{"product_id":"157326","title":"The human voice travels farther than light. ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQt5m5TxgqHYoR3CU67fwQ.png?v=1764852204\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e The human voice travels farther than light. \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/7488749\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e Book Introduction\u003cbr\u003e\u003cbr\u003e Ten landscapes of modern China depicted by the world-renowned novelist Yu Hua Ten essays exploring the meaning of life and the origins of writing This book was written by Yu Hua, currently the best writer in the Chinese-speaking world, four years after his novel Brothers, which garnered international attention. \u003cbr\u003eIn this book, the author's critical awareness of Chinese society and the critical spirit shown in \"Brothers\" can be confirmed more directly and concretely.\u003cbr\u003e The real value of this book is that \"in this book, I wrote about China's suffering while also writing about my own suffering.\u003cbr\u003e This is contained in Wei Hua's meaningful words, \"China's suffering is also my personal suffering.\"\u003cbr\u003e Witnessing all the absurdities hidden behind Chinese society, which has changed socially and economically beyond imagination in just over 30 years, sometimes makes one despair, sometimes angry, but also shows deep compassion for China and the Chinese people and a strong will for solidarity.\u003cbr\u003e From the attitude of accepting the suffering of one's motherland as one's own, we can easily guess where the roots of the literature of comfort women lie. \u003cbr\u003eIn that sense, the humanism of Wihwa may be at its peak in this book.\u003cbr\u003e This book will be a valuable opportunity for readers who wish to delve deeper into the literary world of Wei Hua or to reconsider the country of China.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e About the Author\u003cbr\u003e\u003cbr\u003e Discomfort\u003cbr\u003e\u003cbr\u003e Born in Zhejiang Province, China in 1960.\u003cbr\u003e After graduating from high school, he worked as a dental hygienist for a time, and then entered the world of writing in 1983 by publishing the short story “The First Dormitory.”\u003cbr\u003e He began to attract attention as a representative writer of the third generation of Chinese literature, publishing a series of experimental short stories such as “Leaving Home at Eighteen and Going on a Long Journey” and “Life is Like Smoke.”\u003cbr\u003e After presenting a new style of writing with his first full-length novel, “A Cry in the Drizzle,” Wihwa solidified his foundation as a writer with his second full-length novel, “To Live.” \u003cbr\u003eThis work was adapted into a film by director Zhang Yimou and won the Palme d'Or at the Cannes Film Festival, becoming a catalyst for the worldwide \"Weihua phenomenon.\"\u003cbr\u003e And with the publication of his full-length novel, 『The Story of Xu Sangwan Selling Blood』 in 1996, he received rave reviews from the world's literary community and solidified his position as a leading Chinese writer. Ten years later, his full-length novel, 『Brothers』, once again created a global sensation.\u003cbr\u003e In 1998, he received the Italian Grinzane Cavour Literature Prize, in 2002 he became the first Chinese writer to receive the James Joyce Fund, and in 2004 he received the Barnes \u0026amp; Noble New Writer's Award and the French Ordre des Arts et des Lettres.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eTen Scenes of Modern China by the World-Famous Novelist Wei Hua\u003cbr\u003e Ten Essays Exploring the Meaning of Life and the Origins of Writing\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eThis book, \"The Human Voice Travels Farther Than Light,\" was written by Yu Hua, currently the best writer in the Chinese-speaking world, four years after his novel, \"Brothers,\" which received international attention.\u003cbr\u003e In this book, the author's critical awareness of Chinese society and the critical spirit shown in \"Brothers\" can be confirmed more directly and concretely.\u003cbr\u003e In 2009, Wihwa gave a lecture on contemporary China at Pomona College in the United States, and wrote this book while preparing the manuscript for that lecture.\u003cbr\u003e The book has already been translated and published in over ten countries in Europe, Asia, and South America, including the United States.\u003cbr\u003e The Chinese edition was published in Taiwan in January 2011.\u003cbr\u003e However, publication is currently impossible in China.\u003cbr\u003e This passage provides a glimpse into the Chinese government's attitude toward freedom of expression.\u003cbr\u003e\u003cbr\u003e A Taiwanese reporter asked me: \u003cbr\u003e“Both ‘Brothers’ and this book contain considerable critical spirit, so why is it that the former can be published in China, while the latter cannot?”\u003cbr\u003e I answered that it was because of the difference between fiction and non-fiction.\u003cbr\u003e Although both books feature contemporary China, \"Brothers\" is a work of fiction, allowing for indirect expression in its narrative, making it easily publishable. However, this book, being non-fictional, requires direct expression in its narrative, making it impossible to publish. (From \"To Korean Readers\")\u003cbr\u003e\u003cbr\u003e The original title of this book is 'China in Ten Words'.\u003cbr\u003e The author captured various aspects of Chinese society in ten words: people, territory, reading, writing, Lu Xun, difference, revolution, grassroots, Shancai, and leisure.\u003cbr\u003e According to the author, it is 'a book that looks at China from ten directions using ten words as ten pairs of eyes.' \u003cbr\u003eMoreover, in this book, he “tried to condense the life of contemporary China, flowing without interruption and with great momentum, into ten words.”\u003cbr\u003e The author describes this book as a “journey to find the roots and origins” of Chinese society, which has grown into one of the world’s leading powers based on its strong economic power.\u003cbr\u003e\u003cbr\u003e The incredibly rapid changes that Chinese society has experienced over the past 30 years have also shown us that interpersonal relationships have been inverted in their development.\u003cbr\u003e We live in a world where every day we are surrounded by a swarm of consequences, yet we are very reluctant to find the causes that created these consequences.\u003cbr\u003e That is why the various social conflicts and problems that have grown wildly like weeds over the past 30 years are hidden from view by the optimistic sentiment brought about by ultra-fast economic development.\u003cbr\u003e What I'm doing now is going back on the path I've taken so far. \u003cbr\u003eStarting from today's seemingly dazzling results, we seek to identify the causes that may be contributing to today's anxiety. (Preface)\u003cbr\u003e\u003cbr\u003e \u003cb\u003eTen Words to Understand China, Yesterday and Today\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In the first article, “People,” Wei Hua recalls the Tiananmen Square incident, a pro-democracy movement that suddenly shook China during the period when the Cultural Revolution was ending and the reform and opening-up system was taking hold, and discusses what a turning point it was in the process of change in Chinese society.\u003cbr\u003e He says that the Tiananmen Square incident “finally released the political passion that had accumulated since the Cultural Revolution,” and that “after that, a passion for wealth replaced this political passion, and the economic prosperity of the 1990s naturally came about as everyone became obsessed with making money.” \u003cbr\u003eAnd he confesses that he truly came to understand the word 'people' after witnessing the passion of the people who participated in the protests at the time.\u003cbr\u003e\u003cbr\u003e 20 years have passed in the blink of an eye.\u003cbr\u003e But I firmly believe that the memory of history never disappears in the blink of an eye.\u003cbr\u003e I believe that everyone who participated in the Tiananmen Square protests of 1989, regardless of their current position, will one day suddenly recall the events of the past and feel the emotions deeply etched in their hearts and bones.\u003cbr\u003e It was this very feeling, deeply engraved in my heart and bones, that allowed me to truly understand the word 'people.'\u003cbr\u003e\u003cbr\u003e In \"Youngsoo,\" \"Youngsoo\" is none other than Mao Zedong, the leader of modern China. \u003cbr\u003eIn this article, Wei Hua discusses the social psychology underlying the Mao Zedong revival movement that is sweeping across Chinese society today.\u003cbr\u003e “Mao Zedong Thought did not disappear with his death, but rather its influence around the world is growing,” he said. “Many people in many places around the world have confirmed that it no longer matters what Mao Zedong did in China.”\u003cbr\u003e And the following interpretation is given for this phenomenon.\u003cbr\u003e\u003cbr\u003e On May 1, 2009, Austrian citizens held a grand march in Vienna.\u003cbr\u003e They held high in their hands large portraits of Marx, Engels, Lenin, Stalin and Mao Zedong.\u003cbr\u003e Similar scenes occurred constantly in other European cities. \u003cbr\u003eI sometimes wonder if the 'resurrection of Mao Zedong' is not only a social psychology of Chinese localization, but also a social psychology of globalization.\u003cbr\u003e If so, what does that mean? The simplest answer I can think of is that the world is sick and in need of revolution.\u003cbr\u003e It's like inflammation appears when the human body becomes sick.\u003cbr\u003e\u003cbr\u003e \"Reading\" is the most vivid autobiographical work of Wei Hua, who grew up during the Cultural Revolution.\u003cbr\u003e The author's reading experience at a time when there was little to read other than Quotations from Mao Zedong is a source of quiet enjoyment.\u003cbr\u003e In particular, it is very interesting to hear that countless people secretly passed around literary books with the front and back pages torn out, naturally training their imaginations.\u003cbr\u003e It also provides a starting point for understanding the author's weakness.\u003cbr\u003e\u003cbr\u003e Stories without endings trained me. \u003cbr\u003eNo one could help me.\u003cbr\u003e Finally, I began to imagine the ending of the story myself.\u003cbr\u003e (…) Every night when I turned off the lights and went to bed, my eyes began to blink diligently in the darkness.\u003cbr\u003e I would enter a world of imagination, create the ending of a story, and be moved to tears by the story I had created.\u003cbr\u003e\u003cbr\u003e I don't know if my imagination was trained from the beginning, but in any case, I had to be grateful for a novel that had no beginning or end.\u003cbr\u003e It was these novels that first ignited my creative passion and helped me become the writer I have become over the years.\u003cbr\u003e\u003cbr\u003e \"Writing\" can be said to be the literary autobiography of the author Wi Hwa. \u003cbr\u003eThe story of the time when he worked as a dentist after the Cultural Revolution and constantly wrote novels and submitted them to magazines, as well as episodes leading up to his debut as a writer, are introduced along with the landscape of contemporary Chinese society.\u003cbr\u003e In this essay, Wihwa directly explains why her early short stories are filled with images of violence.\u003cbr\u003e This is a passage that gives a glimpse into the influence the Cultural Revolution had on modern Chinese writers.\u003cbr\u003e\u003cbr\u003e I think my upbringing was what determined me to write so bloody and violently in the 1980s.\u003cbr\u003e During the Cultural Revolution, I was in first grade in elementary school, and when the Cultural Revolution ended, I had already graduated from high school.\u003cbr\u003e My growth was witnessed by repeated street marches, critical protests, and armed struggles between the pro-North Korean faction. \u003cbr\u003eBesides this, I also had to watch the endless street fights.\u003cbr\u003e Growing up, I had a habit of passing people bleeding profusely on the streets covered with posters.\u003cbr\u003e\u003cbr\u003e \"Lu Xun\" contains Wei Hua's complex and subtle feelings toward Lu Xun, the great modern Chinese writer.\u003cbr\u003e During the Cultural Revolution, the great writer Lu Xun's 'great reader' was none other than Mao Zedong.\u003cbr\u003e At that time, the words of Mao Zedong and Lu Xun were immediately accepted as truth among the people.\u003cbr\u003e To the young Wei Hua, Lu Xun's works could only be accepted dogmatically.\u003cbr\u003e So, Wei Hua confesses that she could not like Lu Xun throughout her life.\u003cbr\u003e\u003cbr\u003e After the Cultural Revolution, I read many works by other writers.\u003cbr\u003e There were great works and there were mediocre works. \u003cbr\u003eWhen I start reading a writer's work and I find it boring, I put it down right away.\u003cbr\u003e Because I don't want to hate that writer.\u003cbr\u003e However, during the Cultural Revolution, I couldn't put down Lu Xun's works and had to read them over and over again.\u003cbr\u003e Because of this, Lu Xun became the only writer I hated throughout my life.\u003cbr\u003e\u003cbr\u003e 'Difference' is an important word that defines Chinese society today.\u003cbr\u003e In \"Difference,\" Wei Hua states that today's China \"lives not only in a huge gap between reality and history, but also in a huge gap of dreams.\"\u003cbr\u003e Structural problems with no apparent solution, such as the widening gap between the rich and poor and the unbalanced development between urban and rural areas, are the dark shadow of China's rosy image.\u003cbr\u003e He also says: \u003cbr\u003e“We are so caught up in the image of China as a developing country that we fail to notice that over 100 million people still live in unimaginable poverty.\u003cbr\u003e I think this is the true tragedy of the Chinese people.”\u003cbr\u003e\u003cbr\u003e The rapid growth of the Chinese economy changed everything in an instant.\u003cbr\u003e We have jumped, as if in a long jump, from an age of extreme material scarcity to an age of overflowing waste, from an age of politics to an age of money, from an age of repressed instincts to an age of overflowing desire.\u003cbr\u003e These 30 years feel like nothing more than a time to crouch down and then leap forward.\u003cbr\u003e\u003cbr\u003e \"Revolution\" tells the story of the countless instances of Cultural Revolution-style violence that have occurred during China's miraculous economic growth over the past 30 years. \u003cbr\u003eThe glorification of various forms of violence in the name of revolution is rampant in Chinese society today, and the resulting public discontent and social conflict could explode at any moment.\u003cbr\u003e At the end of the story of a Red Guard who tragically ended his life in the name of revolution during the Cultural Revolution, Wei Hua says the following:\u003cbr\u003e\u003cbr\u003e What is revolution? The answer in my past memories was a jumble of arguments.\u003cbr\u003e The revolution filled our lives with the unknown.\u003cbr\u003e It was common for a person's fate to change completely overnight.\u003cbr\u003e Some people flew through the sky in an instant, while others fell into an unfathomable abyss in the blink of an eye.\u003cbr\u003e Social ties between people also continued to be established and broken repeatedly following the revolution.\u003cbr\u003e A person who was a comrade of the revolution today could become an enemy of the class tomorrow.\u003cbr\u003e \u003cbr\u003e\"Grassroots\" is about the people who created China's economic miracle, the new Chinese tycoons from lower-class backgrounds who made a fortune through savvy business and worldly wisdom.\u003cbr\u003e Regarding the historical context that allowed them to become the mainstay of China's economy today, Wei Hua says:\u003cbr\u003e\u003cbr\u003e They were not picky about the means and methods in the flow of economic development.\u003cbr\u003e He boldly attempted to break the law or even commit a crime without any hesitation.\u003cbr\u003e (…) These grassroots people could create any type of miracle.\u003cbr\u003e They had tremendous courage, fearing nothing and not being afraid of losing anything.\u003cbr\u003e (…) As a Chinese proverb puts it, a barefoot man does not fear a man with shoes on, and as Marx said, the proletariat had nothing to lose but their chains and the whole world to gain.\u003cbr\u003e \u003cbr\u003eIn \"Sansai\" (fake or counterfeit), we talk about the phenomenon of sansai that has permeated and established itself in every aspect of Chinese life today.\u003cbr\u003e On the Chinese Internet, Sansai Star, Sansai TV programs, and Sansai pop songs are all very popular.\u003cbr\u003e Wei Hua says that this phenomenon of mountain vegetables has the meaning of “a challenge from grassroots culture to elite culture, a challenge from the private sector to the government, and a challenge from the weak to the strong,” but that it is essentially a clear indicator of the chaos in Chinese society.\u003cbr\u003e\u003cbr\u003e The phenomenon of mountain vegetables can be said to be a double-edged sword, an inevitable result of the fragmented development of Chinese society.\u003cbr\u003e (…) It can be said that the loss of morality and the confusion of right and wrong in today’s Chinese society are vividly expressed through the phenomenon of mountain vegetables. \u003cbr\u003eIt is based on this social ecology that the word 'wild vegetables' has become deeply ingrained in the hearts of the Chinese people.\u003cbr\u003e Plagiarism, imitation, malicious mockery, and slander, which were originally considered illegal and low-class, are now being given a reason for existence, and are gradually gaining a reasonable status in terms of public opinion and socio-psychological aspects.\u003cbr\u003e At the same time, 'sanchae' has become one of the most frequently used words among Chinese people today.\u003cbr\u003e\u003cbr\u003e The last article in this book, \"Holy You\" (deceiving or blaming others by any means necessary), is a story about a socio-cultural phenomenon that, like Sanchae, has become a way of life in the daily lives of Chinese people.\u003cbr\u003e Wihwa says, “Just as Sanchae gave new meaning to counterfeit and pirated goods, Holyu gave the cloak of rationality to words like trickery and rumor.” \u003cbr\u003eCurrently, in China, the phenomenon of using honey to achieve social and economic gains is spreading like wildfire, regardless of whether it is private or public.\u003cbr\u003e Wei Hua offers the following comment on what houyou means in Chinese society:\u003cbr\u003e\u003cbr\u003e The word \"holyou\" is rapidly spreading across the country, and like \"sanchae,\" it clearly reveals the lack of ethics and morality and the confusion of values ​​in Chinese society today.\u003cbr\u003e This can be said to be one of the aftereffects of the fragmented development that Chinese society has continued for the past 30 years.\u003cbr\u003e Moreover, the extent to which the phenomenon of single-person households has spread widely across all sectors of society far surpasses the phenomenon of single-person households.\u003cbr\u003e The fact that the tyranny of the single-minded is so rampant means that we live in a society that is not serious, or a society that does not value principles.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA book that shows the pinnacle of humanism\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e“In this book, I wrote about China’s suffering while also writing about my own.\u003cbr\u003e “Because China’s suffering is also my personal suffering.” (Afterword) The true value of this book lies in these meaningful words.\u003cbr\u003e Witnessing all the absurdities hidden behind Chinese society, which has changed socially and economically beyond imagination in just over 30 years, sometimes makes one despair, sometimes angry, but also shows deep compassion for China and the Chinese people and a strong will for solidarity.\u003cbr\u003e From the attitude of accepting the suffering of one's motherland as one's own, we can easily guess where the roots of the literature of comfort women lie.\u003cbr\u003e In that sense, the humanism of Wihwa may be at its peak in this book. \u003cbr\u003eThis book will be a valuable opportunity for readers who wish to delve deeper into the literary world of Wei Hua or to reconsider the country of China.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eOverseas book reviews\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The book depicts China as a morally precarious nation plagued by rising unemployment, polarization, and endemic corruption and waste.\u003cbr\u003e _The New York Times\u003cbr\u003e\u003cbr\u003e Wihwa's talent for finding absurdity in sadness makes sadness even more difficult to bear.\u003cbr\u003e _time\u003cbr\u003e\u003cbr\u003e In this book, Wei Hua presents scenes from everyday life in China over the past 40 years, from the violent and oppressive Cultural Revolution to the upheaval and chaos of today's economic miracle.\u003cbr\u003e Those who think they know China will have to reconsider their thinking, and those who don't will learn about a country quite different from what they heard from travelers or read in the news.\u003cbr\u003e _The Wall Street Journal\u003cbr\u003e \u003cbr\u003eIt's hard to find a novel that's both laugh-out-loud funny and deeply moving yet shocking at the same time.\u003cbr\u003e It is even more difficult to expect such works in non-fiction.\u003cbr\u003e This book by Wihwa is just such an amazing book.\u003cbr\u003e _Los Angeles Review of Books \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e September 8, 2012\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 360 pages | 588g | 145*210*30mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9788954618991\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 8954618995 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default 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