{"product_id":"161396","title":"Bresson talks about Bresson ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYFs0V9BHqrEALUQ7pLZmnyT2SS5F.png?v=1765006458\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Bresson talks about Bresson \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/147786969\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003eLife and Art through Camera\u003cbr\u003e A translation of 40 years of key dialogues with filmmaker Robert Bresson published.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Robert Bresson (1901-1999), a master of pure cinema who spent his life exploring the essence of film.\u003cbr\u003e A collection of interviews spanning the 40 years of his career (1943-1983) will be published in Korean.\u003cbr\u003e This book is a collection of interviews that culminate in the most profound and essential remarks made by Bresson himself, providing the most comprehensive insight into his aesthetics and philosophical thinking.\u003cbr\u003e\u003cbr\u003e The selection of the interviews, curated by his wife, Mylène Bresson, is arranged chronologically around major works and concepts, providing an excellent overview of Bresson's creative process, theoretical foundations, and the philosophical evolution of an artist. \u003cbr\u003eAlthough his personal life is little known, his identity is vividly revealed through Bresson's voice, which speaks of the entire creative process from conception to completion without reservation and without dream.\u003cbr\u003e\u003cbr\u003e Much of the book is devoted to rhythm and structural design, the relationship between image and sound, and the expression of transcendental themes, which will resonate deeply with film lovers as well as creators.\u003cbr\u003e\u003cbr\u003e “Cinematography is a new way of writing and a new way of feeling.”\u003cbr\u003e “Film should be reality itself, not a shadow of it.”\u003cbr\u003e “Every aspect of life can be transformed into art.”\u003cbr\u003e “Creation is a discipline.”\u003cbr\u003e “The soundtrack invented silence.”\u003cbr\u003e “Instead of transforming into a character, an actor must exist as a human being.”\u003cbr\u003e Emotional excess distorts the truth.\u003cbr\u003e “A film should resemble what the audience sees when they close their eyes.” \u003cbr\u003e“A film is a conversation, and the subject of that conversation is the audience.”\u003cbr\u003e “Films allow the audience to return to their own world.”\u003cbr\u003e “The movie did nothing.”\u003cbr\u003e “Make visible what you would never have seen without you.”\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Wherever you want to go… …wherever the camera leads you 5\u003cbr\u003e 1 Public Affairs AFFAIRES PUBLIQUES ( 1 9 3 4 )\u003cbr\u003e Prologue 2 5\u003cbr\u003e 2 Angels of Sin LESANGESDUP ⓒ CH ⓒ ( 1 9 4 3 )\u003cbr\u003e We Need a Writer 3 1\u003cbr\u003e Jang Giraudoux 3 6\u003cbr\u003e 3 The Women of the Bois de Boulogne\u003cbr\u003e LES DAME SDUBOISDEBOULOGNE ( 1 9 4 5 )\u003cbr\u003e Vortex and Shock 4 3\u003cbr\u003e Inside Leads 4 7\u003cbr\u003e Jean Cocteau 5 3\u003cbr\u003e Festival of Cursed Films 5 4\u003cbr\u003e 4 The Diary of a Country Priest\u003cbr\u003e JOURNALD ' UNCUR ⓒ DEC AMPA GNE ( 1 9 5 1 )\u003cbr\u003e Between Two Worlds 5 9\u003cbr\u003e I was drawn to the reckless challenge 6 1\u003cbr\u003e View and Listen 6 5\u003cbr\u003e Like writing poetry 6 9 \u003cbr\u003e5 Death row inmates escape\u003cbr\u003e ' EST ⓒ CHAPP ⓒ ( 1 9 5 6 )\u003cbr\u003e The wind blows where it wants to blow 7 5\u003cbr\u003e New means of expression 8 8\u003cbr\u003e 6 Pickpocket PICKPOCKET ( 1 9 5 9 )\u003cbr\u003e Film of Hands, Objects, and Gaze 9 3\u003cbr\u003e The rhythm of a film should be a heartbeat 9 7\u003cbr\u003e To capture reality only 1 0 7\u003cbr\u003e Reaching the Mystery 1 1 3\u003cbr\u003e Poetry and Truth Are Sisters 1 2 5\u003cbr\u003e The Trial of Joan of Arc (1962)\u003cbr\u003e A supernatural familiarity that can be felt in your hands 1 3 3\u003cbr\u003e I don't know anything more cruel and heartbreaking than that 1 4 3\u003cbr\u003e The movie is what I wanted 1 4 5\u003cbr\u003e Emotions alone should be our guide 1 5 3\u003cbr\u003e Joan of Arc was beautiful, elegant, genius, and contemporary.\u003cbr\u003e : Free Mystic 1 6 3\u003cbr\u003e 1 7 5 To make her real and close to us\u003cbr\u003e To allow current to flow, the wire's insulation must be stripped 1 8 2\u003cbr\u003e 8 adaptations\u003cbr\u003e Creating Drama, Some Aspects: Adaptation 1 9 1\u003cbr\u003e 9 Donkey Balthazar AUHASARDBA LT HAZAR ( 1 9 6 6 ) \u003cbr\u003ePure, calm, serene, and sacred donkey 2 0 1\u003cbr\u003e The most free film I've ever made,\u003cbr\u003e The movie that got me most into it 2 1 1\u003cbr\u003e The Secret to Living Without Duplicating Life 2 4 2\u003cbr\u003e The road taken 2 6 6\u003cbr\u003e 1 0 MOUCHETTE ( 1 9 6 7 )\u003cbr\u003e 2 8 5 in the manner of a portrait artist\u003cbr\u003e I like Bernanos who makes the supernatural real 2 8 9\u003cbr\u003e The gazes that lead to death 2 9 7\u003cbr\u003e 1 1 Soundtrack\u003cbr\u003e The ear is creative, much more so than the eye. 3 0 7\u003cbr\u003e 1 2 Gentle Woman UNEFE MME DOUCE ( 1 9 6 9 )\u003cbr\u003e The Confrontation of Life and Death 3 1 5\u003cbr\u003e I am here, and others are somewhere else,\u003cbr\u003e Silence is terrible 3 2 2\u003cbr\u003e 1 3 Four Nights of the Dreamer QU AT RENUITSD '\u003cbr\u003e Art is not a luxury, but a necessity for survival. 3 3 3\u003cbr\u003e 3 4 0 between blue and dark brown\u003cbr\u003e Finding Surprises 3 4 7\u003cbr\u003e 1 4 LANCELOTDULAC of the Lake (1 9 7 4 )\u003cbr\u003e Bringing the past into the present 3 5 5\u003cbr\u003e Lancelot's extraordinary inner adventure was amazing 3 5 9 \u003cbr\u003eTorn between loyalty and disloyalty 3 6 3\u003cbr\u003e Noise produced by iron 3 6 8\u003cbr\u003e The Holy Grail, the power hidden beneath the story 3 7 3\u003cbr\u003e 1 5 Notes on Cinematography\u003cbr\u003e NOTESSURLECIN ⓒ M AT OGRAPHE ( 1 9 7 5 )\u003cbr\u003e Book 381: A Deep Exploration of Bresson's Art\u003cbr\u003e 1 6 Maybe the devil LEDIABLEPROBABLEMENT ( 1 9 7 7 )\u003cbr\u003e Fighting Opponents 3 9 5\u003cbr\u003e Poetry enters the empty space 4 0 0\u003cbr\u003e 1 7 Don L'A RGENT ( 1 9 8 3 )\u003cbr\u003e Oh, Money! The visible God! 4 0 7\u003cbr\u003e The movie is vast, and we did nothing 4 1 6\u003cbr\u003e Poetry in Image and Sound 4 2 5\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eSeeking art that reveals human flaws rather than making everything fit together perfectly\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e A master of pure cinema, excluding traditional narrative, emotional acting, and musical excess.\u003cbr\u003e Pure cinema is a concept that is easy to understand and talk about, but it seems to be quite difficult to implement with a camera. \u003cbr\u003eJust by looking into the process of dedication he went through to make others (audio-visually) aware of the sense that one medium is distinct from another, one realizes that purity, moderation, and exclusion are by no means synonymous with less effort or lesser actions.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e According to Bresson, cinema is not only not like theater, literature, or painting, but it should not pretend to be like them.\u003cbr\u003e Rather than simply conveying a story, a film should awaken the senses and stimulate thought in the viewer through audiovisual language.\u003cbr\u003e He practiced these values ​​in his thirteen works by eschewing conventional acting and emotional excess, which formed his unique aesthetic.\u003cbr\u003e Bresson asked actors to 'exist' as human beings rather than 'acting' emotions.\u003cbr\u003e As Bresson restrains himself, we, the audience, become busy. \u003cbr\u003eYou end up pouring energy into feeling and judging for yourself.\u003cbr\u003e In the process, we acquire the status of observers, participants, rather than spectators who understand a well-crafted scenario.\u003cbr\u003e Actually, this is wrong.\u003cbr\u003e Bresson's unique consideration lies in not taking away the status that other films had.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Because he is not the one who says that the soundtrack creates the atmosphere, but the one who says that he “invented silence,” because he is the one who says that “a film should resemble what the audience sees when they close their eyes,” his films are finally completed within us, and his films and words become a truly free journey for us, the audience.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eIf an actor should exist as a human being instead of transforming into a character,\u003cbr\u003e Shouldn't readers also exist as human beings themselves, rather than being transformed into recipients?\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003eA friend of mine said that Bresson didn't use professional actors.\u003cbr\u003e “Isn’t it because he doesn’t have money?” However, Bresson was able to break away from professional actors more boldly in his later years than in his debut years, and he did so.\u003cbr\u003e It was, in effect, his struggle that allowed him to make and keep his own laws, to maintain absolute control over every aspect of filmmaking and to tolerate no outside interference that would compromise his artistic vision.\u003cbr\u003e So, isn't the originality of a single person less a matter of self-righteousness and more a miracle that allows that originality to multiply? Bresson's originality was absorbed not only as inspiration but also as a force by his colleagues like Jean-Luc Godard and Andrei Tarkovsky, and by his neighbors like André Bazin. \u003cbr\u003eThis collection of interviews, which summarizes Bresson's creative philosophy, will be an inspiration to film students, researchers, artists, and, most importantly, to ourselves who read it.\u003cbr\u003e Because it is a film made not for the audience but for Bresson himself, and because it is not a word spoken for the reader but for Bresson himself. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e June 16, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 432 pages | 438g | 128*182*28mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791189519827\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1189519828 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43889880793130,"sku":"161396","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/5ec15623c9b212ef7a5a0b45e27131a1.jpg?v=1765274868","url":"https:\/\/librairie.coreenne.fr\/en\/products\/161396","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}