{"product_id":"160020","title":"Architectural Review (Quarterly): Fall\/Winter 2024 ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYFtGWS2TXi4EyNmzRWrhJSYCDVvZ.png?v=1765085260\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Architectural Review (Quarterly): Fall\/Winter 2024 \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/139627710\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eThe Restart of 《Architecture Criticism》\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e We revisit the architectural theory critique journal “Architecture Review”, which was launched in 2015.\u003cbr\u003e It has been four years since the publication of the Winter 2020 issue (Volume 24) ended.\u003cbr\u003e Meanwhile, the Architecture Criticism Community met with a new publisher, prepared for re-publication, considered sustainability, and revamped the editorial design.\u003cbr\u003e However, the issues that 《Architecture Criticism》 has pursued so far remain unchanged, and there has been no significant change in the content composition. \u003cbr\u003e“To foster a healthy critical culture that can take root in our architectural society, to overcome the problem of one-off criticism\/criticism, to properly build the history of our modern architecture by rigorously exploring\/exploring\/discussing excellent architecture, and to discover resources that can serve as a good stimulus for the creative power of our architecture.” To achieve these founding goals, 《Architectural Criticism》 will maintain its own ‘slow and sticky passion’ to coolly enjoy architecture in its own way, and will create ‘rules of the game’ (as an agile centripetal force) to shape this in a refreshing way, and will try to weave together issues in the architectural world more deeply, broadly, and uniquely.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Opening remarks\u003cbr\u003e Facing the reissued No. 25_Park Young-tae\u003cbr\u003e\u003cbr\u003e Architecture: Seoul Seojin School \u003cbr\u003eThe Most Ordinary Special School_Yoo Jong-su, Kim Bin\u003cbr\u003e Special Ordinary Architecture_Kim In-seong\u003cbr\u003e The Intertwining of Memories and Facts of School_Hyun Myeong-seok\u003cbr\u003e School City_Ji Jeong-woo\u003cbr\u003e Everyone's School_Nam So-young\u003cbr\u003e\u003cbr\u003e Young Architecture Critic: Lee Ki-cheol\u003cbr\u003e Play Sequence_Lee Ki-cheol\u003cbr\u003e Scenes and materiality in Lee Ki-cheol's work_Baek Seung-han\u003cbr\u003e Hidden Concepts or Hidden Concepts_Im Seong-hun\u003cbr\u003e Play Sequence or Playing Alley_Lee Kyung-chang\u003cbr\u003e\u003cbr\u003e Architecture(s) Move: Nameless Architecture\u003cbr\u003e Thoughts and Possibilities _ Na Eun-jung, Yoo So-rae\u003cbr\u003e Nameless Chronicles\u003cbr\u003e Project List\u003cbr\u003e Project\u003cbr\u003e Ghostly Ontology of Geometry_Jeong Man-young\u003cbr\u003e Nameless, standing in between and not giving a name_Hyun Myeong-seok\u003cbr\u003e Geometry of Nine Squares_Park Jeong-hyeon\u003cbr\u003e\u003cbr\u003e Planning: Speaking of Architectural Criticism\u003cbr\u003e Critical writing on architecture without relying on architects or buildings_ Park Jeong-hyeon + Hyun Myeong-seok\u003cbr\u003e The Ambiguous Place of Criticism, Blurred Boundaries: Into the Network of Objects_Bae Hyeong-min + Hyeon Myeong-seok\u003cbr\u003e Critical Writing by Architectural Historians_Kim Hyeon-seop + Kim In-seong  \u003cbr\u003eCommunication and Imagination for Architectural Criticism_Lee Jong-geon + Kim In-seong\u003cbr\u003e The Distance Between Production and Communication_Seo Jae-won + Park Young-tae\u003cbr\u003e Architecture of Another World_Lee Hee-jun, Choi Na-wook, and Lim Seong-hun\u003cbr\u003e Book review\u003cbr\u003e A Critique of Kenneth Frampton's Modern Architecture: A Critical History (2020), from a Korean Perspective_Kim Hyun-seop\u003cbr\u003e\u003cbr\u003e Serial: Laying the Foundations of Architectural Criticism ①\u003cbr\u003e The Ontology of \"Between\": Preliminary Work for the Foundation of Architectural Criticism 1_Song Jong-yeol\u003cbr\u003e\u003cbr\u003e Editor to Reader\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003eA common thread emerged from the many conversations. While the position of architectural criticism has always been precarious, our criticism is currently facing a particularly urgent crisis. What's most needed now is to foster genuine and diverse communication. Therefore, a broader, more expansive concept of architectural writing is called for, transcending traditional architectural criticism. However, even more intriguing is the common thread that emerges from all these diagnoses and perspectives. It's a confession that, regardless of age, position, or position, everyone has experienced fear from a small beginning, faced endless challenges and struggles, and continues to take shaky, difficult steps forward.\u003cbr\u003e 185p., Kim In-seong, “Talking about Architectural Criticism”\u003cbr\u003e \u003cbr\u003eThis school building has a slightly different architecture. Instead of a straight line or an H, it's laid out in a square shape with a courtyard. This creates a more democratic spatial hierarchy. Students see each other in this layout. In addition to the square shape, there are pods that jut out into the courtyard. Architecturally, this is the most striking feature, but its use has not yet been clearly defined by the members. The courtyard, along with the mushroom-roofed cafeteria space, holds many possibilities. It is a place where we can expect endless uses with the various activities of Seojin School in the post-pandemic period, and the rounded landscaping elements form a pattern.\u003cbr\u003e 44p., Ji Jeong-woo, “A City Called School”\u003cbr\u003e \u003cbr\u003eBecause the architecture we see here today is a collective and opaque mass, a tangled web of practical work by a group of Korean architects, each with its own distinct shape, it's nearly impossible to draw its entire form clearly and concisely. One way would be to slice the mass horizontally, vertically, and diagonally, revealing its inhomogeneous cross-sections, and then to draw contemporary Korean architecture from these sections.\u003cbr\u003e 128p., Hyun Myeong-seok, “Architecture(s) Move_Nameless Architecture”\u003cbr\u003e\u003cbr\u003e How well does this book's Korean section reflect the development of modern Korean architecture? Unfortunately, it leaves much to be desired. This judgment is based on the imbalance in Frampton's architect selection and the numerous errors found in the text.\u003cbr\u003e 258p., Kim Hyeon-seop, “A Criticism of Kenneth Frampton’s ‘Modern Architecture: A Critical History’ (2020), from a Korean Perspective”\u003cbr\u003e \u003cbr\u003eAs we know, criticism is a \"subjective and provisional\" response (by the critic) to a situation. In other words, there can be no final or closed conclusion. Of course, criticism involves a parallel process of seeking empathy—a process of requesting agreement—through efforts to secure greater objectivity. Nevertheless, the fact remains that the starting point of criticism lies in the \"subjective judgment\" of the critic.\u003cbr\u003e 266p., Song Jong-yeol, “Ontology of ‘Between’: Preliminary Work for the Foundation of Architectural Criticism 1”\u003c\/div\u003e\n\u003cdiv\u003e --- From the text\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eConfessions of an Architecture Critic\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e This reissue (Volume 25) contains honest stories from those who have written about architecture, with the intention of bringing criticism closer to home.\u003cbr\u003e This is closer to the self-confession of wavering individuals than to a grand theory or discourse of the times. \u003cbr\u003eThrough the vivid voices and warm perspectives of four critics interviewing seven critics\/architects, we hope to convey empathy and hope to countless other readers who also look forward to architecture and criticism.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eArchitects and architectural works\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In addition, you can see the 'Seoul Seojin School', which proves through architecture that 'a world that is good for children and people with disabilities is a world that is good for everyone', the works of architect Lee Ki-cheol, who creates 'moments of space' with his own grammar, and the works of Nameless Architecture, which has grown into an influential mid-career architect since its first work was presented in Korea in 2012.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eBook reviews and serials\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eIn addition, we introduced a review of the expanded edition of Kenneth Frampton's \"Modern Architecture: A Critical History\" (2020), published in the British \"The Journal of Architecture\" in August 2021, to Korean readers, and provided an opportunity to reconsider critical writing and the act of criticism through a series befitting the banner of architectural criticism.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e November 8, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 280 pages | 49g | 152*223*20mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198750815\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1198750812 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43893542322218,"sku":"160020","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/25e9f6d01d7002d2a40266392c8818d7.jpg?v=1765405128","url":"https:\/\/librairie.coreenne.fr\/en\/products\/160020","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}