who emphasized his own world, greatly impressed the younger painters of Yangju.\u003cbr\u003e\u003cbr\u003e ---From \"Rejection of the Classics\"\u003cbr\u003e\u003cbr\u003e In Plato's philosophy, beauty was said to be the best form of an idea.\u003cbr\u003e Because beauty is inherent in mathematical principles such as balance, proportion, and equality.\u003cbr\u003e And in reality, beauty is seen as being present in living things.\u003cbr\u003e So in ancient times, beauty was represented by things like women, birds, and flowers.\u003cbr\u003e This is also related to the fact that desolate, irregular, and rugged mountains were considered ugly.\u003cbr\u003e Poussin added nature to it. \u003cbr\u003eIt is said that nature can reveal classical beauty if repackaged with proportion and balance.\u003cbr\u003e This was realized in his classical landscape paintings.\u003cbr\u003e\u003cbr\u003e ---From \"New Pioneers\"\u003cbr\u003e\u003cbr\u003e Turner's transformation of the light changes in the steam into variations of color was groundbreaking.\u003cbr\u003e This was particularly striking to the French painters who had taken refuge in London during the Franco-Prussian War (1870-1871).\u003cbr\u003e This later led them to believe that light could be expressed through variations in color.\u003cbr\u003e Daubigny and Monet at this time later became the main players in the formation of the Impressionist movement.\u003cbr\u003e In that respect, Turner also became one of the pioneers who prepared for a new era.\u003cbr\u003e The achievement of Romantic landscape painting is often cited as surpassing the status of historical painting.\u003cbr\u003e This applies to Turner.\u003cbr\u003e\u003cbr\u003e ---From \"New Pioneers\"\u003cbr\u003e \u003cbr\u003e(…) In addition to the decomposition of colors, they were fascinated by working outdoors, the technique of maximizing bright colors with small touches, and the vision of finding beauty in nature as it is.\u003cbr\u003e Although he remained a realist landscape painter, his attempts served as a stepping stone for the Impressionist painters.\u003cbr\u003e Pissarro, Monet, and Cézanne interacted directly with him.\u003cbr\u003e Even Degas and Picasso, who rarely painted landscapes, were greatly influenced by his depictions of people.\u003cbr\u003e\u003cbr\u003e ---From \"The Completion of Landscape Painting\"\u003cbr\u003e\u003cbr\u003e Western landscape paintings were painted later than Chinese landscape paintings.\u003cbr\u003e The first depiction of landscapes appeared in the 14th century.\u003cbr\u003e It began with illustrations and frescoes in the poems.\u003cbr\u003e And through the Renaissance and Baroque periods, realistic depiction techniques were acquired.\u003cbr\u003e However, even at this time, the discovery of landscapes like those in Chinese landscape painting that were conscious of landscapes in nature had not been made. \u003cbr\u003eThe discovery of landscape was made by John Constable in the 19th century.\u003cbr\u003e By painting the Suffolk landscape with a loving gaze, I achieved a true discovery of landscape.\u003cbr\u003e And the era of landscape painting, which sought to unite the subjective and objective worlds, finally began.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e ---From \"Back to Form and Separation\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \",\"\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003e“There is an external appearance in mountains and rivers, and this leads to the spiritual world.”\u003cbr\u003e _Jongbyeong (宗炳, 375-443)\u003cbr\u003e\u003cbr\u003e “When the intellect or emotions of a culture find special meaning in the landscape and it matures,\u003cbr\u003e “Only then can a landscape be painted.”\u003cbr\u003e _Alexander von Humboldt (1769-1859)\u003cbr\u003e\u003cbr\u003e A narrative of nature with proportion, balance and harmony,\u003cbr\u003e The world of light and tranquility contained in landscape paintings and landscape paintings\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The East and the West have overcome geographical differences and developed together.\u003cbr\u003e The same goes for Eastern landscape paintings and Western landscape paintings. \u003cbr\u003eThe dynamics of balance and imbalance between landscape and landscape painting provide readers with a variety of aesthetic experiences.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Landscape paintings and watercolours sometimes depict what is seen, but they also capture universal human emotions such as resistance, praise, dreams and frustration.\u003cbr\u003e Although landscape painting has been explained through a Chinese lens, this book sheds new light on Eastern landscape painting and Western landscape painting through the author's unique perspective.\u003cbr\u003e Additionally, as each painting world has a vast history and content, it is organized around painters who played important roles in each era.\u003cbr\u003e In the field of landscape painting, we introduce seven painters, including Lee Seong, who had their own unique painting style, and in the field of landscape painting, we introduce seven painters, including Jan van Eyck, who opened up a new world of painting with his unique perspective that had never been seen before. \u003cbr\u003eMeanwhile, the author adds explanations of painting trends that developed in the East and West to help readers understand.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Chapters 1 and 2 examine the birth of landscape painting and landscape painting.\u003cbr\u003e Chapter 1, “Ancient Nature,” tells how the concept and image of nature were formed in ancient China and the West.\u003cbr\u003e Chapter 2, “The Development of Nature Depiction,” examines the descriptive techniques accumulated in the process of depicting ancient concepts of nature in pictorial form.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Chapters 3 and 4 introduce the pioneering works of seven Eastern and Western painters, and explain the development of landscape painting and landscape painting.\u003cbr\u003e In China, landscape painting originated from the Jongbyeong of the Northern and Southern Dynasties.\u003cbr\u003e China's majestic mountains and ever-changing nature have been a source of inspiration since ancient times, and the subjective emotions felt from all things in heaven and earth and the objective natural world have been expressed in paintings. \u003cbr\u003eAfter that, during the Five Dynasties and Ten Kingdoms period, the literati Dongwon created the 'epitome of simple naturalness', Lee Seong created the 'chill of a foggy plain', and Lee Dang created 'strong lines and ink', and were recognized for their excellence.\u003cbr\u003e If Huang Gongwang perfected the 'atmosphere of gentleness and generosity', Ye Chan exemplified the 'atmosphere of quietness in solitude', Wu Jin exemplified 'self-esteem in silence', and Wang Meng perfected 'the world of life where humans, nature, and the universe are one'.\u003cbr\u003e Western landscape painting first appeared in the 14th century, later than landscape painting.\u003cbr\u003e Van Eyck expressed the unity of space by using 'light', and Patinir presented an expressive technique that creates the unity of space and a sense of distance by using 'color'.\u003cbr\u003e Poussin established 'classical landscape painting' as a model, and Lorrain pioneered 'pastoral landscape painting'. \u003cbr\u003eIn the 19th century, Constable established landscape painting as a full-fledged genre of painting, and then Turner and Corot led the development of landscape painting by focusing on the ‘romantic spirit’ and ‘reproduction of light’, respectively.\u003cbr\u003e\u003cbr\u003e The final chapter, Chapter 5, “The End and New Exploration,” discusses the end of landscape painting and watercolour painting through a paradigm shift from “what to paint” to “how to paint.”\u003cbr\u003e\u003cbr\u003e Nature harmoniously captured on canvas harmonizes our consciousness.\u003cbr\u003e It will also be deeply involved, consciously or unconsciously, in our perspective and perception of the world.\u003cbr\u003e Isn't that why we appreciate paintings?\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e \"]\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePublication date:\u003c\/strong\u003e June 23, 2022\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 352 pages | 762g | 170*235*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788940806630\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8940806638 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default 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