{"product_id":"161401","title":"Music Technology Study Book ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQt5W2Uei7M3ULSOoUPe4F.png?v=1764860546\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Music Technology Study Book \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/146933954\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e A practical and systematic music technology textbook for musicians, sound engineers, producers, and students studying music technology. \u003cbr\u003eIn particular, it is filled with content that allows musicians who struggle with even understanding basic terminology to neatly organize most of the technical information needed for their work without having to wander around.\u003cbr\u003e Yet, it provides very clear and accurate answers even for specialized fields such as sound engineering.\u003cbr\u003e Using ChatGPT's unique, perfectly organized grammar, it guides you through 146 technical topics to the answers desired by the author of 'Acoustic Systems Handbook'.\u003cbr\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eUnderstanding sound\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 1.\u003cbr\u003e How do we define sound?\u003cbr\u003e 2.\u003cbr\u003e How is sound transmitted?\u003cbr\u003e 3.\u003cbr\u003e The relationship between sound and medium\u003cbr\u003e 4.\u003cbr\u003e The relationship between fundamental motion and frequency of sound\u003cbr\u003e 5.\u003cbr\u003e Sound is energy\u003cbr\u003e 6.\u003cbr\u003e Sound viewed along the time, magnitude, and frequency axes\u003cbr\u003e 7.\u003cbr\u003e How to tell the loudness of a sound\u003cbr\u003e 8.\u003cbr\u003e Why we use logarithms in decibels\u003cbr\u003e 10.\u003cbr\u003e dBFS in the digital age\u003cbr\u003e 11.\u003cbr\u003e About dynamic range and headroom\u003cbr\u003e 12.\u003cbr\u003e Frequency response\u003cbr\u003e 13. \u003cbr\u003eI need to study about phases too\u003cbr\u003e 14.\u003cbr\u003e About the equal-luminance curve\u003cbr\u003e 15.\u003cbr\u003e What is overtone?\u003cbr\u003e 16.\u003cbr\u003e Nonlinear response of the ear\u003cbr\u003e 17.\u003cbr\u003e We talk a lot about even and odd overtones.\u003cbr\u003e\u003cbr\u003e \u003cb\u003emicrophone\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 18.\u003cbr\u003e Microphone features and selection criteria\u003cbr\u003e 19.\u003cbr\u003e dynamic microphone\u003cbr\u003e 20.\u003cbr\u003e condenser microphone\u003cbr\u003e 21.\u003cbr\u003e ribbon microphone\u003cbr\u003e 22.\u003cbr\u003e Other various microphones\u003cbr\u003e 23.\u003cbr\u003e What is the proximity effect?\u003cbr\u003e 24.\u003cbr\u003e Causes of Overresponse and Considerations in Miking\u003cbr\u003e 25.\u003cbr\u003e More about Mike\u003cbr\u003e 26.\u003cbr\u003e Differences in sound quality depending on connection method\u003cbr\u003e 27.\u003cbr\u003e There are a lot of replica microphones coming out.\u003cbr\u003e 28.\u003cbr\u003e Core Concepts of Miking\u003cbr\u003e 29.\u003cbr\u003e Acoustic Guitar Recording - Microphone vs. Pickup\u003cbr\u003e 30.\u003cbr\u003e Role and effect of accessories such as reflection filters\u003cbr\u003e 31.\u003cbr\u003e Used Microphone Buying \u0026amp; Care Guide\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpeakers and monitors\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 32.\u003cbr\u003e I need to learn how speakers work.\u003cbr\u003e 33.\u003cbr\u003e What you need to know about enclosures\u003cbr\u003e 34.\u003cbr\u003e Active Speakers vs. Passive Speakers\u003cbr\u003e 35.\u003cbr\u003e The Differences and Pros and Cons of Two-Way vs. Three-Way Speakers\u003cbr\u003e 36.\u003cbr\u003e Ribbon Twitter vs. Dome Tweeter Comparison\u003cbr\u003e 37. \u003cbr\u003eHi-Fi speakers as monitor speakers?\u003cbr\u003e 38.\u003cbr\u003e The relationship between woofer speaker inch size and low frequency\u003cbr\u003e 39.\u003cbr\u003e If you use more than one monitor\u003cbr\u003e 40.\u003cbr\u003e Why You Need a Monitor Controller\u003cbr\u003e 41.\u003cbr\u003e Things to consider when mixing solely with headphones\u003cbr\u003e 42.\u003cbr\u003e The difference between open-back and closed-back headphones\u003cbr\u003e 43.\u003cbr\u003e The relationship between monitor speakers and flat frequency response\u003cbr\u003e 44. NS10M, Auratone 5C\u003cbr\u003e 45.\u003cbr\u003e Do you need super expensive monitor speakers?\u003cbr\u003e 46.\u003cbr\u003e Accessories for Monitor Speakers\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMonitoring and Space\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 47.\u003cbr\u003e To create a good monitoring environment\u003cbr\u003e 48.\u003cbr\u003e Room equalization\u003cbr\u003e 49.\u003cbr\u003e Room Mode and Simple Solutions\u003cbr\u003e 50.\u003cbr\u003e If it's a square space\u003cbr\u003e 51.\u003cbr\u003e Dustproofing measures in apartments\u003cbr\u003e 52.\u003cbr\u003e A Guide to Building a Floating Floor on a Budget\u003cbr\u003e 53.\u003cbr\u003e What is the House Curve?\u003cbr\u003e 54.\u003cbr\u003e What is the sweet spot?\u003cbr\u003e 55.\u003cbr\u003e Optimal sound pressure according to the equal loudness curve\u003cbr\u003e 56.\u003cbr\u003e Negative pressure as specified in international standards\u003cbr\u003e 57.\u003cbr\u003e Set the amplifier volume and adjust the sound pressure accordingly.\u003cbr\u003e 58.\u003cbr\u003e Let's learn how to properly match amplifiers and speakers.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eComputer, DAW\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 59. \u003cbr\u003ePros and Cons of Mac and Windows\u003cbr\u003e 60. Which CPU is best for DAW: Intel or AMD?\u003cbr\u003e 61. DAW Comparison\u003cbr\u003e 62.\u003cbr\u003e Comparison of Audio Interface Connection Methods\u003cbr\u003e 63.\u003cbr\u003e Comparison of entry-level audio interfaces\u003cbr\u003e 64.\u003cbr\u003e Comparison of professional audio interfaces\u003cbr\u003e 65.\u003cbr\u003e Comparing the differences between major audio plugin formats\u003cbr\u003e 66.\u003cbr\u003e Comparison of vintage plugins by manufacturer\u003cbr\u003e 67.\u003cbr\u003e Comparison of the most popular plugins by manufacturer\u003cbr\u003e 68. DAW bundled plug-ins\u003cbr\u003e 69. Comparison of DAW bundles and third-party plug-ins\u003cbr\u003e 70.\u003cbr\u003e Plugins made by hardware manufacturers\u003cbr\u003e 71.\u003cbr\u003e Will a GPU help with plugin usage?\u003cbr\u003e 72.\u003cbr\u003e The ultimate difference between hardware and plugins\u003cbr\u003e\u003cbr\u003e \u003cb\u003eanalog, digital\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 73.\u003cbr\u003e The most fundamental difference between analog and digital\u003cbr\u003e 74.\u003cbr\u003e Pros and Cons of Analog Circuits\u003cbr\u003e 75.\u003cbr\u003e Advantages and disadvantages of digital circuits\u003cbr\u003e 76.\u003cbr\u003e Differences between digital circuits and algorithms\u003cbr\u003e 77. PCM sampling\u003cbr\u003e 78.\u003cbr\u003e Nyquist theorem\u003cbr\u003e 79.\u003cbr\u003e Bit depth and dynamic range\u003cbr\u003e 80.\u003cbr\u003e What is quantization noise and dithering noise?\u003cbr\u003e 81.\u003cbr\u003e What is jitter noise? \u003cbr\u003e82. Causes and Solutions for Clicking Noise in DAWs\u003cbr\u003e 83.\u003cbr\u003e Setting the buffer size of your audio interface\u003cbr\u003e 84.\u003cbr\u003e Audio interface loopback function\u003cbr\u003e 85. Processing in DAW channel strips\u003cbr\u003e 86. Converting sessions between DAWs\u003cbr\u003e 87.\u003cbr\u003e How to sum in a digital mixer\u003cbr\u003e 88. Differences in summing algorithms by DAW\u003cbr\u003e 89.\u003cbr\u003e The difference between analog gain and digital gain\u003cbr\u003e 90.\u003cbr\u003e Differences between Native and External DSP Processing\u003cbr\u003e 91.\u003cbr\u003e The need for a hardware controller\u003cbr\u003e 92.\u003cbr\u003e Hardware Controller Protocol Classification\u003cbr\u003e 93.\u003cbr\u003e About the digital console\u003cbr\u003e 94.\u003cbr\u003e Comparison of DSPs by Digital Console\u003cbr\u003e 95.\u003cbr\u003e What is Dante?\u003cbr\u003e 96. Will AVB beat Dante?\u003cbr\u003e 97.\u003cbr\u003e What if I use Dante in my personal studio?\u003cbr\u003e 98.\u003cbr\u003e Network concepts explained simply\u003cbr\u003e 99. TCP\/IP Explained Easily\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMixing Technology\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 100.\u003cbr\u003e The Basics of Level Balance\u003cbr\u003e 101.\u003cbr\u003e noise gate\u003cbr\u003e 102.\u003cbr\u003e How the fader inside a compressor works\u003cbr\u003e 103.\u003cbr\u003e The signal is never compressed\u003cbr\u003e 104.\u003cbr\u003e Why Compressors Are Difficult to CatGPT\u003cbr\u003e 105.\u003cbr\u003e To properly use a vintage compressor\u003cbr\u003e 106. \u003cbr\u003eAdjust dynamics only channel-centric\u003cbr\u003e 107.\u003cbr\u003e limiter\u003cbr\u003e 108.\u003cbr\u003e Dynamic processing\u003cbr\u003e 109.\u003cbr\u003e Multiband Compressor\u003cbr\u003e 110.\u003cbr\u003e About parallel compression\u003cbr\u003e 111.\u003cbr\u003e Adjusting the distance between the source and the microphone with a compressor\u003cbr\u003e 112.\u003cbr\u003e Equalizer\u003cbr\u003e 113.\u003cbr\u003e The biggest misconception about equalizers is\u003cbr\u003e 114.\u003cbr\u003e About Audio Analyzer\u003cbr\u003e 115.\u003cbr\u003e Chorus, phaser, and flanger arrangement\u003cbr\u003e 116.\u003cbr\u003e Representative plugins for Ko, Pe, and P are\u003cbr\u003e 117.\u003cbr\u003e Stereo image related plugins\u003cbr\u003e 118.\u003cbr\u003e Delay theorem\u003cbr\u003e 119.\u003cbr\u003e Let's learn about reverb\u003cbr\u003e 120.\u003cbr\u003e A serious discussion about reverb\u003cbr\u003e 121.\u003cbr\u003e Changing trends in reverb types\u003cbr\u003e 122.\u003cbr\u003e The author's personal reverb settings\u003cbr\u003e 123.\u003cbr\u003e Other plugins\u003cbr\u003e\u003cbr\u003e \u003cb\u003eSound field, spatial audio\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 124.\u003cbr\u003e Sound fields before and after Edison's phonograph\u003cbr\u003e 125.\u003cbr\u003e About sound fields and phantom images, history and definition\u003cbr\u003e 126.\u003cbr\u003e Conditions for creating a phantom image\u003cbr\u003e 127.\u003cbr\u003e Three axes used in stereo mixing\u003cbr\u003e 128.\u003cbr\u003e Discussion on mixing techniques\u003cbr\u003e 129.\u003cbr\u003e About Spatial Sound\u003cbr\u003e 130.\u003cbr\u003e Binaural audio\u003cbr\u003e 131. \u003cbr\u003eCompatibility of spatial and binaural audio\u003cbr\u003e 132.\u003cbr\u003e The History and Meaning of Dolby Atmos\u003cbr\u003e 133.\u003cbr\u003e Technical Description of Dolby Atmos\u003cbr\u003e 134.\u003cbr\u003e Bed and Object\u003cbr\u003e 135.\u003cbr\u003e Discussion of Dolby Atmos implementation\u003cbr\u003e 136.\u003cbr\u003e Dolby Atmos Renderer and Spatial Coding\u003cbr\u003e 137.\u003cbr\u003e Unity of binaural and speaker systems\u003cbr\u003e 138.\u003cbr\u003e Dolby Atmos mixing\u003cbr\u003e\u003cbr\u003e \u003cb\u003eMastering and Beyond\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e 139. LUFS\u003cbr\u003e 140.\u003cbr\u003e Loudness War\u003cbr\u003e 141.\u003cbr\u003e The History of Mastering\u003cbr\u003e 142.\u003cbr\u003e The meaning and purpose of mastering services today\u003cbr\u003e 143.\u003cbr\u003e Mastering while mixing\u003cbr\u003e 144.\u003cbr\u003e The process after the master comes out\u003cbr\u003e 145.\u003cbr\u003e Pros and Cons of Being an Individual Artist\u003cbr\u003e 146.\u003cbr\u003e Individual artist's equipment\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate5338\/MidCate008\/533776532.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eAuthor's Note\u003cbr\u003e\u003cbr\u003e Introducing the first edition\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e At 26, I asked myself, \"What do I know that I need to write a book?\" \u003cbr\u003eAnyway, in the situation in Korea at the time, there were only two books available: a very technically edited book about ten foreign books the size of a phone book, and a translated book like an atlas published annually in Japan. I thought there was no other way, so I did my best to write a book that was easy to read.\u003cbr\u003e As I went through my busy late 20s and 30s, I thought that I should write at least 10 books in my lifetime.\u003cbr\u003e\u003cbr\u003e As is very common, I am busy, I do not have the time, and the domestic publishing market is still difficult. I am the author of a book that has been selling steadily for over 30 years, but that is only the first edition of the Acoustic System Handbook, which is a complete introductory book. The other three books still have the first printing in stock.\u003cbr\u003e The Microphone Handbook, which I wrote with the dream of writing a proper professional book, has not yet sold 2,000 copies since 2009.\u003cbr\u003e\u003cbr\u003e This book, which I recently wrote, is one that I had high expectations for while writing it. \u003cbr\u003eIn the age of artificial intelligence, we used a chatbot called ChatGPT to help us organize deep and important topics with the help of AI.\u003cbr\u003e Knowing that I'm naturally bad at neat presentations, GPT-4o did a great job in 2025.\u003cbr\u003e Of course, it's obvious, but many of the answers were errors that could be difficult to use as is, stories that needed to be corrected, and just general stories that anyone could say, but I focused on refining the questions and answers and focused on the technical aspects of sound, especially music technology.\u003cbr\u003e\u003cbr\u003e In the midst of a flood of data, it is often difficult to find the answers you need.\u003cbr\u003e You might wonder why they make a book when the answers are so easy and clear that you can just ask a question on ChatGPT. \u003cbr\u003eHowever, with the answer, we publish an important book that readers can properly understand in the process of solving it.\u003cbr\u003e\u003cbr\u003e This will be especially helpful for musicians who need technical assistance but may not have easy access to it.\u003cbr\u003e So, the numerous theorems used here are not just ChatGPT's answers.\u003cbr\u003e The sentences were written in an informal conversational style, assuming that they would be more accessible to the MZ generation.\u003cbr\u003e Some people may find this uncomfortable, but the world has changed so much, like Threads, where informal speech is the default, and I think we need to adapt to survive.\u003cbr\u003e There will be parts that are repeated over and over again, and I think it would be better if you understood them because they are important.\u003cbr\u003e\u003cbr\u003e I would like to express my gratitude to the publisher's CEO, Daehee Kim, and the passionate members of the Jang Hojun Sound Workshop Facebook group. \u003cbr\u003eAs I approach 60, I will strive to provide even better articles and resources to help you master difficult sound techniques.\u003cbr\u003e I believe that this is the task I will be working on for the next 20-30 years...\u003cbr\u003e\u003cbr\u003e Spring 2025 \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e May 22, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 309 pages | 700g | 188*257*18mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791199189904 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43889881382954,"sku":"161401","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/e1b707c369a5653a3c5e5af00dcbdd81.jpg?v=1765274925","url":"https:\/\/librairie.coreenne.fr\/en\/products\/161401","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}